Finding Aid for Nicholas Temperley Music and Papers, 1786-2019 | The Sousa Archives and Center for American Music

By Nolan Vallier and Carol Berthold

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Archives Research Center, 1707 S. Orchard Street	Box 33
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Collection Overview

Title: Nicholas Temperley Music and Papers, 1786-2019

ID: 12/5/80

Primary Creator: Temperley, Nicholas (1932-2020)

Extent: 19.95 cubic feet

Arrangement:

Temperley's materials have been arranged into five series, which are as follows:

Series 1: Secular Music Reseach is arranged into six sub-series: 1) Publications and Published Scores, 2) Unpublished Edited Scores and Materials Related to Score Editing, 3) Unpublished Lectures and Liner Notes, 4) Research Files, 5) Photographic Slides and Prints, and 6) Historic Opera Scores, Libretti, and Music Catalog Collection. Sub-series 1 is arranged by a numeric code derived by Temperley, which is roughly chronological. Sub-series 2 is arranged chronologically and by material type. Sub-series 3, 4, 5, and 6 are arranged alphabetically by title.

Series 2: Hymn Tune and Sacred Music Research is arranged into four sub-series: 1) Publications and Published Scores, 2) Unpublished Lectures and Edited Scores, 3) Research Files, 4) Photographic Slides and Prints. Sub-series 1 is arranged by a numeric code derived by Temperley, which is roughly chronological. Sub-series 2, 3, and 4 are arranged alphabetically by title.

Series 3: Personal Files is arranged into three sub-series: 1) Personal Papers, 2) Original Published Compositions and Unpublished Music Manuscripts, and 3) Choral Ensemble Files and Arrangements for Choral Ensemble. Sub-series 1 is arranged alphabetically. Sub-series 2 is arranged using two alpha numeric codes given by Temperley, and chronologically thereafter. Sub-series 3 is arranged alphabetically.

Series 4: Teaching and Service Files is arranged alphabetically by title or institution and chronologically therein.

Series 5: Audio Recordings and Digital Research Files is arranged in two sub-series: 1) Audio Files and 2) Digitial Research Files. Sub-Series 1 is arranged by type of material and alphabetically by title therein. Sub-series 2 is arranged alphabetically by title.

This arrangement maintains his original order while applying a new intellectual order around his predominant research areas.

Date Acquired: 08/11/2021. More info below under Accruals.

Subjects: Choral music, Church music, Church of England, Classroom Instruction, English History, Faculty, Faculty Papers, Music, School of, Music Composition, Musicology, Music teachers, Opera, Victorian Music, Vocal music

Formats/Genres: Catalogs, Librettos, Papers, Photographs, Sheet music, Sound Recordings

Languages: English

Scope and Contents of the Materials

Contains published books, articles, reviews, and scores by Nicholas Temperley; unpublished research files; a collection of 18th and 19th century scores, libretti, and music publishing catalogs; teaching files, including copies of bound preliminary and final exams from Cambridge University; unpublished music manuscripts; audio recordings; and personal files related to choral music concerts staged by Temperley and his wife, documenting Nicholas Temperley's career as a musicologist, composer, and educator. Of particular note are early research files related to Temperley's work on the Hymn Tune Index and collected ephemera from the premiere of Temperley's revival of Raymond and Agnes. In addition, these papers contain Temperley's collection of rare 18th and 19th-century scores and libretti, used throughout his career.

Biographical Note

Nicholas Temperley (1932-2020) was born in Beaconsfield, England on August 7, 1932. His parents were Arthur Cecil Temperley, a Major-General of the British Army who served as a representative at the League of Nations, and Joyce van Oss, a Dutch musician and author. Temperley began his musical studies at the age of five, performing on piano and studying composition. After his father died in 1939, Temperley was admitted to an all-boy's boarding school. In this same year, he published his first composition, "Elegy," which appeared in a British publication called The Young Musician. In 1945, Temperley won a Foundation Scholarship to study at Eaton College, where he received further musical instruction until 1951. In 1948, his mother married a German refugee named Donald von Hirsch, who would go on to lead the German Institute in London. Temperley then earned his associate degree in piano performance at the Royal College of Music in 1952 as well as a certificate in organ performance at the Royal College of Organists in 1954. Following this, he earned another Foundation Scholarship to study music at King's College, Cambridge University where he earned a bachelor of arts degree (Double First in Music) in 1955, a bachelor's of music degree in 1956, and his doctoral degree in 1959. While at King's College, Temperley specialized in the history of English music during the Classical and Romantic periods and he took additional courses in composition and organ performance.

