Finding Aid for School of Music Ethnomusicology Audio Archives, 1896-2001 | The Sousa Archives and Center for American Music

By Sydney Blefko, Hannah Gibbs, Taylor Henning, Michael Massaro, Kelli McQueen, Sammi Merritt, Emily Pickell

[Printer Friendly] | [ Email us about these records]

Collection Overview

Title: School of Music Ethnomusicology Audio Archives, 1896-2001

ID: 12/5/75

Primary Creator: University of Illinois at Urbana-Champaign. School of Music. Musicology Program. Ethnomusicology

Extent: 82.5 cubic feet

Arrangement: Organized into two series: Series 1: Collection Files and Audio Recordings (1896-1992); Series 2: Administrative Records (1968-ca. 2001). Series 1 is organized sequentially by collection number which reflects the order of their acquisition in the Archives. The series is divided into three sub-series: 1) Collection Files, 2) Audio and Visual Recordings, and 3) Card Catalog. Series 2 consists of paper records, and publications. The paper records are organized in original order. The publications are organized alphabetically by title and then chronologically. Collection numbers 248-257, 259-263, and 299 are out of order due to these records being accessioned after a majority of the collection was already processed.

Date Acquired: 02/29/2019

Subjects: Cantometrics, Dance, Ethnography, Ethnomusicology, Folklore, Folk music, Folk music--Azerbaijan, Folk music--Pakistan, Folk music--Yugoslavia, Folk songs, Folk songs, Basque, Folk songs, Huichol, Gamelan music--Indonesia--Bali Island, Indians of North America -- Music, Indians of South America -- Music, Instrumental music, Interviews, Jews--Music, Kentucky--Songs and music, Maori (New Zealand people)--Music, Music, Music, School of, Music -- Afghanistan, Music -- Africa, Music -- Alabama, Music -- Argentina, Music -- Australia, Music -- Barbados, Music -- Bolivia, Music -- Brazil, Music -- Bulgaria, Music -- Burma, Music -- Cambodia, Music -- China, Music -- Columbia, Music -- Cuba, Music--Dominican Republic, Music -- Ecuador, Music -- Egypt, Music -- Finland, Music -- Germany, Music -- Ghana, Music -- Guatemala, Music -- Illinois, Music -- India, Music -- Indonesia, Music--Indonesia--Java, Music -- Iran, Music -- Iraq, Music -- Israel, Music -- Italy, Music -- Japan, Music -- Korea, Music -- Kurdistan, Music -- Lebanon, Music -- Mexico, Music -- Middle East, Music -- Minnesota, Music -- Montana, Music -- New Guinea, Music -- New Hebrides, Music -- New Zealand, Music -- Nigeria, Music -- Persia, Music -- Peru, Music -- Philippines, Music -- Portugal, Music -- Qatar, Music -- Rhodesia, Music -- Russia, Music -- Samaritan, Music -- Scotland, Music -- Solomon Islands, Music -- Spain, Music -- Taiwan, Music -- Thailand, Music -- Tunisia, Music -- Turkey, Music -- Vietnam, Music -- Wisconsin, Music -- Zimbabwe, Poetry, Ritual, Shape-note singing, Society for Ethnomusicology, Songs, Vocal music, Warlpiri (Australian people)--Music, World Music

Formats/Genres: Arrangements (Music), Conference papers and proceedings, Sheet music, Sound Recordings, Video recordings

Languages: English, Arabic, Turkish, Kurdish, NorthAmericanIndian, Hindi, SouthAmericanIndian(Other), Spanish;Castilian, Papuan(Other), CentralAmericanIndian(Other), German, Igbo, Afrikaans, Japanese, Hebrew, Macedonian, Portuguese, Chinese, Vietnamese, Korean, Persian, Italian, Russian, Bulgarian, Australianlanguages, Gaelic;ScottishGaelic, Finnish, Shona, Thai, Basque

Scope and Contents of the Materials

Consists of field recordings and commercial recordings, both audio and visual, of musical performance and cultural practices collected by faculty and graduate students of the School of Music's Ethnomusicology Division as well as other scholars. Each set of recordings has a collection number and most of the recordings include collection files which provide detailed information about their accompanying field work and recordings. A substantial portion of the recordings are from Iran, India, and from indigenous peoples of North and South America, including (but not exclusive to) the Yahi, Shipibo, Shawnee, Ayore, Siriono, Penobscot, Shuar, Navajo, Hopi, Kiowa, and the Caddo peoples. The Archives also contains card catalogs for the recordings organized by subject headings, collection number, and Human Relation Area Files (HRAF) area codes. The administrative files contain correspondence, visitor logs, publications, and other material related to the daily operation of the Ethnomusicology Archives.

Biographical Note

The Ethnomusicology Archives of the School of Music at the University of Illinois at Urbana-Champaign was created by Professor Bruno Nettl in 1968 as a repository for his field notes and recordings, as well as other materials in his collection. Since field recordings were integral to mid-century ethnomusicology, this archives was an important part of the ethnomusicology program at the University of Illinois which began four years earlier with the appointment of Nettl in 1964.

The first ethnomusicology audio archives at an American university was founded in 1935 at Columbia University by George Herzog, who modelled it after the first major ethnomusicology archive established by his mentor Erich von Hornbostel in Berlin, 1901. In 1948, Herzog began working at Indiana University, where he used the same guiding principles to establish the Indiana University Archives of Traditional Music. Nettl, a former student at Indiana University, brought this archival tradition to the University of Illinois.

In 1972, the Ethnomusicology Archives moved to a room in the newly constructed Music Building and was run by archivist and PhD student Avigdor Herzog. Herzog ran the Ethnomusicology Archives until 1975 and was succeeded by Stephen Blum from 1975-1979. Blum developed the catalog system of the archives. Charles Capwell, appointed in the late 1970s following Blum, was in charge of the Ethnomusicology Archives throughout the 1980s.

The Ethnomusicology Archives was originally conceived as a repository for the field recordings and documents compiled by ethnomusicologists conducting research through the University of Illinois. Some of the first recordings presented in the Ethnomusicology Archives were made by Nettl himself during his fieldwork in Montana among the Blackfoot people. Nettl's recordings from his fieldwork conducted in Iran also reside within the Ethnomusicology Archives, as do field recordings made by prolific scholars including Stephen Blum, Daniel Neuman, Ted Solis, Charles Capwell, Philip Bolhman, Tom Turino, and Virginia Danielson, all of whom were graduate students or faculty at the University of Illinois during the latter half of the 20th century.

Subject/Index Terms

Cantometrics
Dance
Ethnography
Ethnomusicology
Folklore
Folk music
Folk music--Azerbaijan
Folk music--Pakistan
Folk music--Yugoslavia
Folk songs
Folk songs, Basque
Folk songs, Huichol
Gamelan music--Indonesia--Bali Island
Indians of North America -- Music
Indians of South America -- Music
Instrumental music
Interviews
Jews--Music
Kentucky--Songs and music
Maori (New Zealand people)--Music
Music
Music, School of
Music -- Afghanistan
Music -- Africa
Music -- Alabama
Music -- Argentina
Music -- Australia
Music -- Barbados
Music -- Bolivia
Music -- Brazil
Music -- Bulgaria
Music -- Burma
Music -- Cambodia
Music -- China
Music -- Columbia
Music -- Cuba
Music--Dominican Republic
Music -- Ecuador
Music -- Egypt
Music -- Finland
Music -- Germany
Music -- Ghana
Music -- Guatemala
Music -- Illinois
Music -- India
Music -- Indonesia
Music--Indonesia--Java
Music -- Iran
Music -- Iraq
Music -- Israel
Music -- Italy
Music -- Japan
Music -- Korea
Music -- Kurdistan
Music -- Lebanon
Music -- Mexico
Music -- Middle East
Music -- Minnesota
Music -- Montana
Music -- New Guinea
Music -- New Hebrides
Music -- New Zealand
Music -- Nigeria
Music -- Persia
Music -- Peru
Music -- Philippines
Music -- Portugal
Music -- Qatar
Music -- Rhodesia
Music -- Russia
Music -- Samaritan
Music -- Scotland
Music -- Solomon Islands
Music -- Spain
Music -- Taiwan
Music -- Thailand
Music -- Tunisia
Music -- Turkey
Music -- Vietnam
Music -- Wisconsin
Music -- Zimbabwe
Poetry
Ritual
Shape-note singing
Society for Ethnomusicology
Songs
Vocal music
Warlpiri (Australian people)--Music
World Music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Acquisition Source: University of Illinois, School of Music, Musicology Program, Ethnomusicology Division

Acquisition Method: This collection was transferred from the musicology department by the current chair, Dr. Gabriel Solis, to the Sousa Archives on February 29, 2019.

Box and Folder Listing

Browse by Series:

[Series 1: Collection Files and Audio Recordings, 1896-1995],
[Series 2: Administrative Records, 1953-ca. 2001],
[All]

Series 1: Collection Files and Audio Recordings, 1896-1995

Consists of the field notes and recordings of ethnomusicologists working at or attending the University of Illinois as students throughout the latter half of the 20th century. Some of the audio-recordings were made and/or collected by people not specifically affiliated with the University of Illinois, such as recordings from the Society for Ethnomusicology's Seventh Annual Meeting in 1962. Materials within this series date from 1896 to 1992. Of particular note are Bruno Nettl's notes and field recordings related to his research with the Blackfoot people of Montana and his research on Persian music in Iran. Also notable are collections of field notes and recordings related to indigenous peoples of North and South America, classical music of India, and Javanese and Balinese gamelan performances.

The collection number and title of each folder is derived from the original order used by the Ethnomusicology Archive. Whenever possible, the name of the scholar who conducted the fieldwork is in parenthesis. The word "copy" means that recording is a copy of the original. It is important to note that some collection numbers within the sequence are missing and not all recordings have corresponding files with field notes.

Sub-Series 1: Collection Files, 1896-2001

Contains papers documenting the content of the recordings in subseries 2. Arranged numerically by collection number and title consisting of the name of the region or people group performing on the recordings, the name of the researcher in parentheses, and date.

Box 1

Folder 1: Coll. 1, Blackfoot (Nettl), July-August, 1966
Folder 2: Coll. 2, Arapaho (Nettl), Summer 1952
Folder 3: Coll. 3, Text of Shawnee Songs, Summer 1952
Folder 4: Coll. 4, Indians of North America - Yahi (Waterman and Kroeber), undated
Folder 5: Coll. 5, Indians of South America - Shipibo (Lathrop), ca. 1966
Folder 6: Coll. 6, Blackfoot (Nettl), July 2, 1952-July 17, 1952
Folder 7: Coll. 7, Guatamala Marimba Music, December 5, 1965
Folder 8: Coll. 8, Iran - Khorasan (Archer and Nettl), 1966
Folder 9: Coll. 9, Blackfoot, 1897
Folder 10: Coll. 11 and 12, Blackfoot (Dixon), 1908-1909
Folder 11: Coll. 13, American Indian, Mixed, Commercial, Victor (Nettl), May 23, 1914
Folder 12: Coll. 14, India - Classical Music (Karnatak), May 7, 1965-May 10, 1965
Folder 13: Coll. 15, India - Classical Music (Karnatak), 1965
Folder 14: Coll. 16, India - Classical Music (Karnatak), July 30, 1964
Folder 15: Coll. 17, New Guinea - Siats (Giles), undated
Folder 16: Coll. 18, New Guinea (James), April 9, 1966
Folder 17: Coll. 19, Java (Yegerlehner), March 1962
Folder 18: Coll. 20, Society of Ethnomusicology Seventh Annual Meeting, December 14, 1962
Folder 19: Coll. 21, Germany - Alsace (Fritz Bose), undated
Folder 20: Coll. 23, Africa - Ibo (Nettl and Ogwo), 1951
Folder 21: Coll. 24, Cheremis Folk Songs, March 1953
Folder 22: Coll. 25, Rhodesia - Shona Karanga, undated
Folder 23: Coll. 26, Indians of North America - Shawnee (Voegelin), 1935
Folder 24: Coll. 27, Iran (Archer), May 1960
Folder 25: Coll. 28, Iran - Popular Music (Neuman), August 11, 1966
Folder 26: Coll. 29, Afghanistan (Archer), June 21, 1963
Folder 27: Coll. 30, Iran - Gilan (Neuman), August 1, 1966
Folder 28: Coll. 31, Musik des Orients, undated
Folder 29: Coll. 32, Iran - Gorgan (Neuman), July 1966
Folder 30: Coll. 33, Iran - Gorgan (Neuman and Tsuge), July 1966
Folder 31: Coll. 34, Lemuel Paya, July 12, 1965
Folder 32: Coll. 35, Indians of North America - Kiliwa (Langdon), undated
Folder 33: Coll. 36, Indians of South America - Ayore and Siriono (Mason and Key), March 1962
Folder 34: Coll. 37, Indians of North America - Blackfoot (Wissler), 1903-1904
Folder 35: Coll. 38, Blackfoot (Kaufman), June 1952
Folder 36: Coll. 39, Iran - Boroumand (Nettl and Blum), May 1967
Folder 37: Coll. 40, Iran - Boroumand (Blum and Nettl), 1966
Folder 38: Coll. 41, Indians of North America - Fort Berthold Reservation (Bruner), undated
Folder 39: Coll. 42, Indians of North America - Crow (Lowenthal), June 30, 1967-July 1, 1967
Folder 40: Coll. 43, India - Classical Music (Ramanathan), November 1967
Folder 41: Coll. 44, Indians of North America - Cree (Braroe), Summer 1967
Folder 42: Coll. 45, Japan - Ittoen (Plath), 1965-1966
Folder 43: Coll. 46, United States - Arkansas (Stephens), August 12, 1967
Folder 44: Coll. 47, Japan - Popular Music, undated
Folder 45: Coll. 48, Israel (Shiloah), undated
Folder 46: Coll. 49, Tape of Recording of Arabic and Oriental Music and Song, undated
Folder 47: Coll. 50, Indians of South America - Pacaas Novas, undated
Folder 48: Coll. 51, Solomon Islands - Malaita Island (Ross), undated
Folder 49: Coll. 53, Commercial Recording of "Estampa Venezolana", undated
Folder 50: Coll. 54, Mexico - "Sones y Huapangos Huastecos" (Commercial Recordings), undated
Folder 51: Coll. 55, Bolivia - "Folklore Boliviano" (Commercial Recordings), undated
Folder 52: Coll. 56, Latin America - Commercial Recordings, undated
Folder 53: Coll. 57, Latin America - "Ecos de los Andes" (Commercial Recordings), undated
Folder 54: Coll. 58, Colombia - "Aires de Colombia: Estudiana Barranquilla" (Commercial Recordings), undated
Folder 55: Coll. 59, Peru - Mestizo (Zuidema), undated
Folder 56: Coll. 60, Argentina - "Los Grandes Exitos de Los Fronterizos" (Commercial Recording), undated
Folder 57: Coll. 61, Iran - Khorasan - Revised Notes (Blum), ca. 1976
Folder 58: Coll. 61, Iran - Khorasan (Blum) (1 of 3), ca. 1968-1969
Folder 59: Coll. 61, Iran - Khorasan (Blum) (2 of 3), ca. 1968-1969
Folder 60: Coll. 61, Iran - Khorasan (Blum) (3 of 3), ca. 1968-1969
Folder 61: Coll. 62, Klamath Songs (Leslie Spier), 1935
Folder 62: Coll. 65, Iran (Nettl) (1 of 2), 1968-1969
Folder 63: Coll. 65, Iran (Nettl) (2 of 2), 1968-1969
Folder 64: Coll. 66, Iran - Jewish Music, 1967-1968
Folder 65: Coll. 67, Iran - University of Illinois, undated
Folder 66: Coll. 68, Persian Music - Recordings of Hesar, undated
Folder 67: Coll. 69, Black Music - Charlottesville, Virginia, July 1968-December 1968
Folder 68: Coll. 70, Iran Persian Popular Music, undated
Folder 69: Coll. 71, Near East, 1967-September 1969
Folder 70: Coll. 72, Druze Funeral Songs (Racy), undated
Folder 71: Coll. 74, Uzbek Music, undated
Folder 72: Coll. 75, Ghana - Amoaku (Witmer), February 1971-April 1971
Folder 73: Coll. 76, India - Jairazbhoy, 1963
Folder 74: Coll. 77, Indian Music (Khan), May 1971
Folder 75: Coll. 78, Yugoslavia - Oral Literature (Felix Oinas), undated
Folder 76: Coll. 79, Indians of North America (Willard Rhodes), undated
Folder 77: Coll. 81, Northeast Brazil (Leeds), 1951-1952, August 7, 1965
Folder 78: Coll. 82, Brazilian Folk Music, ca. 1968
Folder 79: Coll. 83, Persian Music, undated
Folder 80: Coll. 84, Arabic Music (Nettl), June 6, 1971
Folder 81: Coll. 86, Mexico (David Stigberg), Summer 1970
Folder 82: Coll. 87, Samaritan Day of Atonement (Herzog), 1969
Folder 83: Coll. 88, The Arabic Music Band Directed by Abd al-Halim Nuwayrah, undated
Folder 84: Coll. 89, Brazil, undated
Folder 85: Coll. 90, Beard Collection - Iran (Gorgan and Rafsanian), July 1969-Winter/Spring 1970
Folder 86: Coll. 90 and 108, Beard Collection and Arabic (Ringer), 1973-1976
Folder 87: Coll. 92, Taqsim Performances, September 11, 1971-March 12, 1972
Folder 88: Coll. 96, Mexican Music, undated
Folder 89: Coll. 97, Iran - Classical Music, undated
Folder 90: Coll. 98, Indians of South America - Amuesha (Smith), undated
Folder 91: Coll. 99, Music from Cuba, undated
Folder 92: Coll. 101, Egyptian (Racy), Summer 1972
Folder 93: Coll. 104, India - Hindustani Classical Music (Solis), October 26, 1976
Folder 94: Coll. 106, Tallmadge Tape Collection - Ozark, Alabama, May 30, 1968-June 9, 1968
Folder 95: Coll. 109, Iran - Khorasan (Blum), undated
Folder 96: Coll. 110, Blackfoot (Nettl), Summer 1967
Folder 97: Coll. 111, Ceremony - Brazil, undated
Folder 98: Coll. 112, Copy of West African Tapes (Behague), May 29, 1973-June 20, 1973
Folder 99: Coll. 113, Joaosinho da Gomeia com Ritual de Terreiro (Haefer), undated
Folder 100: Coll. 114, Batak Music, undated
Folder 101: Coll. 117, Iran - Classical Music (Waddey), undated
Folder 102: Coll. 118, Afghanistan - Herat, undated
Folder 103: Coll. 119, Yugoslav Epic Poetry - Selections from the Milman Parry Collection, undated
Folder 104: Coll. 120, Illinois Amish Songs, 1971-March 1973
Folder 105: Coll. 121, Copy of Latin Rhythms, undated
Folder 106: Coll. 122, Huichol Music, undated
Folder 107: Coll. 123, India - Classical Music (Karnatak) Commercial Recordings, undated
Folder 108: Coll. 125, Copy of West African Secular Music Tapes (Behague), June 10, 1973-June 17, 1973
Folder 109: Coll. 126, Songs of the African Cult-Groups of Bahia, Brazil (Herskovits), 1941-1942
Folder 110: Coll. 127, Black Sacred Harp and Shape Note Singing, 1973
Folder 111: Coll. 128, Vitalino e Seu Zabumba, undated
Folder 112: Coll. 129, Balinese Music, undated
Folder 113: Coll. 131, Copy of Taos Pueblo Songs (Haefer), January 25, 1971
Folder 114: Coll. 132, Indians of South America - Iscobakabu (Robert Braun), 1971-1973
Folder 115: Coll. 133, Egypt - Cantillation (Islamic) Commercial Recordings, undated
Folder 116: Coll. 136, Deutsche Volkslieder, 1961
Folder 117: Coll. 137, A Tribute to Bob Program, undated
Folder 118: Coll. 138, Indonesian Songs, undated
Folder 119: Coll. 139, Flute, Panpipe, and Vocal Songs, August 15, 1961
Folder 120: Coll. 140, Bali (Solis), undated: copy of commerical recording, publisher unknown
Folder 121: Coll. 141-144, Chinese Folk Entertainment, 1960
Folder 122: Coll. 144, Southern Story-Singing, Pearl Pagoda, undated
Folder 123: Coll. 145, Blum Demonstration Tape, 1975-1977: Cassette Program 1-3: Iran: School of Cantillation of Qur'an; Cassette Program 4: Turkic Folk musics
Folder 124: Coll. 146, Khorasani Music (Blum), January 1969-July 1969: Notes for Blum Demonstration Tape
Folder 125: Coll. 147, Barbados Commercial Recording, 1963-1964
Folder 126: Coll. 149, Brazil - Bahia (Waddey) Musical Instrument Drawings, 1970
Folder 127: Coll. 150, Spanish Folk Music Commercial Recordings, undated
Folder 128: Coll. 151, Spain - Andalucia Commercial Recordings, undated
Folder 129: Coll. 152, Spain - Folk Music - Commercial Recordings, undated
Folder 130: Coll. 153, Iran - Popular Music - Commercial Recordings
Folder 131: Coll. 156, United States - Illinois - Lyle Mayfield Collection, undated
Folder 132: Coll. 157, Indians of South America - Guajiro - Cameron, July 2, 1970-August 19, 1970
Folder 133: Coll. 158, Israel - Shiloah, undated
Folder 134: Coll. 162, Vietnam - Popular Trio Dong Phnong, undated
Folder 135: Coll. 164, Azerbaijan - West Asia, November 7, 1975
Folder 136: Coll. 165, Dominican Republic (Davis), 1972-1975
Folder 137: Coll. 166, Watusi Dances, ca. 1958-1959
Folder 138: Coll. 167, Tartar Nepzene - Vikar Laszlo, undated
Folder 139: Coll. 168, United States - Indiana Amish Hymns, undated
Folder 140: Coll. 169, Finno - Ugric Folk Music, undated
Folder 141: Coll. 170, The Selection of Korean Classical Music, undated
Folder 142: Coll. 171, Master Performances of Persian Traditional Music, undated
Folder 143: Coll. 172, Indians of North America - Papago (F. Densmore), undated
Folder 144: Coll. 173, Maharashtra Folk Music (Jairazbhoy), Summer 1974
Folder 145: Coll. 175, Pakistan - Folk Music (Thompson), July 1976
Folder 146: Coll. 176, India - Film Music, undated
Folder 147: Coll. 177, Israel (Herzog), undated

Box 2

Folder 1: Coll. 178, Pakistan - Folkmusic (Jairazbhoy), 1975-1976
Folder 2: Coll. 179, Lebanon - Classical Music (Racy), January 31, 1977
Folder 3: Coll. 180, Indians of North America - Papago (Underhill), March 9, 1962
Folder 4: Coll. 181, United States - Folk Music (Thompson), July, 1976
Folder 5: Coll. 182, Ghana (Thompson), February 17, 1977-March 8, 1977
Folder 6: Coll. 183, United States - Sacred Music (Green), November, 1966
Folder 7: Coll. 184, Indians of North America - Penobscot (Davenport), June 29, 1976
Folder 8: Coll. 185, Australian Broadcasting Commission, undated
Folder 9: Coll. 186, Israel - Classical Music: Persian (Nettl, Shiloah), June 2, 1976-June 17, 1976
Folder 10: Coll. 187, India - Classical Music: Karnatak (Natarajan), February 19, 1978-April 25, 1978
Folder 11: Coll. 188, Bali - Dramatic Music, undated
Folder 12: Coll. 189, Bali - Commercial Recordings (Garvey), undated
Folder 13: Coll. 190, Asia and Middle East - Afghanistan and Iran (J.D. Lubtchansky), 1956-1957
Folder 14: Coll. 191, Javanese Gamelan, undated
Folder 15: Coll. 192, India - Classical Music, 1967
Folder 16: Coll. 193, Bali (Garvey), 1972
Folder 17: Coll. 194, Iran Popular Music, ca. June 19, 1978
Folder 18: Coll. 195, United States - Wisconsin (Bohlman), ca. June 22, 1978
Folder 19: Coll. 196, India - Classical Music, undated
Folder 20: Coll. 197, Bali, undated
Folder 21: Coll. 198, Java, undated
Folder 22: Coll. 201, India - Classical Music, undated
Folder 23: Coll. 202, India - Popular Music, undated
Folder 24: Coll. 203, India - Classical Music, undated
Folder 25: Coll. 204, Balinese Gamelan (McPhee), 1928
Folder 26: Coll. 205, India - Classical Music - Hindustani Steel Guitar (Capwell), undated
Folder 27: Coll. 206, Chinese Lute and Zither, undated
Folder 28: Coll. 207, Indians of North America - Pueblo - San Juan Pueblo Turtle Dance, December 26, 1975
Folder 29: Coll. 209, China - K'un ch'u (commercial recording), undated
Folder 30: Coll. 210, The Cantometrics Training Tapes (Lomax), undated
Folder 31: Coll. 211, India - Classical Music - Hindustani, undated
Folder 32: Coll. 214, Korea - Modern Art Music, undated
Folder 33: Coll. 215, Acculturation and Innovation in Hawaiian Music, undated
Folder 34: Coll. 216, Modern Chinese Songs Lecture Recital, July 26, 1979
Folder 35: Coll. 217, Iran - Classical Music, ca. 1978
Folder 36: Coll. 218, Turkish Revolutionary Songs, May 1, 1979
Folder 37: Coll. 219, Java - Popular Music, 1977-1978
Folder 38: Coll. 220, Iran - Classical Music (Boroumand), undated
Folder 39: Coll. 221, India - Classical Music - Karnatak, undated
Folder 40: Coll. 222, India - Folk Music, undated
Folder 41: Coll. 223, Italy - Folk Music - Trento (Sorce Keller), undated
Folder 42: Coll. 225, China - Classical Music - Pipa (Lewiston), 1979
Folder 43: Coll. 226, China - Popular Music - Erhu, Vocal, undated
Folder 44: Coll. 227, Nigeria - Urban Popular Music - Yoruba Juju, Highlife (Waterman), 1979
Folder 45: Coll. 228, Japan - Classical Flute Music, February 22, 1980
Folder 46: Coll. 229, Thailand - Mahori Ensemble, undated
Folder 47: Coll. 230, Korea - Classical Music - Yomillak, ca. May 4, 1980
Folder 48: Coll. 231, India - Classical Music - Hindustani, undated
Folder 49: Coll. 232, Indians of South America - Shuar (Belzner), undated
Folder 50: Coll. 233, India - Folk Music - Rajasthan, undated
Folder 51: Coll. 234, United States - Illinois - Mexican Popular Music (Poveda), December 1973, July-September 1979
Folder 52: Coll. 235, Egypt - Urban Songs (commercial recordings) (Danielson), Summer, 1980
Folder 53: Coll. 236, China - Modern Art Music, October 5, 1980
Folder 54: Coll. 237, India - Classical Music - Karnatak, undated
Folder 55: Coll. 238, India - Classical Music - Hindustani (Ellison), November 18, 1980
Folder 56: Coll. 239, China - Classical Music - Zither and Lute, February 7, 1981
Folder 57: Coll. 240, Turkish Classical Music, undated
Folder 58: Coll. 241, United States - Alabama - Wiregrass Sacred Harp Singers (McCallum), September 27, 1980-October 4, 1980
Folder 59: Coll. 242, India - Classical Music - Hindustani, undated
Folder 60: Coll. 243, India - Folk Music - Bengal (Capwell), 1981
Folder 61: Coll. 244, Vocal Music of South India, April 14, 1981
Folder 62: Coll. 245, India - Classical Music - Karnatak, September 3, 1981
Folder 63: Coll. 246, Indians of South America - Shuar (Belzner), 1981
Folder 64: Coll. 247, India - Hindustani Classical Music - Raag Mala, undated
Folder 65: Coll. 248, India - Religious Music (Slawek), undated
Folder 66: Coll. 249, Bulgaria - Folk Music (Ellison), August 30, 1978-September 7, 1978
Folder 67: Coll. 250, Spain - Basque Music (Lewis), July 5, 1949 - August 20, 1949
Folder 68: Coll. 251, India - Classical - Hindustani (Shankar), ca. 1979
Folder 69: Coll. 252, India - Classical - Hindustani (Gottlieb), ca. June 28, 1969
Folder 70: Coll. 253, India - Munduri, Nagpuri (Babiracki), Fall, 1981-December 12, 1981
Folder 71: Coll. 254, Egypt - Arabic Songs (Danielson), undated
Folder 72: Coll. 255, India - Classical Music - Hindustani (Slawek), undated
Folder 73: Coll. 256, Mexico - Chiapas (Stigberg), June 1982-August 1982
Folder 74: Coll. 257, India - Classical Music - Karnatak (Ellison), September 30, 1983
Folder 75: Coll. 258, India - Mundar, Nagpur, Ram Dayal Munda (Babiracki), May, 1980
Folder 76: Coll. 259, India - Classical Music - Hindustani (Gottlieb), ca. 1977
Folder 77: Coll. 260, Australian Aborigines - Warlbiri Songs (Wild), November 11, 1969-November 12, 1969
Folder 78: Coll. 261, Indians of North America - Blackfoot (Donaldson), 1926-1927
Folder 79: Coll. 262, Indonesia - Musical Treasures of Indonesia (commercial recording) (Capwell), undated
Folder 80: Coll. 263, Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981
Folder 81: Coll. 264, Bulgaria - Folk Music (Forsyth), undated
Folder 82: Coll. 265, India - Classical - Karnatak, April 13, 1984
Folder 83: Coll. 266, Iraq (Nettl), 1957
Folder 84: Coll. 267, Nigeria - Ibo Songs (Nettl), November 10, 1957
Folder 85: Coll. 268, New Zealand - Maori (McLean), undated
Folder 86: Coll. 269, Indians of North America - Blackfoot, Navajo, Hopi (Shaman), undated
Folder 87: Coll. 270, Indians of North America - Kiowa (Shaman), May, 1896
Folder 88: Coll. 271, India - Classical Music - Karnatak (Shaman), October 14, 1984
Folder 89: Coll. 272, Russia - Folk Music, undated
Folder 90: Coll. 273, Iran - Kurdish (Hassan-Pour), 1969-1972
Folder 91: Coll. 274, Scotland-Gaelic (Adamson), September 5, 1899-1977
Folder 92: Coll. 275, Miscellaneous Commercial Ethnic Recordings (Adamson), 1899-1909: From the tape collection of William Shaman via the disc collection of Peter Adamson, St. Andrews, Fife, Scotland. Contains music from Barcelona, Vienna, St. Petersburg, and Persia.
Folder 93: Coll. 276, India - Classical (Shaman), April 16, 1985
Folder 94: Coll. 278, India - Tribal and Folk (Babiracki), October, 1983-December, 1984
Folder 95: Coll. 279, India - Kirtan and Bhajan (Slawek), undated
Folder 96: Coll. 280, India - Classical Music - Hindustani, December 8, 1985
Folder 97: Coll. 281, India - Dhrupad, February 19, 1986
Folder 98: Coll. 282, Turkey - Commercial Recordings, undated
Folder 99: Coll. 283, South America - Traditional Popular, undated
Folder 100: Coll. 284, India - Classical Music - Hindustani, April 5, 1986
Folder 101: Coll. 285, Korea - Modern Compositions, undated
Folder 102: Coll. 286, India - Classical Music - Hindustani, October 17, 1986
Folder 103: Coll. 287, India - Classical Music - Hindustani, April 17, 1987
Folder 104: Coll. 288, India - Classical Music - Karnatak, April 23, 1987
Folder 105: Coll. 289, Iran - The Persian Radif (Nettl), 1986
Folder 106: Coll. 290, Indonesia - Tobaku Folk Music, May 7, 1987-June 20, 1987
Folder 107: Coll. 291, Finnish Folk Music in Minnesota (Edgar) (1/4), 1977-1978
Folder 108: Coll. 291, Finnish Folk Music in Minnesota (Edgar) (2/4), 1977-1978
Folder 109: Coll. 291, Finnish Folk Music in Minnesota (Edgar) (3/4), 1977-1978
Folder 110: Coll. 291, Finnish Folk Music in Minnesota (Edgar) (4/4), 1977-1978
Folder 111: Coll. 292, India - Christmas Mass (Nettl), 1967
Folder 112: Coll. 293, India - Classical Music - Hindustani, September 11, 1987
Folder 113: Coll. 294, Peru - Charango Music (Turino), November, 1982-December, 1982
Folder 114: Coll. 295, Portugal - Fado (Nugent), undated
Folder 115: Coll. 296, Indians of North America - Caddo (Nugent), undated
Folder 116: Coll. 297, Peru - Indigenous Andean Music (Turino), January 20, 1982-May 3, 1986
Folder 117: Coll. 298, China - Classical Music - (Zheng), April 15, 1988

Box 3

Folder 1: Coll. 299, Africa (Crane), ca. Summer 1959-Fall 1959
Folder 2: Coll. 300, India - Classical Music: Karnatak (Wolf), January 25, 1988
Folder 3: Coll. 301, Peru - Popular Music (Turino), undated
Folder 4: Coll. 302, China - Contemporary Classical (Chen Yi, Zhou Long), November 22, 1988
Folder 5: Coll. 303, Philippines - archive holdings (Roman Santos), 1953-1983: A catalogue listing of the archive holdings at the University of the Philippines.
Folder 6: Coll. 304, Kentucky/Illinois String Band (Thornberry) 1/2, ca. 1896-1976
Folder 7: Coll. 304, Kentucky/Illinois String Band (Thornberry) 2/2, ca. 1896-1976
Folder 8: Coll. 305, Philippines - vocal (Santos), 1987
Folder 9: Coll. 306, Australia - Indigenous, undated
Folder 10: Coll. 307, Philippines - Instruments (Santos), February 25, 1989
Folder 11: Coll. 308, India - Classical Music (Wolf), 1982-1989
Folder 12: Coll. 309, India - Classical (Karanetak and Wolf), ca. 1957-1959
Folder 13: Coll. 310, India - Classical Music (Karnatak and Wolf), ca. December 29, 1984
Folder 14: Coll. 311, Peru - Indigenous and Mestizo Music (Turino), 1966
Folder 15: Coll. 312, India - Classical Music - Hindustani Imrat Khan, December 3, 1989
Folder 16: Coll. 313, Peru - Quechua Music - Vocal and instrumental (Turino), 1982
Folder 17: Coll. 314, Iran - Classical Music (M.R. Lotfi), April 14, 1990
Folder 18: Coll. 315, Mestizo Dance Music (Turino), July 16, 1989
Folder 19: Coll. 316, Bolivia: Charizani Valley (Templeman), August 7, 1990
Folder 20: Coll. 317, U.S.S.R. (MacRae), 1982-1988
Folder 21: Coll. 318, Hindustani Music - Vishua Mohan Bhatt - Guitar (Capwell), December 1990
Folder 22: Coll. 319, Zimbabwe - Urban Popular Music (Turino), undated
Folder 23: Coll. 320, South Africa - Urban Popular Music (Turino), undated
Folder 24: Coll. 321, Bahia - Samba (Araujo), 1917-1992
Folder 25: Coll. 322, Afro-Bolivian Saya (Templeman), October 1992-December 1992
Folder 26: Coll. 323, University of Illinois Gamelan Concert, April 22, 1992: Pak F. X. Widaryanto, Director
Folder 27: Coll. 324, India - Classical Music (Karnatak), April 1993
Folder 28: Coll. 325, Egypt - Umm Kulthum (Danielson), undated
Folder 29: Coll. 326, Africa - commercial recordings, undated
Folder 30: Coll. 327, Zimbabwe - Arichive Collection (Turino) 1/2, 1960-1987: Notes on recordings from the Nation Archives of Zimbabwe Collection selected by Thomas Turino.
Folder 31: Coll. 327, Zimbabwe - Archive Collection (Turino) 2/2, 1949-1961
Folder 32: Coll. 329, Zimbabwe - Shona Village Music (Turino), January 17, 1993
Folder 33: Coll. 331, Bolivia - Salsa (Waxler), 1995
Folder 34: Coll. 332, Thailand - Recorded Singles 1/2, undated
Folder 35: Coll. 332, Bulgaria - Folk Orchestras (Buchanan) 2/2, 1982
Folder 36: Coll. 334, Russian Folk Songs (Buchanan), undated

Sub-Series 2: Audio and Audiovisual Recordings, 1896-1992

Consists of recordings of music (both field recordings and commercial recordings), oral histories, folklore, and performances collected by University of Illinois faculty and students from various cultures worldwide. Some recordings are copies of either field or commercial recordings. Reels include acetate and polyester 7" and 5" reel-to reel tape, cassettes, video tapes, U-matic tapes, and aluminum discs.

Box 4

Reel 1: Coll. 1, Tape 1: Indians of North America - Blackfoot - War Dance Songs (Nettl), July-August 1966: Collected by Bruno Nettl at Browning, Montana at the beginning of North American Indian Days. Includes six and seven singers beating bass drum including Larry Parker, the Wetts brothers, Calvin boy, and several other unidentified musicians.
Reel 2: Coll. 1, Tape 2: Indians of North America - Blackfoot - Hand Game Songs (Nettl), July-August 1966: Collected by Bruno Nettl on 7 August, 1966 at Heart Butte, Montana. Includes hand game song. Recorded at North American Indian Days.
Reel 3: Coll. 1, Tape 3: Indians of North America - Blackfoot - Calvin Boy (Nettl), July-August 1966: Collected by Bruno Nettl at Browning, Montana on 27 July, 1966. Includes Calvin Boy.
Reel 4: Coll. 1, Tape 4: Indians of North America - Blackfoot - Calvin Boy, Tom Many-Guns (Nettl), July-August 1966: Collected by Bruno Nettl on 9 July, 1966 and 6 August, 1966 at Browning, Montana. Recording includes Calvin Boy, noise is wind, and Tom Many-Guns.
Reel 5: Coll. 1, Tape 5: Indians of North America - Blackfoot (Nettl), July-August 1966: Collected by Bruno Nettl on 20, July 1966 at Heart Butte Montana. Performed by Pete Stabs-by-Mistake.
Reel 6: Coll. 1, Tape 6: Indians of North America - Blackfoot (Nettl), July-August 1966: Collected by Bruno Nettl at Browning, Montana on 27 July, 1966 and 3 August, 1966. Performed by Pete Stabs-by-Mistake with Spotted Eagle and Tom Lame Bear.
Reel 7: Coll. 1, Tape 7: Indians of North America - Blackfoot (Nettl), July-August 1966
Reel 8: Coll. 1, Tape 8: Indians of North America - Blackfoot - Medicine Pipe Songs, Calvin Boy (Nettl), July-August 1966: Collected by Bruno Nettl at Browning, Montana in July, 1966, and on 3 August, 1966. Recording includes medicine pipe songs, sung by Darrel Blackman, Calvin Boy - texts. Written versions (made from dictation, not tape) in box.
Reel 9: Coll. 2, Tape 1: Indians of North America - Arapaho - Peyote Songs (Nettl), Summer, 1952: Reels 9 and 10 collected by Bruno Nettl at the archives of Folk and Primitive Music, Indiana University, Summer 1952. Sung by William Shakespear of Wyoming, age 52.
Reel 10: Coll. 2, Tape 2: Indians of North America - Arapaho - (Nettl), Summer, 1952
Reel 11: Coll. 3, Tape 1: Indians of North America - Shawnee - Text of Shawnee Songs (Nettl), Summer, 1952: Collected by Bruno Nettl at the Archives of Folk and Primitive Music, Indiana University, Summer 1952. Sung by Mary Williams of Norman, Oklahoma; age 32.
Reel 12: Coll. 4, Tape 1: Indians of North America - Yahi (Waterman & Kroeber), 1911-1915: Reels 12-14 collected by T.T. Waterman and A.L. Kroeber. Sung by Ishi.
Reel 13: Coll. 4, Tape 2: Indians of North America - Yahi (Waterman & Kroeber), 1911-1915
Reel 14: Coll. 4, Tape 3: Indians of North America - Yahi (Waterman & Kroeber), 1911-1915
Reel 15: Coll. 5, Tape 1: Indians of South America - Shipibo (Lathrap), ca. 1966: Reels 15-25 collected by Donald Lathrap at San Francisco de Yarinacocha near Pucallpa, Peru, ca. 1966.
Reel 16: Coll. 5, Tape 2: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 17: Coll. 5, Tape 3: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 18: Coll. 5, Tape 4: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 19: Coll. 5, Tape 5: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 20: Coll. 5, Tape 6: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 21: Coll. 5, Tape 7: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 22: Coll. 5, Tape 8: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 23: Coll. 5, Tape 9: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 24: Coll. 5, Tape 10: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 25: Coll. 5, Tape 11: Indians of South America - Shipibo (Lathrap), ca. 1966
Reel 26: Coll. 6, Tapes 1 & 2: Indians of North America - Blackfoot (Nettl), July 2, 1952-July 17, 1952: Collected by Bruno Nettl at the Archives of Folk and Primitive Music on July 2, 3, & 8, 1952. Includes medicine pipe song, owl dance song, love songs, war songs, Tom Many-Guns.
Reel 27: Coll. 6, Tape 3: Indians of North America - Blackfoot (Nettl), July 2, 1952-July 17, 1952: Collected by Bruno Nettl on July 9, 1952. Includes medicine pipe song, grass dance song.
Reel 28: Coll. 6, Tape 4: Indians of North America - Blackfoot (Nettl), July 2, 1952-July 17, 1952: Collected by Bruno Nettl at the Archives of Folk and Primitive Music July 10, 1952. Includes rain making song, medicine lodge song, grass song, owl song, medicine pipe song.
Reel 29: Coll. 6, Tape 5: Indians of North America - Blackfoot (Nettl), July 2, 1952-July 17, 1952: Collected by Bruno Nettl at the Archives of Folk and Primitive Music on July 16 and 17, 1952. Includes medicine song, love song, squaw dance song, rabbit song, owl song, medicine pipe song.
Reel 30: Coll. 7, Tape 1: Guatamala Marimba Music (Piper), December 5, 1965
Reel 31: Coll. 7, Tape 2: Guatamala Marimba Music (Piper), December 5, 1965
Reel 32: Coll. 7, Tape 3: Guatamala Marimba Music (Piper), December 5, 1965
Reel 33: Coll. 7, Tape 4: Guatamala Marimba Music (Piper), December 5, 1965
Reel 34: Coll. 7, Tape 5: Guatamala Marimba Music (Piper), December 5, 1965

Box 5

Reel 1: Coll. 7, Tape 6: Guatemala (Piper), 1984
Reel 2: Coll. 7, Tape 7: Guatemala (Piper), 1984
Reel 3: Coll. 7, Tape 8: Guatemala (Piper), 1984
Reel 4: Coll. 8, Tape 1: Iran - Khoransan (Archer and Nettl), 1966: Mashad, Hussein, Khaki, Ali Razmara.
Reel 5: Coll. 8, Tape 2: Iran - Khoransan (Archer and Nettl), 1966
Reel 6: Coll. 8, Tape 3: Iran - Khoransan (Archer and Nettl), 1966
Reel 7: Coll. 9, Tape 1: Indians of North America - Blackfoot (Grinnell), 1897
Reel 8: Coll. 10, Tape 1: Indians of North America - Blackfoot (Hanks), 1908-1909
Reel 9: Coll. 11, Tape 1: Indians of North America - Blackfoot (Wissler), 1908-1909
Reel 10: Coll. 12, Tape 1: Indians of North America - Blackfoot (Dixon), 1908-1909
Reel 11: Coll. 13, Tape 1: Indians of North America - Blackfoot - Commercial Recordings, May 23, 1914
Reel 12: Coll. 14, Tape 1: India - Classical music - Karnatak (Nettl and Rao), May 7, 1965-May 10, 1965: Vocal performance by Mr. Nageswara Rao with self-accompaniment on tambura, and by his wife Ms. Rao on vina. Recorded in Bruno Nettl's South Indian Music class.
Reel 13: Coll. 15, Tape 1: India - Classical music (Ramanathan), 1965
Reel 14: Coll. 15, Tape 2: India - Classical music (Ramanathan), 1965
Reel 15: Coll. 15, Tape 3: India - Classical music (Ramanathan), 1965
Reel 16: Coll. 16: India - Classical music - Karnatak (Ramanathan), July 30, 1964
Reel 17: Coll. 17, Tape 1: New Guinea - Siats (Giles), undated
Reel 18: Coll. 17, Tape 2: New Guinea - Siats (Giles), undated
Reel 19: Coll. 18, Tape 1: New Guinea (James), April 19, 1966
Reel 20: Coll. 18, Tape 2: New Guinea (James), April 19, 1966
Reel 21: Coll. 18, Tape 3: New Guinea (James), April 19, 1966
Reel 22: Coll. 18, Tape 4: New Guinea (James), April 19, 1966
Reel 23: Coll. 19, Tape 1: Java (Yegerlehner), March 1962
Reel 24: Coll. 19, Tape 2: Java (Yegerlehner), March 1962
Reel 25: Coll. 20, Tape 1: Society for Ethnomusicology - 7th Annual meeting, December 14, 1962
Reel 26: Coll. 20, Tape 2: Society for Ethnomusicology - 7th Annual meeting, December 14, 1962
Reel 27: Coll. 20, Tape 3: Society for Ethnomusicology - 7th Annual meeting, December 14, 1962
Reel 28: Coll. 20, Tape 4: Society for Ethnomusicology - 7th Annual meeting, December 14, 1962
Reel 29: Coll. 20, Tape 5: Society for Ethnomusicology - 7th Annual Meeting, December 14, 1962
Reel 30: Coll. 21, Tape 1: Germany - Alsace (Bose), undated
Reel 31: Coll. 23: Africa - Ibo (Nettl and Ogwo), 1951
Reel 32: Coll. 24, Tape 1: U.S.S.R. - Cheremis, March 1953
Reel 33: Coll. 25, Tape 1: Rhodesia - Shona Karanga, undated
Reel 34: Coll. 26, Tape 1: Shawnee (Voegelin), 1935

Box 6

Reel 1: Coll. 26 Tape 1: Indians of North America Shawnee (Voegelin), 1935
Reel 2: Coll. 27 Tape 1: Iran (Archer), May 1960: Reels 2-3 are copies of recordings collected by William K. Archer. Folk songs sung by M. Ramansani.
Reel 3: Coll. 27 Tape 2: Iran (Archer), May 1960
Reel 4: Coll. 28 Tape 1: Iran Popular Music (Neuman), August 11, 1966: Reels 4-7 are copies of recordings collected by Daniel Nueman at Radio Iran.
Reel 5: Coll. 28 Tape 2: Iran Popular Music (Neuman), August 11, 1966
Reel 6: Coll. 28 Tape 3: Iran Popular Music (Neuman), August 11, 1966
Reel 7: Coll. 28 Tape 4: Iran Popular Music, August 11, 1966
Reel 8: Coll. 29 Tape 1: Afghanistan (Archer), June 21, 1963: Reels 8-11 are copies of recordings collected by Archer in Afghanistan.
Reel 9: Coll. 29 Tape 2: Afghanistan (Archer), June 21, 1963
Reel 10: Coll. 29 Tape 3: Afghanistan (Archer), June 21, 1963
Reel 11: Coll. 29 Tape 4: Afghanistan (Archer), June 21, 1963
Reel 12: Coll. 30 Tape: 1 Iran - Gilan, August 1, 1966: These recodings were collected by Daniel Neuman in Resht, Iran and are copies.
Reel 13: Coll. 31 Tape 1: Musik des Orients, Undated: Reels 13-14 are copies of collections of Oriental music. Collector unknown.
Reel 14: Coll. 31 Tape 2: Musik des Orients, Undated
Reel 15: Coll. 32 Tape 1: Iran Gorgan, July 1966: Reels 15-16 are copies of recordings collected by Daniel Neuman in Iran.
Reel 16: Coll. 32 Tape 2: Iran Gorgan, July 1966
Reel 17: Coll. 33 Tape 1: Iran Tsuge, July, 1966: Reels 17-18 are copies of recordings collected by Tsuge and Daniel Neuman at Gorgon and Pahlavig, Iran.
Reel 18: Coll. 33 Tape 2: Iran Tsuge, July 1966
Reel 19: Coll. 34 Tape 1: Indians of North America - Havasupai (Hinton), July 12, 1965: Reels 19-22 contain copies of recorded Havasupai songs collected in the home of Lemuel Paya.
Reel 20: Coll. 34 Tape 2: Indians of North America - Havasupai (Hinton), July 12, 1965
Reel 21: Coll. 34 Tape 3: Indians of North America - Havasupai (Hinton), July 12, 1965
Reel 22: Coll. 34 Tape 4: Indians of North America - Havasupai (Hinton), July 12, 1965
Reel 23: Coll. 35 Tape 1: Indians of North America Kiliwa (Langdon), Undated
Reel 24: Coll. 36 Tape 1: Ayore/Siriono (Mason/Key), March 1962: These recordings were collected by Paul Mason and Mary Keys in Bolivia.
Reel 25: Coll. 37 Tape 1: Indians of North America Blackfoot (Wissler), 1903-1904: Copies of recordings that were collected by Clark Wissler, orginally on wax cylinders (1903-4). The copies were made in 1966.
Reel 26: Coll. 37 Tape 2: Indians of North America Blackfoot (Wissler), 1903-1904: Copies of recordings that were collected by Clark Wissler, orginally on wax cylinders (1903-4). The copies were made in 1966.
Reel 27: Coll. 38 Tape 1: Indians of North America Blackfoot (Kaufman), June 1952: These are copies of recordings that were collected by Howard Kaufman in Browning, Montana.
Reel 28: Coll. 40 Tape 1: Iran - Boroumand (Blum/Nettl), 1966
Reel 29: Coll. 40 Tape 2: Iran - Boroumand (Blum/Nettl), 1966
Reel 30: Coll. 40 Tape 3: Iran - Boroumand (Blum/Nettl), ca. 1950: Reels 3-4 are copies of recordings collected by Nur-Ali Boroumand from the radio.
Reel 31: Coll. 40 Tape 4: Iran - Boroumand (Blum/Nettl), ca. 1950: Reels 3-4 are copies of recordings collected by Nur-Ali Boroumand from the radio.
Reel 32: Coll. 41 Tape 1: Indians of North America Fort Berthold Reservation (Bruner), Undated: Reels 1-2 are copies of recordings that were collected by Mr. Bruner in North Dakota.
Reel 33: Coll. 41 Tape 2: Indians of North America Fort Berthold Reservation (Bruner), Undated
Reel 34: Coll. 42 Tape: 1 Indians of North America Crow (Lowenthal), June 30, 1967-July 1, 1967: These are copies of recordings that were collected by R. Lowental of Sun Dance.

