Finding Aid for Nicholas Temperley Music and Papers, 1786-2019 | The Sousa Archives and Center for American Music

By Nolan Vallier and Carol Berthold

Collection Overview

Scope and Contents of the Materials

Biographical Note

Subject/Index Terms

Administrative Information

Box and Folder Listing

Series 1: Secular Music Research, 1786-2018

Materials are arranged into six sub-series: Publications, Unpublished Edited Scores, Unpublished Lectures and Liner Notes, Research Files, Photographic Slides and Prints, and Historic Opera Score Collection. Consists of Temperley's publications, research notes, unpublished edited scores, unpublished lectures, and photographs related to his secular music research. Of particular note is his historic collection of scores, libretti, and music catalogs from the 18th- to the 19th-Centuries and his edited scores for Raymond and Agnes, L'Oca del Cairo, Hercules, and The Beggar's Opera.

Sub-Series 1: Publications and Published Scores, 1959-2018

Temperley's publications were originally arranged in chronological order by material type using the following numeric code: I. monographs, II. book chapters, III. articles, IV. reviews of books, V. critical editions and urtexts, VI. published edited and arranged scores, VII. original published music. Each code contains two pieces of information: 1) the material type and shelf on which it was stored and 2) the chronological order of the publication within that type of material. For instance, "II .47" corresponded with Shelf 2 (book chapters), Item number 47.

This numeric code guides the arrangement of this sub-series. Publications on sacred subjects have been moved to Series 2, Sub-Series 1 to more accurately reflect his creative process; the code for that sub-series follows the same original order as this series. Please refer to Box 1, Folder 1 for a full list of Temperley's publications in its original order.

Box 1

Folder 1: Complete List of Publications by Nicholas Temperley, 2018

Scholarly Publications: I. Books and Monographs; II Chapters in Books; III. Articles in Periodicals; IV. Artcles in Encyclopedias; V. Revews; VI. Editions of Music; VII. Original Compositions; VIII. Arrangements.

Folder 2: Blackwell History of Music in Britain, The: The Romantic Age, 1800-1914 (I.3), 1981-1988

Edited by Nicholas Temperley. Vol. 5.

Folder 3: Serie: The New Grove Chopin (I.6), 1989

See also II.10.

Folder 4: Bound for America: Three British Composers (I.9), 2003

Composers: William Selby, Rayner Taylor, George K. Jackson.

Folder 5: Lectures on Musical Life: William Sterndale Bennett (I.10), 2006

Folder 6: Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family (I.13), 2016

Edited by Nicholas Temperley.

Folder 7: "The English Romantic Opera" In Opera 66, edited by Charles Osborne (II.1), 1966

Folder 8: "Schubert and the Lied" (II.2), 1976

Folder 9: "England" and "USA," Musikalische Gattungen in Einzeldarsteltangen Band 1: Symphonische Musik (II.7), 1981

Folder 10: "New Light on the Libretto of The Creation" in Music in 18th-Century England (II.8), 1982

Folder 11: New Grove Early Romantic Masters I, The, with Gerald Abraham and Humphrey Searle (II.10), 1985

Chopin, Schuman, Liszt. See also I.6.

Folder 12: "Xenophilia in British Musical History" in 19th-Century British Musical Stieies, Vol. 1 (II.25), 1999

Folder 13: "Preluding at the Piano" in Musical Improvisation: Art, Education, and Society (II. 31), 2009

Folder 14: "T.A. Walmisley's Secular Music," The Musical Times, No. 1366 (III.1), 1956

Folder 15: "Domestic Music in England, 1800-1860," The Royal Music Association , 85th Session (III.3), 1959

Folder 16: "Beethoven in London Concert Life, 1800-1850." Music Review, Vol. 21, no. 3 (III.4), 1960

Folder 17: "Handel's Influence on English Music," Monthly Musical Record, vol. 90, no. 1001 (III.5), 1960

Folder 18: Re: "Functional and Non-Functional Dissonance," Journal of Music Theory, Vol., 4, no. 2 (III.6), 1960

Folder 19: "Testing the Significance of Thematic Relationships," Music Review, Vol. 22, no. 3 (III.7), 1961

Folder 20: "Mozart's Influence on English Music," Music & Letters, Vol. 42, no. 4 (III.8), 1961

Folder 21: "The Prince Consort, Champion of Music," The Musical Times, no. 1426 (III.9), 1961

Folder 22: "Mendelssohn's Influence on English Music," Music & Letters, Vol. 43, no. 3 (III.10), 1962

Folder 23: "Personal Tempo and Subjective Accentuation," Journal of General Psychology, Vol. 68 (III.11), 1963

Folder 24: "George Frederick Pinto," The Musical Times, Vol. 106, no. 1466 (II.12), 1965

Folder 25: "Samuel Wesley," The Musical Times, Vol. 107, no. 1476 (III.14), 1966

Folder 26: "Raymond and Agnes," The Musical Times, Vol. 107, no. 1478 (III.15)

Box 2

Folder 1: "English Romantic Opera," Opera, Vol. 17, no. 4 (III.16), 1966

Folder 2: "The English Romantic Opera," Victorian Studies, Vol. 9, no. 3 (III.17), 1966

Folder 3: "Tempo and Repeats in the Early 19th-Century," Music & Letters, Vol. 47, no. 4 (III.18), 1966

Folder 4: "Berlioz and the Slur," Music & Letters. Vol. 50, no. 3 (III.19), 1969

Folder 5: "MT and Musical Journalism," The Musical Times, 25th ann. edition, Vol. 110, no. 1516 (III.20), 1969

Folder 6: "The Symphonie Fantastique and Its Program," Musical Quarterly, Vol. 57. no. 4 (III.22), 1971

Folder 7: "Almost Perfect Numbers" with P.P. Jerrard, Mathematics Magazine, Vol. 46, no. 2 (III.26), 1973

Folder 8: "Henry Hugo Pierson, 1815-73," The Musical Times, Vol. 114, p. 1217 (III.27), 1973

Folder 9: "Scorography: The Music of Chopin," Musical Newsletter, Vol. 4, no. 1 (III.28), 1974

Folder 10: "John Field and the First Nocturne," Music & Letters, Vol. 56, no. 3-4 (III.29), 1975

Folder 11: "Sterndale Bennett and the Lied, Pt. 1," The Musical Times, Vol. 116, no. 1593 (III.30a), 1975

Folder 12: "Sterndale Bennett and the Lied, Pt. 2," The Musical Times, Vol. 116, no. 1594 (III.30b), 1975

Folder 13: "Handel's Organ Concertos in Walsh's Arrangements for Solo Keyboard," Organ Yearbook, Vol. 10 (III.35), 1979

Folder 14: "Schubert and Beethoven's Eight-Six Chord," with errata, 19th-Century Music (III.37), 1951

Folder 15: "The limits of Authenticity: 'The movement puts a stronger premium on novelty than on accuracy...,'" Early Music, Vol.12, no. 1 (III.41a), 1984

Folder 16: "The limits of Authenticity," Spanish translation by Louis Carlos Gago, Quodlibet, No. 5 (III.41b), 1984-1996

Folder 17: "The London Piano Forte School," The Musical Times, Vol. 126, no. 1703 (III.42), 1985

Folder 18: "On Editing Facsimilies for Performances," Notes, Vol, 41, no. 4 (III.43), 1985

Folder 19: "The Lost Chord," Victorian Studies, Vol. 30, no. 1 (III.45), 1986

Folder 20: "London and the Piano, 1760-1860," The Musical Times, Vol. 124, no. 1744 (III.46), 1988

Folder 21: "Enigma: A Composer's Solution," The Musical Times, Vol. 179, no. 1747 (III.47), 1988

Folder 22: "Schumann and Sterndale Bennett," 19th-Century Music, Vol. 12, no. 3 (III.48), 1989

Folder 23: "The Great Musical Divide: Ocean or Channel?" American Music, Vol. 8, no. 1 (III.50), 1990

Folder 24: "Music Langague Correlations and the Scotch Snap," Music Perception, Vol. 29, No. 1 (III.59), 2011

Folder 25: Encyclopedia Articles in Die Musik in Geschichte und Gegenwart - MGG (IV.1), ca. 1959-1965

Folder 26: "Tuning and Temperament, Musical," Encyclopedia Britannica, 15th ed. (IV.2), 1974

Folder 27: "Frank Merrick, ed., John Field, Piano Concertos 1-3," Music & Letters, Vol. 43, no. 2 (V.1), 1962

P. 171

Folder 28: "Cecil Hopkinson, A Bibliographical Thematic Catalogue of the Works of John Field," The Musical Times, Vol. 103, no. 1430  (V.2), 1962

P. 239.

Folder 29: "A. Hyatt King, Some British Collectors of Music," The Musical Times, Vol.105, no.1434 (V.3), 1964

P. 271.

Folder 30: "E.D. Mackerness, A Social History of English Music," The Cambridge Review (V.4), 1964

Folder 31: "Gardner Read, Music Notation: A Manual of Modern Practice," Music & Letters, Vol. 46, no. 2 (V.5), 1965

P. 165.

Folder 32: "Percy M. Young, A History of British Music," The Musical Times, Vol. 109, no. 1301 (V.9), 1968

P. 241.

Folder 33: "Bernarr Rainbow, The Land Without Music," The Musical Times, Vol. 9, no. 1502 (V.10), 1968

P. 337.

Folder 34: "Oscar Sonneck, Francis Hopkinson and James Lyon," The Musical Times, Vol. 110, no. 1315 (V.11), 1969

P. 493.

Folder 35: "Michael Kennedy, Portrait of Elgar," Victorian Studies 12 (V.12), 1969

P. 110.

Folder 36: "Eric Routley, The Wesleys at Sea," The Musical Times, Vol. 110, no. 1517 (V.13), 1969

P. 743.

Folder 37: "Jacques Barzun, Berlioz and the Romantic Century," Notes, Vol. 27 (V.14), 1970

Folder 38: "Charles Avison & Hurwitz Chamber Ensemble, Six Concertos from Op. 6 (Recording)," Mussical Quarterly, Vol.9, no. 4 (V.19), 1972

Pp. 687-690.

Folder 39: "David Branson, John Field and Chopin," The Musical Times, Vol. 113, no. 1553 (V.20), 1972

See also V.21, same issue.

Folder 40: "Patrick Piggoff, The Life and Music of John Field," the Musical Times, Vol. 115, no. 1575 (V.24), 1974

Pp. 396-398.

Folder 41: "Edith Borroff, Notes and Editions," Music & Man," Vol. 1, No. 4 (V.25), 1975

Pp. 361-363.

Folder 42: "Patrick Piggott, The Life and Music of John Field," Musical Quarterly, Vol. 61, no. 1 (V.26), 1975

P. 154.

Folder 43: "Philippe Etremont Plays Sonatas (Recording)," Musical Quarterly, Vol. 61, no. 4 (V.27), 1975

P. 643.

Folder 44: "Jonathan Rennert, William Crotch, 1775-1847," The Musical Times, Vol. 117 (V.28), 1976

Pp. 35-36.

Folder 45: "William Weber, Music and the Middle Class," American Historical Review, Vol. 81 (V.30), 1976

Folder 46: "Alan Walker, Schumann; Ates Prga. Chopin," and "Stainton de B. Taylor, Two Centuries of Music in Liverpool, Musical Times, Vol. 118, no. 1612 (V.31 and V.32), 1977

Pp. 481-482 and pp. 483-484.

Folder 47: "Edgar Hunt, Robert Lucas Pearsall," The Musical Times, Vol. 115, no. 1618 (V.33), 1977

P. 1010.

Folder 48: "Leon Platinga, Clementi: His Life and Music," Music & Letters, Vol. 59, no. 8 (V.34), 1978

P. 206.

Folder 49: "Brian Jeffery, Fernando Sor: Composer & Guitarist," Music & Letters, Vol. 59. no 4 (V.35), 1978

Pp. 490-492.