Following his graduation from King's College, Temperley moved to the United States, becoming a post-doctoral fellow at the University of Illinois Urbana-Champaign. It was here that Temperley met Mary Dorothea Sleator, an assistant professor of English. Sleator was also an active singer in Urbana. The two were married a year later in Ann Arbor, Michigan. While in Urbana, Temperley published several early articles on the influence of Handel, Beethoven, Mozart, and Mendelssohn upon English composers; founded an amateur carol group called the "Temperley Singers"; and served as a music critic for the Champaign-Urbana Courier.

In 1961, he and Mary moved to the UK, Temperley having accepted a position as an assistant lecturer at Cambridge University and the Director of Studies in Music at Clare College, Cambridge. In addition to his teaching responsibilities, Temperley edited and revised both the entrance exams and the "Musical Tripos" final exams for graduate students. Two of Temperley's children were born during this time, Lucy (1962) and David (1963). During this period, Temperley began publishing short articles on the history of English Parish Church music and Victorian opera. He also combined his historical research with his interest in composition, arranging new editions of Victorian operas. While at Cambridge in 1966, he resurrected the Victorian-era composer Edward Loder's opera Raymond and Agnes. Soon after, Temperley accepted a position as an assistant professor at Yale University, where he taught for a year.

In 1967, Temperley returned to the University of Illinois as an assistant professor in musicology. On the first day of school, his third child, Sylvia, was born. Temperley was promoted to full professor in 1972, at which point he had already written nearly two dozen articles about English music in the Victorian era. Temperley published his first book, Jonathan Gray and Church Music in York, 1770-1840 five years later in 1977. Two years later he received the Otto Kinkeldey Award from the American Musicological Society for his book, The Music of the English Parish Church. Building upon his research on hymns and church music, Temperley founded the Hymn Tune Index at the University of Illinois in 1982. As a research center, the Hymn Tune Index compiled an archive of hymns printed in English texts up to 1820 and published a reference book of their findings in four volumes begininng in 1998.

In 1981, Temperley published The Romantic Age: 1800-1914, a groundbreaking book on the music of the Victorian era. He would go on to edit several other books related to Victorian music including the 20-volume series The London Piano Forte School 1766-1860. Tied to his research on this era, Temperley also completed critical editions of both Berlioz's Symphonie fantastique (1971) and Haydn's The Creation (1988); a revised edition of John Gay's the Beggar's Opera (1984); and arrangements of two unfinished operas, George Friedrich Handel's Hercules (1985) and Mozart's L'Oca del Cairo (1991).

After serving two terms as department chair of the Musicology Division and being named a University Senior Scholar between 1986 and 1989, he retired in 1996. Temperley continued to research and publish in the areas of English church music and Victorian-era opera. In 2007, Temperley served as the co-editor alongside Sally Drage for a critical edition of 18^th-Century English church music for the Musica Britannica series. In 2016, he published his twelfth book, Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family. In 2018, he and Beth Quitslund published the first critical edition of the Elizabethan era congregational book The Whole Book of Psalms, Collected into English Metre.

During his retirement, Temperley remained connected to the Musicology Division at the University of Illinois, establishing a dissertation prize in 2003 and a research prize in 2017. Temperley also spent his retirement staging Gilbert and Sullivan operettas in Urbana and in 2009 he published Christmas is Coming, a collection of original and arranged carols. Temperley died on April 19, 2020 in Urbana Illinois.

Subject/Index Terms

Choral music
Church music
Church of England
Classroom Instruction
English History
Faculty
Faculty Papers
Music, School of
Music Composition
Musicology
Music teachers
Opera
Victorian Music
Vocal music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Addition on December 4, 2023

Acquisition Source: gift

Acquisition Method: Donated by Sylvie Khan.

