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By Noah Lenstra
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Collection Overview
Title: Robert Kelly Music and Papers, 1933-2000
ID: 12/5/46
Primary Creator: Kelly, Robert (1916-2007)
Extent: 5.0 cubic feet
Arrangement: Organized into two series: Series 1: Music. Consists of original manuscripts, manuscript reproductions, paste-ups and pre-publication proofs of Kelly original compositions. Arranged by opus number, with original manuscripts followed by holograph reproductions, paste-ups and publication proofs. Series 2: Papers. Maintained in original order as received. Titles of folders correspond to titles of works unless otherwise noted. Folders contain press clippings, programs, photographs and correspondence relating to works, their premieres and other performances.
Date Acquired: 07/01/2005
Subjects: Faculty Papers, Music, Music, School of
Formats/Genres: Sheet music
Languages: English
Scope and Contents of the Materials
Consists of original manuscripts, holograph manuscript reproductions, paste-ups and proofs of compositions, programs, correspondences, photographs and clippings documenting Robert Kelly's career as a violinist, composer and professor of Music Composition and Theory at the University of Illinois. Of special note are photographs and newspaper clippings from the premiere of the Emancipation Symphony (Symphony No. 3) in Washington DC by the National Symphony in 1963, the 100th Anniversary Year of the Emancipation Proclamation.
Biographical Note
Robert Kelly was born September 26, 1916, at Clarksburg, WV and died in 2007 in Urbana, Illinois. He studied violin at an early age and later majored in violin at the Juilliard School of Music under Samuel Gardner. He studied composition with Rosario Scalero at The Curtis Institute of Music where he received his Bachelor of Music Degree in Composition. Much later he continued studies with Herbert Elwell at the Eastman School of Music where he received his Master of Music Degree in Composition.
From 1946-76 he was Professor of Composition and Theory at the University of Illinois School of Music, Urbana, Illinois. Many of his compositions were composed and performed in this period. Notable ones include: Miniature Symphony (Symphony No. 1) premiered by the Austin Symphony, Ezra Rachlin, conductor, and later with Rafael Kubelik conducting this Miniature Symphony on one of the University of Illinois Contemporary Arts Festivals. Later performances include a performance of the Miniature Symphony by the Cleveland Orchestra, George Szell conducting. Kelly's Symphony No. 2 was premiered in Tokyo, Japan by the Japan Philharmonic Orchestra, Akeo Watanabe conducting. The Emancipation Symphony (Symphony No. 3) was premiered in Washington DC by the National Symphony in 1963, the 100th Anniversary Year of the Emancipation Proclamation. Walden Pond, an Environmental Cantata for Mixed Choir, Percussion Ensemble, Flute, Soprano, and Narrator was premiered by the University of Illinois Concert Choir and Percussion Ensemble conducted by Harold Decker.
Subject/Index Terms
Administrative Information
Repository:
The Sousa Archives and Center for American Music
Acquisition Source:
Robert Kelly
Acquisition Method:
Donation
Related Materials:
Walden String Quartet Administrative Records, 1945-1975, record series 12/05/050, Sousa Archives and Center for American Music, Champaign, IL
Box and Folder Listing
Browse by Series:
[Series 1: Music],
[
Series 2: Papers],
[
All]
- Series 1: Music
- Consists of original manuscripts, manuscript reproductions, paste-ups and pre-publication proofs of Robert Kelly original compositions. Arranged by opus number.