Folder 50: "George R. Marek & Maria Gordon Smith, Chopin," The Musical Times, Vol. 120. no. 1640 (V.36), 1979

P. 831.

Folder 51: "Jurgen Kindermann, ed., Hector Berlioz: Grande messe des morts," The Musical Times, Vol. 121, no. 1644 (V.37), 1980

Folder 52: "Peter Pirie, The English Musical Renaissance," The Musical Times, Vol. 121, no. 1646 (V.40), 1980

P. 246.

Folder 53: "Percy M. Young, George Grove, 1820-1900," The Musical Times, Vol. 121, no. 1653 (V.41), 1980

P. 705.

Folder 54: "Krystyna Kobylanska, Frederic Chopin: Thematisch-bibliographisches Werkverzeichnis," Musical Times, Vol. 122, no. 1657 (V.42), 1981

P. 177.

Folder 55: "Henry Raynor, Music in England," The Musical Times, Vol. 122, no. 1659 (V.43), 1981

P. 314.

Folder 56: "James Methuen-Campbell, Chopin Playing: From the Composer to the Present Day,"  The Musical Times, Vol. 122, no. 1663 (V.44), 1981

P. 604.

Folder 57: "Geoffrey Chew, 'Notatiion,' III, 4-6" and "Howard Mayer Brown, 'Performing Practice,' 6," 19th-Century Music, Vol. 5, no.2 (V.45), 1981

P. 164.

Folder 58: "Charles Reid, The Music Monster: A Biography of James Wilham Davidson." The Musical Times, Vol. 126, no. 1707 (V.51), 1985

Folder 59: "Clive Brown, Louis Spohr: A Critical Biography," Music & Letters, Vol. 67, no. 2 (V.53), 1986

Folder 60: "Film Forum: The Beggars Opera (1953-1983): Musical Problems & Solutions," 18th-Century Life, Vol. 10, no. 2  (V.54), 1986

Folder 61: "Stephen Banfield, Sensibility and English Song," Victorian Studies, Vol. 30 (V.55), 1986

Folder 62: "James Coover, ed., Music Publishing, Copyright, and Piracy in Victorian England," Notes & Queries, Vol. 34, no. 1 (V.56), 1987

P. 103.

Folder 63: "Richard Leppert and Susan McClary, Music & Society," The Musical Times, Vol. 128, no. 1738 (V.57), 1987

p. 685.

Folder 64: "Jean-Jacques Eigeldinger, Chopin and his Pupils," MLA Notes, Vol. 44 (V.58), 1987

Folder 65: "Bernarr Rainbow, ed., Classic Texts in Music Education," The Musical Times, Vol. 128, no. 1741 (V.61), 1988

P. 83.

Folder 66: "Arnold Whitall, Romantic Music," Music & Letters, Vol. 69, no. 2 (V.62), 1988

p. 290.

Box 3

Folder 1: "Emil F. Smicak, ed., Isaak-Ignaz Moscheles: The Live of the Composer," Music & Letters, Vol. 72, no. 2 (V.68), 1991

p. 303.

Folder 2: "Peter Brown & Julie Schlepel, eds., Joseph Haydn, The Creation," MLA Notes, Vol. 49 (V.72), 1992

Folder 3: "John Caldwell, The Oxford History of English Music," MLA Notes, Vol. 49 (V.74), 1992

Folder 4: "A.V. Beedell, The Decline of the English Musician, 1788-1888," American Historical Review (V.76), 1994

Folder 5: "James Parakilas, Ballads without Words," MLA Notes, Vol. 50 (V.77), 1994

Folder 6: "David Rowland, A History of Pianoforte Pedalling," MLA Notes, Vol. 52 (V.81), 1995

Folder 7: "Robert Judd, ed., Aspects of Keyboard Music," MLA Notes, Vol. 52 (V.82), 1995

Folder 8: "Cyril Erlich, First Philharmonic: A History of the Royal Philharmonic Society," London TLS (V.83), 1996

TLS (Times Literary Supplement). P. 19.

Folder 9: "Cyril Ehrlich, First Philharmonic," and "Michael Musgrave, The Musical Live of the Crystal Palace," MLA Notes, Vol. 53 (V.84), 1996

Folder 10: "C. Steven LaRue, Handel & His Singers," and "Michael Musgrave, The Musical Life of the Crystal Palace, Albion, Vol. 28 (V.85), 1996

Folder 11: "Rosemary Williamson, William Sterndale Bennett: A Descriptive Thematic Catalogue," Music & Letters, Vol. 72 (V.86), 1997

Folder 12: "A.W. Atlas, The Wheatstone English Concertina in Victorian England," Victorian Studies, Vol.41, no. 1 (V.88), 1997

P. 129.

Folder 13: "Robert T. Bledsoe, Henry Fothergill Chorley: Victorian Journalist," George Eliot-George Henry Lewes Studies, No. 38/39 (V.93), 2000

p. 103.

Folder 15: "Christina Bashford & Leanne Langley, Music & British Culture," Music & Letters, Vol. 82, no. 4 (V.94), 2001

p. 632.

Folder 16: "Christina Bashford  & Leanne Langleyl, Music & British Culture," Victorian Studies,  Vol. 44 (V.95), 2002

p. 301.

Folder 17: "Susan Wollenborg, Music at Oxford in the 18th & 19th Centuries," Albion, Vol. 35 (V.96)

Folder 18: "John Daverio, Crossing Paths: Schubert, Schumann, Brahms," Nineteenth-Century Music Review, Vol. 1, no. 1 (V.97), 2004

Folder 19: "Michael Musgrave, ed., George Grove: Music and Victorian Culture," Music & Letters, Vol. 85, no. 3 (V.98), 2004

p. 460.

Folder 20: "Ian Woodfield, Salomon and the Burneys," Albion, Vol. 36 (V.99), 2005

Folder 21: "Philip Olleson, Samuel Wesley," Music & Letters, Vol. 86, no. 1 (V.100), 2005

p. 120.

Folder 22: "Paul Foster, ed., Marsh of Chichester," Music & Letters, Vol. 86, no. 4 (V.102), 2005

p. 633.

Folder 23: "Michael Kassler, ed., The English Bach Awakening," Music & Letters, Vol. 87, no. 2 (V.103), 2006

p..321.

Folder 24: "Gillen D'Arcy Wood, Romanticism and Music Culture in Britain," Music & Letters, Vol. 92 (V.110), 2011

p. 295.

Folder 25: "Rosemary Golding, Music and Academia in Victorian Britain," 19th-Century Music Review, Vol. 12, no. 2 (V.115), 2015

p. 340.

Folder 26: "John Goulden, Michael Costa: England's First Conductor," Victorian Studies, Vol. 60, no. 3 (V.120), 2018

p. 488.

Folder 27: George F. Pinto (Temperley, ed.), "Two Canzonets" (VI.2), 1962

Folder 28: Geoffrey Bush and Nicholas Temperley, eds., Romantic Songs, Vols. 1 & 2 (VI.8b), 1977, 1979

Box 4

Folder 1: Piano Sonata in Eb Minor by George Frederick Pinto (Temperley, ed.) (VI.1), 1963

Folder 2: Symphonie Fantastique by Hector Berlioz (Temperley, ed.) (VI.6), 1972

Folder 3: English Songs, 1800-1860 (Geoffrey Bush and Nicholas Temperley, eds.) (VI.8a), 1977

Folder 4: Sonata for Flute and Piano in Eb Major by Edward James Loder (Temperley, ed) (VI.16), 1990

Sub-Series 2: Unpublished Edited Scores and Materials Related to Score Editing, 1961-2003

Materials are arranged chronologically. Consists of original scores, part books, manuscript drafts, scores with annotations, concert ephemera, and correspondence about compositions. Note: Folders 3, 7, and 9 of Box 10 utilize an unknown alpha-numeric, this alpha-numeric has been retained in the title of each item.

Box 3

Folder 29: Raymond and Agnes, Piano Vocal Score (Edward Loeder; ed. Temperley), 1966

Folder 30: Raymond and Agnes, Libretto for BBC Broadcast, 1966

Folder 31: Raymond and Agnes, Clare College Performance, 1966

Folder 32: Raymond and Agnes, Program and Reviews, ca. 1966-1967

Folder 33: Raymond and Agnes, Additional Number, ca. 1966

Folder 34: Raymond and Agnes, Performance in Bath, 2015

Folder 35: Beggar's Opera (John Gay; edited by Temperley), Full Score (1 of 2), 1984

Folder 36: Beggar's Opera (John Gay; edited by Temperley), Full Score (2 of 2), 1984

Folder 37: Beggar's Opera, Performance, Agreement and Proposal, 1984

Folder 38: Hercules Premiere, Music of the Baroque, Program and Correspondence, 1988

Folder 39: L'Oca del Cairo, Duplicate String Parts with Klippstatter Bowings, 1991

Folder 40: L'Oca del Cairo, Premiere Performance, Correspondence & Ephemera, 1988-1991

Folder 41: L'Oca del Cairo, A-R Editions, 1991-2002

Folder 42: L'Oca del Cairo, A-R Editions, 2002 Proposal, 2002-2003

Folder 43: L'Oca del Cairo, Edition Correspondence and Sketches, 1990-2002

Folder 44: L'Oca del Cairo, Libretto Correspondence and Edits, 1990

Folder 45: L'Oca del Cairo, Concert Ephemera, Montevideo, Uruguay, 2002

Folder 46: L'Oca del Cairo, Correspondence, ca. 2001

Folder 47: L'Oca del Cairo, Versions by Other Editors, ca. 1990-1991

Folder 48: L'Oca del Cairo, Concert Ephemeera and Correspondence, 1991-2002

Folder 49: L'Oca del Cairo, Scenarios of Act II and III, ca. 1990

Folder 50: L'Oca del Cairo, Source Materials, ca. 1990

Folder 51: Pinto Piano Music with Annotations, undated

Box 4

Folder 5: Three Duets for Two Violins Obligatto, Op. 5 by George F. Pinto (arr. by Temperley), 1961

Folder 6: Overture in E Major by Samuel Wesley (Temperley, ed.), 1965

Folder 7: Raymond and Agnes, libretto, by Edward Loder (Temperley, ed.), 1966/2017

Box 5

Folder 1: Raymond and Agnes, Correspondence, 1966-1967

Folder 2: Raymond and Agnes, Scrapbook, 1966-1967

Folder 3: Violin Sonata and Violin Duets by George F. Pinto (with annotations by Temperley), ca. 1975

Folder 4: Piano Sonata in A Major and Sonata in C Minor by George F. Pinto (with annotations by Temperley), ca. 1975

Folder 5: The Beggar's Opera, Overture, by John Gay (Temperley, ed.), 1984

Folder 6: The Beggar's Opera, Parts, 1984

Folder 7: The Beggar's Opera, Airs and Vocal Parts, 1984

Box 6

Folder 1: Hercules, Full Score, by George F. Handel (Temperley, ed.), 1985

Folder 2: Hercules, Vocal Score, 1985

Folder 3: Hercules, Choruses, 1985

Folder 4: Hercules, Violin 1, Desk 1, 1985

Folder 5: Hercules, Violin 1, Desk 2, 1985

Box 7

Folder 1: Hercules, Violin 1, Desk 3, 1985

Folder 2: Hercules, Violin 2, Desk 1, 1985

Folder 3: Hercules, Violin 2, Desk 2, 1985

Folder 4: Hercules, Viola Desk 1, 1985

Folder 5: Hercules, Viola Desk 2, 1985

Folder 6: Hercules, Violoncello, 1985

Folder 7: Hercules, Cello Continuo, 1985

Folder 8: Hercules, Contrabass, 1985

Folder 9: Hercules, Oboes 1 and 2, 1985

Box 8

Folder 1: Hercules, Bassoons 1 and 2, 1985

Folder 2: Hercules, Horns 1 and 2, 1985

Folder 3: Hercules, Trumpets 1 and 2, 1985

Folder 4: Hercules, Timpani, 1985

Folder 5: Hercules, Violin 1, Stand 1, Draft, 1985

Folder 6: Hercules, Violin 2, Stand 1, Draft, 1985

Folder 7: L'Oca del Cairo, Full Score, by W. A. Mozart (Temperley, ed.), 1991

Folder 8: L'Oca del Cairo, Piano Vocal Score, 1991

Box 9

Folder 1: L'Oca del Cairo, Introductory Essay and Libretto, 1991

Folder 2: L'Oca del Cairo, Stagemanager Score with Surtitles, 1991

Folder 3: L'Oca del Cairo, Woodwind Parts, 1991

Folder 4: L'Oca del Cairo, Brass and Percussion Parts, 1991

Folder 5: L'Oca del Cairo, Violin and Viola Parts, 1991

Box 10

Folder 1: L'Oca del  Cairo, Cello and Bass Parts, 1991

Folder 2: Arrangements of songs by George Pinto and Charles Attwood, undated

Folder 3: Beethoven Trio No. 4, Op. 11, annoted for Editing Project [G.4i], undated

Folder 4: Canon ad Diapason by Muzio Clementi (Temperley, ed.), undated

Folder 5: Duetto for Two Violins by George Pinto (Temperley, ed.), undated

Folder 6: Photocopies of 19th Century English Popular Songs (with Annotations by Temperley), undated

Folder 7: Piano Trio in Bb, Op. 99 by Schubert (arr. by Temperley), clarinet and cello parts [G.5a], undated

Folder 8: Robin Hood and the Soldier's Legacy by George Mcfarren (Temperley, ed.), undated

Folder 9: Stravinsky Pastorale, marked for Editing Project [G.41], undated

Folder 10: String Quartet No. 3 by Edward Loder (Temperley, ed.), undated

Box 11

Folder 1: Beggar's Opera, Overture and Airs Reduced Score, 1984

Folder 2: Photocopies of Sterndale Bennett and Charles Burney Scores with Annotations, ca. 1985

Folder 3: Photocopies of Muzio Clementi and Johan Cramer Scores with Annotations, ca. 1985

Folder 4: Photocopies of John Field Scores with Annotations, ca. 1995

Folder 5: Photocopies of James Hook Scores with Annotations, undated

Folder 6: Photocopies of Edward Loder, Kate Loder, George Loder, John Thomson, and S.S. Wesley Scores with Annotations, ca. 1985

Folder 7: Trio for Three Grand Pianofortes by George Pinto (David Byers, ed.), 2000

Sub-Series 3: Unpublished Lectures and Liner Notes, 1980-2018

Materials are arranged alphabetically. Consists of unpublished lectures, lecture notes and slides, and drafts of liner notes.

