Holdings Fine Arts and Applied Arts School of Music Don V. Moses Music and Papers Finding Aid Holdings Fine Arts and Applied Arts School of Music Don V. Moses Music and Papers Finding Aid By Sarah Blanco, Kailey Bowen, Katie Poland, Eunchae Hong, Olivia Palid, Bridgette Hammond, Colton Kurtz, Taylor Smith, Christine Willson, Jessie Knoles, and Carol Berthold
[Printer Friendly] | [ Email us about these papers]Title: Don V. Moses Music and Papers, 1960-2000
ID: 12/5/76
Primary Creator: Moses, Don V. (1936)
Extent: 5.5 cubic feet
Arrangement: Arranged in two series: Series 1, Performance scores; Series 2, Research materials. Both series are arranged alphabetically by the composer's name. Series 1 is also divided by size with one box of smaller scores and the oversized scores in boxes 2-7.
Date Acquired: 10/17/2019. More info below under Accruals.
Subjects: Choral music, Vocal music
Formats/Genres: Sheet music
Consists of music scores used in the conducting, performance, and research of Don V. Moses from 1949 to 1979. The scores include many of Haydn's works, which Moses studied and regularly performed throughout his career, and many of them have extensive performance markings and annotations.
Don V. Moses was born December 21, 1936 in Garden City, Kansas. He earned his Bachelor's degree in music education from Fort Hays State University in 1959, and a Master of Music in 1962 and a Doctorate of Music in 1968 from Indiana University. During his tenure at Indiana he also served as Assistant Professor of Music among the conducting faculty from 1964-1973. In 1973 he became the Director of Choral Activities at the University of Iowa, and remained there until 1986 when he took the position of Director of the School of Music at the University of Illinois. Among his published works are handbooks on choral conducting.
Moses was best known for his lifelong work on the masses of Joseph Haydn. He founded the Classical Musical Festival in 1975, which took place each year in Eisenstadt, Austria, where Haydn lived and worked, and for which he recieved recognition from the city of Eisenstadt and the state of Burgenland. In 2008 he published, along with Robert W. Demaree, The Masses of Jospeph Haydn, based on this extensive research and performance experience.
Repository: The Sousa Archives and Center for American Music
Accruals: Additional .5 cubic feet of material was sent from the Music and Performing Arts Library on June 28, 2021.
Acquisition Source: Andrew Megill
Acquisition Method: Transfer from the School of Music.