Scott Wyatt Personal Papers and Sound Recordings, 1961-2018

By Dan Andree, Nolan Vallier, and Laurel Post

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Collection Overview

Title: Scott Wyatt Personal Papers and Sound Recordings, 1961-2018

ID: 12/5/73

Primary Creator: Wyatt, Scott (1951 -)

Extent: 8.25 cubic feet

Arrangement:

Organized in four series: Series 1: Non-commercial Sound Recordings, ca. 1978 - 2018; Series 2: Commercial Sound Recordings, ca. 1985 - 1987; Series 3: Scott Wyatt Experimental Music Studios Papers, ca. 1961 - 1984, which is organized into two sub-series: 1) Experimental Music Studios 40th Anniversary Exhibit Photographs and Labels, and 2) Experimental Music Studies pomotional materials and compositions; and Series 4: Personal Papers.

Series 1 and 2 are arranged in original order. Series 3, Sub-Series 1 is arranged by exhibit subject. Series 3, Sub-Series 2 and Series 4 are unarranged.

Date Acquired: 06/12/2017. More info below under Accruals.

Subjects: Compositions-Music, Computer Music, Electronic Music, Music Composition, Music teachers

Languages: English

Scope and Contents of the Materials

Consists of sound recordings, photographs of the University of Illinois' Experimental Music Studio used for its 40th anniversary, and posters and reports documenting Scott Wyatt's work as a School of Music faculty member and director of the Experimental Music Studio, and his work as a composer throughout his career at the University of Illinois between 1974 and 2014. Also included in these papers is the complete computer code used by Lejaren Hiller to create his computer composition, "Avalanche" completed in 1970.

Biographical Note

Scott Wyatt (b. 1951) studied Music Education and Piano Performance at West Chester University in Pennsylvania in 1970 where he also studied music composition with Larry A. Nelson and John Melby. After graduating with his bachelors degree, Wyatt continued his studies at the University of Illinois at Urbana-Champaign in 1974, where he studied composition with John Melby, Herbert Brun, Ben Johnston, Salvatore Martirano, and Paul Martin Zonn. In 1975 Wyatt was hired as composition faculty lecturer and co-director of the Experimental Music Studios with James Beauchamp. In 1976, he was awarded a tenure track faculty position and became the director of the Experimental Music Studios. He retained that title until 2016, when he retired from the University of Illinois.

Wyatt composes music for a variety of ensembles and genres including works for theatre, voice, acoustic instruments, electroacoustic music, and music for dance, documentary film, radio, television, and laser shows. Wyatt has won several awards for composition including: the 1978 International Society for Contemporary Music National Composers Competition, the 1979 National Flute Composition Competition, the 1979 Concorso Internazionale Luigi Russolo Composition Competition, and the 1984 International Confederation of Electro-Acoustic Music Grand Prize at the International Electro-Acoustic Music Competition in Bourges, France. In 1985 he was awared the University of Illinois University Scholar Awared as part of the University's first class of University Scholars to acknowledge nationally and internationally recognized achievement and distinction as a faculty member of the university. In addition, Wyatt has received several awards for his teaching and research including: the 1990 Arnold Beckman Research Award for the development of digital timescaling applications, numerous grants between 1996 and 2011 for live performance methodology for eight-channel sound diffusion and sound spatialization, a 1991 Illinois Arts Council Award, a 1994 Educational Technologies assistance grant for course development, a 1997 College of Fine and Applied Arts Outstanding Faculty Award, a 1998 appointment as an Associate in the UIUC Center for Advanced Study, and a 2008 Fine and Applied Arts Creative Research Award for the collaborative composition for electroacoustic music with live continuum performance and two giant 900,000 volt Tesla coils, titled "Risky Business: a Tribute to Nikola Tesla." Among other compositions, Wyatt was commissioned in 1989 by the Champaign-Urbana Symphony to create "Time Pinnacle" for Orchestra, electroacoustic music, visual projections, and lasers for the Beckman Institute dedication. In addition, in 1995, he was commissioned by the Krannert Center for the Performing Arts to create an opening compositions (for 6 choral octetes, percussion, conductor, and 8-channel electroacoustic music involving 600 lighting cues), title "Visions in Time" for the KCPA 25th Anniversary Gala Commemoration.

Wyatt is also known for his development and application of positional three-dimensional audio imaging and spatialized audio recording techniques designed for discrete 8-channel performance. His compositions are recorded on Capstone, Centaur, GMEB Cultures Electroniques Series, Library of Congress, MARK, OFFICE, Music from SAMUS, UBRES, and VERIATZA recordings.

Subject/Index Terms

Compositions-Music
Computer Music
Electronic Music
Music Composition
Music teachers

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Additional photographs and news clippings were received from Scott Wyatt on November 13, 2017. Additional sound recordings were received from Scott Wyatt on April 16, 2018

Acquisition Source: Scott Wyatt

Acquisition Method: Gift

Related Materials: For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers. For more information please see https://research.lib.buffalo.edu/hiller.

Box and Folder Listing

Series 1: Non-commercial Sound Recordings, ca. 1978 - 2018

Audio Tapes and Compact Discs documenting Scott Wyatt's compositions and role in the Experimental Music Studios.