Box 7

Reel 1: Coll. 43, Tape 1: India -- Classical Music (Ramanathan), November 1967: Recording of S. Ramanathan playing vina lessons.
Reel 2: Coll. 44, Tape 1: Indians of North America -- Cree (Braroe), Summer 1967: Cree songs recorded at the Maple Creek, Saskatchewan Indian Reservation by Niels W. Braroe.
Reel 3: Coll. 45, Tape 1: Japan -- Ittoen (Plath), 1965-1966: Music of the Ittoen Utopian Community, Kansai region, Honshu, Japan, recorded in May of 1965. Contains morning, evening, and children's services.
Reel 4: Coll. 46, Tape 1: United States -- Arkansas (Stephens), August 12, 1967: Fiddle music performed by Hubert Kendrich, Jim Dan Powell, and LC Powell in Mt. View and Timbo, Arkansas.
Reel 5: Coll. 46, Tape 2: United States -- Arkansas (Stephens), undated: A portion of this recording comes from copies of commercial tapes, and a portion was recorded live. Performers include Melvin Wrinkle, Roy Wrinkle, Kermit Moody, Leslie Walls, Jack Sanders, Glen Shanks, and Cathy White. Recordings by performers from Mt. View Arkansas.
Reel 6: Coll. 46, Tape 3: United States -- Arkansas (Stephens), July 15, 1967: Fiddle music performed by Seth Mize at his home in Landis, Arkansas.
Reel 7: Coll. 46, Tape 4: United States -- Arkansas (Stephens), July 25, 1967: Banjo music performed by Floyd Holland and his two daughters, Goldie and Violet at Floyd's home in Fox, Arkansas.
Reel 8: Coll. 47, Tape 1: Japan -- Popular Music (Jacobs), undated: Popular music copied from Columbia, VIctor, Polydor, and Futami records. Includes martial music such as the Japanese national anthem.
Reel 9: Coll. 47, Tape 2: Japan -- Popular Music (Jacobs), undated: Recordings of popular music copied from records. Includes military music such as cavalry and march songs.
Reel 10: Coll. 48, Tape 1: Israel (Shiloah), undated: Recordings of biblical texts, lessons, and chants collected in Jerusalem, Naples, Morocco, Yemen, Persia, Damascus, Tunisia, and other regions.
Reel 11: Coll. 48, Tape 2: Israel (Shiloah), undated: Recordings of "chosen excerpts" (including various types of songs, processionals, and laments) from a ceremony held in Keren Chittin. The ceremony was held on the special occasion of a meeting between the representatives of the Druzes' villages of Syria and Israel.
Reel 12: Coll. 49, Tape 1: Tape Recording of Arabic and Oriental Music and Song, undated: A recording of music played and sung by the A.U.B. Oriental Trio: Jihad Racy, Suhail Humsy, and Khaled Racy, three students at the American University of Beirut. Most of the music is traditional, with some original compositions and arrangements.
Reel 13: Coll. 49, Tape 1: Tape Recording of Arabic and Oriental Music and Song (duplicate), undated
Reel 14: Coll. 50, Tape 1: Indians of South America -- Pacaas Novas, undated: This recording was made at a missionary village in Rondonia, Brazil, at the junction of the Rio Guapore and Rio Mamore, by a catholic missionary doctor. The performers come from the area further south, around Principe de Beira, and were settled in this village for medical treatment.
Reel 15: Coll. 51, Tape 1: Solomon Islands -- Malaita Island (Ross), undated: Traditional vocal music collected on Malaita Island.
Reel 16: Coll. 51, Tape 2: Solomon Islands -- Malaita Island (Ross), undated: Traditional instrumental music from Malaita Island.
Reel 17: Coll. 51, Tape 3: Solomon Islands -- Malaita Island (Ross), undated: Modern music from Malaita Island.
Reel 18: Coll. 51, Tape 4: Solomon Islands -- Malaita Island (Ross), undated: Ae ni Mae, a traditional epic chant, song from Malaita Island. A wedding performance.
Reel 19: Coll. 51, Tape 5: Solomon Islands -- Malaita Island (Ross), undated
Reel 20: Coll. 51, Tape 6: Solomon Islands -- Malaita Island (Ross), undated
Reel 21: Coll. 53, Tape 1: Commercial Recording -- "Estampa Venezolana", undated: Commercial recording of "Estampa Venezolana" performed by the Orchestra of Mario Susvez, with Amado Lovena playing the harp.
Reel 22: Coll. 54, Tape 1: Mexico -- "Sones y Huapangos Huastecos" (Commercial Recordings), undated: Commercial recording of "Sones y Huapangos Huastecos" performed by the trio Los Jinetes y Cuco Calderon.
Reel 23: Coll. 55, Tape 1: Bolivia -- Folklore Boliviano (Commercial Recordings), undated: Commercial recording of "Folklore Boliviana" performed by Los Wara Wara with Tito Yupanqui and Pepe Cardona "Kosinaira."
Reel 24: Coll. 56, Tape 1: Latin America -- Commercial Recordings, undated: Recording of Pre-Columbian songs from Latin America using a variety of Pre-Columbian and other native instruments.
Reel 25: Coll. 57, Tape 1: Latin America -- "Ecos de los Andes" (Commercial Recordings), undated: Commercial recording of "Ecos de los Andes," performed by the Trio Los Delphines.
Reel 26: Coll. 58, Tape 1: Columbia -- "Aires de Colombia: Estudiantina Barranquilla" (Commercial Recordings), undated: Commercial recording of "Aires de Colombia," performed by Estudiantina Barranquilla.
Reel 27: Coll. 59, Tape 1: Peru -- Mestizo (Zuidema), 1/4 track copy of Zuidema 1A, part 1, undated: Tapes 1-14 consist of songs, speech, and monologues recorded in Peru. Recordings are in Spanish, Italian, and other languages, and are accompanied by a variety of instruments. Tapes consist of copies of the original Zuidema acetates, and 1/4 track one-sided copies of those.
Reel 28: Coll. 59, Tape 1: Peru -- Mestizo (Zuidema), copy of Zuidema 1A, undated
Reel 29: Coll. 59, Tape 2: Peru -- Mestizo (Zuidema), 1/4 track copy of Zuidema 1A, part 2, undated
Reel 30: Coll. 59, Tape 2: Peru -- Mestizo (Zuidema), copy of Zuidema 1B, undated
Reel 31: Coll. 59, Tape 3: Peru -- Mestizo (Zuidema), 1/4 track copy of Zuidema 1B, part 1, undated
Reel 32: Coll. 59, Tape 3: Peru -- Mestizo (Zuidema), copy of Zuidema 2, undated
Reel 33: Coll. 59 Tape 4: Peru -- Mestizo (Zuidema), 1/4 track copy of Zuidema 1B, part 2, undated

Box 8

Reel 1: Coll. 59, Tape 4: Peru - Mestizo (Zuidema), copy of Zuidema 3, undated
Reel 2: Coll. 59, Tape 5: Peru - Mestizo (Zuidema), copy of Zuidema 4A, part 1, undated
Reel 3: Coll. 59, Tape 5: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 2, undated
Reel 4: Coll. 59, Tape 6: Peru - Mestizo (Zuidema), copy of Zuidema 4A, part 2, undated
Reel 5: Coll. 59, Tape 6: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 3A, part 1, undated
Reel 6: Coll. 59, Tape 7: Peru - Mestizo (Zuidema), copy of Zuidema 4B, part 1, undated
Reel 7: Coll. 59, Tape 7: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 3A, part 2, undated
Reel 8: Coll. 59, Tape 8: Peru - Mestizo (Zuidema), copy of Zuidema 4B, part 2, undated
Reel 9: Coll. 59, Tape 8: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 4A, part 1, undated
Reel 10: Coll. 59, Tape 9: Peru - Mestizo (Zuidema), copy of Zuidema 5, undated
Reel 11: Coll. 59, Tape 9: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 4A, part 2, undated
Reel 12: Coll. 59, Tape 10: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 4A, part 3, undated
Reel 13: Coll. 59, Tape 11: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 4A, part 4, undated
Reel 14: Coll. 59, Tape 12: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 4B, part 1, undated
Reel 15: Coll. 59, Tape 13: Peru Mestizo (Zuidema), 1/4 track copy of Zuidema 4B, part 2, undated
Reel 16: Coll. 59, Tape 14: Peru - Mestizo (Zuidema), 1/4 track copy of Zuidema 4B, part 3; and 5, undated
Reel 17: Coll. 60, Tape 1: Argentina - "Los Grandes Exitos de Los Fronterizos" (Commercial recording), undated: Commercial recording with various musicians from Argentina
Reel 18: Coll. 61, Tape 1: Iran - Khorasan (Blum), copy, ca. 1968-1969: Haessaen Saelmasi performing Surah 57 (Al-Haedid) and 3 (Al-Aemran).
Reel 19: Coll. 61, Tape 2: Iran - Khorasan (Blum), copy, ca. 1968-1969: Shah Cholam, Mohammad Khan, and Shir-e Saervaendi perfoming various charbeiti.
Reel 20: Coll. 61, Tape 3: Iran - Khorasan (Blum), copy, ca. 1968-1969: Naesrollah Shirinabadi, Reza Saehbun, and Ali Aesghaer performing Aebu Aeta, ghaezels, and songs from Kermanshah.
Reel 21: Coll. 61, Tape 4: Iran - Khorasan (Blum), copy, ca. 1968-1969: Pupils of a school named Maektaeb al-Zeinaeb performing Surah.
Reel 22: Coll. 61, Tape 5: Iran - Khorasan (Blum), copy, ca. 1968-1969: Naejat Varedi, Qa'em Raebani, and Hushaeng Shirazi performing Mahur, Baeyat-e Esfaehan, Shur, Segah, Aefshari, and Chaehargah.
Reel 23: Coll. 61, Tape 6: Iran - Khorasan (Blum), copy, ca. 1968-1969: Mohaemmaed Qasem Mohseni and pupils from Maektaeb al-Zeinaeb performing Surah.
Reel 24: Coll. 61, Tape 7: Iran - Khorasan (Blum), copy, ca. 1968-1969: Students from Maektaeb al-Zeinaeb performing Surah, sermons, and sung verse.
Reel 25: Coll. 61, Tape 8: Iran - Khorasan (Blum), copy, ca. 1968-1969: Saefa'i and Kuhnehshaehri performing ghaezael.
Reel 26: Coll. 61, Tape 9: Iran - Khorasan (Blum), copy, July 30, 1968: Xan Mohammad Mozahuri plays and sings "Xanom Golxandeh" poem by Abdullah Mozahuri and "Ali Xan va Fatemeh Banuhi" by self. Son, Hossein sings some parts.
Reel 27: Coll. 61, Tape 10: Iran - Khorasan (Blum), copy, July 30, 1968: Demonstration of tuning by Xan Mohammad, "Ahang-e Dashti" in Baluchi, "Mosafer Qatar", "Leili-Jan" poem in Farsi and struck the back of the bow during this song.
Reel 28: Coll. 61, Tape 11: Iran - Khorasan (Blum), copy, July 30, 1968: Demonstration of Baluchi tuning by Xan Muhhamad. "Mixam beram Sabzevar", "QuchanXarab-e" , "Masumeh Selselehdar", "Zan 'Ali Reza" Hossein Barzegeran sings and plays doireh, Xoshnevaz plays violin, poems by Barzegeran. "Taraneh-he Mahalli Quchani voice and violin by Xoshnevaz, doireh by Barzegeran, poem in Kurdish by Xoshnevaz.
Reel 29: Coll. 61, Tape 12: Iran - Khorasan (Blum), copy, July 31, 1968: "Xoda, Xoda" poem by Mohammadi, a singer in Zahedan - "zaban-e parth" Ahang Zahedani. "Aziz-e Shahrbanu" poem by self.
Reel 30: Coll. 61, Tape 13: Iran - Khorasan (Blum), copy, 1969: Bashgah-e Bahrami, Norshed Hossein Baebr. Vocal performance of evening exercises.
Reel 31: Coll. 61, Tape 14: Iran - Khorasan (Blum), copy, 1969: Continuation of previous tape.
Reel 32: Coll. 61, Tape 15: Iran - Khorasan (Blum), copy, 1969: Singers - Ebrahim Eqtesadi, Mohseni Hassan Zadeh, Mehdi 'Adabi, Hossein Nazari.
Reel 33: Coll. 61, Tape 16: Iran - Khorasan (Blum), copy, 1969: Singer Mahmud Ghaffarian.
Reel 34: Coll. 61, Tape 17: Iran - Khorasan (Blum), copy, ca. 1968-1969

Box 9

Reel 1: Coll. 61, Tape 18: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Rajab 'Ali Baghban (also known as Shah Rajab) singing and playing nai.
Reel 2: Coll. 61, Tape 19: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Moxtar Nouruzi, Habib Asadi, Kerbala'l Mohammad Fiyuchi, and Gholam Mohammad Fiyuchi singing and playing sorna, dohol, and dotar.
Reel 3: Coll. 61, Tape 20: Iran - Khorasan (Blum) copy, ca. 1968-1969: Recorded by Blum in open fields outside village of Ab-Kuh. Includes Moxtar Nouruzi, Habib Asadi, Kerbala'l Mohammad Fiyuchi, and Gholam Mohammad Fiyichu playing music.
Reel 4: Coll. 61, Tape 21: Iran - Khorasan (Blum) copy, February 1, 1969-February 28, 1969: Recorded at Blum's house, Heidari. Includes ghazal (Shems Tabrizi), the story of Rustam and seven talismans from Shah Nameh, Ghazal ta 'ashuqi (Hakim Raji), Ghazal 'erfan (Shems Tabrizi), Ghazal dastani ("Leili o Majnun") (Meskin-e Estahani), a poem by Qa'eni, and Ghazal dastami.
Reel 5: Coll. 61, Tape 22: Iran - Khorasan (Blum) copy, February 2, 1969: Recorded in Dr. Peck's house in Bujnurd. Includes Mohammad 'Ali Nikzad singing and playing nai.
Reel 6: Coll. 61, Tape 23: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Hassan Salahshour reciting story from Shah Nameh, reciting poems, and singing.
Reel 7: Coll. 61, Tape 24: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Mehdi Razi reciting qasideh (poetry) about Hezrat-e 'Ali, the twelfth iman, the transitoriness of the world, and Xazr-Peiqamba. Also includes Medhi Razi reciting story of Shah Nameh.
Reel 8: Coll. 61, Tape 25: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes 'Ebad Sarabi singing and playing tar-e qafqazi.
Reel 9: Coll. 61, Tape 26: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Sadeq 'Ali Shah reciting Qat'eh (pandiyat by Sa'adi), ghazal of Sa'adi, and Qat'eh (pandiyat by Sa'adi).
Reel 10: Coll. 61, Tape 27: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 11: Coll. 61, Tape 28: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Mohammad Sharif Eftexari reciting poetry of Qa'in, "Shirin-o Farhad," and poetry in praise of 'Ali.
Reel 12: Coll. 61, Tape 29: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Dastan: "Masumeh Afruzpari" (Torki), Dastan: "Shah Bahram va Banu Hosneh Parizad" (Torki), and a summary of the story of Shah Bahram in Farsi.
Reel 13: Coll. 61, Tape 30: Iran - Khorasan (Blum) copy, ca. 1968-1969: Copy of Tape 29 side A.
Reel 14: Coll. 61, Tape 30: Iran - Khorasan (Blum), ca. 1968-1969: Copy of Tape 29 side B.
Reel 15: Coll. 61, Tape 31: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes the story of Shah Bahram sung and spoken in Torki, "Sabze Pari" in the manner (tariqeh) of Shah Xata'i, and "Ja'far Qoli" in Kurdish.
Reel 16: Coll. 61, Tape 31: Iran - Khorasan (Blum), ca. 1968-1969: Copy of Tape 31 side A.
Reel 17: Coll. 61, Tape 32: Iran - Khorasan (Blum) copy, ca. 1968-1969: Includes Sardarha in Kurdish, Qara'i, and Chaharbeiti, including "Hosseina."
Reel 18: Coll. 61, Tape 32: Iran - Khorasan (Blum), ca. 1968-1969: Copy of Tape 32 side A.
Reel 19: Coll. 61, Tape 33: Iran - Khorasan (Blum), ca. 1968-1969: Includes 'Ozra 'Abbas singing Roba'i, She'r, "Hammami," and "Robabeh." Also includes poems in Persian, Ahang-e sarhaddi, "Zeleixa" (Kurdish), and "Sayyed Mohammad Xan" (Persian).
Reel 20: Coll. 61, Tape 34: Iran - Khorasan (Blum), ca. 1968-1969: Includes 'Ozra 'Abbas singing Chaharbeiti and Gholam Luti singing Seytak and Qara'i, from Afghanistan.
Reel 21: Coll. 61, Tape 35: Iran - Khorasan (Blum), ca. 1968-1969
Reel 22: Coll. 61, Tape 36: Iran - Khorasan (Blum), ca. 1968-1969: Includes Validad Delara playing sorna.
Reel 23: Coll. 61, Tape 37: Iran - Khorasan (Blum), ca. 1968-1969: Includes Gholam Luti singing "Dadou Xan" and Hossein Safi'I singing "Taher Mirza Zohra" (spoken in Persian and Torki, sung in Torki).
Reel 24: Coll. 61, Tape 38: Iran - Khorasan (Blum), ca. 1968-1969: Includes Hossein Safa'I singing conclusion of "Taher Mirza Zohra" (Torki), "Hamra va Sayad Xan Pari" (Torki), "Karim Asli Xan" (Torki), "Conversation of the Earth with the Sky" (Turkmen), Chaharbeiti sarhaddi, and Chararbeiti mahalli.
Reel 25: Coll. 61, Tape 39: Iran - Khorasan (Blum), ca. 1968-1969: Includes Hossein Safa'I singing "Nou Ruz Xan" (Kurdish) and "Karim Asli Xan" (Torki).
Reel 26: Coll. 61, Tape 40: Iran - Khorasan (Blum), ca. 1968-1969: Includes Hossein Safa'I singing "Imam Reza Zamene Ahu" (Kurdish), "Zara" (Torki Sarelayati), "Harraye Darreh Gezi" (Torki Savelayati), a"Allah Mazareh" (Kurdish). Also incldues Do Qarseh, Yek Qarseh, Seh Qarseh, Chub Bazi, Qasideh about 'Ali Akbar, "Nesa Jan" (Kurdish), and "Navezele Xanei" (Kurdish).
Reel 27: Coll. 61, Tape 41: Iran - Khorasan (Blum), ca. 1968-1969: Includes Mohammad Hassan Naqqal reciting from Shah Nameh and Mosibat on the death of Imam Reza.
Reel 28: Coll. 61, Tape 42: Iran - Khorasan (Blum), ca. 1968-1969: Includes Mohammad Hassan Naggal reciting Mosibat on the death of Imam Reza, from the Qur'an, Manqabat in honor of 'Ali, poem in praise (madh) of mankind (Bashar) (Sa'adi), Qeseh Qur'ani va rasmi (Loqman), and Qeseh ke be surat-e afsaneh dar amadeh (three women)
Reel 29: Coll. 61, Tape 43: Iran - Khorasan (Blum), ca. 1968-1969: Includes Mohammad Hassan Naqqal reciting qeseh about three women, Ahang-e Bahlori (poem about a girl and a soldier), Gharibi, Pandiyat about a fox (Sa'adi) and Pandiyat about an eagle (Sa'adi).
Reel 30: Coll. 61, Tape 44: Iran - Khorasan (Blum), ca. 1968-1969: Includes procession preceeding performance of shabih on anniversary of death of Imam Hassan as well as shabih, performed in mosque.
Reel 31: Coll. 61, Tape 45: Iran - Khorasan (Blum), ca. 1968-1969: Includes conclusion of shabih on anniversary of death of Imam Hassan, performed in Mosque. Also includes Hossein Kashmiri reciting Azan, Mohammad Torabi reciting Qur'an, Mohammad Torabi reciting Azan, and Hassan Salmasi reciting religious poem in praise of twelfth imam.
Reel 32: Coll. 61, Tape 46: Iran - Khorasan (Blum), ca. 1968-1969: Includes Hossein Safa'I reciting poetry in Torki and Kurkish.
Reel 33: Coll. 61, Tape 47: Iran - Khorasan (Blum), ca. 1968-1969: Recorded at the residence of S. Blum. Includes Mohammad Hassan Naqqal reciting Ghazavot-e Hezrat-e 'Ali (Jane-e Handaq) and Talqin.
Reel 34: Coll. 61, Tape 48: Iran - Khorasan (Blum), ca. 1968-1969: Includes recording of Permei wedding.

Box 10

Reel 1: Coll. 61, Tape 49: Iran - Khorasan (Blum) copy, ca. 1968-1969: Copy of original recording of Permei Wedding collected by Blum in Iran.
Reel 2: Coll. 61, Tape 50: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 3: Coll. 61, Tape 51: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 4: Coll. 61, Tape 52: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 5: Coll. 61, Tape 53: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 6: Coll. 61, Tape 54: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 7: Coll. 61, Tape 55: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 8: Coll. 61, Tape 56: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 9: Coll. 61, Tape 57: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 10: Coll. 61, Tape 58: Iran - Khorasan (Blum) copy, ca. 1968-1969
Reel 11: Coll. 62, Tape 1: Klamath Songs (Spier), 1935: Four tapes containing recordings of Klamath songs sung by Tom Lang and Mrs. Lang. Recording contains shaman's curing songs, gambling songs, love songs, and others.
Reel 12: Coll. 62, Tape 2: Klamath Songs (Spier), 1935
Reel 13: Coll. 62, Tape 3: Klamath Songs (Spier), 1935
Reel 14: Coll. 62, Tape 4: Klamath Songs (Spier), 1935
Reel 15: Coll. 63, Tape 1: United States -- Klamath (Foltin), undated
Reel 16: Coll. 63, Tape 2: United States -- Klamath (Foltin), undated
Reel 17: Coll. 63, Tape 3: United States -- Klamath (Foltin), undated
Reel 18: Coll. 64, Tape 1: United States -- Modoe (Spier), undated: Two tapes collected by Leslie Spier, probably in the early 1930's. Collected from original discs and part of a second generation tape.
Reel 19: Coll. 64, Tape 2: United States -- Modoe (Spier), undated
Reel 20: Coll. 65, Tape A: Iran (Nettl), copy, 1968-1969: Tape A is a copy of tapes 1-3. Contains performances by kamage player Ashgar Bahari and santour player Hossein Malek.
Reel 21: Coll. 65, Tape 1: Iran (Nettl), copy, November 23, 1968: Recorded at the University of Tehran. Contains the performances of Chahrgah I and Shur by Anghar Bahari, with analysis by Bahari and Nour-Ali Borumand.
Reel 22: Coll. 65, Tape 2: Iran (Nettl), copy, part 2, 1968: Continuation of tape 2. Contains performances by santour player Hossein Malek, recorded at Iran TV and Malek Studio.
Reel 23: Coll. 65, Tape 2: Iran (Nettl), copy, part 1, 1968: Contains performances by Hossein Malek, santour, recorded at Iran TV and Malek Studio.
Reel 24: Coll. 65, Tape 3: Iran (Nettl), copy, 1968: Contains recorded performances by santour player Hossein Malek, including Chahargah and Bayat-o Tork. Modern compositions by Malek based on the dastgan. Does not contain Avaz. Pishdaramad and songs with orchestral and solo interludes, poems by Shahrbat.
Reel 25: Coll. 65, Tape B: Iran (Nettl), copy, 1968-1969: Tape B is a copy of tapes 4-7. Contains performances by violinist Nasrollah Shirinabadi, tar player Hushang Zarif, and santour player Mohammed Heydari.
Reel 26: Coll. 65, Tape 4: Iran (Nettl), copy, December 19, 1968: Contains the performance of Chargah I by violin player Nasrollah Shirinabadi at the performer's studio at Apadana New conservatory, Jaleh Square, Tehran, with analysis by Shirinabadi.
Reel 27: Coll. 65, Tape 5: Iran (Nettl), copy, January 16, 1969: Contains the performance of Chahargah II by violin player Nasrollah Shirinabadi at the performer's studio, with analysis by Shirinabadi.
Reel 28: Coll. 65, Tape 6: Iran (Nettl), copy, January 2, 1969: Contains the performance of Shur by violin player Nasrollah Shirinabadi at the performer's studio, with analysis by Shirinabadi.
Reel 29: Coll. 65, Tape 7: Iran (Nettl), copy, 1968-1969: Contains two performances of Chahargah by tar player Hushang Zarif and santour player Mohammed Heydari at the Conservatory for National Music, with analysis by Heysari and M. Massudieh.
Reel 30: Coll. 65, Tape C: Iran (Nettl), copy, 1968-1969: Tape C is a copy of tapes 8-11. Contains performances by setar player Ahmad Ebadi, santour players Reza Varzandeh and Dariush Safvat, tar players Majd and Sedararti, zarb player Shemirani, violin players Rahmatollah Badi'i and Amir Sajjidi, kamange player Ashgar Bahari, piano player Ophelia Partou, and gheichak player Rahmatollah Badi'i.
Reel 31: Coll. 65, Tape 8: Iran (Nettl), copy, 1967-1968: Contains performances of Abu-Ata by setar player Ahmad Ebadi, Segah by santour player Resa Varzandeh, and portions of Remayeun by tar player Majd with unidentified zarb player.
Reel 32: Coll. 65, Tape 9: Iran (Nettl), copy, 1966-1969: Contains the performance of Chahargah and Daramad by violin player Rahmatollah Badi'i with analysis by Badi'i and Chahargah by santour player Dariush Safvat and zarb player Shemirani.
Reel 33: Coll. 65, Tape 10: Iran (Nettl), copy, 1969: Contains two performances of Chahrgah by kamange player Anghar Bahari and setar player Dariush Safvat, with analysis by Bahari and Safvat.
Reel 34: Coll. 65, Tape D: Iran (Nettl), copy, ca. 1960-1969: Tape D is a copy of tapes 11-14. Contains performances by ensembles, the Orchestra of Hossein Dehlavi, setar player Ahmad Ebadi, tar player Sedararti, zarb player M. Qaffari, violin players Amir Sajjidi and Alizadeh, piano player Ophelia Partou, and gheichak player Rahmatollah Badi'i.

Box 11

Reel 1: Coll. 65, Tape 11: Iran - Classical (Nettl) copy 2, January 23, 1969 - February 6, 1969: Tracks across two reels: 1) Rahmatollah Badi'i, gheichak. Recorded February 6, 1969, at Conservatory of National Music. 2) Amir Sajjadi, violin. and his son, drums. Recorded in his shop at Meshhad, January 23, 1969, by Stephan Blum and B. Nettle, on Uher 4000. 3) Ohpelia Partou, piano. Recorded February 2, 1969, at Conservatory of Traditional Music. 4) Sedararti, tar; Alizadeh, violin; M. Qaffari, zaro. Ensemble performance. Recorded February 5, 1969, at Nettl home.
Reel 2: Coll. 65, Tape 11: Iran - Classical (Nettl) copy 2, part 2, January 23, 1969 - February 6, 1969
Reel 3: Coll. 65, Tape 12: Iran - Classical (Nettl) copy 2, part 1, ca. 1967, March 17, 1969: Tracks across two reels: 1) Chahargah. Ensemble performance. Copy of tape owned by H. Farhat, performed ca. 1967. 2) Orchestra of Hossein Dehlavi, with Dehlavi conducting. Copy of tape of H. Dehlavi, performed, ca. 1967. 3) Chahargah. Ensemble performance. Recorded at Radio Iran, March 17, 1969.
Reel 4: Coll. 65, Tape 12: Iran - Classical (Nettl) copy 2, part 2, ca. 1967, March 17, 1969
Reel 5: Coll. 65, Tape 13: Iran - Classical (Nettl) copy 2, part 1, 1960: Performance across two reels: Chahargah. Ensemble performance. Copy of tape of H. Fornat.
Reel 6: Coll. 65, Tape 13: Iran - Classical (Nettl) copy 2, part 2, 1960
Reel 7: Coll. 65, Tape E: Iran (Nettl), 1966 - March 13, 1969: Tape E is a copy of tapes 14-17.
Reel 8: Coll. 65, Tape 14: Iran - Classical (Nettl) copy 2, 1966, March 13, 1969: 1) Ahmed Ebadi, setar. Recorded March 13, 1969, at his home. 2) Chahargah. Ensemble performance. Copy of tape H. Farhat, performed 1966.
Reel 9: Coll. 65, Tape 15: Iran - Classical (Nettl) copy 2, December 20, 1960, February 15, 1969: 1) Chahargah. Recorded December 20, 1968, at Conservatory of National Music. Ensemble performance. 2) Chahargah. Ensemble performance. Recorded at Shammah home, Tel-Aviv, Februrary 15, 1969, with help of Amnon Shiloah.
Reel 10: Coll. 65, Tape 16: Iran - Classical (Nettl) copy 2, October 28, 1968, November 5, 1968, November 17, 1968: 1) Chahargah, recorded October 28, 1968, at Conservatory of National Music. 2) Shur, recorded November 5 and 17, 1968, at Conservatory of National Music.
Reel 11: Coll. 65, Tape 17 Iran - Classical (Nettl) copy 2, part 1, January 2, 1969: Tracks across two reels: Singing class of Nahmoud Karimi, at Conservatory of National Music. Six Students. 1) Afshari 2) Chahargah
Reel 12: Coll. 65, Tape 17: Iran - Classical (Nettl) copy 2, part 2, January 2, 1969
Reel 13: Coll. 65, Tape F: Iran (Nettl), 1967-1969: Tape F is a copy of tapes 17, part 2, 19, 20, and 22, part 1.
Reel 14: Coll. 65, Tape 18: Iran - Classical (Nettl) copy 2, October 15, 1968.: Class of Nour-Ali Borumand at University of Tehran. Five students: 2 santour, 1 tar, 1 setar, 1 violin. Borumand playing tar.
Reel 15: Coll. 65, Tape 19: Iran - Classical (Nettl) copy 2, part 1, January 22, 1969: Across two reels: Music of Zurkhane Tus, Meshhad. Recorded by B. Nettl and S. Blum.
Reel 16: Coll. 65, Tape 19: Iran - Classical (Nettl) copy 2, part 2, January 22, 1969
Reel 17: Coll. 65, Tape 20: Iran - Classical (Nettl) copy 2, part 1, 1967-1968: Tracks across two reels: 1) Morgh-e Afsane Khond (The hen's story) 2) Khande-ye shadi (Laugn of happiness) 3) Fasl-e shadi (Season of happiness) 4) Taj-e Khorshid (Crown of the sun) 5) Parijan 6) Shushtari 7) Nouj o Tufan (Wave and storm) 8) Siah-e sahari (Dark of dawn) 9) Shirin shirin-e (Mahalli - Sweet of sweetness) Copied from tapes of Radio Iran. Orchestra Nakisa, condcuted by Kasravi.
Reel 18: Coll. 65, Tape 20: Iran - Classical (Nettl) copy 2, part 2, 1967-1968
Reel 19: Coll. 65, Tape 21: Iran - Classical (Nettl) copy 2, 1968-1969: Nour-Ali Borumand, teaching versiens of Shur, recorded in lessons for B. Nettl, Fall and winter. University of Tehran.
Reel 20: Coll. 65, Tape G: Iran (Nettl), 1969: Tape G is a copy of tapes 22, part 2, 21, 25, and 24.
Reel 21: Coll. 65, Tape 22: Iran - Classical (Nettl) copy 2, March 11, 1969: 1) Hassan Kasa'i, nai. Recorded at his home in Isfahan, Marh 11, 1969 2) Dour Mohammad Ja'feri, age 18 (born in Sarakhs). Recorded in Meshhad, by S. Blum and B. Nettl, January 22, 1969. Recording made in tent of player. 3) Chanting of noon prayer at Moswue on Iranshahr Ave., February 1, 1969.
Reel 22: Coll. 65, Tape I: Iran - (Nettl) copy 2, 1969: Tape I is a copy of Tapes 18 and 23. Also labled Tape 23 (I).
Reel 23: Coll. 65, Tape 23: Iran - Classical (Nettl) copy 2, part 1, 1969: Performances across two reeks: Collection of performances of daramad of chahargah, collected from other recordings in this catalog.
Reel 24: Coll. 65, Tape 23: Iran - Classical (Nettl) copy 2, part 2, 1969
Reel 25: Coll. 65, Tape 24: Iran - Classical (Nettl) copy 2, part 1, 1969: Nour-Ali Borumand, teaching versions of radif, recorded in lessons for B. Neetl, winter and spring, at University of Tehran. Setar. Chahargah.
Reel 26: Coll. 65, Tape 24: Iran - Classical (Nettl) copy 2, part 2, 1969
Reel 27: Coll. 65, Tape 25: Iran - Classical (Nettl) copy 2, part 1, 1969: Ebad Sarabi, Caucasion tar, collected by Stephen Blum for B. Nettl in Bojnurd, winter.
Reel 28: Coll. 65, Tape 25: Iran - Classical (Nettl) copy 2, part 2, 1969
Reel 29: Coll. 65, Tape H: Iran - (Nettl), April 17, 1969 - April 24, 1969: Tape H is a copy of tapes 26-28.
Reel 30: Coll. 65, Tape 26: Iran - Classical (Nettl) copy 2, April 17, 1969 - April 24, 1969: 1) Nasrollah Shirinabadi, violin. Recorded in his studio, April 17, 1969. 2) Ali-Asghar Kousari, violin. Recorded in his studio at Meshnad by S. Blum and B. Nettl, April 23, 1969, recorded. 3) Amir Sajjadi, violin. Recorded by S. Blum and B. Nettl, at his office in Meshhad, April 24, 1969. Son on drums.
Reel 31: Coll. 65, Tape 27: Iran - Classical (Nettl) copy 2, part 1, April 23, 1969: Tracks across two reels: 1) Mahnound Motabasem, violin. 2) Latifian, flute. 3) Iraj Amir Nezami, former student of M. Heydari, asst. to Kousari, santour. All recorded in Meshnad, by S. Blum and B. Nettl.
Reel 32: Coll. 65, Tape 27: Iran - Classical (Nettl) copy 2, part 2, April 23, 1969
Reel 33: Coll. 65, Tape 28: Iran - Classical (Nettl) copy 2, April 24, 1969: Hassan Reja'i, tar. With Sajjadi, drums. Recorded in Meshed by Stephen Blum and B. Nettl, at office of Sajjadi.
Reel 34: Coll. 65, Tape 29: Iran - (Nettl), 1910 - 1935, April 12, 1969, April 26, 1969: Copy of tape 29 collected by Bruno Nettl.

Box 12

Reel 1: Coll. 65, Tape 29: Iran - Classical (Nettl), 1968-1969: Includes interviews with Nour Ali Borumand on his own life and on musical practices in Iran between 1910 and 1935, in German. Collected by Bruno Nettl on April 12, 1969, (interview 1) and April 26, 1969 (interview 2).
Reel 2: Coll. 65, Tape K: Iran - Classical (Nettl), 1968-1969: Tape K is a copy of tapes 29, part 2, and 30.
Reel 3: Coll. 65, Tape 30: Iran - Classical (Nettl) (copy 2), 1968-1969: Includes interview with Hadji Agha Mohammad Irani Majarrat about musical practices shortly after 1900. Interview in Persian, with Borumand interpreting into German. Also present H. Mashhoun (historian). Informant is 85 years of age. Collected by Bruno Nettl on April 28, 1969 at Hadji Agha's home in Tehran.
Reel 4: Coll. 65, Tape 31: Iran - Classical (Nettl) (copy 2), 1968-1969: Includes lessons and interviews with Nour-Ali Borumand, beginning with May 13, 1969. Segah-daramad, zabol, mokhalef, discussion of scale, rohab; mahour; Bayat-e-Isfahan; Nava; gives tunings of setar for various dastgaha; discussion of metric pieces, plays examples of various pieces in Shur-pishdaramad, tasnif, reng. Conversation in German. Collected by Bruno Nettl.
Reel 5: Coll. 65, Tape L: Iran - Classical (Nettl), 1968-1969: Tape L is a copy of tapes 31-32.
Reel 6: Coll. 65, Tape 32: Iran - Classical (Nettl) (copy 2), 1968-1969: Includes demonstration by Nour-Ali Borumand. 1) Pishdaramad by Darvish Khan, in Mahour. 2) Avaz of Mahour. Daramad and Shekaste. 3) Tasnif, "Cheshm-o Reza," based on a poem by Sabadi. Borumand also sings text. 4) Reng (goes with the pishdaramad already performed. 5) Chahar mezrab by Saba (Mahour). 6) Chahar mezrab, composed by Borumand. Discussion. 7) Chahar-pare in Mahour. Collected by Burno Nettl on July 3, 1969 at the home of Borumand.
Reel 7: Coll. 65, Tape M: Iran - Classical (Nettl), 1968-1969: Tape M is a copy of tapes 33 and 34, part 1. Includes Mozaffer Orfanian, tar (Caucasian tar), and voice; Adel Gheibi, doireh; Chahargah: pishdaramad, reng, zabol, reng, mokhalef, reng; Segah Yatin: tasnif ("Anna," mother), reng. Collected by Stephen Blum for Bruno Nettl on April 30, 1969 in Meshed.
Reel 8: Coll. 65, Tape 33: Iran - Classical (Nettl) (copy 2), 1968-1969
Reel 9: Coll. 65, Tape N: Iran - Classical (Nettl), 1968-1969: Tape N is a copy of tapes 34, part 1, and 35. Hossein Na'imi, dotar and voice. Dotar tuned: tonic, major third. Songs and sung stories, in Persian, Turkish, Kurdish, sometimes mixed. Collected by Stephen Blum in Bojnurd on June 26, 1969.
Reel 10: Coll. 65, Tape 34: Iran - Classical (Nettl) (copy 2), part 1, 1968-1969
Reel 11: Coll. 65, Tape 34: Iran - Classical (Nettl) (copy 2), part 2, 1968-1969
Reel 12: Coll. 65, Tape 35: Iran - Classical (Nettl), 1968-1969: Hossein Na'imi, dotar and voice. Dance songs, by type: do qarseh, yek qarseh, lari-lari (shish qarse), chap-o-fasteh, alagurs (Kurdish), shiringi, anarati. Collected by Stephen Blum in Bojnurd on June 26, 1969.
Reel 13: Coll. 66, Tape 1: Iran - Jewish Music (Loeb), 1967-1968: Reuben Yom Tovian, age 63, in Isgahan in January, 1968. Genesis 1: 1-23, Vayxulu; tora; tfila; Mgillat Ester IX; Shir Hashirim I; Haftora-Vayyigash; Eykha I; Lkha Dodi (shabbat); Kol shombre shabbat (pizmoh); dror yikra; agadelkha; bar yohai; yom ze mkhubad; yona matsa bo mano'ah ki eshmakha shabbat; shalom aleykhem; lkha eyli. Collected by Laurence Loeb.
Reel 14: Coll. 66, Tape 2: Iran - Jewish Music (Loeb), 1967-1968: Reuben Yom Tovian, 63 years of age in Isgahan in January, 1968. Lkha; shma koli; kol nidre; pizmon irosh hashana, 1st day; yedrashim-yhuda haleve, hazara shahar yah shimkha, 2nd day; wedding, brit mila song (Eliya); usha yahallel niv sifutenu; purim song hamadan; pizmon se'udat mitsra; ptah eliyaho; mi kamokha. Collected by Laurence Loeb.
Reel 15: Coll. 66, Tape 3: Iran - Jewish Music (Loeb), 1967-1968: Sukkot-y, Yosef Limud Tora, in Shiraz on October 7, 1968. Piyyut; barux she'amar; vayvarex David; nishmat; barexu; shma'; amida; birkat koaharim; hallel; first ma'amu'im; hoshannot; adonai melex. Collected by Laurence Loeb.
Reel 16: Coll. 66, Tape 4: Iran - Jewish Music (Loeb), 1967-1968: Tora reading, shor o xesev; haftora (1st day) (Kohen Tsiyyon); misheberah; ashre (Kohen Tsiyyan); amida musag; keter yitnu; birkat kohanim; yosef limud tora; lyon hev thilot; uvxeyn ulxa ta'aleh; kmo heym kmal'xey hasharet; kodem kol d'varey eyn li peh (viddui) farsi. Collected by Laurence Loeb.
Reel 17: Coll. 66, Tape 5: Iran - Jewish Music (Loeb), 1967-1968: Ezrat avotenu; adonai shama'ti shirma'akha yareti; atanu; ahila la'el; avot; kdusha; mlokh; birkat kohanim; hayom t'amtsenu; avinu malkenu; kaddish; tora service; tora reading; laury's aliya. Collected by Laurence Loeb.
Reel 18: Coll. 66, Tape 6: Iran - Jewish Music (Loeb), 1967-1968: Tora reading, haftora, et sha'arey ratson (Farsi); mishebrrakh; hamelekh adonai; yhe ratson; koli shama'ta; ribona shel ha'alom; lamnatseah mizmer; adonai bkol shofar; elohy mishpat; yakum elohin; prayer for the dead. Collected by Laurence Loeb.
Reel 19: Coll. 66, Tape 7: Iran - Jewish Music (Loeb), 1967-1968: Shofar; ashrey ha'am yode'a tru'a; ptiha; amida (musaf); adonai shama'ti; slah lanu; ahila la'el; avot; qdusha; malahuyot; zikhronot; shofrot; birkat kohanim. Collected by Laurence Loeb.
Reel 20: Coll. 66, Tape 8: Iran - Jewish Music (Loeb), 1967-1968: Yazd, shalom pekal; zohar shmot; genesis I: 1-23; ex. 20 ('aseret hadibrot); haftorat vayyigash (yhezkel 37); mgillat ester, chapter 1; mgillat eykha, chapter 1; lkhu nran'na kabbalat shabbat, mizmor ldavid, ana bakoah, bame madlikin, lkha dodi; mizmor shir lyom hashabbat; adonai melekh; hama'ariv aravim; shma; vaykhulu; aleynu; yigdal (high holidays). Collected by Laurence Loeb.
Reel 21: Coll. 66, Tape 9: Iran - Jewish Music (Loeb), 1967-1968: Bar yohai; eshmrkha shabbat; dror yikra; yah ribon; tsur mishelo; eyshet hayyil; kiddush l'shabbat; yismah hatanim (when called to tora); shir hatan (farsi)-when called to tora; mi pi el-simhat tora. Collected by Laurence Loeb.
Reel 22: Coll. 66, Tape 10: Iran - Jewish Music (Loeb), 1967-1968: Ashre; ben adam ma lxa nirdam; adonai sh'ma'a; bdil vyavor; ki ray hu; adonai hu ha'elohim; eloheynu shebahamayim; aneynu; v'husa yisrae'el amexa; ase l'ma'an avraham. Collected by Laurence Loeb.
Reel 23: Coll. 66, Tape 11: Iran - Jewish Music (Loeb), 1967-1968: Ase l'ma'an avraham; ase l'ma'an Malaxexa; aneynan; im afes rova'; tahanum-shuv meharon apexa; shma kol tahanunai; ushlax sliha; avinu malkeynu avinu ata; shomer yisra'el; sharit-recited by Yosef Limud Tora. Collected by Laurence Loeb.
Reel 24: Coll. 66, Tape 12: Iran - Jewish Music (Loeb), 1967-1968: Sun by Mulla Shimon (60 years): Genesis I: I-II:3; thina (tikun Hatsot); song for mila; song for wedding; song for wedding (Isfahan dialect); yom zeh lyisra'el (shabbat); dror yikra (shabbat); bar mitsva-brakha and pizmon; kiddush, 23rd psalm-shabbat; brakha & pizmon for us. Sung by Reuben Yom Tovian: mi kamokha (shabbat zakhor); azamerkha elohe kol yisturim (yisrael najara); dayenu (haggadah); ha lakhma anya; shfokh hamatkha (& hallel); odkha ki anitani; had gadya. Collected by Laurence Loeb.
Reel 25: Coll. 67, Tape 1: Iran - University of Illinois, undated: Includes dasti, abu ata, afsari.
Reel 26: Coll. 67, Tape 2: Iran - University of Illinois, undated: Includes sur and segah.
Reel 27: Coll. 67, Tape 3: Iran - University of Illinois, undated: Includes esfahan, homayun, car gah, and bayt-e tork.
Reel 28: Coll. 67, Tape 4: Iran - University of Illinois, undated: Includes mahur and segah.
Reel 29: Coll. 68, Tape 1: Persian Music - Recordings of Hesar, undated: Persian Music Demonstration Tape: 1) Boroumand, tar. From coll. 39, tape 2; 2) Karimi, voice. From coll. 65, tape E; 3) Boroumand, setar. From coll. 65, tape G; 4) Safvat, setar. From coll. 65, tape C. Includes chahar mezrab in Hesar and Forud; 5) Zarif, tar. From coll. 65, tape B; 6) Shirinabadi I, violin. From coll. 65, tape B. Includes Zarbi in Hesar; 7) Shirinabadi II, violin. From coll. 65, tape B; 8) Shirinibadi III, violin. From coll. 65, tape H. Includes Forud. 9) Badi'i, violin. From coll. 65, tape C; 10) Sedararti, tar; et al. From coll. 65, tape D; 11) Dardashti, voice; et al. From coll. 65, tape E; 12) Iraj, voice; et al. From coll. 65, tape D. Incomplete.
Reel 30: Coll. 69, Tape 1: Black Music in and Around Charlottesville, VA (Fein), July, 1968-December, 1968: Includes Baptist hymns, congregation singing, sermon by preacher, choir music, conversation with pianist about ethnic qualifications regarding quality of music and of singer. Collected by Marcia Fein on August 5, 1968.
Reel 31: Coll. 69, Tape 2: Black Music in and Around Charlottesville, VA (Fein), July, 1968-December, 1968: Includes choir (10 years old and up), sermon. Recorded in an informat's home. Collected by Marcia Fein on August 12, 1968.
Reel 32: Coll. 69, Tape 3: Black Music in and Around Charlottesville, VA (Fein), July, 1968-December, 1968: Discussion of pop music (Temptations, Supremes, Otis Redding, Wilson Pickett) with a class of high school dropouts from county, aged 19-26. Discussion of what live music they hear and like. Collected by Marcia Fein on august 20, 1968.
Reel 33: Coll. 69, Tape 4: Black Music in and Around Charlottesville, VA (Fein), July, 1968-December, 1968: Includes casual conversation about music and music being played by a family at their home. Father is director of the Junior Choir at a major local black Baptist church in Charlottesville. Collected by Marcia Fein on July 31 and August 1, 1968.
Reel 34: Coll. 69, Tape 5: Black Music in and Around Charlottesville, VA (Fein), July, 1968-December, 1968: Includes recording of a family at home. Kids playing records, sing along, dance, spirituals, singing. Discussion of performance. Collected by Marcia Fein on August 26, 1968.

