Finding Aid for Experimental Music Studios Records, 1924-2016 | The Sousa Archives and Center for American Music

By Rachel Johannigmeier and David Luftig

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Collection Overview

Scope and Contents of the Materials

Biographical Note

Subject/Index Terms

Administrative Information

Box and Folder Listing

Series 1: Studio Adminstrative Records, 1952-2016

Consists of administrative records, correspondence, photographs, scores, technical reports, concert programs, and brochures created by the EMS between 1952 and 2016.

Box 1

Folder 1: EMS Beginnings, 1952-1968

Folder 2: EMS Names and Dates, 1955-1976

Folder 3: Photographs, 1958-1994

Folder 4: Photographs, 1958-1994

Folder 5: Photographs, Negatives, and Slides, 1958-1994

Folder 6: Negatives and Contact Sheets, undated

Folder 7: Herbert Brün Items, 1965-1966

Folder 8: Re: Herbert Brün, undated

Folder 9: From Herbert Brün, ca. 1965

Folder 10: Illiac II and CSX-1, 1964-1966

Folder 11: From Tom Siwe, 1964-1984

Folder 12: Photocopied Articles, undated

Folder 13: Photocopied Articles, ca. 1980s

Folder 14: Photocopies of Books Mentioning EMS, ca. 1969-1980s

Folder 15: Harmonic Tone Generator Write-up of Studio A, 1976

Folder 16: EMS Moog Modules Description, 1965

Folder 17: Requests for Equiptment, ca. 1970s

Folder 18: 70's Equiptment Lists, ca. 1970s

Folder 19: First EMS Brochure, 1976

Folder 20: 1978 Concert Programs, 1978

Folder 21: 20th Anniversary Programs, 1978-1979

Folder 22: EMS 20th Anniversary Programs and Designs, ca. 1978-1979

Folder 23: EMS Programs and Posters, 1953-1984

Folder 24: History of EMS for the 25th Anniversary by Mike Kosch, 1983

See Also Box 3, Folder 1.

Folder 25: EMS 25th Anniversary Anniversary Programs, 1983

Folder 26: EMS Soundshapes, 1987

Folder 27: Letters to Scott Wyatt from known Composers, 1987-1999

Folder 28: 1989 EMS Brochure, 1989

See Also Box 3, Folder 2

Folder 29: 1980s Equiptment and History, ca. 1983

Folder 30: Computer Music Lab, 1984

Folder 31: 90's Equiptment lists, Student Information, and Correspondence, 1993-1999

Folder 32: EMS 40th Anniversary and 50th Anniversary of Tape Music, 1999-2003

See Also Box 3, Folder 3

Folder 33: Circuts and Electrical Engineering Diagrams, 1965-1981

See Also Box 3, Folder 4

Folder 34: Computer Music Project, 1993-1995

Folder 35: KCPA 25th - Commission, 1993-1994

Folder 36: Studio A and B rebuild, ca. 1995-1997

Folder 37: hotWired Program Notes, 1999

Folder 38: Studio D Rebuild, ca. 1996

Folder 39: Speaker Manual and Cart Schematics, ca. 1998

Folder 40: Composition-Theory Brochure and Poster, ca. 1987

Folder 41: Great Hall Technical Information Packet, 1987

Folder 42: EMS Poster, ca. 1988

Folder 43: CMP Brochure, ca. 1987

Folder 44: EMS Brochure and Poster, ca. 1987-1995

Folder 45: Thesis: Structural Processes in the Music of Edgar Varese, Glenn Hackbarth, 1972

Folder 46: Technical Report No. 12: Operator's Manual for the CSX-1 Music Machine, March 1966

NOTE:  The cover sheet for technical report no. 12 was found within the EMS technical report no. 13, and was move to box 1, folder 46, on August 21, 2018 to complete the identification of this originally unidentified report.

Folder 47: EMS Concert Programs and Festival of Contemporary Arts Programs, 1963-1984

Box 2

Folder 20: SUNY Technical Report No. 10, October 1978

"Phrase Generation in Computer Music Composition," by Lejaren Hiller for the National Science Foundation Project No. GK-14191, State University of New York at Buffalo.

Folder 21: "Electronic Sonata and Midnight Carnival," Lejaren Hiller, 1976

"A report to the National Endowment for the Arts that also Constitutes the 'score' of the composition." Completed at the State University of New York at Buffalo. Two bound copies.

Folder 22: "Computer Music Compositions of the US; a bibliography", Carol Melby, 1975

Compiled by Carol Melby; prepared for the Music Computation Conference II held at the University of Illinois at Urbana-Champaign, November 7-9, 1975.