Box 1

Item 1: Poems, 1989: Acetate Tape Reel
Item 2: Trans, Undated: Acetate Tape Reel
Item 3: Real Illusion, Undated: Acetate Tape Reel
Item 4: Time Mark (Master with lighting cues), Undated: Acetate Tape Reel
Item 5: All for One, Undated: Acetate Tape Reel
Item 6: Time Mark 30 IPS Master, Undated: Acetate Tape Reel
Item 7: Time Mark lighting, Undated: Acetate Tape Reel

Box 2

Item 1: Master - Four for Flute, Undated: Acetate Tape Reel
Item 2: On, Focus On - Four for Flute, Undated: Acetate Tape Reel
Item 3: Real Illusion, Undated: Acetate Tape Reel
Item 4: V-86-1 Record Master (side 1), Undated: Acetate Tape Reel
Item 5: V-86-1 Record Master (side 2), Undated: Acetate Tape Reel
Item 6: Time Pinnacle, Undated: Acetate Tape Reel
Item 7: All for One, Undated: Acetate Tape Reel
Item 8: Visions in Time, Undated: Acetate Tape Reel

Box 3

Item 1: Menagerie, Undated: Acetate Tape Reel
Item 2: Of Lineage, Undated: Acetate Tape Reel
Item 3: Four for Flute (tape only), Undated: Acetate Tape Reel
Item 4: Still Hidden Laughs - 30 IPS Master, Undated: Acetate Tape Reel
Item 5: Lifepoints 30 IPS DBX Master, Undated: Acetate Tape Reel
Item 6: Lifepoints with click 30 IPS DBX Master, Undated: Acetate Tape Reel
Item 7: Hamlet - Main Performance - Reel 1, 1983: Acetate Tape Reel
Item 8: Hamlet - Main Performance - Reel 2, 1983: Acetate Tape Reel
Item 9: Tempest Album Master - Side 1, Undated: Acetate Tape Reel
Item 10: Tempest Album Master - Side 2, Undated: Acetate Tape Reel

Box 4

Item 1: Sense One, Undated: Acetate Tape Reel
Item 2: Hamlet - Reel 1, Undated: Acetate Tape Reel
Item 3: Hamlet - Reel 2, Undated: Acetate Tape Reel
Item 4: Lifepoints 4 tk click, Undated: Acetate Tape Reel
Item 5: Tempest performance tape, Undated: Acetate Tape Reel

Box 5

Item 1: Time Pinnacle, Undated: Acetate Tape Reel
Item 2: Menagerie ST, 1978: Acetate Tape Reel
Item 3: Two Plus Two B.E.P., Undated: Acetate Tape Reel
Item 4: Menagerie 15ST, Undated: Acetate Tape Reel
Item 5: Comments on Two Plus Two, Undated: Acetate Tape Reel
Item 6: Still Hidden Laughs - Master revised version, 1988: Acetate Tape Reel
Item 7: Time Mark, Undated: Acetate Tape Reel
Item 8: Time Mark, Undated: Acetate Tape Reel
Item 9: Felo-de-se, Undated: Acetate Tape Reel
Item 10: Trans, 1983: Acetate Tape Reel
Item 11: Trans Quad 15, 1983: Acetate Tape Reel
Item 12: Trans video version, 1983: Acetate Tape Reel
Item 13: Two Plus Two DBX 15, Undated: Acetate Tape Reel
Item 14: Time Mark with click, Undated: Acetate Tape Reel
Item 15: Still Hidden Laughs, 1988: Acetate Tape Reel
Item 16: Menagerie, 1978: Acetate Tape Reel
Item 17: Campanille Audio Track Master, Undated: Acetate Tape Reel

Box 6

Item 1: Private Play (8 track), Undated: ADAT Format
Item 2: Private Play (8 track), Undated: ADAT Format
Item 3: In the Arms of Peril, Undated: ADAT Format
Item 4: On a Roll, Undated: ADAT Format
Item 5: UIUC EMS, Undated: ADAT Format: FFF = Four for Flute, IAP = In the Arms of Peril, NV = Night Visitors
Item 6: Early... Instrument with Electroacoustic Accompaniment Compositions by Scott A. Wyatt, 2017: CD Format: All for One, 1979; Three for One, 1981; Soundets (I. Legit, II. East, III. Five, IV. Funk), 1987; Vignettes (I. Ballad, II. Spritz, III. Waltz, IV. Turnabout, V. Blues), 1989; Lifepoints, 1990. Assembled in 2017.
Item 7: Early Electroacoustic Music Compositions by Scott A. Wyatt, 2017: CD Format: Still Hidden Laughs, 1988 (Revised 1990); Inquiry, 1986; Circulation, 1986; Counterpoints, 1988; Private Play, 1997; Poems, 1986; Mask, 1986; Two Plus Two; 1975. Assembled in 2017
Item 8: Electroacoustic Compositions by Scott A. Wyatt, 2017: CD Format: In the Arms of Peril, 2001 (Revised 2011); On a Roll, 2004; Time Mark, 1983 (Revised 2000); ...and nature is alone, 2005; A Road Beyond, 2007; ComLinks, 2010; all sink, 2012; Four for Flute, 1976. Assembled in 2017.
Item 9: Soundets by Scott Wyatt (Tape Part), Undated: DAT Format
Item 10: ID#1 -18dB ref. tone, ID#2 Soundets by S. Wyatt, Undated: DAT Format

Box 7

Item 1: DBX Model 150X Unit

Box 15

Folder 10: Radial Matrix, 2006: DVD. Multi-dimensional electroacoustic music. Includes: "at other times, the distances" & "Messages from Ortigia" by James Dashow; "Camera Cantorum" & "The Other" by Richard Karpen; "In the Arms of Peril," "Time Mark" & "On a Roll" by Scott A. Wyatt.

