Finding Aid for Nicholas Temperley Music and Papers, 1786-2019 | The Sousa Archives and Center for American Music

By Nolan Vallier and Carol Berthold

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Collection Overview

Title: Nicholas Temperley Music and Papers, 1786-2019

ID: 12/5/80

Primary Creator: Temperley, Nicholas (1932-2020)

Extent: 19.95 cubic feet

Arrangement:

Temperley's materials have been arranged into five series, which are as follows:

Series 1: Secular Music Reseach is arranged into six sub-series: 1) Publications and Published Scores, 2) Unpublished Edited Scores and Materials Related to Score Editing, 3) Unpublished Lectures and Liner Notes, 4) Research Files, 5) Photographic Slides and Prints, and 6) Historic Opera Scores, Libretti, and Music Catalog Collection. Sub-series 1 is arranged by a numeric code derived by Temperley, which is roughly chronological. Sub-series 2 is arranged chronologically and by material type. Sub-series 3, 4, 5, and 6 are arranged alphabetically by title.

Series 2: Hymn Tune and Sacred Music Research is arranged into four sub-series: 1) Publications and Published Scores, 2) Unpublished Lectures and Edited Scores, 3) Research Files, 4) Photographic Slides and Prints. Sub-series 1 is arranged by a numeric code derived by Temperley, which is roughly chronological. Sub-series 2, 3, and 4 are arranged alphabetically by title.

Series 3: Personal Files is arranged into three sub-series: 1) Personal Papers, 2) Original Published Compositions and Unpublished Music Manuscripts, and 3) Choral Ensemble Files and Arrangements for Choral Ensemble. Sub-series 1 is arranged alphabetically. Sub-series 2 is arranged using two alpha numeric codes given by Temperley, and chronologically thereafter. Sub-series 3 is arranged alphabetically.

Series 4: Teaching and Service Files is arranged alphabetically by title or institution and chronologically therein.

Series 5: Audio Recordings and Digital Research Files is arranged in two sub-series: 1) Audio Files and 2) Digitial Research Files. Sub-Series 1 is arranged by type of material and alphabetically by title therein. Sub-series 2 is arranged alphabetically by title.

This arrangement maintains his original order while applying a new intellectual order around his predominant research areas.

Date Acquired: 08/11/2021. More info below under Accruals.

Subjects: Church music, Church of England, English History, Music Composition, musicology, Opera, Victorian Music

Formats/Genres: Sheet music

Scope and Contents of the Materials

Contains published books, articles, reviews, and scores by Nicholas Temperley; unpublished research files; a collection of 18th and 19th century scores, libretti, and music publishing catalogs; teaching files, including copies of bound preliminary and final exams from Cambridge University; unpublished music manuscripts; audio recordings; and personal files related to choral music concerts staged by Temperley and his wife. Of particular note are early research files related to Temperley's work on the Hymn Tune Index and collected ephemera from the premiere of Temperley's revival of Raymond and Agnes. In addition, these papers contain Temperley's collection of rare 18th and 19th-century scores and libretti, used throughout his career.

Biographical Note

Nicholas Temperley (1932-2020) was born in Beaconsfield, England on August 7, 1932. His parents were Arthur Cecil Temperley, a Major-General of the British Army who served as a representative at the League of Nations, and Joyce van Oss, a Dutch musician and author. Temperley began his musical studies at the age of five, performing on piano and studying composition. After his father died in 1939, he was admitted to an all-boy's boarding school. In this same year he published his first composition entitled "Elegy," which appeared in a British publication called The Young Musician. In 1945, Temperley won a Foundation Scholarship to study at Eaton College, where he received further musical instruction until 1951. In 1948, his mother married a German refugee named Donald von Hirsch, who would go on to lead the German Institute in London. Temperley then earned his associate degree in piano performance at the Royal College of Music in 1952 as well as a certificate in organ performance at the Royal College of Organists in 1954. Following this, he earned another Foundation Scholarship to study music at King's College, Cambridge University where he earned a bachelor of arts degree (Double First in Music) in 1955, a bachelor's of music degree in 1956, and both his master's and doctoral degrees in 1959. While at King's College, Temperley specialized in the history of English music during the Classical and Romantic periods and he took additional courses in composition and organ performance.

Following his graduation from King's College, Temperley moved to the United States, becoming a post-doctoral fellow at the University of Illinois Urbana-Champaign. It was here that Temperley met Mary Dorothea Sleator, an assistant professor of English who was also an active singer in Urbana. The two were married a year later in Ann Arbor, Michigan. While in Urbana, Temperley published several early articles on the influence of Handel, Beethoven, Mozart, and Mendelssohn upon English composers; founded an amateur carol group called the "Temperley Singers"; and served as a music critic for the Champaign-Urbana Courier.

In 1961, he and Mary moved to the UK, Temperley having accepted a position as an assistant lecturer at Cambridge University and the Director of Studies in Music at Clare College, Cambridge. In addition to his teaching responsibilities, Temperley edited and revised both the entrance exams and the "Musical Tripos" final exams for graduate students. Two of Temperley's children were born during this time, Lucy (1962) and David (1963). During this period, Temperley began publishing short articles on the history of English Parish Church music and Victorian opera. He also combined his historical research with his interest in composition, arranging new editions of Victorian operas. While at Cambridge in 1966, he resurrected the Victorian-era composer Edward Loder's opera Raymond and Agnes. Soon after, Temperley accepted a position as an assistant professor at Yale University, where he taught for a year.

In 1967, Temperley returned to the University of Illinois as an associate professor in musicology. On the first day of school, his third child, Sylvia, was born. Temperley was promoted to full professor in 1972, at which point he had already written nearly two dozen articles about English music in the Victorian era. Temperley published his first book, Jonathan Gray and Church Music in York, 1770-1840 five years later in 1977. Two years later he received the Otto Kinkeldey Award from the American Musicological Society for his book, The Music of the English Parish Church. Building upon his research on hymns and church music, Temperley founded the Hymn Tune Index at the University of Illinois in 1982. As a research center, the Hymn Tune Index compiled an archive of hymns printed in English texts up to 1820 and published a reference book of their findings in four volumes begininng in 1998.

In 1981, Temperley published The Romantic Age: 1800-1914, a groundbreaking book on the music of the Victorian era. He would go on to edit several other books related to Victorian music including the 20-volume series The London Piano Forte School 1766-1860. Tied to his research on this era, Temperley also completed critical editions of both Berlioz's Symphonie fantastique (1971) and Haydn's The Creation (1988); a revised edition of John Gay's the Beggar's Opera (1984); and arrangements of two unfinished operas, George Friedrich Handel's Hercules (1985) and Mozart's L'Oca del Cairo (1991).