Related Materials: Hymn Tune Index Records 12/5/81

Box and Folder Listing

Browse by Series:

[Series 1: Secular Music Research, 1786-2018],
[Series 2: Hymn Tune and Sacred Music Research, 1955-2018],
[Series 3: Personal Files, 1940-2020],
[Series 4: Teaching and Service Files, 1957-1987],
[Series 5: Audio Recordings and Digital Research Files, 1961-2013],
[All]

Series 2: Hymn Tune and Sacred Music Research, 1955-2018

Materials are arranged into four sub-series: Publications, Unpublished Lectures and Edited Scores, Research Files, and Photographic Slides and Prints. Consists of Temperley's publications, research notes, unpublished lectures, photographs, and edited scores related to his interests in sacred music. Of particular note are his research files, drafts, and materials related to The Hymn Tune Index.

Sub-Series 1: Publications and Published Scores, 1957-2016

Temperley's publications were originally arranged in chronological order by material type using the following numeric code: I. monographs, II. book chapters, III. articles, IV. reviews of books, V. critical editions and urtexts, VI. published edited and arranged scores, VII. original published music. Each code contains two pieces of information: 1) the material type and shelf on which it was stored and 2) the chronological order of the publication within that type of material. For instance, "II .47" corresponded with Shelf 2 (book chapters), Item number 47.

This numeric code guides the arrangement of this sub-series. Publications on secular subjects have been moved to Series 1, Sub-Series 1 to more accurately reflect his creative process; the code for that sub-series follows the same original order as this series. Please refer to Box 1, Folder 1 for a full list of Temperley's publications in its original order.

Box 12

Folder 1: The Creation, Full Score, by Franz Joseph Haydn (Temperley, ed.) (VI.15), 1988
Folder 2: Eighteenth-Century Psalmody (Nicholas Temperley and Sally Drage, eds.) (VI.17), 2007
Folder 3: Sing We Merrily: Music for 18th-Century Choirs (Nicholas Temperley and Sally Drage, eds.) (VI.18), 2008

Box 21

Folder 3: Jonathan Gray and Church Music in York, 1770-1840 (I.1), 1977
Folder 4: The Music of the English Parish Church, Vol. 1 (I.2), 1979
Folder 5: Fuging Tunes in the Eigteenth Century, with Charles Manns (I.4), 1983
Folder 6: Music and the Wesleys, with Stephen Banfield (I.12), 2010
Folder 7: "Stephen Humbert's Union Harmony, 1816," in Sing Out the Glad News: Hymn Tunes in Canada Conference Proceedings 1986 (II.11), 1987
Folder 8: "The Problem with Definitive Identification in the Indexing of Hymn Tunes," in Music Reference Services Quarterly (II.20), 1993
Folder 9: "The Hymn Books of the Foundling and Magdalen Hospital Chapels," in Music Publishing and Collecting: Essays in Honor of Donald Krummel (II.21), 1994
Folder 10: "Worship Music in English-Speaking North America, 1608-1820," in Taking a Stand: Essays in Honor of John Beckwith (II.22), 1995
Folder 11: "Ancient and Modern in the Work of John Stainer," in 19th-Century British Music Studies, Vol. 3 (II.26), 2003
Folder 12: "If any of you be mery, let hym syng psalms: The Culture of Psalms in Church and Home," in Noyses, Sounds, and Sweet Aires: Music in Early Modern England (II.28), 2006
Folder 13: "The Adventures of Hymn Tunes," in Hymnology in the Service of the Church: Essays in Honor of Harry Eskew (II.30), 2008
Folder 14: "A List of T.A. Walmisley's Church Music," English Church Music, Vol. 27, No. 1 (III.2), 1957
Folder 15: "Male-Voice Church Music," The Musical Times, Vol. 106, No. 1473 (III.13), 1965
Folder 16: "The Adventures of a Hymn Tune, pt. 1," The Musical Times, Vol. 112, No. 1538 (III.21a), 1971
Folder 17: "The Adventures of a Hymn Tune, pt. 2," The Musical Times, Vol. 112, No. 1539 (III.21b) , 1971
Folder 18: "Kindred and Affinity in Hymn Tunes," The Musical Times, Vol. 113, No. 1555 (III.23), 1972
Folder 19: "John Playford and the Metrical Psalm," Journal of the American Musicological Society, Vol. 25, No. 3 (III.24), 1972
Folder 20: "John Playford and the Stationer's Company," Music & Letters, Vol. 54, No. 2 (III.25), 1973
Folder 21: "Middleburg Psalms," Studies in Bibliography, Vol. 30 (III.31), 1977
Folder 22: "Croft and Charity Hymn," The Musical Times, Vol. 119, No. 1624 (III.32), 1978
Folder 23: "The Anglican Communion Hymn: 1. Hymn Singing in the Church of England," The Hymn, Vol. 30, No. 1 (III.33a), 1979
Folder 24: "The Anglican Communion Hymn: 2. The Communion Hymn," The Hymn, Vol. 30, No. 2 (III.33b), 1979
Folder 25: "The Anglican Communion Hymn: 3. The First Communion Hymn," The Hymn, Vol. 30, No. 3 (III.33c), 1979
Folder 26: "The Anglican Communion Hymn: 4. From Wither to Wesley," The Hymn, Vol. 30, No. 4 (III.33d), 1979
Folder 27: "The Old Way of Singing," The Musical Times, Vol. 120, No. 1641 (III.34), 1979
Folder 28: "Organ Settings of English Psalm Tunes," The Musical Times, Vol. 122, No. 1656 (III.36), 1981
Folder 29: "The Old Way of Singing: Its Origins and Development," Journal of the American Musicological Society, Vol. 34, No. 3 (III.38), 1981
Folder 30: "Organ Music in Parish Churches, 1660-1730," Bios, Journal of British Organ Studies, Vol. 5 (III.39), 1981
Folder 31: "The Origins of The Fuging Tune," Research Chronicle, Vol. 17 (III.40), 1981
Folder 32: "Psalm Singing in Christian Churches," The American Organist, Vol. 20, No. 10 (III.44), 1986
Folder 33: "Recent Studies in Victorian Religion: IV Music," Victorian Studies, Vol. 33 (III.49), 1989
Folder 34: "Haydn's Tempos in the Creation," Early Music, Vol. 19 (III.51)