Box 16

Item 1: Felo-de-se Master, Undated: Acetate Tape Reel
Item 2: Tempest performance tape, Undated: Acetate Tape Reel
Item 3: collections I: electronic music with and without instruments - Scott A. Wyatt, 1979: LP Format; Side One: Four For Flute (1979); Side Two: Menagerie (1978), Two Plus Two (1975)
Item 4: Skycon at Farmaid, 1985: U-matic video tape. Recorded by Moving Pictures Television and Production Services.
Item 5: Circulation (for fixed media electroacoustic music), 1986: U-matic video recording. Music by Scott Wyatt, Lighting Design by Eric Van Tassell, Live Performance by Anja Hose and Tony Reimer. Master dup for Krannert Performance.
Item 6: Real Illusion, 1987: U-matic video recording. Music by Scott Wyatt, with Edward Ulbrich and Hiedi Zeller. Labeled "Scott's Master".

Box 17

Item 1: All for One (for Solo Percussion with Tape) - Master, 1979: 12'' Polyester Reel. Includes full score for All for One. 15 IPS.
Item 2: American Helix - Master Tape 1, Undated: 12'' Polyester Tape. DBX Type 1.
Item 3: American Helix - Master Tape 2, Undated: 12'' Polyester Reel. DBX type 1.
Item 4: American Helix - Master Tape 3, Undated: 12'' Polyester Reel. DBX type 1.
Item 5: Beyond the Lines - Master Tape 1, Undated: 12'' Polyester Reel. DBX type 1.
Item 6: Beyond the Lines - Master Tape 2, Undated: 12'' Polyester Tape. DBX type 1.
Item 7: Circulation, Undated: 12'' Polyester Reel. 15 IPS T.O. DBX 1.
Item 8: On, Focus On - Master 1, Undated: 12'' Polyester Reel.
Item 9: On, Focus On - Master 2, Undated: 12'' Polyester Reel. Includes audio engineer notes on dynamics and timings. 15 IPS T.O. DBX.

Box 18

Item 1: Counterpoints - Master, 1992: 12'' Polyester Reel.
Item 2: Four for Flute - Master, 1993: 12'' Polyester Reel. 15 DBX
Item 3: Four for Flute - Re-Master, Undated: 12'' Polyester Reel. DBX
Item 4: Time Mark - Glenn Schaft Master, Undated: 12'' Polyester Reel. 30 IPS
Item 5: Time Mark - Schaft Sub Master, Undated: 12'' Polyester Reel.
Item 6: Time Pinnacle, Undated: 12'' Polyester Reel.
Item 7: Vignettes, Undated: 12'' Polyester Reel. 30 IPS
Item 8: Visions in Time - Master Tape, Undated: 12'' DBX Reel (1/2'' tape).
Item 9: Visions in Time - 8 Tracks, Undated: 12'' DBX Reel (1/2'' tape).

Box 19

Item 1: FH 227 (Menagerie/Metal/Tran), 1990: 12'' Polyester Reel.
Item 2: MTD - Master, Undated: 12'' Polyester Reel.
Item 3: Time Pinnacle - Master, Undated: Master 12'' 3M Mastering Tape (1'' tape). Includes audio engineer notes on timings.
Item 4: Trans, Undated: 12'' Polyester Reel.
Item 5: Trans - Master 1, Undated: 12'' Polyester Reel.
Item 6: Trans - Master 2, Undated: 12'' Polyester Reel.

Box 20

Item 1: A Time of Being - Master, Undated: 12'' 3M Mastering Tape (1'' tape). Includes audio engineer notes on timings.
Item 2: All for One - Master, Undated: 12'' 3M Mastering Tape (1/2'' tape). 30 IPS. DBX to 4 TK
Item 3: Excerpts from Hamlet, Undated: 12'' Polyester Reel. 15 T.O. DBX.
Item 4: L. Hobgood - Master, Undated: 12'' Polyester Reel. 15 IPS T.O. DBX type 1 encoded.
Item 5: Visions in Time - Master, Undated: 12'' 3M Mastering Tape (1'' tape). Includes audio engineer notes on timings.

Box 21

Item 1: 7 Channel, Undated

VHS. 7 channel concert. Master. 44.1 kHz SR.

1:00 - Speaker Locations

3:00 - In the Arms of Peril

13:30 - On a Roll

Item 2: 7 Channel, Undated

ADAT. 7 channel back-up master. 44.1 kHz SR.

1:00 - On a Roll

10:00 - In the Arms of Peril

Item 3: All for One, 1979

6'' Polyester Reel. Performance copy. 15 IPS. Tail out.

Item 4: All for One, 1984

16'' Polyester Reel. Tape part only. Includes concert program from Krannert Center November 1984. 15 IPS. Tail out. Quad DBX.

Item 5: All for One, Undated

6'' Polyester Reel. Performance copy. 15 IPS. 15 ST. Tail out. DBX encoded.

Item 6: All for One, Undated

6'' Polyester Reel. DBX Master. Tape part. 2.75 HTS. Tail out.

Item 7: All for One, Undated

6'' Polyester Reel. Tape of Performance. Composition for Percussion and Tape. Tom Siwe, Percussion. Dolby B encoded. 15 IPS. Tail out. Dolby B encoded.

Item 8: Audio from Marching Band - Love Medley, Undated

6'' Polyester Reel.

Item 9: Circulation, 1987

6'' Polyester Reel. Includes program notes. 15 IPS. Tail out.

Item 10: Counterpoints, 1992

6'' Polyester Reel. Soprano saxophone, Debra Richtmeyer. Master of performance, recorded November 21, 1992. 15 IPS. HTS. Tail out. DBX I

Item 11: Counterpoints, Undated

6'' Polyester Reel. With click track. 15 IPS. Tail out. DBX I.