After serving two terms as department chair of the Musicology Division and being named a University Senior Scholar between 1986 and 1989, he retired in 1996. Temperley continued to research and publish in the areas of English church music and Victorian-era opera. For instance, in 2007, Temperley served as the co-editor alongside Sally Drage for a critical edition of 18^th-Century English church music for the Musica Britannica series. In 2016, he published his twelfth book, Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family. In 2018, he and Beth Quitslund published the first critical edition of the Elizabethan era congregational book The Whole Book of Psalms, Collected into English Metre.

During his retirement, Temperley remained connected to the Musicology Division at the University of Illinois, establishing a dissertation prize in 2003 and a research prize in 2017. Temperley also spent his retirement staging Gilbert and Sullivan operettas in Urbana and in 2009 he published Christmas is Coming, a collection of original and arranged carols. Temperley died on April 19, 2020 in Urbana Illinois.

Subject/Index Terms

Church music
Church of England
English History
Music Composition
musicology
Opera
Victorian Music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Addition on December 4, 2023

Acquisition Source: gift

Acquisition Method: Donated by Sylvie Khan.

Related Materials: Hymn Tune Index Records 12/5/81

Box and Folder Listing

Browse by Series:

[Series 1: Secular Music Research, 1786-2018],
[Series 2: Hymn Tune and Sacred Music Research, 1955-2018],
[Series 3: Personal Files, 1940-2020],
[Series 4: Teaching and Service Files, 1957-1987],
[Series 5: Audio Recordings and Digital Research Files, 1961-2013],
[All]

Series 1: Secular Music Research, 1786-2018

Materials are arranged into six sub-series: Publications, Unpublished Edited Scores, Unpublished Lectures and Liner Notes, Research Files, Photographic Slides and Prints, and Historic Opera Score Collection. Consists of Temperley's publications, research notes, unpublished edited scores, unpublished lectures, and photographs related to his secular music research. Of particular note is his historic collection of scores, libretti, and music catalogs from the 18th- to the 19th-Centuries and his edited scores for Raymond and Agnes, L'Oca del Cairo, Hercules, and The Beggar's Opera.

Sub-Series 1: Publications and Published Scores, 1959-2018

Temperley's publications were originally arranged in chronological order by material type using the following numeric code: I. monographs, II. book chapters, III. articles, IV. reviews of books, V. critical editions and urtexts, VI. published edited and arranged scores, VII. original published music. Each code contains two pieces of information: 1) the material type and shelf on which it was stored and 2) the chronological order of the publication within that type of material. For instance, "II .47" corresponded with Shelf 2 (book chapters), Item number 47.

This numeric code guides the arrangement of this sub-series. Publications on sacred subjects have been moved to Series 2, Sub-Series 1 to more accurately reflect his creative process; the code for that sub-series follows the same original order as this series. Please refer to Box 1, Folder 1 for a full list of Temperley's publications in its original order.

Box 1

Folder 1: Complete List of Publications by Nicholas Temperley, 2018: Scholarly Publications: I. Books and Monographs; II Chapters in Books; III. Articles in Periodicals; IV. Artcles in Encyclopedias; V. Revews; VI. Editions of Music; VII. Original Compositions; VIII. Arrangements.
Folder 2: Blackwell History of Music in Britain, The: The Romantic Age, 1800-1914 (I.3), 1981-1988: Edited by Nicholas Temperley. Vol. 5.
Folder 3: Serie: The New Grove Chopin (I.6), 1989: See also II.10.
Folder 4: Bound for America: Three British Composers (I.9), 2003: Composers: William Selby, Rayner Taylor, George K. Jackson.
Folder 5: Lectures on Musical Life: William Sterndale Bennett (I.10), 2006
Folder 6: Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family (I.13), 2016: Edited by Nicholas Temperley.
Folder 7: "The English Romantic Opera" In Opera 66, edited by Charles Osborne (II.1), 1966
Folder 8: "Schubert and the Lied" (II.2), 1976
Folder 9: "England" and "USA," Musikalische Gattungen in Einzeldarsteltangen Band 1: Symphonische Musik (II.7), 1981
Folder 10: "New Light on the Libretto of The Creation" in Music in 18th-Century England (II.8), 1982
Folder 11: New Grove Early Romantic Masters I, The, with Gerald Abraham and Humphrey Searle (II.10), 1985: Chopin, Schuman, Liszt. See also I.6.
Folder 12: "Xenophilia in British Musical History" in 19th-Century British Musical Stieies, Vol. 1 (II.25), 1999
Folder 13: "Preluding at the Piano" in Musical Improvisation: Art, Education, and Society (II. 31), 2009
Folder 14: "T.A. Walmisley's Secular Music," The Musical Times, No. 1366 (III.1), 1956
Folder 15: "Domestic Music in England, 1800-1860," The Royal Music Association , 85th Session (III.3), 1959
Folder 16: "Beethoven in London Concert Life, 1800-1850." Music Review, Vol. 21, no. 3 (III.4), 1960
Folder 17: "Handel's Influence on English Music," Monthly Musical Record, vol. 90, no. 1001 (III.5), 1960
Folder 18: Re: "Functional and Non-Functional Dissonance," Journal of Music Theory, Vol., 4, no. 2 (III.6), 1960
Folder 19: "Testing the Significance of Thematic Relationships," Music Review, Vol. 22, no. 3 (III.7), 1961
Folder 20: "Mozart's Influence on English Music," Music & Letters, Vol. 42, no. 4 (III.8), 1961
Folder 21: "The Prince Consort, Champion of Music," The Musical Times, no. 1426 (III.9), 1961
Folder 22: "Mendelssohn's Influence on English Music," Music & Letters, Vol. 43, no. 3 (III.10), 1962
Folder 23: "Personal Tempo and Subjective Accentuation," Journal of General Psychology, Vol. 68 (III.11), 1963
Folder 24: "George Frederick Pinto," The Musical Times, Vol. 106, no. 1466 (II.12), 1965
Folder 25: "Samuel Wesley," The Musical Times, Vol. 107, no. 1476 (III.14), 1966
Folder 26: "Raymond and Agnes," The Musical Times, Vol. 107, no. 1478 (III.15)