Box 22

Folder 1: "The Lock Hospital and Its Music," Journal of the Royal Music Association, Vol. 118 (III.52), 1993
Folder 2: "First Forty: The Earliest American Compositions," American Music, Vol. 15, No. 1 (III.54), 1997
Folder 3: "The Hymn Tune Index: Everlasting Praise 1," The Musical Times, Vol. 139, No. 1863 (III.56), 1998
Folder 4: "The Hymn Tune Index," The Hymn, Vol. 49, No. 3 (III.57), 1998
Folder 5: "Tune or No Tune?" The Musical Times, Vol. 143, No. 1881 (III.58), 2002
Folder 6: "All Skillful Praises Sing: How Congregations Sang the Psalms in Early Modern England," Renaissance Studies, Vol. 29, No. 4 (III.61), 2015
Folder 7: "The Whole Book of Psalms and the Beginning of Congregational Singing in England," Monastic Musicians Newsletter, No. 24 (III.63), 2016
Folder 8: "Gerald H. Knight and William Read, The Treasury of English Curch Music, Part 1," The Musical Times, Vol. 107, No. 1475 (V.6), 1966
Folder 9: "Ralph T. Daniel, The Anthem in New England Before 1800," The Musical Times, Vol. 108 (V.7), 1967
Folder 10: "Arthur Hutchings, Church Music in the 19th Century," The Musical Times, Vol. 108, No. 1496 (V.8), 1967: p. 909
Folder 11: "Edmund H. Fellowes, English Cathedral Music," The Musical Times, Vol. 111, No. 1529 (V.15), 1970: p. 712-713
Folder 12: "Thomas Hastings, A Dissertation on Musical Taste," The Musical Times, Vol. 111, No. 1534 (V.16), 1970: p. 1226
Folder 13: "Bernarr Rainbow, the Choral Revival in the Anglican Church, 1839-72," The Musical Times, Vol. 112, No. 1535 (V.17), 1971: p. 73-75
Folder 14: "Miles Birkett Foster, Anthems and Anthem Composers," The Musical Times, Vol. 112 (V. 18), 1971
Folder 15: "Kinneth Long, Music of the English Church," The Musical Times Vol. 113, No. 1553 (V.21), 1972: See also V.20, same issue
Folder 16: "George W. Williams, ed., Jacob Eckhard's Choirmaster Book of 1809," The Musical Times, Vol. 114 (V.22), 1973
Folder 17: "Edna D. Parks, Early English Hymns: An Index," The Musical Times, Vol. 114 (V.23), 1973
Folder 18: "Friedrich Blume, Protestant Church Music," The Musical Times, Vol. 117, No. 1601 (V.29), 1976
Folder 19: "John Marsh, ed., Samuel Wesley: Confitebor tibi, Domine," Notes, Vol. 36, No. 1 (V.38), 1980
Folder 20: "Paul Chappell, Dr. S.S. Wesley: Portrait of a Victorian Musician," Catholic Historical Review, Vol. 66 (V.39), 1980
Folder 21: "Erik Routley, The Music of Christian Hymns," The Hymn, Vol. 33 (V.46), 1982
Folder 22: "Karl Kroeger, ed., William Billings: The New England Psalm-Singer," American Music Vol. 1, No. 4 (V.47), 1983
Folder 23: "Bernarr Rainbow, English Psalmody Prefaces, 1562-1835," The Musical Times, Vol. 124, No. 1687 (V.49), 1983: p. 575
