Scott Goldthwaite Papers

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Dissertation drafts and notes

Transcriptions of medieval manuscripts and translations of German texts

Faculty papers

Compositions



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Collection Overview

Title: Scott Goldthwaite Papers, 1937-1963

ID: 12/5/26

Primary Creator: Goldthwaite, Wilburn Scott (1901-1981)

Extent: 1.5 cubic feet

Arrangement: Organized into four series, which are arranged in their original order. Series 1: Dissertation draft and notes. Series 2: Transcriptions of medieval manuscripts and translations of German texts. Series 3: Faculty papers. Series 4: Compositions.

Date Acquired: 05/19/1986

Subjects: Composers, Compositions-Music, Criticism, Dissertations, Faculty, Faculty Papers, Medieval History, Music, Music, School of, Music Library, Musicology, Music Publishers, Vocal music

Formats/Genres: Papers, Sheet music

Languages: English, German, French

Scope and Contents of the Materials

Consists of the dissertation drafts, research articles, transcriptions of German and French chansioniers (song books), course files, and original compositions by Scott Goldthwaite, documenting his work as a music student and his career as a professor of musicology at the University of Illinois (1955-1970).

Biographical Note

Wilburn "Scott" Goldthwaite (1901-1981) was born in Melrose, Massachusetts on June 18, 1901. The son of James Wilburn and Emma (Chandler) Goldthwaite, Goldthwaite began his music studies at Yale University under David Stanley Smith and Bruce Simonds. While an undergraduate, he served for two years as a correspondent for The Musical Digest. After receiving his bachelor's degree, he taught for one year (1926- 27) at Kent School in Kent, Connecticut. He spent the following year, studying at Harvard under Dr. Archibald T. Davison and Edward Burlingame Hill.

In the fall of 1928, Godthwaite was hired at the University of Missouri as head of the theory department, beginning as Assistant Professor of music, he was quickly promoted to Associate Professor. In 1932 he studied composition with Nadia Boulanger in Paris. Four years later, he began working at the Parisian publishing house, Revue Internationale de Musique. After returning to the States in the summer of 1937, he was hired to conduct the chorus of one of Ford Motor Company's radio shows in New York. In that same year, he married Mildred Susan Bryant. He returned to Yale in 1938, earning his masters degree in music. In 1938, joined the faculty of the University of Chicago as instructor and Curator of the Music Library. He was promoted to Assistant Professor at the University of Chicago in 1943, and served as acting chairman of its Department of Music in 1947.

Between 1942 and 1944, he served as an assistant music critic for the Chicago Daily Tribune, assuming a similar post with the Chicago Sun Times from 1944 to 1946. During his career as a musicologist, conductor, librarian, and critic, he published book reviews, pamphlets, and many concert reviews, serving as the supervising editor for the revision of music articles within the Encyclopaedia Britannica. He was a member of the Music Library Association, serving first as Chairman of Committee on Music Library Training and later as President of the organization.

In 1956, he earned a PhD in musicology at Harvard, studying with Otto Gombosi and writing a dissertation on the 15th-century chanson. From 1955 to 1970, he served as a professor of musicology at the University of Illinois. His musical interests were wide-ranging and represented by articles on the chanson, keyboard ornamentation, Hungarian music, Anton Webern, and historicism. Throughout the 1960s, Goldthwaite directed the graduate program of the School of Music (UIUC) until he retired in 1970. He died on December 29, 1981 in Urbana, Illinois.

Subject/Index Terms

Composers
Compositions-Music
Criticism
Dissertations
Faculty
Faculty Papers
Medieval History
Music
Music, School of
Music Library
Musicology
Music Publishers
Vocal music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Related Materials: Alexander Ringer Papers (12/5/43)


Box and Folder Listing


Browse by Series:

[Series 1: Dissertation drafts and notes],
[Series 2: Transcriptions of medieval manuscripts and translations of German texts],
[Series 3: Faculty papers],
[Series 4: Compositions],
[All]