Box 2

Folder 1: "English Romantic Opera," Opera, Vol. 17, no. 4 (III.16), 1966
Folder 2: "The English Romantic Opera," Victorian Studies, Vol. 9, no. 3 (III.17), 1966
Folder 3: "Tempo and Repeats in the Early 19th-Century," Music & Letters, Vol. 47, no. 4 (III.18), 1966
Folder 4: "Berlioz and the Slur," Music & Letters. Vol. 50, no. 3 (III.19), 1969
Folder 5: "MT and Musical Journalism," The Musical Times, 25th ann. edition, Vol. 110, no. 1516 (III.20), 1969
Folder 6: "The Symphonie Fantastique and Its Program," Musical Quarterly, Vol. 57. no. 4 (III.22), 1971
Folder 7: "Almost Perfect Numbers" with P.P. Jerrard, Mathematics Magazine, Vol. 46, no. 2 (III.26), 1973
Folder 8: "Henry Hugo Pierson, 1815-73," The Musical Times, Vol. 114, p. 1217 (III.27), 1973
Folder 9: "Scorography: The Music of Chopin," Musical Newsletter, Vol. 4, no. 1 (III.28), 1974
Folder 10: "John Field and the First Nocturne," Music & Letters, Vol. 56, no. 3-4 (III.29), 1975
Folder 11: "Sterndale Bennett and the Lied, Pt. 1," The Musical Times, Vol. 116, no. 1593 (III.30a), 1975
Folder 12: "Sterndale Bennett and the Lied, Pt. 2," The Musical Times, Vol. 116, no. 1594 (III.30b), 1975
Folder 13: "Handel's Organ Concertos in Walsh's Arrangements for Solo Keyboard," Organ Yearbook, Vol. 10 (III.35), 1979
Folder 14: "Schubert and Beethoven's Eight-Six Chord," with errata, 19th-Century Music (III.37), 1951
Folder 15: "The limits of Authenticity: 'The movement puts a stronger premium on novelty than on accuracy...,'" Early Music, Vol.12, no. 1 (III.41a), 1984
Folder 16: "The limits of Authenticity," Spanish translation by Louis Carlos Gago, Quodlibet, No. 5 (III.41b), 1984-1996
Folder 17: "The London Piano Forte School," The Musical Times, Vol. 126, no. 1703 (III.42), 1985
Folder 18: "On Editing Facsimilies for Performances," Notes, Vol, 41, no. 4 (III.43), 1985
Folder 19: "The Lost Chord," Victorian Studies, Vol. 30, no. 1 (III.45), 1986
Folder 20: "London and the Piano, 1760-1860," The Musical Times, Vol. 124, no. 1744 (III.46), 1988
Folder 21: "Enigma: A Composer's Solution," The Musical Times, Vol. 179, no. 1747 (III.47), 1988
Folder 22: "Schumann and Sterndale Bennett," 19th-Century Music, Vol. 12, no. 3 (III.48), 1989
Folder 23: "The Great Musical Divide: Ocean or Channel?" American Music, Vol. 8, no. 1 (III.50), 1990
Folder 24: "Music Langague Correlations and the Scotch Snap," Music Perception, Vol. 29, No. 1 (III.59), 2011
Folder 25: Encyclopedia Articles in Die Musik in Geschichte und Gegenwart - MGG (IV.1), ca. 1959-1965
Folder 26: "Tuning and Temperament, Musical," Encyclopedia Britannica, 15th ed. (IV.2), 1974
Folder 27: "Frank Merrick, ed., John Field, Piano Concertos 1-3," Music & Letters, Vol. 43, no. 2 (V.1), 1962: P. 171
Folder 28: "Cecil Hopkinson, A Bibliographical Thematic Catalogue of the Works of John Field," The Musical Times, Vol. 103, no. 1430 (V.2), 1962: P. 239.
Folder 29: "A. Hyatt King, Some British Collectors of Music," The Musical Times, Vol.105, no.1434 (V.3), 1964: P. 271.
Folder 30: "E.D. Mackerness, A Social History of English Music," The Cambridge Review (V.4), 1964
Folder 31: "Gardner Read, Music Notation: A Manual of Modern Practice," Music & Letters, Vol. 46, no. 2 (V.5), 1965: P. 165.
Folder 32: "Percy M. Young, A History of British Music," The Musical Times, Vol. 109, no. 1301 (V.9), 1968: P. 241.
Folder 33: "Bernarr Rainbow, The Land Without Music," The Musical Times, Vol. 9, no. 1502 (V.10), 1968: P. 337.
Folder 34: "Oscar Sonneck, Francis Hopkinson and James Lyon," The Musical Times, Vol. 110, no. 1315 (V.11), 1969: P. 493.
Folder 35: "Michael Kennedy, Portrait of Elgar," Victorian Studies 12 (V.12), 1969: P. 110.
Folder 36: "Eric Routley, The Wesleys at Sea," The Musical Times, Vol. 110, no. 1517 (V.13), 1969: P. 743.
Folder 37: "Jacques Barzun, Berlioz and the Romantic Century," Notes, Vol. 27 (V.14), 1970
Folder 38: "Charles Avison & Hurwitz Chamber Ensemble, Six Concertos from Op. 6 (Recording)," Mussical Quarterly, Vol.9, no. 4 (V.19), 1972: Pp. 687-690.
Folder 39: "David Branson, John Field and Chopin," The Musical Times, Vol. 113, no. 1553 (V.20), 1972: See also V.21, same issue.
Folder 40: "Patrick Piggoff, The Life and Music of John Field," the Musical Times, Vol. 115, no. 1575 (V.24), 1974: Pp. 396-398.
Folder 41: "Edith Borroff, Notes and Editions," Music & Man," Vol. 1, No. 4 (V.25), 1975: Pp. 361-363.
Folder 42: "Patrick Piggott, The Life and Music of John Field," Musical Quarterly, Vol. 61, no. 1 (V.26), 1975: P. 154.
Folder 43: "Philippe Etremont Plays Sonatas (Recording)," Musical Quarterly, Vol. 61, no. 4 (V.27), 1975: P. 643.
Folder 44: "Jonathan Rennert, William Crotch, 1775-1847," The Musical Times, Vol. 117 (V.28), 1976: Pp. 35-36.
Folder 45: "William Weber, Music and the Middle Class," American Historical Review, Vol. 81 (V.30), 1976
Folder 46: "Alan Walker, Schumann; Ates Prga. Chopin," and "Stainton de B. Taylor, Two Centuries of Music in Liverpool, Musical Times, Vol. 118, no. 1612 (V.31 and V.32), 1977: Pp. 481-482 and pp. 483-484.
Folder 47: "Edgar Hunt, Robert Lucas Pearsall," The Musical Times, Vol. 115, no. 1618 (V.33), 1977: P. 1010.
Folder 48: "Leon Platinga, Clementi: His Life and Music," Music & Letters, Vol. 59, no. 8 (V.34), 1978: P. 206.
Folder 49: "Brian Jeffery, Fernando Sor: Composer & Guitarist," Music & Letters, Vol. 59. no 4 (V.35), 1978: Pp. 490-492.
Folder 50: "George R. Marek & Maria Gordon Smith, Chopin," The Musical Times, Vol. 120. no. 1640 (V.36), 1979: P. 831.
Folder 51: "Jurgen Kindermann, ed., Hector Berlioz: Grande messe des morts," The Musical Times, Vol. 121, no. 1644 (V.37), 1980
Folder 52: "Peter Pirie, The English Musical Renaissance," The Musical Times, Vol. 121, no. 1646 (V.40), 1980: P. 246.
Folder 53: "Percy M. Young, George Grove, 1820-1900," The Musical Times, Vol. 121, no. 1653 (V.41), 1980: P. 705.
Folder 54: "Krystyna Kobylanska, Frederic Chopin: Thematisch-bibliographisches Werkverzeichnis," Musical Times, Vol. 122, no. 1657 (V.42), 1981: P. 177.
Folder 55: "Henry Raynor, Music in England," The Musical Times, Vol. 122, no. 1659 (V.43), 1981: P. 314.
Folder 56: "James Methuen-Campbell, Chopin Playing: From the Composer to the Present Day," The Musical Times, Vol. 122, no. 1663 (V.44), 1981: P. 604.
Folder 57: "Geoffrey Chew, 'Notatiion,' III, 4-6" and "Howard Mayer Brown, 'Performing Practice,' 6," 19th-Century Music, Vol. 5, no.2 (V.45), 1981: P. 164.
Folder 58: "Charles Reid, The Music Monster: A Biography of James Wilham Davidson." The Musical Times, Vol. 126, no. 1707 (V.51), 1985
Folder 59: "Clive Brown, Louis Spohr: A Critical Biography," Music & Letters, Vol. 67, no. 2 (V.53), 1986
Folder 60: "Film Forum: The Beggars Opera (1953-1983): Musical Problems & Solutions," 18th-Century Life, Vol. 10, no. 2 (V.54), 1986
Folder 61: "Stephen Banfield, Sensibility and English Song," Victorian Studies, Vol. 30 (V.55), 1986
Folder 62: "James Coover, ed., Music Publishing, Copyright, and Piracy in Victorian England," Notes & Queries, Vol. 34, no. 1 (V.56), 1987: P. 103.
Folder 63: "Richard Leppert and Susan McClary, Music & Society," The Musical Times, Vol. 128, no. 1738 (V.57), 1987: p. 685.
Folder 64: "Jean-Jacques Eigeldinger, Chopin and his Pupils," MLA Notes, Vol. 44 (V.58), 1987
Folder 65: "Bernarr Rainbow, ed., Classic Texts in Music Education," The Musical Times, Vol. 128, no. 1741 (V.61), 1988: P. 83.
Folder 66: "Arnold Whitall, Romantic Music," Music & Letters, Vol. 69, no. 2 (V.62), 1988: p. 290.