Item 12: Counterpoints, Undated

6'' Polyester Reel. Performance with live processing of soprano saxophone. 15 IPS. Tail out. DBX I.

Item 13: Counterpoints, Undated

6'' Polyester Reel. With saxophone part and click track. 15 IPS. Tail out. HTS. DBX Type I.

Item 14: Counterpoints, Undated

6'' Polyester Reel. Tape master. 15 IPS. Tail out. DBX I.

Item 15: Counterpoints, Undated

DAT Tape. Composition for soprano saxophone with tape accompaniment. Tape part. 48 kHz.

60 seconds of silence

30 seconds of 1 kHz at - 18 dB

30 seconds of silence

Item 16: Counterpoints, Undated

DAT Tape. Composition for soprano saxophone with tape accompaniment. Tape part. 48 kHz.

60 seconds of silence

30 seconds of 1 kHz at - 18 dB

30 seconds of silence

Item 17: The Falcon, 1972-1973

6'' Acetate Reel. Chamber Choir with other selections used for record. First: 3.75 IPS. Second: 7.5 IPS.

Item 18: The Falcon, 1973

6'' Polyester Reel. Chamber Choir Rehearsal. Lois WIlliams, Director. 7.5 IPS. 2 mm Half Track Stereo. Head out.

Item 19: The Falcon, Undated

6'' Polyester Reel. By IMA and SAI.

Item 20: The Falcon, Undated

6'' Polyester Reel.

Item 21: Life Points, Undated

6'' Polyester Reel. Electronic Realization. 15DBX.

Item 22: Life Points, Undated

6'' Polyester Reel. Master CD Performance. 15 IPS. HTS. DBX.

Item 23: Life Points, Undated

6'' Polyester Reel. With click. 15 IPS. Tail out. No DBX.

Item 24: Life Points, Undated

6'' Polyester Reel. Submaster. With click. 15 IPS. DBX.

Item 25: On, Focus On, 1981

6'' Polyester Reel. Includes program notes. For four channel tape. 15 IPS. Tail out. DBX type 1.

Item 26: Poems of Far Space (Excerpts), 1988

6'' Polyester Reel. Electronic composition for dance ensemble. Copy. 15 IPS. Tail out. Half Track Stereo.

I. Genesis 3'30''

V. Starfolk 3'30''

Item 27: Soundets, 1987

6'' Polyester Reel. In 4 movements. Composition for solo clarinet with tape accomp. Howard Klug, clarinet. Copy. 15 IPS. Tail out. Half track stero.

I. Legit 3'20''

II. East 3'26''

III. Five 2'24''

IV. Funk 2'05''

Item 28: Soundets, Undated

6'' Polyester Reel. Klug Performance Master. Duration 11:36. 15 IPS. Tail out. DBX.

Legit - 3:20

East - 3:26

Fire - 2:24

Funk - 2:05

Item 29: Soundets, Undated

6'' Polyester Reel. Master tape. Duration 11:36. 15 IPS. Tail out. DBX.

Item 30: Soundets, Undated

6'' Polyester Reel. Click Master. 15 IPS. Tail out. DBX.

Item 31: The Tempest, Undated

6'' Polyester Reel. Reel 1 of 2. Copy. 15 IPS. Tail out. Half track stereo.

Item 32: The Tempest, Undated

6'' Polyester Reel. Reel 2 of 2. Copy. 15 IPS. Tail out. Half track stereo.

Item 33: This Moon, 1974

6'' Polyester Reel. Live performance KCPA studio theater. For soprano, piano, and tape. Jean Giles, soprano. 2.0 mm half track stereo. 7.5 IPS. Stored head out.

Item 34: Three for One, Undated

6'' Polyester Reel. Tape part only. Copy. 15 IPS. Tail out. DBX Type 1. Half track stereo.

Item 35: Three for One, Undated

6'' Polyester Reel. Tape part only. Copy. 15 IPS. Tail out. DBX Type 1. Half track stereo.

Item 36: Time Mark, Undated

6'' Polyester Reel. Schaft Performance. Second generation. 15 IPS. DBX. Tail out.

Item 37: Trans, 1983

6'' Polyester Reel. Copy. 15 IPS. Tail out. Quad DBX I.

Item 38: Trans, Undated

6'' Polyester Reel. 15 IPS. Tail out. DBX. 7'40'' revised version.

Item 39: Two Plus Two, 1975

6'' Polyester Reel. KCPA perfrmance by Contemporary Chamber Players, Great Hall, July 21, 1975. 7.5 IPS. Tail out.

Item 40: Two Plus Two, Undated

6'' Polyester Reel. Performance. 7.5 IPS. Half track stereo. Tail out.

Item 41: Two Plus Two, Undated

6'' Polyester Reel. Tape of Performance. Composition for percussion and tape. Tom Siwe and Don Baker, percussion. Copy. 7.5 IPS. Tail out. Half track stereo and quarter track stereo.

Item 42: Two Plus Two, Undated

6'' Polyester Reel. Reg. Master Performance. 15 IPS. Tail out. Stereo.

Item 43: Two Plus Two, Undated

6'' Polyester Reel. Includes audio engineer notes on timings. Master. Tape Part. Dolby B. 15 IPS. Half track stereo.

Item 44: Two Plus Two, Undated

6'' Polyester Reel. Tape part only. Copy. 7.5 IPS. Tail out. Half track stereo and quarter track stereo.