Box 13

Reel 1: Coll. 69, Tape 6: Black Music in and around Charlottesville, VA. (Fein), December 9, 1968: Tape contains a recording of TV show "Supremes & Temptations" and some conversations.
Reel 2: Coll. 69, Tape 7: Black Music in and around Charlottesville, VA. (Fein), December 12, 1968: Recording created by Marcia Fein of a song session performed for her. Contains music, comments, and some re-recordings.
Reel 3: Coll. 69, Tape 8: Black Music in and around Charlottesville, VA. (Fein), December 12, 1968: Recording created by Marcia Fein during the same song session as tape 7. Contains interviews of brothers and sisters regarding their music and performances.
Reel 4: Coll. 70, Tape 1: Iran -- Persian Popular Music (Nettl), undated: Copy of original recording of Persian popular music collected by Nettl.
Reel 5: Coll. 70, Tape 2: Iran -- Persian Popular Music (Nettl), undated: Recording includes violin, voice, and orchestral performances.
Reel 6: Coll. 70, Tape 3: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice and orchestral performances of Persian popular music.
Reel 7: Coll. 70, Tape 4: Iran -- Persian Popular Music (Nettl), undated: Recording includes more voice and orchestral performances of Persian popular music.
Reel 8: Coll. 70, Tape 5: Iran -- Persian Popular Music (Nettl), undated: Recording includes violin, zarb, piano, voice, and orchestral performances of Persian popular music.
Reel 9: Coll. 70, Tape 6: Iran -- Persian Popular Music (Nettl), undated: Recording includes more voice, piano, and violin performances of Persian popular music.
Reel 10: Coll. 70, Tape 7: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice, santour, and orchestral performances of Persian popular music.
Reel 11: Coll. 70, Tape 8: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice performances of Persian popular music.
Reel 12: Coll. 70, Tape 9: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice, piano, string, setar, zarb, organ, drum, and orchestral performances of Persian popular music.
Reel 13: Coll. 70, Tape 10: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice and orchestral performances of Persian popular music and folk songs.
Reel 14: Coll. 70, Tape 11: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice, accordion, and orchestral performances of Persian popular music and folk songs.
Reel 15: Coll. 70, Tape 12: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice, violin, zarb, santour and orchestral performances of Persian popular music and folk songs.
Reel 16: Coll. 70, Tape 13: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice and orchestral performances of Persian popular music and folk songs.
Reel 17: Coll. 70, Tape 14: Iran -- Persian Popular Music (Nettl), undated: Recording includes accompanied vocal performances of Persian popular music and folk songs.
Reel 18: Coll. 70, Tape 15: Iran -- Persian Popular Music (Nettl), undated: Recording includes performances of Armenian folk songs.
Reel 19: Coll. 70, Tape 16: Iran -- Persian Popular Music (Nettl), undated: Recording includes voice, santour, string and orchestral performances, including Armenian and folk songs.
Reel 20: Coll. 70, Tape 17: Iran -- Persian Popular Music (Nettl), undated: Recording contains religious melodies, prayers and Koran readings.
Reel 21: Coll. 70, Tape 18: Iran -- Persian Popular Music (Nettl), undated: Recording includes heavenly melodies, readings from the Quran, and musical performances.
Reel 22: Coll. 71, Tape 1: Near East (Thouma), 1967-September 1969: Recordings of songs related to the Muqam Phenomenon and improvisation technique in the music of the Middle East.
Reel 23: Coll. 71, Tape 2: Near East (Thouma), 1967-September 1969: Two performances of Maqam Bayati by various performers. Version a) is performed on 'Ud, and version b) is played in a social gathering by a male singer, violin, and 'Ud.
Reel 24: Coll. 72, Tape 1: Lebanon - Druze Funeral Songs (Racy), undated: 19 tapes containing recording of songs performed at a Druze funeral ceremony.
Reel 25: Coll. 72, Tape 2: Lebanon - Druze Funeral Songs (Racy), undated
Reel 26: Coll. 72, Tape 3: Lebanon - Druze Funeral Songs (Racy), undated
Reel 27: Coll. 72, Tape 4: Lebanon - Druze Funeral Songs (Racy), undated
Reel 28: Coll. 72, Tape 5: Lebanon - Druze Funeral Songs (Racy), undated: Male "choir" singing and soloist in an alternating manner.
Reel 29: Coll. 72, Tape 6: Lebanon - Druze Funeral Songs (Racy), undated: Druze funeral band music.
Reel 30: Coll. 72, Tape 7: Lebanon - Druze Funeral Songs (Racy), undated: Continuation of tape 6 containing funeral band music.
Reel 31: Coll. 72, Tape 8: Lebanon - Druze Funeral Songs (Racy), undated: Women "choir" singing and soloist in alternation. Continuation of tape 7.
Reel 32: Coll. 72, Tape 9: Lebanon - Druze Funeral Songs (Racy), undated: Continuation of women's "choir" from tape 8.
Reel 33: Coll. 72, Tape 10: Lebanon - Druze Funeral Songs (Racy), undated: Continuation of women's "choir" on tape 9.
Reel 34: Coll. 72, Tape 11: Lebanon - Druze Funeral Songs (Racy), undated

Box 14

Reel 1: Coll. 72, Tape 12: Lebanon - Druze Funeral Songs (Racy), undated: Includes continuation of funeral ceremony from Tapes 10 and 11 and excerpts from four funeral ceremonies.
Reel 2: Coll. 72, Tape 13: Lebanon - Druze Funeral Songs (Racy), undated
Reel 3: Coll. 72, Tape 14: Lebanon - Druze Funeral Songs (Racy), undated: Continuation of Tape 13.
Reel 4: Coll. 72, Tape 15: Lebanon - Druze Funeral Songs (Racy), undated: Continuation of Tapes 13 and 14.
Reel 5: Coll. 72, Tape 16: Lebanon - Druze Funeral Songs (Racy), undated
Reel 6: Coll. 72, Tape 17: Lebanon - Druze Funeral Songs (Racy), undated: Continuation of Tape 16.
Reel 7: Coll. 72, Tape 18: Lebanon - Druze Funeral Songs (Racy), undated
Reel 8: Coll. 72, Tape 19: Lebanon - Druze Funeral Songs (Racy), undated
Reel 9: Coll. 72, Tape 20: Lebanon - Druze Wedding (Racy), undated
Reel 10: Coll. 72, Tape 21: Lebanon - Druze Wedding (Racy), undated
Reel 11: Coll. 72, Tape 22: Lebanon - Druze Weddning (Racy), undated
Reel 12: Coll. 73, Tape 1: Brazil - Bahia (Behague), undated
Reel 13: Coll. 73, Tape 2: Brazil - Bahia (Behague), undated
Reel 14: Coll. 73, Tape 3: Brazil - Bahia (Behague), undated
Reel 15: Coll. 73, Tape 4: Brazil - Bahia (Behague), undated
Reel 16: Coll. 73, Tape 5: Brazil - Bahia (Behague), undated
Reel 17: Coll. 73, Tape 6: Brazil - Bahia - Interview with Olga de Alaketu (Behague), undated
Reel 18: Coll. 73, Tape 7: Brazil - Bahia - Interview with Olga Alaketu (Behague), undated
Reel 19: Coll. 73, Tape 8: Brazil - Bahia (Behague), undated
Reel 20: Coll. 73, Tape 9: Brazil - Bahia (Behague), undated
Reel 21: Coll. 73, Tape 10: Brazil - Bahia (Behague), undated
Reel 22: Coll. 73, Tape 11: Brazil - Bahia (Behague), undated
Reel 23: Coll. 73, Tape 12: Brazil - Bahia (Behague), undated
Reel 24: Coll. 73, Tape 13: Brazil - Bahia (Behague), undated
Reel 25: Coll. 73, Tape 14: Brazil - Bahia (Behague), undated
Reel 26: Coll. 73, Tape 15: Brazil - Bahia (Behague), undated
Reel 27: Coll. 74, Tape 1: U.S.S.R. - Uzbeckistan Melodia, undated: This collection constsist of copies of Melodia records.
Reel 28: Coll. 74, Tape 2: U.S.S.R. - Uzbeckistan Melodia, undated
Reel 29: Coll. 74, Tape 3: U.S.S.R. - Uzbeckistan Melodia, undated
Reel 30: Coll. 75, Tape 1: Ghana - Recordings with Amoaku (Witmer), February 15, 1971: Includes discussion of project, interview with Willie Amoaku, and demonstration of basic elements of Tigari dance.
Reel 31: Coll. 75, Tape 2: Ghana - Recordings with Amoaku (Witmer), February 22, 1971: Includes discussion of "Kete" ceremonial music of the Ashantahini and full rhythm track for Kete.
Reel 32: Coll. 75, Tape 3: Ghana - Recordings with Amoaku (Witmer), March 1, 1971: Includes two Kete improvisations to the rhythm track on Tape 2.
Reel 33: Coll. 75, Tape 4: Ghana - Recordings with Amoaku (Witmer), March 19, 1971: Includes discussion of traditional high-life in Ghana (Akpaisa, Siky [Sichy]), high-life improvisations with Whitmer playing bell and Amoaku playing drums.
Reel 34: Coll. 75, Tape 5: Ghana - Recordings with Amoaku (Witmer), March 19, 1971: Continuation of Tape 4.
Reel 35: Coll. 75, Tape 6: Ghana - Recordings with Amoaku (Witmer), February 1971-April 1971

Box 15

Reel 1: Coll. 75, Tape 7: Ghana - Amoku (Witmer), February 1971-April 1971: Improvisation in West African drumming
Reel 2: Coll. 75, Tape 8: Ghana - Amoku (Witmer), February 1971-April 1971
Reel 3: Coll. 75, Tape A: Ghana - Amoku (Witmer), February 1971-April 1971
Reel 4: Coll. 75, Tape B: Ghana - Amoku (Witmer), February 1971-April 1971
Reel 5: Coll. 75, Tape C: Ghana - Amoku (Witmer), February 1971-April 1971
Reel 6: Coll. 75, Tape D: Ghana - Amoku (Witmer), February 1971-April 1971
Reel 7: Coll. 75, Tape E: Ghana - Amoku (Witmer), February 1971-April 1971
Reel 8: Coll. 76, Tape 1: India - (Jairazbhoy), 1963: British Broadcasting Corporation
Reel 9: Coll. 76, Tape 2: India - (Jairazbhoy), 1963
Reel 10: Coll. 76, Tape 3: India - (Jairazbhoy), 1963
Reel 11: Coll. 76, Tape 4: India - (Jairazbhoy), 1963
Reel 12: Coll. 76, Tape 5: India - (Jairazbhoy), 1963
Reel 13: Coll. 76, Tape 6: India - (Jairazbhoy), 1963
Reel 14: Coll. 76, Tape 7: India - (Jairazbhoy), 1963
Reel 15: Coll. 76, Tape 8: India - (Jairazbhoy), 1963
Reel 16: Coll. 76, Tape 9: India - (Jairazbhoy), 1963
Reel 17: Coll. 76, Tape 10: India - (Jairazbhoy), 1963
Reel 18: Coll. 76, Tape 11: India - (Jairazbhoy), 1963
Reel 19: Coll. 76, Tape 12: India - (Jairazbhoy), 1963
Reel 20: Coll. 76, Tape 13: India - (Jairazbhoy), 1963
Reel 21: Coll. 77, Tape 2: India - Classical music - Hindustani (Khan), May 1971: Copied from commercial records in the possession of Mrs. Oscar Lewis.
Reel 22: Coll. 78, Tape 1: Yugoslavia (Oinas), undated: Oral Literature
Reel 23: Coll. 79, Tape 1: Indians of North America (Rhodes), undated
Reel 24: Coll. 81, Tape 1: Brazil (Leeds), August 7, 1965
Reel 25: Coll. 81, Tape 2: Brazil (Leeds), August 7, 1965
Reel 26: Coll. 81, Tape 3: Brazil (Leeds), August 7, 1965
Reel 27: Coll. 81, Tape 4: Brazil (Leeds), August 7, 1965
Reel 28: Coll. 82, Tape 1: Brazil (Azevedo), ca. 1968
Reel 29: Coll. 82, Tape 2: Brazil (Azevedo), ca. 1968
Reel 30: Coll. 82, Tape 3: Brazil (Azevedo), ca. 1968
Reel 31: Coll. 83, Tape 1: Israel - classical music - Persian (Nettl and Shiloah), undated: Copy of tape in Phonoteque of Jewish music Research Center, originally made by Kol Isreal. Interview in Hebrew, with examples. Includes a tasnif also recorded by Nettl, performer is Yones Dardashti, singer.
Reel 32: Coll. 83, Tape 2: Israel - classical music - Persian (Nettl and Shiloah), undated: Persian violin music.

Box 16

Reel 1: Coll. 83, Tape 3: Persian music - Israel, undated: Copy of tape in Phonoteque of Jewish Music Research Center, originally made by Kol Israel. Interview in Hebrew. Performer is Yones Dardashti, singer.
Reel 2: Coll. 84, Tape 1: Arabic music - Israel (Nettl), June 6, 1971: Recorded in Haifa by Nettl and Suheil Radwan, in the home of the performer, Hekmat Shahin - oud, and his son - violin. Performance of Hejaz.
Reel 3: Coll. 85, Tape 1: Qatar - Arabic classical music (Racy), undated
Reel 4: Coll. 85, Tape 2: Qatar - Arabic classical music (Racy), undated
Reel 5: Coll. 85, Tape 3: Qatar - Arabic classical music (Racy), undated
Reel 6: Coll. 85, Tape 4: Qatar - Arabic classical music (Racy), undated
Reel 7: Coll. 85, Tape 5: Qatar - Arabic classical music (Racy), undated
Reel 8: Coll. 85, Tape 6: Qatar - Arabic classical music (Racy), undated
Reel 9: Coll. 85, Tape 7: Qatar - Arabic classical music (Racy), undated
Reel 10: Coll. 85, Tape 8: Qatar - Arabic classical music (Racy), undated
Reel 11: Coll. 86, Tape 1: Mexico - Queretaro (Stigberg), Summer 1970
Reel 12: Coll. 86, Tape 2: Mexico - Queretaro (Stigberg), Summer 1970
Reel 13: Coll. 86, Tape 3: Mexico - Queretaro (Stigberg), Summer 1970
Reel 14: Coll. 86, Tape 4: Mexico - Queretaro (Stigberg), Summer 1970
Reel 15: Coll. 86, Tape 5: Mexico - Queretaro (Stigberg), Summer 1970
Reel 16: Coll. 86, Tape 6: Mexico - Queretaro (Stigberg), Summer 1970
Reel 17: Coll. 86, Tape 6, side B: Mexico - Queretaro (Stigberg), Summer 1970
Reel 18: Coll. 86, Tape 7: Mexico - Queretaro (Stigberg), Summer 1970
Reel 19: Coll. 86, Tape 7: Mexico - Queretaro (Stigberg), Summer 1970
Reel 20: Coll. 86, Tape 8: Mexico - Queretaro (Stigberg), Summer 1970
Reel 21: Coll. 86, Tape 9: Mexico - Queretaro (Stigberg), Summer 1970
Reel 22: Coll. 86, Tape 10: Mexico - Queretaro (Stigberg), Summer 1970
Reel 23: Coll. 86, Tape 11: Mexico - Queretaro (Stigberg), Summer 1970
Reel 24: Coll. 86, Tape 12: Mexico - Queretaro (Stigberg), Summer 1970
Reel 25: Coll. 86, Tape 13: Mexico - Queretaro (Stigberg), Summer 1970
Reel 26: Coll. 86, Tape 14: Mexico - Queretaro (Stigberg), Summer 1970
Reel 27: Coll. 86, Tape 15: Mexico - Queretaro (Stigberg), Summer 1970
Reel 28: Coll. 86, Tape 16: Mexico - Queretaro (Stigberg), Summer 1970
Reel 29: Coll. 87, Tape 1: Israel - Samaritans (Herzog), 1969: Samaritan Day of Atonement
Reel 30: Coll. 87, Tape 2: Israel - Samaritans (Herzog), 1969: Continuation of Day of Atonement.
Reel 31: Coll. 87, Tape 3: Israel - Samaritans (Herzog), 1969: Continuation of Day of Atonement.
Reel 32: Coll. 88, Tape 1: Tunisia - popular music, undated: The Arabic Music Band directed by Abd al-Halim Nuwayrah cpoied from commercial recordings.
Reel 33: Coll. 88, Tape 2: Tunisia - popular music, undated
Reel 34: Coll. 88, Tape 3: Tunisia - popular music, undated

Box 17

Reel 1: Coll. 88 Tape 4: Tunisia The Arabic Music Band directed by Abd al-Halim Nuwayrah, Undated: Tapes 4-6 are recordings of commerical popular music.
Reel 2: Coll. 88 Tape 5: Tunisia The Arabic Music Band directed by Abd al-Halim Nuwayrah, Undated
Reel 3: Coll. 88 Tape 6: Tunisia The Arabic Music Band directed by Abd al-Halim Nuwayrah, Undated
Reel 4: Coll. 89 Tape 1: Ecuador (Whitten), 1971: Reels 1-10 were recorded by Professor Norman Whitten and contain music from Ecuador.
Reel 5: Coll. 89 Tape 2: Ecuador (Whitten), 1971
Reel 6: Coll. 80 Tape 3: Ecuador (Whitten), 1971
Reel 7: Coll. 89 Tape 4 Ecuador (Whitten), 1971
Reel 8: Coll. 89 Tape 5: Ecuador (Whitten), 1971
Reel 9: Coll. 89 Tape 6: Ecuador (Whitten), 1971
Reel 10: Coll.89 Tape 7: Ecuador (Whitten), 1971
Reel 11: Coll. 89 Tape 8: Ecuador (Whitten), 1971
Reel 12: Coll.89 Tape 9: Ecuador (Whitten), 1971
Reel 13: Coll. 89 Tape 10: Ecuador (Whitten), 1971
Reel 14: Coll. 90 Tape 1: Iran, Gorgan/Rafsanian (Beard), 1969-1970: Reels 1-12 contain recordings done by Mike Beard in Iran.
Reel 15: Coll. 90 Tape 2: Iran Gorgon/Rafsanian (Beard), 1969-1970
Reel 16: Coll. 90 Tape 3: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 17: Coll. 90 Tape 4: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 18: Coll. 90 Tape 5: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 19: Coll. 90 Tape 6: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 20: Coll. 90 Tape 7: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 21: Coll. 90 Tape 8: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 22: Coll. 90 Tape 9: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 23: Coll. 90 Tape 10: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 24: Coll. 90 Tape 11: Iran Gorgan/Rafsanian (Beard), 1969-1970
Reel 25: Coll. 90 Tape 12: Iran Gorgan/Rafsanian, 1969-1970
Reel 26: Coll. 91 Tape 1: Egypt (Lachmann), Undated
Reel 27: Coll. 92 Tape 1: Arabic Music Taqasim (Racy), 1971-1972: Reels 1-3 contain recordings of Arabic music, tagasim.
Reel 28: Coll. 92 Tape 2: Arabic Music (Racy), 1971-1972
Reel 29: Coll. 92 Tape 3: Arabic Music (Racy), 1971-1972
Reel 30: Coll. 92 Tape 4: Arabic Classical Music (Racy), 1971-1972: Reels 4-7 are recordings from Classical Arabic Music from Lebanon.
Reel 31: Coll. 92 Tape 5: Arabic Classical Music (Racy), 1971-1972
Reel 32: Coll. 92 Tape 6: Arabic Classical Music (Racy), 1971-1972
Reel 33: Coll. 92 Tape 7: Arabic Classical Music (Racy), 1971-1972

Box 18

Reel 1: Coll. 92, Tape 8: Lebanon - Arabic Classical Music (Racy), November 7-14, 1971: Taqasim on the buzug
Reel 2: Coll. 92, Tape 9: Lebanon - Arabic Classical Music (Racy), November 16-25, 1971
Reel 3: Coll. 92, Tape 10: Lebanon - Arabic Classical Music (Racy), November 29-December 11, 1971
Reel 4: Coll. 92, Tape 11: Lebanon - Arabic Classical Music (Racy), December 13, 1971-January 6, 1972
Reel 5: Coll. 92, Tape 12: Leabnon - Arabic Classical Music (Racy), January 12-18, 1972
Reel 6: Coll. 91, Tape 13: Lebanon - Arabic Classical Music (Racy), February 6-9, 1972
Reel 7: Coll. 92, Tape 14: Lebanon - Arabic Classical Music (Racy), February 13-17, 1972
Reel 8: Coll. 92, Tape 15: Lebanon - Arabic Classical Music (Racy), February 19-25, 1972
Reel 9: Coll. 92, Tape 16: Lebanon - Arabic Classical Music (Racy), February 27-March 12, 1972
Reel 10: Coll. 93, Tape 1: United States (Robinson), undated: Lecture by Earl Robinson
Reel 11: Coll. 94, Tape 1: United States - Illinois (Dyen and Root): German songs collected in Royal, Illinois.
Reel 12: Coll. 96, Tape 1: Latin America - popular music from commercial recordings, undated: Mexicana, an album of typical Mexican Music by popular Mexican singers: Juan Arvizu, Tito Guizar, Pepe and Chabela, Dora Luz, Los Trovadores Portenos, Lorenzo Barcelata with his Calaveras Trio.
Reel 13: Coll. 96, Tape 1: Latin America - popular music from commercial recordings, copy, undated: This collection consists of original acetate tapes and copies made of those tapes.
Reel 14: Coll. 96, Tape 2: Latin America - popular music from commercial recordings, undated
Reel 15: Coll. 96, Tape 2: Latin America - popular music from commercial recordings, copy, undated
Reel 16: Coll. 96, Tape 3: Latin America - popular music from commercial recordings, undated: Miguelito Valdes, an album of Bim Bam Boom along with 2 tracks by Rafael Hernadez and one track by Cantado with Davilita and Rafael.
Reel 17: Coll. 96, Tape 3: Latin America - popular music from commercial recordings, copy, undated
Reel 18: Coll. 96, Tape 4: Latin America - popular music from commercial recordings, undated
Reel 19: Coll. 96, Tape 4: Latin America - popular music from commercial recordings, copy, undated
Reel 20: Coll. 96, Tape 5: Latin America - popular music from commercial recordings, undated
Reel 21: Coll. 96, Tape 5: Latin America - popular music from commercial recordings, copy, undated
Reel 22: Coll. 97, Tape 1: Iran - Classical Music (Ruh-Afza), undated
Reel 23: Coll. 97, Tape 2: Iran - Classical Music (Ruh-Afza), undated
Reel 24: Coll. 97, Tape 3: Iran - Classical Music (Ruh-Afza), undated
Reel 25: Coll. 97, Tape 4: Iran - Classical Music (Ruh-Afza), undated
Reel 26: Coll. 97, Tape 5: Iran - Classical Music (Ruh-Afza), undated
Reel 27: Coll. 97, Tape 6: Iran - Classical Music (Ruh-Afza), undated
Reel 28: Coll. 97, Tape 7: Iran - Classical Music (Ruh-Afza), undated
Reel 29: Coll. 97, Tape 8: Iran - Classical Music (Ruh-Afza), undated
Reel 30: Coll. 97, Tape 9: Iran - Classical Music (Ruh-Afza), undated
Reel 31: Coll. 98, Tape 1: Indians of South America - Amuesha (Smith), undated
Reel 32: Coll. 98, Tape 2: Indians of South America - Amuesha (Smith), undated
Reel 33: Coll. 99, Tape 1: Music from Cuba, undated: Popular music from Cuba.
Reel 34: Coll. 99, Tape 2: Music from Cuba, undated

Box 19

Reel 1: Coll. 101 Tape 1: Egypt Art Music (Racy), 1972: Reels 1-9 are recodings of Egyptian Art Music collected by Racy in the summer of 1972.
Reel 2: Coll. 101 Tape 2: Egypt Art Music (Racy), 1972
Reel 3: Coll. 101 Tape 3: Egypt Art Music (Racy), 1972
Reel 4: Coll. 101 Tape 4: Egypt Art Music (Racy), 1972
Reel 5: Coll. 101 Tape 5: Egypt Art Music (Racy), 1972
Reel 6: Coll. 101 Tape 6: Egypt Art Music (Racy), 1972
Reel 7: Coll. 101 Tape 7: Egypt Art Music (Racy), 1972
Reel 8: Coll. 101 Tape 8: Egypt Art Music (Racy), 1972
Reel 9: Coll. 101 Tape 9 Egypt Art Music (Racy), 1972
Reel 10: Coll. 102 Tape 1: Indians of North America Papago (Haefer), Undated: Reels 1-10 are recordings of Indians of North America Papago done by Haefer.
Reel 11: Coll. 102 Tape 2: Indians of North America Papago (Haefer), Undated
Reel 12: Coll. 102 Tape 3: Indians of North America Papago (Haefer), Undated
Reel 13: Coll. 102 Tape 4: Indians of North America Papago (Haefer), Undated
Reel 14: Coll. 102 Tape 5: Indians of North America Papago (Haefer), Undated
Reel 15: Coll. 102 Tape 6: Indians of North America Papago (Haefer), Undated
Reel 16: Coll. 102 Tape 7: Indians of North America Papago (Haefer), Undated
Reel 17: Coll. 102 Tape 8: Indians of North America Papago (Haefer), Undated
Reel 18: Coll. 102 Tape 9: Indians of North America Papago (Haefer), Undated
Reel 19: Coll. 103 Tape 1: Iran Kurdestan (Hadsanpour), Undated: Reels 1-6 are recordings fron Iran, Kurdestan by Hadsanpour.
Reel 20: Coll. 103 Tape 2: Iran Kurdestan (Hadsanpour), Undated
Reel 21: Coll. 103 Tape 3: Iran Kurdestan (Hadsanpour), Undated
Reel 22: Coll. 103 Tape 4: Iran Kurdestan (Hadsanpour), Undated
Reel 23: Coll. 103 Tape 5: Iran Kurdestan (Hadsanpour), Undated
Reel 24: Coll. 103 Tape 6: Iran Kurdestan (Hadsanpour), Undated
Reel 25: Coll. 104 Tape 1: India Classical Music Hindustani (Solis), October 26, 1976: These are recordings from India of classical hindustani music by Ted Solis.
Reel 26: Coll. 105 Tape 1: Indians of North America Arapaho (Salzmann), Undated: Recordings of North American Indians Arapaho by Salzmann.
Reel 27: Coll. 106 Tape 1: United States Alabama (Tallmage), 1968: Reels 1-8 are recordings from Alabama (U.S.), by W. H. Tallmadge during May 30, 1968 - June 9, 1968.
Reel 28: Coll. 106 Tape 2: United States Alabama (Tallmadge), 1968
Reel 29: Coll. 106 Tape 3: United States Alabama (Tallmadge), 1968
Reel 30: Coll. 106 Tape 4: United States Alabama (Tallmadge), 1968
Reel 31: Coll. 106 Tape 5: United States Alabama (Tallmadge), 1968
Reel 32: Coll. 106 Tape 6: United States Alabama (Tallmadge), 1968
Reel 33: Coll. 106 Tape 7: United States Alabama (Tallmadge), 1968
Reel 34: Coll. 106 Tape 8: United States Alabama (Tallmadge), 1968

Box 20

Reel 1: Coll. 106, Tape 9: Tallmadge Tape Collection - Ozark, Alabama, June 2, 1968: Copy of tapes 11 and 12 from original recording. Contains Colored Sacred Harp Convention and singing and sermon by S.J. Jackson with surge singing at the end of the tape.
Reel 2: Coll. 106, Tape 10: Tallmadge Tape Collection - Ozark, Alabama, June 2, 1968: Copy of tapes 13 and 14 from original recording. Sacred harp singing and 4 shape note singing in honor of Brother W.Y. Lawrence at the First Baptist Church.
Reel 3: Coll. 106, Tape 11: Tallmadge Tape Collection - Ozark, Alabama, June 2, 1968: Copy of tapes 15 and 16 from original recording. Contains recordings of First Baptist Sacred Harp Singing and Ozark Colored Sacred Harp Singing.
Reel 4: Coll. 106, Tape 12: Tallmadge Tape Collection - Ozark, Alabama, June 2, 1968: Copy of tape 17 in original collection. Contains an interview and a recording of Trailer of R. Archie Childs, leader of the White Sacred Harp Singers.
Reel 5: Coll. 106, Tape 13: Tallmadge Tape Collection - Ozark, Alabama, June 3, 1968: Copy of tapes 17 and 18 from original recordings. Trailer of R. Archie Childs, the leader of the White Sacred Harp Singers, and a biography of J. Jackson.
Reel 6: Coll. 106, Tape 14: Tallmadge Tape Collection - Ozark, Alabama, June 2, 1968: Copy of tapes 18, 19, and 20 from original recordings. Contains radio programming from station WOZK of Dewey Williams on the Sacred Program Cooper Book, and TV station WTVY programming on Colored Sacred Harp.
Reel 7: Coll. 106, Tape 15: Tallmadge Tape Collection - Ozark, Alabama, June 9, 1968: Copy of original tapes 21 and 22. Old Salem Baptist Church singing in honor of an unidentified person, and additional recordings from Old Salem Church.
Reel 8: Coll. 106, Tape 16: Tallmadge Tape Collection - Ozark, Alabama, June 9, 1968: Copy of original tapes 22 and 23. Contains selections from Old Salem Church.
Reel 9: Coll. 106, Tape 17: Tallmadge Tape Collection - Ozark, Alabama, June 9, 1968: Copy of tapes 23 and 24 from original recording. Contains recording of Old Salem Church and "Lovin' Jesus" played by B.F. White on the sacred harp.
Reel 10: Coll. 107, Tape 1: Iran -- Classical Music (Farhat), undated
Reel 11: Coll. 107, Tape 2: Iran -- Classical Music (Farhat), undated
Reel 12: Coll. 107, Tape 3: Iran -- Classical Music (Farhat), undated
Reel 13: Coll. 107, Tape 4: Iran -- Classical Music (Farhat), undated
Reel 14: Coll. 108, Tape 2: Arabic (Ringer), December 1971 - June 1972: Recordings of Ud and violin music. Tracks include: 1) Fadal el Namor, Rast I, II 2) Bayat - Song and Taqsim 3) Hikmat Shahin, Rast 4) Development of the same taqsim 5) Sunon Shohin - Bayat 6) Hakmat Shahin - Bayat 7) Hikmat a Simon - new piece in Faragfaza 8) Simon Shahin, Bayat
Reel 15: Coll. 108, Tape 5: Arabic (Ringer), March 12, 1971 - May 6, 1971: Recordings of music performed on the ud. Tracks include: 1) Abraham David Hacihem, Bayat; 2) Bayat - Egyptian; 3) Rast; 4) Naser Sahwan Bayat; 5) Rast; 6) Yusef Nimero Bayat; 7) Rast; 8) Naser Sahwar Bayat; 9) Muhammad Fuad Mansur Rast
Reel 16: Coll. 108, Tape 6: Arabic (Ringer), March 1971 - June 1972: Recordings of music played on ud and violin. Tracks include: 1) Muhamad Fuad Mansur - Bayat; 2) cont.; 3) Shukri - Bayat id second part; 4) Shukri Modern Tasqim - Nahaward; 5) Salim Naddaq - Bayat; 6) cont.; 7) Rast; 8) Hikmat Shahin - Rast; 9) cont.; 10) Hikmat Shahin - Rast.
Reel 17: Coll. 109, Tape 1: Iran -- Khorasan (Blum), undated: Copy of original tape 167. Contains charbeiti music performed by Ismail Hatemi, Idem, and Ali Rana'i, and Taher Mirza Zohre music performed by Idem and Mokhtar Esfaerayeini.
Reel 18: Coll. 109, Tape 2: Iran -- Khorasan (Blum), undated: Copy of original tapes 167 and 168 from Blum's collection. Contains Idem's musical performances of Taher Mirza Zohre and Shah Zadeh Baehmaen.
Reel 19: Coll. 109, Tape 3: Iran -- Khorasan (Blum), undated: Copy of original tape 168 from Blum's collection. Contains Idem's musical performances of Taher Mirza Zohre and Shah Zadeh Baehmaen.
Reel 20: Coll. 109, Tape 4: Iran -- Khorasan (Blum), undated: Copy of original tape 169 from Blum's collection. Contains musical performances of Shah Zadeh Baehmaen by Mokhtar Esfaerayeini and Idem.
Reel 21: Coll. 109, Tape 5: Iran -- Khorasan (Blum), undated: Copy of original tapes 169 and 170 from Blum's collection. Contains an interview with Mokhtar Esfaerayeini, performances by Aebdul Raesul, Mokhtar Esfaerayeini, and Idem. Songs include Shah Zadeh Baehmaen, Naeva'i, Saqi-Name, and Haemra Huri Laeqa.
Reel 22: Coll. 109, Tape 6: Iran -- Khorasan (Blum), undated: Copy of original tape 170 from Blum's collection. Contains an interview with Mokhtar Esfaerayeini, performances of music by Aebdul Raesul, Mokhtar Esfaerayeini, and Idem. Songs include Naeva'i, Saqi-Name, and Haemra Huri Laeqa.
Reel 23: Coll. 109, Tape 7: Iran -- Khorasan (Blum), undated: Copy of original tape 170 and 172 from Blum's collection. Performances of music by Aebdul Raesul, Mokhtar Esfaerayeini, and Idem. Songs include Shah Zadeh Baehmaen, Naeva'i, Shah Ismail, Saqi-Name, and Haemra Huri Laeqa.
Reel 24: Coll. 109, Tape 8: Iran -- Khorasan (Blum), undated: Copy of original tape 172 from Blum's collection. Performances of song Shah Ismail by Mokhtar Esfaerayeini and Idem.
Reel 25: Coll. 109, Tape 9: Iran -- Khorasan (Blum), undated: Copy of original tapes 172 and 173 from Blum's collection. Performances of music by Mokhtar Esfaerayeini, Musa Esfaerayeini, and Idem. Songs include Shah Ismail, and Naejjemae.
Reel 26: Coll. 109, Tape 10: Iran -- Khorasan (Blum), undated: Copy of original tapes 173 and 174 from Blum's collection. Performances of music by Idem, Musa Esfaerayeini, and Mokhtar Esfaerayeini. Songs include Shah Ismail and Naejjemae.
Reel 27: Coll. 109, Tape 11: Iran -- Khorasan (Blum), undated: Copy of original tape 174 from Blum's collection. Interview with Idem and performances of music by Idem, Musa Esfaerayeini, and Mokhtar Esfaerayeini. Songs include Shah Ismail, Saqi-Name, Taevaellod-e Adaem, Qasse-'e Yer Aseman and Naejjemae.
Reel 28: Coll. 109, Tape 12: Iran -- Khorasan (Blum), undated: Copy of original tape 175 from Blum's collection. Contains an interview with Idem and musical performances by Idem of songs, including Qasse-'e Yer Aseman and Koroghli.
Reel 29: Coll. 109, Tape 13: Iran -- Khorasan (Blum), undated: Copy of original tape 176 from Blum's collection. Contains an interview with Mokhtar Esfaerayeini, including spoken recitation of "Bist-o nou nurui," and musical performances by Idem. Songs include Ghaerid Shahsenaem, Kaeraem Aesli Khan, and Khezr Peignaembaer.
Reel 30: Coll. 109, Tape 14: Iran -- Khorasan (Blum), undated: Copy of original tape 175 from Blum's collection. Contains musical performances by Idem. Songs include Khezr Peignaembaer, Naeva'i, and Aejaem.
Reel 31: Coll. 109, Tape 15: Iran -- Khorasan (Blum), undated: Copy of original tape 177 from Blum's collection. Musical performances by Idem and Mokhtar Esfaerayeini. Songs include Aejaem, Koroghli, Shaehroanu, and a poem in praise of Khahjaer Khan.
Reel 32: Coll. 109, Tape 16: Iran -- Khorasan (Blum), undated: Copy of original tape 177 from Blum's collection. Musical performances by Idem. Songs include Aejaem, Koroghli, Shaehroanu, and a poem in praise of Khahjaer Khan.
Reel 33: Coll. 109, Tape 17: Iran -- Khorasan (Blum), undated: Copy of original tape 171 from Blum's collection. Contains musical performances by Idem, Mokhtar Esfaerayeini, and Abdul Raesul. Songs include Haemra Huri Laeqa, Shinrin Shaekaer-e Kordi, and charbeiti.

