.
By Bethany R. Cooper and Nolan Vallier
Collection Overview
Title: Kenneth Gaburo Papers, 1936, 1945-93

ID: 12/5/33
Primary Creator: Gaburo, Kenneth (1926-1993)
Extent: 37.7 cubic feet
Arrangement: The Kenneth Gaburo Papers are arranged into two distinct series: Series 1) Kenneth Gaburo Music and Papers, and Series 2) Larry Polansky Lingua Press Records. Series 1 was arranged and described by Bethany Cooper in 2003, who arranged the content into 40 subseries that were organized first at the box level and secondarilly by material type. Series 2 was arranged and described by in 2013 and was arranged into two separate subseries: Business Records and Correspondence. Materials in Series 2 were arranged chronologically.
Date Acquired: 05/27/1999. More info below under Accruals.
Subjects: Alumni, Brün, Herbert (1918-2000), Business Records, Cage, John, Choirs, Composers, Compositions-Music, Computer Music, Correspondence, Electronic Music, Faculty Papers, Graphic Notation--Music, Hamm, Charles, Hiller, Lejaren (1924-1994), Martirano, Salvatore, Multimedia Performance, Music Publishers, Partch, Harry, University of California San Diego, University of Illinois, University of Iowa
Formats/Genres: Experimental Music, Papers, Sheet music, Sound Recordings
Languages: English
Scope and Contents of the Materials
Consists of correspondence, published and manuscript musical compositions, sound recordings, motion picture and video recordings, and photographs relating to Gaburo’s compositions and performances, Lingua Press music publishing business, and his New Music Choral Ensemble performance group, University of California San Diego Electronic Music Studio (1968-75), University of Iowa Electronic Music Studio (1970-91). Of note are the conductors score and rehearsal tapes of Harry Partch's "The Bewitched," which Gaburo conducted.
Biographical Note
Kenneth Gaburo (1929-1993) was born in Somerville New Jersey. In 1943, he began his studies in composition at the Eastman School of Music with Bernard Rodgers. In 1949, he received master's degrees in composition and piano performance from Eastman. Between 1954 and 1955 he studied at the Accademia di Santa Cecilia in Rome with Goffredo Petrassi. Soon after he began his doctoral studies with Burrill Phillips and Hubert Kessler at the University of Illinois where he received a Doctor of Musical Arts in 1962. While completing his doctorate, he joined the faculty of the composition department at the University between 1955 and 1968. In 1967 he was named an associate fellow of the University of Illinois Institute for Advanced Study and received several grants to research the confluence between musical composition and linguistics at both the University's of Illinois and California. In the summer of 1965, Gaburo established the New Music Choral Ensemble I, a summer workshop that performed contemporary music that explored pitch, duration, timbre, indeterminacy, extended vocal techniques, and the integration of the voice and electronic instruments. In 1968, Gaburo left the University of Illinois to accept a teaching position at the University of California at San Diego, here he established the New Music Choral Ensemble II. By 1970 he had established the New Music Choral Ensemble III in order to more fully explore musical linguistics and dance. In 1972, he established the New Music Choral Ensemble IV to explore mime and acting. In 1975, Gaburo resigned from the University of California at San Diego and began touring professionally. Shortly after this, Gaburo accepted a position at the University of Iowa where he worked until his death in 1993.
While maintaining an active career as a composer, Gaburo also acted as a music publisher founding the Lingua Press in 1975, which he managed until his death in 1993. After Gaburo died the company continued to publish music under the Lingua Press title until it was changed to Frog Peak Music by Gaburo's Business Partner Larry Polansky.
Gaburo was also an active conductor and promoter of new music conducting his four New Music Choral Ensembles as well as the European premiere performance of Harry Partch's The Bewitched in 1979.
Subject/Index Terms
Administrative Information
Repository:
The Sousa Archives and Center for American Music
Accruals:
The Kenneth Gaburo Papers were initially acquired by University Archives on May 27, 1999. Additional materials were acquired from Larry Polansky by the Sousa Archives on August 9, 2013.
Acquisition Source:
gift
Related Materials:
See also the Experimental Studio Records, the Harry Partch Estate Archive, the Music and Performing Arts Library Harry Partch Collection, the Salvatore Martirano Papers, the Paul Martin Zonn Papers, the Scott Wyatt Papers, the William Brooks Papers, the Music Library Administrative Records, and the School of Music Audio Recordings Festival of Contemporary Arts Series. For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers. For more information please see https://research.lib.buffalo.edu/hiller.
Box and Folder Listing
Browse by Series:
[Series 1: Kenneth Gaburo Music and Papers],
[
Series 2: Larry Polansky Lingua Press Records, 1975-1991],
[
All]
- Series 1: Kenneth Gaburo Music and Papers

- Consists of correspondence, educational materials, tax information, pictures, slides, concert programs, business records, musical scores and sketches, and both audio and visual recordings of performances, rehearsals, and found sounds made by Kenneth Gaburo. The Series was organized by the University Archives by physical shape and size and by document type at the box level. There are a total of 40 Subseries within series 1, with additional Sub-Subseries located within Subseries 1 and Subseries 37 (These are notated with additional markings within the titles of the items).
- Box 1

- Sub-Series 1: Personal Items

- Folder 1: Personal Items: Astrological Readings for Kenneth Gaburo, undated

- Folder 2: Personal Items: "In Memory of Kenneth Gaburo" Funeral Booklet, 1993

- Folder 3: Personal Items: Gaburo EEG Extended, June 2, 1989

- Folder 4: Articles and Clippings: Notes on Scrap Paper, undated

- Folder 5: Articles and Clippings: Gaburo Scrapbook 1, 1945-1959

- Folder 6: Articles and Clippings: Gaburo Scrapbook 2, 1948-1967

- Folder 7: Articles and Clippings: Scrapbook (Awards, Correspondence, and Clippings), 1948-1961

- Folder 8: Articles and Clippings: Scrapbook (The Snow Queen, Widow, New York events, photographs and clippings), 1949-1962, 1973

- Folder 9: Articles and Clippings: Newspaper Articles, 1957-1961

- Folder 10: Articles and Clippings: Newspaper Articles, 1963-1966

- Folder 11: Articles and Clippings: Newspaper Articles, 1967-1972

- Folder 12: Articles and Clippings: Newspaper Articles, 1973-1978

- Folder 13: Articles and Clippings: Newspaper Articles, 1979-1982

- Folder 14: Articles and Clippings: Newspaper Articles, 1983-1988

- Folder 15: Articles and Clippings: Newspaper Articles, 1987-1991

- Folder 16: Statement of Purpose and Proposal for the Collegiate Singers, 1961

- Folder 17: "Music of the last 40 years not yet established in the repertoire", 1974-1975

- Folder 18: Center for Music Experiment Report, 1974-1975

- Folder 19: Symposium of the International Musicological Society (Abstracts), 1988

- Folder 20: Interviews: Kenneth Gaburo: Sound and Fury, interview by Judith S. Grove, 1972

- Folder 21: Interviews: "Para-Maledetto" Essay on Gaburo Composition Lingua II: Maldetto, by students of Dr. Charles Lipp, 1974

- Folder 22: Interviews: Maldetto, by Bill Brooks for Perspectives of New Music, 1980

- Folder 23: Interviews: Kenneth Gaburo interviewed by Nicholas Zurbrugg, 1983

- Folder 24: Collaboration I: Kenneth Gaburo and Steven Schick discuss Gaburo's Antiphony VIII [revolution], 1988

- Folder 25: Disstertations and Scholarly Writing: Dissertations supervised by Gaburo, undated

- Folder 26: Disstertations and Scholarly Writing: "Lightning for In the Can" by Gary L. Yoder, 1972

- Folder 27: Disstertations and Scholarly Writing: "Mouthpiece by Kenneth Gaburo: A performer's analysis of the composition" by Jack Logan, 1977

- Folder 28: Disstertations and Scholarly Writing: "Corporeality in the Music of Harry Partch" (Interview with Gaburo), 1984

- Interview on pp. 184-261
- Folder 29: Disstertations and Scholarly Writing: "The Choral Compositions of Kenneth Gaburo" by David Charles Ferreira, 1963

- Folder 30: Disstertations and Scholarly Writing: "Antiphony IV of Kenneth Gaburo" by Eric Larson, 1987