Item 45: Two Plus Two, Undated

6'' Polyester Reel. Performances of Two Plus Two and Elegy. 7.5 IPS. Half track stereo. Stored tail out.

Item 46: Two Plus Two, Undated

6'' Polyester Reel. Protection Copy. 15 IPS. Tail out. Dolby A. Stereo.

Item 47: Two Plus Two, Undated

6'' Polyester Reel. WILL-FM Broadcast. 7.5 IPS. Half track stereo. Tail out.

Item 48: Vignettes, 1989

6'' Polyester Reel. Tape part. Copy. 15 IPS. Half track stereo. Tail out. DBX encoded type I.

Box 22

Item 1: A Time of Being, Undated

VHS. Tape part: +00:06

Item 2: A Time of Being, Undated

VHS. Tape part: +00:07

Item 3: Aftermath, Undated

ADAT. Piece begins at 1:00 ABS. 48K sampling rate.

Item 4: Four For Flute, Undated

DAT tape. Tape part. Composition for flute with tape accompaniment in four movements. Experimental Music Studios - University of Illinois - School of Music.

Item 5: Four For Flute, Undated

DAT tape. Tape part. Composition for flute with tape accompaniment in four movements. Experimental Music Studios - University of Illinois - School of Music.

Item 6: In the Arms of Peril, Undated

Master VHS. 48 kHz sampling rate. University of Illinois Experimental Music Studios.

Item 7: In the Arms of Peril, Undated

Master VHS. 48 kHz sampling rate. University of Illinois Experimental Music Studios.

Item 8: Mask, Undated

Master DAT Tape.

id #1 - -18 dB ref. tone

id #2 - Mask

Item 9: Vignettes, 1989

6'' Polyester Reel. Tape part. Inclused auido engineer notes on Studio E layout and copy of Purchase Order. 15 IPS. Tail out. Half track stero. 2.75 mm track width. DBX encoded Type I.

Item 10: Vignettes, Undated

6'' Polyester Reel. CMS Tape. 15 IPS. Tailout. HTS. DBX Type I encoded. "O" VU ref. at head.

Item 11: Vignettes, Undated

6'' Polyester Reel. Master with click track. 15 IPS. Tail out. 2.75 mm HTS. DBX Type I.

Box 23

Item 1: Aftermath, Undated

1 GB Jaz Drive. In current and Private Play.

Item 2: Aftermath, Undated

1 GB Jaz Drive. Copy 2 of Aftermath in current SD files, Circulation, Inquiry, and Counterpoints.

Item 3: In the Arms of Peril, 2002

1 GB Jaz Drive. 4 and 8 versions + 2 Tk. January 18, 2002.

Item 4: In the Arms of Peril, Undated

1 GB Jaz Drive. Current 2 files from IAP.

Item 5: In the Arms of Peril, Undated

1 GB Jaz Drive

Item 6: Night Visitors, 2002

1 GB Jaz Drive. 8+4 versions. January 18, 2002.

Item 7: Night Visitors, 2002

1 GB Jaz Drive. All for One and Night Visitors (NV) 2 Tk version as of January 18, 2002 sent to SEAMUS

Item 8: Night Visitors, 2002

1 GB Jaz Drive. Second copy. 8 and 4 versions with Time Mark. Janury 18, 2002.

Item 9: Night Visitors, Undated

Master ADAT. UIUC Experimental Music Studios. 44.1 kHz sampling rate.

8-channel version at 1:00

4-channel version at 11:00

Channel distribution info at 22:00

Item 10: Night Visitors, Undated

ADAT. Electroacoustic music designed for 8-channel performance [special 4-channel version]. 44.1 kHz sampling rate. Piece beings at 1:00.

Item 11: Private Play, 2000

1 GB Jaz Drive. 2 TK. After 8. March 29, 2000 version.

Item 12: Radial Matrix, 2003

DVD. Multi-dimensional electroacoustic music by James Dashow, Richard Karpen, and Scott A. Wyatt. Includes:

at other times, the distances by James Dashow

Messages from Ortigia by James Dashow

Camera Cantorum by Richard Karpen

The Other by Richard Karpen

In the Arms of Peril (2001) by Scott A. Wyatt

Time Mark (1983, revised 2000) by Scott A. Wyatt

On a Roll (2004) by Scott A. Wyatt

Item 13: Three for One, Undated

1 GB Jaz Drive. ProTools files and SD II files.

Item 14: Time Mark, Undated

1 GB Jaz Drive. All files for Time Mark. Includes All for One.

Item 15: Time Mark, Undated

1 GB Jaz Drive.

Item 16: Time Mark, Undated

DAT tape. Tape part. Composition for solo percussion with tape accompaniment. Experimental Music Studios - University of Illinois - School of Music.

Item 17: Visions in Time, Undated

1 GB Jaz Drive. 322 Project 3. Includes Visions in Time (VT), Still Hidden Laughs (SHL), and FFF stero.

Box 24

Item 1: A Time of Being, Undated

Master DAT Tape. CD Performance.

Item 2: A Time of Being, Undated

DAT Tape. CD Performance

Item 3: Changes, Undated

DAT Tape. Concert tape part.

Item 4: Changes, Undated

DAT Tape. Tape Part.

Item 5: Changes, Undated

DAT Tape. Tape Part.

Item 6: Changes, Undated

DAT Tape. Tape part with click track.

Item 7: Changes, Undated

DAT Tape. Excerpts for lecture.

Item 8: Colliding Universes, Undated

DAT Tape.

Item 9: Counterpoints, Undated

DAT Tape. Tape Part.