Box 21

Reel 1: Coll. 109, Tape 18: Iran - Khorasan (Blum), undated: Copy of original S. Blum collection.
Reel 2: Coll. 110, Tape 1: Indians of North America - Blackfoot (Nettl), Summer 1967: Minutes 1-10 recent social dances, 10-15 North American Indian Days and Sun Dance, 15-23 Cheifs: Theodore Lost Star, 23-30 Horse Medicine.
Reel 3: Coll. 110, Tape 2: Indians of North America - Blackfoot (Nettl), Summer 1967: Minutes 1-5, "Flag Song!" (sung), 5-8 Famous relative who sang (sings "Victory Song"), 8-10 About songs sung in camp (sings), 10-12 Song ownership, 12-18 Dreaming songs, description of dream (sings song), 18-25 Another dream (sings), 25-30 An older dream (sings); song for self-protection.
Reel 4: Coll. 110, Tape 3: Indians of North America - Blackfoot (Nettl), Summer 1967: Minutes 1-10 About religion, Catholic and Indian, 10-15 Sound of various musics: differences between Indian and Western, 15-20 Instruments, 20-22 Instruments used as child; musical bow, 22-29 Mrs. Mary Boy tells the dream.
Reel 5: Coll. 110, Tape 4: Indians of North America - Blackfoot (Nettl), Summer 1967: Minutes 1-10 About feelings re: whites and Indians, 10-13 About making songs Story about Henry Morning Guns (sings), 13-15 Stories about making up songs, 15-20 Song ownership, 20-22 Beaver medicine (2 songs), 22-23 Unauthorized singing, 23-25 Mrs. Boy story of unauthorized singing, 25-27 C.B., unauthorized singing, 27-28 Famous singers and composers, 28-30 Composition techniques.
Reel 6: Coll. 110, Tape 5: Indians of North America - Blackfoot (Nettl), Summer 1967: Minutes 1-5 Favorite songs: White Horse Song sung, 5-8 Song baout Windy Boy, 8-9 Another song he likes, 9-11 Favorite song of mother, 11-14 Own Dance Song - words translated, 15-17 English words song - "If you went for me", 17-18 About favorite songs, 18-20, Another favorite song, 20-24 Learning songs from other reservations, 24-28 Favorite songs - sings an Owl Dance song, 28-29 Sings another favorite song, 29-31, Group singing and solo singing, 31-40 Singing groups, 40-45 Sun dance song and Sun Dance, 45-50 Societies he belonged to.
Reel 7: Coll. 111, Tape 1: Brazil - Bahia (Behague), January 20, 1973: Tapes 1-4: Ceremony Pade de Exu
Reel 8: Coll. 111, Tape 2: Brazil - Bahia (Behague), January 20, 1973
Reel 9: Coll. 111, Tape 3: Brazil - Bahia (Behague), January 20, 1973
Reel 10: Coll. 111, Tape 4: Brazil - Bahia (Behague), January 20, 1973
Reel 11: Coll. 111, Tape 5: Brazil - Bahia (Behague), February 4, 1973: Tapes 5-8: Festa Ogum
Reel 12: Coll. 111, Tape 6: Brazil - Bahia (Behague), February 4, 1973
Reel 13: Coll. 111, Tape 7: Brazil - Bahia (Behague), February 4, 1973
Reel 14: Coll. 111, Tape 8: Brazil - Bahia (Behague), February 4, 1973
Reel 15: Coll. 111, Tape 9: Brazil - Bahia (Behague), February 25, 1973: Tapes 9-10: Pade de Exu
Reel 16: Coll. 111, Tape 10: Brazil - Bahia (Behague), February 25, 1973
Reel 17: Coll. 111, Tape 11: Brazil - Bahia (Behague), April 28, 1973: Tapes 11-17: Festa de Caboclo
Reel 18: Coll. 111, Tape 12: Brazil - Bahia (Behague), April 28, 1973
Reel 19: Coll. 111, Tape 13: Brazil - Bahia (Behague), April 28, 1973
Reel 20: Coll. 111, Tape 14: Brazil - Bahia (Behague), April 28, 1973
Reel 21: Coll. 111, Tape 15: Brazil - Bahia (Behague), April 28, 1973
Reel 22: Coll. 111, Tape 16: Brazil - Bahia (Behague), April 28, 1973
Reel 23: Coll. 111, Tape 17: Brazil - Bahia (Behague), April 28, 1973
Reel 24: Coll. 111, Tape 18: Brazil - Bahia (Behague), January 26, 1973: Tapes 18-21: Saida de Iaos
Reel 25: Coll. 111, Tape 19: Brazil - Bahia (Behague), January 28, 1973
Reel 26: Coll. 111, Tape 20: Brazil - Bahia (Behague), January 28, 1973
Reel 27: Coll. 111, Tape 21: Brazil - Bahia (Behague), January 29, 1973
Reel 28: Coll. 111, Tape 22: Brazil - Bahia (Behague), December 10, 1972: Tapes 22-25: Oro.
Reel 29: Coll. 111, Tape 23: Brazil - Bahia (Behague), December 10, 1972
Reel 30: Coll. 111, Tape 24: Brazil - Bahia (Behague), December 10, 1972
Reel 31: Coll. 111, Tape 25: Brazil - Bahia (Behague), December 10, 1972
Reel 32: Coll. 111, Tape 26: Brazil - Bahia (Behague), December 11, 1972: Tapes 26-28: Festa Iansae Omolu
Reel 33: Coll. 111, Tape 27: Brazil - Bahia (Behague), December 11, 1972
Reel 34: Coll. 111, Tape 28: Brazil - Bahia (Behague), December 11, 1972

Box 22

Reel 1: Coll. 111, Tape 29: Brazil - Bahia (Behague), February 3, 1973: Baptism of Drums
Reel 2: Coll. 111, Tape 30: Brazil - Bahia (Behague), February 25, 1973: Tapes 30-35: Deka Oxossi
Reel 3: Coll. 111, Tape 31: Brazil - Bahia (Behague), February 25, 1973
Reel 4: Coll. 111, Tape 32: Brazil - Bahia (Behague), February 25, 1973
Reel 5: Coll. 111, Tape 33: Brazil - Bahia (Behague), February 25, 1973
Reel 6: Coll. 111, Tape 34: Brazil - Bahia (Behague), February 25, 1973
Reel 7: Coll. 111, Tape 35: Brazil - Bahia (Behague), February 25, 1973
Reel 8: Coll. 111, Tape 36: Brazil - Bahia (Behague), March 26, 1973: Tapes 36-38: Festa Obaluaie
Reel 9: Coll. 111, Tape 37: Brazil - Bahia (Behague), March 26, 1973
Reel 10: Coll. 111, Tape 38: Brazil - Bahia (Behague), March 26, 1973
Reel 11: Coll. 111, Tape 39: Brazil - Bahia (Behague), April 22, 1973: Tapes 39-41: Festa Oxossi
Reel 12: Coll. 111, Tape 40: Brazil - Bahia (Behague), April 22, 1973
Reel 13: Coll. 111, Tape 41: Brazil - Bahia (Behague), April 22, 1973
Reel 14: Coll. 111, Tape 42: Brazil - Bahia (Behague), March 18, 1973: Tapes 42-47: Festa de Nome
Reel 15: Coll. 111, Tape 43: Brazil - Bahia (Behague), March 18, 1973
Reel 16: Coll. 111, Tape 44: Brazil - Bahia (Behague), March 18, 1973
Reel 17: Coll. 111, Tape 45: Brazil - Bahia (Behague), March 18, 1973
Reel 18: Coll. 111, Tape 46: Brazil - Bahia (Behague), march 18, 1973
Reel 19: Coll. 111, Tape 47: Brazil - Bahia (Behague), March 18, 1973
Reel 20: Coll. 111, Tape 48: Brazil - Bahia (Behague), February 23, 1973: Tapes 48-53: Festa Oxum
Reel 21: Coll. 111, Tape 49: Brazil - Bahia (Behague), February 23, 1973
Reel 22: Coll. 111, Tape 50: Brazil - Bahia (Behague), February 23, 1973
Reel 23: Coll. 111, Tape 51: Brazil - Bahia (Behague), February 23, 1973
Reel 24: Coll. 111, Tape 52: Brazil - Bahia (Behague), February 23, 1973
Reel 25: Coll. 111, Tape 53: Brazil - Bahia (Behague), February 23, 1973
Reel 26: Coll. 111, Tape 54: Brazil - Bahia (Behague), January 29, 1973: Tapes 54-63: Festa Obeduaie
Reel 27: Coll. 111, Tape 55: Brazil - Bahia (Behague), January 29, 1973
Reel 28: Coll. 111, Tape 56: Brazil - Bahia (Behague), January 29, 1973
Reel 29: Coll. 111, Tape 57: Brazil - Bahia (Behague), January 29, 1973
Reel 30: Coll. 111, Tape 58: Brazil - Bahia (Behague), January 29, 1973
Reel 31: Coll. 111, Tape 59: Brazil - Bahia (Behague), January 29, 1973
Reel 32: Coll. 111, Tape 60: Brazil - Bahia (Behague), January 29, 1973
Reel 33: Coll. 111, Tape 61: Brazil - Bahia (Behague), January 29, 1973
Reel 34: Coll. 111, Tape 62: Brazil - Bahia (Behague), January 29, 1973
Reel 35: Coll. 111, Tape 63: Brazil - Bahia (Behague), January 29, 1973

Box 23

Reel 1: Coll. 111, Tape 64: Brazil Bahia (Behague), January 29, 1973: Tapes 64-65: Festa Obeduaie (cont.)
Reel 2: Coll. 111, Tape 65: Brazil Bahia (Behague), January 29, 1973
Reel 3: Coll. 111, Tape 66: Brazil Bahia (Behague), January 27, 1973: Tapes 66-70: Festa Oxossi
Reel 4: Coll. 111, Tape 67: Brazil Bahia (Behague), January 27, 1973
Reel 5: Coll. 111, Tape 68: Brazil Bahia (Behague), January 27, 1973
Reel 6: Coll. 111, Tape 69: Brazil Bahia (Behague), January 27, 1973
Reel 7: Coll. 111, Tape 70: Brazil Bahia (Behague), January 27, 1973
Reel 8: Coll. 111, Tape 71: Brazil Bahia (Behague), January 28, 1973: Tapes 71-74: Festa Angola
Reel 9: Coll. 111, Tape 72: Brazil Bahia (Behague), January 28, 1973
Reel 10: Coll. 111, Tape 73: Brazil Bahia (Behague), January 28, 1973
Reel 11: Coll. 111, Tape 74: Brazil Bahia (Behague), January 28, 1973
Reel 12: Coll. 111, Tape 75: Brazil Bahia (Behague), January 1, 1973: Tapes 75-78: Festa de Oxala
Reel 13: Coll. 111, Tape 76: Brazil Bahia (Behague), January 1, 1973
Reel 14: Coll. 111, Tape 77: Brazil Bahia (Behague), January 1, 1973
Reel 15: Coll. 111, Tape 78: Brazil Bahia (Behague), January 1, 1973
Reel 16: Coll. 111, Tape 79: Brazil Bahia (Behague), March 11, 1973: Tracks 79-80: Festa Lorogam
Reel 17: Coll. 111, Tape 80: Brazil Bahia (Behague), March 11, 1973
Reel 18: Coll. 112, Tape 1: Copy of West African Tapes (Behague), May 29, 1973: Offering and Songs to Chango
Reel 19: Coll. 112, Tape 2: Copy of West African Tapes (Behague), June 1, 1973: Offering to Omolu
Reel 20: Coll. 112, Tape 3: Copy of West African Tapes (Behague), June 5, 1973: Festa Ondo
Reel 21: Coll. 112, Tape 4: Copy of West African Tapes (Behague), June 9, 1973: Tracks 4-5: Eesta Obaluaie
Reel 22: Coll. 112, Tape 5: Copy of West African Tapes (Behague), June 9, 1973
Reel 23: Coll. 112, Tape 6: Copy of West African Tapes (Behague), June 13, 1973: Tapes 6-7: Offering and Oro to Oshumare
Reel 24: Coll. 112, Tape 7: Copy of West African Tapes (Behague), June 13, 1973
Reel 25: Coll. 112, Tape 8: Copy of West African Tapes (Behague), June 20, 1973: Funeral Ceremonies, Ouidah Hovessinon Clan
Reel 26: Coll. 113, Tape 1: Joaosinho da Gomeia cam Ritual de Terreiro (Haefer), undated: Side 1: 1) Bombogira (Joao Alves Torres Filho), 2) Pemba, 3) Oxoce, 4) Caiaia, 5) Ogum, 6) Xango. Side 2: 1) Pavao, 2) Vou-me embora pro sertao, 3) Sou da mina do Sante, 4) Pedrinha, 5) Saudacao a Logunede, 6) Oxum.
Reel 27: Coll. 114, Tape 1: Batak Music (Becker), June 10, 1973: Tapes 1-8: Batak Modern Opera "Argado Bonani Pinsa." Recorded in Medan.
Reel 28: Coll. 114, Tape 2: Batak Music (Becker), 1973
Reel 29: Coll. 114, Tape 3: Batak Music (Becker), 1973
Reel 30: Coll. 114, Tape 4: Batak Music (Becker), September 13, 1973
Reel 31: Coll. 114, Tape 5: Batak Music (Becker), September 13, 1973
Reel 32: Coll. 114, Tape 6: Batak Music (Becker), September 14, 1973
Reel 33: Coll. 114, Tape 7: Batak Music (Becker), September 14, 1973
Reel 34: Coll. 115, Tape 1: Copy of Noh music (Japan), September 26, 1973: Tapes 1-2: recorded from cassette.
Reel 35: Coll. 115, Tape 2: Copy of Noh music (Japan), September 26, 1973
Reel 36: Coll. 116, Tape 1: Caniunto de Rabumba, November 30, 1972: Bahra.
Reel 37: Coll. 117, Tape 1: Iran - Classical Music (Waddey), undated: There is sheet music pertaining to the recordings in collection records folder (Box 1, Folder 101).
Reel 38: Coll. 118, Tape 1: Afghanistan - Herat, June 13, 1969.: Side A: 1) attan, 2) "Ruyaet naedidaem", 3) charbeiti saerhaeddi, 4) charbeiti saerhaeddi, 5) charbeiti, 6) attan. Side B: 7) Bhairavi, 8) Bhairavi, 9) Bhairavi, 10) charbeiti saerhaeddi.

Box 24

Reel 1: Coll. 118, Tape 2: Afghanistan - Herat (Blum), undated
Reel 2: Coll. 119, Tape 1: Yugoslav (Parry), undated: Yugoslav Epic Poetry
Reel 3: Coll. 120, Tape 1: United States - Illinois (Nanney), 1971-1973: Illinois Amish Songs
Reel 4: Coll. 120, Tape 2: United States - Illinois (Nanney), 1971-1973
Reel 5: Coll. 121, Tape 1: Latin America - popular music - commercial recording, undated
Reel 6: Coll. 122, Tape 1: Indians of North America - Huichoi (Lumholtz), undated
Reel 7: Coll. 123, Tape 1: India - classical music (Karnatk), undated
Reel 8: Coll. 123, Tape 2: India - classical music (Karnatk), undated
Reel 9: Coll. 123, Tape 3: India - classical music (Karnatk), undated
Reel 10: Coll. 124, Tape 1: Brazil - commercial recordings (Behague), undated
Reel 11: Coll. 125, Tape 1: Dahomey (Behague), June 1973: West African secular music. Gueli, secular dance. Drums and dance Adjogbo.
Reel 12: Coll. 125, Tape 2: Dahomey (Behague), June 1973
Reel 13: Coll. 126, Tape 1: Brazil - Bahia (Herskovits), 1941-1942: Coll. 126 consists of songs from Afro-Bahian religious groups.
Reel 14: Coll. 126, Tape 2: Brazil - Bahia (Herskovits), 1941-1942
Reel 15: Coll. 126, Tape 3: Brazil - Bahia (Herskovits), 1941-1942
Reel 16: Coll. 126, Tape 4: Brazil - Bahia (Herskovits), 1941-1942
Reel 17: Coll. 126, Tape 5: Brazil - Bahia (Herskovits), 1941-1942
Reel 18: Coll. 126, Tape 6: Brazil - Bahia (Herskovits), 1941-1942
Reel 19: Coll. 126, Tape 7: Brazil - Bahia (Herskovits), 1941-1942
Reel 20: Coll. 126, Tape 8: Brazil - Bahia (Herskovits), 1941-1942
Reel 21: Coll. 126, Tape 9: Brazil - Bahia (Herskovits), 1941-1942
Reel 22: Coll. 126, Tape 10: Brazil - Bahia (Herskovits), 1941-1942
Reel 23: Coll. 126, Tape 11: Brazil - Bahia (Herskovits), 1941-1942
Reel 24: Coll. 126, Tape 12: Brazil - Bahia (Herskovits), 1941-1942
Reel 25: Coll. 126, Tape 13: Brazil - Bahia (Herskovits), 1941-1942
Reel 26: Coll. 126, Tape 14: Brazil - Bahia (Herskovits), 1941-1942
Reel 27: Coll. 126, Tape 15: Brazil - Bahia (Herskovits), 1941-1942
Reel 28: Coll. 126, Tape 16: Brazil - Bahia (Herskovits), 1941-1942
Reel 29: Coll. 126, Tape 17: Brazil - Bahia (Herskovits), 1941-1942
Reel 30: Coll. 127, Tape 1: United States - Alabama (Dyen), 1973: Coll. 127 consists of Black Sacred Harp and Shape-note singing recordings.
Reel 31: Coll. 127, Tape 2: United States - Alabama (Dyen), 1973
Reel 32: Coll. 127, Tape 3: United States - Alabama (Dyen), 1973
Reel 33: Coll. 127, Tape 4: United States - Alabama (Dyen), 1973
Reel 34: Coll. 127, Tape 5: United States - Alabama (Dyen), 1973
Reel 35: Coll. 127, Tape 6: United States - Alabama (Dyen), 1973
Reel 36: Coll. 127, Tape 7: United States - Alabama (Dyen), 1973
Reel 37: Coll. 127, Tape 8: United States - Alabama (Dyen), 1973
Reel 38: Coll. 127, Tape 9: United States - Alabama (Dyen), 1973

Box 25

Reel 1: Coll. 127, Tape 1: United States - Alabama (Dyen), 1973: Black Sacred Harp and Shape-note singing
Reel 2: Coll. 127, Tape 2: United States - Alabama (Dyen), 1973
Reel 3: Coll. 127, Tape 3: United States - Alabama (Dyen), 1973
Reel 4: Coll. 127, Tape 4: United States - Alabama (Dyen), 1973
Reel 5: Coll. 127, Tape 5: United States - Alabama (Dyen), 1973
Reel 6: Coll. 127, Tape 6: United States - Alabama (Dyen), 1973
Reel 7: Coll. 127, Tape 7: United States - Alabama (Dyen), 1973
Reel 8: Coll. 127, Tape 8: United States - Alabama (Dyen), 1973
Reel 9: Coll. 128, Tape 1: Brazil - commercial recordings, undated: Vitalino e Seu Zabumba
Reel 10: Coll. 129, Tape 1: Bali - commercial recordings, undated
Reel 11: Coll. 129, Tape 2: Bali - commercial recordings, undated
Reel 12: Coll. 130, Tape 1: Iran - Kurdestan, undated
Reel 13: Coll. 130, Tape 2: Iran - Kurdestan, undated
Reel 14: Coll. 130, Tape 3: Iran - Kurdestan, undated
Reel 15: Coll. 131, Tape 1: Indians of North America - Taos Pueblo (Haefer), January 25, 1971
Reel 16: Coll. 131, Tape 2: Indians of North America - Taos Pueblo (Haefer), January 25, 1971
Reel 17: Coll. 132, Tape 1: Indians of South America - Iscobakabu (Braun), 1971-1973
Reel 18: Coll. 132, Tape 2: Indians of South America - Iscobakabu (Braun), 1971-1973
Reel 19: Coll. 132, Tape 3: Indians of South America - Iscobakabu (Braun), 1971-1973
Reel 20: Coll. 133, Tape 1: Egypt - cantillation, undated: Tapes 1-6 are Islamic commercial recordings
Reel 21: Coll. 133, Tape 2: Egypt - cantillation, undated
Reel 22: Coll. 133, Tape 3: Egypt - cantillation, undated
Reel 23: Coll. 133, Tape 4: Egypt - cantillation, undated
Reel 24: Coll. 133, Tape 5: Egypt - cantillation, undated
Reel 25: Coll. 133, Tape 6: Egypt - cantilation, undated
Reel 26: Coll. 134, Tape 1: Iran - cantilation, undated
Reel 27: Coll. 134, Tape 2: Iran - cantilation, undated
Reel 28: Coll. 134, Tape 3: Iran - cantilation, undated
Reel 29: Coll. 134, Tape 4: Iran - cantilation, undated
Reel 30: Coll. 134, Tape 5: Iran - cantilation, undated
Reel 31: Coll. 134, Tape 6: Iran - cantilation, undated
Reel 32: Coll. 135, Tape 1: Indians of North America - Papago, undated
Reel 33: Coll. 136, Tape 1: Germany - commercial recordings, 1961
Reel 34: Coll. 136, Tape 2: Germany - commercial recordings, 1961
Reel 35: Coll. 136, Tape 3: Germany - commercial recordings, 1961
Reel 36: Coll. 136, Tape 4: Germany - commercial recordings, 1961
Reel 37: Coll. 137, Tape 1: United States - popular music, undated

Box 26

Reel 1: Coll. 137, Tape 2: United States - popular music, undated: Commercial recordings - Copy of radio promotion tape: "A Tribute to Bob Wills," United Artists SP-105. Original side B, 7.50 rps.
Reel 2: Coll. 138, Tape 1: Sumatra - Batak (Bruner), undated: Copy of original field tape (reel 1) of Prof. Ed Bruner, Dept. of Anthropology, Univ. of Illinois.
Reel 3: Coll. 138, Tape 2: Sumatra - Batak (Bruner), undated: Copy of originak fekd takes (reel 2) of Prof. Ed Bruner, Dept. of Anthropology, Univ. of Illinois.
Reel 4: Coll. 138, Tape 3: Sumatra - Batak (Bruner), undated: Copy of original field tape (reel 3) of Prof. Ed Bruner, Dept. of Anthropology, Univ. of Illinois.
Reel 5: Coll. 138, Tape 4: Sumatra - Batak (Bruner), undated: Copy of original field tape (reel 4) of Prof. Ed Bruner, Dept. of Anthropology, Univ. of Illinois.
Reel 6: Coll. 139, Tape 1: Burma - Karen (Lehman), August 15, 1961: Copies of field tapes made by F. Kris [sp.?] Lehman on 1961-2.
Reel 7: Coll. 139, Tape 2: Burma - Karen (Lehman), August 15, 1961
Reel 8: Coll. 140, Tape 1: Bali - Commercial Cassette Side A, undated: Copy of commercial cassette, Side A.
Reel 9: Coll. 140, Tape 2: Bali - Commercial Cassette Side B, undated: Copy of commercial cassette, Side B.
Reel 10: Coll. 141, Tape 1: Taiwan - dramatic music (Stevens), 1960: Copy of Stevens' tape R 32.
Reel 11: Coll. 141, Tape 2: Taiwan - dramatic music (Stevens), 1960: Copy of Stevens' tape R 33.
Reel 12: Coll. 141, Tape 3: Taiwan - dramatic music (Stevens), 1960: Copy of Stevens' tape R 34.
Reel 13: Coll. 142, Tape 1: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 44.
Reel 14: Coll. 142, Tape 2: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 45.
Reel 15: Coll. 142, Tape 3: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 46.
Reel 16: Coll. 142, Tape 4: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 47.
Reel 17: Coll. 142, Tape 5: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 48.
Reel 18: Coll. 142, Tape 6: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 49.
Reel 19: Coll. 142, Tape 7: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 50.
Reel 20: Coll. 142, Tape 8: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 51.
Reel 21: Coll. 142, Tape 9: Taiwan - oral lterature (Stevens), 1960: Copy of Stevens' tape R 52.
Reel 22: Coll. 142, Tape 10: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 53.
Reel 23: Coll. 142, Tape 11: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 54.
Reel 24: Coll. 142, Tape 12: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 55.
Reel 25: Coll. 142, Tape 13: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 56.
Reel 26: Coll. 142, Tape 14: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 57.
Reel 27: Coll. 143, Tape 1: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 83.
Reel 28: Coll. 143, Tape 2: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 84.
Reel 29: Coll. 143, Tape 3: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 85.
Reel 30: Coll. 143, Tape 4: Taiwan - oral literature (Stevens), 1960: Copy of Stevens' tape R 86.
Reel 31: Coll. 144, Tape 1: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 100 & R 101 of Chinese Oral Literature from Taiwan collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 32: Coll. 144, Tape 2: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 102 & R 103 of Chinese Oral Literature collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 33: Coll. 144, Tape 3: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 104 & R 105 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 34: Coll. 144, Tape 4: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 106 & R 107 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.

Box 27

Reel 1: Coll. 144, Tape 5: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 108 & R 109 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 2: Coll. 144, Tape 6: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 110 & R 111 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 3: Coll. 144, Tape 7: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 112 & R 113 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 4: Coll. 144, Tape 8: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 114& R 115 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 5: Coll. 144, Tape 9: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 116& R 117 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 6: Coll. 144, Tape 10: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 118 & R 119 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 7: Coll. 144, Tape 11: Taiwan - oral literature (Stevens), 1960: Side A. Copy of tapes R 120 & R 121 of Chinese Oral Literature from Taiwan, collected by Catherine Stevens on Taiwan in 1960 for the DHEW.
Reel 8: Coll. 145, Tape 1: Near East - demonstration tape (Blum), 1975-1977: Maektaeb al-Zeinaeb. Tehran (Qur^eanic Cantillation). Cassette programme 1.
Reel 9: Coll. 145, Tape 2: Near East - demonstration tape (Blum), 1975-1977: 1. Qur'an--Sura/Shaikh ^cAbdu'l-Basit. 2. Qur'an--Swiza/Mohd, Torabi. 3. Adhdhan/Shaikh^cAbdu'l-Basit. 4. Adhdhan/Shaikh^cAbdu'l-Basit. 5. Azan/^cAli^cAlisade. 6. Azan/Mohd, Torabi. 7. Azan/Sheikh Hossein. 8. Azan/Sheikh Hossein.
Reel 10: Coll. 145, Tape 3a: Near East - demonstration tape (Blum), 1975-1977: 1. Sura 55/Shaikh Abdu'l-Basit, 1-18. 2. Sura, 55 "recorded in London", 1-16. 3. Penetential Prayer. 4. Zekr. 5. Songs of Pearl Divers. 6. Sine-Zani. 7. Zui-Khane. 8. Ghazal. 9. Molut. 10. Lmaaq'. 11. Tarnghra.
Reel 11: Coll. 145, Tape 3b: Near East - demonstration tape (Blum), 1975-1977: Side A. Copy of Shiloah Coll. 48, tape 3.
Reel 12: Coll. 145, Tape 4: Near East - demonstration tape (Blum), 1975-1977: Music 317B, Spring 1975. Demonstration Tape 4
Reel 13: Coll. 147, Tape 1: Barbados - commercial recordings, 1963-1964: Barbados Steel Band
Reel 14: Coll. 148, Tape 1: China - oral literature, undated: Story Telling
Reel 15: Coll. 149, Tape 1: Brazil - Bahia (Waddey), 1970: Capoeira Songs: Recorded Nov. 1966, bairro of Pernambues, Salvador, Bahia, Brazil, by Ralph Waddey. Instruments: berimbau w. caxixi (musical bow w. rattle), tambourine, agogo (double iron bell, ogan).
Reel 16: Coll. 150, Tape 1: Spain - folk music Comm. Recs. (Davis), undated: Copy of tapes in the possession of Martha Davis (Reel #1).
Reel 17: Coll. 150, Tape 2: Spain - folk music Comm. Recs. (Davis), undated: Copy of tapes in the possession of Martha Davis (Reel #2).
Reel 18: Coll. 150, Tape 3: Spain - folk music Comm. Recs. (Davis), undated: Copy of tapes in the possession of Martha Davis (Reel #3).
Reel 19: Coll. 150, Tape 4: Spain - folk music Comm. Recs. (Davis), undated: Copy of tapes in the possession of Martha Davis (Reel #4)
Reel 20: Coll. 150, Tape 5: Spain - folk music Comm. Recs. (Davis), undated: Copy of tapes in the possession of Martha Davis (Reel #5, Side A).
Reel 21: Coll. 150, Tape 6: Spain - folk music Comm. Recs. (Davis), undated: Copy of tapes in the possession of Martha Davis (Reel #5, Side B).
Reel 22: Coll. 151, Tape 1: Spain - Andalucia Columbia Records (Davis), June 5, 1975: Copy of commercial LP issued by Columbia. Entitled "Bailes y antes de Andalusia" in the possession of Martina Davis.
Reel 23: Coll. 152, Tape 1: Spain - folk music Comm. Recs. (Davis), June 17, 1975: Copy of 45 rpm records in the possession of Martha Davis. Commercial recordings. See Box 1, Folder 129 for track lists and musical descriptions.
Reel 24: Coll. 152, Tape 2: Spain - folk music Comm. Recs. (Davis), June 17, 1975: Copy of 45 rpm records in the possession of Martha Davis. Commercial recordings. See Box 1, Folder 129 for track lists and musical descriptions.
Reel 25: Coll. 153, Tape 1: Iran - popular music Comm. Recs. (Nettl), June 16, 1975: Coll. 153, Tapes 1-7. Copy of 45 rpm records in the possession of Bruno Nettl. Commercial Recordings. See Box 1, Folder 130 for track, composer, and performer credit information.
Reel 26: Coll. 153, Tape 2: Iran - popular music Comm. Recs. (Nettl), June 16, 1975
Reel 27: Coll. 153, Tape 3: Iran - popular music Comm. Recs. (Nettl), June 16, 1975
Reel 28: Coll. 153, Tape 4: Iran - popular music Comm. Recs. (Nettl), JUne 16, 1975
Reel 29: Coll. 153, Tape 5: Iran - popular music Comm. Recs. (Nettl), June 16, 1975
Reel 30: Coll. 153, Tape 6: Iran - popular music Comm. Recs. (Nettl), June 16, 1975
Reel 31: Coll. 153, Tape 7: Iran - popular music Comm. Recs. (Nettl), June 16, 1975
Reel 32: Coll. 154, Tape 2: Israel - samaritan peoples (Herzog), undated: Demonstration tape: excerpts taken from Coll. 87, Tapes 1-3. See box 1, folder 82 (Coll. 87) for additional notes, including how it was recorded and who recorded the excerpts.
Reel 33: Coll. 155, Tape 1: Iran - classical music demo tape (Nettl), undated: Mostly consists of material from coll. 65, tape 23. See box 1, folder 62 (coll. 65) to see additional information, including performance credits.
Reel 34: Coll. 156, Tape 1: United States - Illinois (Mayfield), June 16, 1975: Tapes 1-2. Sampling of original tapes in the possession of Lyle Mayfield, Greenville, Ill. See box 1, folder 131 (coll. 156) for additional notes, including track titles and track information.
Reel 35: Coll. 156, Tape 2: United States - Illinois (Mayfield), June 16, 1976
Reel 36: Coll. 157, Tape 1: Indians of South America - Guajiro (Cameron), July 18, 1975: Copy of original field recordings in the possession of Catherine Cameron.

Box 28

Reel 1: Coll. 157, Tape 2: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970: Reels 1-10 contain songs, instrumental performances, stories, and conversations of the Guajiro people of South America, collected by Catherine Cameron.
Reel 2: Coll. 157, Tape 3: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 3: Coll. 157, Tape 4: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 4: Coll. 157, Tape 5: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 5: Coll. 157, Tape 6: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 6: Coll. 157, Tape 7: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 7: Coll. 157, Tape 8: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 8: Coll. 157, Tape 9: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 9: Coll. 157, Tape 10: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 10: Coll. 157, Tape 11: Indians of South America - Guajiro (Cameron), July 2, 1970-August 19, 1970
Reel 11: Coll. 158, Tape 1: Israel (Shiloah), undated: Contains songs from Israel collected by Amnon Shiloah.
Reel 12: Coll. 158, Tape 2: Israel (Shiloah), undated: Contains Jewish wedding music collected by Amnon Shiloah.
Reel 13: Coll. 159, Tape 1: Egypt (Racy), undated: Copy of field recordings collected by Ali Jihad Racy.
Reel 14: Coll. 160, Tape 1: Indians of North America - California Museum - Papago, undated
Reel 15: Coll. 160, Tape 2: Indians of North America - California Museum - Papago, undated
Reel 16: Coll. 160, Tape 3: Indians of North America - California Museum - Papago, undated
Reel 17: Coll. 161, Tape 1: Yugoslavia - Guslar Epic (Nettl), undated: Contains performances of Guslar epic and several solo songs copied from records in the possession of Bruno Nettl.
Reel 18: Coll. 162, Tape 1: Vietnam - Popular Trio Dong Phnong, undated: Reels 18-19 contain Vietnamese popular music.
Reel 19: Coll. 162, Tape 2: Vietnam - Popular Trio Dong Phnong, undated
Reel 20: Coll. 163, Tape 1: Jewish Music (Ringer), undated: Collected by Alexander Ringer.
Reel 21: Coll. 164, Tape 1: U.S.S.R. - Azerbaijan - Gadzhiev, November 7, 1975: Performance by Mr. Gadzhiev, a tar player from Baku, Azerbaijan, recorded at the Univesity of Illinois
Reel 22: Coll. 165, Tape 1: Dominican Republic (Davis), 1972-1975: Reels 22-36 contain folkloric, traditional, and popular songs, music, and dances from the Dominican Republic collected by Martha Ellen Davis.
Reel 23: Coll. 165, Tape 2: Dominican Republic (Davis), 1972-1975
Reel 24: Coll. 165, Tape 3: Dominican Republic (Davis), 1972-1975
Reel 25: Coll. 165, Tape 4: Dominican Republic (Davis), 1972-1975
Reel 26: Coll. 165, Tape 5: Dominican Republic (Davis), 1972-1975
Reel 27: Coll. 165, Tape 6: Dominican Republic (Davis), 1972-1975
Reel 28: Coll. 165, Tape 7: Dominican Republic (Davis), 1972-1975
Reel 29: Coll. 165, Tape 8: Dominican Republic (Davis), 1972-1975
Reel 30: Coll. 165, Tape 9: Dominican Republic (Davis), 1972-1975
Reel 31: Coll. 165, Tape 10: Dominican Republic (Davis), 1972-1975
Reel 32: Coll. 165, Tape 11: Dominican Republic (Davis), 1972-1975
Reel 33: Coll. 165, Tape 12: Dominican Republic (Davis), 1972-1975
Reel 34: Coll. 165, Tape 13: Dominican Republic (Davis), 1972-1975
Reel 35: Coll. 165, Tape 14: Dominican Republic (Davis), 1972-1975
Reel 36: Coll. 165, Tape 15: Dominican Republic (Davis), 1972-1975

Box 29

Reel 1: Coll. 165, Tapes 15-16: Dominican Republic (Davis), 1972-1975: Contains the end of tape 15 & all of tape 16
Reel 2: Coll. 165, Tape 17: Dominican Republic (Davis), 1972-1975
Reel 3: Coll. 165, Tape 18: Dominican Republic (Davis), 1972-1975
Reel 4: Coll. 165, Tapes 18-19: Dominican Republic (Davis), 1972-1975: Contains the end of tape 18 and all of tape 19.
Reel 5: Coll. 165, Tape 20: Dominican Republic (Davis), 1972-1975
Reel 6: Coll. 165, Tape 21: Dominican Republic (Davis), 1972-1975
Reel 7: Coll. 165, Tapes 22-23: Dominican Republic (Davis), 1972-1975
Reel 8: Coll. 165, Tape 24: Dominican Republic (Davis), 1972-1975
Reel 9: Coll. 165, Tapes 25-26: Dominican Republic (Davis), 1972-1975: Tape 26 is blank
Reel 10: Coll. 165, Tape 27: Dominican Republic (Davis), 1972-1975
Reel 11: Coll. 165, Tape 28: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 12: Coll. 165, Tape 29: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 13: Coll. 165, Tape 30: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 14: Coll. 165, Tape 31: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 15: Coll. 165, Tape 32: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 16: Coll. 165, Tape 33: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 17: Coll. 165, Tape 34: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 18: Coll. 165, Tape 35: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 19: Coll. 165, Tape 36: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 20: Coll. 165, Tape 37(a): Dominican Republic (Davis), 1972-1975: Martha Davis. Tape 1 of 2 with 165/37 as identifier.
Reel 21: Coll. 165, Tape 37(b):: Dominican Republican (Davis), 1972-1975: Martha Davis. Tape 2 of 2 with 165/37 as identifier.
Reel 22: Coll. 165, Tape 38: Dominican Republic (Davis), 1972-1975
Reel 23: Coll. 165, Tape 39: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 24: Coll. 165, Tape 40: Dominican Republic (Davis), 1972-1975: Martha Davis.
Reel 25: Coll. 165, Tape 41: Dominican Republic (Davis), 1972-1975: Sides A & B
Reel 26: Coll. 165, Tape 41b: Dominican Republic (Davis), 1972-1975: Tape 41 continued, Side A only
Reel 27: Coll. 165, Tape 42: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 28: Coll. 165, Tape 43: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 29: Coll. 165, Tape 44: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 30: Coll. 165, Tape 45a: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 31: Coll. 165, Tape 45b: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 32: Coll. 165, Tape 46: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 33: Coll. 165, Tape 47a: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 34: Coll. 165, Tape 47b: Dominican Republic (Davis), 1972-1975: Martha Davis

Box 30

Reel 1: Coll. 165, Tape 48a: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 2: Coll. 165, Tape 48b: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 3: Coll. 165, Tape 49: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 4: Coll. 165, Tape 50: Dominican Republic (Davis), April 30, 1976: Martha Davis
Reel 5: Coll. 165, Tape 51: Dominican Republic (Davis), May 3, 1976: Martha Davis
Reel 6: Coll. 165, Tape 52a: Dominican Republic (Davis), May 4, 1976: Martha Davis
Reel 7: Coll. 165, Tape 52b: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 8: Coll. 165, Tape 53a: Dominican Republic (Davis), May 5, 1976: Martha Davis
Reel 9: Coll. 165, Tape 53b: Dominican Republic (Davis), May 5, 1976: Martha Davis
Reel 10: Coll. 165, Tape 54: Dominican Republic (Davis), May 5, 1976: Martha Davis
Reel 11: Coll. 165, Tape 56b: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 12: Coll. 165, Tape 54-55-57a: Dominican Republic (Davis), May 7, 1976: Martha Davis
Reel 13: Coll. 165, Tape 56a: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 14: Coll. 165, Tape 57b: Dominican Republic (Davis), Jun 9, 1976: For 57a, see Tape 54-55
Reel 15: Coll. 165, Tape 58a: Dominican Republic (Davis), Jun 9, 1976: Martha Davis
Reel 16: Coll. 165, Tape 58b: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 17: Coll. 165, Tape 58c: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 18: Coll. 165, Tape 59: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 19: Coll. 165, Tape 60: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 20: Coll. 165, Tape 61: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 21: Coll. 165, Tape 62: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 22: Coll. 165, Tape 63: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 23: Coll. 165, Tape 64-65: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 24: Coll. 165, Tape 66: Dominican Republic (Davis), 1972-1975: Martha Davis
Reel 25: Coll. 166, Tape 1: Uganda - Tutsi (Parks), 1958-1959: Watusi, 2 Dances
Reel 26: Coll. 167, Tape 1: U.S.S.R. - Bashkir A.S.S.R (Vikar), 1975: copy of a disc in the possession of Laszlo Vikar - Tartar Nepzene
Reel 27: Coll. 167, Tape 2: U.S.S.R. - Bashkir A.S.S.R. (Vikar), 1975: copy of a disc in the possession of Laszlo Vikar - Tartar Nepzene
Reel 28: Coll. 168, Tape 1: United States - Indiana (Nettl), Feb 27, 1976: Copy of record in the possession of B. Nettl of Amish American music.
Reel 29: Coll. 169, Tape 1: U.S.S.R. - Cheremis peoples (Vikar), March 1, 1976: Tape of disc in the possession of B. Nettl copied in conjunction with coll. 167 during a visit by Laszlo Vikar.
Reel 30: Coll. 170, Tape 1: Korea - classical music - commercial recordings, March 24, 1976: National Classical Music Institute
Reel 31: Coll. 170, Tape 2: Korea - classical music - commercial recordings, March 24, 1976: National Classical Music Institute
Reel 32: Coll. 170, Tape 3: Korea - classical music - commercial recordings, March 25, 1976: National Classical Music Institute
Reel 33: Coll. 170, Tape 4: Korea - classical music - commercial recordings, March 25, 1976: National Classical Music Institute
Reel 34: Coll. 171, Tape 1: Iran - classical music - commercial recordings, July 15, 1976
Reel 35: Coll. 171, Tape 2: Iran - classical music - commercial recordings, July 15, 1976
Reel 36: Coll. 171, Tape 3: Iran - classical music - commercial recordings, July 15, 1976

Box 31

Reel 1: Coll. 171, Tape 4: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 2: Coll. 171, Tape 5: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 3: Coll. 171, Tape 6: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 4: Coll. 171, Tape 7: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 5: Coll. 171, Tape 8: Iran - Classical Music - Commercial recordings, undated: Side A.
Reel 6: Coll. 171, Tape 9: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 7: Coll. 171, Tape 10: Iran - Classical Music - Commercial Recordings, undated: SIde A.
Reel 8: Coll. 171, Tape 11: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 9: Coll. 171, Tape 12: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 10: Coll. 171, Tape 13: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 11: Coll. 171, Tape 14: Iran - Classical Music - Commercial Recordings, undated: Side A.
Reel 12: Coll. 171, Tape 15: Iran -Classical Music - Commercial Recordings, undated: Side A.
Reel 13: Coll. 171, Tape 16: Iran - Classical Music - Commercial Recordings, undated: Tehrani: Tombak. (Payuai: Santoni). ARTMS - 7. Master Performers of Persia - Traditional Music, Hasseibn Tehrani (Tombak), Tombak solos. Pieces include: 1) "Zarbe Locomotiv," 2) "Zarbe Renghaye Irani," 3) "Zarbe Pishdaramad [sp?] va," 4) Tasinfhaye Irani," 5) "Duo Zarbi," 6) "Se Zarbiye Sadeh va Tarkibi," 7) "Zarbe DIzel," 8) "And," 9) "Zarbe Mahje," 10) "Basyat Kord."
Reel 14: Coll. 171, Tape 17: Iran - Classical Music -Commercial Recordings, undated: SARTM -15. Ahang-e Ruz.Master Performers of Persian Traditional Music, Emad Ram (flute), A.N. Eftetah (tombak). Includes: 1) "Soushtari," 2) "Segah," 3) "Dashti," 4) "Bayat Zand."
Reel 15: Coll. 171, Tape 18: Iran - Classidal Music - Commercial Recordings, undated: SARTMS 16. Ahang-e Rug. Master Performers of Persian Traditional Music, M. Maysavi (Nai); A.N. Eftetah (Tombak). Includes: 1) unidentifie,Â 2) "Afshari," 3) "Mokhalefe segah," 4) "Bayateh Zand," 5) "Mahour."
Reel 16: Coll. 171, Tape 19: Iran = Classical Music - Commercial Recordings, undated: Sartini 24. Ahang-e Rug. Master Performers of Persian Traditional Music," F. Payvar (santour), H. Tehrani (tombak). Include: 1) "Afshari" (side A), "Dashti" (side B).
Reel 17: Coll. 171, Tape 20: Iran - Classical Music - Commercial Recordings, undated: SARTMS 25. Ahang-e Rug. Master Performers of Persian Traditional Music, F. Payvar (Santour), H. Tehrani (Tombak). Dastgah Shour.
Reel 18: Coll. 172, Tape 1: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10,606, A & B. Side B: AFS 10,607,Â A & B.
Reel 19: Coll. 172, Tape 2: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10,608 A & B. Side B: AFS 10,609 A - 10,610 A.
Reel 20: Coll. 172, Tape 3: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10,610 B - 10,611 B. Side B: AFS 10,612 A - 10,613 A.
Reel 21: Coll. 172, Tape 4: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10613 B - 10614 B4. Side B: AFS 10614 B5 - 10616 A.
Reel 22: Coll. 172, Tape 5: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10616 A - 10617 B2. Side B: AFS 10617 B3 - 10618 B.
Reel 23: Coll. 172, Tape 6: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10619 A & B. Side B: AFS 10620 A - 10621 B.
Reel 24: Coll. 172, Tape 7: Indians of North America - Papago (Densmore), July 20, 1976: Side A: AFS 10622 A & B. Side B: AFS 10610 A (Retake of missed portion).
Reel 25: Coll. 173, Tape 1: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), July & August 1974: Side 1 - Maroti: devotional songs by poet Kabir in Hindi and Marati played on ektar and khartal. Side 2 - Discussion between R.C. Mehta, Halim Jaffar Khan, Dr. Ghate, and Dr. N.A. Jairazbhoy about the term amad.
Reel 26: Coll. 173, Tape 2a: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), July 23, 1974: i. Various brass bands at the Nag Panchimi festival at Batishirala, Maharashtra. ii. Shahnai and dholki music to accompany women dancers at the Nag Panchimi festival at Batishirala, Maharashtra. iii. Recorded at a girl's high school in Poona. Bhajan's (devotional songs) accompanied by harmonuim and tabla.
Reel 27: Coll. 173, Tape 2b: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), July 23, 1974: iii. (cont.) Music from girl's high school in Poona. Bhajans (devotional songs) accompanied by harmonium and tabla.
Reel 28: Coll. 173, Tape 3: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), July 11-12, 1974: i. Ramcandra Mahadev Kamle, excerpts from the Ramayana with ek-tar. ii. Brief recording of a religious procession of the goddess Mari Ai Ashadh. iii. Devotional songs sung by servants of the household and family.
Reel 29: Coll. 173, Tape 4: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), July 12, 1974: i. (cont. from tape 3) Folk and devotional music recorded at apartment in Poona. Gardener & his family sing. ii. Snake charmer recorded outside apartment in Poona. Plays bansri (flute) and small drum (damaru).
Reel 30: Coll. 173, Tape 5: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), August 1974: Field recordings of Katkari, Bhil tribe men, Parwi tribe women, wedding music, Bhil tribe women's song, outdoor dance music, ploughing song of Mordari, Rice transplanting song of Mordari, Mordari women's song about the festivals, women's rice grinding song of Mordari, festival music of Ambarvet, women's game song of Ambarvet, Folk dance of Ambarvet, and devotional songs in Marati of Miraj.
Reel 31: Coll. 173, Tape 6: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson ), Summer, 1974: Fieldwork extracts include: 1) Kirtana (Mircy): a) Sermon in Marathi; b) Sermons in English. 2) Maroti Devotional (Poona). 3) Bhajan (Poona). 4) Qaurih (Poona). 5) Ploughing song while ploughing. 6) Ploughing song while not ploughing. 7) Woman's rice planting song. 8-10) Rice transplanting song. 11) Woman's rice planting song.
Reel 32: Coll. 173, Tape 7: India - Maharashtra (Jairazbhoy-Thibodeau-Thompson), Summer, 1974: Includes: 1) Woman's rice transplanting song; 2) Transplanting song; 3-5) Woman's song about seasonal festivals; 6) Patriotic song by ?boys.
Reel 33: Coll. 173, Tape 8: Maharashtra - folk (Jairazbhoy-Thibodeau-Thompson), Summer, 1974: Includes: 1-3) out [sic] rice grinding, women's song; 4) Devotional group song.
Reel 34: Coll. 174, Tape 1: New Hebrides - Futana (Dougherty), undated: Oceana.