Series 1: Dissertation drafts and notes
Box 1
Folder 1: "Rhythmic Patterns and Formal Symmetry in the Fifteenth Century Chanson" dissertation, final draft with examples (1 of 4), 1955
Folder 2: "Rhythmic Patterns and Formal Symmetry in the Fifteenth Century Chanson" dissertation, final draft with examples (2 of 4), 1955
Folder 3: "Rhythmic Patterns and Formal Symmetry in the Fifteenth Century Chanson" dissertation, final draft with examples (3 of 4), 1955
Folder 4: "Rhythmic Patterns and Formal Symmetry in the Fifteenth Century Chanson" dissertation, final draft with examples (4 of 4), 1955
Folder 5: Hand-written dissertation draft, undated
Folder 6: Notes for dissertation with copies of sheet music consulted in writing, undated
Box 2
Folder 1: Dissertation draft with notes, undated
Folder 2: Type-written dissertation draft
Folder 3: Chansons consulted but not used in final dissertation, with guide to manuscript sources consulted, undated
Series 2: Transcriptions of medieval manuscripts and translations of German texts
Box 2
Folder 4: Medieval music transcriptions on  loose sheets, with notes and annotations, undated
Folder 5: Transcription drafts of medieval chansons with detailed notes on Goldthwaite's transcription process, undated
Folder 6: Binchois-Dufay and early generation compositions transcriptions, undated
Folder 7: Proof sheets for volume two of "Laborde Chansonnier" transcriptions, undated
Box 3
Folder 1: "Laborde Chansonnier," Book 1, no. 1-37/99-106 transcriptions, undated
Folder 2: "Laborde Chansonnier," Book 1, no. 52-98 transcriptions, undated
Folder 3: Manuscript translation of Johannes Wolf's "Geschichte der Mensural-Notation", undated
Folder 4: Manuscript translation of Hugo Leichtentritt "Geschichte der Motette" (History of the Motet), Chapters 1-6, undated
Folder 5: Manuscript translation of Johannes Wolf "Handbuch der notationskunde," volume 1, section 4, Ars Nova, Chapter 1, undated
Series 3: Faculty papers
Includes lecture notes from courses and lectures given by Goldthwaite at the University of Chicago and the University of Illinois, course materials, correspondence and drafts of scholarly writing.
Box 4
Folder 1: Medieval music transcriptions/notations - for MUSIC 414, vol. 1-4 (1 of 2), undated
Folder 2: Medieval music transcriptions/notations - for MUSIC 414, vol. 1-4 (2 of 2), undated
Folder 3: "Introduction to Symphonic Music," "Weberian Cantata #1, 3rd movement," "Musical Offering", undated
Lecture notes
Folder 4: "The Passion According to St. Matthew," "Pre-Classical (Baroque) Forms," "Riemann: History of Musical Theory from the 9th to the 19th century", undated
Drafts of lectures
Folder 5: "The use of General Reference Materials in Music Librarianship" lecture notes, undated
Folder 6: "An Introduction to Chamber Music," notes for lecture at University of Chicago; and notes for lecture "Nationalism in English Music", 1946
Folder 7: "The Nature of Opera" and "Definitions of Opera" lecture notes, undated
Folder 8: Drafts of book reviews, 1945-1955
Folder 9: Humanities I at University of Chicago lecture notes, undated
Folder 10: MUSIC 320: English Church Music, 1540-1695, University of Illinois, lecture notes, Fall 1959
Folder 11: Correspondence with composers and drafts of articles on contemporary composers, 1957
Box 5
Folder 1: Study proposal for research into education practices for high school choral music teachers, undated
Folder 2: Autographed photograph of Richard Bonelli and biographical note, 1937
Folder 3: Articles and lecture transcriptions not by Goldthwaite, 1940-1963
Folder 4: Betty Tackett arrangements of modern music, undated
Series 4: Compositions
Box 5
Folder 5: Scott Goldthwaite "Overture for Orchestra" FS and P (1 of 4), 1938
Manuscript version
Folder 6: Scott Goldthwaite "Overture for Orchestra" FS and P (2 of 4), 1938
Manuscript version
Folder 7: Scott Goldthwaite "Overture for Orchestra" FS and P (3 of 4), 1938
Manuscript version
Folder 8: Scott Goldthwaite "Overture for Orchestra" FS and P (4 of 4), 1938
Manuscript version
Folder 9: Scott Goldthwaite "Overture in D Major" FS and P (1 of 2), undated
manuscript version
Folder 10: Scott Goldthwaite "Overture in D Major" FS and P (2 of 2), undated
manuscript version
Folder 11: Cesar Franck (arr. Scott Goldthwaite) "Choral in E" FS (1 of 3), undated
manuscript version
Folder 12: Cesar Franck (arr. Scott Goldthwaite) "Choral in E" P (2 of 3), undated
manuscript version
Folder 13: Cesar Franck (arr. Scott Goldthwaite) "Choral in E" P (3 of 3), undated
manuscript version

Browse by Series:

[Series 1: Dissertation drafts and notes],
[Series 2: Transcriptions of medieval manuscripts and translations of German texts],
[Series 3: Faculty papers],
[Series 4: Compositions],
[All]

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