Item 10: Excerpts, Undated

DAT Tape. Excerpts of FFF, Soundets, Time Mark, Visions in Time, Aftermath, and Skeletons.

Item 11: Hotwire, Undated

DAT Tape.

Item 12: Life Points, Undated

DAT Tape. Performance.

Item 13: Life Points, Undated

DAT Tape. Tape Part. Revised, Original Master

Item 14: Life Points, Undated

DAT Tape. RevisedTape Part. 48 kHz.

ID #1: 60 seconds of silence, 30 seconds of 1 kHz at 18 dB, 30 seconds of silence

ID #2: Lifepoints accomp

ID #3: Production Master

Item 15: Mask, Undated

DAT Tape. Production Master. Play ID #2 and 3.

Item 16: Of Lineage, Undated

DAT Tape.

Item 17: Private Play, Undated

DAT Tape.

Item 18: Rumble, Undated

DAT Tape. ID #3.

Item 19: Simmons Hits, Undated

DAT Tape.

Item 20: Still Hidden Laughs / Mask, Undated

DAT Tape. 45 kHz.

ID #1: 60 seconds of silence, 30 seconds of 1 kHz at 18 dB, 30 seconds of silence

ID #2: Still Hidden Laughs

ID #3: Mask

Item 21: Still Hidden Laughs / Mask, Undated

DAT Tape. 45 kHz.

ID #1: 60 seconds of silence, 30 seconds of 1 kHz at 12 dB, 30 seconds of silence

ID #2: Still Hidden Laughs

ID #3: Mask

Item 22: The Tempest, 1984

Tape Cassette.

Item 23: Time Mark, Undated

DAT Tape. Tape Part. Production Master.

Item 24: Time Mark, Undated

DAT Tape. Andy Buchanana performance. 44.1 kHz sampling rate.

Item 25: Unidentified, Undated

DAT Tape. Click Track.

Item 26: Unidentified, Undated

DAT Tape. Copy of tape with conductor cues and click track.

Item 27: Unidentified, Undated

DAT Tape. Copy of tape with light and conductor cues.

Item 28: Unidentified, Undated

DAT Tape. Gong cymbal rolls.

Item 29: Unidentified, Undated

DAT Tape. Time scaling examples.

Item 30: Vignettes, Undated

DAT Tape. Production Master. 48 kHz.

ID #1: 60 seconds of silence, 15 seconds of 1 kHz at 12 db, 15 seconds of silence

ID #2: 15 seconds of A440, 15 seconds of silence

ID #3: Vignettes accomp.

Item 31: Visions in Time, Undated

DAT Tape. ID #5.

Item 32: Visions in Time, Undated

DAT Tape. Original recording of Grad Chorale.

Item 33: Visions in Time, Undated

DAT Tape. Performance. ID #1 Visions in Time performance.

Item 34: Visions in Time, Undated

DAT Tape. Rehearsal and source tapes.

Box 25

Item 1: All at Risk, 2004: DVD. Video presentation with electroacoustic music. Duration 9:00.
Item 2: ... And Nature is Alone, 2005: CD. In memory of the victims of the Chernobyl accidentr on the 20th anniversary of the diaster. Stereo version (original is 8-channel).
Item 3: CBS WCIA TV Report on the Experimental Music Studios, 1979: Video DVDR. Extra valuable video of Wyatt and students afterward. Taken from VHS video tape - hence the poor quality of the video presentation.
Item 4: CDCM Computer Music Series Vol. 3, 1989: CD. Compositions by Salvatore Martirano, John Melby, Sever Tipei, Scott A. Wyatt, Herbert Brun, Carla Scaletti, and Dorothy Martirano (violin).
Item 5: Circulation, Undated: DVD-R. Copy B from VHS.
Item 6: Collections I, 1978: CD. Electronic music with and without instruments. Remaster from 33 1/3 RPM Vinyl record.
Item 7: Collections I, 1978: CD. Electronic music with and without instruments. Remaster from 33 1/3 RPM Vinyl record. Copy 2.
Item 8: Early Electroacoustic Music Compositions, 2017: CD.
Item 9: Early Instrument with Electroacoustic Accompaniment Compositions, 2017: CD.
Item 10: Electroacoustic Compositions, 2017: CD.
Item 11: Farm Aid Concert, 1985: CD. September 22, 1985. Champaign, Illinois. Live recording of the first Farm Aid Sky Concert Finale (from local CBS TV news story) followed by the actual music recording master.
Item 12: In the Arms of Peril, 2018: CD. March 2, 2018. WFMT 98.7 FM Chicago Classical Relevant Tones - Listening Party. 19 minute edited segment from original broadcast.
Item 13: Music from SEAMUS Vol. 2, 1991: CD.
Item 14: Music from SEAMUS Vol. 3, 1992: CD.
Item 15: Music from SEAMUS Vol. 6, 1996: CD.
Item 16: Music from SEAMUS Vol. 8, 1997: CD.
Item 17: Music from SEAMUS Vol. 11, 2002: CD.
Item 18: Music from SEAMUS Vol. 12, 2003: CD.
Item 19: Music from SEAMUS Vol. 14, 2005: CD.
Item 20: Music from SEAMUS Vol. 17, 2008: CD.
Item 21: Music from SEAMUS Vol. 21, 2012: CD.
Item 22: Music from SEAMUS Vol. 26, 2017: CD.
Item 23: Poems of Far Space, 1986: Video DVDR. University of Illinois Dance perforamce of Scott Wyatt's Poems of Far Space (4 movements) choreographed by Patricia Knowles. Taken from VHS video tape - hence the poor quality of the video presentation.
Item 24: Real Illusion, Undated: Video DVD-R. Copy B from VHS.
Item 25: Risky Business, 2008: Video DVD of perforamce (no encore). A tribute to Nikola Tesla. Composition for electroacoustic music, live Continuum, and two Tesla Coils by Scott Wyatt and Mark Smart.
Item 26: Risky Business, 2008: Video DVD of perforamce (no encore). A tribute to Nikola Tesla. Composition for electroacoustic music, live Continuum, and two Tesla Coils by Scott Wyatt and Mark Smart. Copy 2
Item 27: Time Mark, 1992: Video DVDR. University of Illinois Expressions: Dance. Aired July 23, 1992 on PBS WILL-TV featuring Scott Wyatt's Time Mark, choreographed by Patricia Knowles. Dancers: Stuart gold and Bill Wagner. Percussion: Steve Butters. Perfromed at KCPA. Taken from VHS video tape - hence the poor quality of the video presentation.
Item 28: Trans, 1983: Video DVD. Electroacoustic music. Video by David Colley and William Schaeffer. Part of the Illini Arts Series for Will-TV.
Item 29: Trans, 1985: Video DVDR. Illini Arts - New Directions in Experimental Music - featuring EMS. 25th anniversary compositions. Taken from VHS video tape- hence the poor quality of the video presentation. The audio is not good toward the end of the program.
Item 30: University of Illinois Annimated Logo, Undated: Video DVDR. By Ceasar Romero with music created by Scott Wyatt for Giving Hope: East St. Louis and the University of Illinois by the Office of Agricultural Communications and Education Information Services, directed by Randy McCabe. Taken from VHS video tape - hence the poor quality of the video presentation.
Item 31: Visions in Time, 1994: Audio CDR. For six choral octets, percussion, and eight-channel electroacoustic music. Performed by the University of Illinois Grad Chorale, Fred Stoltzfus, conductor. Commissioned by the University of Illinois Krannert Center for the Performing Arts - for the occasion of KCPA's 25th Anniversary performances.
Item 32: Visions in Time, 1994: Video DVDR. Commissioned by KCPA for its 25th anniversary - 13 perfromances from the (PBS) WILL-TV broadcast. Taken from VHS video tape - hence the poor quality of the video presentation.