Box 32

Reel 1: Coll. 174, Tape 2: New Hebrides - Futuna (Dougherty), undated
Reel 2: Coll. 174, Tape 3: New Hebrides - Futuna (Doughty), undated
Reel 3: Coll. 174, Tape 4: New Hebrides - Futuna (Doughty), undated
Reel 4: Coll. 175, Tape 1: Pakistan - folk music (Thompson), undated
Reel 5: Coll. 175, Tape 2: Pakistan - folk music (Thompson), undated
Reel 6: Coll. 176, Tape 1: India - film music - commercial recordings, May 1, 1974
Reel 7: Coll. 177, cassette: Israel - Ringer (Herzog), December 1976: cassette from which Coll. 177 was made. Donated by A. L. Ringer.
Reel 8: Coll. 177, Tape 1: Israel - Ringer (Herzog), December 1976
Reel 9: Coll. 177, Tape 2: Israel - Ringer (Herzog), December 1976
Reel 10: Coll. 178, Tape 1: Pakistan - folk musicÂ (Jairazbhoy), 1975-1976: Institute for Folk and Traditional Heritage (IFTH)
Reel 11: Coll. 178, Tape 2: Pakistan - folk musicÂ (Jairazbhoy), 1975-1976: Institute for Folk and Traditional Heritage (IFTH)
Reel 12: Coll. 178, Tape 3: Pakistan - folk musicÂ (Jairazbhoy), 1975-1976: Institute for Folk and Traditional Heritage (IFTH)
Reel 13: Coll. 178, Tape 4: Pakistan - folk musicÂ (Jairazbhoy), 1975-1976: Institute for Folk and Traditional Heritage (IFTH)
Reel 14: Coll. 179, Tape 1: Lebanon - classical music - Arabic (Racy), 1971-1972
Reel 15: Coll. 179, Tape 2: Lebanon - classical music - Arabic (Racy), 1971-1972
Reel 16: Coll. 180, Tape 1: Indians of North America - Papago (Underhill), March 31, 1977
Reel 17: Coll. 180, Tape 2: Indians of North America - Papago (Underhill), March 31, 1977
Reel 18: Coll. 180, Tape 3: Indians of North America - Papago (Underhill), March 31, 1977
Reel 19: Coll. 180, Tape 4: Indians of North America - Papago (Underhill), March 31, 1977
Reel 20: Coll. 181, Tape 1: United States - folk music - Pakistani (Thompson), July 1976
Reel 21: Coll. 181, Tape 2: United States - folk music - Pakistani (Thompson), July 1976
Reel 22: Coll. 182, Tape 1: Ghana (Briahmah/Thompson), March 8, 1977
Reel 23: Coll. 182, Tape 2: Ghana (Briahnah/Thompson), March 8, 1977
Reel 24: Coll. 182, Tape 3: Ghana (Briahmah/Thompson), March 8, 1977
Reel 25: Coll. 183, Tape 1: United States - sacred music (Green), November 1966
Reel 26: Coll. 183, Tape 2: United States - sacred music (Green), November 1966
Reel 27: Coll. 184, Tape 1: Indians of North America - Penobscot (Davenport), June 29, 1976
Reel 28: Coll. 184, Tape 2: Indians of North America - Penobscot (Davenport), June 29, 1976: Senabeh and Ronald Francis interview
Reel 29: Coll. 185, Tape 1: Australian Broadcasting Commission, October 10, 1977
Reel 30: Coll. 185, Tape 2: Australian Broadcasting Commission, October 10, 1977
Reel 31: Coll. 185, Tape 3: Australian Broadcasting Commission, October 10, 1977
Reel 32: Coll. 185, Tape 4: Australian Broadcasting Commission, October 10, 1977
Reel 33: Coll. 186, Tape 1: Israel - classical music Persian (Nettl, Shiloah), June 2, 1976: Mr. Vrshalmi interview with Shiloah and samples of singing, Hebrew, Persian, English
Reel 34: Coll. 186, Tape 2: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977: Monsuri interview
Reel 35: Coll. 186, Tape 3: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977: Yig'sl Karmel interview

Box 33

Reel 1: Coll. 186, Tape 4: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 2: Coll. 186, Tape 5: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 3: Coll. 186, Tape 6: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 4: Coll. 186, Tape 7: Israel - classical music Persian (Nettl, Shiloah), June 17, 1976
Reel 5: Coll. 186, Tape 1, copy 2: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 6: Coll. 186, Tape 2, copy 2: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 7: Coll. 186, Tape 3, copy 2: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 8: Coll. 186, Tape 4, copy 2: Israel - classical music Persian (Nettl, Shiloah), October 27, 1977
Reel 9: Coll. 187, Tape 1: India - classical music (A.K.C. Natatajan), November 14, 1977
Reel 10: Coll. 187, Tape 2: India - classical music (A.K.C. Natatajan), November 14, 1977
Reel 11: Coll. 187, Tape 3: India - classical music (A.K.C. Natatajan), November 14, 1977
Reel 12: Coll. 188, Tape 1: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 13: Coll. 188, Tape 2: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 14: Coll. 188, Tape 3: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 15: Coll. 188, Tape 4: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 16: Coll. 188, Tape 5: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 17: Coll. 188, Tape 6: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 18: Coll. 188, Tape 7: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 19: Coll. 188, Tape 8: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 20: Coll. 188, Tape 9: Bali - dramatic music - commercial cassette, February 20, 1978
Reel 21: Coll. 188, Tape 10: Bali - dramatic music - commercial cassette, July 7, 1978: Legong Kokar (Vol. 2), Side A: Panji Semirang, Kebyar Duduk, Truna Jaya; Side B: Legong Kraton, Margapati. Reel is copy of commercial cassette L-116 issued by Lord. Cassette Side A is Tape Side A; cassette Side B is Tape Side B.
Reel 22: Coll. 188, Tape 11: Bali - Dramatic Music - commercial cassette, July 7, 1978: Legong Kokar (Vol. 1): Side A: 1) Penyembrama; 2) Wiranata; 3) Gaber. Side B: 1) Tenun, 2) Oleg Tamulilingan;3) Jaya Semara. Copy of commercial cassette L-115, issued by Lord,. Reel Side 1 is Cassette Side A. Reel Side 2 is Cassette Side B.
Reel 23: Coll. 188, Tape 12: Bali - dramatic music - commercial cassette, July 11, 1978: Sendratari Mandara Giri, (Vol. 1). 1) I Nyoman Sumandhi. 2) I Wayan Persib. Pencipta: I Wayan Beratha. Complete drama on tapes 12 & 13.
Reel 24: Coll. 188, Tape 13: Bali - dramatic music - commercial cassette, July 11, 1978: Sendratari Mandara Giri. (Vol. 2). 1) I Nyoman Sumandhi. 2) I Wayan Persib. Pencipta: I Wayan Beratha.
Reel 25: Coll. 188, Tape 14: Bali - dramatic music - commercial cassette, July 20, 1978: Wayang Buduk/Gambuh. Lakon Jaya Lantara. Dalang: Ida Bagus Ngurah (Vol. 1). Complete drama on tapes 14-17.
Reel 26: Coll. 188, Tape 15: Bali - dramatic music - commercial cassette, July 20, 1978: Wayang Buduk/Gambuh. Lakon Jaya Lantara. Dalang: Ida Bagus Ngurah. (Vol. 2).
Reel 27: Coll. 188, Tape 16: Bali - dramatic music - commercial cassette, July 20, 1978: Wayang Buduk/Gambuh. Lakon Jaya Lantara. Dalang: Ida Bagus Ngurah (Vol. 3).
Reel 28: Coll. 188, Tape 17: Bali - dramatic music - commercial cassette, July 20, 1978: Wayang Buduk/Gambuh. Lakon Jaya Lantara. Dalang: Ida Bagus Ngurah. (Vol. 4).
Reel 29: Coll. 188, Tape 18: Bali - dramatic music - commercial cassette, July 25, 1978: Arja Bon Bal. Lakon: Sampik Ingtay (Vol. 1). Complete Drama on tapes 18-23.
Reel 30: Coll. 188, Tape 19: Bali - dramatic music - commercial cassette, July 25, 1978: Arja Bon Bali. Lakon: Sampik Ingtay (Vol. 2).
Reel 31: Coll. 188, Tape 20: Bali - dramatic music - commercial cassette, July 25, 1978: Arja Bon Bali. Lakon: Sampik Ingtay (Vol. 3).
Reel 32: Coll. 188, Tape 21: Bali - dramatic music - commercial cassette, July 25, 1978: Arja Bon Bali. Lakon: Sampik Ingtay. (Vol. 4).
Reel 33: Coll. 188, Tape 22: Bali - dramatic music - commercial cassette, July 25, 1978: Arja Bon Bali. Lakon: Sampik Ingtay (Vol. 5).
Reel 34: Coll. 188, Tape 23: Bali - dramatic music - commercial cassette, July 25, 1978: Arja Bon Bali. Lakon: Sampik Ingtay (Vol. 6).

Box 34

Reel 1: Coll. 189, Tape 1: Bali - commercial recording, Feb 15, 1978: Side A: Dancer's of Bali, Gamelan Orchestra. Side B: Bali South
Reel 2: Coll. 189, Tape 2: Bali - commercial recording, Feb 15, 1978: Side A: Bali South. Side B: Music from Bali
Reel 3: Coll. 189, Tape 3: Bali - commercial recording, Feb 15, 1978: Side A: Music from Bali. Side B: Bali, les celebres gamelans
Reel 4: Coll. 190, Tape 1: Turkey, Iran (Lubtchansky), 1956-1957: Bear Dance (Sivas,Turkey), Persian Love Songs ( Mt. Arrarat, Iran), Zurkhane excersizes (Province of Azerbaidjan, Iran).
Reel 5: Coll. 190, Tape 2: Afghanistan & Iran (Lubtchansky), 1956-1957: Zurkhane excersizes (Province of Khurassan, Iran), Humming flute (Gdrishk & Kandahar, Afghanistan)
Reel 6: Coll. 190, Tape 3: Afghanistan (Lubtchansky), 1956-1957: Humming flute (Gdrishk & Kandahar), Tadjik love song (Bamyian), Hazara song (Hindu kush).
Reel 7: Coll. 190, Tape 4: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 10, 11, 12. Contains Hazara love song, religious song, Ceremony of Ashmira, and a religious mourning song. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 8: Coll. 190, Tape 5: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 13, 14, 15. Contains Noha, sung multiple times by different boys, Two Love Songs from Chamali, a Tadjik love song, a Pashtun love song, and other untitled tracks. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 9: Coll. 190, Tape 6: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 17, 18, 19 (16 was lost). Contains Damboura & drum tune, Tadjik love song, partial Tadjik love song, Pashtun love song, and Afghan Poetry. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 10: Coll. 190, Tape 7: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 20, 21, 22. Contains Afghan Peotry (with Damboura), music from Shdghnan, Nairis (Tune of Flute), Urgoula (a tune from Shighnan). See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 11: Coll. 190, Tape 8: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 23, 24, 25. Contains Tadjik song from Shighnan, Tadjik love song sung in Uzbek style, city orchestra with harmonium, Tadjik love song from Jurm, tune from Russian Tadjikistan, and Tadjik love song from Shighnan. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 12: Coll. 190, Tape 9: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 26, 27, 28. Contains Tadjik love song from Shidghnan, Ghosh Katcha, two tadjik love songs from Shigghnan, another Tadjik love song, a womens' dance from Lugar, Shighnan love song, and other untitled tracks. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 13: Coll. 190, Tape 10: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 29, 30, 31. Contains Ghost Kartcha, another love song from Shighnan, TUrki song from Kataghan Province, and Tadjik song from Shighnan. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 14: Coll. 190, Tape 11: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 32, 33, 34. Contains Tadjik song from Jurm, Schoolboys from Faizabad sing in Farel, Schoolboys from Faizbad sing in Pashtun, religious song from Badakhshan, pleasure song from Jurm, two love songs from Jurm, and another love song from Jurm. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 15: Coll. 190, Tape 12: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 35, 36, 37. Contains love song from Shighnan, song about the independance of Afghanistan, love song from Faizabad, and a dance from Shighnan. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 16: Coll. 190, Tape 13: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 38, 39, 40. Contains music for wrestling, more music for wrestling, Attan, a tribal dance, Pashtun tribal dance, Attan, a tribal dance from the Wardak tribe. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 17: Coll. 190, Tape 14: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 41, 42, 43. Contains Chub-baai, a stick dance, another stick dance, Kali Wali, and a . Pashtun dance special to Safi tribe. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 18: Coll. 190, Tape 15: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 44, 45, 46. Contains Chamali Song (region North of Kabul), Chamali love song, brass band from city of Kunchis, Pashtun tribal war dance. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 19: Coll. 190, Tape 16: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 47, 48, 49. Contains Pashtun independance song, another Pashtun independance song, Pashtun tribal dance, old Pashtun love song, flute solo, and another flute solo. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 20: Coll. 190, Tape 17: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 50, 51, 52. Contains two Pashtun love songs by same group, tuning of the instruments, a Pashtun love song from Lugar, South of Kabul, wedding song, tambour solo, and a rebab solo. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 21: Coll. 190, Tape 18: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 53, 54, 55. Contains violin solo, flute solo, Farsi love song, and a love song. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 22: Coll. 190, Tape 19: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 56, 57, 58. Contains love song in Fardsi, Farsi war song from Nijarab (North of Kabul), love song from same area, modern patriotic song, modern love song, semi-religious song, religious song about the shrine of Ali in Mazari-i-iSharif, and Pashtun love song. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 23: Coll. 190, Tape 20: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 59, 60, 61. Contains Pashtun love song, tambour solo, kabul style orchestra, Uzbek love song, and another Uzbek love song. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 24: Coll. 190, Tape 21: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 62, 63, 64. Contains another Uzbek love song, Turkmen love song, Uzbek religious song, Uzbek love song, and another Uzbek love song. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 25: Coll. 190, Tape 22: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 65, 66, 67. Contains love song from Kohistan, love song from Kabul, Lagari love song, Dambour solo with tabla, and Dambour solo with tabla and singing in Pashtu. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 26: Coll. 190, Tape 23: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 68, 69, 70. Contains Turkmen song, Farsi song, Joung, Attan, Pashtun tribal dance, another Attan, Pashtun tribal dance, Damboura solo, and another Damboura solo. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 27: Coll. 190, Tape 24: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 70, 71, 72. Tape 70 was copied twice. Contains Attan, Pashtun tribal dance, Damboura solo, another Damboura solo, Uzbek solo, Turkmen songs, Tadjik songs, Tadjik song with damboura. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 28: Coll. 190, Tape 25: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 73, 74, 75. Contains Turkmen love songs, Turkmen songs, and Tadjik version of Shahname. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 29: Coll. 190, Tape 26: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 77, 78, 79. Contains Tadjik songs, sung by old women and young boys. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 30: Coll. 190, Tape 27: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 79, 80, 81. Contains popular Uzbek theme, Uzbek song with Damboura, Uzbek song, Tadjik and Turkmen songs with Damboura. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 31: Coll. 190, Tape 28: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 82, 83, 84. Contains Tadjik song with Daf, Uzbek song with daf, popular Uzbek theme with Daf and hand clapping, another popular Uzbek song, Ttribal Pashtun song in duo sang by two young tribesmen, and Uzbek rhythms. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 32: Coll. 190, Tape 29: Afghanistan (Lubtchansky), 1956-1957: Copy of Indiana University, Archives of Traditional Music. Collector's tapes 85, 86, 87. Contains Uzbek love song, Uzbek dance, Uzbek tunes played by 60 year old man, variations on Uzbek themes by 28 year old player. See Box 2, Folder 13 for additional notes including song descriptions and track credits.
Reel 33: Coll. 190, Tape 30: Afghanistan (Lubtchansky), 1956-1957: Contains Uzbek songs.
Reel 34: Coll. 190, Tape 31: Afghanistan (Lubtchansky), 1956-1957: Contains Balabi (Uzbek love song fro Andkhuy), damboura, cymbals, drums, and Uzbek rhythms.
Reel 35: Coll. 190, Tape 32: Afghanistan (Lubtchansky), 1956-1957: Contains Tadjik version of Shahnameh recorded in the Zang valley near Belcherakh, Tadjik songs, Turkmen songs.

Box 35

Reel 1: Coll. 190, Tape 33: Afghanistan (Lubtchansky), 1956-1957: Reels 1-6 are copies of materials at Indiana University's Archives of Traditional Music collected by J.D. Lubtchansky. Reel 1 contains Tadjik love song, Uzbek song, and jaw harp.
Reel 2: Coll. 190, Tape 34: Afghanistan (Lubtchansky), 1956-1957: Contains Kabul style musicians and Tadjik singer of Herat, age 70.
Reel 3: Coll. 190, Tape 35: Afghanistan (Lubtchansky), 1956-1957: Contains work songs in carpet shed, city work songs, and village song from Khorassan.
Reel 4: Coll. 190, Tape 36: Afghanistan (Lubtchansky), 1956-1957: Contains work songs by men and boys, carpet work, Kurdish love songs, and Kurdish dance.
Reel 5: Coll. 190, Tape 37: Afghanistan (Lubtchansky), 1956-1957: Contains traditional Kurdish songs, tuning of tar, song meanings, and wedding songs.
Reel 6: Coll. 190, Tape 38: Afghanistan (Lubtchansky), 1956-1957: Contians Kurdish orchestra playing Shallakhun dance music and Kurdish love songs.
Reel 7: Coll. 191, Tape 1: Java, undated: Reels 7-20 contain copies of commercial cassette recordings of Javanese Gamelan music.
Reel 8: Coll. 191, Tape 2: Java, undated
Reel 9: Coll. 191, Tape 3: Java, undated
Reel 10: Coll. 191, Tape 4: Java, undated
Reel 11: Coll. 191, Tape 5: Java, undated
Reel 12: Coll. 191, Tape 6: Java, undated
Reel 13: Coll. 191, Tape 7: Java, undated
Reel 14: Coll. 191, Tape 8: Java, undated
Reel 15: Coll. 191, Tape 9: Java, undated
Reel 16: Coll. 191, Tape 10: Java, undated
Reel 17: Coll. 191, Tape 11: Java, undated
Reel 18: Coll. 191, Tape 12: Java, undated
Reel 19: Coll. 191, Tape 13: Java, undated
Reel 20: Coll. 191, Tape 14: Java, undated
Reel 21: Coll. 192, Tape 1: Indian Classical Music - Karnatak (Capwell), December 8, 1967: Reels 21-23 contain recordings of performace at Russell House, Wesleyan University, Middletown, CT, on December 8, 1967, by R. Krishnan, T. Viswanathan, V. Thyagafajan, T. Ranganathan, Jon Higgins, and Hillaire Heller. Collected by Charles Capwell.
Reel 22: Coll. 192, Tape 2: Indian Classical Music - Karnatak (Capwell), December 8, 1967
Reel 23: Coll. 192, Tape 3: Indian Classical Music - Karnatak (Capwell), December 8, 1967
Reel 24: Coll. 193, Tape 1: Bali (Garvey), 1972: Reels 24-32 contain copies of cassettes recorded by John Garvey in Bali in 1972. Reel 24 contains Gambuh Dance, Kecak words, Cremation Procession at Kubutambahan, and suling demo.
Reel 25: Coll. 193, Tape 2: Bali (Garvey), 1972: Contains geng gong orchestra performing "Frog" dance.
Reel 26: Coll. 193, Tape 3: Bali (Garvey), 1972: Contains Kokar Suling Group, Balinese Iron, and Lombok Iron.
Reel 27: Coll. 193, Tape 4: Bali (Garvey), 1972: Contains Barong Dance.
Reel 28: Coll. 193, Tape 5: Bali (Garvey), 1972: Contains Kokar short Ramayana, Kebyar: Djajasmara, and Sadmerta from Bleluan.
Reel 29: Coll. 193, Tape 6: Bali (Garvey), 1972: Contains Pedeng Keling, old ceremonial gamelan, and procession.
Reel 30: Coll. 193, Tape 7: Bali (Garvey), 1972: Contains procession continued from tape 6 and cremation procession.
Reel 31: Coll. 193, Tape 8: Bali (Garvey), 1972: Contains rehearsal of Gambuh Dance at Batuan, Bali.
Reel 32: Coll. 193, Tape 9: Bali (Garvey), 1972: Contains rehearsal of Gambuh Dance at Batuan, Bali, continued from tape 8.
Reel 33: Coll. 194, Tape 1: Iran - Popular Music, ca. June 19, 1979: Reels 33-35 contain copies of recordings from commercial cassettes.
Reel 34: Coll. 194, Tape 2: Iran - Popular Music, ca. June 19, 1979
Reel 35: Coll. 194, Tape 3: Iran - Popular Music, ca. June 19, 1979

Box 36

Reel 1: Coll. 195, Tape 1: United States - Wisconsin (Bohlman), 1977-1978: Reels 1-4 contain folk music sung and accompanied on a parlor organ by Charles Bannen and interviews. Collected by Philip Bohlman in Scott Township, Crawford County, Wisconsin in Fall 1977 and Spring 1978.
Reel 2: Coll. 195, Tape 2: United States - Wisconsin (Bohlman), 1977-1978
Reel 3: Coll. 195, Tape 3: United States - Wisconsin (Bohlman), 1977-1978
Reel 4: Coll. 195, Tape 4: United States - Wisconsin (Bohlman), 1977-1978
Reel 5: Coll. 196, Tape 1: India Classical Music - Hindustani - Asad Ali Khan, Fall 1979: Reels 5-10 contain a recording of a performance at the University of Illinois at Urbana-Champaign during the fall of 1979 of Ustad Asad Ali Khan playing the rudra vina, accompanied by Sri Gopal Das on pakhavaj. Reel 5 contains the Raga Yaman alap.
Reel 6: Coll. 196, Tape 2: India Classical Music - Hindustani - Asad Ali Khan, Fall 1979: Contains the Raga Yaman alap continued from tape 1, jor, and jhala.
Reel 7: Coll. 196, Tape 3: India Classical Music - Hindustani - Asad Ali Khan, Fall 1979: Contains Raga Yaman Dhrupad in chaul-tal.
Reel 8: Coll. 196, Tape 4: India Classical Music - Hindustani - Asad Ali Khan, Fall 1979: Contains Raga Chandrakauns alap.
Reel 9: Coll. 196, Tape 5: India Classical Music - Hindustani - Asad Ali Khan, Fall 1979: Contains Raga Chandrakauns alap cont., jor, and jhala.
Reel 10: Coll. 196, Tape 6: India Classical Music - Hindustani - Asad Ali Khan, Fall 1979: Contains Raga Chandrakauns Dhrupad in sul-tal.
Reel 11: Coll. 197, Tape 1: Bali, undated: Reels 11-22 contain copies of recordings from commercial cassettes. Reel 11 contains Festival Kriasi Gong '72.
Reel 12: Coll. 197, Tape 2: Bali, undated: Contains Festival Kreasi Gong 1972.
Reel 13: Coll. 197, Tape 3: Bali, undated: Contains Festival Gong 1975.
Reel 14: Coll. 197, Tape 4: Bali, undated: Contains Gong Semar Pegulingan, Pagan Kelod v. 1.
Reel 15: Coll. 197, Tape 5: Bali, undated: Contains Gong Semar Pegulingan, Pagan Kelod v. 2.
Reel 16: Coll. 197, Tape 6: Bali, undated: Contains Semar Pegulingan.
Reel 17: Coll. 197, Tape 7: Bali, undated: Contains Joged Bumbung.
Reel 18: Coll. 197, Tape 8: Bali, undated: Contains Anklung.
Reel 19: Coll. 197, Tape 9: Bali, undated: Contains Gender and Pasekan-Tabanan.
Reel 20: Coll. 197, Tape 10: Bali, undated: Contains Suling Tunggal and Tulikup - Gianyar.
Reel 21: Coll. 197, Tape 11: Bali, undated: Contains Sekehe gong, Banda Sawitra, Kedis Singaraja.
Reel 22: Coll. 197, Tape 12: Bali, undated: Contains Gong-Indra Sari, Abian Tiing-Jungutan, and Karangasem.
Reel 23: Coll. 198, Tape 1: Java - dramatic music, commercial cassette, July 25, 1978: Shadow Play. "Goro - Goro". Wajang Kulit. Delang: Ki Nartosabdho. "Irama" music cassette.
Reel 24: Coll. 198, Tape 2: Java - dramatic music, commercial cassette, July 25, 1978: Dance Drama. Lakon "Gatutkotjo Kembar". Indali cassette. Wajang orang keluarga "Warga Muda". Pimpinan: Kies Slamet/S. Dharmanto. Tambahan: Gending - gending. Karawitan Karyawaditra. Pim. Sriwidodo.
Reel 25: Coll. 198, Tape 3: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulit Oleh Ki Timbul Hadiprayitno", Fajar 914. Complete drama on tapes 3 & 4.
Reel 26: Coll. 198, Tape 4: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulit Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 27: Coll. 198, Tape 5: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulit Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 28: Coll. 198, Tape 6: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulit Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 29: Coll. 198, Tape 7: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulit Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 30: Coll. 198, Tape 8: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulik Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 31: Coll. 198, Tape 9: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitk", "Wayang Kulit Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 32: Coll. 198, Tape 10: Java - dramatic music, commercial cassette, Aug 21, 1978: "Rama Nitik", "Wayang Kulit Oleh Ki Timbul Hadiprayitno". Fajar 914.
Reel 33: Coll. 199, Tape 1: United States - Wisconsin (Bohlman), undated
Reel 34: Coll. 199, Tape 2: United States - Wisconsin (Bohlman), undated

Box 37

Reel 1: Coll. 200, Tape 1: How Musical is Man? - music examples (Blacking)., undated
Reel 2: Coll. 201, Tape 1: India - classical music (Anonymous), undated: Side A: Vocal music. Side B: Vocal music.
Reel 3: Coll. 201, Tape 2: India - classical music (Anonymous), undated: Vocal music by Luxmi Sankar, Ali Akhbar Khan, and Salamat Ali.
Reel 4: Coll. 201, Tape 3: India - classical music (Anonymous), undated: Sitar and Tabla music by Ravisankar, Kanai Dutta, Ostad Alim Japhar Khan, Ashish Khan, and Ali Akhbar Khan.
Reel 5: Coll. 201, Tape 4: India - classical music (Anonymous), undated: Vocal music by Bade Golam Ali Khan, Faiyez Khan, and Abdul Karim Khan.
Reel 6: Coll. 201, Tape 5: India - classical music (Anonymous), undated: Sitar and sarangi music by Ravisankar, Ramnarayan, and Balchandra.
Reel 7: Coll. 201, Tape 6: India - classical music (Anonymous), undated: Vocal and sitar music by Amir Khan and Vilayet Khan.
Reel 8: Coll. 201, Tape 7: India - classical music (Anonymous), undated: Vocal and sitar music by Kishori Amankar, Hari Prosad Chaurasia, Rashiklal Andharia, Luxi Shankar, Vilayet Khan, and Alla Rakha.
Reel 9: Coll. 201, Tape 8: India - classical music (Anonymous), undated: Vocal music by Amir Khan, Mullikarajan Mansoor, Nisar Hussain Khan, and M.R. Gautam.
Reel 10: Coll. 201, Tape 9: India - classical music (Anonymous), undated: Vocal music by Nazakat and Salamat Ali, Sarafat Hussian Khan, Fayej Khan, and Shiv Kumar Sukla.
Reel 11: Coll. 201, Tape 10: India - classical music (Anonymous), undated: Tabla, Sentur, Sitar, and flute music by Chatte Moharaj, Ahmad Jan Thirkawa, Amir Hussen Khanl, Chaturlal, Niklil Banerjee, Shiv Kumar Sarma, Bimal Mukherjee, Kalyani Roy, Rais Khan, and Jaya Bose.
Reel 12: Coll. 201, Tape 11: India - classical music (Anonymous), undated: Flute, sorod, and sitar music by Pannalal Ghose, Ravisankar, Ashis Khan, and Ali Akhbar.
Reel 13: Coll. 201, Tape 12: India - classical music (Anonymous), undated: Vocal, clarinet, and Sehnai music by Malabika Kanan, Luxmi Snkar, Bhismen Joshi, Hariprosad Chaurasia, Vijay Raghab Rao, Hemanghshu Biswas, Hirabai Boridekar, Roshanara Begum, and Zia Muhiyuddin Dagar.
Reel 14: Coll. 202, Tape 1: India - popular music (commerical recording), undated
Reel 15: Coll. 202, Tape 2: India - popular music (commerical recording), undated
Reel 16: Coll. 202, Tape 3: India - popular music (commerical recording), undated
Reel 17: Coll. 202, Tape 4: India - popular music (commercial recording), undated
Reel 18: Coll. 202, Tape 5: India - popular music (commerical recording), undated
Reel 19: Coll. 203, Tape 1: India - classical music (Hindustani) (commerical recording), undated: Music by Bismillah Khan and V.G. Jog, with Mahapurush Misra.
Reel 20: Coll. 203, Tape 2: India - classical music (Hindustani) (commerical recording), undated: Music by Ustad Abdul Halim Jaffar Khan and Nizamudhin Khan.
Reel 21: Coll. 203, Tape 3: India - classical music (Hindustani) (commerical recording), undated: Music by Ustad Abdul Halim Jaffar Khan, Nizamudhin Khan, Sadashiv Pawar, Shivkumar Sharma, and Zakir Hussain.
Reel 22: Coll. 203, Tape 4: India - classical music (Hindustani) (commerical recording), undated: Santur, tabla, and sitar music by Shivkumar Sharma, Zakir Hussain, Vilayat Khan, and Shanta Prasad.
Reel 23: Coll. 203, Tape 5: India - classical music (Hindustani) (commerical recording), undated: Sitar, flute and tabla music by Vilayat Khan, Shanta Prasad, Prakash Vadehra, Prakash Saxena, and Faryaz Khan.
Reel 24: Coll. 203, Tape 6: India - classical music (Hindustani) (commerical recording), undated: Santur, flute, guitar, and tabla music by Prakash Vadehra, Prakash Saxena, Faryaz Khan, Shivkumar Sharma, Hariprasad Chaurasia, and Brijbhushan Kabra.
Reel 25: Coll. 203, Tape 7: India - classical music (Hindustani) (commerical recording), undated: Vocal and tabla music by Jitendra Abhisheki, Narayanrav Indorkar, Vasantrav Deshpande, and Nana Muley.
Reel 26: Coll. 203, Tape 8: India - classical music (Hindustani) (commerical recording), undated: Vocal and tabla music by Prabha Atre and Narayanrav Indorkar.
Reel 27: Coll. 203, Tape 9: India - classical music (Hindustani) (commerical recording), undated: Vocal and tabla music with D.V. Paluskar, Pandit Jasraj, Narayanrav Indorkar, V. Vora, and Kamal Misra.
Reel 28: Coll. 203, Tape 10: India - classical music (Hindustani) (commerical recording), undated: Vocal and tabla music by Bhimsen Joshi.
Reel 29: Coll. 203, Tape 11: India - classical music (Hindustani) (commerical recording), undated: Vocal and tabla music by Bhimsen Joshi and Shripad Nageshkar.
Reel 30: Coll. 203, Tape 12: India - classical music (Hindustani) (commerical recording), undated: Vocal and tabla music by Bhimsen Joshi, Vasant Acharekar, and Surshri Kesar Bai Kerkar.
Reel 31: Coll. 203, Tape 13: India - classical music (Hindustani) (commerical recording), undated: Vocal music by Ustad Bade Ghulam Ali Khan.
Reel 32: Coll. 203, Tape 14: India - classical music (Hindustani) (commerical recording), undated: Marathi dramatic music by Kumar Gandharv.
Reel 33: Coll. 204, Tape 1: Bali - commerical recording (McPhee), 1928
Reel 34: Coll. 204, Tape 2: Bali - commerical recording (McPhee), 1928

Box 38

Reel 1: Coll. 205, Tape 1: India - classical music - Hindustani, undated: Nalin Mazumdar - steel guitar
Reel 2: Coll. 205, Tape 2: India - classical music - Hindustani, undated: Nalin Mazumdar - steel guitar
Reel 3: Coll. 206, Tape 1: China - classical music, undated: P'i-p'a and ch'in recital by Lui Pei-yuen
Reel 4: Coll. 207, Tape 1: Indians of North America - San Juan Pueblo -Turtle Dance, February 1978
Reel 5: Coll. 208, Tape 1: Indian - classical music - Hindustani, undated: Mani Manjusha Majumdar
Reel 6: Coll. 208, Tape 2: Indian - classical music - Hindustani, undated: Mani Manjusha Majumdar
Reel 7: Coll. 209, Tape 1: China - K'un ch'u opera - commercial recording, undated: Excerpts from "Chiang-Sheng-tien" (Palace of Everlasting Life). China Records M108
Reel 8: Coll. 210, Tape 1: Cantometrics Training Tapes (Alan Lomax), undated
Reel 9: Coll. 210, Tape 2: Cantometrics Training Tapes (Alan Lomax), undated
Reel 10: Coll. 210, Tape 3: Cantometrics Training Tapes (Alan Lomax), undated
Reel 11: Coll. 210, Tape 4: Cantometrics Training Tapes (Alan Lomax), undated
Reel 12: Coll. 210, Tape 5: Cantometrics Training Tapes (Alan Lomax), undated
Reel 13: Coll. 210, Tape 6: Cantometrics Training Tapes (Alan Lomax), undated
Reel 14: Coll. 210, Tape 7: Cantometrics Training Tapes (Alan Lomax), undated
Reel 15: Coll. 210, Tape 8: Cantometrics Training Tapes (Alan Lomax)
Reel 16: Coll. 210, Tape 9: Cantometrics Training Tapes (Alan Lomax), undated
Reel 17: Coll. 210, Tape 10: Cantometrics Training Tapes (Alan Lomax), undated
Reel 18: Coll. 211, Tape 1: India - classical music - Hindustani - Asad Ali Khan, undated
Reel 19: Coll. 211, Tape 2: India - classical music - Hindustani - Asad Ali Khan, undated
Reel 20: Coll. 211, Tape 3: India - classical music - Hindustani - Asad Ali Khan, undated
Reel 21: Coll. 213, Tape 1: Near East - modern music (Charlotte Giles), undated
Reel 22: Coll. 213, Tape 2: Near East - modern music (Charlotte Giles), undated
Reel 23: Coll. 214, Tape 1: Korea - modern art music, undated
Reel 24: Coll. 214, Tape 2: Korea - modern art music, undated
Reel 25: Coll. 214, Tape 3: Korea - modern art music, undated
Reel 26: Coll. 214, Tape 4: Korea - modern art music, undated
Reel 27: Coll. 215, Tape 1: United States - Hawaii, undated
Reel 28: Coll. 216, Tape 1: China - Art song (Mrs. Schuman Yang), July 26, 1979
Reel 29: Coll. 217, Tape 1: Iran - classical music, 1978
Reel 30: Coll. 217, Tape 2: Iran - classical music, 1978
Reel 31: Coll. 217, Tape 3: Iran - classical music, 1978
Reel 32: Coll. 217, Tape 4: Iran - classical music, 1978
Reel 33: Coll. 217, Tape 5: Iran - classical music, 1978

Box 39

Reel 1: Coll. 217, Tape 6: Iran - classical music, 1978: Radif traditional music. Rast-panjgah. Nava.
Reel 2: Coll. 218, Tape 1: Turkey - Revolutionary Songs, May 1, 1979: Islamic Revolutionary Songs supporting leftists.
Reel 3: Coll. 218, Tape 2: Turkey - Revolutionary Songs, May 1, 1979: Islamic Revolutionary Songs supporting leftists.
Reel 4: Coll. 219, Tape 1: Java - popular music, 1977-1978: Latif M. & Diana -- Lagu-Lagu Melayu Abadi vol. 2.
Reel 5: Coll. 219, Tape 2: Java - popular music, 1977-1978: Kroncong Asli-Kenangan Lama
Reel 6: Coll. 219, Tape 3: Java - popular music, July 12, 1977: Romo Ono Maling. Eddy Silitonga Pop Jawa.
Reel 7: Coll. 219, Tape 4: Java - popular music, July 12, 1977: Pop Tapanuli vol. 1; Mona Sitompul, Koor Trio Lasidos.
Reel 8: Coll. 220, Tape 1: Iran - classical music (Nour Ali Boroumand), undated: Dastgah Shur, Destgah Segah, Avaz-E Abu-Ata.
Reel 9: Coll. 220, Tape 2: Iran - classical music (Nour Ali Boroumand), undated: Avaz Dashti, Avaz Afshari, Avaz Bayat-E Tork, Destgah Nava.
Reel 10: Coll. 220, Tape 3: Iran - classical music (Nour Ali Boroumand), undated: Dastgah Rastt-Panjgah, Dastgah Mahour.
Reel 11: Coll. 220, Tape 4: Iran - classical music (Nour Ali Boroumand), undated: Dastgah Charargah, Dastgah Homayoun, Awaz-E Esfahan
Reel 12: Coll. 221, Tape 1: India - classical music, Karnatak (Krishna), Dec 5, 1979: Raga Arabhi, Raga Chandrajudi, Raga Hindola
Reel 13: Coll. 221, Tape 2: India - classical music, Karnatak (Krishna), Dec 5, 1979: End of tape 1, Ragam: Tanam: Pallavi, Astapadi of Jayadeva, folksong, composition of Anandamaicarya in rupak tala, Kriti in adi tala.
Reel 14: Coll. 221, Tape 3: India - classical music, Karnatak (Krishna), Dec 5, 1979: End of tape 2, Tillana in Raga Kutalavarali, Mangalacaram.
Reel 15: Coll. 223, Tape 1: Italy - folk music (Trento), Mar 7, 1977: Side A: Val di Fiemme: Vittorio Facchini detto Pontera & Figlia Irma located in Forne, Maso S Maria. Side B: Ancera Pontera a Irma.
Reel 16: Coll. 223, Tape 2: Italy - folk music (Trento), July 14, 1977: Side A: frammento conversazione, laudi eterne, tratto marzo. Side B: e picchia picchia la porticella, sul castel che mirabel, la figlia del fittavolo.
Reel 17: Coll. 223, Tape 3: Italy - folk music (Trento), July 15, 1977: Side A:Â lamente funebre, son quattro cacciatori, addie bel pieve pel mondo, la pastora, la violeta, sul castel che mirabel, il figlio del sior conte, l'uccalin del bosco, donna lombarda, la psca dell'anelle, cari monti mie callate, addie bel pieve, balli balli pentolino. Side B: era un povero disertore, sul castel di mirabel, sul castel che'l mirabel, la barbiera.
Reel 18: Coll. 223, Tape 4: Italy - folk music (Trento), July 29, 1977: Side A: questa mattina mi sono alzata, le carrozze, e chi t'ha fatto quei bei rizotoli, quel mazzolin di fiori, donna lombarda, o figlio mio sei stato sfortunate, che contrada l'e mai questa. Side B: maritarsi si fa presto, e la bela la va in filanda a lavorare, o crudele destino di serbia, e l'ucelin dal bosco, maritarsi si fa presto, nell'orrido rigor della stagion cruda.
Reel 19: Coll. 223, Tape 5: Italy - folk music (Trento), Jan 26, 1978: Cinte T., nastro 4. Side A & Side B.
Reel 20: Coll. 223, Tape 6: Italy - folk music (Trento), Jan 26, 1978: Cinte T., nastro 5. Side A & Side B.
Reel 21: Coll. 223, Tape 7: Italy - folk music (Trento), Jan 26, 1978: Quando saremo sul campo, la su quel monte, sui monti del Cadore, io voglio un giovanotto di prima qualita, da questa prigione.
Reel 22: Coll. 223, Tape 8: Italy - folk music (Trento), Feb 16, 1978: Castel T., nastro 7. Side A & Side B.
Reel 23: Coll. 223, Tape 9: Italy - folk music (Trento), Feb 16, 1978: Castel T., nastro 8. Side A & B.
Reel 24: Coll. 223, Tape 10: Italy - folk music (Trento), Feb 16, 1978: Castelle T., nastro 9. Side A & Side B.
Reel 25: Coll. 223, Tape 11: Italy - folk music (Trento), Nov 10, 1978: Predazzo (Val di Fiemme), nastro 1. Side A & Side B.
Reel 26: Coll. 223, Tape 12: Italy - folk music (Trento), Nov 10, 1978: Predazzo (Val di Fiemme), nastro 2. Side A & Side B.
Reel 27: Coll. 223, Tape 13: Italy - folk music (Trento), Nov 10, 1978: Predazzo (Val di Fiemme), nastro 3. Side A & B.
Reel 28: Coll. 223, Tape 14: Italy - folk music (Trento), Nov 10, 1978: Predazzo (Val di Fiemme), nastro 4. Side A.
Reel 29: Coll. 223, Tape 15: Italy - Folk Music (Trento), March 8, 1979
Reel 30: Coll. 223, Tape 16, undated
Reel 31: Coll. 223, Tape 17: Italy - Folk Music (Trento), March 8, 1979
Reel 32: Coll. 223, Tape 18: Italy - Folk Music (Trento), March 3, 1979
Reel 33: Coll. 223, Tape 19: Italy - Folk Music (Trento), March 3, 1979
Reel 34: Coll. 223, Tape 20: Italy - Folk Music (Trento), undated

Box 40

Reel 1: Coll. 224, Tape 1: United States - Wisconsin, undated
Reel 2: Coll. 224, Tape 2: United States - Wisconsin, undated
Reel 3: Coll. 224, Tape 3: United States - Wisconsin, undated
Reel 4: Coll. 224, Tape 4: United States - Wisconsin, undated
Reel 5: Coll. 225, Tape 1: China - Classical music, 1979
Reel 6: Coll. 226, Tape 1: China - popular music, undated
Reel 7: Coll. 226, Tape 2: China - popular music, undated
Reel 8: Coll. 227, Tape 1: Nigeria - urban popular music, 1979
Reel 9: Coll. 227, Tape 2: Nigeria - urban popular music, 1979
Reel 10: Coll. 228, Tape 1: Japan - classical music, February 22, 1980
Reel 11: Coll. 229, Tape 1: Thailand - mahori ensemble, undated
Reel 12: Coll. 230, Tape 1: Korea - classical music, ca. May 4, 1980
Reel 13: Coll. 230, Tape 2: Korea - classical music, ca. May 4, 1980
Reel 14: Coll. 231, Tape 1: India - classical music - Hindustani, undated
Reel 15: Coll. 231, Tape 2: India - classical music - Hindustani, undated
Reel 16: Coll. 231, Tape 3: India - classical music - Hindustani
Reel 17: Coll. 232, Tape 1: Indians of South America - Shuar (Belzner), undated
Reel 18: Coll. 232, Tape 2: Indians of South America - Shuar (Belzner), undated
Reel 19: Coll. 232, Tape 3: Indians of South America - Shuar (Belzner), undated
Reel 20: Coll. 232, Tape 4: Indians of South America - Shuar (Belzner), undated
Reel 21: Coll. 232, Tape 5: Indians of South America - Shuar (Belzner), undated
Reel 22: Coll. 232, Tape 6: Indians of South America - Shuar (Belzner), undated
Reel 23: Coll. 232, Tape 7: Indians of South America - Shuar (Belzner), undated
Reel 24: Coll. 232, Tape 8: Indians of South America - Shuar (Belzner), undated
Reel 25: Coll. 232, Tape 9: Indians of South America - Shuar (Belzner), undated
Reel 26: Coll. 233, Tape 1: India - folk music (Rajastan), undated
Reel 27: Coll. 233, Tape 2: India - folk music (Rajastan), undated
Reel 28: Coll. 234, Tape 1: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 29: Coll. 234, Tape 2: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 30: Coll. 234, Tape 3: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 31: Coll. 234, Tape 4: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 32: Coll. 234, Tape 5: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 33: Coll. 234, Tape 6: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 34: Coll. 234, Tape 7: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 35: Coll. 234, Tape 8: United States - Illinois (Poveda), December 1973, July-September 1979
Reel 36: Coll. 234, Tape 9: United States - Illinois (Poveda), December 1973, July-September 1979

Box 41

Reel 1: Coll. 234, Tape 10: United States - Illinois (Poveda), October 29, 1980
Reel 2: Coll. 234, Tape 11: United States - Illinois (Poveda), October 29, 1980
Reel 3: Coll. 235, Tape 1: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 4: Coll. 235, Tape 2: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 5: Coll. 235, Tape 3: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 6: Coll. 235, Tape 4: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 7: Coll. 235, Tape 5: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 8: Coll. 235, Tape 6: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 9: Coll. 235, Tape 7: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 10: Coll. 235, Tape 8: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 11: Coll. 235, Tape 9: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 12: Coll. 235, Tape 10: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 13: Coll. 235, Tape 11: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 14: Coll. 235, Tape 12: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 15: Coll. 235, Tape 13: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 16: Coll. 235, Tape 14: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 17: Coll. 235, Tape 15: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 18: Coll. 235, Tape 16: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 19: Coll. 235, Tape 17: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 20: Coll. 235, Tape 18: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 21: Coll. 235, Tape 19: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 22: Coll. 235, Tape 20: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 23: Coll. 235, Tape 21: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 24: Coll. 235, Tape 22: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 25: Coll. 235, Tape 23: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 26: Coll. 235, Tape 24: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 27: Coll. 235, Tape 25: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 28: Coll. 235, Tape 26: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 29: Coll. 235, Tape 27: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 30: Coll. 235, Tape 28: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 31: Coll. 235, Tape 29: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 32: Coll. 235, Tape 30: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 33: Coll. 235, Tape 31: Egypt - urban song - commercial recordings (Danielson), October 29, 1980
Reel 34: Coll. 236, Tape 1: China - modern art music, October 29, 1980
Reel 35: Coll. 236, Tape 1: China - modern art music, October 29, 1980

Box 42

Reel 1: Coll. 237, Tape 1: S.india - Classical Music, October 29, 1980: S. Indian Concert.
Reel 2: Coll. 237, Tape 2: S. India - Classical Music, October 29, 1980: S. Indian Concert.
Reel 3: Coll. 238, Tape 1: India - Classical Music - Hindustani, November 18, 1980: N. Indian.
Reel 4: Coll. 238, Tape 2: India - Hindustani Music, November 18, 1980: N. India.
Reel 5: Coll. 239, Tape 1: China - Classical Music, February 7, 1981
Reel 6: Coll. 240, Tape 1: Turkey - classical music, February 24, 1981
Reel 7: Coll. 240, Tape 2: Turkey - classical music, February 24, 1981
Reel 8: Coll. 241, Tape 1: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 9: Coll. 241, Tape 2: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 10: Coll. 241, Tape 3: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 11: Coll. 241, Tape 4: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 12: Coll. 241, Tape 5: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 13: Coll. 241, Tape 6: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 14: Coll. 241, Tape 7: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 15: Coll. 241, Tape 8: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 16: Coll. 241, Tape 9: United States - Alabama (McCallum), September 27, 1980-October 4, 1980
Reel 17: Coll. 241, Tape 10: India - classical music - Hindustani, September 27, 1980-October 4, 1980
Reel 18: Coll. 242, Tape 1: India - classical music - Hindustani, undated
Reel 19: Coll. 242, Tape 2: India - classical music - Hindustani, undated
Reel 20: Coll. 242, Tape 3: India - classical music - Hindustani, undated
Reel 21: Coll. 242, Tape 4: India - classical music - Hindustani, undated
Reel 22: Coll. 242, Tape 5: India - classical music - Hindustani, undated
Reel 23: Coll. 242, Tape 6: India - classical music - Hindustani, undated
Reel 24: Coll. 242, Tape 7: India - classical music - Hindustani, undated
Reel 25: Coll. 242, Tape 8: India - classical music - Hindustani, undated
Reel 26: Coll. 242, Tape 9: India - classical music - Hindustani, undated
Reel 27: Coll. 242, Tape 10: India - classical music - Hindustani, undated
Reel 28: Coll. 242, Tape 11: India - classical music - Hindustani, undated
Reel 29: Coll. 242, Tape 12: India - classical music - Hindustani, undated
Reel 30: Coll. 242, Tape 13: India - classical music - Hindustani, undated
Reel 31: Coll. 242, Tape 14: India - classical music - Hindustani, undated
Reel 32: Coll. 242, Tape 15: India - classical music - Hindustani, undated
Reel 33: Coll. 242, Tape 16: India - classical music - Hindustani, undated
Reel 34: Coll. 242, Tape 17: India - classical music - Hindustani, undated
Reel 35: Coll. 242, Tape 18: India - classical music - Hindustani, undated