- Box 1
- Folder 1-2: "Notebook no. 1-Original Manuscripts", containing manuscript pages of opus nos. 2, 3, 4, 5, 7, 8, 9, 11, 12, 13
- Folder 3: Transcriptions-piano
- Folder 4: Transcriptions-violin I
- Folder 5: Transcriptions-violin II, viola, clarinet
- Folder 6: Op. 1 "Adirondack Suite"
- Folder 7: Op. 2 "Variations on a Theme by Schubert"
- Folder 8: Op. 10 "Paiyatuma Ballet"
- Folder 9: Op. 13 "Rounds for String Orchestra"
- Folder 10: Op. 14 "Miniature Symphony"
- Folder 11: Op. 15 "Passacaglia and Fugue for Woodwind Quintet"
- Box 2
- Folder 1-2: Op. 17 "Tod's Gal" (a folk opera in one act)
- Folder 3: Op. 18 "Chorale and Fugue for Brass Choirs"
- Folder 4: Op. 19 "Sonata and Fugue for Tenor Trombone and Piano"
- Folder 5: Op. 20 "Introduction and Dialogue"
- Folder 6: Op. 21 "O World, Thou Choosest Not the Better Part" (for high voice)
- Folder 7: Op. 22 "Sonata for Violin and Piano" (dedicated to Mary Kelly)
- Folder 8: Op. 23 "Quartet no. 2 for 2 Violins, Viola and Cello"
- Folder 9: Op. 24 "Concertino for Band"
- Folder 10: Op. 25 "Patterns-A Cantata for Soprano and Orchestra"
- Folder 11: Op. 26 "Song Cycle" (5 poems by Edna St. Vincent Millay)
- Folder 12: Op. 27 "Sonata for Oboe and Harp" (ded. to Marlene and David Ledet)
- Folder 13: Op. 27A "Sonata for Violin and Piano (or harp)"
- Folder 14: Op. 28 "Suite for Solo Cello" (ded. to Roger Drinkall & Rbt. Swenson)
- Folder 15: Op. 29 "Quintet for Bb Clarinet, 2 Violins, Viola and Cello"
- Folder 16: Op. 30 "The Word of God" (Cantata for soloists, chorus, brass choir & string orch.)
- Folder 17: Op. 31 "Song and Dance of a Hillbilly" (for Band)
- Folder 18: Op. 32 "Sonata for Cello and Piano" (dedicated to Robert Swenson)
- Box 3
- Folder 1: Op. 33 "Symphony No. 2"
- Folder 2: Op. 34 "The Sounding of the Seven Trumpets"
- Folder 3: Op. 35 "Toccata for Marimba and Percussion Ensemble"
- Folder 4: Op. 36 "The Torment of Job" (for narrator, men's chorus, brass, percussion & piano)
- Folder 5: Op. 37, no. 1 "Deus, Deus Meus" (motet for a cappella choir)
- Folder 6: Op. 38 "Concerto for Violin, Cello and Orchestra" (to Homer Schmitt & Rbt. Swenson)
- Folder 7: Op. 39 "Emancipation Symphony (Symphony no. 3)"
- Folder 8: Op. 40 "Triptych for Cello and Piano" (dedicated "to John")
- Folder 9: Op. 41 "An American Diptych for Orchestra"
- Folder 10: Op. 42 "String Quartet no. 3"
- Folder 11: Op. 43 "Colloquy for Chamber Orchestra"
- Box 4
- Folder 1-8: Op. 44 "The White Gods" (opera in three acts)
- 1 of 5
- Box 5
- Folder 1: The White Gods (9 of 9)
- Folder 2: Conquistadors Marching Song and Three Aztec Dances (from "The White Gods")
- Folder 3: Op. 45 "Variant for Violin, Cello and Piano"
- Folder 4-5: Op. 46 "Concerto for Violin and Orchestra"
- Folder 6: Op. 47 "Wanderlust" (for soprano and piano)
- Folder 7-8: Op. 48 "Diacoustics for Piano and Percussion Ensemble"
- Folder 9: Op. 49 "3 Expressions (Dramatic, Serene, Jovial) for Violin and Cello (or Viola)"
- Folder 10-11: Op. 50 "Fluctuations for Organ, Brass and Percussion"
- Folder 12: Op. 51 "Concerto for Cello and Orchestra" (dedicated to Roger Drinkall)
- Box 6
- Folder 1: Concerto, op. 51 (2 of 2)
- Folder 2-3: Op. 52 "Walden Pond" (Cantata) and "Four Transitions for 'Walden Pond'"
- Folder 4-5: Op. 53 "Concerto for Viola and Orchestra" (dedicated to Guillermo Perich)
- Folder 6: Op. 54 "Concertino for Chamber Orchestra" (ded. to Texas Little Symphony)
- Folder 7: Op. 55 "Tubulations" (for Solo Tuba, Winds and Perc.) (ded. to Daniel Perantoni)
- Folder 8: Op. 56 "Garden of Peace-A Meditation for Strings" (in mem. of Fannie Kelly)
- Folder 9: Op. 57 "Concerto for Violin, Viola and Orchestra"
- Box 7
- Folder 1: Op. 58 "Rural Songs for Soprano and Orchestra" (ded. to Phyllis Curtin)
- Folder 2: Op. 59 "Shenandoah Variations" for cello (or viola) ensemble (ded. to Rbt. Ashby)
- Folder 3: Op. 59A "Variations on Shenandoah" for string orchestra
- Folder 4: Op. 60 "The Celestial Trumpet" (A Trinity for solo trumpet, brass choir & perc.)