Box 3

Folder 1: "Emil F. Smicak, ed., Isaak-Ignaz Moscheles: The Live of the Composer," Music & Letters, Vol. 72, no. 2 (V.68), 1991: p. 303.
Folder 2: "Peter Brown & Julie Schlepel, eds., Joseph Haydn, The Creation," MLA Notes, Vol. 49 (V.72), 1992
Folder 3: "John Caldwell, The Oxford History of English Music," MLA Notes, Vol. 49 (V.74), 1992
Folder 4: "A.V. Beedell, The Decline of the English Musician, 1788-1888," American Historical Review (V.76), 1994
Folder 5: "James Parakilas, Ballads without Words," MLA Notes, Vol. 50 (V.77), 1994
Folder 6: "David Rowland, A History of Pianoforte Pedalling," MLA Notes, Vol. 52 (V.81), 1995
Folder 7: "Robert Judd, ed., Aspects of Keyboard Music," MLA Notes, Vol. 52 (V.82), 1995
Folder 8: "Cyril Erlich, First Philharmonic: A History of the Royal Philharmonic Society," London TLS (V.83), 1996: TLS (Times Literary Supplement). P. 19.
Folder 9: "Cyril Ehrlich, First Philharmonic," and "Michael Musgrave, The Musical Live of the Crystal Palace," MLA Notes, Vol. 53 (V.84), 1996
Folder 10: "C. Steven LaRue, Handel & His Singers," and "Michael Musgrave, The Musical Life of the Crystal Palace, Albion, Vol. 28 (V.85), 1996
Folder 11: "Rosemary Williamson, William Sterndale Bennett: A Descriptive Thematic Catalogue," Music & Letters, Vol. 72 (V.86), 1997
Folder 12: "A.W. Atlas, The Wheatstone English Concertina in Victorian England," Victorian Studies, Vol.41, no. 1 (V.88), 1997: P. 129.
Folder 13: "Robert T. Bledsoe, Henry Fothergill Chorley: Victorian Journalist," George Eliot-George Henry Lewes Studies, No. 38/39 (V.93), 2000: p. 103.
Folder 15: "Christina Bashford & Leanne Langley, Music & British Culture," Music & Letters, Vol. 82, no. 4 (V.94), 2001: p. 632.
Folder 16: "Christina Bashford & Leanne Langleyl, Music & British Culture," Victorian Studies, Vol. 44 (V.95), 2002: p. 301.
Folder 17: "Susan Wollenborg, Music at Oxford in the 18th & 19th Centuries," Albion, Vol. 35 (V.96)
Folder 18: "John Daverio, Crossing Paths: Schubert, Schumann, Brahms," Nineteenth-Century Music Review, Vol. 1, no. 1 (V.97), 2004
Folder 19: "Michael Musgrave, ed., George Grove: Music and Victorian Culture," Music & Letters, Vol. 85, no. 3 (V.98), 2004: p. 460.
Folder 20: "Ian Woodfield, Salomon and the Burneys," Albion, Vol. 36 (V.99), 2005
Folder 21: "Philip Olleson, Samuel Wesley," Music & Letters, Vol. 86, no. 1 (V.100), 2005: p. 120.
Folder 22: "Paul Foster, ed., Marsh of Chichester," Music & Letters, Vol. 86, no. 4 (V.102), 2005: p. 633.
Folder 23: "Michael Kassler, ed., The English Bach Awakening," Music & Letters, Vol. 87, no. 2 (V.103), 2006: p..321.
Folder 24: "Gillen D'Arcy Wood, Romanticism and Music Culture in Britain," Music & Letters, Vol. 92 (V.110), 2011: p. 295.
Folder 25: "Rosemary Golding, Music and Academia in Victorian Britain," 19th-Century Music Review, Vol. 12, no. 2 (V.115), 2015: p. 340.
Folder 26: "John Goulden, Michael Costa: England's First Conductor," Victorian Studies, Vol. 60, no. 3 (V.120), 2018: p. 488.
Folder 27: George F. Pinto (Temperley, ed.), "Two Canzonets" (VI.2), 1962
Folder 28: Geoffrey Bush and Nicholas Temperley, eds., Romantic Songs, Vols. 1 & 2 (VI.8b), 1977, 1979

