Roslyn Rensch Papers

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Education

Research, Service, and Teaching

Concert Programs, Posters, and Scrapbooks

Music Instruments

Oversize Portfolio Case 1

Oversize Portfolio Case 2



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Finding Aid for Roslyn Rensch Papers, 1900- 1993 | The Sousa Archives and Center for American Music

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Collection Overview

Title: Roslyn Rensch Papers, 1900- 1993View associated digital content.

ID: 26/20/95

Primary Creator: Rensch, Roslyn (1923-2021)

Extent: 10.7 cubic feet

Arrangement: By type of material and alphabetical thereunder.

Date Acquired: 05/31/1989. More info below under Accruals.

Subjects: Alumni, American Harp Society, Chicago, Illinois, Class Notes, Evanston, Illinois, Harp, Harps, Indiana State University, Musical Repertoires, Music Competitions, Musicology, Northwestern University, Recitals, Sigma Alpha Iota, Symphony Orchestras, World Harp Congress

Formats/Genres: Concert Programs, Methods--Self Instruction, Microfilms, Papers, Scrapbooks

Languages: English

Scope and Contents of the Materials

Consists of personal papers, student files, teaching notes, research files, book drafts, correspondence, concert programs, harps, string boxes, and scrapbooks (both physical and microfilmed), documenting the career of University of Illinois alumna and harpist Roslyn Rensch. In addition, the papers contain sheet music libraries compiled by Margaret Sweeney and Emma Weast Bichl, both 19th-Century harpists from the Chicago area.

Biographical Note

Rosyln Maria Rensch (June 12, 1923-November 6, 2021)  was born in Detroit, Michigan. After the Rensch family moved to Evanston, Illinois in 1929, her mother Maria Damm Rensch encouraged both her and her sister, Gloria, to learn musical instruments. Maria had played piano, harp, and cello in a family band during her youth, performing throughout England in the late 1890s. Given her musical inclinations, Maria took her own children to many musical events. After hearing a solo recital by Alberto Salvi in Chicago, Maria encouranged Rosyln to study the harp.

Rosyln Rensch began her studies with Alberto Salvi soon after. While she was in high school, Rensch performed at weddings and local society dinners. She also gave public solo recitals in Chicago's Wurlitzer Building and the Lyon and Healy recital hall. She graduated from Evanston Township High School in June, 1941.

Rensch continued her studies with Salvi at Northwestern, earning her bachelors degree in harp performance in 1945. While a student at Northwestern, she was an active member of Sigma Alpha Iota. For six weeks following her graduation, she studied at the Juilliard School of Music with Marcel Grandjany. Soon after, she returned to Northwestern to complete a masters degree in harp performance. While completing her degree, she became the principal harpist for the Chicago Civic Orchestra, a position she would hold for six years. After graduating in 1948, she returned to Juilliard to perform in a summer orchestra conducted by Walter Hendl. She published her first book, The Harp, in 1950.

In 1953 she enrolled in Northwestern University's musicology program intending to write her dissertation on the history of the harp. During her first year as a musicologist, she met Dr. Paul Nettl, Dr. Bruno Nettl's father, who encoraged her to complete her degree at Indiana University. She began her studies in musicology with Dr. Nettl and Dr. Willi Apel in 1954. In 1955, she was invited by Fritz Reiner to perform in the CSO's production of Wagner's Götterdämmerung.

In the spring of 1954, she took a faculty position teaching harp at the University of Illinois and transferred to the musicology program at the University of Illinois. Since her research data primarilly consisted of iconographic depictions of the harp, she decided to complete a masters degree in art history at Illinois in 1957. Since the University of Illinois did not offer a PhD program in art history at the time, she transferred once again to the University of Wisconsin-Madison to enroll as a PhD student in art history in 1958. Her dissertation, completed in 1964, entitled "Symbolism and Form of the Harp in Western European Manuscript Illuminations of the Ninth to the Sixteenth Century," was an iconographic and organological account of the history of the harp.

In 1965, she became a faculty member of Idiana State University in Terre Haute. In 1969, she published her second book,The Harp: Its History, Technique, and Repertoire. She was granted tenure in 1970 and served as a professor of harp and art history at Indiana State until 1988. Between 1967 and 1988 she was the principal harpist in the Terre Haute Symphony Orchestra. In 1970, she married Philip H. Erbs, the vice-president of the Wrigley Gum Corporation. Between 1977 and 1980, she served as the vice-president of the American Harp Society and from 1983-1987 she helped establish the World Harp Congress. After retiring in 1988, she moved to St. Simons Island Georgia to live with her sister Gloria.  She passed away in Brooklyn, New York on November 6, 2021.

Subject/Index Terms

Alumni
American Harp Society
Chicago, Illinois
Class Notes
Evanston, Illinois
Harp
Harps
Indiana State University
Musical Repertoires
Music Competitions
Musicology
Northwestern University
Recitals
Sigma Alpha Iota
Symphony Orchestras
World Harp Congress

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: July 27, 1989 and March 30, 1990.

Acquisition Source: Roslyn Rensch

Acquisition Method: gift

Related Materials:

See also record series number 35/3/68, box 3, folders 47-48 (contains MPAL correspondence with Rensch and processing notes)

See also the International Harp Archives' finding aid for the Roslyn Rensch Papers: https://harp.lib.byu.edu/wp-content/uploads/2009/05/roslynrensch.pdf. Relocated from Brigham Young University to University of Northern Texas in 2025.


Box and Folder Listing


Browse by Series:

[Series 1: Education, 1946-1981],
[Series 2: Research, Service, and Teaching],
[Series 3: Concert Programs, Posters, and Scrapbooks],
[Series 4: Music Instruments],
[Oversize Portfolio Case 1],
[Oversize Portfolio Case 2],
[All]

Series 1: Education, 1946-1981
Consists of Rensch's cirriculum vitae, class notes, commencement program, term papers, and a preliminary Ph.D. exam. Arranged chronologically.
Box 1
Folder 1: Vitae, 1950-1981
Folder 2: Wedding Invitation and Political Pamphlet, ca. 1970
Folder 3: Commencement Program, Northwestern, 1946
Folder 4: Class Notes for Curt Sachs Course, 1953
Folder 5: Class Notes for Music Survey: Antiquity to 1508, 1953
Folder 6: Class Notes for Music History Survey 1700-1800, 1954
Folder 7: Class Notes for History of Medieval Polyphony, 1955
Folder 8: Class Notes for Renaissance Music, 1955
Folder 9: Term Paper: Intarsia For a Duke, 1957
Written for Renaissance Art History taught by Dr. Minerva Pinnell at the University of Illinois
Folder 10: Term Paper Outline: Odilon Redon, 1961
Folder 11: Term Paper: Some Social and Artistic Aspects of the Harp: 1750-1900, 1955
Written for 19th Century Art History course taught by Dr. Frank Roos at the University of Illinois.
Folder 12: Ph.D. Preliminary Exam Manuscript: James Whistler, 1961

Browse by Series:

[Series 1: Education, 1946-1981],
[Series 2: Research, Service, and Teaching],
[Series 3: Concert Programs, Posters, and Scrapbooks],
[Series 4: Music Instruments],
[Oversize Portfolio Case 1],
[Oversize Portfolio Case 2],
[All]

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