Box 26

Item 1: Experimantal Music Studios Compilation - Disc One, 1963-1968: CD. Seven Electronis Studies by Lejaren Hiller. Further compositions by R. A. Baker, Ben Johnston, Jaap Spek, Maryanne Amacher, James Tenney, and Herbert Brun.
Item 2: Experimantal Music Studios Compilation - Disc Two, 1964-1985: CD. Compositions by James Beauchamp, Salvatore Martirano, Herbert Brun, John Melby, and the University of Illinois Contemporary Chamber Players.
Item 3: Experimantal Music Studios Compilation - Disc Three, ca. 1985-2004: CD. Compositions by William DeFotis, Kyong Mee Choi, Paul Oehlers, Cyrus Pireh, Mei-Fang Lin, and Michael Drews.
Item 4: Risky Business, 2009: Video DVDR. A tribute to Nikola Tesla. Composition for electroacoustic music, live Continuum, and two 7-foot Tesla Coils by Scott Wyatt and Mark Smart. Performance at the 2009 Society for Electro-Acoustic Music in the United States National Conference in Muncie, IN.
Item 5: Time Mark, 2018: Video DVDR. Scott Wyatt's Time Mark, composition for solo percussion with electroacoustic accompaniment. Performed by percussionist Crystal Chu at the 2018 National Conference of the Society for Electro-Acoustic Music in the United States (SEAMUS), University of Oregon School of Music.
Item 6: Trans, 1984: Video DVDR. For video with elctroacoustic music by Scott A. Wyatt. Part of the Illini Arts video series with short introduction by Scott Wyatt. Taken from analog U-Matic video tape.

Series 2: Commercial Sound Recordings, ca. 1985 - 1987

Audio Tapes documenting Scott Wyatt's compositions and role in the Experimental Music Studios.

Box 8

Item 1: Mike White Old WCIA Master, 1985: Acetate Tape Reel
Item 2: CU on the Horizon (30 IPS Original Master), Undated: Acetate Tape Reel
Item 3: Mike White Show - Master, Undated: Acetate Tape Reel
Item 4: CU on the Horizon (ED/Demo), Undated: Acetate Tape Reel
Item 5: CU on the Horizon (Master 15), Undated: Acetate Tape Reel
Item 6: Lawrence Hobgood at Nature's Table (Reel I), Undated: Acetate Tape Reel
Item 7: Lawrence Hobgood at Nature's Table (Reel II), Undated: Acetate Tape Reel
Item 8: Lawrence Hobgood at Nature's Table (Reel III), Undated: Acetate Tape Reel
Item 9: Lawrence Hobgood at Nature's Table (Reel IV), Undated: Acetate Tape Reel
Item 10: Lawrence Hobgood at Nature's Table (Reel V), Undated: Acetate Tape Reel

Box 9

Item 1: Revised Poling, Undated: Acetate Tape Reel
Item 2: Mike White (plate added), 1985: Acetate Tape Reel
Item 3: Mike White, 1985: Acetate Tape Reel
Item 4: Mike White Show - All Versions DBX, 1985: Acetate Tape Reel
Item 5: Poling Chevrolet Master, Undated: Acetate Tape Reel
Item 6: Count on K's Master, Undated: Acetate Tape Reel
Item 7: Mike White DBX, Undated: Acetate Tape Reel
Item 8: CU on the Horizon, Undated: Acetate Tape Reel
Item 9: CU MTD - Ride the "I" Master, November 23, 1987: Acetate Tape Reel
Item 10: Nature's Table, Undated: Acetate Tape Reel