Box 3

Folder 52: Ancient and Modern in the Work of John Stainer, Lecture, 2001

Folder 53: The Art of Preluding in the 19th Century: Lecture and Chapter Drafts, 1985-2004

Box 17

Folder 1: Bach: Brandenburg Concertos, 1993

Talk to the Camaraderie, St. Andrew's Lutheran Church, Nov. 21, 1993.

Folder 2: China Lectures, 1986

Folder 3: Clementi's Late Manner, Lecture, undated

Folder 4: Dance Music for Listening, undaated

Folder 5: Gilbert and Sullivan, Pirates of Penzance, Lecture, undated

Folder 6: Great Musical Divide: Channel or Ocean?, Sonneck Society Lecture, 1988

Folder 7: History of the Musicology Division UIUC, Lecture, 2018

Folder 8: Hull Lecture, Keynote Speech, July, 1997

Folder 9: Lamentation (by Edward J. Loeder), used in Lecture-Performance, undated

Folder 10: Lost Chord, The: Romantics' Quest for Nostalgic Harmony, Lecture, undated

Folder 11: London Pianoforte School (LPS) Lectures, undated

Folder 12: Music and Charity, Dial Club Lecture, 1996

Folder 13: Musical Nationalism in English Romantic Opera, Chapater Draft & Lecture, 1985-1988

Folder 14: Mozart the Wunderkind, Lecture, undated

Folder 15: L'Oca del Cairo: Restoring a Mozart Opera, Lecture, Nov., 1991

Folder 16: L'Oca del Cairo: Restoring a Mozart Opera, Lecture, ca. 2000

Folder 17: Pinto Lecture, 1993

Folder 18: Program & Liner Notes, 1977-2009

Folder 19: Queen Victoria, Prince Albert, and Mendelssohn, Lecture, 2002

Folder 20: Rebirth of British Musical Self-Confidence, undated

Folder 21: Record Sleeve Notes, 1980-2002

Folder 22: Romantics and Mozart, The, undated

Folder 23: Scotch Snap in English Songs, The: NABMSA Lecture, 2012

Folder 24: Sterndale Bennett Conference Panel, Lecture, 2016

Folder 25: Schumann Reviews of William Sterndale Bennett, AMS Lecture, 1984

Folder 26: Victorian Choral Music, Lecture, 2016

Folder 27: "Victorian Music: The State of Research...." Edinburgh Lecture, 2012

Folder 28: Victrorian Songs for Every Taste: Lecture-Recital Featuring Phyllis Hart, Dennis Michael Davis, and Richard Cohn, undated

Sub-Series 4: Research Files, 1807-2016

Arranged alphabetically and chronologically therein. Consists of research notes, correspondence, facsimilies with annotations, and musical sketches.

Box 10

Folder 11: 19th-Century English Topics, Royal Institution of Music, ca. 1979

Folder 12: Acoustic Experiment on Timbre and Formants, ca. 1961

Folder 13: Correspondence to David Doscher, 1970-1974

Folder 14: Correspondence Regarding G.K. Jackson's Treatise on Composition, 2000

Folder 15: Facsimiles of Music by Tommaso Giordani and Correspondence About, ca. 1982

Box 11

Folder 8: Photocopies of London Pianoforte School Subscriber Lists with Annotations, undated

Folder 9: Photocopies of Composer Catalogs with Annotations for London Pianoforte School Project, undated

Box 17

Folder 29: 18th-Century Madrigal Society Notes, 1968-1969

Folder 30: 19th-Century English Composers (A-B), Notes and Correspondence about, ca. 1968-1998

Folder 31: 19th-Century English Composers (C-D), Notes And Correspondence about, ca. 1906-1968

Folder 32: 19th-Century English Composers (E-F), Notes and Correspondence about, ca. 1968

Folder 33: 19th-Century English Composers (G-H), Notes and Correspondence about, 1817-1965

Folder 34: 19th-Century English Composers (Loder Family), Notes and Correspondence about, ca. 1965-2011

Folder 35: 19th-Century English Composers (L-M), Notes and Correspondence about, undated

Folder 36: 19th-Century English Composers (N-O), Notes and Correspondence about, 1931-1972

Folder 37: 19th-Century English Composers (Pierson, Henry H.), Notes and Correspondence about, ca. 1973-2004

Folder 38: 19th-Century Enghlish Composers (Pinto, G.F.), Notes and Correspondence about, 1807-2003

Folder 39: 19th-Century English Composers (P-R), Notes and Correspondence about, undated

Folder 40: 19th-Century English Composers (T), Notes and Correspondence about, undated

Folder 41: 19th-Century English Composers (W,X,Y,Z), Notes and Correspondence about, ca. 1960-2010

Folder 42: 19th-Century English Subjects, Newspapers, undated

Folder 43: 19th-Century English Subjects, Various Notes, ca. 1962-1964

Folder 44: 19th-Century English Subjects, Facsimilies of Books with Annotations, undated

Folder 45: 19th-Century English Subjects, Sources in U.S, Libraries, 1976-1980

Folder 46: Balfe, Michael William, Notes about, 1972

Folder 47: Bayly, Anselm: A Practical Treatise on Singing, 1771

Folder 48: Beethoven and the Keyboard, undated

Folder 49: Bound for America: Copyright Permissions, 2002

Folder 50: Bound for America: Examples, undated

Folder 51: Bound for America: Finished Examples, undated

Folder 52: Bound for America: Figures, 2002

Box 18

Folder 1: Bound for America: Notes and Correspondence, 1998-2003

Folder 2: Bound for America: Notes about Benjamin Carr, 1999

Folder 3: Bound for America: Notes about George Knowil Jackson, 1998-2000

Folder 4: Bound for America: Notes about George K. Jackson's Compositions, 1999-2002

Folder 5: Bound for America: Notes about George K. Jackson's Manuscripts, 1973-2002

Folder 6: Bound for America: Notes about George K. Jackson Publications, 1999-2002

Folder 7: Bound for America: Notes about Jackson Family, 1999

Folder 8: Bound for America: Notes about Alexander Reinagle, 1999-2000

Folder 9: Bound for America: Notes about William Selby and Charity Children, 1997-2002

Folder 10: Bound for America: Notes about William Selby's Compositions, ca. 1999

Folder 11: Bound for America: Notes about William Selby's Career, 1999

Folder 12: Bound for America: Notes about William Selby Genealogy, 1997

Folder 13: Bound for America: Notes about Rayner Taylor, 2001-2004

Folder 14: Bound for America: Notes about Rayner Taylor's English Compositions, 2001

Folder 15: Bound for America: Notes about Rayner Taylor's American Compositions, 2002

Folder 16: Bound for America: Notes about Rayner Taylor's Songs, ca. 2000

Folder 17: Bound for America: Notes about William Tuckey, 1997

Folder 18: Bound for America: UI Press Correspondence, 1998-2002

Folder 19: British History in Song: Songs Meeting, 1987

Folder 20: Comparative Research on Nocturnes, undated

Folder 21: Comparative Research on Toccatas, undated

Folder 22: Concise History of English Music, Correspondence, 1992

Folder 23: Correspondence from Sara Bowen re: William Lichtenwarger's article on "The Star Spangled Banner", 2002

Folder 24: Early 19th-Century Methods, undated

Folder 25: Edward Loder Book: Boydell and Brewer, Publisher's Agreements and Guidelines, 2014

Folder 26: Edward Loder Book: Copyright Waivers, 2016

Folder 27: Edward Loder Book: Notes, undated

Folder 28: Fielding, Henry: Notes about, ca. 2012

Folder 29: Historical Society of Pennsylvania, Correspondence, 2002

Folder 30: Landmarks in the History of the Etude, Notes and Review, undated

Folder 31: London Pianoforte School: Correspondence, 1983-1991

Folder 32: London Pianoforte School: Correspondence to Leo Balk, 1982-1988

Folder 33: London Pianoforte School: Correspondence to Russian Libraries, 1983-1985

Folder 34: London Pianoforte School: Identifying Tunes, 1983-1985

Folder 35: London Pianoforte School: List of Errors, undated

Folder 36: London Pianoforte School: Ornaments, ca. 1983

Folder 37: London Pianoforte School: Periodicals, 1986

Folder 41: London Pianoforte School: Piano Sonatas by Unidentified Composers, undated

Folder 42: London Pianoforte School (Vol. 1): Foreword, ca.1986

Folder 43: London Pianoforte School (Vol. 1-5): Clementi, 1983-1986

Folder 44: London Pianoforte School (Vol. 4): Clementi, 1984

Folder 45: London Pianoforte School (Vol. 6): Haydn, Dussek and Contemporaries, 1984

Folder 46: London Pianoforte School (Vol.7): Late Georgians, Samuel Wesley, 1984-1985

Folder 47: London Pianoforte School (Vol. 8): Cogan, 1983-1984

Folder 48: London Pianoforte School (Vol. 9-11): Cramer, 1984-1985

Box 19

Folder 1: London Pianoforte School (Vol. 12-13): Field, 1984-1986

Folder 2: London Pianoforte School (Vol, 14): Pinto and Potter, 1967-1986

Folder 3: London Pianoforte School (Vol. 15): Continental, 1982-1985

Folder 4: London Pianoforte School (Vol. 16): Early Victorians, 1983-1985

Folder 5: London Pianoforte School (Vol. 17-18): Sterndale Bennett, 1984

Folder 6: London Pianoforte School (Vol. 19): Four Hard Duets, 1985

Folder 7: London Pianoforte School (Vol. 19-20):Two Pianos, 1983-1986

Folder 8: London Pianoforte School (Vol. 1-7), undated

Folder 9: London Pianoforte School (Vol. 9-12), undated

Folder 10: London Pianoforte School (Vol. 13-15), undated

Folder 11: London Pianoforte School (Vol. 16-20), undated

Folder 12: Loder Collection: St. Alban's Collection of Music, Correspondence & Finding Aid, 1966-1968

Folder 13: Mendelssohn's Lieder ohne Worte, undated

Folder 14: Mendelssohn Song Notes, undated

Folder 15: Midwest Victorian Studies Assn. (MVSA): Victorian Church Music, 1991

Folder 16: Midwest Victorian Studies Assn. (MVSA), 1999-2000

Folder 17: Midwest Victorian Studies Assn. (MVSA): History, 2001

Folder 18: Midwest Victorian Studies Assn. (MVSA), 2001-2003

Folder 19: Midwest Victorian Studies Assn. (MVSA): Victoria, Albert & Mendelssohn, 2002

Folder 20: Midwest Victorian Studies Assn. (MVSA) & Society for Study of 19th-Century Ireland, 2004