- Folder 31: Correspondence: General, 1971, 1973-1974, 1977

- Folder 32: Correspondence: Albaugh, John and Laura Carlson, 1986

- Folder 33: Correspondence: Allik, Kristi, 1981-1986

- Folder 34: Correspondence: Anderson, Cain, Scott and Veronica, 1987-1991

- Folder 35: Correspondence: Babbitt, Milton, 1958-1981

- Folder 36: Correspondence: Bard, Ellen, 1982-1991

- Folder 37: Correspondence: Barkin, Elaine, 1977-1992

- Folder 38: Correspondence: Barndt, Mimi, 1969, 1971

- Folder 39: Correspondence: Barndt, Ros, 1979, 1982

- Folder 40: Correspondence: Barnett, Bonnie, 1977-1992

- Folder 41: Correspondence: Barron, Elinor, 1972, 1978

- Folder 42: Correspondence: Barron, Susan and David, 1969-1983

- Box 2

- Sub-Series 1: Personal Items

- Folder 1: Correspondence: Basant, Ann, 1973-1988

- Folder 2: Correspondence: Bean, Calvert, 1962-1989

- Folder 3: Correspondence: Blakey, Sue, 1989

- Folder 4: Correspondence: Blackburn, Philip and Alex, 1979-1992

- Folder 5: Correspondence: Blackenburg, Lou, 1980-1984

- Folder 6: Correspondence: Block, Glen, 1976-1986

- Folder 7: Correspondence: Bolleter, Ross, 1987-1988

- Folder 8: Correspondence: Brooks, Bill, 1971-1992

- Folder 9: Correspondence: Brun, Herbert, 1966-1980

- Folder 10: Correspondence: Bulber, Patrice, 1985

- Folder 11: Correspondence: Burt, Warren, 1973-1993

- Folder 12: Correspondence: Cantrill, Arthur and Corrine, 1987-1988

- Folder 13: Correspondence: Cary, Tristram, 1976

- Folder 14: Correspondence: Casellman, Barry, 1971-1991

- Folder 15: Correspondence: Celona, John, 1972-1987

- Folder 16: Correspondence: Chase, David and Ann, 1971-1983

- Folder 17: Correspondence: Chopin, Henri, 1985

- Folder 18: Correspondence: Conover, William K., 1983

- Folder 19: Correspondence: Cope, David, 1977-1981

- Folder 20: Correspondence: Copland, Aaron, 1959-1967

- Folder 21: Correspondence: Cuellar, Carlos, 1990

- Folder 22: Correspondence: Culbertson, Mark, 1981, 1992

- Folder 23: Correspondence: Cummiskey, Linda, 1976-1979

- Folder 24: Correspondence: Cupples, Ric, 1972-1977

- Folder 25: Correspondence: Cutler, Jean, 1971

- Folder 26: Correspondence: Dahlheim, Eric and Barbara, 1972-1989

- Folder 27: Correspondence: Defotis, Bill amd Susan Motycka, 1977-1992

- Folder 28: Correspondence: Delloria, M., 1980, 1985

- Folder 29: Correspondence: Dickson, Susan, undated

- Folder 30: Correspondence: Drummond, Siobhan, 1980-1981

- Folder 31: Correspondence: Dunn, David, 1983-1987

- Folder 32: Correspondence: Dywnska, Dorota, 1988

- Folder 33: Correspondence: English, Jon, undated

- Folder 34: Correspondence: Enslin, Mark, 1987

- Folder 35: Correspondence: Erickson, Robert, 1959-1962

- Folder 36: Correspondence: Ewen, David, 1979-1980

- Folder 37: Correspondence: Ferreira, David and Linda, 1976-1977

- Folder 38: Correspondence: Fonville, John, 1987

- Folder 39: Correspondence: Francois, Jean Charles, 1986, 1991

- Folder 40: Correspondence: Freeman, Betty, 1983, 1985

- Folder 41: Correspondence: Franco, Clare, 1973-1974

- Folder 42: Correspondence: Fromm, Paul, 1955-1987

- Folder 43: Correspondence: Fulkerson, James, 1973-1987

- Folder 44: Correspondence: Gaber, Harley, 1976-1989

- Folder 45: Correspondence: Gaburo, Amadeo, 1955

- Folder 46: Correspondence: Gaburo, Isabelle, 1967-1982

- Folder 47: Correspondence: Gaburo, Kenneth, 1961-1992

- Folder 48: Correspondence: Gaburo, Kirk and Beth, 1971-1990

- Folder 49: Correspondence: Gaburo, Lia, 1983-1989

- Folder 50: Correspondence: Gaburo, Mark, Joyce, and Angela, 1980-1989

- Folder 51: Correspondence: Gaburo, Virginia, 1980-1981

- Folder 52: Correspondence: Gaburo, Yvonne, 1979-1982

- Folder 53: Correspondence: Geil, Jean, 1985-1993

- Folder 54: Correspondence: General Correspondence, 1968-1992

- Folder 55: Correspondence: Glasgow, Glenn, 1959, 1985

- Folder 56: Correspondence: Glassman, Jeff, 1981-1985

- Folder 57: Correspondence: Goode, Daniel, 1973-1991

- Folder 58: correspondence: Haase, Pearl, 1985-1986

- Folder 59: Correspondence: Hamlin, Peter, undated

- Folder 60: Correspondence: Harrison, Lou, 1982-1985

- Folder 61: Correspondence: Hasse, Jean, 1977-1978

- Folder 62: Correspondence: Heller, Barbara, 1990

- Folder 63: Correspondence: Hendler, Joyce, 1979

- Folder 64: Correspondence: Hewitt, Barnard, 1965-1978

- Folder 65: Correspondence: Hibbard, William, 1970-1978

- Folder 66: Correspondence: Hix, Jennifer, 1989-1992

- Folder 67: Correspondence: Hoitenga, Camilla, 1989

- Folder 68: Correspondence: Hruby, Patricia, 1991-1992

- Folder 69: Correspondence: Hunter, George, 1966-1967

- Folder 70: Correspondence: Jeffers, Ron, 1971-1989

- Folder 71: Correspondence: Johnson, Jack, 1976

- Folder 72: Correspondence: Johnston, Ben, 1969-1991

- Folder 73: Correspondence: Kaplon, Linda B., undated

- Folder 74: Correspondence: Kemp, Milford C., 1976-1980

- Folder 75: Correspondence: Knetsch, Christiane, 1987-1988

- Folder 76: Correspondence: Kolb, Barbara, 1975-1976

- Folder 77: Correspondence: Korte, Karl, 1968, 1977

- Folder 78: Correspondence: Krueger, Sardi, 1976-1977

- Folder 79: Correspondence: Laske, Otto, 1978-1992

- Folder 80: Correspondence: Latham, Thais, 1971-1972

- Folder 81: Correspondence: Leandre, Joelle, 1978-1979

- Folder 82: Correspondence: Lentz, E.M., 1977

- Folder 83: Correspondence: Levin, Rami, 1977-1978

- Folder 84: Correspondence: Levy, Burt, 1969-1992

- Folder 85: Correspondence: Lewis, Bob, 1965-1969

- Box 3

- Sub-Series 1: Personal Items

- Folder 1: Correspondence: Lewis, Peter Tod, 1970-1981

- Folder 2: Correspondence: Lockwood, Annea, 1990

- Folder 3: Correspondence: Lipp, Charles, 1967-1981

- Folder 4: Correspondence: London, Ed, 1974

- Folder 5: Correspondence: Lusk, Norma, 1972

- Folder 6: Correspondence: Macdougal, Bob, 1980-1982

- Folder 7: Correspondence: Mackenzie, Kendra, 1979

- Folder 8: Correspondence: MacLow, Jackson, 1979

- Folder 9: Correspondence: Magrill, Sam, 1977-1983

- Folder 10: Correspondence: Mann, Chris, 1969-1990

- Folder 11: Correspondence: Mortino, David, 1966-1982

- Folder 12: Correspondence: Martirano, Salvatore, 1980

- Folder 13: Correspondence: May, Theodore, 1975-1981

- Folder 14: Correspondence: Mayer-Denkmann, Gerty, 1990

- Folder 15: Correspondence: Mayer, William, 1968

- Folder 16: Correspondence: McCarty, Frank, 1973-1974

- Folder 17: Correspondence: Mitro, Gary and Joanna, 1978-1992

- Folder 18: Correspondence: Mizelle, Susan and John, 1975-1992

- Folder 19: Correspondence: Moore, Alan, 1986

- Folder 20: Correspondence: Morrow, Jean, 1973-1980

- Folder 21: Correspondence: Mortague, Stepha, 1979

- Folder 22: Correspondence: Mullen, Bill, 1976-1979

- Folder 23: Correspondence: Muller, Dave, 1978-1994

- Folder 24: Correspondence: Natvig, Candace and John English, 1972

- Folder 25: Correspondence: Nee, Thomas, undated

- Folder 26: Correspondence: Nowark, Mark Andrew, 1990-1991

- Folder 27: Correspondence: O'Brien, Jane, 1988

- Folder 28: Correspondence: Otte, Al, 1974-1992

- Folder 29: Correspondence: Oliver, Wendy, 1973-1975

- Folder 30: Correspondence: Oliveros, Pauline, 1967-1990

- Folder 31: Correspondence: Paccione, Paul, 1978-1992

- Folder 32: Correspondence: Parenti, Susan, 1982

- Folder 33: Correspondence: Poredes, Bob and Catherine Schieve, 1985-1986

- Folder 34: Correspondence: Porsons, Will and Grace Bell, 1984-1986

- Folder 35: Correspondence: Petrassi, Geoffredo, 1961-1986

- Folder 36: Correspondence: Phillips, Burill, 1957-1985

- Folder 37: Correspondence: Phillips-Farley, Barbara and Mike, 1988-1991

- Folder 38: Correspondence: Pierssens, Michael, 1974-1992

- Folder 39: Correspondence: Pinell, Gerald, 1983-1986

- Folder 40: Correspondence: Polansky, Larry, 1982-1987

- Folder 41: Correspondence: Powell, Morgan, 1968-1991

- Folder 42: Correspondence: Poyourow, David, undated

- Folder 43: Correspondence: Randall, J.K., 1987-1989

- Folder 44: Correspondence: Rands, Bernard, 1973-1989

- Folder 45: Correspondence: Reynolds, Roger, 1977-1981

- Folder 46: Correspondence: Richards, Eric, 1975-1986

- Folder 47: Correspondence: Riley, Dennis, 1972

- Folder 48: Correspondence: Robboy, (Ron), 1977-1989

- Folder 49: Correspondence: Robertson, Bob, 1966

- Folder 50: Correspondence: Robertson, Durant, 1975-1977

- Folder 51: Correspondence: Rodgers, Betty, 1985-1986

- Folder 52: Correspondence: Rodell, Andrew, 1983

- Folder 53: Correspondence: Rosenberg, Wolf, 1967

- Folder 54: Correspondence: Rubin, Anna, 1982

- Folder 55: Correspondence: Rymlan, Lizbeth, 1989

- Folder 56: Correspondence: Rzewski, Frederic, 1991

- Folder 57: Correspondence: Sacks, Jonathan, 1978

- Folder 58: Correspondence: Salzman, Eric, 1965-1973

- Folder 59: Correspondence: Sazama, Carol, 1968-1976

- Folder 60: Correspondence: Scarvada, Donald, 1978-1984

- Folder 61: Correspondence: Schick, Steve, 1983-1992

- Folder 62: Correspondence: Schmidt, Eric, 1980-1981

- Folder 63: Correspondence: Schochen, Seyril, 1960-1982

- Folder 64: Correspondence: Scott, Cleve L., 1971-1990

- Folder 65: Correspondence: Segur, Eric, 1980-1991

- Folder 66: Correspondence: Shallenberg, Bob (Robert), 1970-1981

- Folder 67: Correspondence: Sigurbjornssen, Thorkell, undated

- Folder 68: Correspondence: Sinclair, Jessica, 1978

- Folder 69: Correspondence: Skei, Allen B., 1975-1985

- Folder 70: Correspondence: Skei, Nancy, 1988

- Folder 71: Correspondence: Silber, Jon, 1975

- Folder 72: Correspondence: Smith, Sherry, 1974-1979

- Folder 73: Correspondence: Smith, Stuart, 1982-1987

- Folder 74: Correspondence: Smith, Sylvia, 1974-1986

- Folder 75: Correspondence: Steimitz, Paul, 1967

- Folder 76: Correspondence: Steinke, Greg, 1979-1982

- Folder 77: Correspondence: Sterne, Teresa, 1967-1971

- Folder 78: Correspondence: Stweart, Amanda, 1988-1989

- Folder 79: Correspondence: Strange, Allen, undated

- Folder 80: Correspondence: Sublette, Ned, 1976-1980

- Folder 81: Correspondence: Sullivan, Mark, 1977-1988

- Folder 82: Correspondence: Swengel, Marcia, 1972-1976

- Folder 83: Correspondence: Taylor, Ruth Ellen, 1971

- Folder 84: Correspondence: Telegrams, 1961-1965

- Folder 85: Correspondence: Tenney, James, 1973-1986

- Folder 86: Correspondence: Terhune, Elizabeth, 1979

- Folder 87: Correspondence: Thomson, Virgil, 1962-1985

- Folder 88: Correspondence: Thorne, Francis, undated

- Folder 89: Correspondence: Thoreen, John, 1972

- Folder 90: Correspondence: Turetzky, Bertram, 1983-1991

- Folder 91: Correspondence: Vella, Richard, 1987

- Folder 92: Correspondence: Verkade, Gary, 1985-1992

- See also Musical Americana (12/9/50) Series 3, Box 69, Folder 21.
- Folder 93: Correspondence: Vickerman, Linda, 1972

- Folder 94: Correspondence: Von Foerster, Heinz, 1973-1990

- Folder 95: Correspondence: Wilson, Margery, 1972

- Folder 96: Correspondence: Winhurst, Karen, undated

- Folder 97: Correspondence: Wishart, Trevor, 1979

- Folder 98: Correspondence: Wood, Charles and Essential Music, 1980-1991

- Folder 99: Correspondence: Wuorinen, Charles, 1967-1968

- Folder 100: Correspondence: Yannay, Yehuda, 1981

- Folder 101: Correspondence: Yoder, Gary, 1971-1972

- Folder 102: Correspondence: Zurbrugg, Nicholas, 1987-1992

- Folder 103: Diaries and Notebooks: Comp Linguistics Workbook 1, undated

- Folder 104: Diaries and Notebooks: From Folder entitled "Scraps on Process", undated

- Folder 105: Diaries and Notebooks: From Notebook labelled "Current Workbook 92-3 c/o SABAT, workbook checklist of things done", undated

- Folder 106: Diaries and Notebooks: contents of unlabelled notebook, undated

- Box 4

- Sub-Series 1: Personal Items

- Folder 1: Diaries and Notebooks: "Pub. Workbook", 1973

- Includes writing about "Mouthpiece"
- Folder 2: Diaries and Notebooks: Contents of Notebook, 1975

- Folder 3: Diaries and Notebooks: "Compositional Linguistics" Notebook Contents, undated

- Folder 4: Diaries and Notebooks: Loose Notebook pages, undated

- Part 1 of 2
- Folder 5: Diaries and Notebooks: Loose Notebook pages, undated

- Part 2 of 2
- Folder 6: Diaries and Notebooks: Contents of a research notebook, undated

- Not labelled
- Folder 7: Diaries and Notebooks: Loose Diary Pages, undated

- Folder 8: Diaries and Notebooks: Contents of a notebook, 1988-1989

- Folder 9: Diaries and Notebooks: School/ Composition Lesson Notebook, 1961-1962

- Folder 10: Diaries and Notebooks: General Notebook at VCSD, undated

- Folder 11: Diaries and Notebooks: General Notebook, 1978

- Folder 12: Diaries and Notebooks: SMSD and Essays on Damage, 1978

- Folder 13: Diaries and Notebooks: Loose Paper from SMSD Notebook, undated

- Folder 14: Diaries and Notebooks: Diary on "Bewitched" project, 1979-1980

- Folder 15: Diaries and Notebooks: Loose pages from "Bewitched" diary, undated

- Folder 16: Diaries and Notebooks: Business, working orders and grant awards, 1981