Box 4

Folder 1: Piano Sonata in Eb Minor by George Frederick Pinto (Temperley, ed.) (VI.1), 1963
Folder 2: Symphonie Fantastique by Hector Berlioz (Temperley, ed.) (VI.6), 1972
Folder 3: English Songs, 1800-1860 (Geoffrey Bush and Nicholas Temperley, eds.) (VI.8a), 1977
Folder 4: Sonata for Flute and Piano in Eb Major by Edward James Loder (Temperley, ed) (VI.16), 1990

Sub-Series 2: Unpublished Edited Scores and Materials Related to Score Editing, 1961-2003

Materials are arranged chronologically. Consists of original scores, part books, manuscript drafts, scores with annotations, concert ephemera, and correspondence about compositions. Note: Folders 3, 7, and 9 of Box 10 utilize an unknown alpha-numeric, this alpha-numeric has been retained in the title of each item.

Box 3

Folder 29: Raymond and Agnes, Piano Vocal Score (Edward Loeder; ed. Temperley), 1966
Folder 30: Raymond and Agnes, Libretto for BBC Broadcast, 1966
Folder 31: Raymond and Agnes, Clare College Performance, 1966
Folder 32: Raymond and Agnes, Program and Reviews, ca. 1966-1967
Folder 33: Raymond and Agnes, Additional Number, ca. 1966
Folder 34: Raymond and Agnes, Performance in Bath, 2015
Folder 35: Beggar's Opera (John Gay; edited by Temperley), Full Score (1 of 2), 1984
Folder 36: Beggar's Opera (John Gay; edited by Temperley), Full Score (2 of 2), 1984
Folder 37: Beggar's Opera, Performance, Agreement and Proposal, 1984
Folder 38: Hercules Premiere, Music of the Baroque, Program and Correspondence, 1988
Folder 39: L'Oca del Cairo, Duplicate String Parts with Klippstatter Bowings, 1991
Folder 40: L'Oca del Cairo, Premiere Performance, Correspondence & Ephemera, 1988-1991
Folder 41: L'Oca del Cairo, A-R Editions, 1991-2002
Folder 42: L'Oca del Cairo, A-R Editions, 2002 Proposal, 2002-2003
Folder 43: L'Oca del Cairo, Edition Correspondence and Sketches, 1990-2002
Folder 44: L'Oca del Cairo, Libretto Correspondence and Edits, 1990
Folder 45: L'Oca del Cairo, Concert Ephemera, Montevideo, Uruguay, 2002
Folder 46: L'Oca del Cairo, Correspondence, ca. 2001
Folder 47: L'Oca del Cairo, Versions by Other Editors, ca. 1990-1991
Folder 48: L'Oca del Cairo, Concert Ephemeera and Correspondence, 1991-2002
Folder 49: L'Oca del Cairo, Scenarios of Act II and III, ca. 1990
Folder 50: L'Oca del Cairo, Source Materials, ca. 1990
Folder 51: Pinto Piano Music with Annotations, undated

Box 4

Folder 5: Three Duets for Two Violins Obligatto, Op. 5 by George F. Pinto (arr. by Temperley), 1961
Folder 6: Overture in E Major by Samuel Wesley (Temperley, ed.), 1965
Folder 7: Raymond and Agnes, libretto, by Edward Loder (Temperley, ed.), 1966/2017

Box 5

Folder 1: Raymond and Agnes, Correspondence, 1966-1967
Folder 2: Raymond and Agnes, Scrapbook, 1966-1967
Folder 3: Violin Sonata and Violin Duets by George F. Pinto (with annotations by Temperley), ca. 1975
Folder 4: Piano Sonata in A Major and Sonata in C Minor by George F. Pinto (with annotations by Temperley), ca. 1975
Folder 5: The Beggar's Opera, Overture, by John Gay (Temperley, ed.), 1984
Folder 6: The Beggar's Opera, Parts, 1984
Folder 7: The Beggar's Opera, Airs and Vocal Parts, 1984

Box 6

Folder 1: Hercules, Full Score, by George F. Handel (Temperley, ed.), 1985
Folder 2: Hercules, Vocal Score, 1985
Folder 3: Hercules, Choruses, 1985
Folder 4: Hercules, Violin 1, Desk 1, 1985
Folder 5: Hercules, Violin 1, Desk 2, 1985

Box 7

Folder 1: Hercules, Violin 1, Desk 3, 1985
Folder 2: Hercules, Violin 2, Desk 1, 1985
Folder 3: Hercules, Violin 2, Desk 2, 1985
Folder 4: Hercules, Viola Desk 1, 1985
Folder 5: Hercules, Viola Desk 2, 1985
Folder 6: Hercules, Violoncello, 1985
Folder 7: Hercules, Cello Continuo, 1985
Folder 8: Hercules, Contrabass, 1985
Folder 9: Hercules, Oboes 1 and 2, 1985

Box 8

Folder 1: Hercules, Bassoons 1 and 2, 1985
Folder 2: Hercules, Horns 1 and 2, 1985
Folder 3: Hercules, Trumpets 1 and 2, 1985
Folder 4: Hercules, Timpani, 1985
Folder 5: Hercules, Violin 1, Stand 1, Draft, 1985
Folder 6: Hercules, Violin 2, Stand 1, Draft, 1985
Folder 7: L'Oca del Cairo, Full Score, by W. A. Mozart (Temperley, ed.), 1991
Folder 8: L'Oca del Cairo, Piano Vocal Score, 1991

Box 9

Folder 1: L'Oca del Cairo, Introductory Essay and Libretto, 1991
Folder 2: L'Oca del Cairo, Stagemanager Score with Surtitles, 1991
Folder 3: L'Oca del Cairo, Woodwind Parts, 1991
Folder 4: L'Oca del Cairo, Brass and Percussion Parts, 1991
Folder 5: L'Oca del Cairo, Violin and Viola Parts, 1991