Folder 21: Midwest Victorian Studies Assn. (MVSA), 2005

Folder 22: Midwest Victorian Studies Assn. (MVSA), 2006

Folder 23: Midwest Victorian Studies Assn. (MVSA), 2007

Folder 24: Midwest Victorian Studies Assn. (MVSA), 2008

Folder 25: Midwst Victorian Studies Assn. (MVSA), 2009

Folder 26: Midwest Victorian Studies Assn. (MVSA), 2012

Folder 27: Midwest Victorian Studies Assn. (MVSA), Cleveland, 2013

Folder 28: Midwest Victorian Studies Assn. (MVSA): Library Exhibit, undated

Folder 29: Mozart Cadendas, undated

Folder 30: Music in China, undated

Folder 31: Musical Gothic Revival, undated

Folder 32: Mylinda's Research, undated

Folder 33: North American British Music Studies Assn. (NABMSA): Bylaws, 2005

Folder 34: North American British Music Studies Assn. (NABMSA), 2004-2006

Folder 35: North American British Music Studies Assn. (NABMSA), 2012

Folder 36: North American British Music Studies Assn. (NABMSA), 2014

Folder 37: North American Victorian Studies Assn. (NAVSA), 2003

Folder 38: Pianism Book: Correspondence and Notes, 1981-1988

Folder 39: Pianism Book: Proposal and Notes, 1981

Folder 40: Possible Projects, 1977

Folder 41: Projects: French Stress, undated

Folder 42: Projects: Irish Opera, undated

Folder 43: Projects: Irish Songs, 2004-2005

Folder 44: Projects: P5 Rule, 2004

Folder 45: Projects: Periodical Articles, undated

Folder 46: Proposal for Critical Edition of John Playford's "An Antidote Against Melancholy", ca. 2007

Folder 47: Rees: Encyclopedia, 1819

Folder 48: Review for Albion: Correspondence and Draft, 1995-1996

Folder 49: Review for American Historical Review: Correspondence and Draft, 1993

Folder 50: Review for George Eliot Studies: Correspondence and Draft, 1999

Folder 51: Review for Music and Letters: Correspondence and Draft, 2001-2002

Folder 52: Review for TLS: Correspondence and Drafts, 1992-1995

Folder 53: Review for Victorian Studies: Correspondence and Draft, 1997

Folder 54: Schumann and Sterndale Bennett, undated

Box 20

Folder 1: Sterndale Bennett: Publishers Agreement and Notes, 2004-2006

Folder 2: Victorian Failure in Art: Correspondence and Draft, The, 1971

Folder 3: Victorian Concert, 1991

Folder 4: Victorian Partsongs Concert, 1992

Folder 5: Victorian Grand Opera, 1991

Folder 6: Victorian Music, Winnipeg, 1988

Folder 7: Wallace, William Vincent: Notes About, 1972

Box 36

Item 2: Card Catalog of Popular Songs, undated

Catalog organized by topic. Topics include: English Songs, Italian Songs, Loder Songs, and Benefits.

Sub-Series 5: Photographic Slides and Prints, 1973-2006

Materials are arranged alphabetically. Consists of photographic slides, negatives, print photographs, glass negatives, and paintings.

Box 10

Folder 16: Bound for America: Photographic Prints and Notes, 1999-2002

Folder 17: London Pianoforte School: Illustrations and Negative, undated

Folder 18: Painting of John Field Composing by Moonlight by David Duscher, 1973

Box 28

Folder 1: Beggar's Opera Slides, undated

Folder 2: Glass Negatives and Illustrations of London Pianoforte School, undated

Contains two glass negatives: Item 1) George A. Macfarren, Item 2) "My Father".

Folder 3: Haydn and Berlioz Examples, Slides, undated

Folder 4: London Pianoforte School Photos and Negatives, ca. 1980

Folder 5: Raymond and Agnes Talk, Slides, undated

Folder 6: Royal Covenant Garden Theatre Playbill Photograph, undated

Folder 7: Shanghai Lecture: Examples, Slides, undated

Folder 8: Sterndale Bennett Illustrations, 2006

Folder 9: Unidentified Book Figures and Illustrations Comparing Subscription Concerts, ca. 1967

Sub-Series 6: Historic Opera Scores, Libretti, and Music Catalog Collection, 1786-1911

Materials are arranged alphabetically. Consists of historic libretti, sheet music, bound piano vocal scores, and new music catalogs.

Box 10

Folder 19: Catalogs of New Music, 1786-1859

Includes catalogs from Robert Cocks and Co; Alfred Novello; and Samuel, Ann, and Peter Thompson.

Folder 20: "Four Flights Up, and Four Flights Down" (Lyrics by Albert Hall, Music by Orlando Powell), 1898

Folder 21: Scores by Roger Quilter, Arthur Summerville, Cyril Scott, Thomas F. Dunhill, and Ciro Pinsuti, ca. 1895-1911

Box 20

Folder 8: Bohemian Girl, The: Opera Libretto; Piano, Vocal Score, ca. 1844

Lib. by Bann;  Ed. by Sullivan and Pittman; Music by Balfe; Boosey & Co.

Folder 9: Bohemian Girl, The: Opera Libretto; Piano, Vocal Score, ca. 1882

Adapted by Leon Keach; Pub. Oliver Ditson Co.

Folder 10: Bohemian Girl, The: Opera; Piano, Vocal Score, ca. 1844

Published by arr. with Chappell and Co.

Folder 11: Helvellyn: Opera;  Libretto, 1864

Lib. by Oxenford, music by G.A. Macfarren.

Folder 12: Humorous Songs Old and New; Piano, Vocal Score, ca. 1875

Ed. J.L Hatton. With annotations by Temperley.

Folder 13: Jessy Lea: Opera di Camera, Libretto, ca. 1863

Lib. by Oxenford, music by G.A. Macfarron.

Folder 14: Lily of Killarney: Opera; Piano, Vocal Score, ca.1862

Ed. J. Pittman, lib. by Boucicault and Oxenford, music Julius Benedict; pub. Boosey and Co.

Folder 15: Lily of Killarney: Opera; Piano, Vocal Score, ca. 1862

Crimson Cloth edition, Boosey & Co.

Folder 16: Lily of Killarney: Libretto, 1862

Lib. by Oxenford and Boucicault, music by J. Benedict.

Folder 17: Lurline: Opera; Piano, Vocal Score, ca. 1899

Lib. by Fitzball, music by W.V. Wallace.

Folder 18: Maritana: An Opera in Three Acts; Piano, Vocal Score, ca. 1880

Lib. by Edward Fitzball, music by W. Vincent Wallace.

Folder 19: Moore's Irish Melodies, by Sir John Stevenson; Piano, Vocal Score, 1859

Folder 20: Satanella: Opera; Piano, Vocal Score, ca. 1876

Lib. by Falconer and Harris, music by Balfe.

Folder 21: Soldier's Legacy, A: Opera da Camera; Piano, Vocal Score, ca. 1864

Lib. by John Oxenford, music G.A. Macfarren.

Folder 22: Songs of England, The, Vol. 1; Piano, Vocal Score, ca. 1900

Ed. by J.L.Hatton and Eaton Faning.

Folder 23: Songs of England, The, Vol 2: Piano, Vocal Score, ca. 1900

Ed. by J.L. Hatton and Eaton Faning.

Folder 24: Songs of England, The, Vol. 3; Piano, Vocal Score, ca. 1900

Ed. by J.L. Hatton and Eaton Faning.

Box 21

Folder 1: The Songs of Scotland, Piano/Vocal Score, 1877

Edited by Colin Brown and J. Pittman

Folder 2: The Songs of Scotland, Piano/Vocal Score, ca. 1894

Edited by Colin Brown and J. Pittman, revised by Dr. Charles Mackay.

Series 2: Hymn Tune and Sacred Music Research, 1955-2018

Materials are arranged into four sub-series: Publications, Unpublished Lectures and Edited Scores, Research Files, and Photographic Slides and Prints. Consists of Temperley's publications, research notes, unpublished lectures, photographs, and edited scores related to his interests in sacred music. Of particular note are his research files, drafts, and materials related to The Hymn Tune Index.

Sub-Series 1: Publications and Published Scores, 1957-2016

Temperley's publications were originally arranged in chronological order by material type using the following numeric code: I. monographs, II. book chapters, III. articles, IV. reviews of books, V. critical editions and urtexts, VI. published edited and arranged scores, VII. original published music. Each code contains two pieces of information: 1) the material type and shelf on which it was stored and 2) the chronological order of the publication within that type of material. For instance, "II .47" corresponded with Shelf 2 (book chapters), Item number 47.

This numeric code guides the arrangement of this sub-series. Publications on secular subjects have been moved to Series 1, Sub-Series 1 to more accurately reflect his creative process; the code for that sub-series follows the same original order as this series. Please refer to Box 1, Folder 1 for a full list of Temperley's publications in its original order.

Box 12

Folder 1: The Creation, Full Score, by Franz Joseph Haydn (Temperley, ed.) (VI.15), 1988

Folder 2: Eighteenth-Century Psalmody (Nicholas Temperley and Sally Drage, eds.) (VI.17), 2007

Folder 3: Sing We Merrily: Music for 18th-Century Choirs (Nicholas Temperley and Sally Drage, eds.) (VI.18), 2008

Box 21

Folder 3: Jonathan Gray and Church Music in York, 1770-1840 (I.1), 1977

Folder 4: The Music of the English Parish Church, Vol. 1 (I.2), 1979

Folder 5: Fuging Tunes in the Eigteenth Century, with Charles Manns (I.4), 1983

Folder 6: Music and the Wesleys, with Stephen Banfield (I.12), 2010

Folder 7: "Stephen Humbert's Union Harmony, 1816," in Sing Out the Glad News: Hymn Tunes in Canada Conference Proceedings 1986 (II.11), 1987

Folder 8: "The Problem with Definitive Identification in the Indexing of Hymn Tunes," in Music Reference Services Quarterly (II.20), 1993

Folder 9: "The Hymn Books of the Foundling and Magdalen Hospital Chapels," in Music Publishing and Collecting: Essays in Honor of Donald Krummel (II.21), 1994

Folder 10: "Worship Music in English-Speaking North America, 1608-1820," in Taking a Stand: Essays in Honor of John Beckwith (II.22), 1995

Folder 11: "Ancient and Modern in the Work of John Stainer," in 19th-Century British Music Studies, Vol. 3 (II.26), 2003

Folder 12: "If any of you be mery, let hym syng psalms: The Culture of Psalms in Church and Home," in Noyses, Sounds, and Sweet Aires: Music in Early Modern England (II.28), 2006

Folder 13: "The Adventures of Hymn Tunes," in Hymnology in the Service of the Church: Essays in Honor of Harry Eskew (II.30), 2008

Folder 14: "A List of T.A. Walmisley's Church Music," English Church Music, Vol. 27, No. 1 (III.2), 1957

Folder 15: "Male-Voice Church Music," The Musical Times, Vol. 106, No. 1473 (III.13), 1965

Folder 16: "The Adventures of a Hymn Tune, pt. 1," The Musical Times, Vol. 112, No. 1538  (III.21a), 1971

Folder 17: "The Adventures of a Hymn Tune, pt. 2," The Musical Times, Vol. 112, No. 1539 (III.21b) , 1971

Folder 18: "Kindred and Affinity in Hymn Tunes," The Musical Times, Vol. 113, No. 1555 (III.23), 1972

Folder 19: "John Playford and the Metrical Psalm," Journal of the American Musicological Society, Vol. 25, No. 3 (III.24), 1972

Folder 20: "John Playford and the Stationer's Company," Music & Letters, Vol. 54, No. 2 (III.25), 1973

Folder 21: "Middleburg Psalms," Studies in Bibliography, Vol. 30 (III.31), 1977

Folder 22: "Croft and Charity Hymn," The Musical Times, Vol. 119, No. 1624 (III.32), 1978

Folder 23: "The Anglican Communion Hymn: 1. Hymn Singing in the Church of England," The Hymn, Vol. 30, No. 1 (III.33a), 1979

Folder 24: "The Anglican Communion Hymn: 2. The Communion Hymn," The Hymn, Vol. 30, No. 2 (III.33b), 1979

Folder 25: "The Anglican Communion Hymn: 3. The First Communion Hymn," The Hymn, Vol. 30, No. 3 (III.33c), 1979

Folder 26: "The Anglican Communion Hymn: 4. From Wither to Wesley," The Hymn, Vol. 30, No. 4 (III.33d), 1979

Folder 27: "The Old Way of Singing," The Musical Times, Vol. 120, No. 1641 (III.34), 1979

Folder 28: "Organ Settings of English Psalm Tunes," The Musical Times, Vol. 122, No. 1656 (III.36), 1981

Folder 29: "The Old Way of Singing: Its Origins and Development," Journal of the American Musicological Society, Vol. 34, No. 3 (III.38), 1981

Folder 30: "Organ Music in Parish Churches, 1660-1730," Bios, Journal of British Organ Studies, Vol. 5 (III.39), 1981

Folder 31: "The Origins of The Fuging Tune," Research Chronicle, Vol. 17 (III.40), 1981

Folder 32: "Psalm Singing in Christian Churches," The American Organist, Vol. 20, No. 10 (III.44), 1986