- Folder 17: Diaries and Notebooks: Diary, 1981-1983

- Folder 18: Diaries and Notebooks: Loose paper from Black Diary, September 17, 1981

- Folder 19: Diaries and Notebooks: Lingua Press Collection 3 Catalogue and General Work, 1983

- Folder 20: Diaries and Notebooks: Bookkeeping, 1977-1978

- Folder 21: Diaries and Notebooks: Addresses Q-Z, undated

- Folder 22: Diaries and Notebooks: Essays on Damage and other writings, general notebook, undated

- Folder 23: Diaries and Notebooks: Workbooks and Reminders, 1986, 1984

- Includes three notebooks: Studio Needs, Yellow Notebook with addresses and lists, and "Hytone Memo Pad" with addresses
- Folder 24: Diaries and Notebooks: Iowa City, undated

- Folder 25: Diaries and Notebooks: "EM Studio/KG work" Anthiphony X patches and notes, 1989-1990

- Folder 26: Diaries and Notebooks: Writings, 1983, 1988-1992

- Folder 27: Diaries and Notebooks: Loose Paper from "Writings" notebook, undated

- Folder 28: Diaries and Notebooks: Lingua Press, 1992

- Folder 29: Promotional and Biography, 1993

- Folder 30: Promotional Biography, undated

- Folder 31: Program Notes, 1975-1976

- Folder 32: Requests to Meet, 1963-1989

- Box 5

- Sub-Series 1: Personal Items

- Folder 1: Taxes, 1978

- Folder 2: Taxes, 1979

- Folder 3: Taxes, 1980

- Folder 4: Taxes, 1981

- Folder 5: Taxes, 1982

- Folder 6: Taxes, 1983

- Folder 7: Taxes, 1984

- Folder 8: Taxes, 1985

- Folder 9: Taxes, 1986

- Folder 10: Taxes, 1987

- Folder 11: Taxes, 1988

- Folder 12: Taxes, 1989

- Folder 13: Gaburo Dissertation, 1962

- Folder 14: Gaburo Thesis Materials, ca. 1965

- Folder 15: Qualifying Examination Materials, 1975

- Folder 16: Archives Business, 1989-1992

- Folder 17: Curriculum Vitae, 1988

- Folder 18: Family, ca. 1955-1980

- Folder 19: Fan mail and thank-you letters, 1965-1992

- Folder 20: Financial Papers, 1980-1989

- Folder 21: The Music in Samuel Beckett's Play, 1973-1974

- Folder 22: Housing, 1978

- Folder 23: Legal Problems with S. Lay over Gaburo Dogs, 1973-1975

- Folder 24: Medical, 1981-1992

- Sub-Series 2: Drafts of Publications and Manuscripts

- Folder 25: Review of Goffredo Petrassi's Orchestrated Music, 1958

- Folder 26: "Theory, Why the Fear, The Dread, The Difficulty?", 1958

- Folder 27: The Widow, Libretto, 1958-1960

- Folder 28: Extraction from Paper Play series, Lingua Press, 1965

- Folder 29: Twenty Sensing Compositions, 1968-1973

- Folder 30: "The Beauty of Irrelevant Music", 1970

- Folder 31: Murmur, 1971

- Folder 32: A non-scatalogical set of preliminary remarks of NCME IV, 1972

- Folder 33: Show Tellies, Video Compositions, 1973

- Folder 34: Collection One: Works of Kenneth Gaburo, 1975

- Folder 35: Privacy Two: My, My, My, What a Wonderful Fall, 1974, 1977

- Folder 36: "The Arch: a one-act play" by Kenneth Gaburo, 1956

- Folder 37: Ringings...., 1976

- Folder 38: Whole Language Language, 1979

- Folder 39: Collaboration Two: David Dunn and Kenneth Gaburo discuss publishing as eco-system, 1983

- Folder 40: "How I spent My Summer of Music, of Dance" by Lou Blankenburg and Kenneth Gaburo in Dancewriting, 1984

- Folder 41: In Search of Partch's Bewitched: Part One, Concerning Physicality, 1985

- Folder 42: The Deterioration of an Ideal, Ideally Deteriorated, 1985

- Folder 43: "The Cognitive Inquiry into the Nature of Interdisciplinary Research" by Hans Breder and Kenneth Gaburo, 1985

- Folder 44: "Locus", 1986

- Folder 45: ISIT, 1986

- Folder 46: LA, 1986

- Folder 47: Pentagonly, Part One: Ago, 1986

- Folder 48: Rethink, 1987

- Folder 49: Lecture, Recent Trends in Music for the Catholic Liturgy, undated

- Folder 50: Statement on Serious Music Making as Idea, 1980

- Box 6

- Sub-Series 3: Drafts and Manuscripts of Publications

- Folder 1: The Scratch Project, 1982, 1988

- Folder 2: A Critique of the Text "Music as a Way of Life", 1990

- Folder 3: Ah Dio, 1991

- Folder 4: Talking with Gaburo: Publishing as an Environmental System, undated

- Folder 5: Another Renaissance: Current Interations between music, the Arts and Humanities, undated

- Folder 6: Untitled Poem by Kenneth Gaburo, undated

- Folder 7: Sketches for "Making", undated

- Part 1 of 2
- Folder 8: Sketches for "Making", undated

- Part 2 of 2
- Folder 9: Privacy One: Words Without Song, 1950-1974

- Folder 10: "Snow Queen" Libretto by K. Gaburo and Margery Wilson, 1952

- Folder 11: Sketches for "The Arch", 1956

- Folder 12: Review of UIUC Composer's Exchange, 1961

- Folder 13: "The Hydrogen Jukebox," play by Seyril Schochen with electronic music by Kenneth Gaburo, 1964

- Folder 14: Sketches for essay on "Improvisation", 1964

- Folder 15: Article on Culture, 1966

- Folder 16: "C-is" draft, 1968-1969

- Folder 17: Draft/Source Material: "The Beauty of Irrelevent Music" from Paper Play series, Lingua Press, 1970

- Folder 18: Drafts of "Murmur" from Paper Play series, Lingua Press, 1971

- Folder 19: "Collaboration One" notes, 1972

- Folder 20: "Passing" drafts, 1973

- Folder 21: The Music in Beckett's Play, 1973

- Folder 22: Serious Music- Making in San Diego, 1977

- Folder 23: Concerning Commonness and other Conceptual Dysfunctions, 1980

- Folder 24: Whole Language Language, 1980

- Part 1 of 2
- Folder 25: Whole Language Language, 1980

- Part 2 of 2
- Folder 26: Drafts for Program Notes about "Bewitched", 1980, 1983, 1990

- Includes notes about other artists including Partch (1980), Varese (1983), and Chris Mann (1990)
- Folder 27: Draft of Gaburo interviewed by Nicholas Zurbrugg, 1983

- Folder 28: First Draft, Antiphony VIII interview (Schick, Gaburo, Francois), 1985

- Folder 29: Draft of David Dunn/ Gaburo, "Publishing as an Eco-System", undated

- Folder 30: "Pysichality" materials, 1985

- Folder 31: "The Deterioration of an Ideal, Ideally Deteriorized", 1985

- Folder 32: Sketches for "ISIT", 1987

- Part 1 of 2
- Folder 33: Sketches for "ISIT", 1987

- Part 2 of 2
- Folder 34: Sketches for "LA", 1987

- Part 1 of 2
- Folder 35: Sketches for "LA", 1987

- Part 2of 2
- Folder 36: Sketches for "Pentagon-y", 1987-1988

- Folder 37: Rethink, 1988

- Folder 38: Compositions as Eco-Systems, 1990

- Folder 39: Sketches for "Hiss", 1992

- Folder 40: Ah Dio, 1991

- Folder 41: Concerning some work in Composition as Eco-System, 1990

- Box 7

- Sub-Series 4: Concert Programs

- Folder 1: Concert Programs, 1950-1959

- Folder 2: Concert Programs, 1960-1966

- Folder 3: "3rd Annual Summer Workshp of Contemporary Music", 1967

- Folder 4: Concert Programs, 1967-1969

- Folder 5: Concert Programs, 1970-1973

- Folder 6: Concert Programs, 1974-1975

- Folder 7: Concert Programs, 1976-1979

- Folder 8: Concert Programs, 1980-1983

- Folder 9: Concert Programs, 1984-1985

- Folder 10: Concert Programs, 1986-1989

- Folder 11: Concert Programs, 1990-1992

- Folder 12: Concert Programs A-M, ca. 1960-1980

- Folder 13: Concert Programs N-Z, undated

- Sub-Series 5: Lingua Press

- Folder 14: Business, 1970-1979

- Folder 15: Business, 1980-1989

- Folder 16: Business, 1990-1993

- Folder 17: "Langauge, a Magical Enterprise, the Body, Paperplay" by Barry Casselman, 1973

- Folder 18: "The Flow of [U]" by Kenneth Gaburo, 1974

- 1/4'' Tape
- Folder 19: "Embarbussments for Four Speaking Voices" by Ned Sublette, 1974

- Folder 20: "The Reasons Being" by Durrant Robertson, 1975-1977

- 1/4'' Tape (7'' Open reel)
- Folder 21: "Literal Violence" by Michael Pierssens, 1977

- Folder 22: "Musicology and Other Delights" by Allen Skei, 1977

- Folder 23: Tape Play Collection, 1978

- 1/4'' Tape
- Folder 24: "Walking" by Bruce Leibig, 1978

- Folder 25: "Sky Drift" by David Dunn, 1979

- Folder 26: "Something Medieval" by J.K. Randall, 1988

- Folder 27: "Music, Language and Environment" by David Dunn, 1990

- Box 8

- Sub-Series 5: Lingua Press

- Folder 1: "Notation" by Virginia Gaburo, undated

- Folder 2: "Menage for Soprano, Trumpet, and Violin" by William Hibbard, undated

- Folder 3: Orders, 1971-1992

- Folder 4: Promotional Materials, 1975-1992

- Folder 5: Submissions, 1965-1983

- Sub-Series 6: Apogee Press

- Folder 6: Apogee Press, 1965-1989

- Sub-Series 7: World Library of Sacred Music

- Folder 7: World Library of Sacred Music, 1958-1975

- Sub-Series 8: New Music Choral Ensemble (NMCE)

- Folder 8: NMCE I, II, 1967-1973, 1991

- Folder 9: NMCE III, 1967-1972

- Folder 10: NMCE IV, 1966-1979

- Folder 11: Materials, 1972-1983

- Sub-Series 9: Performances

- Folder 12: Australian Tour, 1975-1992

- Folder 13: Performances, 1952-1969

- Folder 14: Performances, 1970-1992

- Sub-Series 10: Permissions

- Folder 15: Permissions, 1953-1971

- Sub-Series 11: Project for Music Experiment

- Folder 16: Project for Music Experiment, 1971-1973

- Sub-Series 12: Requests for Gaburo Scores and Texts

- Folder 17: Requests for Gaburo Scores and Texts, 1959-1990

- Sub-Series 13: Residencies

- Folder 18: Residencies, 1959-1992

- Sub-Series 14: Grants and Fellowships

- Folder 19: Faculy Scholar Award, undated

- Folder 20: Grant Proposals, 1960-1992

- Folder 21: "Contemporary Music Project for Creativity in Music Education", 1966

- Folder 22: Fellowships and Grants, 1955-1992

- Folder 23: Fromm Foundation, 1962-1987

- Folder 24: Fulbright, 1952-1960

- Folder 25: Guggenheim Fellowship, 1956-1974

- Folder 26: Institute of International Education, 1959-1962

- Folder 27: Koussevitsky, 1959-1977

- Folder 28: National Endowment for the Arts (NEA), 1966-1991

- Folder 29: NEA Proposal for NMCE, 1972-1975

- Folder 30: Rockerfeller Foundation, 1974-1975

- Folder 31: Studio Business Including NEA proposal, 1982-1990

- Folder 32: Unesco, 1961-1962

- Box 9

- Sub-Series 15: Productions and Projects

- Folder 1: Art/Score Exhibits, 1971-1987

- Folder 2: "Baby Maker" Film Business, 1970

- Folder 3: Beckett Play, undated

- Folder 4: "Bewitched" Project, 1979-1980

- Folder 5: Forkner, John: Notes about lighting system built for Gaburo, 1978

- Folder 6: "In the Can" Production Notes, 1970

- Folder 7: "In the Can" Script, 1970

- Folder 8: Jean Brown Archives, 1981-1997

- Folder 9: Luna Park Archives, 1987-1991

- Folder 10: Poems by Tagore, undated

- Text used in some pieces by Gaburo
- Folder 11: Poems by De La Mare, 1950

- Text used in some pieces by Gaburo
- Folder 12: Poems by Virginia Gaburo, 1962

- Includes "Pearl White Moments," text used in Antiphony III
- Folder 13: Schoenberg Project, 1978-1982