Box 43

Reel 1: Coll. 242, Tape 19: India - classical music - Hindustani, undated
Reel 2: Coll. 242, Tape 20: India - classical music - Hindustani, undated
Reel 3: Coll. 244, Tape 1: India, South - classical music, April 14, 1981
Reel 4: Coll. 244, Tape 2: India, South - classical music, April 14, 1981
Reel 5: Coll. 245, Tape 1: India - classical music (Karnatak), September 3, 1981
Reel 6: Coll. 245, Tape 2: India - classical music (Karnatak), September 3, 1981
Reel 7: Coll. 246, Tape 1: Indians of South America - Shuar, 1981
Reel 8: Coll. 246, Tape 2: Indians of South America - Shuar, 1981
Reel 9: Coll. 246, Tape 3: Indians of South America - Shuar, 1981
Reel 10: Coll. 246, Tape 4: Indians of South America - Shuar, 1981
Reel 11: Coll. 246, Tape 5: Indians of South America - Shuar, 1981
Reel 12: Coll. 246, Tape 6: Indians of South America - Shuar, 1981
Reel 13: Coll. 246, Tape 7: Indians of South America - Shuar, 1981
Reel 14: Coll. 246, Tape 8: Indians of South America - Shuar, 1981
Reel 15: Coll. 246, Tape 9: Indians of South America - Shuar, 1981
Reel 16: Coll. 246, Tape 10: Indians of South America - Shuar, 1981
Reel 17: Coll. 246, Tape 11: Indians of South America - Shuar, 1981
Reel 18: Coll. 246, Tape 12: Indians of South America - Shuar, 1981
Reel 19: Coll. 246, Tape 13: Indians of South America - Shuar, 1981
Reel 20: Coll. 246, Tape 14: Indians of South America - Shuar, 1981
Reel 21: Coll. 246, Tape 15: Indians of South America - Shuar, 1981
Reel 22: Coll. 246, Tape 16: Indians of South America - Shuar, 1981
Reel 23: Coll. 246, Tape 17: Indians of South America - Shuar, 1981
Reel 24: Coll. 246, Tape 18: Indians of South America - Shuar, 1981
Reel 25: Coll. 246, Tape 19: Indians of South America - Shuar, 1981
Reel 26: Coll. 246, Tape 20: Indians of South America - Shuar, 1981
Reel 27: Coll. 246, Tape 21: Indians of South America - Shuar, 1981
Reel 28: Coll. 246, Tape 22: Indians of South America - Shuar, 1981
Reel 29: Coll. 246, Tape 23: Indians of South America - Shuar, 1981
Reel 30: Coll. 246, Tape 24: Indians of South America - Shuar, 1981
Reel 31: Coll. 246, Tape 25: Indians of South America - Shuar, 1981
Reel 32: Coll. 246, Tape 26: Indians of South America - Shuar, 1981
Reel 33: Coll. 246, Tape 27: Indians of South America - Shuar, 1981
Reel 34: Coll. 246, Tape 28: Indians of South America - Shuar, 1981
Reel 35: Coll. 246, Tape 29: Indians of South America - Shuar, 1981
Reel 36: Coll. 246, Tape 30: Indians of South America - Shuar, 1981
Reel 37: Coll. 246, Tape 31: Indians of South America - Shuar, 1981
Reel 38: Coll. 246, Tape 32: Indians of South America - Shuar, 1981
Reel 39: Coll. 246, Tape 33: Indians of South America - Shuar, 1981

Box 44

Reel 1: Coll. 246, Tape 34: Indians of South America - Shaur (Belzner), 1981: Reels 1-9 collected by William Belzner.
Reel 2: Coll. 246, Tape 35: Indians of South America - Shaur (Belzner), 1981
Reel 3: Coll. 246, Tape 36: Indians of South America - Shaur (Belzner), 1981
Reel 4: Coll. 246, Tape 37: Indians of South America - Shaur (Belzner), 1981
Reel 5: Coll. 246, Tape 38: Indians of South America - Shaur (Belzner), 1981
Reel 6: Coll. 246, Tape 39: Indians of South America - Shaur (Belzner), 1981
Reel 7: Coll. 246, Tape 40: Indians of South America - Shaur (Belzner), 1981
Reel 8: Coll. 246, Tape 41: Indians of South America - Shaur (Belzner), 1981
Reel 9: Coll. 246, Tape 42: Indians of South America - Shaur (Belzner), 1981
Reel 10: Coll. 247, Tape 1: India - classical music - Hindustani, undated: Contains Raag Mala v. 1, Kalyan Thaat.
Reel 11: Coll. 247, Tape 2: India - classical music - Hindustani, undated: Contains Raag Mala v. 2, Kalyan Thaat and Bilawal Thaat.
Reel 12: Coll. 247, Tape 3: India - classical music - Hindustani, undated: Contains Raag Mala v. 3, Bilawal Thaat and Khamaj Thaat.
Reel 13: Coll. 247, Tape 4: India - classical music - Hindustani, undated: Contains Raag Mala v. 4, Khamaj Thaat.
Reel 14: Coll. 247, Tape 5: India - classical music - Hindustani, undated: Contains Raag Mala v. 5, Bharov Thaat.
Reel 15: Coll. 247, Tape 6: India - classical music - Hindustani, undated: Contains Raag Mala v. 6, Bhairov Thaat, Bhairvi Thaat, and Todi Thaat.
Reel 16: Coll. 247, Tape 7: India - classical music - Hindustani, undated: Contains Raag Mala v. 7, Todi Thaat and Asavari Thaat.
Reel 17: Coll. 247, Tape 8: India - classical music - Hindustani, undated: Contains Raag Mala v. 8, Marva Thaat and Purbi Thaat.
Reel 18: Coll. 247, Tape 9: India - classical music - Hindustani, undated: Contains Raag Mala v. 9, Purbi Thaat and Kafi Thaat.
Reel 19: Coll. 247, Tape 10: India - classical music - Hindustani, undated: Contains Raag Mala v. 10, Kafi Thaat.
Reel 20: Coll. 248, Tape 1: India - Religious Music (Slawek), undated: Reels 20-35 collected by Stephen Slawek.
Reel 21: Coll. 248, Tape 2: India - Religious Music (Slawek), undated
Reel 22: Coll. 248, Tape 3: India - Religious Music (Slawek), undated
Reel 23: Coll. 248, Tape 4: India - Religious Music (Slawek), undated
Reel 24: Coll. 248, Tape 5: India - Religious Music (Slawek), undated
Reel 25: Coll. 248, Tape 6: India - Religious Music (Slawek), undated
Reel 26: Coll. 248, Tape 7: India - Religious Music (Slawek), undated
Reel 27: Coll. 248, Tape 8: India - Religious Music (Slawek), undated
Reel 28: Coll. 248, Tape 9: India - Religious Music (Slawek), undated
Reel 29: Coll. 248, Tape 10: India - Religious Music (Slawek), undated
Reel 30: Coll. 248, Tape 11: India - Religious Music (Slawek), undated
Reel 31: Coll. 248, Tape 12: India - Religious Music (Slawek), undated
Reel 32: Coll. 248, Tape 13: India - Religious Music (Slawek), undated
Reel 33: Coll. 248, Tape 14: India - Religious Music (Slawek), undated
Reel 34: Coll. 248, Tape 15: India - Religious Music (Slawek), undated
Reel 35: Coll. 248, Tape 16: India - Religious Music (Slawek), undated

Box 45

Reel 1: Coll. 248, Tape 17: India - Religious Music (Slawek), undated: Collected by Stephen Slawek.
Reel 2: Coll. 263, Tape 55: Bulgaria - Folk Music (Forsyth), December 1980-February 1981: Collection 263 consists of tapes recorded in villages of south-western Bulgaria.
Reel 3: Coll. 263, Tape 56: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 4: Coll. 263, Tape 57: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 5: Coll. 263, Tape 58: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 6: Coll. 263, Tape 59: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 7: Coll. 263, Tape 60: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 8: Coll. 263, Tape 61: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 9: Coll. 263, Tape 62: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 10: Coll. 263, Tape 63: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 11: Coll. 263, Tape 64: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 12: Coll. 263, Tape 65: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 13: Coll. 263, Tape 66: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 14: Coll. 263, Tape 67: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 15: Coll. 263, Tape 68: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 16: Coll. 263, Tape 69: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 17: Coll. 263, Tape 70: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 18: Coll. 263, Tape 71: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 19: Coll. 263, Tape 72: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 20: Coll. 263, Tape 73: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 21: Coll. 263, Tape 74: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 22: Coll. 263, Tape 75: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 23: Coll. 263, Tape 76: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 24: Coll. 263, Tape 77: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 25: Coll. 263, Tape 78: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 26: Coll. 263, Tape 79: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 27: Coll. 263, Tape 80: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 28: Coll. 263, Tape 81: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 29: Coll. 263, Tape 82: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 30: Coll. 263, Tape 83: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 31: Coll. 263, Tape 84: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 32: Coll. 263, Tape 85: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 33: Coll. 263, Tape 86: Bulgaria - Folk Music (Forsyth), December 1980-February 1981

Box 46

Reel 1: Coll. 263, Tape 87: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 2: Coll. 263, Tape 87: Bulgaria - Folk Music (Forsyth), December 1980-February 1981
Reel 3: Coll. 264, Tapes 1-6: Bulgaria - Folk Music (Forsyth), ca. 1979
Reel 4: Coll. 265, Tape 1: India - classical music (Karnatak), April 13, 1984: Musical accompanment to a Bharata Natyam performance, by Viji Prakash. Recorded in the University of Illinois Auditorium by Judith Ellison.
Reel 5: Coll. 266, Tape 1: Iraq (Nettl), ca. 1957: Vocal performance with def. accompaniment by Kadhum el-Hadaf, recorded by Bruno Nettl in Kiel, Germany.
Reel 6: Coll. 267, Tape 1: Nigeria - Ibo peoples (Nettl), undated
Reel 7: Coll. 268, Tape 1: New Zealand - Maori (Mclean and Ngata), undated: Collection 268 consists of traditional songs of the Maori, collected by Dr. Mclean. They are taken from the University of Auckland (New Zealand)'s archive of Maori and Pacific Music.
Reel 8: Coll 268, Tape 2: New Zealand - Maori (Mclean and Ngata), undated
Reel 9: Coll. 268, Tape 3: New Zealand - Maori (Mclean and Ngata), undated
Reel 10: Coll. 268, Tape 4: New Zealand - Maori (Mclean and Ngata), undated
Reel 11: Coll. 268, Tape 5: New Zealand - Maori (Mclean and Ngata), undated
Reel 12: Coll. 268, Tape 6: New Zealand - Maori (Mclean and Ngata), undated
Reel 13: Coll. 268, Tape 7: New Zealand - Maori (Mclean and Ngata), undated
Reel 14: Coll. 269, Tape 1: Indians of North America - Blackfoot, Navajo, Hopi, undated: Commerical recordings of songs, by Geoffrey O'Hara, and Hopi Indian Chanters (a group of M. W. Billingsley).
Reel 15: Coll. 270, Tape 1: Indians of North Ameirca - Kiowa (Shaman), May, 1890: Mescal Song performed by James Mooney, recorded in Washington, D.C.
Reel 16: Coll. 271, Tape 1: India - classical music (Karnatak), October 14, 1984: Collection 271 consists of a performance by Emani Sankara Sastry (veena), Yella Venkateswara Rao (Mridangam), and Shanta Ranga Rao (Tambura) in the Music Building Auditorium.
Reel 17: Coll. 271, Tape 2: India - classical music (Karnatak), October 14, 1984
Reel 18: Coll. 271, Tape 3: India - classical music (Karnatak), October 14, 1984
Reel 19: Coll. 272, Tape 1: Russia - folk music (Smith), undated
Reel 20: Coll. 273, Tape 1: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 21: Coll. 273, Tape 2: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 22: Coll. 273, Tape 3: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 23: Coll. 273, Tape 4: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 24: Coll. 273, Tape 5: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 25: Coll. 273, Tape 6: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 26: Coll. 273, Tape 7: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 27: Coll. 273, Tape 8: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 28: Coll. 273, Tape 9: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 29: Coll. 273, Tape 10: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 30: Coll. 273, Tape 11: Iran - Kurdish (Hassan-Pour), ca. 1969-72

Box 47

Reel 1: Coll. 273, Tape 12: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 2: Coll. 273, Tape 13: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 3: Coll. 273, Tape 14: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 4: Coll. 273, Tape 15: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 5: Coll. 273, Tape 16: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 6: Coll. 273, Tape 17: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 7: Coll. 273, Tape 18: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 8: Coll. 273, Tape 19: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 9: Coll. 273, Tape 20: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 10: Coll. 273, Tape 21: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 11: Coll. 273, Tape 22: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 12: Coll. 273, Tape 23: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 13: Coll. 273, Tape 24: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 14: Coll. 273, Tape 25: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 15: Coll. 273, Tape 26: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 16: Coll. 273, Tape 27: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 17: Coll. 273, Tape 28: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 18: Coll. 273, Tape 29: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 19: Coll. 273, Tape 30: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 20: Coll. 273, Tape 31: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 21: Coll. 273, Tape 32: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 22: Coll. 273, Tape 33: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 23: Coll. 273, Tape 34: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 24: Coll. 273, Tape 35: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 25: Coll. 273, Tape 36: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 26: Coll. 273, Tape 37: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 27: Coll. 273, Tape 38: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 28: Coll. 273, Tape 39: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 29: Coll. 273, Tape 40: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 30: Coll. 273, Tape 41: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 31: Coll. 273, Tape 42: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 32: Coll. 273, Tape 43: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 33: Coll. 273, Tape 44: Iran - Kurdish (Hassan-Pour), ca. 1969-72
Reel 34: Coll. 273, Tape 45: Iran - Kurdish (Hassan-Pour), ca. 1969-72

Box 48

Reel 1: Coll. 273, Tape 46: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 2: Coll. 273, Tape 47: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 3: Coll. 273, Tape 48: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 4: Coll. 273, Tape 49: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 5: Coll. 273, Tape 50: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 6: Coll. 273, Tape 51: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 7: Coll. 273, Tape 52: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 8: Coll. 273, Tape 53: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 9: Coll. 273, Tape 54: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 10: Coll. 273, Tape 55: Iran - Kurdish (Hassan-Pour), ca. 1969-1972
Reel 11: Coll. 274, Tape 1: Scotland - Gaelic, 1899 - 1977: Jessie Maclachlan (Sep. 5, 1899), Hugh Mackay, Jenny Currie & Neil Maclean, Donald MacLeod (1950's), Christina Mackay, Alec Donald, Finlay J. MacDonald (1977).
Reel 12: Coll. 275, Tape 1: Miscellaneous Commercial Ethnic Recordings (Adamson), 1899-1909
Reel 13: Coll. 276, Tape 1: India - Classical (Shaman), April 16, 1985: Santoor - Pandit Shivkumar Sharma. Tabla - Zakir Hussein.
Reel 14: Coll. 276, Tape 2: India - Classical (Shaman), April 16, 1985: Santoor - Pandit Shivkumar Sharma. Tabla - Zakir Hussein.
Reel 15: Coll. 277, Tape 1: Miscellaneous Commercial Ethnic Recordings (Shaman), 1901-1927: Kasan, Iran (1901), Calcutta (Kolkata), India (1903), Bombay (Mumbai)
Reel 16: Coll. 278, Tape 1: India - Tribal and folk (Babiracki), November 15, 1983: Reels 16-34 collected by Carol Babiracki between October, 1983, and December, 1984, in Chota Nagpur, Bihar, India. Side A: Nov 15, 1983, Birsa Munda Jayanti (Birsa Munda birth anniversary). Side B: Birsa Munda cont. Nov 16, 1983, Satyanarayan Katha Puja (Annual domestic ritual).
Reel 17: Coll. 278, Tape 2: India - Tribal and folk (Babiracki), November 1983 & March 1984: Side A: Nov 16, 1983, Satyanarayan Katha Puja (Annual domestic ritual). Nov 29, 1983, Nagpuri "disco" songs. Side B: Nagpuri "disco" songs cont. March 22, 1984, Nagpuri Songs, solo with hand clapping accompaniment.
Reel 18: Coll. 278, Tape 3: India - Tribal and folk (Babiracki), November 20, 1983: Side A & B: Nov 20, 1983, Ramrekha Mela (District Simdega, Bihar)
Reel 19: Coll. 278, Tape 4: India - Tribal and folk (Babiracki), November 20, 1983: Side A & B: Nov 20, 1983, Ramrekha Mela (District Simdega, Bihar) cont. from tape 3.
Reel 20: Coll. 278, Tape 5: India - Tribal and folk (Babiracki), November 20, 1983: Side A & B: Nov 20, 1983, Ramrekha Mela (District Simdega, Bihar) continued from tape 4
Reel 21: Coll. 278, Tape 6: India - Tribal and folk (Babiracki), November 20, 1983: Side A: November 20, 1983, Ramrekha Mela (District Simdega, Bihar) continued from tape 5.
Reel 22: Coll. 278, Tape 7: India - Tribal and folk (Babiracki), November 25-26, 1983: Contains Ras celebration at Camratoli, Murhu village, karam songs in Pancpargania and Mundari languages, damkac songs in Nagpuri and Pancpargania languages.
Reel 23: Coll. 278, Tape 8: India - Tribal and folk (Babiracki), November 26, 1983 and February 8, 1984: Contains damkac and damkac jhumta continued from tape 7, Nagpuri stage program for Saraswati Puja.
Reel 24: Coll. 278, Tape 9: India - Tribal and folk (Babiracki), December 1983-August 1984: Contains Nagpuri and Pancpargania songs on bamboo flute, singing with bamboo flute, Mundari songs, and unaccompanied Nagpuri songs
Reel 25: Coll. 278, Tape 10: India - Tribal and folk (Babiracki), December 9-10, 1983: Contains rehearsal and outdoor stage performances of Mundari dance troupe and Kurukh Oraon dance troupe of Tribal and Regional Languages department of Ranchi University.
Reel 26: Coll. 278, Tape 11: India - Tribal and folk (Babiracki), December 23, 1983: Contains Cho dance seminar in Jamshedpur, Bihar; includes Natua dance, nacini-rasika dance, interlude with sanai and dholak, nacini-rasika dance, and cho dance.
Reel 27: Coll. 278, Tape 12: India - Tribal and folk (Babiracki), December 23-24, 1983: Contains Cho dance seminar continued from tape 11, including Jhagru Mahato troupe and Janak Singh Mura troupe, demonstration of Cho gaits, and Cho perfrmance by Gambhir Singh Mura troupe.
Reel 28: Coll. 278, Tape 13: India - Tribal and folk (Babiracki), December 24-25, 1983: Contains Cho performance by Gambhir Singh Mura troupe continued from tape 12, performance of Purulia-style Cho, and demonstration of Parikhanda movements used in Seraikela-style Cho.
Reel 29: Coll. 278, Tape 14: India - Tribal and folk (Babiracki), December 25, 1983: Contains Cho seminar continued from tape 13, demonstrations and performances of Seraikela-style Cho,
Reel 30: Coll. 278, Tape 15: India - Tribal and folk (Babiracki), December 25, 1983: Contains Cho seminar continued from tape 14, performances of Seraikela-style Cho.
Reel 31: Coll. 278, Tape 16: India - Tribal and folk (Babiracki), December 26-27, 1983: Contains Cho seminar continued from tape 15, demonstration of Seraikela-style Cho and lecture by Vijay Kishore.
Reel 32: Coll. 278, Tape 17: India - Tribal and folk (Babiracki), December 23 and 27, 1983: Contains Cho seminar continued from tape 16, demonstration of Seraikela-style Cho and discussion, performances of Jhargram Cho.
Reel 33: Coll. 278, Tape 18: India - Tribal and folk (Babiracki), December 27, 1983: Contains Cho seminar continued from tape 17, performance of Jhargram Cho, performance of Seraikela Cho.
Reel 34: Coll. 278, Tape 19: India - Tribal and folk (Babiracki), December 31, 1983: Contains Ras celebration in Mundari hill village of Ganamana.

Box 49

Reel 1: Coll. 278, Tape 20: India - Tribal and folk (Babiracki), December 1983: Cho performance and Cho cals, by Gambhir Singh Mura and troupe. Recorded in Torang and Chorida village, Purulia.
Reel 2: Coll. 278, Tape 21: India - Tribal and folk (Babiracki), December 1983: Includes a Cho seminar, in Jamshedpur, Bihar, and Cho performances in Chorida village, Purulia, and Nimdih village, Bihar, by Gambhir Singh Mura troupe.
Reel 3: Coll. 278, Tape 22: India - Tribal and folk (Babiracki), December 1983: Cont. from tape 21.
Reel 4: Coll. 278, Tape 23: India - Tribal and folk (Babiracki), December 1983: Demonstration and explanations of Seraikela-style Parikhanda by Kedar Nath Sahu, in Govindpur village, and a demonstration of Seraikela-style Cho in Village Bhurkuli.
Reel 5: Coll. 278, Tape 24: India - Tribal and folk (Babiracki), January - December 1984
Reel 6: Coll. 278, Tape 25: India - Tribal and folk (Babiracki), January 27, 1984
Reel 7: Coll. 278, Tape 26: India - Tribal and folk (Babiracki), January - July 1984
Reel 8: Coll. 278, Tape 27: India - Tribal and folk (Babiracki), January 12, 1984
Reel 9: Coll. 278, Tape 28: India - Tribal and folk (Babiracki), February 8, 1989
Reel 10: Coll. 278, Tape 29: India - Tribal and folk (Babiracki), February 11, 1984
Reel 11: Coll. 278, Tape 30: India - Tribal and folk (Basbiracki), February 11, 1984
Reel 12: Coll. 278, Tape 31: India - Tribal and folk (Babiracki), February 11, 1984
Reel 13: Coll. 278, Tape 32: India - Tribal and folk (Babiracki), March 4-5, 1984
Reel 14: Coll. 278, Tape 33: India - Tribal and folk (Babiracki), March 4,1984
Reel 15: Coll. 278, Tape 34: India - Tribal and folk (Babiracki), March 4, 1984
Reel 16: Coll. 278, Tape 35: India - Tribal and folk (Babiracki), March 4-5, 1984
Reel 17: Coll. 278, Tape 36: India - Tribal and folk (Babiracki), March 6-7, 1984
Reel 18: Coll. 278, Tape 37: India - Tribal and folk (Babiracki), March 7, 1984
Reel 19: Coll. 278, Tape 38: India -Tribal and folk (Babiracki), March 17, 1984
Reel 20: Coll. 278, Tape 39: India - Tribal and folk (Babiracki), March 18-22, 1984
Reel 21: Coll. 278, Tape 40: India - Tribal and folk (Babiracki), undated
Reel 22: Coll. 278, Tape 41: India - Tribal and folk (Babiracki), undated
Reel 23: Coll. 278, Tape 42: India - Tribal and folk (Babiracki), undated
Reel 24: Coll. 278, Tape 43: India - Tribal and folk (Babiracki), undated
Reel 25: Coll. 278, Tape 44: India - Tribal and folk (Babiracki), undated
Reel 26: Coll. 278, Tape 45: India - Tribal and folk (Babiracki), undated
Reel 27: Coll. 278, Tape 46: India - Tribal and folk (Babiracki), undated
Reel 28: Coll. 278, Tape 47: India - Tribal and folk (Babiracki), undated
Reel 29: Coll. 278, Tape 48: India - Tribsl and folk (Babiracki), undated
Reel 30: Coll. 248, Tape 49: India - Tribal and folk (Babiracki), undated
Reel 31: Coll. 278, Tape 50: India - Tribal and folk (Babiracki), undated
Reel 32: Coll. 278, Tape 51: India - Tribal and folk (Babiracki), undated
Reel 33: Coll. 278, Tape 52: India - Tribal and folk (Babiracki), undated
Reel 34: Coll. 278, Tape 53: India - Tribal and folk (Babiracki), undated
Reel 35: Coll. 278, Tape 54: India - Tribal and folk (Babiracki), undated

Box 50

Reel 1: Coll. 278, Tape 55: India - tribal and folk (Babiracki), undated: For additional information, such as pictures and performance credits, on Coll. 278, look in folder 94 in box 2.
Reel 2: Coll. 278, Tape 56: India - tribal and folk (Babiracki), undated
Reel 3: Coll. 278, Tape 57: India - tribal and folk (Babiracki), undated
Reel 4: Coll. 278, Tape 58: India - tribal and folk (Babiracki), undated
Reel 5: Coll. 278, Tape 59: India - tribal and folk (Babiracki), undated
Reel 6: Coll. 278, Tape 60: India - tribal and folk (Babiracki), undated
Reel 7: Coll. 278, Tape 61: India - tribal and folk (Babiracki), undated
Reel 8: Coll. 278, Tape 62: India - tribal and folk (Babiracki), undated
Reel 9: Coll. 278, Tape 63: India - tribal and folk (Babiracki), undated
Reel 10: Coll. 278, Tape 64: India - tribal and folk (Babiracki), undated
Reel 11: Coll. 278, Tape 65: India - tribal and folk (Babiracki), undated
Reel 12: Coll. 278, Tape 66: India - tribal and folk (Babiracki), undated
Reel 13: Coll. 278, Tape 67: India - tribal and folk (Babiracki), undated
Reel 14: Coll. 278, Tape 68: India - tribal and folk (Babiracki), undated
Reel 15: Coll. 278, Tape 69: India - tribal and folk (Babiracki), undated
Reel 16: Coll. 278, Tape 70: India - tribal and folk (Babiracki), undated
Reel 17: Coll. 278, Tape 71: India - tribal and folk (Babiracki), undated
Reel 18: Coll. 278, Tape 72: India - tribal and folk (Babiracki), undated
Reel 19: Coll. 278, Tape 73: India - tribal and folk (Babiracki), undated
Reel 20: Coll. 278, Tape 74: India - tribal and folk (Babiracki), undated
Reel 21: Coll. 278, Tape 75: India - tribal and folk (Babiracki), undated
Reel 22: Coll. 278, Tape 76: India - tribal and folk (Babiracki), undated
Reel 23: Coll. 278, Tape 77: India - tribal and folk (Babiracki), undated
Reel 24: Coll. 278, Tape 78: India - tribal and folk (Babiracki), undated
Reel 25: Coll. 278, Tape 79: India - tribal and folk (Babiracki), undated
Reel 26: Coll. 278, Tape 80: India - tribal and folk (Babiracki), undated
Reel 27: Coll. 278, Tape 81: India - tribal and folk (Babiracki), undated
Reel 28: Coll. 278, Tape 82: India - tribal and folk (Babiracki), undated
Reel 29: Coll. 278, Tape 83: India - tribal and folk (Babiracki), undated
Reel 30: Coll. 278, Tape 84: India - tribal and folk (Babiracki), undated
Reel 31: Coll. 278, Tape 85: India - tribal and folk (Babiracki), undated
Reel 32: Coll. 278, Tape 86: India - tribal and folk (Babiracki), undated
Reel 33: Coll. 278, Tape 87: India - tribal and folk (Babiracki), undated
Reel 34: Coll. 278, Tape 88: India - tribal and folk (Babiracki), undated

Box 51

Reel 1: Coll. 278, Tape 89: India - tribal and folk (Babiracki), undated
Reel 2: Coll. 278, Tape 90: India - tribal and folk (Babiracki), undated
Reel 3: Coll. 278, Tape 91: India - tribal and folk (Babiracki), undated
Reel 4: Coll. 278, Tape 92: India - tribal and folk (Babiracki), undated
Reel 5: Coll. 278, Tape 93: India - tribal and folk (Babiracki), undated
Reel 6: Coll. 278, Tape 94: India - tribal and folk (Babiracki), undated
Reel 7: Coll. 278, Tape 95: India - tribal and folk (Babiracki), undated
Reel 8: Coll. 278, Tape 96: India - tribal and folk (Babiracki), undated
Reel 9: Coll. 278, Tape 97: India - tribal and folk (Babiracki), undated
Reel 10: Coll. 278, Tape 98: India - tribal and folk (Babiracki), undated
Reel 11: Coll. 278, Tape 99: India - tribal and folk (Babiracki), undated
Reel 12: Coll. 278, Tape 100: India - tribal and folk (Babiracki), undated
Reel 13: Coll. 278, Tape 101: India - tribal and folk (Babiracki), undated
Reel 14: Coll. 278, Tape 102: India - tribal and folk (Babiracki), undated
Reel 15: Coll. 278, Tape 103: India - tribal and folk (Babiracki), undated
Reel 16: Coll. 278, Tape 104: India - tribal and folk (Babiracki), undated
Reel 17: Coll. 278, Tape 105: India - tribal and folk (Babiracki), undated
Reel 18: Coll. 278, Tape 106: India - tribal and folk (Babiracki), undated
Reel 19: Coll. 278, Tape 107: India - tribal and folk (Babiracki), undated
Reel 20: Coll. 278, Tape 108: India - tribal and folk (Babiracki), undated
Reel 21: Coll. 278, Tape 109: India - tribal and folk (Babiracki), undated
Reel 22: Coll. 278, Tape 110: India - tribal and folk (Babiracki), undated
Reel 23: Coll. 278, Tape 111: India - tribal and folk (Babiracki), undated
Reel 24: Coll. 278, Tape 112: India - tribal and folk (Babiracki), undated
Reel 25: Coll. 278, Tape 113: India - tribal and folk (Babiracki), undated
Reel 26: Coll. 278, Tape 114: India - tribal and folk (Babiracki), undated
Reel 27: Coll. 278, Tape 115: India - tribal and folk (Babiracki), undated
Reel 28: Coll. 278, Tape 116: India - tribal and folk (Babiracki), undated
Reel 29: Coll. 278, Tape 117: India - tribal and folk (Babiracki), undated
Reel 30: Coll. 278, Tape 118: India - tribal and folk (Babiracki), undated
Reel 31: Coll. 278, Tape 119: India - tribal and folk (Babiracki), undated
Reel 32: Coll. 278, Tape 120: India - tribal and folk (Babiracki), undated
Reel 33: Coll. 278, Tape 121: India - tribal and folk (Babiracki), undated
Reel 34: Coll. 278, Tape 122: India - tribal and folk (Babiracki), undated
Reel 35: Coll. 278, Tape 123: India - tribal and folk (Babiracki), undated

Box 52

Reel 1: Coll 278, Tape 124: India - tribal and folk (Babiracki), October, 1983-December, 1984: Reels 1-35 contain tribal and folk music of Chota Nagpur, Bihar, India, collected by Carol Babiracki.
Reel 2: Coll 278, Tape 125: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 3: Coll 278, Tape 126: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 4: Coll 278, Tape 127: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 5: Coll 278, Tape 128: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 6: Coll 278, Tape 129: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 7: Coll 278, Tape 130: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 8: Coll 278, Tape 131: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 9: Coll 278, Tape 132: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 10: Coll 278, Tape 133: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 11: Coll 278, Tape 134: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 12: Coll 278, Tape 135: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 13: Coll 278, Tape 136: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 14: Coll 278, Tape 137: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 15: Coll 278, Tape 138: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 16: Coll 278, Tape 139: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 17: Coll 278, Tape 140: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 18: Coll 278, Tape 141: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 19: Coll 278, Tape 142: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 20: Coll 278, Tape 143: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 21: Coll 278, Tape 144: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 22: Coll 278, Tape 145: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 23: Coll 278, Tape 146: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 24: Coll 278, Tape 147: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 25: Coll 278, Tape 148: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 26: Coll 278, Tape 149: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 27: Coll 278, Tape 150: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 28: Coll 278, Tape 151: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 29: Coll 278, Tape 152: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 30: Coll 278, Tape 153: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 31: Coll 278, Tape 154: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 32: Coll 278, Tape 155: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 33: Coll 278, Tape 156: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 34: Coll 278, Tape 157: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 35: Coll 278, Tape 158: India - tribal and folk (Babiracki), October, 1983-December, 1984

Box 53

Reel 1: Coll. 278, Tape 159: India - tribal and folk (Babiracki), October, 1983-December, 1984: Reels 1-35 contain tribal and folk music of Chota Nagpur, Bihar, India, collected by Carol Babiracki.
Reel 2: Coll. 278, Tape 160: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 3: Coll. 278, Tape 161: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 4: Coll. 278, Tape 162: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 5: Coll. 278, Tape 163: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 6: Coll. 278, Tape 164: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 7: Coll. 278, Tape 165: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 8: Coll. 278, Tape 166: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 9: Coll. 278, Tape 167: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 10: Coll. 278, Tape 168: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 11: Coll. 278, Tape 169: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 12: Coll. 278, Tape 170: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 13: Coll. 278, Tape 171: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 14: Coll. 278, Tape 172: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 15: Coll. 278, Tape 173: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 16: Coll. 278, Tape 174: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 17: Coll. 278, Tape 175: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 18: Coll. 278, Tape 176: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 19: Coll. 278, Tape 177: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 20: Coll. 278, Tape 178: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 21: Coll. 278, Tape 179: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 22: Coll. 278, Tape 180: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 23: Coll. 278, Tape 181: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 24: Coll. 278, Tape 182: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 25: Coll. 278, Tape 183: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 26: Coll. 278, Tape 184: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 27: Coll. 278, Tape 185: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 28: Coll. 278, Tape 186: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 29: Coll. 278, Tape 187: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 30: Coll. 278, Tape 188: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 31: Coll. 278, Tape 189: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 32: Coll. 278, Tape 190: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 33: Coll. 278, Tape 191: India - tribal and folk (Babiracki), October, 1983-December, 1984
Reel 34: Coll. 278, Tape 192: India - tribal and folk (Babiracki), October, 1983-December, 1984: Contains copy of commercial recording "The Lap of Nagpur."
Reel 35: Coll. 278, Tape 193: India - tribal and folk (Babiracki), October, 1983-December, 1984: Contains copy of commercial recording "Chote Nagpur Geet: Madan Nayak & Party."

Box 54

Reel 1: Coll. 278, Tape 194: India - tribal and folk (Babiracki), October, 1983-December, 1984: Contains copy of commercial recording "Nagpuri Lok Geet."
Reel 2: Coll. 278, Tape 195: India - tribal and folk (Babiracki), October, 1983-December, 1984: Contains copy of commercial recording "Songs of Life" Jana Samskrity Unnayan Parshad.
Reel 3: Coll. 279, Tape 1: India - Kirtan and Bhajan (Slawek), undated: Reels 3-6 collected by Stephen Slawek in Banaras for his PhD dissertation in musicology entitled "Kirtan: A Study of the Sonic Manifestations of the Divine in the Popular Hindu Culture of Banaras."
Reel 4: Coll. 279, Tape 2: India - Kirtan and Bhajan (Slawek), undated
Reel 5: Coll. 279, Tape 3: India - Kirtan and Bhajan (Slawek), undated
Reel 6: Coll. 279, Tape 4: India - Kirtan and Bhajan (Slawek), undated
Reel 7: Coll. 280, Tape 1: India - Classical Music - Hindustani, December 8, 1985: Reels 7-9 contain a concert of ragas performed by Devendra Murdeshwar on flute (basuri) and Gourang Kodical on tabla at the University of Illinois at Urbana-Champaign. Tape 1 contains ragas 1 and 2.
Reel 8: Coll. 280, Tape 2: India - Classical Music - Hindustani, December 8, 1985: Contains ragas 3 and 4.
Reel 9: Coll. 280, Tape 3: India - Classical Music - Hindustani, December 8, 1985: Contains ragas 5 and 6.
Reel 10: Coll. 281, Tape 1: India - Dhrupad, February 19, 1986: Collection 281 consists of a Drupads recital, recorded in University of Illinois Music Auditorium.
Reel 11: Coll. 281, Tape 2: India - Dhrupad, February 19, 1986
Reel 12: Coll. 281, Tape 3: India - Dhrupad, February 19, 1986
Reel 13: Coll. 282, Tape 1: Turkey - Commerical recordings, undated
Reel 14: Coll. 282, Tape 2: Tukey - Commerical recordings, undated
Reel 15: Coll. 283, Tape 1: South America - Traditional popular (Commercial recordings), undated
Reel 16: Coll. 284, Tape 1: India - Classical music (Hindustani), April 5, 1986: Collection 284 consists of a performance by Pandit Shivkumar Sharm (santur) and Shafaat Ahrmed Khan (tabla), recorded in the University of Illinois Music Building Auditorium.
Reel 17: Coll. 284, Tape 2: India - Classical music (Hindustani), April 5, 1986
Reel 18: Coll. 284, Tape 3: India - Classical music, April 5, 1986
Reel 19: Coll. 285, Tape 1: Korea - Modern Compositions, undated
Reel 20: Coll. 285, Tape 2: Korea - Modern Compositions, undated
Reel 21: Coll. 285, Tape 3: Korea - Modern Compositions, undated
Reel 22: Coll. 286, Tape 1: India - Classical music (Hindustani), October 17, 1986: Collection 286 consists of a recital of Hindustani Classical Music, performed by Pandit Dinkar Kaikini (vocal), Yogesh Samsi (tabla), Aditi Upadhye (vocal accompaniment), recorded at the University of Illinois Music Auditorium.
Reel 23: Coll. 286, Tape 2: India - Classical music (Hindustani), October 17, 1986
Reel 24: Coll. 286, Tape 3: India - Classical music (Hindustani), October 17, 1986
Reel 25: Coll. 287, Tape 1: India - Classical music (Hindustani), April 21, 1987: Collection 287 is a Concert of Classical Indian Sitar Music, performed by Shahid Parvez and Vijay Ghate (Tabla).
Reel 26: Coll. 287, Tape 2: India - Classical music (Hindustani), April 21, 1987
Reel 27: Coll. 288, Tape 1: India - Classical music (Karnatak), April 23, 1987: Collection 288 consists of a performance by Viji Krishnam (violin) and Ramnad V. Raghavan (mrdangam), recorded at the University of Illinois Music Building Auditorium.
Reel 28: Coll. 288, Tape 2: India - Classical music (Karnatak), April 23, 1987
Reel 29: Coll. 288, Tape 3: India - Classical music (Karnatak), April 23, 1987
Reel 30: Coll. 289, Tape 1: Iran - The Persian Radif (Nettl), 1986: An educational tape by B. Nettl, including performances of the radif. Performers include: Boroumand (tar, setar), Karimi (voice), Bahari (kamancheh), Shirinabadi (violin), Partou (piano).
Reel 31: Coll. 289, Tape 2: Iran - The Persian Radif (Nettl), 1986
Reel 32: Coll. 289, Tape 3: Iran - The Persian Radif (Nettl), 1986
Reel 33: Coll. 290, Tape 1: Indonesia - Tobaku Folk Music (Aragon), June, 1987
Reel 34: Coll. 290, Tape 2: Indonesia - Tobaku Folk Music (Aragon), June, 1987

Box 55

Reel 1: Coll. 291, Tape 1: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 2: Coll. 291, Tape 2: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 3: Coll. 291, Tape 3: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 4: Coll. 291, Tape 4: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 5: Coll. 291, Tape 5: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 6: Coll. 291, Tape 6: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 7: Coll. 291, Tape 7: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 8: Coll. 291, Tape 8: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 9: Coll. 291, Tape 9: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 10: Coll. 291, Tape 10: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 11: Coll. 291, Tape 11: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 12: Coll. 291, Tape 12: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 13: Coll. 291, Tape 13: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 14: Coll. 291, Tape 14: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 15: Coll. 291, Tape 15: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 16: Coll. 291, Tape 16: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 17: Coll. 291, Tape 17: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 18: Coll. 291, Tape 18: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 19: Coll. 291, Tape 19: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 20: Coll. 291, Tape 20: Finnish folk music in Minnesota (Babiracki), 1977-1978
Reel 21: Coll. 292, Tape 1: India - Christmas Mass (Madras), 1967: Written by Walter Albuquerque. Accompaniment: harmonium (Silent Night & O Come All ye Faithful)
Reel 22: Coll. 293, Tape 1: India - Classical music (Hindustani), Sept 11, 1987: Deba Prasad Banerjee accompanied by tabla performing Rag Yaman & Rag Des.
Reel 23: Coll. 293, Tape 2: India - Classical music (Hindustani), Sept 11, 1987: Deba Prasad Banerjee accompanied by tabla performing Rag Malkos & Rag malo
Reel 24: Coll. 294, Tape 1: Peru - charango music (Turino), Nov - Dec, 1982: Charango music played by Julio Benavento Diaz in Austin, Texas.
Reel 25: Coll. 294, Tape 2: Peru - charango music (Turino), Nov - Dec, 1982: Charango music played by Julio Benavento Diaz in Austin, Texas.
Reel 26: Coll. 294, Tape 3: Peru - charango music (Turino), Nov - Dec, 1982: Charango music played by Julio Benavento Diaz in Austin, Texas.
Reel 27: Coll. 294, Tape 4: Peru - charango music (Turino), Nov - Dec, 1982: Charango music played by Julio Benavento Diaz in Austin, Texas.
Reel 28: Coll. 294, Tape 5: Peru - charango music (Turino), Nov - Dec, 1982: Charango music played by Julio Benavento Diaz in Austin, Texas.
Reel 29: Coll. 295, Tape 1: Portugal - fado (Nugent), undated: Fado (popular urban Portugese music) sung by Amalia Rodrigues in Lisbon, Portugal.
Reel 30: Coll. 295, Tape 2: Portugal - fado (Nugent), undated: Fado (popular urban Portugese music) sung by Amalia Rodrigues in Lisbon, Portugal.
Reel 31: Coll. 296, Tape 1: Indians of North America - Caddo (Nugent), undated: Songs of the Caddo vol. 1
Reel 32: Coll. 296, Tape 2: Indians of North America - Caddo (Nugent), undated: Songs of the Caddo vol. 2
Reel 33: Coll. 297, Tape 1: Peru - Indigenous Andean Music (Turino), Jan 5, 1985: Side A. Recorded en el ceuo on the first day of the fiesta de la Cruz.
Reel 34: Coll. 297, Tape 2: Peru - Indigenous Andean Music (Turino), Feb 5, 1985: End of side A and side B was recorded as groups descended from the ceuo carrying the crosses to the market of the town.
Reel 35: Coll. 297, Tape 3: Peru - Indigenous Andean Music (Turino), Feb 5, 1985: Side A: Fiesta de la Cruz - Huancane.