Folder 33: "Recent Studies in Victorian Religion: IV Music," Victorian Studies, Vol. 33 (III.49), 1989

Folder 34: "Haydn's Tempos in the Creation," Early Music, Vol. 19 (III.51)

Box 22

Folder 1: "The Lock Hospital and Its Music," Journal of the Royal Music Association, Vol. 118 (III.52), 1993

Folder 2: "First Forty: The Earliest American Compositions," American Music, Vol. 15, No. 1 (III.54), 1997

Folder 3: "The Hymn Tune Index: Everlasting Praise 1," The Musical Times, Vol. 139, No. 1863 (III.56), 1998

Folder 4: "The Hymn Tune Index," The Hymn, Vol. 49, No. 3 (III.57), 1998

Folder 5: "Tune or No Tune?" The Musical Times, Vol. 143, No. 1881 (III.58), 2002

Folder 6: "All Skillful Praises Sing: How Congregations Sang the Psalms in Early Modern England," Renaissance Studies, Vol. 29, No. 4 (III.61), 2015

Folder 7: "The Whole Book of Psalms and the Beginning of Congregational Singing in England," Monastic Musicians Newsletter, No. 24 (III.63), 2016

Folder 8: "Gerald H. Knight and William Read, The Treasury of English Curch Music, Part 1," The Musical Times, Vol. 107, No. 1475 (V.6), 1966

Folder 9: "Ralph T. Daniel, The Anthem in New England Before 1800," The Musical Times, Vol. 108 (V.7), 1967

Folder 10: "Arthur Hutchings, Church Music in the 19th Century," The Musical Times, Vol. 108, No. 1496 (V.8), 1967

p. 909

Folder 11: "Edmund H. Fellowes, English Cathedral Music," The Musical Times, Vol. 111, No. 1529 (V.15), 1970

p. 712-713

Folder 12: "Thomas Hastings, A Dissertation on Musical Taste," The Musical Times, Vol. 111, No. 1534 (V.16), 1970

p. 1226

Folder 13: "Bernarr Rainbow, the Choral Revival in the Anglican Church, 1839-72," The Musical Times, Vol. 112, No. 1535 (V.17), 1971

p. 73-75

Folder 14: "Miles Birkett Foster, Anthems and Anthem Composers," The Musical Times, Vol. 112 (V. 18), 1971

Folder 15: "Kinneth Long, Music of the English Church," The Musical Times Vol. 113, No. 1553 (V.21), 1972

See also V.20, same issue

Folder 16: "George W. Williams, ed., Jacob Eckhard's Choirmaster Book of 1809," The Musical Times, Vol. 114 (V.22), 1973

Folder 17: "Edna D. Parks, Early English Hymns: An Index," The Musical Times, Vol. 114 (V.23), 1973

Folder 18: "Friedrich Blume, Protestant Church Music," The Musical Times, Vol. 117, No. 1601 (V.29), 1976

Folder 19: "John Marsh, ed., Samuel Wesley: Confitebor tibi, Domine," Notes, Vol. 36, No. 1 (V.38), 1980

Folder 20: "Paul Chappell, Dr. S.S. Wesley: Portrait of a Victorian Musician," Catholic Historical Review, Vol. 66 (V.39), 1980

Folder 21: "Erik Routley, The Music of Christian Hymns," The Hymn, Vol. 33 (V.46), 1982

Folder 22: "Karl Kroeger, ed., William Billings: The New England Psalm-Singer," American Music Vol. 1, No. 4 (V.47), 1983

Folder 23: "Bernarr Rainbow, English Psalmody Prefaces, 1562-1835," The Musical Times, Vol. 124, No. 1687 (V.49), 1983

p. 575

Folder 24: "Karl Kroeger, ed., The Complete Works of William Billings," Journal of the American Musicological Society, Vol. 113, No. 1 (V.60), 1980

Folder 25: "William Gatens, Victorian Cathedral Music," Journal of the Royal Musical Association, Vol. 113 (V.61), 1988

Folder 26: "Lionel Adey, Class and Idol in the English Hymn," Victorian Studies, Vol. 33 (V.65), 1990

Folder 27: "Robert Klepper, Methodist Hymnal Concordance AND Concordance of the Pilgrim Hymnal" Notes, Vol. 47 (V.67), 1990

Folder 28: "Allen Perdue Britton, Irving Lowens, and Richard Crawford, American Sacred Imprints," Journal of the American Musicological Society, Vol. 45, No. 1 (V.70), 1992

Folder 29: "Nicholas Thistlewaite, The Making of the Victorian Organ," Notes, Vol. 49 (V.71), 1992

Folder 30: "Peter Horton, ed, Samuel Sebastian Wesley Anthems," AND "H. Diack Johnstone, Maurice Green," Journal of the Royal Music Association, Vol. 117 (V. 73), 1992

Folder 31: "Mark Argent, Recollections of R.J.S. Stevens: An Organist in Georgian London," London Times Literary Supplement (V.75), 1995

Folder 32: "Donald Davie, The Eighteenth-Century Hymn in England," Notes, Vol. 51 (V.79), 1995

Folder 33: "Peter Horton, ed., Samuel Sebastian Wesley, Anthems II," Notes, Vol. 51 (V.80), 1995

Folder 34: "J.R. Watson, The English Hymn," Music & Letters, Vol. 79, No. 3 (V.87), 1998

Folder 35: "Thomas McCart, the Matter and Manner of Praise," Notes, Vol. 56 (V.90), 1999

Folder 36: "Dale Adelmann, The Contribution of Cambridge Ecclesiologists to the Revival of Anglican Choral Worship," Albion, Vol. 31 (V.91), 1999

Folder 37: "T.E. Muir, Roman Catholic Music in England," Music and Letters, Vol. 91, No. 2 (V.108), 2010

Folder 38: "Bernarr Rainbow, Bernar Rainbow on Music," Music & Letters, Vol. 93, No. 2 (V.113), 2012

Folder 39: "Andrew Grant, O Sing unto the Lord: A History of English Church Music," Church History (V.118), 2019

Folder 40: "Might in Thy Sight Appear" by Samuel Wesley (Temperley, ed.) (VI.3), 1966

Folder 41: Anthems for Men's Voices, Vol. 1 by Peter Le Huray, Nicholas Temperley, Peter Trandell, and David Willocks (VI.5a), 1966

Folder 42: Anthems for Men's Voices, Vol. 2 by Peter Le Huray, Nicholas Temperley, Peter Trandell, and David Willocks (VI.5b), 1966

Folder 43: "Agnus Dei in F," by Henry Hugo Pierson (Temperley, ed.) (VI.7), 1973

Folder 44: "To Thee, O Lord of Hosts," by William Croft (Temperley, ed.) (VI.9), 1978

Folder 45: The Creation, Continuo Part, by Franz Joseph Haydn (Temperley, ed.) (VI.15b), 1988

Sub-Series 2: Unpublished Lectures and Edited Scores, 1975-2018

Materials are arranged alphabetically. Consists of unpublished lectures, lecture notes and examples, edited sheet music, and musical sketches.

Box 12

Folder 4: Arrangements and Score Fragments of Psalms, undated

Folder 5: Photocopies of Psalms with Annotations, undated

Folder 6: Responses used in Lichfield Cathedral and Leeds Choral Service, undated

Box 22

Folder 46: Anglo American Popular Psalmody, Lecture-Recital given at the Sonneck Society National Meeting, 1975

Folder 47: Clacton Lecture, undated

Folder 48: Class Distinctions in 18th-Century Church Music, Lecture, ca. 1996

Folder 49: Eight Unpublished Lectures on the History of English Sacred Music, 1750-1874, undated

Folder 50: The Elizabethan Metrical Psalms and the Tunes, AMS Southwest Lecture, 2012

Folder 51: English Congregational Song and How it Started, University of Washington Lecture, 2012

Folder 52: Handel's Solomon, Swarthmore Lecture, undated

Folder 53: Haydn and the English Language, American Society for 18th Century Studies, Lecture, 1998

Folder 54: Haydn's Tempos in Creation, AMS Midwest Lecture, 1990

Folder 55: Haydn's Creationism, Dial Club Lecture, undated

Folder 56: Haydn's Creation, ACDA Lecture and University of S. Florida Seminar, 1991-2002

Folder 57: Haydn: Editing the Creation, Lecture given in Tampa, 1990

Folder 58: Haydn: Performing Haydn's Creation in English, Lecture, undated

Folder 59: Hymn Tune Index, Dial Club Lecture, 2007

Folder 60: Hymn Singing in England: A Shaky Start with the Whole Book of Psalms, NABMSA Lecture, 2016

Folder 61: Hymn Tune Sketches, sheet music, undated

Folder 62: In Virtue's Cause: How Handel's Music was Sanctified, Howard Serwer Lecture, 2001

Folder 63: Lecture on Messiah, Centre College, 1984

Folder 64: The Lock Hospital, Washington University Lecture, ca. 1998

Folder 65: Messiah, Michigan Conference Lecture, 1981

Folder 66: Newburry Tune, Philadelphia Lecture, 1983

Folder 67: Psalm Tune Index, Sonneck Society Lecture, 1976

Folder 68: Whole Book of Psalms, Lecture with Transperancies, ca. 2018

Folder 69: Whole Book of Psalms (1567), edited sheet music, ca. 2000

Folder 70: Whole Book of Psalms (1586), edited sheet music, ca. 2000

Sub-Series 3: Research Files, 1969-2018

Materials are arranged alphabetically and chronologically therein. Consists of research notes, correspondence, facsimilies with annotations, and drafts of articles and chapters.

Box 13

Folder 1: Beasley Article, ca. 1978-1981

Box 22

Folder 71: 18th-Century Church Music (1 of 2), ca. 1988-1990

Folder 72: 18th-Century Church Music (2 of 2), ca. 1988-1990

Folder 73: 1992 Tune Essays, 1987-1993

Folder 74: Amazing Grace, 2006-2008

Folder 75: American Colonies, undated

Box 23

Folder 1: Bay Psalm Book, Notes, ca. 1974

Folder 2: Catholic Music in Parish Church Collections, undated

Folder 3: Chanting, undated

Folder 4: Chapel Royal Singeers, 1703-1755, undated

Folder 5: Communion Hymns, undated

Folder 6: Correspondence Regarding Loan of Music of the Heart, 2005

Folder 7: Daily Service Music, undated

Folder 8: English Cathedral Music, by Edmund Fellowes, 1969

With annotations by Temperley.

Folder 9: English Organ Hymns, undated

Folder 10: Facsimilies (1 of 2), ca. 1600s-1980s

Folder 11: Facsimilies (2 of 2), ca. 1600s-1980s

Folder 12: Family of Tunes, undated

Folder 13: Gray, Jonathan, undated

Folder 14: Handel and the Church of England, undated

Folder 15: Haydn Creation, Correspondence, 1992

Folder 16: Haydn Creation, Deed of Amendment, 2010

Folder 17: Humbert Back-up, undated

Folder 18: Hymn Society of Great Britain and Ireland (HSGBI), 1995-1997

Folder 19: Hymn Society, 2006 Conference, DePauw University, 2006

Folder 20: Hymn Tune Index, 1996

Folder 21: Hymn Tune Index: After 2018, 2006-2018

Folder 22: Hymn Tune Index: Anthem Book Prefaces, undated

Folder 23: Hymn Tune Index: Bugs in Query Program, undated

Folder 24: Hymn Tune Index: CITES Work, 2001

Folder 25: Hymn Tune Index: Contract, Oxford University Press, 1982-2000

Folder 26: Hymn Tune Index: Correspondence, 2020

Folder 27: Hymn Tune Index: Database, 1999-2006

Folder 28: Hymn Tune Index: DAVY Project, undated

Folder 29: Hymn Tune Index: Expansion, 2003-2008

Folder 30: Hymn Tune Index: Future, 2005-2018

Folder 31: Hymn Tune Index: Interface Revision, undated

Folder 32: Hymn Tune Index: Joseph Herl, 2020

Folder 33: Hymn Tunes Index: New Sources

Folder 34: Hymn Tune Index: Old Version, undated

Folder 35: Hymn Tune Index: Reference Works, ca 2014

Folder 36: Hymn Tune Index: Revision, 2005, 2005

Folder 37: Hymn Tune Index: Scotland, 1827-1840, 2009

Folder 38: Hymn Tune Index: Subsidy to School of Music, 1997-2000

Folder 39: Hymn Tune Index: Transfer to Library, 2005-2009

Folder 40: Hymn Tune Index: Web Server, 1999-2005

Folder 41: Hymn Tune Melodic Comparisons, undated

Folder 42: Hymnal Articles to Be Done, undated

Folder 43: Hymnal Biographies, undated

Folder 44: Hymnal Companion Article (1 of 2), undated

Folder 45: Hymnal Companion Article (2 of 2), undated

Folder 46: Landmarks of Psalmody, 1985

Folder 47: Lectures on Parish Church Music, 1981-1983

Folder 48: London Churches, ca. 1970s-1990

Folder 49: Lowe, Clifford, Turner: Manuscript Notes, 2013

Folder 50: New Carol Index, 2008-2020

Folder 51: Metrical Psalms to 1750 (for Hymnal Companion), ca. 1987-1990

Folder 52: Metrical Psalms, Renaissance Conference, 1986

Folder 53: Music of the English Parish Church: S&H Definitive Lists, undated

Folder 54: Music of the English Parish Church: S&H Grids, undated

Folder 55: Music of the English Parish Church: CPM - Hymns, Psalms, undated

Box 24

Folder 1: Music of the English Parish Church: ADD. 15166, undated

Folder 2: Music of the English Parish Church: Music of the Psalms, undated

Folder 3: Music of the English Parish Church: Metrical Psalms Up to 1553, undated