- Folder 14: Scratch Project, 1982-1989

- Folder 15: "Tiger Rag" Script, 1957

- Folder 16: UC/ Video Tesitimony Project, 1985-1987

- Sub-Series 16: Universities and Employment

- Folder 17: Employment, 1955-1986

- Includes dates: 1955, 1963, 1965-1967, 1971-73, 1977, 1980, 1982, and 1986
- Folder 18: Students, 1961-1993

- Folder 19: Recomendations, 1959-1992

- Folder 20: University of California, San Diego, 1968-1973

- Folder 21: University of California, San Diego, 1974-1975

- Folder 22: University of California, San Diego: Departmental Correspondance, 1969-1971

- Folder 23: University of California, San Diego: General Departmental Bullshit [sic], 1971

- Folder 24: University of California, San Diego: Curriculum Revision Proposals, 1970-1972

- Folder 25: University of California, San Diego: Electronic Music Studio Equiptment and Use, 1969-1971

- Folder 26: University of California, San Diego: E M Systems Price Lists and Specifications, Submodules 1100-1400, undated

- Folder 27: University of California, San Diego: Fourth College Planning Committee, 1970-1972

- Folder 28: University of California, San Diego: Students, 1970-1973

- Folder 29: University of California, San Diego: Students: Charles Buel, 1971

- Folder 30: University of California, San Diego: Students: Barry W. Liesch, 1973

- Folder 31: University of California, San Diego: Students: Frank L. McCarty, 1971

- Folder 32: University of California, San Diego: Students: William Mullen, 1971

- Folder 33: University of California, San Diego: Students: Allen Strange, 1971

- Folder 34: University of Illinois at Urbana Champaign, 1955-1971

- Includes dates: 1955, 1960-1966, 1968-1969, and 1971
- Folder 35: University of Illinois at Urbana Champaign: University of Illinois Residency, 1962-1978

- Includes dates: 1962, 1968, and 1977-1978
- Folder 36: University of Iowa: Department of Music and Electronic Music Studio, 1970-1991

- Includes dates: 1970-1979, 1988, and 1991. Also includes sabbatical plans and reports, correspondence re salary, evaluation of faculty, and external assessment of Music Department
- Folder 37: University of Iowa, 1975-1987

- Folder 38: University of Iowa, 1987-1989

- Folder 39: University of Iowa, 1990-1996

- Includes Electronic Music Studio Proposals and Equiptment Requests
- Box 10

- Sub-Series 17: Conferences, Panels, Organizations

- Folder 1: American Music Center, 1959-1991

- Folder 2: Arts Colonies, 1960-1982

- Folder 3: American Society of Composers, Authors, and Publishers (ASCAP), 1959-1992

- Folder 4: Center for Music Experiment, 1972-1975

- Folder 5: Center for Music Experiment: Informal Report on New Music Choral Ensemble (NMCE) IV Activities, 1973-1974

- Folder 6: Commissions/Performance Opportunites, 1953-1992

- Includes dates: 1953, 1958-1959, 1961-1969, 1971-1975, 1977, 1981, 1983, 1986-1987, and 1989-1992
- Folder 7: Conferences and Panels, 1958-1993

- Folder 8: Contracts: Performances/ Lectures, 1967-1986

- Includes dates 1967, 1975-1977, 1982, and 1986
- Folder 9: Deutscher Akademischer Austauschdienst, 1971, 1977

- Folder 10: Works by Others, 1965-1989

- Folder 11: Essential Music, 1990, 1991

- Folder 12: Libraries, 1956-1977

- Includes dates: 1956, 1959-61, 1972, 1976, and 1977
- Sub-Series 18: Publishers

- Folder 13: Ars Nova/ Ars Antiqua Recording Company, 1968-1972

- Folder 14: Boosey and Hawkes Music Publishing, 1961

- Folder 15: Columbia Records Inc., 1958-1966

- Folder 16: Composer's Recordings Inc., 1967-1992

- Folder 17: Edward B. Marks Publishing House, 1970, 1973

- Folder 18: The Elektra Corporation, 1967, 1968, 1974

- Folder 19: Harriet Kaplan-Lily Veidt Inc, 1958-1961

- Folder 20: Leeds Music Corporation, 1960-1963

- Folder 21: Listening Room Radio Productions, 1988, 1990

- Folder 22: Music Publishers, 1956-1972

- Folder 23: Nonesuch Record Company, 1967-1980

- Folder 24: Performers, Collaborations, undated

- Folder 25: Perspectives of New Music, 1974-1992

- Folder 26: Publication of Others which contain Gaburo works, biographies, and score excerpts, 1962-1992

- Folder 27: Recording Opportunities, 1960-1990

- Folder 28: Text Publishing, 1956-1992

- Folder 29: Theodore Presser Company, 1956-1992

- Sub-Series 19: General Professional Correspondence

- Folder 30: Alder, Samuel, 1977

- Folder 31: Bassett, Leslie, 1967-1980

- Folder 32: Boulez, Pierre, 1970

- Folder 33: Boretz, Benjamin, 1963-1990

- Folder 34: Cage, John, 1966-1990

- Folder 35: Corrillo, Doris (Mexico Trip), 1969-1970

- Folder 36: de Oliveria, Jocy, 1981-1985

- Folder 37: Forte, Allen, 1962-1977

- Folder 38: Garland, Peter, 1970-1984

- Folder 39: Kobialka, Dan, 1971-1975

- Folder 40: Kostelanetz, Richard, 1975-1992

- Folder 41: Miles, Dorothy, 1979-1981

- Folder 42: Nono, Luigi, ca. 1962

- Folder 43: Ogden (?), Will, ca. 1962

- Folder 44: Perez, Rudy, 1975-1980

- Folder 45: Roads, Cartis, 1976-1983

- Folder 46: Rochberg, George, 1960-1976

- Folder 47: Rosenboom, David, 1972-1985

- Folder 48: Warland, Dale, 1962-1969

- Folder 49: General Business Correspondence, 1956-1992

- Box 11

- Sub-Series 20: Teaching Materials

- Folder 1: Notes on Compositional Linguistics, undated

- Folder 2: Bibliographies (for teaching purposes), undated

- Folder 3: Cognitive Studies Seminar, 1990

- Folder 4: Compositional Linguistics Seminar, 1973

- Folder 5: Course Planning for HUM 332, Funding of Music, undated

- Folder 6: Music Proseminar: Studies of 20th Century Theoretic Systems, undated

- Folder 7: Music Analyses (for teaching purposes), undated

- Folder 8: Notes "Music Lit. Seminar", undated

- Folder 9: Essay on Content Analysis, undated

- Folder 10: Classes on Musical Structure, Course Outlines, undated

- Folder 11: Notes "Music Theory Seminar", undated

- Box 12

- Sub-Series 21: Musical Scores, 1947-1954

- Folder 1: Compositions before 1947, ca. 1947

- Folder 2: Score/Parts Music for Henry IV, undated

- Folder 3: Three Interludes for Strings, 1947

- Folder 4: Five Postludes for Piano, 1947

- Folder 5: Chaconne for Two Pianos, 1948

- Folder 6: Two Shorts and a Long, 1948

- Six pages; pages 1 and 2 missing
- Folder 7: Music for Brass and Percussion, 1948

- Folder 8: Introduction and Escapade, 1950

- Folder 9: Sinfonietta, 1951

- Folder 10: The Night is Still, 1952

- Folder 11: Three Dedicated to Lorca, 1953

- Folder 12: Four Inventions for Clarinet and Piano, 1953

- Folder 13: Antiphonia for Two Pianos, 1954

- Box 13

- Sub-Series 21: Musical Scores, 1945-1970

- Folder 1: Music for Five Instruments, 1954

- Folder 2: Quartet in One Movement-Score and Parts, 1956

- Folder 3: Antiphony for 3 String Groups (alternate title: Antiphony I: voices), 1957-1958

- Folder 4: Musical Scores, 1957

- Folder includes five separate vocal scores all composed in 1957 by Kenneth Gaburo: Line Studies, Ave Maria, Ad Te Domine, Terra Tremuit, and Laetentor Caeli.
- Folder 5: Mass for Tenors and Basses, 1958

- Folder 6: Musical Scores, 1959

- Folder includes two scores from 1959: Stray Birds and Elegy
- Folder 7: Antiphony II, 1963


- Folder 8: Antiphony III, 1963


- Folder 9: Ideas and Transformations, 1964

- Folder 10: Psalm, 1965

- Folder 11: Never, 1966

- Folder 12: Antiphony IV: Poised, 1967

- Folder 13: Lingua III: In the Can, 1970

- Box 14

- Sub-Series 21: Musical Scores, 1970-1976

- Folder 1: The Flight of the Sparrows and Two, 1970 and 1971

- Folder includes two scores: The Flight of the Sparrows (1970) and Two (1971)
- Folder 2: Collaboration One, 1972

- Folder 3: Twenty Sensing [Instruction] Compositions and Privacy Two, 1973 and 1974

- Folder includes two scores: Twenty Sensing [Instruction] Compositions (1968-1973) and Privacy Two: My, My, My What a Wonderful Fall (1974)
- Folder 4: Cantilena Four, 1975

- Folder 5: Subito, 1976

- Box 15

- Sub-Series 22: Musical Sketches, ca. 1944-1954

- Folder 1: Popular Music- Early songs by Kenneth Gaburo, 1944-1947

- Folder 2: Canonization, ca. 1950

- Folder 3: Sketches for early, unfinished works, undated

- Folder 4: Two Shorts and a Long, 1948

- Folder 5: Music for Brass and Percussion, 1949

- Folder 6: On a Quiet Theme and Alas! Alack!, 1950

- Includes two scores: On a Quiet Theme (1950) and Alas! Alack! (1950)
- Folder 7: Songs on Text by Tagore (not Stray Birds or Night is Still), 1951

- Folder 8: Four Inventions for Clarinet, 1954

- Box 16

- Sub-Series 25: Source Materials for composition, Audiotapes, undated

- Item 1: Mangrove (Gaburo Improvisation Group), 1987

- Item 2: Brun, undated

- Item 3: "Primative Material", undated

- Item 4: Bazooka/ Scream, undated

- Item 5: Demo Tape No. 1, Vocal Sounds Transform, undated

- Item 6: Lia, 1970-1971

- Item 7: Lasrson Voices, undated

- Item 8: Synthetic Speech, undated

- Item 9: Vocal Sounds, undated

- Item 10: Hi Vowels, undated

- Item 11: Low Vowels, undated

- Two tapes
- Item 12: Consonants, undated

- Three tapes
- Item 13: Alto Flute Sounds, undated

- Item 14: Walker Flutes, undated

- Item 15: James George Clarinet, 1971

- Item 16: Lipp Bassoon Sample, 1990

- Item 17: Dorn Saxophone, 1970-1971

- Two tapes
- Item 18: Jack Logan Trumpet Sounds, 1973

- Three tapes
- Item 19: Ron George, Modulation Experiments on the Vibraphone, undated

- Item 20: Turetzky, Bass Demo, undated

- Item 21: Imporvisations with the Harmonic Tone Generator, 1968

- Two Tapes
- Item 22: Bonnie Mara Barnett, January 8, 1973

- Item 23: Klang, undated

- Item 24: Aspects of Vocal Multiphonics, undated

- Two Tapes
- Item 25: Bazooka Extra, undated

- Item 26: 8 Klang Source, undated

- Item 27: Forlorn Voices, undated

- Two Tapes
- Item 28: Verkade, 1987

- Two Tapes
- Item 29: Vocal, undated

- Box 17

- Sub-Series 26: In the Can

- Item 1: 16mm film, "Train Station and Phebol Truck and Potenzia Just Standing", undated