Folder 24: "Karl Kroeger, ed., The Complete Works of William Billings," Journal of the American Musicological Society, Vol. 113, No. 1 (V.60), 1980
Folder 25: "William Gatens, Victorian Cathedral Music," Journal of the Royal Musical Association, Vol. 113 (V.61), 1988
Folder 26: "Lionel Adey, Class and Idol in the English Hymn," Victorian Studies, Vol. 33 (V.65), 1990
Folder 27: "Robert Klepper, Methodist Hymnal Concordance AND Concordance of the Pilgrim Hymnal" Notes, Vol. 47 (V.67), 1990
Folder 28: "Allen Perdue Britton, Irving Lowens, and Richard Crawford, American Sacred Imprints," Journal of the American Musicological Society, Vol. 45, No. 1 (V.70), 1992
Folder 29: "Nicholas Thistlewaite, The Making of the Victorian Organ," Notes, Vol. 49 (V.71), 1992
Folder 30: "Peter Horton, ed, Samuel Sebastian Wesley Anthems," AND "H. Diack Johnstone, Maurice Green," Journal of the Royal Music Association, Vol. 117 (V. 73), 1992
Folder 31: "Mark Argent, Recollections of R.J.S. Stevens: An Organist in Georgian London," London Times Literary Supplement (V.75), 1995
Folder 32: "Donald Davie, The Eighteenth-Century Hymn in England," Notes, Vol. 51 (V.79), 1995
Folder 33: "Peter Horton, ed., Samuel Sebastian Wesley, Anthems II," Notes, Vol. 51 (V.80), 1995
Folder 34: "J.R. Watson, The English Hymn," Music & Letters, Vol. 79, No. 3 (V.87), 1998
Folder 35: "Thomas McCart, the Matter and Manner of Praise," Notes, Vol. 56 (V.90), 1999
Folder 36: "Dale Adelmann, The Contribution of Cambridge Ecclesiologists to the Revival of Anglican Choral Worship," Albion, Vol. 31 (V.91), 1999
Folder 37: "T.E. Muir, Roman Catholic Music in England," Music and Letters, Vol. 91, No. 2 (V.108), 2010
Folder 38: "Bernarr Rainbow, Bernar Rainbow on Music," Music & Letters, Vol. 93, No. 2 (V.113), 2012
Folder 39: "Andrew Grant, O Sing unto the Lord: A History of English Church Music," Church History (V.118), 2019
Folder 40: "Might in Thy Sight Appear" by Samuel Wesley (Temperley, ed.) (VI.3), 1966
Folder 41: Anthems for Men's Voices, Vol. 1 by Peter Le Huray, Nicholas Temperley, Peter Trandell, and David Willocks (VI.5a), 1966
Folder 42: Anthems for Men's Voices, Vol. 2 by Peter Le Huray, Nicholas Temperley, Peter Trandell, and David Willocks (VI.5b), 1966
Folder 43: "Agnus Dei in F," by Henry Hugo Pierson (Temperley, ed.) (VI.7), 1973
Folder 44: "To Thee, O Lord of Hosts," by William Croft (Temperley, ed.) (VI.9), 1978
Folder 45: The Creation, Continuo Part, by Franz Joseph Haydn (Temperley, ed.) (VI.15b), 1988

Sub-Series 2: Unpublished Lectures and Edited Scores, 1975-2018

Materials are arranged alphabetically. Consists of unpublished lectures, lecture notes and examples, edited sheet music, and musical sketches.