Folder 4: Music of the English Parish Church: Psalm Tunes and the Reformation, undated

Folder 5: Music of the English Parish Church: Revised Edition, ca. 1975-2005

Folder 6: Music of the English Parish Church: Popular Tunes, undated

Folder 7: Music of the English Parish Church: Henry VIII, undated

Folder 8: Music of the English Parish Church: Edward VI, undated

Folder 9: Music of the English Parish Church: Marian Exiles, undated

Folder 10: Music of the English Parish Church: Elizabeth I, undated

Folder 11: Music of the English Parish Church: Whole Book of Psalms, undated

Folder 12: Music of the English Parish Church: Official Tunes, undated

Folder 13: Music of the English Parish Church: Charles I and Laud, undated

Folder 14: Music of the English Parish Church: Commonwealth, undated

Folder 15: Music of the English Parish Church: Town Psalmody, undated

Folder 16: Music of the English Parish Church: Town Churches, undated

Folder 17: Music of the English Parish Church: Country Psalmody, undated

Folder 18: Musci of the English Parish Church: Organ Voluntaries, undated

Folder 19: Music of the English Parish Church: Victorian Settlement, undated

Folder 20: Music of the English Parish Church: Post 1900, undated

Folder 21: Music of the English Parish Church: Royal School of Church Music & Present Day Parish Church Music, ca. 1975

Folder 22: Music of the English Parish Church: Appendix I - Collegiate Parish Churches, ca. 1971

Folder 23: Music of the English Parish Church: Appendix II - Wages of Clerks, Organists, undated

Folder 24: Music of the English Parish Church: Appendix IV - Lists of Subscribers, undated

Folder 25: Music of the English Parish Church: Appendix V - Chetham, undated

Folder 26: Music of the English Parish Church: Appendix VI - Musical Changes, London Churches, 1867-1894, undated

Folder 27: Music of the English Parish Church: 9. Lutheran Books, undated

Folder 28: Music of the English Parish Church: Appendix VII - Choir Music Repertoire, undated

Folder 29: Music of the English Parish Church: Appendix VIII - Hymn Books Outside London, undated

Folder 30: Music of the English Parish Church: "Great is the Lord", undated

Folder 31: Music of the English Parish Church: Bibliography - M.S., undated

Folder 32: Music of the English Parish Church: Tables, undated

Folder 33: Music and the Wesleys, April 1979

Folder 34: Music and the Wesleys, undated

Folder 35: Music and the Wesleys: Notes and Programs, ca. 2011

Folder 36: Music and the Wesleys: Wesley's Marriage, undated

Folder 37: Music and the Wesleys: Chapter Notes, 2009

Folder 38: Musical Wesleys, The, 1703-1896 by Eric Routley, 1968

With annotations by Temperley

Folder 39: Norwich Parishes, undated

Folder 40: Notes on Chamber Barrel Organs, 1969-1970

Folder 41: Occasional Services, undated

Folder 42: Ordering Psalm Books, undated

Folder 43: Psalm Book Index of Significant Variants, ca. 1975

Folder 44: Psalm Book Project, ca. 1970s

Folder 45: Psalmody Newsletter, undated

Folder 46: Parish Records, undated

Folder 47: Printed Sources (1 of 2), undated

Folder 48: Printed Sources (2 of 2), undated

Folder 49: Review for the Royal Musical Association: Correspondence & Draft, 1991

Folder 50: Review fpr the Hymn: Correspondence & Draft, 1989-1994

Folder 51: Religious Groupings, undated

Folder 52: Roman Catholic Music, undated

Folder 53: Scottish Psalmody, undated

Folder 54: Sermons, undated

Folder 55: Stationers' Hall Entries: Notebook, ca. 1970

Folder 56: Temperley-Krummel Book, ca. 1976-1982

Folder 57: Victims of Compromise: 1st Version Corrected, undated

Folder 58: West Riding Parishes, ca. 1970s

Folder 59: Whole Book of Psalms: Papers at MLA and HSA, 2011-2014

Box 25

Folder 1: Whole Book of Psalms Edition: Collecting, ca. 2013

Folder 2: Whole Book of Psalms Edition: Early Editions, undated

Folder 3: Whole Book of Psalms Edition: Notes for Psalms Article, undated

Folder 4: World Book of Psalms Edition: Anthems post 1558, undated

Folder 5: World Book of Psalms Edition: Audio Project, 2012

Folder 6: World Book of Psalms Edition: Church Wardens' Accounts, undated

Folder 7: World Book of Psalms Edition: Cosyn Edition, undated

Folder 8: World Book of Psalms Edition: Pidoux, undated

Folder 9: World Book of Psalms Edition: Short Instruction, undated

Folder 10: World Book of Psalms Edition: X-Rs, undated

Folder 11: York Parishes, ca. 1970s

Box 36

Item 1: Card Catalog of Published Church Music, undated

Catalog organized alphabetically by last name of composer or name of journal.

Sub-Series 4: Photographic Slides and Prints, ca. 1955-2010

Materials are arranged alphabetically. Consists of photographs, photographic slides, negatives, and posters.

Box 28

Folder 10: Haydn Creation Novello Octavo Cover Photo and Negative, undated

Folder 11: Lock Chapel Slides, undated

Folder 12: Photo Negatives for Unidentified Book, undated

Folder 13: Rejected Book Photos, ca. 1955-1972

Folder 14: Whole Book of Psalms Photos and Illustrations, undated

Box 29

Folder 1: Poster: Music and the Wesleys, Book Edited by Nicholas Temperley and Stephen Banfield, 2010

Series 3: Personal Files, 1940-2020

Materials are arranged into three sub-series: personal papers, original compositions, and choral ensemble files. Consists of awards, reviews, student notebooks, student compositions, original music manuscripts, choral arrangements, and choral ensemble records. Of particular note is Temperley's compositions A Night in the Life of a Musicologist and Prelude in E Minor in a Modern Idiom, as well as his records for the Temperley Carol Group and the Gilbert and Sullivan house programs.

Sub-Series 1: Personal Papers, 1946-2020

Materials are arranged alphabetically. Consists of awards received by Temperley, biographical information, curriculum vitaes, correspondence, collection of reviews of Temperley's books and edited scores, student notebooks, and unpublished lectures unrelated to his research.

Box 13

Folder 2: College Notes (1 of 3), ca. 1946-1956

Folder 3: College Notes (2 of 3), ca. 1946-1956

Folder 4: College Notes (3 of 3), ca. 1946-1956

Folder 5: Correspondence to Richard Fairbairn, 1953-1988

Folder 6: Degrees and Diplomas, 1948-1959

Box 25

Folder 12: 80th Birthday Concert and Festschrift, 2012-2013

Folder 13: Biographical Listings of Temperley, 1982-2005

Folder 14: Curriculum Vitae, 1991-2015

Folder 15: Dissertation Prize, 2003-2004

Folder 16: Eaton College Correspondence, 1996

Folder 17: Eaton College Talk, 1992

Folder 18: Fan Mail, 1973-2014

Folder 19: Hymn Society Fellow, Award, 2014

Folder 20: Index to Nicholas Temperley Dissertation, 1960-2004

Dissertation Title "Instrumental Music in England, 1800-1850"

Folder 21: Journal Listing Scores Purchased at Antiquarian Book Shops, 1964-1965

Folder 22: Letters to Editors, 1980-1996

Folder 23: Midwest Victorian Studies Association (MVSA) Lifetime Achievement Award, 2019

Folder 24: Music History Notes, ca. 1950

Folder 25: Newspaper Review of Illinois Opera Rodelinda Performance, 1983

Folder 26: Reviews of Bound for America, 2003-2005

Folder 27: Reviews of Christmas is Coming, 2009

Folder 28: Reviews of Dissenting Praise and Contributor's Agreement, 2006-2011

Folder 29: Reviews of Fuging Tunes in the 18th-Century, 1985-1988

Folder 30: Reviews of the Hymn Tune Index, 1998-2000

Folder 31: Reviews of Lectures on a Musical Life: William Sterndale Bennett, 2006

Folder 32: Reviews of London Pianoforte School , 1986-1989

Folder 33: Reviews of The Lost Chord: Essays on Victorian Music, 1990-1991

Folder 34: Reviews of Music of the English Parish Church, 1979-1982

Folder 35: Reviews of Musica Britannica, edited by Temperley, 2007

Folder 36: Revies of Musicians of Bath and Beyond: Edward Loder , 2016

Folder 37: Reviews of Oxford Series, 1991-1996

Folder 38: Reviews of The Romantic Age, Athlone History of Music in Britain, vol. V, 1982-1983

Folder 39: Reviews of Sing We Merrily: Music for 18th-Century English Choirs  , 2009

Folder 40: Reviews of Studies in English Choral Music, 2009-2010

Folder 41: Reviews of Temperley and His Work, 1961-1998

Folder 42: Reviews of Temperley's edition of Haydn's Creation, 1990-2002

Folder 43: Reviews, Various, 1966-2000

Folder 44: Staughton, Christopher Birthday Invitation, ca. 2013

Folder 45: Selections from the Specimens of English Literature, by Rev. Walter Skeat, 1949

Belonged to Mary Temperley (nee Slator)

Folder 46: Temperley Research Grant, 2019-2020

Folder 47: Temperley Endowment Fund Agreement, 2017

Folder 48: Urbana Alumni of Sigma Alpha Iota Minutes, 2004

Folder 49: WWII Japanese Matchbox Correspondence, undated

Box 27

Item 1: University Scholar Award, ca. 1986

accession no. 2022.1205080.001

Box 28

Folder 15: Eaton Slides, ca. 1992

Folder 16: Eaton Unused Slides, ca. 1992

Box 29

Folder 2: Award: Fellowship of the Guild of Church Musicians, Honoris Causa, October 28, 1989

Box 35

Folder 3: Correspondence, last names "B-M", 1967-1999

Correspondents include: Chloe and James Barnett, Philip Brett, Cyril Ehrlish, S. Glasser, and Laurie May.

Folder 4: Correspondence, last names "O-Z", 1957-2003

Correspondents include: T.G. Odling, Phyllis Palmer, Deane Root, Suane Woodworth, and Elliott Zuckerman.

Sub-Series 2: Original Published Compositions and Unpublished Music Manuscripts, 1940-1997

Materials are arranged first by a numeric code derived by Temperley (see Box 13, Folder 7 for full list of compositions dating from 1940 to 1956), then chronologically thereafter. Two items contain the numeric code Temperley gave to his publications (See Box 16, Folder 14 and Box 25, Folder 50). Consists of original manuscripts, bound sheet music books with musical sketches and partial scores, student compositions and workbooks, and original published sheet music.

Box 13

Folder 7: Music Manuscripts by Temperley, Journal, ca. 1956

Contains the Numeric Code for all compositions composed until 1956, titles of compositions, and notes about composition instructors. Titles of composition that follow include corresponding number in parantheses.

Folder 8: Prelude and Rondo (O1-O4), 1940

Score copied by his mother, composed at age 9.