- Item 2: 16mm film, "An Actor: Subject, P. Jamison", undated

- Item 3: 16mm film, "Investigation", undated

- Item 4: 16mm film "Down Right: Collage (2) Interlude, B&W Animation", undated

- Item 5: 16mm film, "Down Left: Collage (3) Introduction (Man in Castle) 11th Madgrigal & March to Castle (Crowd Animation Faces and Man)", undated

- Item 6: 16mm film, "In the Can Dancer, Semi Nude(2), cu of body re legs and face", undated

- Item 7: 16mm film, unmarked, undated

- Item 8: Intermezzo I & II, RB-7 Tape, 1970

- Item 9: Basic Material, RB-7 Tape, undated

- Item 10: Part II, CHB, RB-7 Tape, undated

- Item 11: Part II, CHA, RB-7 Tape, undated

- Item 12: 16mm film, All Models from "In the Can" doing Exercise in the TV Studio, undated

- Item 13: 16mm film, Train Shunting, BL Exp. of Potenzia, Clowns in RR Yard, undated

- Item 14: R-90 Tape, In the Can, undated

- Item 15: R-90 Tape, Heads Collage, undated

- Folder 1: "In the Can," Source Materials, Slides, undated

- Folder 2: "In the Can" Source Materials, Slides: Audience and Cast, undated

- Folder 3: "In the Can" Source Materials, Film Logs, undated

- Folder 4: "In the Can" Source Materials, Negatives, undated

- Sub-Series 27: Seminars, Lectures, Panels, Radio: Audio Tapes

- Item 16: Compositional Linguistics: Glides and Semi-Vowels, undated

- Item 17: Compositional Linguistics: Dwight, December 13, 1970

- Item 18: Compositional Linguistics: Tibetan Chant, undated

- Item 19: Compositional Linguistics: Barnett Box 1, undated

- 1 of 2
- Item 20: Compositional Linguisitics: Barnett Box 2, undated

- 2 of 2
- Item 21: Compositional Linguistics: Final, 1970

- Box 18

- Sub-Series 27: Seminars, Lectures, Panels, Radio: Audio Tapes

- Item 1: Compositional Linguistics: Seminar, 1974

- Contains two lectures: March 1, 1974 and March 8, 1974
- Item 2: Compositional Linguistics: Seminar, March 12, 1974

- Item 3: Composer's Forum, December 21, 1957

- Item 4: Extraction Lecture/Concert, undated

- Item 5: Computer Music Language Symposium, May 29, 1976

- Item 6: Gaburo Composer's Forum, USC/ASI, December 5, 1980

- Item 7: Panel: Mandeville Opening, March 2, 1975

- Part 1 of 2
- Item 8: Panel: Mandeville Opening, March 2, 1975

- Part 2 of 2
- Item 9: Criticism: CME Panel, undated

- Item 10: Panel Disc, undated

- Item 11: Radio Tapes I, II, III, IV, undated

- Box 19

- Sub-Series 28: Compositions: Audio Tapes

- Item 1: Line Studies, April 27, 1966

- Item 2: The Snow Queen, undated

- Four Tapes
- Item 3: Alas! Alack, undated

- Item 4: Improv #4: Music for "Hairy Ape", undated

- Item 5: Sources Rock-Cool, undated

- Item 6: The Window, undated

- Eight Tapes
- Item 7: Two, 1963

- Item 8: Line Studies, undated

- Item 9: "Hairy Ape" Master, undated

- Item 10: Antiphony II, undated

- Item 11: Ideas and Transformations, undated

- Item 12: Elegy for Chamber Orchestra, New York Philharmonic, undated

- Item 13: String Quartet in One Movement, 1956

- Item 14: Summer Workshop: Ave Maria, Psalm, Concerto for Nono Havenito, undated

- Item 15: Stray Birds, undated

- Item 16: Line Studies, Composer's Workshop, SF, 1960

- Item 17: Line Studies, April 29, 1969

- Item 18: Elegy with University of Iowa Orchestra, undated

- Item 19: Tail Out, July, 6, 1966

- James Dixon Conducting
- Item 20: Elegy, University of Iowa, 1966

- James Dixon Conducting
- Item 21: Stray Birds, 1960

- Item 22: University of Iowa Center for New Music, undated

- Item 23: Section II, Intro Ch. A-B, undated

- Box 20

- Sub-Series 28: Compositions: Audio Tapes

- Item 1: Cavafy Readings, undated

- Three Tapes
- Item 2: Cavafy Basic Material, undated

- Item 3: Cavafy III Material, undated

- Item 4: Cavafy Sub Master, undated

- Item 5: Cavafy Tape Master, Variation II, III, IV, undated

- Three Tapes
- Item 6: Antiphony II, Contemporary Vocal Ensemble, undated

- Item 7: Cavafy Variation II, SATB Tape, undated

- Item 8: Antiphony II Master Tape, Variation II, III, IV, undated

- Item 9: Antiphony II, A Reading, Not a Performance, undated

- Item 10: Antiphony II Performance, July 31, 1966

- Item 11: The Window Part II, Scenes III-IV, undated

- Item 12: Antiphony III, Master, undated

- Three Reels
- Item 13: Antiphony III, Fragments, undated

- Item 14: Antiphony III, I, SubMaster, undated

- Item 15: Antiphony III, II SubMaster, March 17, 1967

- Item 16: Antiphony III Mix, undated

- Item 17: Antiphony III X/Mix, undated

- Box 21

- Sub-Series 28: Compositions: Audio Tapes

- Item 1: The Waste(ing) of Lucretia, undated

- Item 2: Lemon Drops, undated

- Three Tapes
- Item 3: For Harry, undated

- Three Tapes
- Item 4: Round Shot Version, Wasting of Lucretia, Fat Millie's Lament, undated

- Item 5: Maledetto, Rehearsal, undated

- Part 1 of 2
- Item 6: Maledetto, Rehearsal, undated

- Part 2 of 2
- Item 7: Maledetto, May 1973

- Item 8: Antiphony IV, Master, undated

- Five Tapes
- Item 9: Rehearsal (almost unmarked tape), undated

- Item 10: Tape Compositions, 1964-1965

- Item 11: Extra Posies, undated

- Item 12: Miscellany, undated

- Item 13: Posies Dub, undated

- Item 14: Tape Play Master, undated

- Item 15: For Morgan, undated

- Item 16: Wasting of Lucretia, For Morgan, undated

- Item 17: Antiphony III, undated

- Nine Tapes
- Item 18: Gaburo Chorus, undated

- Item 19: Have I, etc, Cool Jazz, Funny Sounds, Mi Toccata, undated

- Box 22

- Sub-Series 28: Compositions: Audio Tapes

- Item 1: Inside, Peter Farrell, undated

- Item 2: Turetsky Discussion and "Inside", 1970

- Item 3: My, My, My, What a Wonderful Fall, Master, 1971

- Two Tapes
- Item 4: Dante, Baby Maker, undated

- Two Tapes
- Item 5: Dante, Joynte, 1965

- Four Tapes
- Item 6: Flow of U, undated

- Two Tapes
- Item 7: Kyrie, May 1975

- Item 8: Mutatis, 1979

- Nine Tapes
- Item 9: Lingua I, undated

- Item 10: Mouthpiece, 1972

- Four Tapes
- Item 11: Cogito, undated

- Four Tapes
- Item 12: Dirige, undated

- Item 13: Electronic Works, Miscellaneous, undated

- Includes: L.A. Hiller, Machine Works, Seven Electronic Studies, and Time of the Heathen; Kenneth Gaburo, Lemon Drops; Herbert Brun, Sonoriferous Loops and Wayfaring Sounds; and Don Andrus, Electronic Study
- Box 23

- Sub-Series 28: Compositions: Audio Tapes

- Item 1: Ringings, 1976

- Item 2: Kyrie, 1976

- Two Tapes
- Item 3: Antiphony VIII, 1984-1987

- Five Tapes
- Item 4: Few Master, 1985

- Item 5: ReRun Master, 1983

- Two Tapes
- Item 6: ReRun, Kyrie, Pentagony, 1983

- Item 7: ReRun, Summer, Kyrie, 1983

- Item 8: Antiphony IX, 1985

- Eight Tapes
- Item 9: Testimony Text, undated

- Item 10: Antiphony VIII, 8track 1/2'' Tape Master (10''Reel), undated

- Box 24

- Sub-Series 28: Compositions: Audio Tapes

- Item 1: La Coro, undated

- Item 2: Gaburo/ (Hans) Breder, undated

- Two Tapes
- Item 3: Enough! (not enough), 1987

- Item 4: Verkade Organ, 1987

- Seven Tapes
- Item 5: Antiphony X, samples, undated

- Item 6: New Tape Works, 1990

- Item 7: Antiphony X, 1992

- Item 8: Antiphony X, Open Reel, undated

- Item 9: Antiphony XI, Working Materials, 1990

- Item 10: Center for New Music, February 11, 1984

- Item 11: Antiphony IV Check, undated

- Item 12: Antiphony X, 4 Chapter Version, 1994

- Item 13: Antiphony X, 8 channel Master, 1990

- Box 25

- Sub-Series 29: Compositions, Testimony, New Music Choral Ensemble (NMCE): Audio Tape

- Item 1: Durrant Robertson, "The Reasons Being" Lingua Press, 1978

- (15 ips) 10'' Open Reel Tape
- Item 2: Collaboration with Hans Breder, undated

- 10'' Open Reel Tape
- Item 3: Arts Unit Testimony, 1988

- Seven Tapes. 10'' Open Reel Tape
- Item 4: Schenectady Testimony, undated

- 10'' Open Reel Tape
- Item 5: St. Louis Testimony, 1990

- 10'' Open Reel Tape
- Item 6: Antiphony X (winded) for solo organist and tape, undated

- 10'' Open Reel Tape
- Item 7: NMCE: Recording Session: Shallenberg Residue, Webern, Bassett, undated

- 10'' Open Reel Tape
- Item 8: NMCE: Messiaen Residue (for recording session), undated

- 10'' Open Reel Tape
- Item 9: NMCE: Stravinsky/ Layton/ Ogdon/ Glasow/ Gaburo, undated

- 10'' Open Reel Tape
- Box 26

- Sub-Series 30: New Music Choral Ensemble (NMCE): Audio Tape

- Item 1: Concert, November 1967

- 10'' Reel Tape
- Item 2: Taped During Performance, Shifrin/ Ives/ Hamm/ Maddox/ Grossman, undated

- 10'' Reel Tape. Includes "Odes of Shang," "Serenity," "Round," "On the Surface of Things," and "Laudate."
- Item 3: Nono, Sara Dolce, undated

- 10'' Reel Tape
- Item 4: Master for Final Editing: Hamm, Round unfiltered/ Bassett/ Shallenberg/ Last movement of Messian, undated

- 10'' Reel Tape
- Item 5: Schoenberg, Tape 2, 1968

- 10'' Reel Tape
- Item 6: NMCE I, undated

- 10''Reel Tape. Includes: Ives "Serenity," Johnston "Cit-Gat Satie," Shallenberg "Lilacs," Oliveros "Sound Patterns," Nono "Sara' Dolce Tacere," and Webern "Entfleiht Auf Leichten."
- Item 7: NMCE I: "Messiaen, Cinq Rechants", undated

- 10'' Reel Tape
- Item 8: NMCE IV: "My, My, My What a Wonderful Fall", undated

- 10'' Reel Tape
- Item 9: Maledetto Master, December 10, 1971

- 10'' Reel Tape
- Item 10: NMCE III: Rehearsal, August 12, 1969

- 10'' Reel Tape
- Item 11: NMCE I, May 10, 1981

- 7'' Reel
- Item 12: Take I, September 16, 1969

- 7'' Reel
- Item 13: Rehearsal, undated

- 7'' Reel
- Item 14: NMCE I, Erikson "End Mime", August 7, 1966

- 7'' Reel
- Item 15: Maddox "Surface"/ Hamm "Round"/ Erickson "Mime"/ Nono "Sara", undated