Box 56

Reel 1: Coll. 297, Tape 4: Peru - Indigenous Andean Music (Turino), February 5, 1985
Reel 2: Coll. 297, Tape 5: Peru - Indigenous Andean Music (Turino), June 4, 1985
Reel 3: Coll. 297, Tape 6: Peru - Indigenous Andean Music (Turino), June 4, 1985
Reel 4: Coll. 297, Tape 7: Peru - Indigenous Andean Music (Turino), November 2, 1986
Reel 5: Coll. 297, Tape 8: Peru - Indigenous Andean Music (Turino), November 2, 1986
Reel 6: Coll.297, Tape 9: Peu - Indigenous Andean Music (Turino), March 5, 1986: Coll. 297, Tape 10: Peru - Indigenous Andean Music (Turino)
Reel 7: Coll. 297, Tape 10: Peru - Indigenous Andean Music (Turino), April 5, 1986
Reel 8: Coll. 297, Tape 11: Peru - Indigenous Andean Music (Turino), January 2, 1985
Reel 9: Coll. 297, Tape 12: Peru - Indigenous Andean Music (Turino), January 2, 1985
Reel 10: Coll. 297, Tape 13: Peru - Indigenous Arctic Music (Turino), JulyÂ 28, 1985
Reel 11: Coll. 297, Tape 14: Peru - Indigenous Andean Music (Turino), May 3, 1986
Reel 12: Coll. 297, Tape 15: Peru - Indigenous Andean Music (Turino), undated
Reel 13: Coll. 297, Tape 16: Peru - Indigenous Andean Music (Turino), undated
Reel 14: Coll. 297, Tape 17: Peru - Indigenous Andean Music (Turino), undated
Reel 15: Coll. 297, Tape 18: Peru - Indigenous Andean Music (Turino), undated
Reel 16: Coll. 297, Tape 19: Peru - Indigenous Andean Music (Turino), undated
Reel 17: Coll. 297, Tape 20: Peru - Indigenous Andean Music (Turino), undated
Reel 18: Coll. 297, Tape 21: Peru - Indigenous Andean Music (Turino), undated
Reel 19: Coll. 297, Tape 22: Peru - Indigenous Andean Music (Turino), undated
Reel 20: Coll. 297, Tape 23: Peru - Indigenous Andean Music (Turino), undated
Reel 21: Coll. 297, Tape 24: Peru - Indigenous Andean Music (Turino), undated
Reel 22: Coll. 297, Tape 25: Peru - Indigenous Andean Music (Turino), undated
Reel 23: Coll. 297, Tape 26: Peru - Indigenous Andean Music (Turino), undated
Reel 24: Coll. 297, Tape 27: Peru - Indigenous Andean Music (Turino), undated
Reel 25: Coll. 297, Tape 28: Peru - Indigenous Andean Music (Turino), undated
Reel 26: Coll. 297, Tape 29: Peru - Indigenous Andean Music (Turino), undated
Reel 27: Coll. 297, Tape 30: Peru - Indigenous Andean Music (Turino), undated
Reel 28: Coll. 297, Tape 31: Peru - Indigenous Andean Music (Turino), undated
Reel 29: Coll. 297, Tape 32: Peru - Indigenous Andean Music (Turino), undated
Reel 30: Coll. 297, Tape 33: Peru - Indigenous Andean Music (Turino), undated
Reel 31: Coll. 297, Tape 34: Peru - Indigenous Andean Music (Turino), undated
Reel 32: Coll. 297, Tape 35: Peru - Indigenous Andean Music (Turino), undated
Reel 33: Coll. 297, Tape 36: Peru - Indigenous Andean Music (Turino), undated
Reel 34: Coll. 297, Tape 37: Peru - Indigenous Andean Music (Turino), undated
Reel 35: Coll. 297, Tape 38: Peru - Indigenous Andean Music (Turino), undated

Box 57

Reel 1: Coll. 297, Tape 39: Peru - Indigenous Andean Music (Turino), undated
Reel 2: Coll. 297, Tape 40: Peru - Indigenous Andean Music (Turino), undated
Reel 3: Coll. 297, Tape 41: Peru - Indigenous Andean Music (Turino), undated
Reel 4: Coll. 297, Tape 42: Peru - Indigenous Andean Music (Turino), undated
Reel 5: Coll. 297, Tape 43: Peru - Indigenous Andean Music (Turino), undated
Reel 6: Coll. 297, Tape 44: Peru - Indigenous Andean Music (Turino), undated
Reel 7: Coll. 297, Tape 45: Peru - Indigenous Andean Music (Turino), undated
Reel 8: Coll. 297, Tape 46: Peru - Indigenous Andean Music (Turino), undated
Reel 9: Coll. 297, Tape 47: Peru - Indigenous Andean Music (Turino), undated
Reel 10: Coll. 297, Tape 48: Peru - Indigenous Andean Music (Turino), undated
Reel 11: Coll. 297, Tape 49: Peru - Indigenous Andean Music (Turino), undated
Reel 12: Coll. 297, Tape 50: Peru - Indigenous Andean Music (Turino), undated
Reel 13: Coll. 297, Tape 51: Peru - Indigenous Andean Music (Turino), undated
Reel 14: Coll. 297, Tape 52: Peru - Indigenous Andean Music (Turino), undated
Reel 15: Coll. 297, Tape 53: Peru - Indigenous Andean Music (Turino), undated
Reel 16: Coll. 297, Tape 54: Peru - Indigenous Andean Music (Turino), undated
Reel 17: Coll. 297, Tape 55: Peru - Indigenous Andean Music (Turino), undated
Reel 18: Coll. 297, Tape 56: Peru - Indigenous Andean Music (Turino), undated
Reel 19: Coll. 298, Tape 1: China - clasical music (Zheng), April 15, 1988
Reel 20: Coll. 298, Tape 2: China -classical music (Zheng), April 15, 1988
Reel 21: Coll. 299, Tape 1: Africa (Crane), 1959
Reel 22: Coll. 299, Tape 2: Africa (Crane), 1959
Reel 23: Coll. 299, Tape 3: Africa (Crane), 1959
Reel 24: Coll. 299, Tape 4: Africa (Crane), 1959
Reel 25: Coll. 299, Tape 5: Africa (Crane), 1959
Reel 26: Coll. 299, Tape 6: Africa (Crane), 1959
Reel 27: Coll. 299, Tape 7: Africa (Crane), 1959
Reel 28: Coll. 299, Tape 8: Africa (Crane), 1959
Reel 29: Coll. 299, Tape 9: Africa (Crane), 1959
Reel 30: Coll. 299, Tape 10: Africa (Crane), 1959
Reel 31: Coll. 299, Tape 11: Africa (Crane), 1959
Reel 32: Coll. 299, Tape 12: Africa (Crane), 1959
Reel 33: Coll. 299, Tape 13: Africa (Crane), 1959

Box 58

Reel 1: Coll. 299, Tape 14: Africa (Crane), 1959
Reel 2: Coll. 299, Tape 15: Africa (Crane), 1959
Reel 3: Coll. 299, Tape 16: Africa (Crane), 1959
Reel 4: Coll. 299, Tape 17: Africa (Crane), 1959
Reel 5: Coll. 299, Tape 18: Africa (Crane), 1959
Reel 6: Coll. 299, Tape 19: Africa (Crane), 1959
Reel 7: Coll. 299, Tape 20: Africa (Crane), 1959
Reel 8: Coll. 299, Tape 21: Africa (Crane), 1959
Reel 9: Coll. 299, Tape 22: Africa (Crane), 1959
Reel 10: Coll. 299, Tape 23: Africa (Crane), 1959
Reel 11: Coll. 299, Tape 24: Africa (Crane), 1959
Reel 12: Coll. 299, Tape 25: Africa (Crane), 1959
Reel 13: Coll. 299, Tape 26: Africa (Crane), 1959
Reel 14: Coll. 299, Tape 27: Africa (Crane), 1959
Reel 15: Coll. 299, Tape 28: Africa (Crane), 1959
Reel 16: Coll. 299, Tape 29: Africa (Crane), 1959
Reel 17: Coll. 299, Tape 30: Africa (Crane), 1959
Reel 18: Coll. 299, Tape 31: Africa (Crane), 1959
Reel 19: Coll. 299, Tape 32: Africa (Crane), 1959
Reel 20: Coll. 299, Tape 33: Africa (Crane), 1959
Reel 21: Coll. 299, Tape 34: Africa (Crane), 1959
Reel 22: Coll. 299, Tape 35: Africa (Crane), 1959
Reel 23: Coll. 299, Tape 36: Africa (Crane), 1959
Reel 24: Coll. 299, Tape 37: Africa (Crane), 1959
Reel 25: Coll. 299, Tape 38: Africa (Crane), 1959
Reel 26: Coll. 299, Tape 39: Africa (Crane), 1959
Reel 27: Coll. 299, Tape 40: Africa (Crane), 1959
Reel 28: Coll. 299, Tape 41: Africa (Crane), 1959
Reel 29: Coll. 299, Tape 42: Africa (Crane), 1959
Reel 30: Coll. 299, Tape 43: Africa (Crane), 1959
Reel 31: Coll. 299, Tape 44: Africa (Crane), 1959
Reel 32: Coll. 299, Tape 45: Africa (Crane), 1959
Reel 33: Coll. 299, Tape 46: Africa (Crane), 1959
Reel 34: Coll. 299, Tape 47: Africa (Crane), 1959
Reel 35: Coll. 299, Tape 48: Africa (Crane), 1959

Box 59

Reel 1: Coll. 299, Tape 49: Africa (Crane), 1959
Reel 2: Coll. 299, Tape 50: Africa (Crane), 1959
Reel 3: Coll. 299, Tape 51: Africa (Crane), 1959
Reel 4: Coll. 299, Tape 52: Africa (Crane), 1959
Reel 5: Coll. 299, Tape 53: Africa (Crane), 1959
Reel 6: Coll. 299, Tape 54: Africa (Crane), 1959
Reel 7: Coll. 299, Tape 55: Africa (Crane), 1959
Reel 8: Coll. 300, Tape 1: India - classical music - Karnatak, January 25, 1988
Reel 9: Coll. 300, Tape 2: India - classical music - Karnatak, January 25, 1988
Reel 10: Coll. 300, Tape 3: India - classical music - Karnatak, January 25, 1988
Reel 11: Coll. 301, Tape 1: Peru - popular music (Turino), undated
Reel 12: Coll. 301, Tape 2: Peru - popular music (Turino), undated
Reel 13: Coll. 301, Tape 3: Peru - popular music (Turino), undated
Reel 14: Coll. 302, Tape 1: China - contemporary classical (Chen Yi and Zhou Long), November 22, 1988
Reel 15: Coll. 302, Tape 2: China - contemporary classical (Chen Yi and Zhou Long), November 22, 1988
Reel 16: Coll. 304, Tape 1: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 17: Coll. 304, Tape 2: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 18: Coll. 304, Tape 3: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 19: Coll. 304, Tape 4: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 20: Coll. 304, Tape 5: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 21: Coll. 304, Tape 6: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 22: Coll. 304, Tape 7: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 23: Coll. 304, Tape 8: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 24: Coll. 304, Tape 9: Kentucky/Illinois - String Band (Thornberry), ca. 1896-1976
Reel 25: Coll. 305, Tape 1: Philippines - vocal (Santos), 1987
Reel 26: Coll. 305, Tape 2: Philippines - vocal (Santos), 1987
Reel 27: Coll. 305, Tape 3: Philippines - vocal (Santos), 1987
Reel 28: Coll. 305, Tape 4: Philippines - vocal (Santos), 1987
Reel 29: Coll. 306, Tape a: Australia - Indigenous, undated: Aboriginal sound instruments
Reel 30: Coll. 306, Tape b: Australia - Indigenous, undated: Songs from North Queensland
Reel 31: Coll. 306, Tape c: Australia - Indigenous, undated: Arnhem Land
Reel 32: Coll. 306, Tape d: Australia - Indigenous, undated: Traditional music of the Torres Strait
Reel 33: Coll. 306, Tape e: Australia - Indigenous, undated: Women's crying songs
Reel 34: Coll. 306, Tape f: Australia - Indigenous, undated: Djambdj

Box 60

Reel 1: Coll. 306, Tape 1: Australia: Indigenous, undaed
Reel 2: Coll. 306, Tape 2: Australia: Indigenous, undated
Reel 3: Coll. 306, Tape 3: Australia: Indigenous, undated
Reel 4: Coll. 306, Tape 4: Australia: Indigenous, undated
Reel 5: Coll. 307, Tape 1: Philippines - Instruments (Santos) (1 of 2), February 25, 1989: Cassette. Examples of Philippine traditional music from lecture presented by R. Santos. Note: Reel 6 appears to be a copy of this cassette. It has the same title.
Reel 6: Coll. 307, Tape 1: Philippines - Instruments (Santos) (2 of 2), February 25, 1989: Appears to be a copy of cassette in Reel 5.
Reel 7: Coll.308, Tape 1: India - Classical Music - Karnatak (Wolf - Master's Thesis examples), 1982-1989
Reel 8: Coll. 308, Tape 2: India - Classical Music - Karnatak (Wolf - Master's Thesis examples0, 1982-1989
Reel 9: Coll. 308, Tape 3: India - Classical Music - Karnatak (Wolf - Master's Thesis examples), 1982-1989: Note: Title label missing on tape box.
Reel 10: Coll. 308, Tape 4: India - Classical Music - Karnatak (Wolf - Master's Thesis examples), 1982-1989
Reel 11: Coll. 308, Tape 5: India - Classical Music _ Karnatak (Wolf - Master's Thesis examples), 1982-1989
Reel 12: Coll. 308, Tape 6: India - Classical Music - Karnatak (Wolf - Master's Thesis example), 1982-1989
Reel 13: Coll. 308, Tape 7: India - Classical Music - Karnatak (Wolf - Master's Thesis examples), 1982-1989)
Reel 14: Coll. 308, Tape 8: India - Classical Music - Karnatak (Wolf - Master's Thesis examples), 1982-1989
Reel 15: Coll. 308, Tape 9: India - Classical Music - Karnatak (Wolf - Master's Thesis examples), 1982-1989
Reel 16: Coll. 309, Tape 1: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 17: Coll. 309, Tape 2: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 18: Coll. 309, Tape 3: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 19: Coll. 309, Tape 4: India - Classical Music (Kamatak) (Wolf), 1957-1959
Reel 20: Coll. 309, Tape 5: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 21: Coll. 309, Tape 6: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 22: Coll. 309, Tape 7: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 23: Coll. 309, Tape 8: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 24: Coll. 309, Tape 9 India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 25: Coll. 309, Tape 10: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 26: Coll. 309, Tape 11: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 27: Coll. 309, Tape 12: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 28: Coll. 309, Tape 13: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 29: Coll. 309, Tape 14: India - Classical Music (Karnatak) (Wolf), 1957-1959
Reel 30: Coll. 310, Tape 1: India - Classical Music (Karnatak) (Wolf), ca. 1984: Performances by Karaikudi Veena and Lakshmi Ammal.
Reel 31: Coll. 310, Tape 2: India - Classical Music (Karnatak) (Wolf), ca. 1984
Reel 32: Coll. 310, Tape 3: India - Classical Music (Karnatak) (Wolf), ca. 1984
Reel 33: Coll. 310, Tape 4: India - Classical Music (Karnatak) (Wolf), ca. 1984
Reel 34: Coll. 310, Tape 5: India - Classical Music (Karnatak) (Wolf), ca. 1984
Reel 35: Coll. 310, Tape 6: India - Classical Music (Karnatak) (Wolf), ca. 1984

Box 61

Reel 1: Coll. 310, Tape 8: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 2: Coll. 310, Tape 9: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 3: Coll. 310, Tape 10: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 4: Coll. 310, Tape 11: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 5: Coll. 310, Tape 12: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 6: Coll. 310, Tape 13: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 7: Coll. 310, Tape 14: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 8: Coll. 310, Tape 15: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 9: Coll. 310, Tape 16: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 10: Coll. 310, Tape 17: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 11: Coll. 310, Tape 18: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 12: Coll. 310, Tape 19: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 13: Coll. 310, Tape 20: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 14: Coll. 310, Tape 21: India - classical music - Karnatak (Wolf), ca. December 29, 1984
Reel 15: Coll. 311, Tape 1: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 16: Coll. 311, Tape 2: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 17: Coll. 311, Tape 3: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 18: Coll. 311, Tape 4: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 19: Coll. 311, Tape 5: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 20: Coll. 311, Tape 6: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 21: Coll. 311, Tape 7: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 22: Coll. 311, Tape 8: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 23: Coll. 311, Tape 9: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 24: Coll. 311, Tape 10: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 25: Coll. 311, Tape 11: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 26: Coll. 311, Tape 12: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 27: Coll. 311, Tape 13: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 28: Coll. 311, Tape 14: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 29: Coll. 311, Tape 15: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 30: Coll. 311, Tape 16: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 31: Coll. 311, Tape 17: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 32: Coll. 311, Tape 18: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 33: Coll. 311, Tape 19: Peru - Indigenous and Mestizo music (Turino), 1966
Reel 34: Coll. 311, Tape 20: Peru - Indigenous and Mestizo music (Turino), 1966

Box 62

Reel 1: Coll. 312, Tape 1: India - classical music - Hindustani (Imrat Khan), December 3, 1989
Reel 2: Coll. 312, Tape 2: India - classical music - Hindustani (Imrat Khan), December 3, 1989
Reel 3: Coll. 313, Tape 1: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 4: Coll. 313, Tape 2: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 5: Coll. 313, Tape 3: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 6: Coll. 313, Tape 4: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 7: Coll. 313, Tape 5: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 8: Coll. 313, Tape 6: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 9: Coll. 313, Tape 7: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 10: Coll. 313, Tape 8: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 11: Coll. 313, Tape 9: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 12: Coll. 313, Tape 10: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 13: Coll. 313, Tape 11: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 14: Coll. 313, Tape 12: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 15: Coll. 313, Tape 13: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 16: Coll. 313, Tape 14: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 17: Coll. 313, Tape 15: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 18: Coll. 313, Tape 16: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 19: Coll. 313, Tape 17: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 20: Coll. 313, Tape 18: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 21: Coll. 313, Tape 19: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 22: Coll. 313, Tape 20: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 23: Coll. 313, Tape 21: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 24: Coll. 313, Tape 22: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 25: Coll. 313, Tape 23: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 26: Coll. 313, Tape 24: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 27: Coll. 313, Tape 25: Peru - Quechua music - vocal and instrumental (Turino), 1982
Reel 28: Coll. 314, Tape 1: Iran - Classical Music, April 14, 1990: Reels 28 and 29 contain the performance The Traditional Music of Iran: The Art of Improvisation which took place at the University of Illinois Music Building on Saturday, April 14, 1990. Features Mohammad Reza Lotfi on tar, setar, and voice; Lida Saeidian on voice; Ali Farasat on tonbak; and Majd Karimi on daf.
Reel 29: Coll. 314, Tape 2: Iran - Classical Music, April 14, 1990
Reel 30: Coll. 315, Tape 1: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Reels 30-35 contains Mestizo dance music examples collected by Thomas Turino in the summer of 1989, primarily in the regions of Veracruz and Michoacana. Includes sones, abajenos, Santiago dance, church music. Instruments used include flute, tambor, guitar, string bass, chorus, violin, brass bands, vocal music, and vihuela. Tape 1 contains set of pieces from the tourist show of Voladores at Tajin, Veracruz.
Reel 31: Coll. 315, Tape 2: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Contains recording from Limon Grande Feista de Carmen, Manuel Morales and his group.
Reel 32: Coll. 315, Tape 3: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Contains Misa de Magdalena.
Reel 33: Coll. 315, Tape 4: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Recorded in the home of Jose Romero, a violinist. Includes interview and discussion of tuning.
Reel 34: Coll. 315, Tape 5: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Contains interview continued from tape 4 and abajenos.
Reel 35: Coll. 315, Tape 6: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Contains Murio Santiago Fiesta Brass Band.

Box 63

Reel 1: Coll. 315, Tape 7: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Continuation of Murio Santiago Fiesta Brass Band.
Reel 2: Coll. 315, Tape 8: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Continuation of Murio Santiago Fiesta Brass Band.
Reel 3: Coll. 315, Tape 9: Mexico - Mestizo Dance Music (Turino), Summer, 1989: A performance by Isimael Garcia's trio.
Reel 4: Coll. 315, Tape 10: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Performances by a Jaracuaro trio, and Gervasio Lopez (violinista and vihuela).
Reel 5: Coll. 315, Tape 11: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Continuation of Gervasio Lopez performance.
Reel 6: Coll. 315, Tape 12: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Brass band music.
Reel 7: Coll. 315, Tape 13: Mexico - Mestizo Dance Music (Turino), Summer, 1989: Violin music.
Reel 8: Coll. 315, Tape 14: Mexico - Mestizo Dance Music (Turino), Summer, 1989
Reel 9: Coll. 316, Tape 1: Bolivia - Charazani Valley (Templeman), August 7, 1990: Consists of performances from Bolivia's Independence Day Fiesta.
Reel 10: Coll. 316, Tape 2: Bolivia - Charazani Valley (Templeman), August 7, 1990: Continuation of Fiesta performances.
Reel 11: Coll. 316, Tape 3: Bolivia - Charazani Valley (Templeman), June 13, 1990: Corpus Christi in Charazani
Reel 12: Coll. 316, Tape 4: Bolivia - Charazani Valley (Templeman), June 13, 1990: Continuation of Corpus Christi in Charazani.
Reel 13: Coll. 316, Tape 5: Bolivia - Charazani Valley (Templeman), June 29, 1990: Ninokorin rehearsal and performances at the Charazani plaza.
Reel 14: Coll. 316, Tape 6: Bolivia - Charazani Valley (Templeman), June 29, 1990: Continuation of reel 13.
Reel 15: Coll. 316, Tape 7: Bolivia - Charazani Valley (Templeman), July 1, 1990: Ninokorin at Tombo Quirquincho, La Paz.
Reel 16: Coll. 316, Tape 8: Bolivia - Charazani Valley (Templeman), July 15-7, 1990: Brass band marches, recorded in Charazani
Reel 17: Coll. 316, Tape 9: Bolivia - Charazani Valley (Templeman), July 7, 1990: Recorded at the Museo Nacional de Etnografia y Folklore.
Reel 18: Coll. 316, Tape 10: Bolivia - Charazani Valley (Templeman), August 6, 1990: Consists of performances at the Bolivian Independence Day Fiesta.
Reel 19: Coll. 316, Tape 11: Bolivia - Charazani Valley (Templeman), August 6, 1990: Continuation of reel 18.
Reel 20: Coll. 316, Tape 12: Bolivia - Charazani Valley (Templeman), June 14, 1990: Corpus Christi.
Reel 21: Coll. 316, Tape 13: Bolivia - Charazani Valley (Templeman), June 14, 1990: Continuation of reel 20.
Reel 22: Coll. 316, Tape 14: Bolivia - Charazani Valley (Templeman), July 13, 1990: Interview with Maises Tudela.
Reel 23: Coll. 316, Tape 15: Bolivia - Charazani Valley (Templeman), August 3, 1990: Rehearsal for the August 6 fiesta.
Reel 24: Coll. 316, Tape 16: Bolivia - Charazani Valley (Templeman), August 3, 1990: Interview with Manuel Ticona.
Reel 25: Coll. 316, Tape 17: Bolivia - Charazani Valley (Templeman), August 5, 1990: Continuation of interview on reel 24.
Reel 26: Coll. 316, Tape 18: Bolivia - Charazani Valley (Templeman), August 8-10, 1990: Virgin de la Nieve fiesta in Quantaya.
Reel 27: Coll. 316, Tape 19: Bolivia - Charazani Valley (Templeman), August 6, 1992: Hotel Charazani Inauguration
Reel 28: Coll. 317, Tape 1: U.S.S.R. (MacRae), 1982-1988
Reel 29: Coll. 317, Tape 2: U.S.S.R. (MacRae), 1982-1988
Reel 30: Coll. 317, Tape 3: U.S.S.R. (MacRae), 1982-1988
Reel 31: Coll. 317, Tape 4: U.S.S.R. (MacRae), 1982-1988
Reel 32: Coll. 317, Tape 5: U.S.S.R. (MacRae), 1982-1988
Reel 33: Coll. 317, Tape 6: U.S.S.R. (MacRae), 1982-1988
Reel 34: Coll. 317, Tape 7: U.S.S.R. (MacRae), 1982-1988

Box 64

Reel 1: Coll. 317, Tape 8: U.S.S.R. (MacRae), 1982-1988
Reel 2: Coll. 317, Tape 9: U.S.S.R. (MacRae), 1982-1988
Reel 3: Coll. 317, Tape 10: U.S.S.R. (MacRae), 1982-1988
Reel 4: Coll. 317, Tape 11: U.S.S.R. (MacRae), 1982-1988
Reel 5: Coll. 317, Tape 12: U.S.S.R. (MacRae), 1982-1988
Reel 6: Coll. 317, Tape 13: U.S.S.R. (MacRae), 1982-1988
Reel 7: Coll. 317, Tape 14: U.S.S.R. (MacRae), 1982-1988
Reel 8: Coll. 317, Tape 15: U.S.S.R. (MacRae), 1982-1988
Reel 9: Coll. 317, Tape 16: U.S.S.R. (MacRae), 1982-1988
Reel 10: Coll. 317, Tape 17: U.S.S.R. (MacRae), 1982-1988
Reel 11: Coll. 317, Tape 18: U.S.S.R. (MacRae), 1982-1988
Reel 12: Coll. 317, Tape 19: U.S.S.R. (MacRae), 1982-1988
Reel 13: Coll. 317, Tape 20: U.S.S.R. (MacRae), 1982-1988
Reel 14: Coll. 317, Tape 21: U.S.S.R. (MacRae), 1982-1988
Reel 15: Coll. 317, Tape 22: U.S.S.R. (MacRae), 1982-1988
Reel 16: Coll. 317, Tape 23: U.S.S.R. (MacRae), 1982-1988
Reel 17: Coll. 317, Tape 24: U.S.S.R. (MacRae), 1982-1988
Reel 18: Coll. 317, Tape 25: U.S.S.R. (MacRae), 1982-1988
Reel 19: Coll. 317, Tape 26: U.S.S.R. (MacRae), 1982-1988
Reel 20: Coll. 317, Tape 27: U.S.S.R. (MacRae), 1982-1988
Reel 21: Coll. 317, Tape 28: U.S.S.R. (MacRae), 1982-1988
Reel 22: Coll. 317, Tape 29: U.S.S.R. (MacRae), 1982-1988
Reel 23: Coll. 317, Tape 30: U.S.S.R. (MacRae), 1982-1988
Reel 24: Coll. 317, Tape 31: U.S.S.R. (MacRae), 1982-1988
Reel 25: Coll. 317, Tape 32: U.S.S.R. (MacRae), 1982-1988
Reel 26: Coll. 317, Tape 33: U.S.S.R. (MacRae), 1982-1988
Reel 27: Coll. 317, Tape 35: U.S.S.R. (MacRae), 1982-1988
Reel 28: Coll. 318, Tape 1: Hindustani Music - Vishua Mohan Bhatt - Guitar (Capwell), December, 1990
Reel 29: Coll. 318, Tape 2: Hindustani Music - Vishua Mohan Bhatt - Guitar (Capwell), December, 1990
Reel 30: Coll. 319, Tape 1: Urban Popular Music from Zimbabwe (Turino), undated
Reel 31: Coll. 320, Tape 1: Urban Popular Music from South Africa (Turino), undated
Reel 32: Coll. 321, Tape 1: Samba from Bahia (Araujo), 1917-1992: Song examples and a bateria collected as part of Araujo's dissertation (1992).
Reel 33: Coll. 322, Tape 1: Afro-Bolivian Saya (Templeman), December 14, 1992: A funeral and burial tradition in Tocana, Bolivia.
Reel 34: Coll. 322, Tape 2: Afro-Bolivian Saya (Templeman), December 14, 1992: A rehearsal for the Inter-American Foundation Cassette Project, in Tocana Bolivia.
Reel 35: Coll. 322, Tape 3: Afro-Bolivian Saya (Templeman), October 4, 1992: Movimiento cultural grupo afro-boliviano, from Tocana.
Reel 36: Coll. 322, Tape 4: Afro-Bolivian Saya (Templeman), October 19-20, 1992: MCGA-BT at Coroico Fiesta, including an Entrada and recordings from the main fiesta day.

Box 65

Reel 1: Coll. 322, Tape 5: Afro-Bolivian Saya (Templeman), November 11, 1992: Reels 6-7 consist of migrants discussing issues of racism in Aymara-majority areas, and a rehearsal of "Cafe Semilla."
Reel 2: Coll. 322, Tape 6: Afro-Bolivian Saya (Templeman), November 11, 1992
Reel 3: Coll. 322, Tape 7: Afro-Bolivian Saya (Templeman)
Reel 4: Coll. 322, Tape 8: Afro-Bolivian Saya (Templeman)
Reel 5: Coll. 322, Tape 9: Afro-Bolivian Saya (Templeman)
Reel 6: Coll. 322, Tape 10: Afro-Bolivian Saya (Templeman)
Reel 7: Coll. 322, Tape 11: Afro-Bolivian Saya (Templeman), October 3, 1992: Interview with Angelica Pinedo.
Reel 8: Coll. 322, Tape 12: Afro-Bolivian Saya (Templeman), October 1, 1992: Reels 9-12 consist of a rehearsal and performances for the MCGA-BT Cassette Project.
Reel 9: Coll. 322, Tape 13: Afro-Bolivian Saya (Templeman), October 1, 1992
Reel 10: Coll. 322, Tape 14: Afro-Bolivian Saya (Templeman), October 1, 1992
Reel 11: Coll. 322, Tape 15: Afro-Bolivian Saya (Templeman), October 1, 1992
Reel 12: Coll. 322, Tape 16: Afro-Bolivian Saya (Templeman), October 1, 1992
Reel 13: Coll. 323, Tape 1: U of I Gamelan (Pak F.X. Widaryanto), April 22, 1990: Coll. 323 consists of a University of Illinois Gamelan concert.
Reel 14: Coll. 323, Tape 2: U of I Gamelan (Pak F.X. Widaryanto), April 22, 1990
Reel 15: Coll. 323, Tape 1 (copy): U of I Gamelan (Pak F.X. Widaryanto), April 22, 1990
Reel 16: Coll. 323, Tape 2 (copy): U of I Gamelan (Pak F.X. Widaryanto), April 22, 1990
Reel 17: Coll. 324, Tape 1: India - classical music (Karnatak), April, 1993: Collection 324 consists of a recital by V. Srinivas, recorded in the University of Illinois School of Music Auditorium.
Reel 18: Coll. 324, Tape 2: India - classical music (Karnatak), April, 1993
Reel 19: Coll. 324, Tape 1 (copy): India - classical music (Karnatak), April, 1993
Reel 20: Coll. 324, Tape 2 (copy): India - classical music (Karnatak), April, 1993
Reel 21: Coll. 325, Tape 1: Egypt - Umm Kulthum (Danielson), undated: Collection 325 consists of musical examples for Virginia Danielson's dissertation, "Shaping Tradition in Arabic Song: The Career and Repertory of Umm Kulthum."
Reel 22: Coll. 325, Tape 1 (copy): Egypt - Umm Kulthum (Danielson), undated
Reel 23: Coll. 326, Tape 1: Zimbabwe - Popular music (Turino), undated
Reel 24: Coll. 326, Tape 2: Zimbabwe - Popular music (Turino), undated
Reel 25: Coll. 326, Tape 3: Zimbabwe - Popular music (Turino), undated
Reel 26: Coll. 326, Tape 4: Zimbabwe - Popular music (Turino), undated
Reel 27: Coll. 326, Tape 5: Zimbabwe - Popular music (Turino), undated
Reel 28: Coll. 326, Tape 6: Zimbabwe - Popular music (Turino), undated
Reel 29: Coll. 326, Tape 7: Zimbabwe - Popular music (Turino), undated
Reel 30: Coll. 326, Tape 8: Zimbabwe - Popular music (Turino), undated
Reel 31: Coll. 326, Tape 9: Zimbabwe - Popular music (Turino), undated
Reel 32: Coll. 326, Tape 10: Zimbabwe - Popular music (Turino), undated
Reel 33: Coll. 326, Tape 11: Zimbabwe - Popular music (Turino), undated
Reel 34: Coll. 326, Tape 12: Zimbabwe - Popular music (Turino), undated

Box 66

Reel 1: Coll. 326, Tape 13: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 2: Coll. 326, Tape 14: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 3: Coll. 326, Tape 15: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 4: Coll. 326, Tape 16: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 5: Coll. 326, Tape 17: Zimbabwe - Popular Music (Turino), undated
Reel 6: Coll. 326, Tape 18: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 7: Coll. 326, Tape 19: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 8: Coll. 326, Tape 20: Zimbabwe - Popular Muisic (Turino), undated: Copy of original tape.
Reel 9: Coll. 326, Tape 21: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 10: Coll. 326, Tape 22: Zimbabwe - Popular Music (Turino), undated: Copy of oiginal tape.
Reel 11: Coll. 326, Tape 23: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 12: Coll. 326, Tape 24: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 13: Coll. 326, Tape 25: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 14: Coll. 326, Tape 26: Zimbabwe - Popular Music (Turino), undated: Copy of original tape.
Reel 15: Coll. 326, Tape 27: Zimbabwe - Popular Music (Turino), undated: Ngatigarei Tese - Harare Mambos, Side B: tracks 2-5. Chivaraidze - Green Arrows, Side A: tracks 1-3
Reel 16: Coll. 326, Tape 28: Zimbabwe - Popular Music (Turino), undated: Chivaraidze - Green Arrows, Side A: tracks 4 & 5. Side B: complete
Reel 17: Coll. 326, Tape 29: Zimbabwe - Popular Music (Turino), undated: Jona Sithole & Deep Horizon - Sabhuku
Reel 18: Coll. 326, Tape 30: Zimbabwe - Popular Music (Turino), undated: Jona Sithole & Deep Horizon - Sabhuku
Reel 19: Coll. 326, Tape 31: Zimbabwe - Popular Music (Turino), undated: Robson Banda & the Black Eacgles - Sango Rinopa Waneta
Reel 20: Coll. 326, Tape 32: Zimbabwe - Popular Music (Turino), undated: Robson Banda & the Black Eagles - Sango Rinopa Waneta. Robson Banda & the Black Eagles - Dzinomwa Muna Save
Reel 21: Coll. 326, Tape 33: Zimbabwe - Popular Music (Turino), undated: Robson Banda & the Black Eagles - Dzinomwa Muna Save
Reel 22: Coll. 326, Tape 34: Zimbabwe - Popular Music (Turino), undated: Robson Banda & the Black Eagles - Dzinomwa Muna Save. Leonard Dembo & Barura Express - Singles Collection Vol. 2
Reel 23: Coll. 326, Tape 35: Zimbabwe - Popular Music (Turino), undated: Leonard Dembo & Barura Express - Singles Collection Vol. 2
Reel 24: Coll. 326, Tape 36: Zimbabwe - Popular Music (Turino), undated: Leonard Dembo & the Barura Express - Chitekete
Reel 25: Coll. 326, Tape 37: Zimbabwe - Popular Music (Turino), undated: Leonard Dembo & the Barura Express - Chitekete. Stella Rambisa Chiweshe - Chisi
Reel 26: Coll. 326, Tape 38: Zimbabwe - Popular Music (Turino), undated: Stella Rambisai Chiweshe - Chisi. Stella Rambisai Chiweshe - Kumusha
Reel 27: Coll. 326, Tape 39: Zimbabwe - Popular Music (Turino), undated: Stella rambisai Chiweshe - Kumusha
Reel 28: Coll. 326, Tape 40: Zimbabwe - Popular Music (Turino), undated: Stella Rambisai Chiweshe - Kumusha. Thomas Mapfumo - Singles Collection
Reel 29: Coll. 326, Tape 41: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo - Singles Collection
Reel 30: Coll. 326, Tape 42: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo - Singles Collection
Reel 31: Coll. 326, Tape 43: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo - Singles Collection. Thomas Mapfumo & Blacks Unlimited - Gwindingwi Rine Shumba
Reel 32: Coll. 326, Tape 44: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo & Blacks Unlimited - Gwindingwi Rine Shumba. Thomas Mapfumo & Blacks Unlimited - Mabasa
Reel 33: Coll. 326, Tape 45: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo & Blacks Unlimited - Mabasa
Reel 34: Coll. 326, Tape 46: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo & Blacks Unlimited - Mr. Music (Africa)

Box 67

Reel 1: Coll. 326, Tape 47: Zimbabwe - Popular Music (Turino), undated: Thomas Mapfumo & Black Unlimited - Mr. Music (Africa)
Reel 2: Coll. 326, Tape 48: Zimbabwe - Popular Music (Turino), undated: Simon Chimbetu & Dendera Kings - Pachipamwe
Reel 3: Coll. 326, Tape 49: Zimbabwe - Popular Music (Turino), undated: Amon Mvula - Makorokoto
Reel 4: Coll. 326, Tape 50: Zimbabwe - Popular Music (Turino), undated: Coe Chinx & The Barrel of Peace - Fadza Mushandi
Reel 5: Coll. 326, Tape 51: Zimbabwe - Popular Music (Turino), undated: Mazana Movement - Munonzwa Sei?
Reel 6: Coll. 326, Tape 52: Zimbabwe - Popular Music (Turino), undated: Albert Nyathi & Imbongi - Kuze Kube Nini? (For How Long?)
Reel 7: Coll. 326, Tape 53: Zimbabwe - Popular Music (Turino), undated: Mhuri Yokwa Gweshe - Nohoreka
Reel 8: Coll. 327, Tape 1: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Reels 8-34 contain material from the National Archives of Zimbabwe collected by Thomas Turino. Reel 8 contains mbira music, Shona vocal jazz, and English pop music.
Reel 9: Coll. 327, Tape 2: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shona singing, yodelling, and vocals.
Reel 10: Coll. 327, Tape 3: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes excerpts from "Troopie Songs" and the Zimbabwe National Choir.
Reel 11: Coll. 327, Tape 4: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shona vocals, mbira, and rhumba.
Reel 12: Coll. 327, Tape 5: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shona vocals, political songs, Zetie Manatsa and the Green Arrows.
Reel 13: Coll. 327, Tape 6: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes songs by Thomas Mapfumo and early songs of Oliver Mtukudzi.
Reel 14: Coll. 327, Tape 7: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes songs by Oliver Mtukudzi and the Black Spirits, Oliver Mtukudzi and the Wagon Wheels
Reel 15: Coll. 327, Tape 8: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes R.U.N.N. Family Band, urban popular music, and mbira selections.
Reel 16: Coll. 327, Tape 9: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Mazai Mbira Group, Chitungwiza Mbira Unit, Goredama Mbira Group.
Reel 17: Coll. 327, Tape 10: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes mbira music and dances.
Reel 18: Coll. 327, Tape 11: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes choral music, youth choirs, and dance group.
Reel 19: Coll. 327, Tape 12: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes clapping and vocal choir, and Shangana Dance Group.
Reel 20: Coll. 327, Tape 13: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes traditional dances and genres, and religious music.
Reel 21: Coll. 327, Tape 14: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Zaka Women's Club, traditional dance, and urban genres.
Reel 22: Coll. 327, Tape 15: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes continuation of urban genres from tape 14 and Jordan Chataika.
Reel 23: Coll. 327, Tape 16: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes "propaganda" record, slide guitar, yodelling, with Hawaiian, US country, and Rhumba influence.
Reel 24: Coll. 327, Tape 17: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes country-influenced songs with guitar, harmonica, and yodelling, as well as box-guitar playing.
Reel 25: Coll. 327, Tape 18: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shona traditional music, slide guitar and mbira.
Reel 26: Coll. 327, Tape 19: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shona traditional genres, choral singing, and drumming.
Reel 27: Coll. 327, Tape 20: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Thomas Mapfumo and the Springfields.
Reel 28: Coll. 327, Tape 21: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Thomas Mapfumo and the Springfields, as well as urban bands.
Reel 29: Coll. 327, Tape 22: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban bands, as well as adaptations of traditional Shona music, and Thomas Mapfumo and the Springfields.
Reel 30: Coll. 327, Tape 23: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Thomas Mapfumo and the Springfields, accordion music, and urban bands.
Reel 31: Coll. 327, Tape 24: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes box guitar players and Shona music.
Reel 32: Coll. 327, Tape 25: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shona guitar music, slide and finger picked style, and box guitar.
Reel 33: Coll. 327, Tape 26: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes box guitar, slide and finger picked style guitar.
Reel 34: Coll. 327, Tape 27: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes box guitar and accordion.

Box 68

Reel 1: Coll. 327, Tape 28: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Reels 1-34 contain material from the National Archives of Zimbabwe collected by Thomas Turino. Reel 1 includes Shona music, slide guitar, box guitarists, and adaptations of traditional music by bands.
Reel 2: Coll. 327, Tape 29: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes traditional adaptations by electric bands.
Reel 3: Coll. 327, Tape 30: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes traditional dancers, panpipes, drums, and vocals.
Reel 4: Coll. 327, Tape 31: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Shongana Dancers Association, Tsika Dzauanuku Club, women drummers, and Bonda Villagers.
Reel 5: Coll. 327, Tape 32: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Swazi Women's club, Mbakumba.
Reel 6: Coll. 327, Tape 33: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes box guitars and electric traditional music, traditional dance, mbira, and banjo.
Reel 7: Coll. 327, Tape 34: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Kuwutongo, Lipopo Jazz, and urban bands.
Reel 8: Coll. 327, Tape 35: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban bands, traditional adaptations, the Springfields, and mambos.
Reel 9: Coll. 327, Tape 36: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes mambos, traditional genres, tribal dances, and choirs.
Reel 10: Coll. 327, Tape 37: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes traditional genres mbakumba and majukwa, as well as muchongoyo dance.
Reel 11: Coll. 327, Tape 38: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes muchongoyo, makwaya, choirs, and Shona wedding songs.
Reel 12: Coll. 327, Tape 39: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes traditional genre Mbube, as well as Shongana and Dzumbunu Choir.
Reel 13: Coll. 327, Tape 40: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes njoni and mbira.
Reel 14: Coll. 327, Tape 41: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Uambe Chikanda Mbira players, njoni, karimba, and Marshall Brothers.
Reel 15: Coll. 327, Tape 42: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Topical songs with guitar and accordion, as well as early urban bands.
Reel 16: Coll. 327, Tape 43: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes early urban bands
Reel 17: Coll. 327, Tape 44: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes early urban bands.
Reel 18: Coll. 327, Tape 45: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes early urban jazz and rock bands from the 1960s.
Reel 19: Coll. 327, Tape 46: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes early urban bands.
Reel 20: Coll. 327, Tape 47: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban jive and traditional adaptations of South African music.
Reel 21: Coll. 327, Tape 48: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban, traditional, Rhodesian groups.
Reel 22: Coll. 327, Tape 49: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Rhodesian music.
Reel 23: Coll. 327, Tape 50: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Troopie Songs, as well as urban electric bands.
Reel 24: Coll. 327, Tape 51: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban electric bands.
Reel 25: Coll. 327, Tape 52: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Bhundu Boys.
Reel 26: Coll. 327, Tape 53: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Bhundu Boys.
Reel 27: Coll. 327, Tape 54: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban electric music.
Reel 28: Coll. 327, Tape 55: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Urban Electric music.
Reel 29: Coll. 327, Tape 56: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes traditional music.
Reel 30: Coll. 327, Tape 57: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes Urban and traditional music
Reel 31: Coll. 327, Tape 58: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Traditional music
Reel 32: Coll. 327, Tape 59: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Recordings made in Maluwa Ghuwouj.
Reel 33: Coll. 327, Tape 60: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Guitar Songs by the J. Makwenda Anthology
Reel 34: Coll. 327, Tape 61: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Includes urban music recorded in Murewa, Mhembere village.

Box 69

Reel 1: Coll. 327, Tape 62: Zimbabwe - Archive Collection (Turino), ca. 1960-1990: Sinoyoro Jackson - Chinembiri, guitar music, & interview. Joshua Dube - interviews
Reel 2: Coll. 328, Cassette 1: Iran - Classical Music, undated: Boroumand: Mahour Setar I
Reel 3: Coll. 328, Cassette 2: Iran - Classical Music, undated: Boroumand: Mahour Setar II
Reel 4: Coll. 328, Cassette 3: Iran - Classical Music, undated: Boroumand: Mahour Setar III
Reel 5: Coll. 328, Cassette 4: Iran - Classical Music, undated: Boroumand: Mahour Setar IV
Reel 6: Coll. 328, Cassette 5: Iran - Classical Music, undated: Boroumand: Mahour Setar V
Reel 7: Coll. 328, Tape 1: Iran - Classical Music (Ruin), undated: Copy of original cassette (see Reel 2)
Reel 8: Coll. 328, Tape 2: Iran - Classical Music (Ruin), undated: Copy of original cassette (see Reel 3).
Reel 9: Coll. 328, Tape 3: Iran - Classical Music (Ruin), undated: Copy of original cassette (see Reel 4).
Reel 10: Col. 328, Tape 4: Iran - Classical Music (Ruin), undated: Copy of original cassette (see Reel 5).
Reel 11: Coll. 328, Tape 5: Iran - Classical Music (Ruin), undated: Copy of original cassette (see Reel 6).
Reel 12: Coll. 329, Tape 1: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Reels 12-35 are copies of original tapes collected by Thomas Turino. Reel 12 includes Dandanda and mbira songs.
Reel 13: Coll. 329, Tape 2: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes Mhembere mbira and Dandanda songs.
Reel 14: Coll. 329, Tape 3: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes Mhembere mbira and Dandanda songs.
Reel 15: Coll. 329, Tape 4: Zimbabwe - Shona VIllage Music (Turino), ca. 1991-1993: Includes Mhembere mbira and Dandanda songs.
Reel 16: Coll. 329, Tape 5: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes Mudzimu Uripo ngororombe club and Oliver Mtukudzi.
Reel 17: Coll. 329, Tape 6: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes ngororombe continued from tape 5.
Reel 18: Coll. 329, Tape 7: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes ngororombe continued from tape 6, as well as drumming and dance.
Reel 19: Coll. 329, Tape 8: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes drumming and dance styles continued from tape 7.
Reel 20: Coll. 329, Tape 9: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes drumming and dance continued from tape 8, as well as hera music.
Reel 21: Coll. 329, Tape 10: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes hera music continued from tape 9, as well as ceremonial music.
Reel 22: Coll. 329, Tape 11: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes ceremonial music and dance.
Reel 23: Coll. 329, Tape 12: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes ceremonial music and dance.
Reel 24: Coll. 329, Tape 13: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes ceremonial music and dance, as well as mayanzima, motoko, tsotsa, jiti, and dandi drums.
Reel 25: Coll. 329, Tape 14: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes various styles of drumming continued from tape 13.
Reel 26: Coll. 329, Tape 15: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes mbira and ngoma vocal pieces.
Reel 27: Coll. 329, Tape 16: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes mbira and ngoma vocal pieces continued from tape 15.
Reel 28: Coll. 329, Tape 17: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes guitar music by various musicians.
Reel 29: Coll. 329, Tape 18: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes mbira music.
Reel 30: Coll. 329, Tape 19: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes mbira music continued from tape 18.
Reel 31: Coll. 329, Tape 20: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes examples of tsotsa, jiti, and dandi drumming.
Reel 32: Coll. 329, Tape 21: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes examples of tsotsa, jiti, and dandi drumming continued from tape 20.
Reel 33: Coll. 329, Tape 22: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes performance on musical bows.
Reel 34: Coll. 329, Tape 23: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes mbira songs.
Reel 35: Coll. 329, Tape 24: Zimbabwe - Shona Village Music (Turino), ca. 1991-1993: Includes mbira, ngoma, and hosho.