Box 14

Folder 1: Exercise: Volume, for Lessons with Dr. Geehl (2), 1942-1943

Folder 2: Golden Slumber Duet (3), 1944

Folder 3: Sonata for Viola and Piano in D Major (4), 1945-1949

Folder 4: Sonata for Viola and Piano in E Minor (5), 1950

Folder 5: "My God, I Love Thee," Hymn Tune (6), 1950

Folder 6: Madrigal on a Day, Arrangement of Weber's Imitation to the Waltz (7), 1950

Folder 7: Part Song and Ghost Trio (8), 1951

Folder 8: Violin and Piano Sonatina (9), 1951

Folder 9: Regret Not Me (10), 1951

Folder 10: Fugue for String Quartet, Variations for Organ, and Nod the Shepherd (11), 1950-1951

Folder 11: Sussex Mummer's Carol, Set of Songs (12), 1951

Folder 12: Synopses of Church Compositions (13), 1953

Folder 13: There were Three Cherry Trees, Overture to the Magic Flute, and Variation on "Down Among the Dead" (14), 1952

Folder 14: The Listeners, Theme and Variation on Mozart, Theme and Variation on Brahms (15), 1953

Folder 15: Three Songs (16), 1953

Folder 16: The Listeners (17), 1953

Text by Walter de la Mare.

Folder 17: Sonata for Oboe and Piano (18), 1953

Folder 18: Organ Passacaglia and Fugue and Aria by Mozart arranged for Piano Duet (19), 1953

Folder 19: I sing of a Maiden and Exercises for Mr. Radcliffe (20), ca. 1954

Folder 20: Four Songs (21), 1954

Text by Walter de la Mare.

Folder 21: Six Songs (22), 1952-1954

Text by Walter de la Mare.

Folder 22: Three Part Invention and Theme and Variation in the Style of Schubert (23), 1954

Folder 23: Passacaglia and Fugue in C Minor (24), 1952-1954

Box 15

Folder 1: Sketch for Piano Fugue, String Quartet (25), 1954

Folder 2: String Quartet, Keyboard Suite in E, and Wedding March (26), 1954

Folder 3: Wedding March (27), 1954

Folder 4: String Quartet based on a fragment by Franz Schubert, Full Score and Parts (27a), ca. 1954

Folder 5: Fugue Sketches (28), ca. 1954

Folder 6: Te Deum in E Major and "As I lay upon a Night" Carol (29), ca. 1954

Folder 7: Fugue for String Orchestra (29b), 1955

Folder 8: Rough Copies of Mazurkas and Songs (30), 1955-1956

Folder 9: Mozart's D Minor Piano Concerto arranged for Piano Duet, Mvt. 1 (31), 1955

Folder 10: Mozart's D Minor Piano Concerto arranged for Piano Duet, Mvt. 2 and 3 (32), 1955

Folder 11: Chaconne for Organ, Motet, and String Trio (33), 1955

Folder 12: Variations on a Well-known Theme for Celeste and Piano (33a), 1955

Folder 13: Spring by Joseph Haydn, arranged for Piano Duet (34), 1955

Folder 14: Quotations and Incipits of 19th-Century English Music, Sketches and Fragments (36), ca. 1954

Folder 15: 4 Chopinesque Mazurkas, String Trio, Song in the Style of Purcell (37), 1955

Folder 16: Keyboard Suite, 3 Songs for Tenor and Piano, and 3 Mazurkas (38), 1955

Folder 17: Have Done (38a), 1955

Folder 18: Oboe and Piano Sonata No. 2 in D minor (39), 1955

Folder 19: Short Piano Pieces, Manuscript Book (40), 1956

Folder 20: String Quartet in C (41), 1956

Box 16

Folder 1: Quartet for Piano and Strings in the Style of Mozart (42), 1956

Folder 2: Lyrics from "the Washerwoman's Child"  (43), 1956

Text by Alison Uttley.

Folder 3: Canonic Movement for String Duo, 1954

Folder 4: Three Settings of Poems by Walter de la Mare, 1955

Includes concert programs

Folder 5: Benedictus in E Major, For Tenor Solo, Choir, and Organ, 1956

Folder 6: Faure Requiem arranged for String Quartet, 1956

Folder 7: Carol Scores by and Sketches edited by Temperley, 1957-1999

Folder 8: On October Tenth, 1957

Folder 9: "Out of your Sleep" Christmas Carol, 1957

Folder 10: Fugue for Organ, 1958

Folder 11: Three Songs , 1958

Includes Concert Program from Cambridge University

Folder 12: Three Songs (Lyrics by Thomas Middleton), 1958

Folder 13: Interlude in E Minor in a Modern Idiom, Sketches, ca. 1962

Folder 14: Interlude in E Minor in a Modern Idiom, published score (VI.2), 1962

For Numeric Code see Description for Series 1, Sub-Series 1.

Folder 15: The Responses in Evening Prayer for Men's Voices, 1963

Folder 16: "This Joyful Eastertide" Carol for Men's Voices (arranged by Temperley), 1965

Folder 17: A Night in the Life of a Musicologist, for twelve hands (two pianos), 1971

Folder 18: The Esther Oratorio , 1963, revised 1989

Folder 19: Out of Your Sleep arranged for String Quartet, 1957, revised 1997

Folder 20: Adagio Sketches, undated

Folder 21: Cosi fan tutti, No. 4 by Mozart (arranged by Temperley), undated

Folder 22: La Follia by Corelli (realized by Temperley), undated

Folder 23: Fugue for Organ (Signed Orfeo), undated

Folder 24: Musical Sketches, undated

Folder 25: Symphony (unfinished), 1st Mvt., undated

Box 25

Folder 50: Elegy for Piano (VII.1), October 1940

Appeared in the Newspaper The Young Musician, Temperley was aged 9. For Numeric Code see Description for Series 1, Sub-Series 1.

Folder 51: Annie Laurie (arranged by Temperley), undated

Box 34

Folder 1: Student Notebook, ca. 1940

Sub-Series 3: Choral Ensemble Files and Arrangements for Choral Ensemble, 1959-2010

Materials are arranged alphabetically. Consists of bound, published and unpublished arrangements of carols by Temperley; carol group personel files; Gilbert and Sullivan operetta programs presented at Temperley's home in Urbana; and arrangements for choral ensembles.

Box 25

Folder 52: Carols for House to House Singing, 4th Edition edited by Nicholas Temperley, 1986

Contains the Soprano, Alto, and Tenor Part Books

Folder 53: Carols for House to House Singing, 5th Edition edited by Nicholas Temperley, 1997

Folder 54: Carols for House to House Singing, 6th Edition edited by Nicholas Temperley, 2007

Folder 55: Carol Group Members and Set Lists, 1959-2011

Folder 56: Choral Music for Singing Group, undated

Box 26

Folder 1: Christmas is Coming: A Collection of Carols (VI.19), 2009

For Numeric Code See Description for Series 1, Subseries 1.

Folder 2: Carol Group Newspaper Clippings, 2009

Box 28

Folder 17: Carol Singers Slides, undated

Folder 18: Collected Carols by Chester L. Alwes, 1984-1999

Folder 19: Gilbert and Sullivan Operetta Group, Gondoliers Libretto and Scores with Annotations, ca. 1994

Folder 20: Gilbert and Sullivan Operetta Group, The Mikado libretto, 1999

Folder 21: Gilbert and Sullivan Operetta Group, Programs and Personel Lists, 1977-2009

Folder 22: Gilbert and Sullivan Savoy Operas, Notes, 1980-2003

Folder 23: La Gui-Annee and Carols arranged by Nicholas Temperley for the Temperley Singers, 2010

Box 35

Folder 1: Carol Book (original manuscript), 1955

Folder 2: Carols for House-to-House Singing, 1976

Series 4: Teaching and Service Files, 1957-1987

Materials are arranged alphabetically. Consists of course files, student papers, and files related to his service to the American Musicological Society.

Box 26

Folder 3: Clare College, 19th-Century Opera, ca. 1960

Folder 4: Clare College, Ear Tests, ca. 1964

Folder 5: Clare College, Form Lectures, ca. 1964

Folder 6: Clare College, Harmony and Counterpoint Exercises, 16th-Century 2-part and 3-part, ca. 1964

Folder 7: Clare College, Harmony and Counterpoint Exercises, 16th-Century 4 or More Parts, ca. 1964

Folder 8: Clare College, Harmony and Counterpoint Exercises, Baroque, ca. 1964

Folder 9: Clare College, Harmony and Counterpoint Exercises, Canons, ca. 1964

Folder 10: Clare College, Harmony and Counterpoint Exercises, Classical and Romantic, ca. 1964

Folder 11: Clare College, Harmony and Counterpoint Exercises, Folk Songs, ca. 1964

Folder 12: Clare College, Harmony and Counterpoint Exercises, Illustrations, 1964

Folder 13: Clare College, Master Photocopies for Exams, ca. 1963

Folder 14: Clare College, Special Music Exams, 1962

Folder 15: Examples for Preliminary Exams, 1963-1964

Folder 16: Handout of English Composers with Works by Genre, 1966

Folder 17: Handouts on Monteverdi and Form in Painting, 1964

Folder 18: Handouts on Temperament, 1965

Folder 19: Keyboard Tests, undated

Folder 20: Score Examples for Music Examinations, ca. 1964

Folder 21: Yale University, History of Music 10, Assignments and Exams, 1967

Folder 22: Yale University, Examinations in Music 136, 1967

Box 30

Folder 1: Cambridge University, John Stewart of Rannoch Scholarship, Examination, March 1953

Folder 2: Cambridge University, John Stewart of Rannoch Scholarship, Examination, March 1963

Folder 3: Cambridge University, John Stewart of Rannoch Scholarship, Examination, March 1964

Folder 4: Cambridge University, Preliminary Exam in Music and Music Tripos, Pts. 1 and 2, May 1960

Folder 5: Cambridge University, Preliminary Exam in Music and Music Tripos, Pts. 1 and 2, May 1961

Folder 6: Cambridge University, Preliminary Exam in Music and Music Tripos, Pts. 1 and 3, May 1962

Folder 7: Cambridge University, Preliminary Exam in Music and Music Tripos, Pts. 1 and 2, May 1963

Folder 8: Cambridge University, Preliminary Exam in Music and Music Tripos, Pts. 1 and 2, and Exam for Degree of MUS.B., May 1964

Folder 9: Cambridge University, Preliminary Exam in Music and Music Tripos, Pts. 1 and 2, and Exam for Degree of MUS.B., May 1965

Folder 10: Cambridge University, Music Tripos, Pts. 1 and 2, May 1966

Folder 11: Gorm Busk "The Piano Sonatas and Sonatinasof Friedrich Kuhlau," Student Paper, undated

Folder 12: Journal of the American Musicological Society Editorial Board, Correspondence, 1977

Folder 13: Journal of the American Musicological Society, Correspondence with Edward Lowinsky, 1978-1979

Folder 14: Journal of the American Musicological Society, Board Meeting Notes, 1979

Folder 15: Notes on Musicology, undated

Folder 16: Talk on Music to MST's Class, 1985

Folder 17: UIUC, MUS 418: Maps, undated

Folder 18: UIUC, MUS 423: 19th-Century Piano Pieces, Student Papers, 1987

Folder 19: UIUC, MUS 423A: Piano Transcriptions, 1982

Folder 20: UIUC, MUS 423B: Sources of Haydn's Creation, undated

Folder 21: UIUC, MUS 450: Dramatic Chorus, undated

Series 5: Audio Recordings and Digital Research Files, 1961-2013

Materials are arranged into two sub-series: audio recordings and research files. Consists of CDs, tapes, reel-to-reels, DVD, and Disks. Of particular note are the original recording and broadcast recording for Raymond and Agnes and a video production of L'Oca del Cairo.

Sub-Series 1: Audio Recordings, 1961-2015

Materials are arranged alphabetically. Consists of CDs, tape cassettes, reel-to-reels, and a DVD, 10" Disk, and 12" Disk.

Box 31

Item 1: Anglo-American Musical Connections, July 28, 2012

Audio CD. A concert in honor of Nicholas Temperley on his 80th birthday, 2 CDs. Krannert Center for the Performing Arts, Foellinger Great Hall.

Item 2: Baroque Artists of Champaign-Urbana, 2003-2013

Audio CD. Christmas with Bach. Chester Alwes, Music Director. Selections from Christmas concerts at Holy Cross Catholic Church, Champaign, IL.

Item 3: Benedict, MacFarren, undated

Audio CD. Pieces include: 1) Benedict: Piano Concerto No. 1, Op. 45; 2) Benedict: Piano Concerto No. 2, Op. 89; 3) MacFarren: Concertstuck.

Item 4: Benedictus ("Little Organ Mass"), Haydn; En priere, Faure, undated

Audio CD. Joan Ogden, soprano; Lin Hong, piano.

Item 5: Bill of Rights, The: Ten Amendments in Eight Motets, March 8, 2012

Audio CD. Text from various historical sources, ed. by James Madison, music by Neely Bruce. Festival Harmony with assisting instrumentalists. Conducted by Neely Bruce. Wesley University Memorial Chapel.