- 7'' Reel
- Item 16: NMCE III, Taped Vocal Sounds for Study, 1965

- 7'' Reel
- Item 17: Reactive Techniques, undated

- 7'' Reel
- Item 18: NMCE III Response B Tech, undated

- 7'' Reel
- Item 19: Tape 1, NMCE "On the Surface of Things," "Round," "Laudate," "End of the Mime...", 1965

- 7'' Reel. See Also CD Transfer Dub, also in box 26
- Item 20: NMCE Kenneth Gaburo Director, undated

- 7'' Reel. Two Tapes. Includes: Ives, Serenity; Oliveros, Sound Patterns; Johnston, CI-GIT Satie; Bassett, Notes in the Silence; Gaburo, Exit Music I; Shallenberg, Lilacs; Hamm, Round; Webern, Entflieht Auf Leichen Kalhnen; Gaburo, Exit Music II; Messiaen, Cinq Renchants.
- Item 21: NMCE III, Response A Tech, undated

- 7 '' Reel
- Item 22: CD Tranfer Dub, 1965

- CD dub of Item 19
- Box 27

- Sub-Series 31: New Music Choral Ensmble (NMCE): Audio Tape

- Item 1: NMCE IV: Take I, December 10, 1971

- 10'' Reel
- Item 2: NMCE IV: Take II, December 10, 1971

- 10'' Reel
- Item 3: NMCE IV: Maldetto, Take I, Thursday Straight Through, undated

- 10'' Reel
- Item 4: NMCE IV: Maldetto, Take II, Thursday (some sections repeated), undated

- 10'' Reel
- Item 5: NMCE IV: "The Flow", Take 4, Sunday, May 19, 1974

- 10'' Reel
- Item 6: NMCE IV: Flow of [u] mix Caufy Readings for 206C Seminar Final Project, undated

- 10'' Reel
- Item 7: NMCE IV: Flow of [u], Take 2, May 9, 1974

- 10'' Reel
- Item 8: NMCE IV: Flow of [u], Take 3 (Mothers Day), May 12, 1974

- 10'' Reel
- Item 9: NMCE IV: The Flow of [u], Take 1, April 29, 1974

- 10'' Reel
- Item 10: NMCE IV: The Flow of [u], Take 1a, undated

- 10'' Reel
- Item 11: NMCE III: Interview, undated

- 7'' Reel Two Tapes
- Item 12: Still Life Readings, undated

- 7'' Reel
- Item 13: NMCE IV: Maldetto, June 10, 1973

- 7'' Reel, Three Tapes
- Item 14: NMCE IV: CL Seminar, Cavaufy Readings, May 31, 1974

- 7'' Reel
- Item 15: NMCE IV: Reading, Thoreen Text, December 1, 1975

- 7'' Reel
- Item 16: Glenn's Reading of Webern Text, undated

- 7'' Reel
- Box 28

- Sub-Series 32: New Music Choral Ensemble: Audio Tape and Video Tape

- Item 1: Lexicon I, December 1, 1973

- 7'' Reel
- Item 2: "Tube" Multi, take 2, November 21, 1973

- 7'' Reel. Two Tapes
- Item 3: Phillip Lexicon I, undated

- 7'' Reel
- Item 4: Vickerman, Lexicon II, December 1, 1973

- 7'' Reel
- Item 5: Vickerman Lexicon III, December 1, 1973

- 7'' Reel
- Item 6: Barron, Elinor: Still Life Readings, Breathing Meditation, undated

- 7'' Reel
- Item 7: Barron: Helium Texts, undated

- 7'' Reel
- Item 8: Pamela R, 5 takes, March 15, 1976

- 7'' Reel
- Item 9: Mary Lou Texts, 5 takes, February 18, 1976

- 7'' Reel
- Item 10: NMCE IV: Early Readings, Thoreen Texts, undated

- 7'' Reel
- Item 11: Mary Lou, Tight Places, Aug. 1975; Ginny, Tennis, April 75; NMCE IV, Falling, March 1975; Lia, April 1975, 1975

- 7'' Reel
- Item 12: Blackenburg; Lou, "How I Spent My Summer", undated

- 7'' Reel
- Item 13: Amelar, March 15, 1976

- 7'' Reel
- Item 14: Linda C, January 10-11, 1977

- 7'' Reel
- Item 15: Lexicon and Mary Lou, undated

- 7'' Reel
- Item 16: Multi Beginning, October 3, 1973

- 7'' Reel
- Item 17: ai-e-I-i, November 18, 1973

- 7'' Reel, Two Tapes
- Item 18: NMCE IV: The Flow of [u] Master, May 19, 1974

- 7'' Reel
- Item 19: Beckett, undated

- 6'' Reel, Four Tapes
- Item 20: Soundtrack Movie, "Party-Garden-Toes", undated

- 6'' Reel
- Item 21: Show Telles Composition (1. Give & Take 2. MinimTellie, 1, 2, 3), undated

- 6'' Reel, Video Tape, Open Reel 1/2''
- Item 22: Still Life, 1974

- 7'' Reel, Video Tape, Open Reel, 1/2''
- Item 23: Show Tellie (Some Video Compositions), NCME IV, 1974

- 7'' Reel, Video Tape, Open Reel, 1/2''
- Item 24: Falling #1, 1975

- 7'' Reel, Video Tape, Open Reel, 1/2''
- Item 25: Falling #2, 1975

- 7'' Reel, Video Tape, Open Reel, 1/2''
- Item 26: Falling #5, 1987

- 7'' Reel, Video Tape, Open Reel, 1/2''
- Box 29

- Sub-Series 33: New Music Choral Ensemble: Video Tape

- Item 1: Falling Distance, January 18, 1975

- 7'' Reel, Video Tape
- Item 2: Lexicon, undated

- 7'' Reel, Video Tape
- Item 3: Beach Dance #1, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 4: Fulkerson, November 29, 1974

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 5: Wells/Pauley Exercises, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 6: Hands/Elinor/Phillip, March 19, 1974

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 7: NMCE IV: Hands 1 and 2, 1974

- 7'' Reel, Video Tape, Open Reel 1/2''. Two Tapes
- Item 8: NMCE IV: Minim-Tellig, Slow Up #2, Wells Legs, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 9: NMCE IV: I, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 10: Show-Tellie, Composition, 1975

- 7'' Reel, Video Tape, Open Reel 1/2''. For Course: General Interest Music
- Item 11: NMCE IV: Show-Tellie, Waveforms, 1974

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 12: NMCE IV: Show-Tellie composition, "Give and Take and Minim-Tellig 1, 2, 3", 1973

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 13: "Show Tellie Compositions, 1973" VHS Copy, February 5, 2006

- VHS. (Best copy available, includes static)
- Item 14: Lexicon I, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 15: Lexicon 2, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 16: Master Tape 1: Lin Barron Take, Phillip Larson Takes, May 23-24, 1974

- 7'' Reel, Video Tape, Open Reel 1/2''. Lin Barron Take was recorded on May 23, and Phillip Larson Take was recorded on May 24.
- Item 17: Master Tape 2: Linda V, Minim-Tellie, Video Titles for Give-Take, May 29, 1974

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 18: Master Tape 3: NMCE IV Exercises, Seminar Segments, undated

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 19: NMCE IV: Work with visiting Professor Mehta, 1975

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 20: Show-Tellies Composition, November 1967

- 6'' Reel, Video Tape, Open Reel 1/2''. Two Copies
- Item 21: Beckett Play, Thoreen The Party, Gaburo My, My, My What a Wonderful Fall, 1987

- Video Cassette (3/4'' U-Matic)
- Box 30

- Sub-Series 34: Testimony Project: Video Tape

- Item 1: Iowa City "Scratch Project", 1982

- Video Tape, 3/4'' U-Matic
- Item 2: Mills College, Oakland, CA, 1985

- Video Tape, 3/4'' U-Matic. Five Tapes. Filmed from February 28- March 28, 1985
- Item 3: Frankfurt, KY, May 2, 1985

- Video Tape, 3/4'' U-Matic
- Item 4: "Do you feel expendable?" Caracas, Venezuela, June 1985

- Video Tape, 3/4'' U-Matic
- Item 5: Greenwich Village West, San Diego and San Diego Public Library, San Diego, CA, August 3 and 10, 1985

- Video Tape, 3/4'' U-Matic. Greenwich Village West recorded on August 3, and Public Library recorded August 10.
- Item 6: San Diego Public Library, San Diego, CA, August 10, 1985

- Video Tape, 3/4'' U-Matic
- Item 7: Whole Being Convention, Julian, CA, September 28, 1985

- Video Tape, 3/4'' U-Matic
- Item 8: VT 1, "Edited Master of Inside Gaburo/ Turetzky", 1985

- Video Tape, 3/4'' U-Matic
- Item 9: VT 3, "Gaburo's Masters", undated

- Video Tape, 3/4'' U-Matic
- Box 31

- Sub-Series 34: Testimony Project: Video Tape

- Item 1: Minneapolis, MN, February 26-28, 1987

- Video Tape, 3/4'' U-Matic. Four Tapes
- Item 2: Minneapolis, MN, February 23, 1988

- Video Tape, 3/4'' U-Matic
- Item 3: Iowa City, 1989

- Video Tape, 3/4'' U-Matic
- Item 4: Second Generation of dub Video-testimony samples taken from Oakland (USA), London (England) and Minneapolis (USA), undated

- Video Tape, 3/4'' U-Matic
- Item 5: Verkade Germany Testimony Transfer, undated

- Video Tape, 3/4'' U-Matic
- Item 6: K.G. Cartoid Tape, Four Dubs, June 2, 1989

- Video Tape, 3/4'' U-Matic
- Item 7: Turetzky/Gaburo, June 1985

- Video Tape, 3/4'' U-Matic
- Item 8: Antiphony IX, Iowa, undated

- Video Tape, 3/4'' U-Matic
- Item 9: Scratch Project, unmarked, undated

- Video Tape, 3/4'' U-Matic. Two Tapes
- Box 32

- Sub-Series 35: Testimony Project: Compositions and Performances

- Item 1: Scratch Project, Testimony from Minneapolis, MN; Oakland, CA; foreign, undated

- 3/4'' U-Matic. Four Tapes.
- Item 2: Minim-Tellig/Give Take, undated

- 3/4'' U-Matic
- Item 3: Minim-Tellig, October 25, 1991

- 3/4'' U-Matic
- Item 4: Antiphony IX (...A Dot...), Enough! (Not Enough), undated

- Beta II
- Item 5: Plot for Lingua, Antiphony IV, 1970-1972

- 7'' Reel, Video Tape, Open Reel 1/2''
- Item 6: Schenectady, NY, May 17-20, 1983

- VHS, Two Tapes
- Item 7: Gaburo Testimony, July 1987

- VHS
- Item 8: Antiphony IX, Hand Held Camera, March 8, 1988

- Item 9: Antiphony IX, Peter's Hand Held Camera, March 8, 1988

- VHS
- Item 10: Testimony, July 2, 1988

- VHS
- Item 11: For Debate, undated

- VHS
- Item 12: Antiphony X (Winded), undated

- VHS
- Item 13: Travels, undated

- VHS, Two Tapes
- Item 14: ABC Net: Waverly Project, undated

- VHS
- Item 15: Gary Testimony, undated

- VHS
- Item 16: Bewitched Rehearsal #71, December 10, 1979

- Video Tape, Color, Open Reel, 1/2'', 6'' Reel. Three Tapes
- Item 17: "Bewitched Rehearsal #71" VHS Copy, February 5, 2006

- VHS, Best Copy Available, includes video static
- Item 18: Fresno, undated

- 7'' Reel
- Item 19: Seminar 206C, undated

- 6'' Reel
- Item 20: unmarked, undated

- 6'' Reel
- Box 33

- Sub-Series 36: Motion Pictures, Compositions, and Performances

- Item 1: Interaction, undated

- Movie Reel, Open Reel, 10'' Reel
- Item 2: Beckett, undated

- Movie Reel, Open Reel, 10'' Reel
- Item 3: Beckett Residue, undated

- Box of Various sizes of Movie Reel Tape.
- Item 4: Party, 1974

- 16mm sound, Two Tapes
- Item 5: Super 8 Film, "Gaburo", undated

- Super 8 Film, Three Tapes
- Item 6: Lo Pitch Lo Intensity, undated

- Eastman Tri-X Film
- Item 7: Ad Te Domino, undated

- LP
- Item 8: On a Quiet Theme, 1955

- LP. Recorded at Carnegie Hall, New York Phillharmonic, Dimitri Mitropoulos cond.
- Item 9: Chartreuse, Things Just Happen, 1946