Box 12

Folder 4: Arrangements and Score Fragments of Psalms, undated
Folder 5: Photocopies of Psalms with Annotations, undated
Folder 6: Responses used in Lichfield Cathedral and Leeds Choral Service, undated

Box 22

Folder 46: Anglo American Popular Psalmody, Lecture-Recital given at the Sonneck Society National Meeting, 1975
Folder 47: Clacton Lecture, undated
Folder 48: Class Distinctions in 18th-Century Church Music, Lecture, ca. 1996
Folder 49: Eight Unpublished Lectures on the History of English Sacred Music, 1750-1874, undated
Folder 50: The Elizabethan Metrical Psalms and the Tunes, AMS Southwest Lecture, 2012
Folder 51: English Congregational Song and How it Started, University of Washington Lecture, 2012
Folder 52: Handel's Solomon, Swarthmore Lecture, undated
Folder 53: Haydn and the English Language, American Society for 18th Century Studies, Lecture, 1998
Folder 54: Haydn's Tempos in Creation, AMS Midwest Lecture, 1990
Folder 55: Haydn's Creationism, Dial Club Lecture, undated
Folder 56: Haydn's Creation, ACDA Lecture and University of S. Florida Seminar, 1991-2002
Folder 57: Haydn: Editing the Creation, Lecture given in Tampa, 1990
Folder 58: Haydn: Performing Haydn's Creation in English, Lecture, undated
Folder 59: Hymn Tune Index, Dial Club Lecture, 2007
Folder 60: Hymn Singing in England: A Shaky Start with the Whole Book of Psalms, NABMSA Lecture, 2016
Folder 61: Hymn Tune Sketches, sheet music, undated
Folder 62: In Virtue's Cause: How Handel's Music was Sanctified, Howard Serwer Lecture, 2001
Folder 63: Lecture on Messiah, Centre College, 1984
Folder 64: The Lock Hospital, Washington University Lecture, ca. 1998
Folder 65: Messiah, Michigan Conference Lecture, 1981
Folder 66: Newburry Tune, Philadelphia Lecture, 1983
Folder 67: Psalm Tune Index, Sonneck Society Lecture, 1976
Folder 68: Whole Book of Psalms, Lecture with Transperancies, ca. 2018
Folder 69: Whole Book of Psalms (1567), edited sheet music, ca. 2000
Folder 70: Whole Book of Psalms (1586), edited sheet music, ca. 2000

Sub-Series 3: Research Files, 1969-2018

Materials are arranged alphabetically and chronologically therein. Consists of research notes, correspondence, facsimilies with annotations, and drafts of articles and chapters.

Box 13

Folder 1: Beasley Article, ca. 1978-1981

Box 22

Folder 71: 18th-Century Church Music (1 of 2), ca. 1988-1990
Folder 72: 18th-Century Church Music (2 of 2), ca. 1988-1990
Folder 73: 1992 Tune Essays, 1987-1993
Folder 74: Amazing Grace, 2006-2008
Folder 75: American Colonies, undated