Box 10

Folder 1: L'Oca del Cairo, Cello and Bass Parts, 1991
Folder 2: Arrangements of songs by George Pinto and Charles Attwood, undated
Folder 3: Beethoven Trio No. 4, Op. 11, annoted for Editing Project [G.4i], undated
Folder 4: Canon ad Diapason by Muzio Clementi (Temperley, ed.), undated
Folder 5: Duetto for Two Violins by George Pinto (Temperley, ed.), undated
Folder 6: Photocopies of 19th Century English Popular Songs (with Annotations by Temperley), undated
Folder 7: Piano Trio in Bb, Op. 99 by Schubert (arr. by Temperley), clarinet and cello parts [G.5a], undated
Folder 8: Robin Hood and the Soldier's Legacy by George Mcfarren (Temperley, ed.), undated
Folder 9: Stravinsky Pastorale, marked for Editing Project [G.41], undated
Folder 10: String Quartet No. 3 by Edward Loder (Temperley, ed.), undated

Box 11

Folder 1: Beggar's Opera, Overture and Airs Reduced Score, 1984
Folder 2: Photocopies of Sterndale Bennett and Charles Burney Scores with Annotations, ca. 1985
Folder 3: Photocopies of Muzio Clementi and Johan Cramer Scores with Annotations, ca. 1985
Folder 4: Photocopies of John Field Scores with Annotations, ca. 1995
Folder 5: Photocopies of James Hook Scores with Annotations, undated
Folder 6: Photocopies of Edward Loder, Kate Loder, George Loder, John Thomson, and S.S. Wesley Scores with Annotations, ca. 1985
Folder 7: Trio for Three Grand Pianofortes by George Pinto (David Byers, ed.), 2000

Sub-Series 3: Unpublished Lectures and Liner Notes, 1980-2018

Materials are arranged alphabetically. Consists of unpublished lectures, lecture notes and slides, and drafts of liner notes.

Box 3

Folder 52: Ancient and Modern in the Work of John Stainer, Lecture, 2001
Folder 53: The Art of Preluding in the 19th Century: Lecture and Chapter Drafts, 1985-2004

Box 17

Folder 1: Bach: Brandenburg Concertos, 1993: Talk to the Camaraderie, St. Andrew's Lutheran Church, Nov. 21, 1993.
Folder 2: China Lectures, 1986
Folder 3: Clementi's Late Manner, Lecture, undated
Folder 4: Dance Music for Listening, undaated
Folder 5: Gilbert and Sullivan, Pirates of Penzance, Lecture, undated
Folder 6: Great Musical Divide: Channel or Ocean?, Sonneck Society Lecture, 1988
Folder 7: History of the Musicology Division UIUC, Lecture, 2018
Folder 8: Hull Lecture, Keynote Speech, July, 1997
Folder 9: Lamentation (by Edward J. Loeder), used in Lecture-Performance, undated
Folder 10: Lost Chord, The: Romantics' Quest for Nostalgic Harmony, Lecture, undated
Folder 11: London Pianoforte School (LPS) Lectures, undated
Folder 12: Music and Charity, Dial Club Lecture, 1996
Folder 13: Musical Nationalism in English Romantic Opera, Chapater Draft & Lecture, 1985-1988
Folder 14: Mozart the Wunderkind, Lecture, undated
Folder 15: L'Oca del Cairo: Restoring a Mozart Opera, Lecture, Nov., 1991
Folder 16: L'Oca del Cairo: Restoring a Mozart Opera, Lecture, ca. 2000
Folder 17: Pinto Lecture, 1993
Folder 18: Program & Liner Notes, 1977-2009
Folder 19: Queen Victoria, Prince Albert, and Mendelssohn, Lecture, 2002
Folder 20: Rebirth of British Musical Self-Confidence, undated
Folder 21: Record Sleeve Notes, 1980-2002
Folder 22: Romantics and Mozart, The, undated
Folder 23: Scotch Snap in English Songs, The: NABMSA Lecture, 2012
Folder 24: Sterndale Bennett Conference Panel, Lecture, 2016
Folder 25: Schumann Reviews of William Sterndale Bennett, AMS Lecture, 1984
Folder 26: Victorian Choral Music, Lecture, 2016
Folder 27: "Victorian Music: The State of Research...." Edinburgh Lecture, 2012
Folder 28: Victrorian Songs for Every Taste: Lecture-Recital Featuring Phyllis Hart, Dennis Michael Davis, and Richard Cohn, undated

Sub-Series 4: Research Files, 1807-2016

Arranged alphabetically and chronologically therein. Consists of research notes, correspondence, facsimilies with annotations, and musical sketches.

Box 10

Folder 11: 19th-Century English Topics, Royal Institution of Music, ca. 1979
Folder 12: Acoustic Experiment on Timbre and Formants, ca. 1961
Folder 13: Correspondence to David Doscher, 1970-1974
Folder 14: Correspondence Regarding G.K. Jackson's Treatise on Composition, 2000
Folder 15: Facsimiles of Music by Tommaso Giordani and Correspondence About, ca. 1982

Box 11

Folder 8: Photocopies of London Pianoforte School Subscriber Lists with Annotations, undated
Folder 9: Photocopies of Composer Catalogs with Annotations for London Pianoforte School Project, undated

Box 17

Folder 29: 18th-Century Madrigal Society Notes, 1968-1969
Folder 30: 19th-Century English Composers (A-B), Notes and Correspondence about, ca. 1968-1998
Folder 31: 19th-Century English Composers (C-D), Notes And Correspondence about, ca. 1906-1968
Folder 32: 19th-Century English Composers (E-F), Notes and Correspondence about, ca. 1968
Folder 33: 19th-Century English Composers (G-H), Notes and Correspondence about, 1817-1965
Folder 34: 19th-Century English Composers (Loder Family), Notes and Correspondence about, ca. 1965-2011
Folder 35: 19th-Century English Composers (L-M), Notes and Correspondence about, undated
Folder 36: 19th-Century English Composers (N-O), Notes and Correspondence about, 1931-1972
Folder 37: 19th-Century English Composers (Pierson, Henry H.), Notes and Correspondence about, ca. 1973-2004
Folder 38: 19th-Century Enghlish Composers (Pinto, G.F.), Notes and Correspondence about, 1807-2003
Folder 39: 19th-Century English Composers (P-R), Notes and Correspondence about, undated
Folder 40: 19th-Century English Composers (T), Notes and Correspondence about, undated
Folder 41: 19th-Century English Composers (W,X,Y,Z), Notes and Correspondence about, ca. 1960-2010
Folder 42: 19th-Century English Subjects, Newspapers, undated
Folder 43: 19th-Century English Subjects, Various Notes, ca. 1962-1964
Folder 44: 19th-Century English Subjects, Facsimilies of Books with Annotations, undated
Folder 45: 19th-Century English Subjects, Sources in U.S, Libraries, 1976-1980
Folder 46: Balfe, Michael William, Notes about, 1972
Folder 47: Bayly, Anselm: A Practical Treatise on Singing, 1771
Folder 48: Beethoven and the Keyboard, undated
Folder 50: Bound for America: Examples, undated
Folder 51: Bound for America: Finished Examples, undated
Folder 52: Bound for America: Figures, 2002