- Folder 5: Op. 61 "String Quartet no. 4 (Oriental-Occidental Quartet"
- Folder 6: Op. 62 "Fantasia for Solo Harp, Alto Flute, Oboe and String Quartet"
- Folder 7: Op. 63 "A Heavenly Rhapsody" for solo flute, harp, celesta, perc. and strings
- Folder 8: Op. 64 "Sonata No. 2 for Cello and Piano" (ded. to Roger Drinkall & Dian Baker)
- Folder 9: Op. 65 "Christmas Poem" (SATB with keyboard; poem by John Gracen Brown
- Folder 10: Op. 66 "Variations on Five Moods" for oboe & harp
- Folder 11: Op. 67 "A Symphony of Rose Sonnets (Symphony no. 4)"
- Folder 12: Op. 67A "A Symphony of Rose Sonnets" for soprano (or tenor) and piano
- Folder 13: Op. 68 "Hungarian Scenes (Sonata no. 2)" for violin & piano (plus an incomplete attempt at orchestrating the same piece for violin and chamber orchestra)
- Folder 14: Op. 69 "Serenades" for saxophone quartet and percussion (dedicated "In memory of our son, Thomas J. Kelly")
- Folder 15: Op. 72 "Sonata no. 2 for Viola and Piano" (ded. to Anne & William Heiles)
- Box 8
- Folder 1: Op. 73 "A Sinfonia Concertante for Chamber Orchestra"
- Folder 2: Op. 77 "Memories" for string trio and Op. 78 "Humorous Songs" for mixed choir & piano (both in one spiral-bound manuscript notebook)
- Folder 3: Op. 83 "Chamber Concerto" for violin, harp and mixed choir
- Folder 4: "Old State House" for speakers, narrator, mixed chorus & orchestra
- Folder 5: Twenty-Third Psalm, No. 1, and choral
- Folder 6: "The Bee and the Grasshopper" (score and parts)
- Folder 7: "Make a Joyful Noise to the Lord" for SATB (unpublished manuscript)
- Folder 8: "O Jesu Veracisseme" for SATBB
- Folder 9: "Bless You, Paul" for SATB (lyrics by Kelly, music anonymous)
- Folder 10: "O, Children of God" for SATB
- Folder 11: "Sunset Reflections-A Song for A Retirement Village" (seems to be Kelly's last completed completed composition)
- Folder 12: Folder marked "Compositions in Progress"
- Folder 13: Printed copy of Op. 14 (with 1995 copyright notice & corrections)
- Folder 14: Paste-up score of Op. 19
- Folder 15: Originals for printing for Op. 34 & 34A, with corrections & notes
- Folder 16: Originals for printing for Op. 35A, with corrections & notes
- Folder 17: Composer's copy of Op. 36
- Folder 18: Composer's copy of Op. 37, no. 1
- Folder 19: Composer's copy of Op. 46A
- Folder 20: Originals for printing for Op. 47, with notes & corrections
- Box 9
- Folder 1: Printed cello part for Op. 48
- Folder 2: Composer's copy of Op.55 (score & solo tuba part)
- Folder 3: Composer's copy of Op. 57, with corrections
- Folder 4: Examination copy of Op. 58
- Folder 5: Composer's copy of Op. 59A (parts)
- Folder 6: Composer's copy of Op. 63 (choir part)
- Folder 7: Composer's copy of Op. 65, with corrections
- Folder 8: Composer's copy & proofs of Op. 66, with corrections
- Folder 9: Back-up originals of Op. 67 (orchestral score & parts)
- Folder 10: Composer's copy & proofs of Op. 67 (piano reduction)