Item 6: Chamber Music, James Joyce; The Passing Year, undated

Audio CD. A) Chamber Music, James Joyce; B) The Passing Year: A Spring Morning, John Clare; July, Edward Thomas; Reed Music, Peter Levi; Snowing, Walter de la Mare. April Fredrick, soprano; Amy de Sybel, piano; Simone van der Giessen, viola.

Item 7: Come Hither!, Aug. 29, 2010

Audio CD. Laurie Matheson, soprano; Rachel Jensen, piano. Smith Recital Hall, University of Illinois.

Item 8: Der Tod Jesu, March 10 & 13, 2003

Audio CD. Baroque Orchestra & Collegium Singers.

Item 9: Edward J. Loder, Sonata in Eb for Flute and Piano, 1991

Audio CD. Ed. N, Temperley. Alexander Murray, flute; Ian Hobson, piano. Recorded in Urbana, IL.

Item 10: Edward Loder, Raymond and Agnes, Highlights, Feb. 13, 1995

Audio CD. BBC Concert Orchestra, cond. James Lockhart.

Item 11: Edward Loder, Piano Music, July 27-28, 2015

Audio CD. Liner notes, Nicholas Temperley; piano, Ian Hobson. Krannert Center for the Performing Arts, Foellinger Great Hall, Urbana, IL.

Item 12: English Hymn Anthems, Choir of King's College, Cambridge, July 2013

Audio CD.. Liner notes, Nicholas Temperley. Cond. Stephen Cleobury; Alison Balsom, trumpet; Parker Ramsay & Douglas Tang, organ.

Item 13: Favorite Duos and Solos: Faculty Recital, March 16, 1969

Audio CD. University of Illinois, Urbana-Champaign. Frances Crawford, soprano; Evelyn Reynolds, mezzo-soprano; Oscar McCullough, bass-baritone; Alan Thomas, piano; Kenneth Merrill, piano; George Hunter, rarpsichord; Mary Esch, cello.

Item 14: George Frederick Pinto, Four Sonatas, 1995

Audio CD. Riko Fukuda, fortepiano. Nicholas Temperley, liner notes.

Item 15: Bach, A German Baroque Christmas, Dec. 17, 2000

Audio CD.. Baroque Artists of Champaign-Urbana; Chester Alwes, music director. Recorded Holy Cross Catholic Church, Champaign, IL.

Item 16: Haydn: The Creation, 1991

2 audio CDs. Simon Rattle, cond. City of Birmingham Symphony Orchestra.

Item 17: I'm a Stranger Here Myself, Sept. 2006

Audio CD. Smith Recital Hall, Urbana, IL. Laurie Matheson, soprano; Rachel Jensen, piano.

Item 18: Kate Loder: Piano Music, Aug. 2016

Audio CD. Liner notes, Nicholas Temperley;  Ian Hobson, piano. Krannert Center for the Performing Arts, Foellinger Great Hall, Urbana, IL.

Item 19: King's Choir, Anthems, undated

Audio CD.

Item 20: Mendelssohn: Christus, etc., undated

Audio CD.

Item 21: N.Temperley. Audio tracks 1, 2, 5, 25., undated

Audio CD.

Item 22: Music & the Wesleys, Nov. 2010

Audio CD. New Room Concert. University of Bristol Music Dept. Singers,  Tom Williams, cond. Stephen Banfield, organ. 1761 Snetzler Organ.

Item 23: Timothy Roberts: Piano by Joseph Merlin, 1786, undated

Audio CD.

Item 24: George Frederick Pinto: Piano Music, 2005

Audio CD. Thomas Wakefield, piano.

Item 25: Pinto: Piano Music, 2000

Audio CD. Liner notes: Nicholas Temperley. Miceal O'Rourke, piano.

Item 26: Psalms, undated

Audio CD.

Item 27: Psalms, undated

Audio CD.

Item 28: Robinson College, May 2011

Audio CD. Music by Mary Taylor.

Item 29: Samuel Sebastian Wesley: Anthems, July 2006

Audio CD. Liner notes, Nicholas Temperley. Choir of Clare College, Cambridge; Christopher Robinson.

Item 30: Samuel Wesley: Piano Pieces, undated

Audio CD. Timothy Roberts, piano. Broadwood piano, c. 1890.

Item 31: S.S. Wesley Week, Program 3, Wednesday, undated

Audio CD.

Item 32: S.S Wesley Week, Program 5, Friday, undated

Audio CD.

Item 33: S.S. Wesley, BBC Series, "The Choir", July 2010

Audio CD.

Item 34: Sterndale Bennett: A Recital, March 2010

Audio CD. Gordon Pullin, tenor; Roger Fisher, piano.

Item 35: Who Was Klesmer? Demo CD, undated

Audio CD. Compilation Copy 2. Accompanying handwritten personal note to Temperleys.

Box 32

Item 1: Lily of Killarney, by J. Benedict, BBC recording (1 of 2), 1962

Audio CD.

Item 2: Lily of Killarney, by J. Benedict, BBC recording (2 of 2), 1962

Audio CD.

Item 3: Edward Loder Piano Music, Ver. 4.0, undated

Audio CD.

Item 4: Edward Loder Flute Sonata, undated

Audio CD. Alexander Murray, Flute; Ian Hobson, Piano.

Item 5: Hymn from King's, undated

Audio CD.

Item 6: Night Dancers, CD #1 Edits, 2015

Audio CD.

Item 7: S.S. Wesley (Disc 1 of 2), undated

Audio CD. Copied by Brian Head.

Item 8: S.S. Wesley (Disc 2 of 2), undated

Audio CD. Copied by Brian Head.

Item 9: Wesley Hymns, undated

Audio CD.

Item 10: WBP, undated

Audio CD.

Item 20: J.B. Cramer: Piano Concerto no. 9 in D minor, Op. 70, undated

Tape Cassette.

Item 21: Glasser Zulu Proverbs for tenor, baritone, bass a cappella, undated

Tape Cassette. Zulu Proverbs performed by Lay Clerks of St. George's Chapel Windsor Castle; Songs of a Woman for Mezzo Soprano and Viola, performed by Pat Williams (mezzo) and Michael Newman (viola); Noon tone poem for Orchestra, performed by Symphony Orchestra of South Africa, conducted by Goran Nilson.

Item 22: Haydn and the English Language, Musical Examples for Lecture, April 1998

Tape Cassette. Given at ASECS Conference Notre Dame, April 3, 1998.

Item 23: Johnson 12 Preludes and Fugues, 1995

Tape Cassette. Peter Evans Piano, performing at Reid Concert Hall Edinburgh March 23, 1995.

Item 24: Loder BBC Version of Raymond and Agnes, 1967

Tape Cassette.

Item 25: Loder Flute Sonata, undated

Tape Cassette.

Item 26: The Lost Chord: Essays on Victorian Music, accompanying cassette, 1988

Tape Cassette. Side A: 1) Five Victorian Songs, featuring Phyllis Hurt (soprano), Nicholas Temperley (piano), recorded in Urbana 1986; 2) Piano Pieces, featuring Philip Carli (piano), recorded at Palomar College, 1986; 3) Songs by John Ruskin, featuring Paul Proveaux (baritone), William J. Gatens (piano), recorded at Swarthmore College, 1986; 4) Church Music by SS Wesley, featuring the Medici Chamber Choir and Justin Waters (organ), recorded in Bromley Parish, 1988. Side B: Cycle of Songs from Alfred Tennyson's Maud, featuring Bart Lind Smith (baritone) and Nicholas Temperley (piano), recorded in Urbana, 1986.

Item 27: Macfarren Symphony No. 4 in F minor, 1966

Tape Cassette. Performed by the Queensland Philharmonic Orchestra (Brisbane, Aust), conducted by Werner Andreas Albert, performance given April 20, 1966 in the concert hall of the Queensland Performing Arts Centre.

Item 28: Mozart/Temperley L'Oca del Cairo, Act 1, 1991

Tape Cassette.

Item 29: Spirit of the Age, BBC, 1994

Tape Cassette.

Item 30: West Gallery Workshop, 1991

Tape Cassette. Side A Hymn or Psalms: Come ye that love the Lord, O'er those gloomy hills, O come loud anthems, Hear what the voice, Join all the glorious names, Vital spark of heav'nly flame. Side B: How do thy mercies, the shperherds amaz'd, I praised the earth, Jehovah reigns, While shepherds watched, Weep not for me.

Box 33

Item 1: Barrel Organ Boston Collection, undated

5 3/4" Reel.

Item 2: Dances for Trombone Quartet - Glasser, ca. 1961

5" Reel. Box contains newspaper clippings about the original performance by the University of Cape Town, South Africa.

Item 3: Dussek Pf. Quintet, undated

7" Reel.

Item 4: Ear Test, Haydn String Quartet and Wesley Symphony in Bb, undated

5 3/4" Reel.

Item 5: Illustrations for Temperley "The Music of the English Parish Church" (1 of 2), ca. 1982

7" Reel. Performed by the Wesleyan Singers, conducted by Neely Bruce.

Item 6: Illustrations for Temperley "The Music of the English Parish Church" (2 of 2), ca. 1982

7" Reel. Performed by the Wesleyan Singers, conducted by Neely Bruce.

Item 7: Interview with Mr. and Mrs. Tucker of Winterborne Abbas, undated

5 3/4" Reel.

Item 8: Mozart 2 Piano Sonatas, undated

7" Reel.

Item 9: Pearsall "Lay a Garland", undated

7" Reel. Tracks: 1) Pearsall "Lay a Garland", 2) Walmisley "Sweet Flowers, 3) Temperley "Five Carols" (featuring Susan Klin Zaw, Jill Price, Clifford Hughes, Bob Tear, and Christopher Keyte), 4) Pierson "Waldeinsamkeit", 5) Loder The Brookley

Item 10: Pinto Sonatas No. 1, 2, 3, and 10, undated

7" Reel. Howard Osborn (violin), Nicholas Temperley (piano).

Item 11: Raymond and Agnes by Loder, Cambridge Performance, May 1966

7" Reel.

Item 12: Raymond and Agnes by Loder, BBC Broadcast, December 1966

7" Reel.

Item 13: Shawns Other Music, undated

5" Reel.

Item 14: Tone Quality Experiment, Tone Groups 1-3, undated

7" Reel.

Item 15: Tone Quality Experiment, Tone Groups 4-6, undated

7" Reel.

Item 16: Tone Quality Experiment, Tone Groups 7-9, undated

7" Reel.

Item 17: Tone Quality Experiment, Tone Groups 10-12, undated

7" Reel.

Item 18: S. Wesley Symphony in Bb and Mary Sleator, undated

7" Reel.

Item 19: University of Utrecht Electronic Music Vo. 2, Demonstration Tape, 1961

7" Reel.

Item 20: Mozart/Temperley L'Oca del Cairo, Act 1, November 9, 1991

DVD. Performed by the Illinois Opera Theatre, Kurt Klipstatter, conductor; performance in Urbana.

Item 21: Five Carols by Nicholas Temperley, undated

10" Disc.

Item 22: Mrs. Edith Cleave, Piano Recital, undated

12" Disc.

Sub-Series 2: Digital Research Files, 2003-2013

Materials are arranged alphabetically. Consists of discs of computer files and system software.

Box 32

Item 11: Bennett Lectures, April 2006

CD Data Disc, Contains Microsoft Word Files.

Item 12: Dictionary of North American Hymnology: Comprehensive Bibliography and Master Index, 2003

CD Data Disc, Contains Dictionary program software. Compiled by Leonard Ellinwood and Elizabeth Lockwood. Edited by Paul R. Powell and Mary Louise VanDyke.

Item 13: Endora, WSB Lectures 1-8, undated

CD Data Disc, Contains Microsoft Word Files.

Item 14: George A. Macfarren The Adventures of Don Quixote, undated

CD Data Disc, Contains PDF Files.

Item 15: Loder, The Night Dancers MS, ca. 2013

CD Data Disc, Contains JPEG and TIF Files. Liner Notes by Valerie Langfield.

Item 16: Loder, The Night Dancers, Acts Ia and Ib (1 of 2), undated

CD Data Disc, Score dated 1846. Contains JPEG and TIF Files.

Item 17: Loder, the Night Dancers, Acts Ic and II (2 of 2), undated

CD Data Disc, Score dated 1846. Contains JPEG and TIF Files.

Item 18: Temperley Colour Pages, undated

CD Data Disc, Contains TIF FIles.

Item 19: Turner Scores, undated

CD Data Disc, Contains PDF Files.