- LP
- Item 10: 5 Postludes- Piano, undated

- LP
- Item 11: Dubbing, Inside Out, undated

- LP
- Item 12: Antiphony III, undated

- LP
- Item 13: Snow and the Willow, undated

- LP
- Item 14: Inventions, Clarinet and Piano, undated

- LP
- Item 15: Test, Three Albums, ca. 1974

- LP
- Item 16: Music for Five Instruments, undated

- LP
- Item 17: Excerpt from "Tiger Rag", undated

- LP
- Box 34

- Sub-Series 37: Oversized Materials

- Folder 1: Lingua Press Publications: "Sounds for Eleven" by Donald Scavarda, 1961

- Folder 2: Lingua Press Publications: "Voice II" for Female Voices, alto flute, and percussion, by Harley Gaber, Apogee/Lingua, 1967

- Folder 3: Lingua Press Publications: "Music for Brass Quintet and Percussion" by Morgan Powell, 1971

- Written for the 1971 Festival of Contemporary Arts.
- Folder 4: Lingua Press Publications: "Aardvark II" Piano Solo, by Warren Burt, 1977

- Folder 5: Lingua Press Publications: "Music, Language, and Environment" by David Dunn, 1974

- Folder 6: Lingua Press Publications: "Michi" for Solo Violin, by Harley Garber, 1976

- Folder 7: Lingua Press Publications: "Nighthawk I" by Warren Burt, 1977

- Folder 8: Lingua Press Publications: "Wingsets for Baritone Solo, Chorus, and Instruments" by Eric Richards, 1977

- Folder 9: Lingua Press Publications: "The Great Bass" and "Chimyaku", 1977

- Folder contains two scores, both written in 1977: "The Great Bass for Solo Violin," by Eric Richards and "Chimyaku," by Harley Gaber.
- Folder 10: Lingua Press Publications: "Song from Catullus: a Setting of the Poem 'Living Lesbid'" by Paul Paccione, 1977

- Folder 11: Lingua Press Publications: "Soundscape for Percussion Ensemble" by Dary John Mizelle, 1978

- Folder 12: Lingua Press Publications: "Madrigal" by David Dunn, 1980

- Folder 13: Lingua Press Publications: "An Expository Journal of Extractions from Wilderness: NotesToward an Environmental Language," by David Dunn, 1981

- Box 35

- Sub-Series 37: Oversized Materials

- Folder 1: Announcement Flyers, UIUC, 1986-1987

- Folder 2: Marked Conductor Scores: Come Holy Silence, Ogden, 1959-1960

- Folder 3: Marked Conductor Scores: Maldetto, Gaburo, 1967-1969

- Folder 4: Photograph, undated


- Single picture in a folder within "Concert Posters" Folder. Includes: Charles Hamm, Lejaren Hiller, Salvatore Martirano, Herbert Brun, and Kenneth Gaburo in the University of Illinois Champaign Urbana computer music studio.
- Folder 5: Concert Posters, Photographs, Ca. 1960-1985

Folder Contains 40 posters and small folder (folder 4) containing picture of Gaburo and other famous music composers and scholars. Includes the following:
Segment from Electronic Composition "The Flow of [i], 1965; "In the Can" Gerlinger Annex, undated; Works from the Compositional Linguistic Seminar, undated; Hydrogen Jukebox, undated; Schoenberg 10 Concert, Virgina Gaburo, undated; Babel: Pieces by John Cage, William Brooks, and Kenneth Gaburo, undated; Farewell, F Street, undated; New Music Choral Ensemble, Union Theater October 21, undated; Herbert Brun Graphics Artwork, undated; Gaburo Portrait Charicature, E. Sloin (?), 1978; Fifteen: a Multimedia Workshop and Performance with..., 1976; 201 Series Program: Turetsky, 1969; 201 Series Program: Music and Light, undated; 201 Series Program: The Dying Alchemist, 1969; 201 Series Program: Mondo Violino, undated; 201 Series Program: An Open Rehearsal of Music for Voices, Instruments, and Electronic Sounds, NMCE II, 1969; Works from the Compositional Linguistics Seminar, 1972; LP Cover: "NMCE in Works of Ives, Nono, Shallenberg...", undated; LP Cover: Music for Voices, Instruments, and Electronic Sounds, NMCE II, undated (See box 26, items 2-6); Sonat, The Quality of Soft is not Strainning, UCSD Music Department, June 6, 1974; NMCE III Performs Lingua I and Lingua II, March 3, undated; NMCE directed by Kenneth Gaburo, March 17, undated; Palomar Contemporary Arts Festival, NMCE IV, Compositional Linguistics Ensemble, undated; Palomar Contemporary Arts Festival, Virginia Gaburo, undated; Bradley University Spring Festival of Arts, 1967; 201 Series Program: NMCE III, April 12, undated; 201 Series Program: NMCE II, April 12, undated; 201 Series Program: Stuart Dempster, Trombonist, undated; Readings in Compositional Linguistics, undated; Lingua II, Maldetto, undated; OM, undated; Line Drawing portrait of Kenneth Gaburo, undated; Pastel Drawing portrait of Kenneth Gaburo, by Reinlander, 1973; Center for New Music, "Two" and "Antiphony IV", 1969-1970; San Diego State University, Contemporary Music Ensemble Multimedia Concert, undated; Progressions Arts UMBC, undated; Frostburg State College, a Program of Compositional Linguistics, undated; Allos, a painting by Milford Kemp, 1982; "... a Dot is No Mere Thing..." Kansas City Civic Orchestra, undated (World Premier).
- Box 36

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: Sketches for Musical Compositions: Early Draft for Antiphony III, "Pearl-White Moments", 1963

- Folder 2: Gaylord Scrapbook: Sketches for Musical Compositions: Early Draft for Antiphony IV, "Poised", 1967

- Folder 3: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for Antiphony VIII, "Revolution", 1983

- Folder 4: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Enough! (not enough!)", 1987-1989

- Folder 1 of 2
- Folder 5: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Enough! (not enough!), 1987-1989

- Folder 2 of 2
- Folder 6: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for Antiphony IX, "...a Dot is No Mere Thing...", undated

- Folder 7: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Antiphony X: Winded", 1990

- Folder 1 of 2
- Folder 8: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Antiphony X: Winded", 1990

- Folder 2 of 2
- Folder 9: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for Antiphony XI, unfinished, 1991

- Folder 10: Gaylord Scrapbook: Sketches for Musical Compositions: La Coro Sketch, 1991

- Box 37

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: Sketches for Musical Compositions: Subito, 1977

- Part 2 of 2 (Part 1 located in Box 50)
- Folder 2: Gaylord Scrapbook: Sketches for Musical Compositions: Maldetto, 1971

- Folder 1 of 2
- Folder 3: Gaylord Scrapbook: Sketches for Musical Compositions: Maldetto, 1971

- Folder 2 of 2
- Folder 4: Gaylord Scrapbook: Sketches for Musical Compositions: The Widow, 1961

- Folder 1 of 2
- Folder 5: Gaylord Scrapbook: Sketches for Musical Compositions: The Widow, 1961

- Folder 2 of 2
- Box 38

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: Compositions: The Widow, 1960

- Folder 2: Gaylord Scrapbook: Compositions: Sinfonia Concertant for Orchestra and Piano and On a Quiet Theme, 1949

- Folder 3: Gaylord Scrapbook: Compositions: The Snow Queen, 1952

- Opera in Three Acts. Act I, Scene I: "The Demon's Mirror;" Act I, Scene II: "The Gardin;" Act II, Scene I: "Enchantment;" Act II, Scene II: "Dreams;" Act III, Scene I: "The Wasteland;" Act III, Scene II: "The Snow Queen."
- Folder 4: Gaylord Scrapbook: Compositions: Antiphony IV "Poised", undated

- Score and Parts: Double Bass, Piccolo, Trb (?), Trombone.
- Folder 5: Gaylord Scrapbook: Compositions: Antiphony VI, "Cogitio", 1971

- Box 39

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: "Antiphony VIII: Revolution", 1983

- Folder 2: Gaylord Scrapbook: "Antiphony IX: Orchestra, Children, and 4 Channel Tapes", 1982-1985

- Folder 3: Gaylord Scrapbook: "Antiphony X: Winded", 1987-1991

- Folder 4: Gaylord Scrapbook: "Lingua II: Maldetto", 1967-1969

- Folder 5: Gaylord Scrapbook: Antiphony IX Orchestral Parts: Addenda, Trumpet 1-3, Horn 1-5, 1982-1985

- Contains nine folders: Addenda, Trumpet parts 1-3, and Horn parts 1-5.
- Folder 6: Gaylord Scrapbook: Antiphony IX Orchestral Parts: Piccolo, Flute 1 &2, Alto Flute, Oboe 1 & 2, 1985

- Contains four folders: Piccolo, Flute parts 1 &2, Alto Flute, and Oboe parts 1 &2.
- Box 40

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Clarinet 1 & 2, undated

- Folder 2: Gaylord Scrapbook: Antiphony IV Orchestral Parts: English Horn, undated

- Folder 3: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bassoon and Contra Bassoon, undated

- Folder 4: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bass Clarinet, undated

- Folder 5: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Tuba, undated

- Folder 6: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Trombone 1 & 2, undated

- Folder 7: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bass Trombone, undated

- Folder 8: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 1-3, undated

- Folder 9: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 4-6, undated

- Folder 10: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 7-9, undated

- Box 41

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 10-12, undated

- Folder 2: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 13-15, undated

- Folder 3: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 16-18, undated

- Folder 4: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 19-21, undated

- Folder 5: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 22-24, undated

- Folder 6: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Viola 1 &2, undated

- Box 42

- Sub-Series 37: Oversized Materials

- Folder 1: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Viola 3-6, undated

- Folder 2: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Xylophone and Miscellaneous Percussion, undated

- Folder 3: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Piano and Percussion, undated

- Folder 4: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Cello 1-3, undated

- Folder 5: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Cello 4-6, undated

- Folder 6: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bass 1-3, undated

- Box 43

- Sub-Series 38: Hollinger Slides

- Item 1: Antiphony VI Pictures, undated

- Item 2: "Union" Slides, undated

- Five Containers
- Item 3: Rick Copples "Images", undated

- Four Containers
- Item 4: "Enough! Not Enough" Score Slides, undated

- Two Containers (Second Container is shared with "Whole Language Language" Slides [Box 43, Item 5])
- Item 5: "Whole Language Language", undated

- Three Containers (Third Container is shared with "Enough! Not Enough" slides [Box 43, Item 4])
- Item 6: "Privacy One", undated