- Folder 11: Composer's copy of Op. 69, with corrections
- Folder 12: Proof copy of Op. 70
- Folder 13: Composer's copy of Op. 71, with corrections and orchestration ideas
- Box 10
- Folder 1: Composer's copy of Op. 73 (note on front cover: "corrected after premiere")
- Folder 2: Composer's copy of Op. 76 (viola part only)
- Folder 3: Composer's copy of Op. 80
- Folder 4: Composer's copy of Op. 83, with notes & corrections
- Folder 5: Composer's copy of "A Sentimental Song", with notes & corrections
- Folder 6: Comp. copy of "Modal Variations on Two-Voice Bach Inventions", w/ ms. pages
- Folder 7: Facsimile score of "Jesus is Crucified"
- Folder 8: "Box No. 2, Original manuscripts, "non opus numbers"-containing several manuscripts, chiefly for vocal songs, either with no opus numbers or opus numbers later crossed out
- Folder 9: "First Compositions"-containing manuscripts for pieces & songs, 1933-36, some untitled
- Folder 10: "NBC"-containing manuscript score & parts for "Choral" and "Fugue" for brass choir, along with manuscripts for other pieces, including "American Dance No. 1" and "Prelude."
- Folder 11: Opera The White Gods, op. 44
- proofreading copies of the entire score and the "Four Aztec Dances"
- Folder 12: Opera The White Gods, op. 44
- envelope marked "pentachord structure of The White Gods"
- Folder 13: Opera The White Gods, op. 44
- typescript copy of the libretto, with corrections; and composer's (printed) copy of the libretto, with corrections
- Box 11
- Folder 1: The White Gods, Vocal Score, proofreading copy
- Folder 2: The White Gods, Vocal Score, proofreading copy
- Folder 3: "Two Songs for Soprano", op. 7 no. 1 & op. 8 no. 1
- Folder 4: "Daybreak" (song)
- Folder 5: "Variations on a Theme of Schubert", op. 12
- Folder 6: "Quartet in E Major", op. 16
- Folder 7: "A Free Fugue on Two Themes", op. 18
- Folder 8: "String Quartet No. 2", op. 23
- Folder 9: "Patterns", op. 25
- Folder 10: "Suite for Solo Cello", op. 28
- Folder 11: "Song and Dance of a Hillbilly", op. 31
- Folder 12: "Mosaic", op. 42
- Folder 13: "O World, Thou Choosest Not the Better Part" (song)
- Folder 14: "The Last Invocation" (song)
- Folder 15: "Passacaglia and Fugue for Woodwind Quintet"
- Folder 16: Tod's Gal (A Folk Opera), piano-vocal score with handwritten synopsis
- Box 14
- Folder 1: "Adirondack Suite", op. 1 (2 copies)
- Folder 2: "Paiyatuma", op. 10 (and the ballet suite from same)
- Folder 3: Tod's Gal (A Folk Opera), full score
- Folder 4: Curtis Institute Student Compositions, ca. 1939-1941
- Folder 5: Garden of France, op. 56A, 1987
- Folder 6: Variant for Violin, Cello and Piano, submitted to Bowdoin Competition, 1964
- Folder 7: Debussy, "Suite Bergamasque" transcriptions for violin, viola and cello
- Folder 8: Emancipation Proclamation, Washington, D.C., photographs and newspaper plates, 1961
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Series 2: Papers],
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