Box 70

Reel 1: Coll. 329, Tape 25: Zimbabwe - Shona Village Music (Turino), 1993
Reel 2: Coll. 329, Tape 26: Zimbabwe - Shona Village Music (Turino), 1993: Sit fragment and song.
Reel 3: Coll. 329, Tape 27: Zimbabwe - Shona Village Music (Turino), 1993: Demonstration on a 22-key m'bira and a 28-key m'bira, with solos and duets.
Reel 4: Coll. 329, Tape 28: Zimbabwe - Shona Village Music (Turino), 1993: Reels 4-8 were recorded in a family home in Chapuadza village, including singing on some of the pieces.
Reel 5: Coll. 329, Tape 29: Zimbabwe - Shona Village Music (Turino), 1993
Reel 6: Coll. 329, Tape 30: Zimbabwe - Shona Village Music (Turino), 1993
Reel 7: Coll. 329, Tape 31: Zimbabwe - Shona Village Music (Turino), 1993
Reel 8: Coll. 329, Tape 32: Zimbabwe - Shona Village Music (Turino), 1993
Reel 9: Coll. 329, Tape 33: Zimbabwe - Shona Village Music (Turino), 1993: Recording of Mudzimu Uripo Ngoramte Club.
Reel 10: Coll. 329, Tape 34: Zimbabwe - Shona Village Music (Turino), 1993: A lesson with Mudzimu.
Reel 11: Coll. 329, Tape 35: Zimbabwe - Shona Village Music (Turino), 1993: Performance by Henry on m'bira.
Reel 12: Coll. 329, Tape 36: Zimbabwe - Shona Village Music (Turino), 1993: Continuation of Reel 11.
Reel 13: Coll. 329, Tape 37: Zimbabwe - Shona Village Music (Turino), 1993: Joshua Hlomay performance African country music on electric guitar.
Reel 14: Coll. 329, Tape 38: Zimbabwe - Shona Village Music (Turino), 1993: Performance by The Spirit of the People.
Reel 15: Coll. 330, Tape 1: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 16: Coll. 330, Tape 2: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 17: Coll. 330, Tape 3: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 18: Coll. 330, Tape 4: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 19: Coll. 330, Tape 5: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 20: Coll. 330, Tape 6: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 21: Coll. 330, Tape 7: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 22: Coll. 330, Tape 8: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 23: Coll. 330, Tape 9: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 24: Coll. 330, Tape 10: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 25: Coll. 330, Tape 11: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 26: Coll. 330, Tape 12: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 27: Coll. 330, Tape 13: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 28: Coll. 330, Tape 14: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 29: Coll. 330, Tape 15: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 30: Coll. 330, Tape 16: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 31: Coll. 330, Tape 17: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 32: Coll. 330, Tape 18: Bolivia - Afro-Bolivian Saya (Templeman), undated
Reel 33: Coll. 331, Tape 1: Salsa - Bolivia (Waxler), 1995: Commercial recording, Tres Senores del Son.

Box 71

Reel 1: Coll. 331, Tape 2: Salsa - Bolivia (Waxler), 1995: Commercial recording, Arcano y sus maravillas
Reel 2: Coll. 331, Tape 3: Salsa - Bolivia (Waxler), 1995: Commerical recordng, Musica religiosa de negros nortecaucanos
Reel 3: Coll. 331, Tape 4: Salsa - Bolivia (Waxler), 1995: Commercial recordings, Lillyan Rosezo and Banda Bajera de San Pelayo.
Reel 4: Coll. 331, Tape 5: Salsa - Bolivia (Waxler), 1995: Commerical recording, Madera.
Reel 5: Coll. 331, Tape 6: Salsa - Bolivia (Waxler), 1995: Commerical recording, Cuban Jam Session, vol. 1.
Reel 6: Coll. 331, Tape 7: Salsa - Bolivia (Waxler), 1995: Commerical recording, Cuban Jam Session, vol. 2.
Reel 7: Coll. 331, Tape 8: Salsa - Bolivia (Waxler), 1995: Commerical recording, Cuban Jam Session, vol. 3.
Reel 8: Coll. 331, Tape 9: Salsa - Bolivia (Waxler), 1995
Reel 9: Coll. 331, Tape 10: Salsa - Bolivia (Waxler), 1995
Reel 10: Coll. 331, Tape 11: Salsa - Bolivia (Waxler), 1995
Reel 11: Coll. 331, Tape 12: Salsa - Bolivia (Waxler), 1995
Reel 12: Coll. 332, Tape 1: Bulgaria - Folk Orchestras (Buchanan), 1988
Reel 13: Coll. 332, Tape 1 (copy): Bulgaria - Folk Orchestras (Buchanan), 1988
Reel 14: Coll. 332, Tape 2: Bulgaria - Folk Orchestras (Buchanan), 1988
Reel 15: Coll. 332, Tape 2 (copy): Bulgaria - Folk Orchestras (Buchanan), 1988
Reel 16: Coll. 332, Tape 3: Bulgaria - Folk Orchestras (Buchanan), May 27, 1988: Performance by the Silistra Ensemble.
Reel 17: Coll. 332, Tape 4: Bulgaria - Folk Orchestras (Buchanan), May 27, 1988: Performances by Ensemble 'Graoro'.
Reel 18: Coll. 332, Tape 5: Bulgaria - Folk Orchestras (Buchanan), May 27, 1988: Reels 18-23 consist of pieces from the Festival of Shtatn Orchestras.
Reel 19: Coll. 332, Tape 6: Bulgaria - Folk Orchestras (Buchanan), May 28, 1988
Reel 20: Coll. 332, Tape 20: Bulgaria - Folk Orchestras (Buchanan), May 28, 1988
Reel 21: Coll. 332, Tape 8: Bulgaria - Folk Orchestras (Buchanan), May 28, 1988
Reel 22: Coll. 332, Tape 9: Bulgaria - Folk Orchestras (Buchanan), May 28, 1988
Reel 23: Coll. 332, Tape 10: Bulgaria - Folk Orchestras (Buchanan), May 28, 1988
Reel 24: Coll. 332, Tape 11: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988: Reels 11-30 were recorded in Stambolovo.
Reel 25: Coll. 332, Tape 12: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988
Reel 26: Coll. 332, Tape 13: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988
Reel 27: Coll. 332, Tape 14: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988
Reel 28: Coll. 332, Tape 15: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988
Reel 29: Coll. 332, Tape 16: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988
Reel 30: Coll. 332, Tape 17: Bulgaria - Folk Orchestras (Buchanan), September 17, 1988
Reel 31: Coll. 332, Tape 18: Bulgaria - Folk Orchestras (Buchana), 1982

Box 72

Reel 1: Coll. 248, Tape 18: India - Religious Music - Slawek, December 27, 1983
Reel 2: Coll. 248, Tape 19: India - Religious Music - Slawek, December 31, 1983
Reel 3: Coll. 248, Tape 20: India - Religious Music - Slawek, January 9, 1984
Reel 4: Coll. 248, Tape 21: India - Religious Music - Slawek, January 10, 1984: Note: Leader on the tape in this box is labeled 248/22. This does not match the box label. Leader on the tape in next box is also labeled 248/22. The leader on one of these tapes is mislabeled snd should read 248/21.
Reel 5: Coll. 248, Tape 22: India - Religious Music - Slawek, January 5, 1984: Note: The leader on this tape is labeled 248/22 and matches the box label. However, the leader on the tape in 248/21 is also labeled 248/22. The leader on one of these tapes is mislabeled and should read 248/21.
Reel 6: Coll. 248, Tape 23: India - Religious Music - Slawek, January 17 and March 10, 1984
Reel 7: Coll. 248, Tape 24: India - Religious Music - Slawek, January 24, 1984
Reel 8: Coll. 248, Tape 25: India - religious music (Slawek), undated
Reel 9: Coll. 248, Tape 26: India - religious music (Slawek), undated
Reel 10: Coll. 248, Tape 27: India - religious music (Slawek), undated
Reel 11: Coll. 248, Tape 28: India - religious music (Slawek), undated
Reel 12: Coll. 248, Tape 29: India - religious music (Slawek), undated
Reel 13: Coll. 248, Tape 30: India - religious music (Slawek), undated
Reel 14: Coll. 248, Tape 31: India - religious music (Slawek), undated
Reel 15: Coll. 248, Tape 32: India - religious music (Slawek), undated
Reel 16: Coll. 248, Tape 33: India - religious music (Slawek), undated
Reel 17: Coll. 248, Tape 34: India - religious music (Slawek), undated
Reel 18: Coll. 248, Tape 35: India - religious music (Slawek), undated
Reel 19: Coll. 248, Tape 36: India - religious music (Slawek), undated
Reel 20: Coll. 249, Tape 1: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 21: Coll. 249, Tape 2: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 22: Coll. 249, Tape 3: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 23: Coll. 249, Tape 4: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 24: Coll. 249, Tape 5: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 25: Coll. 249, Tape 6: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 26: Coll. 249, Tape 7: Bulgaria - folk music (Ellison), August 30-September 7, 1978
Reel 27: Coll. 250, Tape i: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 28: Coll. 250, Tape ii: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 29: Coll. 250, Tape iii: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 30: Coll. 250, Tape iv: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 31: Coll. 250, Tape v: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 32: Coll. 250, Tape vi: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 33: Coll. 250, Tape vii: Spain - Basque music (Lewis), July 5 - August 20, 1949
Reel 34: Coll. 250, Tape viii: Spain - Basque music (Lewis), July 5 - August 20, 1949

Box 73

Reel 1: Coll. 250, Tape ix: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 2: Coll. 250, Tape 1: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 3: Coll. 250, Tape 2: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 4: Coll. 250, Tape 3: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 5: Coll. 250, Tape 4: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 6: Coll. 250, Tape 5: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 7: Coll. 250, Tape 6: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 8: Coll. 250, Tape 7: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 9: Coll. 250, Tape 8: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 10: Coll. 250, Tape 9: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 11: Coll. 250, Tape 10: Spain - Basque music (Lewis), July 5, 1949 - August 20, 1949
Reel 12: Coll. 251, Tape 1: India - classical music - Hindustani (Shankar), ca. 1979
Reel 13: Coll. 251, Tape 2: India - classical music - Hindustani (Shankar), ca. 1979
Reel 14: Coll. 251, Tape 3: India - classical music - Hindustani (Shankar), ca. 1979
Reel 15: Coll. 252, Tape 1: India - classical music - Hindustani (Gottlieb), ca. June 28, 1969
Reel 16: Coll. 251, Tape 1, copy: India - classical music - Hindustani (Shankar), ca. 1979: Learning Indian music cassette
Reel 17: Coll. 251, Tape 2, copy: India - classical music - Hindustani (Shankar), ca. 1979
Reel 18: Coll. 251, Tape 3, copy: India - classical music - Hindustani (Shankar), ca. 1979
Reel 19: Coll. 252, Tape 1, copy: India - classical music - Hindustani (Gottlieb), ca. June 28, 1969
Reel 20: Coll. 253, Tape 1: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 21: Coll. 253, Tape 2: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 22: Coll. 253, Tape 3: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 23: Coll. 253, Tape 4: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 24: Coll. 253, Tape 5: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 25: Coll. 253, Tape 6: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 26: Coll. 253, Tape 7: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 27: Coll. 253, Tape 8: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 28: Coll. 253, Tape 9: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 29: Coll. 253, Tape 10: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 30: Coll. 253, Tape 11: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 31: Coll. 253, Tape 12: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 32: Coll. 253, Tape 13: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 33: Coll. 253, Tape 14: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 34: Coll. 253, Tape 15: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 35: Coll. 253, Tape 16: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 36: Coll. 253, Tape 17: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 37: Coll. 253, Tape 18: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 38: Coll. 253, Tape 19: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 39: Coll. 253, Tape 20: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 40: Coll. 253, Tape 21: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 41: Coll. 253, Tape 22: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 42: Coll. 253, Tape 23: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 43: Coll. 253, Tape 24: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 44: Coll. 253, Tape 25: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 45: Coll. 253, Tape 26: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 46: Coll. 253, Tape 27: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 47: Coll. 253, Tape 28: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 48: Coll. 253, Tape 29: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 49: Coll. 253, Tape 30: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 50: Coll. 253, Tape 31: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 51: Coll. 253, Tape 32: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 52: Coll. 253, Tape 33: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 53: Coll. 253, Tape 34: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 54: Coll. 253, Tape 35: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 55: Coll. 253, Tape 36: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 56: Coll. 253, Tape 37: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 57: Coll. 253, Tape 38: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 58: Coll. 253, Tape 39: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 59: Coll. 253, Tape 40: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 60: Coll. 253, Tape 41: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 61: Coll. 253, Tape 42: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 62: Coll. 253, Tape 43: India - Mundari, Nagpuri - Hindustani (Babiracki), Fall, 1981-December 12, 1981
Reel 63: Coll. 254, Tape 1: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 64: Coll. 254, Tape 2: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 65: Coll. 254, Tape 3: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 66: Coll. 254, Tape 4: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 67: Coll. 254, Tape 5: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 68: Coll. 254, Tape 6: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 69: Coll. 254, Tape 7: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 70: Coll. 254, Tape 8: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 71: Coll. 254, Tape 9: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 72: Coll. 254, Tape 10: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 73: Coll. 254, Tape 11: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 74: Coll. 254, Tape 12: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 75: Coll. 254, Tape 13: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 76: Coll. 254, Tape 14: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 77: Coll. 254, Tape 15: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 78: Coll. 254, Tape 16: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 79: Coll. 254, Tape 17: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 80: Coll. 254, Tape 18: Egypt - Arabic song (Danielson), ca. 1915-1970
Reel 81: Coll. 254, Tape 19: Egypt - Arabic song (Danielson), ca. 1915-1970

Box 74

Reel 1: Coll. 255. Tape 1: India - classical music: Hindustani (Slawek), undated: Recordings from 78 rpm records. Zohara Bai (Agra) and Janki Bai (Allahabad)
Reel 2: Coll. 255. Tape 2: India - classical music: Hindustani (Slawek), undated: Recordings from 78 rmp records. Janki Bai (Allahabad) and Kesar Bai Kerkar
Reel 3: Coll. 255. Tape 3: India - classical music: Hindustani (Slawek), undated: Copies of commercial recordings obtained from Kala Bhavan, Banaras Hindu University. Kesar Bai Kerkar, Savai Gandhar (Ram Bhao Kundgol), Munni Jan (Allahabad) Janki Bai, Achan Bai, Sundara Bai (Poona)
Reel 4: Coll. 255. Tape 4: India - classical music: Hindustani (Slawek), undated: Copies of commercial recordings obtained from Kala Bhavan. Sundara Bai, Malika Jan (Agra), and Lakshmi Bai (Baroda).
Reel 5: Coll. 255. Tape 5: India - classical music: Hindustani (Slawek), undated: Recordings from 78 rpm records. Wahid Khan, Allaudin Khan, Bundu Khan.
Reel 6: Coll. 255. Tape 6: India - classical music: Hindustani (Slawek), undated: Recordings from 78 rpm records. Bundu Khan, Hamida Jan (Meerut), Kali Jan (Delhi), Wazir Jan (Banaras), Husna Jan (Banaras).
Reel 7: Coll. 255. Tape 7: India - classical music: Hindustani (Slawek), undated: Lakshmi Bai (Baroda), Akhtari Bai (Lucknow) Mogubai Kurdekar (Bombay)
Reel 8: Coll. 255. Tape 8: India - classical music: Hindustani (Slawek), undated: Mogubai Kurdekar and Sande Khan
Reel 9: Coll. 255. Tape 9: India - classical music: Hindustani (Slawek), undated: Recordings from 78 rpm records. Gauhar Jan, Peare Saheb, Sheo Kumari, Amir Jan, Bedna Das, D.C. Bural.
Reel 10: Coll. 255. Tape 10: India - classical music: Hindustani (Slawek), undated: Recordings from 78 rpm records. Nalika Jan, Janki Bai, Nohd. Hussain, Doanni Jan, Chandra Nargin
Reel 11: Coll. 255. Tape 11: India - classical music: Hindustani (Slawek), undated: Recordings of 78 rpm records. Koidum Sha, Peare Imamu, Raj Dulare, Brahm Das, Nathu Bal, Labhoo, Bal Gandharv, Master Krishna, Vishnu Datt
Reel 12: Coll. 255. Tape 12: India - classical music: Hindustani (Slawek), undated: Akhatari Jan, Abdul Wahid Khan
Reel 13: Coll. 256, Tape 1: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 14: Coll. 256, Tape 2a: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 15: Coll. 256, Tape 2b: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 16: Coll. 256, Tape 3: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 17: Coll. 256, Tape 4: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 18: Coll. 256, Tape 5a: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 19: Coll. 256, Tape 5b: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 20: Coll. 256, Tape 6: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 21: Coll. 256, Tape 7a: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 22: Coll. 256, Tape 7b: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 23: Coll. 256, Tape 8a: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 24: Coll. 256, Tape 8b: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 25: Coll. 256, Tape 9: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 26: Coll. 256, Tape 10a: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 27: Coll. 256, Tape 10b: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 28: Coll. 256, Tape 11: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 29: Coll. 256, Tape 12: Mexico - Chiapas (Stigberg), June - August 1982: Contains music performed by flute and drum ensemble; violin, harp, and guitar ensemble; and wind band. Genres include musica rachera, Tzotzil Indian ritual, and ceremonial music.
Reel 30: Coll. 257, Tape 1: India - classical music: Karnatak (Ellison), September 30, 1983: Performance by K.V. Narayanswamy (vocals) assisted by Padma Narayanaswamy (vocal), M.S. Anantaraman (violin), and T. Narendaran (mridangam).
Reel 31: Coll. 257, Tape 2: India - classical music: Karnatak (Ellison), September 30, 1983: Performance by K.V. Narayanswamy (vocals) assisted by Padma Narayanaswamy (vocal), M.S. Anantaraman (violin), and T. Narendaran (mridangam).
Reel 32: Coll. 257, Tape 3: India - classical music: Karnatak (Ellison), September 30, 1983: Performance by K.V. Narayanswamy (vocals) assisted by Padma Narayanaswamy (vocal), M.S. Anantaraman (violin), and T. Narendaran (mridangam).
Reel 33: Coll. 257, Tape 4: India - classical music: Karnatak (Ellison), September 30, 1983: Performance by K.V. Narayanswamy (vocals) assisted by Padma Narayanaswamy (vocal), M.S. Anantaraman (violin), and T. Narendaran (mridangam).
Reel 34: Coll. 257, Tape 5: India - classical music: Karnatak (Ellison), September 30, 1983: Performance by K.V. Narayanswamy (vocals) assisted by Padma Narayanaswamy (vocal), M.S. Anantaraman (violin), and T. Narendaran (mridangam).
Reel 35: Coll. 257, Tape 6: India - classical music: Karnatak (Ellison), September 30, 1983: Performance by K.V. Narayanswamy (vocals) assisted by Padma Narayanaswamy (vocal), M.S. Anantaraman (violin), and T. Narendaran (mridangam).

Box 75

Reel 1: Coll. 259, Tape 1: India - classical music: Hindustani (Gottlieb), ca. 1977: The Major Traditions of North Indian Tabla Drumming
Reel 2: Coll. 259, Tape 2: India - classical music: Hindustani (Gottlieb), ca. 1977: The Major Traditions of North Indian Tabla Drumming
Reel 3: Coll. 260, Tape 1: Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Yarla Purlapa (Yam Corroboree Songs)
Reel 4: Coll. 260, Tape 1 (copy): Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Yarla Purlapa (Yam Corroboree Songs)
Reel 5: Coll. 260, Tape 2: Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Side A - Yilpinji Nakamarra (Men's Love Magic Songs - Nakamarra). Side B - Yilpinji Malikijarra (Men's Love Magic Songs - 2 Dogs)
Reel 6: Coll. 260, Tape 2 (copy): Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Side A - Yilpinji Nakamarra (Men's Love Magic Songs - Nakamarra). Side B - Yilpinji Malikijarra (Men's Love Magic Songs - 2 Dogs)
Reel 7: Coll. 260, Tape 3: Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Yilpinji Yurrampi (Men's Love Magic Songs - Honey Ant)
Reel 8: Coll. 260, Tape 3 (copy): Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Yilpinji Yurrampi (Men's Love Magic Songs - Honey Ant)
Reel 9: Coll. 260, Tape 4: Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Yawulyu Ngarrka (Women's Songs - Man). Yaulyu Ngurlu (Women's Songs - Seed). Yawulyu Yangkirri (Women's Songs - Emu)
Reel 10: Coll. 260, Tape 4 (copy): Australian Aborigines - Warlbiri (Wild), November 11-12, 1969: Warlbiri Songs: Yawulyu Ngarrka (Women's Songs - Man). Yaulyu Ngurlu (Women's Songs - Seed). Yawulyu Yangkirri (Women's Songs - Emu)
Reel 11: Coll. 261, Tape 1: Indians of North America - Blackfoot (Donaldson), 1926-1927: Various tribal songs
Reel 12: Coll. 262, Tape 1: Indonesia - popular music (Capwell), undated: Originally from a commercial recording "Musical Treasures of Indonesia. Contains Krontjong music
Reel 13: Coll. 263, Tape 1: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Zheleznitsa Village, Sofia Region. Tsorovo Village, Sofia region.
Reel 14: Coll. 263, Tape 2: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Tserovo Village, Sofia region.
Reel 15: Coll. 263, Tape 3: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Dolni Pasarel village, Sofia region. Chelopechene village, Sofia region
Reel 16: Coll. 263, Tape 4: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Chelopechene village, Sofia region
Reel 17: Coll. 263, Tape 5: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from German village, Sofia region.
Reel 18: Coll. 263, Tape 6: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from German village, Sofia region
Reel 19: Coll. 263, Tape 7: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from German village, Sofia region. Zeleznitsa village, Sofia region. Bistritsa village, Sofia region.
Reel 20: Coll. 263, Tape 8: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Bistritsa village, Sofia region
Reel 21: Coll. 263, Tape 9: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Dolni Lozen Village, Sofia region
Reel 22: Coll. 263, Tape 10: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Dolni Lozen village, Sofia region. Zeleznitsa village, Sofia region.
Reel 23: Coll. 263, Tape 11: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Zeleznitsa village, Sofia region. Plana village, Sofia region.
Reel 24: Coll. 263, Tape 12: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Plana village, Sofia region. Bistritsa village, Sofia region. Zeleznitsa village, Sofia region.
Reel 25: Coll. 263, Tape 13: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Zeleznitsa village, Sofia region. Plana village, Sofia region.
Reel 26: Coll. 263, Tape 14: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Cepintsi village, Sofia region. Celopecene village, Sofia region. Gorni Lozen village, Sofia region.
Reel 27: Coll. 263, Tape 15: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Gorni Lozen village, Sofia region.
Reel 28: Coll. 263, Tape 16: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Gorni Lozen village, Sofia region. Vakarelski celebration.
Reel 29: Coll. 263, Tape 17: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from the Vakarelski celebration. Petko Denev playing godulka in Gabrouo. New Year's Even in Dolni Pasarel village, Sofia region.
Reel 30: Coll. 263, Tape 18: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from New Year's Eve in Dolni Pasarel village, Sofia region. New Year's day in Vladaia village, Sofia region.
Reel 31: Coll. 263, Tape 19: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Kamenitsa quarter, Velingrad region.
Reel 32: Coll. 263, Tape 20: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Kamenitsa quarter, Velingrad region. Draginouo village, Velingrad region.
Reel 33: Coll. 263, Tape 21: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Draginovo village, Velingrad region
Reel 34: Coll. 263, Tape 22: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Draginovo village, Velingrad region
Reel 35: Coll. 263, Tape 23: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Draginovo village, Velingrad region. Cepino quarter, Velingrad city.
Reel 36: Coll. 263, Tape 24: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Cepino quarter, Velingrad city. Draginovo village, Velingrad region. Bansko city.
Reel 37: Coll. 263, Tape 25: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981: Contains recordings from Bansko city. Dobriniste village, Bansko region.
Reel 38: Coll. 263, Tape 26: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981
Reel 39: Coll. 263, Tape 27: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981
Reel 40: Coll. 263, Tape 28: Bulgaria - folk music (Forsyth), Dec 1980 - Feb 1981

Box 76

Reel 1: Coll. 263, Tape 29: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth cassette tape side 20B.
Reel 2: Coll. 263, Tape 30: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth cassette 21A.
Reel 3: Coll. 263, Tape 31: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth cassette 21B.
Reel 4: Coll. 263, Tape 32: Bulgaria - Folk Music (Forsyth), January 12, 1981: From Forsyth Cassette 22A.
Reel 5: Coll. 263, Tape 33: Bulgaria - Folk Music (Forsyth), January 13, 1981: From Forsyth cassette 22B.
Reel 6: Coll. 263, Tape 34: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth cassette 23A.
Reel 7: Coll. 263, Tape 35: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassette 23B.
Reel 8: Coll. 263, Tape 36: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassette 24A.
Reel 9: Coll. 263, Tape 37: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassette 24B.
Reel 10: Coll. 263, Tape 38: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassette 25A.
Reel 11: Coll. 263, Tape 39: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassette 25B.
Reel 12: Coll. 263, Tape 40: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassette 26A.
Reel 13: Coll. 263, Tape 41: Bulgaria - Folk Music (Forsyth), December, 1980-February, 1981: From Forsyth Cassettes 26B (1 song) and 27A.
Reel 14: Coll. 263, Tape 42: Bulgaria - Folk Music (Forsyth), August 7, 1984: From Foirsyth cassette 27B.
Reel 15: Coll. 263, Tape 43: Bulgaria - Folk Music (Forsyth), August 7, 1984: From Forsyth cassette 28A.
Reel 16: Coll. 263, Tape 44: Bulgaria - Folk Music (Forsyth), August 8, 1984: From Forsyth Cassette 28B.
Reel 17: Coll. 263, Tape 45: Bulgaria - Folk Music (Forsyth), August 8, 1984: From Forsyth Cassette 29A.
Reel 18: Coll. 263, Tape 46: Bulgaria - Folk Music (Forsyth), August 8, 1984: From Forsyth Cassette 29B.
Reel 19: Coll. 263, Tape 47: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 20: Coll. 263, Tape 48: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 21: Coll. 263, Tape 49: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 22: Coll. 263, Tape 50: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 23: Coll. 263, Tape 51: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 24: Coll. 263, Tape 52: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 25: Coll. 263, Tape 53: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 26: Coll. 263, Tape 54: Bulgaria - Folk Music (Forsyth), August 8, 1984
Reel 27: Coll. 299, Tape 1: Africa - Congo, undated
Reel 28: Coll. 299, Tape 2: Africa - Congo, undated
Reel 29: Coll. 299, Tape 3: Africa - Congo, undated
Reel 30: Coll. 299, Tape 4: Africa - Congo, undated
Reel 31: Coll. 299, Tape 5: Africa - Congo, undated
Reel 32: Coll. 299, Tape 6: Africa - Congo - Kinshasa, undated
Reel 33: Coll. 299, Tape 7: Africa - Congo, undated
Reel 34: Coll. 299, Tape 8: Africa - Zaire, undated: Katubue Choir.
Reel 35: Coll. 299, Tape 9: Africa - Zaire, undated: Katubue Choir.
Reel 36: Coll. 299: Tapes 10 and 11: Africa - Zaire (Zambia), undated: Kalonji; Zambia Schools.

Box 77

Reel 1: Coll. 299, Tape 12-13: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #3: Miba and Kimbang schools.
Reel 2: Coll. 299, Tape 14: Africa (Crane), October 1, 1969: Zaire #8: Kimbanguist Service
Reel 3: Coll. 299, Tape 15: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #9: Congo Kinshasa.
Reel 4: Coll. 299, Tape 16: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #10: Mbuji-Mayi girls and boys.
Reel 5: Coll. 299, Tape 17: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #11: Luluabourg and Kinshasa.
Reel 6: Coll. 299, Tape 18: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #12: Yolo choir.
Reel 7: Coll. 299, Tape 19a: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #13: Chei Chem Yetu and Kinshasa.
Reel 8: Coll. 299, Tape 19b: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire #13: Chem Chem Yetu
Reel 9: Coll. 299, Tape 20a: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: Nuevu la Tav Mioyi Yenu and Rena Ngomba.
Reel 10: Coll. 299, Tape 20b: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: Grand-Pere Raconte, Chem Chem Yetu Presentation, Kamulangu.
Reel 11: Coll. 299, Tape 20c: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: Kamulangu.
Reel 12: Coll. 299, Tape 21a: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: Mbuji-Mayi Children.
Reel 13: Coll. 299, Tape 21b: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: Ben van den Ngiele Kufindal
Reel 14: Coll. 299, Tape 21c: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire
Reel 15: Coll. 299, Tape 22: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire Christmas
Reel 16: Coll. 299, Tape 23-24: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: Kimbanaguitsu music.
Reel 17: Coll. 299, Tape 25: Africa (Crane), ca. Summer 1959-Fall 1959: Zaire: religious songs.
Reel 18: Coll. 299, Tape 26: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 19: Coll. 299, Tape 27: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 20: Coll. 299, Tape 28: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 21: Coll. 299, Tape 29a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 22: Coll. 299, Tape 29b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 23: Coll. 299, Tape 30a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 24: Coll. 299, Tape 30b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 25: Coll. 299, Tape 31a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 26: Coll. 299, Tape 31b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 27: Coll. 299, Tape 32a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 28: Coll. 299, Tape 32b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 29: Coll. 299, Tape 33a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 30: Coll. 299, Tape 33b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 31: Coll. 299, Tape 334b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 32: Coll. 299, Tape 34a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 33: Coll. 299, Tape 34c: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 34: Coll. 299, Tape 35a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 35: Coll. 299, Tape 35b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 36: Coll. 299, Tape 36: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 37: Coll. 299, Tape 37: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 38: Coll. 299, Tape 38: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 39: Coll. 299, Tape 39-40: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 40: Coll. 299, Tape 40-41: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 41: Coll. 299, Tape 42: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 42: Coll. 299, Tape 43a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 43: Coll. 299, Tape 43b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 44: Coll. 299, Tape 44a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 45: Coll. 299, Tape 44b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 46: Coll. 299, Tape 45a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 47: Coll. 299, Tape 45b: Africa (Crane), ca. Summer 1959-Fall 1959

Box 78

Reel 1: Christian Harmony Singing at Redtop, MO., ca. 1952-1961: Christian Harmony with John Brazeal (vocalist) recorded sometime between 1952-1961.
Reel 2: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 1 (morning)
Reel 3: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 2 (Morning)
Reel 4: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 3 (Afternoon)
Reel 5: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 4 (Afternoon)
Reel 6: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 5 (Afternoon)
Reel 7: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 6 (Afternoon)
Reel 8: Christian Harmony Singing at Cedar Gap, MO, June 5, 1966: Tape 7 (Afternoon)
Reel 9: Christian Harmony Singing at Cedar Gap, MO, June 6, 1965: Sunday morning
Reel 10: Christian Harmony Singing at Cedar Gap, MO, June 6, 1965: Sunday afternoon - Tape 1
Reel 11: Christian Harmony Singing at Cedar Gap, MO, June 6, 1965: Sunday afternoon - Tape 2
Reel 12: Christian Harmony Singing at Cedar Gap, MO, June 6, 1965: Sunday afternoon - Tape 3
Reel 13: Christian Harmony Singing at Cedar Gap, MO, June 6, 1965: Sunday Afternoon - Tape 4
Reel 14: Christian Harmony Singing at Redtop, MO, June 26, 1966: Morning and first part of afternoon (beginning with "Amazing Grace"
Reel 15: Christian Harmony Singing at Redtop, MO, June 26, 1966: Tape 2
Reel 16: Christian Harmony Singing at Redtop, MO, June 26, 1966: Tape 3
Reel 17: Christian Harmony Singing at Hartville, MO, July 4, 1965: Tape 1 & 3
Reel 18: Christian Harmony Singing at Hartville, MO, July 4, 1965: Tape 2
Reel 19: Christian Harmony Singing at Hartville, MO, July 4, 1965: Tape 4
Reel 20: Russel House Wesleyan Curry Concert, December 8, 1967: Side A: Harikambhogi, Hamsanadam, Kirwani. Side B: Ragamalika
Reel 21: Ustad Bahadur Khan from Calcutta, 1970-1971: Track 1: a) Jaunpuri b) Desh c) Anand Bhairau. Track 2: a) Bilaskhani Tod. b) Misra Sluranjani c) Basant.
Reel 22: Ustad Bahadur Khan - concert at Brian Silver's house in Calcutta, 1971: a) PurbiÂ b) Ragamalika in Pilu
Reel 23: Coll. 299, Tape 45c: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 24: Coll. 299, Tape 46b and 49a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 25: Coll. 299, Tape 47b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 26: Coll. 299, Tape 47c: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 27: Coll. 299, Tape 48b and 51a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 28: Coll. 299, Tape 49b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 29: Coll. 299, Tape 50: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 30: Coll. 299, Tape 51b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 31: Coll. 299, Tape 52b: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 32: Coll. 299, Tape 53a: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 33: Coll. 299, Tape 53b, 54, 55: Africa (Crane), ca. Summer 1959-Fall 1959
Reel 34: Coll. 299, Tape (damaged did not record), ca. Summer 1959-Fall 1959

Box 79

Reel 1: Burma sampler (Garfias), 1974
Reel 2: Burma sampler (Garfias), 1974
Reel 3: Nonesuch outs, undated
Reel 4: Indian (Mollarpen), undated: Box I of IV
Reel 5: Indian (Mollarpen), undated: Box II of IV
Reel 6: Indian (Mollarpen), undated: Box III of IV
Reel 7: Indian (Mollarpen), undated: Box IV of IV
Reel 8: Indian (Ravi Shankar), undated
Reel 9: Calcutta, December 1974: Purna Chandra Das Baul
Reel 10: Bach Cantata Lecture (Peter Ustinov), undated: M. Angelou interview with Bill Moyer
Reel 11: The World of American Indian Dance, 2003: Video documentary
Reel 12: Yamini Krishnamurti, undated
Reel 13: Ghost Drum, undated
Reel 14: Topeng the Masked Dance - Theater of Bali, undated
Reel 15: Bangsawan - Henofifah, November 4, 1989
Reel 16: UI Ekasrati - Beleganjur at KCPA, 2006
Reel 17: Art of Indonesia, Tales from the Shadow World, 1990: National Gallery of Art and The Metropolitan Museum of Art
Reel 18: The Bali Dances: A Veil between Worlds, 1998
Reel 19: Music and Dance in Bali - Music and Theater in Banyuwangi, undated
Reel 20: Bedhaya Tujung Anom, undated
Reel 21: Gamelan music of Java - Hawaii intro, undated
Reel 22: Music and dance in Bali, undated
Reel 23: UI Gamelans at ISU Terre Haute, 2000
Reel 24: Ekasruti in Bali, May-June 2000
Reel 25: Ekasruti Illini activities in Bali, undated
Reel 26: Ekasruti Illini Performance, 2000
Reel 27: Bali Excerpts Kecak, undated: At Nush Sheraton Hotel tour, Temple celebration, Tingklik Rindik
Reel 28: Tunjung Sari, April 8, 1993: The Colorado College Balinese Gamelan
Reel 29: A Concert of Central Javanese music, undated: University of Wisconsin Gamelan Ensemble, the direction of Sumaryono
Reel 30: Gedung Kesenian - Wayang Orang Bharata, undated
Reel 31: UI Gamelan, April 1992
Reel 32: UI Gamelan, April 1996
Reel 33: University of Illinois Gamelan - Spring concert, April 27, 1997: Director Sumaryong
Reel 34: UI Gamelan, November 1999
Reel 35: UI Bali concert, 2000
Reel 36: Langen Mandra Wanara and other Javanese dances, undated
Reel 37

Box 80

Reel 1: American Indian Dance Theater, Finding the Circle, undated
Reel 2: Balasaraswati, 1998: World Music Archives, Wesleyan University, Middletown Connecticut
Reel 3: Balvinder Dhenjan - Desi Remix Chicago Style, undated
Reel 4: Birjutsi Tara Kathak, undated
Reel 5: Bimbo Nasida Ria, undated
Reel 6: Cambodian Art Preservation Group, 1989: "The Unsuccessful Temptaion", "Preah Moha Mokaleahn", "Year of the Snake"
Reel 7: Cambodian Dance Documentary, undated
Reel 8: Charles Capwell, undated
Reel 9: Circles-Cycles - Kathak Dance, 1989: RObert S. Gottlieb, Senior Research Fellow at the American Institute of Indian Studies, New Delhi
Reel 10: American Indian Dance, undated
Reel 11: Demha - Berhijrah dari Gelapan, 1999
Reel 12: Farm Aid Concert I, undated
Reel 13: Farm Aid Concert II, undated
Reel 14: Isang Yun, undated: Schubert, Beethoven, Traditional Court Dance of Ancient Korea
Reel 15: Korean Painting a Tradition Maintained - Korean Traditional Music, undated
Reel 16: On Playing the Quin and the Pipa (Lui Pei-Yuen and Isabel Wong), February 1979: Director W. Kieninger
Reel 17: INUL, undated
Reel 18: Irama Ramadhan, April 22, 1996
Reel 19: KODO, undated
Reel 20: Gema Takbir Ramadhan, 1995
Reel 21: Chas. House, undated
Reel 22: Sabri Bros, undated
Reel 23: The Mashantucket Pequot Tribal Nation Presents Their Seventh Annual Feast of Green Corn and Dance, 1999
Reel 24: Pequot Pow wow Schemitzun, undated
Reel 25: Shalawat Badar, undated
Reel 26: Talbiah Cinta, 1996
Reel 27: Taiko in Norh America - National Museum of Ethnology, undated
Reel 28: University of Illinois Gamelan, April 22, 1990
Reel 29: Umm Kulthum - A Voice like Egypt, 1996

Box 81

Reel 1: Kresna Duta, copy 1, undated
Reel 2: Kresna Duta, copy 2, undated
Reel 3: Kresna Duta, copy 3, undated
Reel 4: Kresna Duta, copy 4, undated
Reel 5: Kresna Duta, copy 5, undated
Reel 6: Narayana Begal, copy 1, undated
Reel 7: Narayana Begal, copy 2, undated
Reel 8: Narayana Begal, copy 3, undated
Reel 9: Narayana Begal, copy 4, undated
Reel 10: Narayana Begal, copy 5, undated
Reel 11: Narayana Begal, copy 6, undated
Reel 12: Narayana Begal, copy 7, undated
Reel 13: Narayana Begal, copy 8, undated
Reel 14: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 1, undated
Reel 15: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 2, undated
Reel 16: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 3, undated
Reel 17: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 4, undated
Reel 18: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 5, undated
Reel 19: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 6, undated
Reel 20: Narayana - Jumeneng Ratu - Ki Nartosabdho, copy 7, undated
Reel 21: Parikesit Jumeneng Nata, copy 1, undated
Reel 22: Parikesit Jumeneng Nata, copy 2, undated
Reel 23: Parikesit Jumeneng Nata, copy 3, undated
Reel 24: Parikesit Jumeneng Nata, copy 4, undated
Reel 25: Parikesit Jumeneng Nata, copy 5, undated
Reel 26: Parikesit Jumeneng Nata, copy 6, undated
Reel 27: Parikesit Jumeneng Nata, copy 7, undated
Reel 28: Parikesit Jumeneng Nata, copy 8, undated
Reel 29: Parikesit Jumeneng Nata, copy 9, undated
Reel 30: Suryatmaja maling, copy 1, undated
Reel 31: Suryatmaja maling, copy 2, undated
Reel 32: Suryatmaja maling, copy 3, undated
Reel 33: Suryatmaja maling, copy 4, undated
Reel 34: Suryatmaja maling, copy 5, undated
Reel 35: Suryatmaja maling, copy 6, undated
Reel 36: Suryatmaja maling, copy 7, undated
Reel 37: Suryatmaja maling, copy 8, undated
Reel 38: Music 320 no. 1 - Shyam Ganguly, December 14, 1978
Reel 39: Music 320 no. 2 - Shyam Ganguly, December 11, 1978
Reel 40: Music 320 no. 3 - Shaheed Parvese Khan, February 18, 1979
Reel 41: Music 320 no. 4 - Gurija Devi, December 17, 1978
Reel 42: Music 320 no. 5 - Amjad Ali Khan, March 18, 1979
Reel 43: Music 320 no. 6 - Radhika Mohan Maitra, April 29, 1979
Reel 44: Music 320 no. 7 - Monilal Nag, January 12, 1978
Reel 45: Music 320 no. 8 - Monilal Nag, December 17, 1978
Reel 46: Amir Khan Meght Jhumatae, undated
Reel 47: Huei-En Hsu - piano performance, 1997
Reel 48: El-Badir Orchestra, 1967
Reel 49: Ekasruti Illini, undated
Reel 50: Endo with Sumandhi Wayang, undated
Reel 51: Tirta sari ?, undated
Reel 52: IKJ - Ngaju musicians Kalteng, December 19, 2004
Reel 53: Jkt Welcome monument Debie, December, 2004
Reel 54: Eka Sruti in Dem pasar, undated
Reel 55: Kiai Kanjeng - Krajon, April 19, 1966
Reel 56: Ekasruti in Bali I, undated
Reel 57: U.P. Pepe Pepeka - Snapa and Neno Kids, March 30, 1996
Reel 58: Various things, undated: 1. In elaha, 2. Wayang Orang Bharata, 3. Ngek, 4. Pengajian
Reel 59: Beleganjur rehearsal, April 19, 2000
Reel 60: Singapore Chinese Festival - Malay Wedding, November 1, 1995
Reel 61: Bagir Makanar Wedding, February 2, 1996

Box 82

Reel 1: Aiwy Tohir Surabaya, July 11, 1994
Reel 2: Ahmad Vad'aq and Soraya Wedding, 1 of 2, 1994
Reel 3: Ahmad Vad'aq and Soraya Wedding, 2 of 2, 1994
Reel 4: Ahmad Vad'aq, interview, 1994
Reel 5: Aswab Mahsin, March 12, 1996
Reel 6: Agus Snada, March 27, 1996
Reel 7: Agus Snada and Rhoma Irama, March 27, 1996
Reel 8: Wedding Gedung Balai Kartini, 1994
Reel 9: Attahiriyad wedding Gedung Balai Kartini, 1994
Reel 10: Radio Moslem Attahiriya Jakarta interview, 1994
Reel 11: Bandune, 1993
Reel 12: Bondowoso Hajir, Marawis Surabaya, 1994
Reel 13: Bondowoso Hajir Marawis Aijurai Wed Surabaya, July 9, 1994
Reel 14: Dwiki Dharmawar, March 20, 1996
Reel 15: Emha in Yogya, June 17, 1999
Reel 16: Gado-Gado, undated
Reel 17: Guo Dur, February 27, 1996
Reel 18: H. Buchori Masrir Wawan-Cara, 1994
Reel 19: Hajjir Marawis at Bondowoso, July 15, 1994
Reel 20: Ida Yusuf, March 2, 1996
Reel 21: Ida Yusuf, February 3, 1996
Reel 22: Interview Astakona Hartono dir Puspita, 1994
Reel 23: A. Enlg interview in Jahartz, undated
Reel 24: Jakarta Ismaiz #2 with Franky, undated
Reel 25: Jakarta Radio, 1993
Reel 26: Jakartai Inerviews, June 8, 1993
Reel 27: Jepeng from Parepare, undated
Reel 28: Muhdar Alatas, 1994
Reel 29: Muhdar Alatas at RRI Surabaya, July 13, 1994
Reel 30: Muhdar Alatas - Wawancara, pertunjukan Semarang, 1994
Reel 31: Nasida Ria, 1994
Reel 32: Nasida Ria, July 2, 1994
Reel 33: Nasida Ria solo, 1994
Reel 34: Neno, April 16, 1996
Reel 35: Nori Budianto, 1999
Reel 36: O.G. Almubarsk, Palembong Ulu, July 24, 1994
Reel 37: Pak Ismaal's group, 1993
Reel 38: Pertamin U.P., undated
Reel 39: Rafiqoh, undated
Reel 40: Something Sundance, undated
Reel 41: Sam Bimbo, January 6, 1999
Reel 42: Remy Sylado, March 30, 1996
Reel 43: Trisutji Karmal, March 14, 1996
Reel 44: Yogya FKY - computer gending, 1993
Reel 45: Yogya - Kienengan at Pak Cokrosnouse, July 2, 1993
Reel 46: Yogya - Jatilan (Kiaten Village), July 4, 1993
Reel 47: Yogya - Pak Nurudin Mangkunegaran
Reel 48: Tape 1, February 1, 1996
Reel 49: Tape 2, February 1, 1996
Reel 50: Gamelan Beleganjur - I Ketut Gede Asnawa, undated
Reel 51: Endang - Werdiningsih, copy 2, undated
Reel 52: Endang - Werdiningsih, copy 1, undated
Reel 53: Gita Shalawat - T & T Orchestra, 1997
Reel 54: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 1, undated
Reel 55: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 2, undated
Reel 56: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 3, undated
Reel 57: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 4, undated
Reel 58: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 5, undated
Reel 59: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 6, undated
Reel 60: Gondo Ludiro - Dalang - Ki Soekardji Blitar, copy 7, undated
Reel 61: Kresna Dusta - Dalang - Ki Narto Sabdho, copy 1, undated
Reel 62: Kresna Dusta - Dalang - Ki Narto Sabdho, copy 2, undated
Reel 63: Kresna Dusta - Dalang - Ki Narto Sabdho, copy 3, undated

Box 83

Reel 1: Tamu Jepang - Srimpi PA, undated
Reel 2: Gema Takbir, 1996
Reel 3: Temu Ilmiah, 1993: MSPI di ASKI Padang Panjang
Reel 4: Talbiah Cinta from RCTI, May 1996
Reel 5: Jaduk Ferlanto - Jurdil, undated
Reel 6: Gambust Qasidah, 1994
Reel 7: Bedugul, undated
Reel 8: Temu Ilmiah - MSPI di ASKI, 1993: Padang Panjang (Nuansa Islam) 1 and 2
Reel 9: Berhijrah Dari, undated
Reel 10: Gema Takbir, April 18, 1996
Reel 11: Miracle of Bali, undated
Reel 12: Demo Krakatau Band live at the Hard Rock Cafe, undated
Reel 13: Krakatau Live, copy 1, undated
Reel 14: Krakatau Live, copy 2, undated

Box 89

Reel 1: Traditional Music of Korea, undated

Presented by Ministry of Culture and Information. Produced by National Film Production Center Republic of Korea

Folder 1: Mailing Information Korean Information Office, 1977-1980

Copy of envelope label addressed to Prof. Connor

Folder 2: Transcriptions, Notes, Photographs, 1950-1977

Folder 3: Tribal, Folk, and Cafe Music of West Africa. Vol. I, no. 1 and 8, 1950

Field recordings on a vinyl disc

Folder 4: Tribal, Folk, and Cafe Music of West Africa. Vol. I, no. 2 and 7, 1950