Box 23

Folder 1: Bay Psalm Book, Notes, ca. 1974
Folder 2: Catholic Music in Parish Church Collections, undated
Folder 3: Chanting, undated
Folder 4: Chapel Royal Singeers, 1703-1755, undated
Folder 5: Communion Hymns, undated
Folder 6: Correspondence Regarding Loan of Music of the Heart, 2005
Folder 7: Daily Service Music, undated
Folder 8: English Cathedral Music, by Edmund Fellowes, 1969: With annotations by Temperley.
Folder 9: English Organ Hymns, undated
Folder 10: Facsimilies (1 of 2), ca. 1600s-1980s
Folder 11: Facsimilies (2 of 2), ca. 1600s-1980s
Folder 12: Family of Tunes, undated
Folder 13: Gray, Jonathan, undated
Folder 14: Handel and the Church of England, undated
Folder 15: Haydn Creation, Correspondence, 1992
Folder 16: Haydn Creation, Deed of Amendment, 2010
Folder 17: Humbert Back-up, undated
Folder 18: Hymn Society of Great Britain and Ireland (HSGBI), 1995-1997
Folder 19: Hymn Society, 2006 Conference, DePauw University, 2006
Folder 20: Hymn Tune Index, 1996
Folder 21: Hymn Tune Index: After 2018, 2006-2018
Folder 22: Hymn Tune Index: Anthem Book Prefaces, undated
Folder 23: Hymn Tune Index: Bugs in Query Program, undated
Folder 24: Hymn Tune Index: CITES Work, 2001
Folder 25: Hymn Tune Index: Contract, Oxford University Press, 1982-2000
Folder 26: Hymn Tune Index: Correspondence, 2020
Folder 27: Hymn Tune Index: Database, 1999-2006
Folder 28: Hymn Tune Index: DAVY Project, undated
Folder 29: Hymn Tune Index: Expansion, 2003-2008
Folder 30: Hymn Tune Index: Future, 2005-2018
Folder 31: Hymn Tune Index: Interface Revision, undated
Folder 32: Hymn Tune Index: Joseph Herl, 2020
Folder 33: Hymn Tunes Index: New Sources
Folder 34: Hymn Tune Index: Old Version, undated
Folder 35: Hymn Tune Index: Reference Works, ca 2014
Folder 36: Hymn Tune Index: Revision, 2005, 2005
Folder 37: Hymn Tune Index: Scotland, 1827-1840, 2009
Folder 38: Hymn Tune Index: Subsidy to School of Music, 1997-2000
Folder 39: Hymn Tune Index: Transfer to Library, 2005-2009
Folder 40: Hymn Tune Index: Web Server, 1999-2005
Folder 41: Hymn Tune Melodic Comparisons, undated
Folder 42: Hymnal Articles to Be Done, undated
Folder 43: Hymnal Biographies, undated
Folder 44: Hymnal Companion Article (1 of 2), undated
Folder 45: Hymnal Companion Article (2 of 2), undated
Folder 46: Landmarks of Psalmody, 1985
Folder 47: Lectures on Parish Church Music, 1981-1983
Folder 48: London Churches, ca. 1970s-1990
Folder 49: Lowe, Clifford, Turner: Manuscript Notes, 2013
Folder 50: New Carol Index, 2008-2020
Folder 51: Metrical Psalms to 1750 (for Hymnal Companion), ca. 1987-1990
Folder 52: Metrical Psalms, Renaissance Conference, 1986
Folder 53: Music of the English Parish Church: S&H Definitive Lists, undated
Folder 54: Music of the English Parish Church: S&H Grids, undated
Folder 55: Music of the English Parish Church: CPM - Hymns, Psalms, undated