Box 18

Folder 1: Bound for America: Notes and Correspondence, 1998-2003
Folder 2: Bound for America: Notes about Benjamin Carr, 1999
Folder 3: Bound for America: Notes about George Knowil Jackson, 1998-2000
Folder 4: Bound for America: Notes about George K. Jackson's Compositions, 1999-2002
Folder 5: Bound for America: Notes about George K. Jackson's Manuscripts, 1973-2002
Folder 6: Bound for America: Notes about George K. Jackson Publications, 1999-2002
Folder 7: Bound for America: Notes about Jackson Family, 1999
Folder 8: Bound for America: Notes about Alexander Reinagle, 1999-2000
Folder 9: Bound for America: Notes about William Selby and Charity Children, 1997-2002
Folder 10: Bound for America: Notes about William Selby's Compositions, ca. 1999
Folder 11: Bound for America: Notes about William Selby's Career, 1999
Folder 12: Bound for America: Notes about William Selby Genealogy, 1997
Folder 13: Bound for America: Notes about Rayner Taylor, 2001-2004
Folder 14: Bound for America: Notes about Rayner Taylor's English Compositions, 2001
Folder 15: Bound for America: Notes about Rayner Taylor's American Compositions, 2002
Folder 16: Bound for America: Notes about Rayner Taylor's Songs, ca. 2000
Folder 17: Bound for America: Notes about William Tuckey, 1997
Folder 18: Bound for America: UI Press Correspondence, 1998-2002
Folder 19: British History in Song: Songs Meeting, 1987
Folder 20: Comparative Research on Nocturnes, undated
Folder 21: Comparative Research on Toccatas, undated
Folder 22: Concise History of English Music, Correspondence, 1992
Folder 23: Correspondence from Sara Bowen re: William Lichtenwarger's article on "The Star Spangled Banner", 2002
Folder 24: Early 19th-Century Methods, undated
Folder 25: Edward Loder Book: Boydell and Brewer, Publisher's Agreements and Guidelines, 2014
Folder 27: Edward Loder Book: Notes, undated
Folder 28: Fielding, Henry: Notes about, ca. 2012
Folder 29: Historical Society of Pennsylvania, Correspondence, 2002
Folder 30: Landmarks in the History of the Etude, Notes and Review, undated
Folder 31: London Pianoforte School: Correspondence, 1983-1991
Folder 32: London Pianoforte School: Correspondence to Leo Balk, 1982-1988
Folder 33: London Pianoforte School: Correspondence to Russian Libraries, 1983-1985
Folder 34: London Pianoforte School: Identifying Tunes, 1983-1985
Folder 35: London Pianoforte School: List of Errors, undated
Folder 36: London Pianoforte School: Ornaments, ca. 1983
Folder 37: London Pianoforte School: Periodicals, 1986
Folder 41: London Pianoforte School: Piano Sonatas by Unidentified Composers, undated
Folder 42: London Pianoforte School (Vol. 1): Foreword, ca.1986
Folder 43: London Pianoforte School (Vol. 1-5): Clementi, 1983-1986
Folder 44: London Pianoforte School (Vol. 4): Clementi, 1984
Folder 45: London Pianoforte School (Vol. 6): Haydn, Dussek and Contemporaries, 1984
Folder 46: London Pianoforte School (Vol.7): Late Georgians, Samuel Wesley, 1984-1985
Folder 47: London Pianoforte School (Vol. 8): Cogan, 1983-1984
Folder 48: London Pianoforte School (Vol. 9-11): Cramer, 1984-1985

Box 19

Folder 1: London Pianoforte School (Vol. 12-13): Field, 1984-1986
Folder 2: London Pianoforte School (Vol, 14): Pinto and Potter, 1967-1986
Folder 3: London Pianoforte School (Vol. 15): Continental, 1982-1985
Folder 4: London Pianoforte School (Vol. 16): Early Victorians, 1983-1985
Folder 5: London Pianoforte School (Vol. 17-18): Sterndale Bennett, 1984
Folder 6: London Pianoforte School (Vol. 19): Four Hard Duets, 1985
Folder 7: London Pianoforte School (Vol. 19-20):Two Pianos, 1983-1986
Folder 8: London Pianoforte School (Vol. 1-7), undated
Folder 9: London Pianoforte School (Vol. 9-12), undated
Folder 10: London Pianoforte School (Vol. 13-15), undated
Folder 11: London Pianoforte School (Vol. 16-20), undated
Folder 12: Loder Collection: St. Alban's Collection of Music, Correspondence & Finding Aid, 1966-1968
Folder 13: Mendelssohn's Lieder ohne Worte, undated
Folder 14: Mendelssohn Song Notes, undated
Folder 15: Midwest Victorian Studies Assn. (MVSA): Victorian Church Music, 1991
Folder 16: Midwest Victorian Studies Assn. (MVSA), 1999-2000
Folder 17: Midwest Victorian Studies Assn. (MVSA): History, 2001
Folder 18: Midwest Victorian Studies Assn. (MVSA), 2001-2003
Folder 19: Midwest Victorian Studies Assn. (MVSA): Victoria, Albert & Mendelssohn, 2002
Folder 20: Midwest Victorian Studies Assn. (MVSA) & Society for Study of 19th-Century Ireland, 2004
Folder 21: Midwest Victorian Studies Assn. (MVSA), 2005
Folder 22: Midwest Victorian Studies Assn. (MVSA), 2006
Folder 23: Midwest Victorian Studies Assn. (MVSA), 2007
Folder 24: Midwest Victorian Studies Assn. (MVSA), 2008
Folder 25: Midwst Victorian Studies Assn. (MVSA), 2009
Folder 26: Midwest Victorian Studies Assn. (MVSA), 2012
Folder 27: Midwest Victorian Studies Assn. (MVSA), Cleveland, 2013
Folder 28: Midwest Victorian Studies Assn. (MVSA): Library Exhibit, undated
Folder 29: Mozart Cadendas, undated
Folder 30: Music in China, undated
Folder 31: Musical Gothic Revival, undated
Folder 32: Mylinda's Research, undated
Folder 33: North American British Music Studies Assn. (NABMSA): Bylaws, 2005
Folder 34: North American British Music Studies Assn. (NABMSA), 2004-2006
Folder 35: North American British Music Studies Assn. (NABMSA), 2012
Folder 36: North American British Music Studies Assn. (NABMSA), 2014
Folder 37: North American Victorian Studies Assn. (NAVSA), 2003
Folder 38: Pianism Book: Correspondence and Notes, 1981-1988
Folder 39: Pianism Book: Proposal and Notes, 1981
Folder 40: Possible Projects, 1977
Folder 41: Projects: French Stress, undated
Folder 42: Projects: Irish Opera, undated
Folder 43: Projects: Irish Songs, 2004-2005
Folder 44: Projects: P5 Rule, 2004
Folder 45: Projects: Periodical Articles, undated
Folder 46: Proposal for Critical Edition of John Playford's "An Antidote Against Melancholy", ca. 2007
Folder 47: Rees: Encyclopedia, 1819
Folder 48: Review for Albion: Correspondence and Draft, 1995-1996
Folder 49: Review for American Historical Review: Correspondence and Draft, 1993
Folder 50: Review for George Eliot Studies: Correspondence and Draft, 1999
Folder 51: Review for Music and Letters: Correspondence and Draft, 2001-2002
Folder 52: Review for TLS: Correspondence and Drafts, 1992-1995
Folder 53: Review for Victorian Studies: Correspondence and Draft, 1997
Folder 54: Schumann and Sterndale Bennett, undated