- Three Containers
- Item 7: "Mouthpiece" Score and Text, undated

- Three Containers
- Box 44

- Sub-Series 38: Hollinger Slides

- Item 1: Michigan State Commissions, undated

- Item 2: Dantes Joynte/ Antiphony IX, Sketches of Basic Language, undated

- Item 3: Antiphony IX, Original Scatter, undated

- Item 4: Antiphony IX, Score Titles, undated

- Item 5: Antiphony IX, Score, undated

- Three Containers
- Item 6: University of Iowa, Electronic Music Studio, 1976

- Item 7: University of Iowa, Electronic Music Studio, 1983

- Five Containers
- Item 8: Unmarked Slides, undated

- Box 45

- Sub-Series 38: Hollinger Slides

- Item 1: Unmarked Slides, ca. 1970s

- Box 46

- Sub-Series 39: Photos

- Item 1: Unmarked Slides, undated

- 46 Slides in view pages
- Item 2: In the Can, 1970

- Item 3: Gaburo Opera, undated

- Item 4: Gaburo Family, ca. 1940-1980

- Item 5: Composition as an Eco-System Exhibit, undated

- Item 6: Rehearsal of Dante's Joynte, undated

- Item 7: Miscellaneous New Music Choral Ensemble (NMCE), undated

- Item 8: Kenneth Gaburo, Ca. 1940-1970

- Item 9: "Antiphony IX: Enough! Not Enough", ca. 1980s

- Item 10: NMCE Rehearsing "Falling", ca. 1970s

- Item 11: NMCE Rehearsing "Mutatis Mutandis", undated

- Box 47

- Sub-Series 40: Audio Tape Cassettes

- Item 1: Dixon "Elegy", July 6, 1966

- Item 2: Seminar, March 14, 1978

- Item 3: Antiphony VIII "Revolution", March 9, 1984

- Item 4: "Cantilena IV," Schoenberg Institute, February 14, 1985

- Item 5: Antiphony IX, October 13, 1985

- Item 6: Gary Verkade/ Gaburo, Organ Sounds, July 24, 1986

- Item 7: UIUC Sonic Lab, "Maldetto" and "Kurzwellen", March 16, 1987

- Item 8: "The Bomb Factory" Part I, April 22, 1987

- Item 9: Audio Spectrum, Part I and II, August 11, 1987

- Item 10: Audio Spectrum Part III, "Mangrove", August 11, 1987

- Item 11: Ensemble, August 10, 1987

- Item 12: Antiphony IX Rehearsal, March 8, 1988

- Item 13: "Enough! Not Enough" (1 of 2 copies), December 11, 1988

- Item 14: "Enough! Not Enough" (2 of 2 copies), December 11, 1988

- Item 15: Antiphony X, September 16, 1991

- Item 16: Interview with Todd Knoeble, undated

- Item 17: "Mutatis Mutandis", undated

- Item 18: "Mutatis" Rehearsal, undated

- Item 19: Natuig- English Cantilena IV, Paris, undated

- Item 20: "Surface Tension" Dub, undated

- Item 21: Act One Scratch Project, undated

- Item 22: "Partch Bewitched, Riasberlin", undated

- Item 23: Antiphony VIII, Texts, undated

- Item 24: Antiphony VIII Dub, undated

- Item 25: Antiphony II, undated

- Item 26: Liz Rymland, Text for Kenneth (1 of 2 copies), undated

- Item 27: Liz Rymland, Text for Kenneth (2 of 2 copies), undated

- Item 28: Antiphony X "Winded", 21, undated

- Item 29: New Events Washington, "Lingua II: Maldetto", undated

- Item 30: Cantilena 1, 4, "Chrome EQ", undated

- Item 31: "Enough! Not Enough" plus Stockholm, undated

- Item 32: "Enough! Not Enough" Collage, ISIT ABC Broadcast Dub, undated

- Item 33: Antiphony II Dub, undated

- Item 34: "Russia" Micro-Cassette, undated

- Item 35: Boris Jarek "Testimony Sounds" Micro-cassette, undated

- Item 36: #4A, B Micro-cassette, undated

- Item 37: #5 A, B Micro-cassette, undated

- Item 38: Audiocassette 1, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 39: Audiocassette 2, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 40: Audiocassette 3, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 41: Audiocassette 4, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 42: Audiocassette 5, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 43: Audiocassette 6, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 44: Audiocassette 7, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 45: Audiocassette 8, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 46: Audiocassette 9, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 47: Audiocassette 10, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 48: Audiocassette 11, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 49: Audiocassette 12, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 50: Audiocassette 13, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 51: Audiocassette 14, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 52: Audiocassette 15, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 53: Audiocassette 16, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 54: Audiocassette 17, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 55: Audiocassette 18, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 56: Audiocassette 19, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 57: Audiocassette 20, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 58: Audiocassette 21, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Item 59: Audiocassette 22, undated

- One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
- Box 48

- Sub-Series 37: Oversized Materials

- Item 1: "The Snow Queen", 1952

- From scrapbook in Box 1
- Item 2: Teaching Materials: Musical Examples for Teaching, undated

- Item 3: Teaching Materials: Educational Music Centre Project Course, undated

- Item 4: Lingua Press Publications: "Lilacs" For Mixed Chorus a capella, by Robert Shallenberg, Apogee/Lingua, 1967

- Item 5: Lingua Press Publications: "Ludus Primus: Foreplay" by Harely Gaber, 1967

- Item 6: Lingua Press Publications:"Scambio for Flute and Piano" by Harely Gaber, 1963

- Revised in 1969
- Item 7: Lingua Press Publications: Lingua Press Collection Two Catalogue, November 1977

- Item 8: "Collected Chips: Off the Old Block" For Piano, Vol. 1-3, by Tod Lewis, undated

- Item 9: "Kata" For Solo Violin, by Harely Gaber, 1977

- Item 10: Lingua Press Publications: Lingua Press Double Issue, 1978

- Includes: "...Such Words As it Were Vain to Close..." by J.K. Randall and "...My Chart Shines High Where the Blue Milk Upsets..." by Benjamin Boretz.
- Item 11: Lingua Press Publications:"Poempiece I: Whitegold Blue" by William Brooks, 1978

- Box 49

- Sub-Series 37: Oversized Materials

- Item 1: Marked Conductor's Scores: "Two Egrets," Glasow, undated

- Item 2: Marked Conductor's Scores: "Sensus Spei," Kohn, undated

- Item 3: Marked Conductor's Scores: "Ave Maria", undated

- Item 4: Marked Conductor's Scores: "Psalm," Gaburo, undated

- Item 5: Marked Conductor's Scores: "The Hurricane," Ogden, undated

- Item 6: Marked Conductor's Scores: "Anthem," Stravinsky, undated

- Item 7: Marked Conductor's Scores: "Sound Patterns," Pauline Oliveros, undated

- Item 8: Marked Conductor's Scores: "On the Surface of Things," Arthur, undated

- Item 9: Marked Conductor's Scores: "Five Fragments," Ben Johnston, undated

- Box 50

- Sub-Series 37: Oversized Materials

- Item 1: Sketches for Musical Composition: Subito, 1977

- Folder 1 of 2 (Part 2 located in Box 37)
- Item 2: Marked Conductor's Scores: "Bewitched" by Harry Partch, Berlin Performance Score conducted by Gaburo, undated

- Item 3: Lingua Press Publications: "Groups for Piano" by Donald Scavarda, 1959

- Copyright 1962, 1977
- Item 4: Lingua Press Publications: "Antiphony IV "Cognito", 1971 String Quartet, Slides, Tape", 1980

- Box 51

- Sub-Series 23: Sketches for Musical Composition, 1952-1956

- Folder 1: Sketches for The Snow Queen (other title: The Widow), 1952

- 1 of 2.
- Folder 2: Sketches for The Snow Queen (other title: The Widow), 1952

- 2 of 2.
- Folder 3: String Quartet, 1956

- Box 52

- Sub-Series 23: Sketches for Musical Composition, 1957-1958

- Folder 1: Mass, 1958

- Folder 2: Tiger Rag, 1957

- 1 of 2.
- Folder 3: Tiger Rag, 1957

- 2 of 2.
- Box 53

- Sub-Series 23: Sketches for Musical Compositions, 1959-1967

- Folder 1: Sketch A for Stray Birds, 1959

- Folder 2: Sketch B for Stray Birds, 1959

- Folder 3: Shapes and Sounds, 1960

- Folder 4: Ave Maria, 1962

- Folder 5: Two, 1962, 1962

- Folder 6: Psalm, 1965

- Folder 7: Poesies, 1966-1967

- Folder 8: Dante's Joynte, 1968

- Folder 9: Lingua I: Inside, 1969

- Box 54

- Sub-Series 23: Sketches for Musical Compositions, 1970-1973

- Folder 1: Dirge, 1970

- Folder 2: Lingua I: Flight of the Sparrow, 1970

- Folder 3: Antiphony V (never completed), 1971

- Folder 4: Antiphony VI, 1971

- Folder 5: Dwell, 1973

- Folder 6: 20 Sensing, 1968-1973

- Box 55

- Sub-Series 23: Sketches for Musical Compositions, 1974-1990 and undated

- Folder 1: The Flow of [U], 1974

- Folder 2: Enough! (not enough), 1984-1985

- 1 of 2; for folder 2 of 2, see Oversized Box 36.
- Folder 3: La Coro, collaboration with Hans Breder, 1990

- 2 folders; folder 2 of 2, see Oversized Box 36.
- Folder 4: A Festival Overture, undated

- Folder 5: Psalm for Women's Chorus, Strings, Woodwinds, Timpani, Piano, 2 Trumpets, 2 Trombones, undated

- Folder 6: Do Not Go My Love, undated

- Folder 7: The Arch, undated

- Folder 8: Metamorphosis for Orchestra, undated

- Folder 9: Entrata, undated

- Folder 10: The Wreck of Deutschland, undated

- Folder 11: Offertory, undated

- Folder 12: Various sketches for vocal music, undated

- Folder 13: Musica de Camera, undated

- Folder 14: A Piano Invention, undated

- Folder 15: Composition for Brass, undated

- Folder 16: In Memoriam, undated

- Box 56

- Sub-Series 24: Unidentified Sketches

- Folder 1: Unidentified sketches, undated

- 1 of 6.
- Folder 2: Unidentified sketches, undated

- 2 of 6.
- Folder 3: Unidentified sketches, undated

- 3 of 6.
- Folder 4: Unidentified sketches, undated

- 4 of 6.
- Folder 5: Unidentifies Sketches, undated

- 5 of 6.
- Folder 6: Unidentified Sketches, undated

- 6 of 6.
- Box 57

- Sub-Series 37: Oversized Materials

- Folder 1: Inside, 1969

- Folder 2: December 8, 1967

- Folder 3: Sketches for unfinished piece for Candace and Jon, undated

- Folder 4: She, unfinished piece for Ginny Gaburo, undated

- Folder 5: Ideas and Transformations, 1955

- Folder 6: Antiphonia for 3 String Groups, later called Antiphony I, 1961

- Folder 7: Antiphony IV, 1967

- Folder 8: Glass, Unfinished Composition, 1968

- Folder 9: Ringings, 1976

- Folder 10: Mouthpiece, 1970

- Box 58

- Sub-Series 37: Oversized Materials

- Folder 1: In the Can, 1970

- Folder 2: Cantilene IV, 1975

- Folder 3: Ringings, 1976

- Folder 4: Antiphony IX, 1984-1985

- 2 of 4.
- Folder 5: Antiphony IX, 1984-1985

- 3 of 4.
- Folder 6: Cartilena, Unfinished, undated

- Folder 7: Unknown Songs (The Valley Spirit), undated

- Box 59

- Sub-Series 37: Oversized Materials

- Folder 1: Antiphony II (variations on a poem of Cauafy), 1961

- Folder 2: Antiphony III, 1963

- 1 of 3.
- Folder 3: Antiphony III, 1963

- 2 of 3
- Folder 4: Antiphony III, 1963

- 3 of 3.
- Folder 5: Never, 1966

- Folder 6: December 8, 1967

- Folder 7: My, My, My What a Wonderful Fall, 1975

- Folder 8: Antiphony IX, 1984-1985

- Folder 1 of 4. Folders 2 and 3 see Box 58, folder 4 see Oversized Box 39.
- Folder 9: Unidentified sketches, undated

- From folder 3 of 6. See box 56 for other folders.
- Folder 10: Unidentified sketches, undated

- From folder 4 of 6. See box 56 for other folders
- Box 63

- Sub-Series 2: Drafts of Publications and Manuscripts

- Folder 1: Electronic music equipment catalogs (1 of 2), 1958-1970

- Folder 2: Electronic music equipment catalogs (2 of 2), 1958-1970

- Folder 3: "Report on Contemporary Experimental Music," L.A. Hiller, Jr., 1961

- Folder 4: "Numus West" magazine, Issue 2, 1972

- All issues (1 through 8) available in the Music Library, 780.5 NUM
- Folder 5: "Numus West" magazine, Issue 4, 1973

- This copy is missing the Herbert Brun article. An intact version of this issue (and all issues, 1 through 8) is available in the Music Library, 780.5 NUM
- Folder 6: "Numus West" magazine, Issue 6, 1974

- All issues (1 through 8) available in the Music Library, 780.5 NUM
- Folder 7: "Computer Music Compositions of the United States; a bibliography" by Carol Melby, 1975

- Folder 8: SEAMUS National Archive "Request for Participation" by Scott Wyatt, 1990

- Item 1: 16mm film, "In the Can" A-C, undated

- Item 2: 16mm film, "In the Can", undated

- Possibly contains som "Media Man"
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