Box 24

Folder 1: Music of the English Parish Church: ADD. 15166, undated
Folder 2: Music of the English Parish Church: Music of the Psalms, undated
Folder 3: Music of the English Parish Church: Metrical Psalms Up to 1553, undated
Folder 4: Music of the English Parish Church: Psalm Tunes and the Reformation, undated
Folder 5: Music of the English Parish Church: Revised Edition, ca. 1975-2005
Folder 6: Music of the English Parish Church: Popular Tunes, undated
Folder 7: Music of the English Parish Church: Henry VIII, undated
Folder 8: Music of the English Parish Church: Edward VI, undated
Folder 9: Music of the English Parish Church: Marian Exiles, undated
Folder 10: Music of the English Parish Church: Elizabeth I, undated
Folder 11: Music of the English Parish Church: Whole Book of Psalms, undated
Folder 12: Music of the English Parish Church: Official Tunes, undated
Folder 13: Music of the English Parish Church: Charles I and Laud, undated
Folder 14: Music of the English Parish Church: Commonwealth, undated
Folder 15: Music of the English Parish Church: Town Psalmody, undated
Folder 16: Music of the English Parish Church: Town Churches, undated
Folder 17: Music of the English Parish Church: Country Psalmody, undated
Folder 18: Musci of the English Parish Church: Organ Voluntaries, undated
Folder 19: Music of the English Parish Church: Victorian Settlement, undated
Folder 20: Music of the English Parish Church: Post 1900, undated
Folder 21: Music of the English Parish Church: Royal School of Church Music & Present Day Parish Church Music, ca. 1975
Folder 22: Music of the English Parish Church: Appendix I - Collegiate Parish Churches, ca. 1971
Folder 23: Music of the English Parish Church: Appendix II - Wages of Clerks, Organists, undated
Folder 24: Music of the English Parish Church: Appendix IV - Lists of Subscribers, undated
Folder 25: Music of the English Parish Church: Appendix V - Chetham, undated
Folder 26: Music of the English Parish Church: Appendix VI - Musical Changes, London Churches, 1867-1894, undated
Folder 27: Music of the English Parish Church: 9. Lutheran Books, undated
Folder 28: Music of the English Parish Church: Appendix VII - Choir Music Repertoire, undated
Folder 29: Music of the English Parish Church: Appendix VIII - Hymn Books Outside London, undated
Folder 30: Music of the English Parish Church: "Great is the Lord", undated
Folder 31: Music of the English Parish Church: Bibliography - M.S., undated
Folder 32: Music of the English Parish Church: Tables, undated
Folder 33: Music and the Wesleys, April 1979
Folder 34: Music and the Wesleys, undated
Folder 35: Music and the Wesleys: Notes and Programs, ca. 2011
Folder 36: Music and the Wesleys: Wesley's Marriage, undated
Folder 37: Music and the Wesleys: Chapter Notes, 2009
Folder 38: Musical Wesleys, The, 1703-1896 by Eric Routley, 1968: With annotations by Temperley
Folder 39: Norwich Parishes, undated
Folder 40: Notes on Chamber Barrel Organs, 1969-1970
Folder 41: Occasional Services, undated
Folder 42: Ordering Psalm Books, undated
Folder 43: Psalm Book Index of Significant Variants, ca. 1975
Folder 44: Psalm Book Project, ca. 1970s
Folder 45: Psalmody Newsletter, undated
Folder 46: Parish Records, undated
Folder 47: Printed Sources (1 of 2), undated
Folder 48: Printed Sources (2 of 2), undated
Folder 49: Review for the Royal Musical Association: Correspondence & Draft, 1991
Folder 50: Review fpr the Hymn: Correspondence & Draft, 1989-1994
Folder 51: Religious Groupings, undated
Folder 52: Roman Catholic Music, undated
Folder 53: Scottish Psalmody, undated
Folder 54: Sermons, undated
Folder 55: Stationers' Hall Entries: Notebook, ca. 1970
Folder 56: Temperley-Krummel Book, ca. 1976-1982
Folder 57: Victims of Compromise: 1st Version Corrected, undated
Folder 58: West Riding Parishes, ca. 1970s
Folder 59: Whole Book of Psalms: Papers at MLA and HSA, 2011-2014

Box 25

Folder 1: Whole Book of Psalms Edition: Collecting, ca. 2013
Folder 2: Whole Book of Psalms Edition: Early Editions, undated
Folder 3: Whole Book of Psalms Edition: Notes for Psalms Article, undated
Folder 4: World Book of Psalms Edition: Anthems post 1558, undated
Folder 5: World Book of Psalms Edition: Audio Project, 2012
Folder 6: World Book of Psalms Edition: Church Wardens' Accounts, undated
Folder 7: World Book of Psalms Edition: Cosyn Edition, undated
Folder 8: World Book of Psalms Edition: Pidoux, undated
Folder 9: World Book of Psalms Edition: Short Instruction, undated
Folder 10: World Book of Psalms Edition: X-Rs, undated
Folder 11: York Parishes, ca. 1970s

Box 36

Item 1: Card Catalog of Published Church Music, undated: Catalog organized alphabetically by last name of composer or name of journal.

Sub-Series 4: Photographic Slides and Prints, ca. 1955-2010

Materials are arranged alphabetically. Consists of photographs, photographic slides, negatives, and posters.

Box 28

Folder 10: Haydn Creation Novello Octavo Cover Photo and Negative, undated
Folder 11: Lock Chapel Slides, undated
Folder 12: Photo Negatives for Unidentified Book, undated
Folder 13: Rejected Book Photos, ca. 1955-1972
Folder 14: Whole Book of Psalms Photos and Illustrations, undated

Box 29

Folder 1: Poster: Music and the Wesleys, Book Edited by Nicholas Temperley and Stephen Banfield, 2010