Box 20

Folder 1: Sterndale Bennett: Publishers Agreement and Notes, 2004-2006
Folder 2: Victorian Failure in Art: Correspondence and Draft, The, 1971
Folder 3: Victorian Concert, 1991
Folder 4: Victorian Partsongs Concert, 1992
Folder 5: Victorian Grand Opera, 1991
Folder 6: Victorian Music, Winnipeg, 1988
Folder 7: Wallace, William Vincent: Notes About, 1972

Box 36

Item 2: Card Catalog of Popular Songs, undated: Catalog organized by topic. Topics include: English Songs, Italian Songs, Loder Songs, and Benefits.

Sub-Series 5: Photographic Slides and Prints, 1973-2006

Materials are arranged alphabetically. Consists of photographic slides, negatives, print photographs, glass negatives, and paintings.

Box 10

Folder 16: Bound for America: Photographic Prints and Notes, 1999-2002
Folder 17: London Pianoforte School: Illustrations and Negative, undated
Folder 18: Painting of John Field Composing by Moonlight by David Duscher, 1973

Box 28

Folder 1: Beggar's Opera Slides, undated
Folder 2: Glass Negatives and Illustrations of London Pianoforte School, undated: Contains two glass negatives: Item 1) George A. Macfarren, Item 2) "My Father".
Folder 3: Haydn and Berlioz Examples, Slides, undated
Folder 4: London Pianoforte School Photos and Negatives, ca. 1980
Folder 5: Raymond and Agnes Talk, Slides, undated
Folder 6: Royal Covenant Garden Theatre Playbill Photograph, undated
Folder 7: Shanghai Lecture: Examples, Slides, undated
Folder 8: Sterndale Bennett Illustrations, 2006
Folder 9: Unidentified Book Figures and Illustrations Comparing Subscription Concerts, ca. 1967

Sub-Series 6: Historic Opera Scores, Libretti, and Music Catalog Collection, 1786-1911

Materials are arranged alphabetically. Consists of historic libretti, sheet music, bound piano vocal scores, and new music catalogs.

Box 10

Folder 19: Catalogs of New Music, 1786-1859: Includes catalogs from Robert Cocks and Co; Alfred Novello; and Samuel, Ann, and Peter Thompson.
Folder 20: "Four Flights Up, and Four Flights Down" (Lyrics by Albert Hall, Music by Orlando Powell), 1898
Folder 21: Scores by Roger Quilter, Arthur Summerville, Cyril Scott, Thomas F. Dunhill, and Ciro Pinsuti, ca. 1895-1911

Box 20

Folder 8: Bohemian Girl, The: Opera Libretto; Piano, Vocal Score, ca. 1844: Lib. by Bann; Ed. by Sullivan and Pittman; Music by Balfe; Boosey & Co.
Folder 9: Bohemian Girl, The: Opera Libretto; Piano, Vocal Score, ca. 1882: Adapted by Leon Keach; Pub. Oliver Ditson Co.
Folder 10: Bohemian Girl, The: Opera; Piano, Vocal Score, ca. 1844: Published by arr. with Chappell and Co.
Folder 11: Helvellyn: Opera; Libretto, 1864: Lib. by Oxenford, music by G.A. Macfarren.
Folder 12: Humorous Songs Old and New; Piano, Vocal Score, ca. 1875: Ed. J.L Hatton. With annotations by Temperley.
Folder 13: Jessy Lea: Opera di Camera, Libretto, ca. 1863: Lib. by Oxenford, music by G.A. Macfarron.
Folder 14: Lily of Killarney: Opera; Piano, Vocal Score, ca.1862: Ed. J. Pittman, lib. by Boucicault and Oxenford, music Julius Benedict; pub. Boosey and Co.
Folder 15: Lily of Killarney: Opera; Piano, Vocal Score, ca. 1862: Crimson Cloth edition, Boosey & Co.
Folder 16: Lily of Killarney: Libretto, 1862: Lib. by Oxenford and Boucicault, music by J. Benedict.
Folder 17: Lurline: Opera; Piano, Vocal Score, ca. 1899: Lib. by Fitzball, music by W.V. Wallace.
Folder 18: Maritana: An Opera in Three Acts; Piano, Vocal Score, ca. 1880: Lib. by Edward Fitzball, music by W. Vincent Wallace.
Folder 19: Moore's Irish Melodies, by Sir John Stevenson; Piano, Vocal Score, 1859
Folder 20: Satanella: Opera; Piano, Vocal Score, ca. 1876: Lib. by Falconer and Harris, music by Balfe.
Folder 21: Soldier's Legacy, A: Opera da Camera; Piano, Vocal Score, ca. 1864: Lib. by John Oxenford, music G.A. Macfarren.
Folder 22: Songs of England, The, Vol. 1; Piano, Vocal Score, ca. 1900: Ed. by J.L.Hatton and Eaton Faning.
Folder 23: Songs of England, The, Vol 2: Piano, Vocal Score, ca. 1900: Ed. by J.L. Hatton and Eaton Faning.
Folder 24: Songs of England, The, Vol. 3; Piano, Vocal Score, ca. 1900: Ed. by J.L. Hatton and Eaton Faning.

Box 21

Folder 1: The Songs of Scotland, Piano/Vocal Score, 1877: Edited by Colin Brown and J. Pittman
Folder 2: The Songs of Scotland, Piano/Vocal Score, ca. 1894: Edited by Colin Brown and J. Pittman, revised by Dr. Charles Mackay.