Series 3: Scott Wyatt Experimental Music Studios Papers, ca. 1961 - 1998

Exhibit materials, promotional posters, EMS technical reports, and compositions documenting the studio space and its creative output

Sub-Series 1: Experimental Music Studios 40th Anniversary Exhibit Photographs and Labels

Box 10

Folder 1: Photos of Studio A, 1998: Mounted Photographs of Studio A
Folder 2: Photos of Studio B, 1998: Mounted Photographs of Studio B
Folder 3: Photos of Studio C, 1998: Mounted Photographs of Studio C
Folder 4: Photos of Studio D, 1998: Mounted Photographs of Studio D
Folder 5: Photos of Studio E, 1998: Mounted Photographs of Studio E
Folder 6: Photos of Students working at the Computer Music Project, 1998: Mounted Photographs of the CMP and Sever Tipei

Box 11

Folder 1: Photos of Scott Wyatt, 1998: Mounted Photographs of Scott Wyatt with faculty and students as well as the Buchla Synthesizer
Folder 2: Photos of Salvatore Martirano, 1998: Mounted Photographs of Salvatore Martirano, performers in L's GA, and the Sal-Mar Construction
Folder 3: Photos of Lejaren Hiller and Stiven House, 1998: Mounted Photographs of Hiller, John Cage, the Muic Typewriter, and Stiven House
Folder 4: Promo for Lejaren Hiller and Leonard Isaacson, 1998: Mounted Promotional Posters for Hiller and Isaacson Compositions: Composition with an Electronic Computer; Illiac Suite for String Quartet
Folder 5: Photos of Faculty and Graduate Students, 1998: Peter Roubal, Mike Pounds, Cris Ewing, Studio X, Monroe Golden, Ben Johnston
Folder 6: CD Covers and Liner Notes, 1998: Scott Wyatt, Sever Tipei, Experimental Music Studios, Faculty, and Society for Electro-Acoustic Music in the United States (SEAMUS)
Folder 7: Articles, Correspondence, and HPSCHD Program, 1998: Copies of mounted articles and correspondence about EMS and copy of original program for John Cage and Lejaren Hiller's HPSCHD at Assembly Hall
Folder 8: Copies of Exhibit Labels, 1998

Box 12

Folder 1: Photos of Scott Wyatt, 1998: Mounted Photographs of Scott Wyatt
Folder 2: Photos of Hiller and Cage, 1998: Mounted Photographs of Lejaren Hiller and John Cage & a copy of the original poster for HPSCHD at Assembly Hall
Folder 3: Photos of James Beauchamp and the Harmonic Tone Generator, 1998: Mounted Photographs of Beauchamp and the HTG
Folder 4: Photos of LP Covers, 1998: Mounted Photographs of LP Covers: Computer Music from the University of Illinois - Hiller/Isaacson/Baker; HPSCHD - John Cage & Lejaren Hiller, String Quartet No. 2 - Ben Johnstonp; L's GA j- Salvatore Martirano; The Composer in the Computer Age--V - A Salvatore Martirano Retrospective: 1962-92.
Folder 5: Graphic Scores by Herbert Brun, 1998: Mounted photographs of two scores created using FORTRAN.

Box 13

Folder 1: Photos of the EMS, Scott Wyatt, and Studio D, 1998: Mounted Photographs of the Experimental Music Studio, Scott Wyatt, and Studio D
Folder 2: Photos of Faculty and Students, 1998: Mounted Photographs include Ben Johnston, Lejaren Hiller, Charles Hamm, Sal Martirano, Herbert Brun, Kenneth Gaburo, Phil Musser, Paul Zonn, the Sal-Mar Constriction, Thomas Noggle, Joseph Pinzarrone, Debra Lowen, the Dancer-controlled synthesizer, and Sever Tipei.

Box 14

Folder 1: LP Cases, 1979-1989: LP Cases used as exhibit materials: in Celebration of the 25th Anniversary of the Experimental Music Studios (1983); New Elecronic Works from the University of Illinois at Urbana-Champaign (1989); collections I: electronic music with and without instruments - Scott A. Wyatt (1979)

Sub-Series 2: Experimental Music Studios promotional materials and compositions

Box 14

Folder 2: Promo Posters, 1978-1998: Promotional Posters for Experimental Music Studios Performances and 40th Anniversary
Folder 3: Program Code for Avalanche, 1966 - 1969: Bound program cards for the composition Avalanche

Box 15

Folder 1: EMS Promotion and Curriculum Guide (book one), ca. 1980
Folder 2: EMS Promotion and Curriculum Guide (book two), ca. 1980
Folder 3: EMS Promotion and Curriculum Guide (book three), ca. 1980
Folder 4: EMS History, 1957-1998
Folder 5: EMS Programs and Course Descriptions, 1978-1999

Series 4: Personal Papers, 1975-2017

Box 14

Folder 4: News clippings and photos of news clippings about Scott Wyatt, 1975-1994
Folder 5: Concert Flyers and Awards, 1995-2009

Box 15

Folder 6: Correspondence & CV of Scott Wyatt, ca. 1987-2013
Folder 7: Electronic Music Research Articles, ca. 1965-1966
Folder 8: Photos of Scott Wyatt, 1975-2016: Includes Data CD of digitized images.
Folder 9: Scott Wyatt Studio Photographs, ca. 1987