Folder 23: EMS 25th Anniversary Concert programs, February 24, 1984

Folder 24: EMS and Scott Wyatt Newsclippings, 1986-1991

Folder 25: EMS Photographs, 2006-2015

Data CDR, contains 16 JPEG files (72 dpi res.). Files include photographs of the interior of five EMS studio rooms; professor Scott Wyatt; students, Benjamin Whiting, Mimi McParland, Jason Mitchell, Andrew Burnson, Halim Beere, Daniel Swilley, Lucas Smith, and Kyle Shaw; as well as a concert performance of Scott Wyatt's Risky Businees at the Tesla Coil Concert at the Krannert Center for the Performing Arts.

Box 3

Folder 1: EMS 25th Anniversary brochures, 1983

Oversize materials. Removed from Box 1, Folder 24.

Folder 2: EMS brochure draft (photocopy), undated

Oversize materials. Removed from Box 1, Folder 28.

Folder 3: EMS 40th Anniversary poster, 1998

Oversize material. Removed from Box 1, Folder 32.

Folder 4: Casiotone M-10 manual, schematics, and notes, ca. 1973-1980

Oversize materials. Removed from Box 1, Folder 33.

Folder 5: EMS and Scott Wyatt Photographs, 1985-2009

Folder 6: Scott Wyatt Newsclippings, 1979-1994

Box 29

Folder 1: Experimental Music Studios Placard, undated

18 inch plastic placard reading "THE EXPERIMENTAL MUSIC STUDIOS."

Folder 2: John Melby - 91 Plus 5, 1972

73 page musical score. Note on cover states: "American Composers Alliance." Stamp on cover reads: "Property of Scott Wyatt."

Folder 3: Paul A. Oehlers - Archetypal Infusion: MemEry2k, 2001

Nine page bound musical score.

Folder 4: Paul A. Oehlers - Delphium Helix for Prepared Piano and Two-Channel Electronics, 2003

Seven page musical score.

Folder 5: Paul A. Oehlers - Residual Impact for Lead Steel Drum and Tape, 2001

Seven page bound muscial score.

Folder 6: Andrew Walters - Moth to Flame For Flute and 2-Channel Tape, 1995

Thirteen page bound musical score.

Folder 7: Chin-Chin Chen - Points of Departure for Live Vibraphone and Tape, 1996

Nine page bound musical score. Full Score and Parts.

Folder 8: Andrzej Dobrowolski - Music For Magnetic Tape and Oboe Solo (Muzyka Na Tasme Magnetofonowa i Oboj Solo), 1966

Sixteen page bound musical score. See Also Box 27 Item 16.

Folder 9: Marcel Landowski - Concerto Pour Ondes Martenot, Orchestre a Cordes et Percussion, 1957

Twenty-one copied pages of a muscial score.

Folder 10: Heinrich Taube - The Aeolian Harp for Piano and Computer Generated Tape, 2000

Nineteen page bound musical score with additional one-page compositional information.

Folder 11: Scott Wyatt - Four for Flute, ca. 1976

Fifteen page musical score with accompanying composition information.

Box 30

Folder 1: EMS Tape Collection List 1, ca. 1979

Fifty-four hand written pages containing a list of audio tapes inside the University of Illinois Experimental Music Studios. Item was originally found in a folder titled "Archive Materials."

Folder 2: EMS Tape Collection List 2, ca. 1979

Typed document containing a list of audio tapes inside the University of Illinois Experimental Music Studios. Documents contain some marginalia. Item was originally found in a folder titled "Archive Materials."

Folder 3: EMS Tape Collection List 3, ca. 1979

Hand written and typed documents containing a list of audio tapes found inside the University of Illinois Experimental Music Studios.

Folder 4: Electro-Acoustic, Electronic, and Computer Music Discs - An Inventory of Holdings in the University of Illinois., 1981

Forty-five page typed pages listing the tapes within the EMS tape collection. Note on first page of documents states: "Originally compiled by Jeff Gibbens in Summer of 1979; revised and enlarged by Kelly Nihols, Spring 1981. Item was originally found in a folder within the EMS labled "Archive."

Folder 5: EMS Concerts at the University of Illinois, 1965-1981

Contains documentation, playnotes, and ephemera regarding EMS performances that occured within the University of Illinois. This item was originally found in a blue binder. All materials have been scanned and are on the CD-ROM in Box X.

Folder 6: EMS Concerts Outside the University of Illinois, 1975-1980

Contains documentation, playnotes, and ephemera regarding EMS performances that occured outside of the University of Illinois. This item was originally found in a blue binder. All materials have been scanned and are on the CD-ROM in Box X.

Folder 7: EMS/Scott Wyatt Tape Correspondance, ca. 1979

Five typed documents signed by Scott Wyatt, Director of the EMS conatining information on various EMS recordings. Notes on front page states "In sending this tape, it is my hope to extend the rapport between our facilities and to keep you informed of the creative compositional activities within the University of Illinois. I also hope to encourage correspondence and the future exchange of compositions for concert performance. Please send tapes and scores if you are interested."

Folder 8: Derek Hurst: Tonus (Violin and Tape), 2000

Ten bound pages of containing the musical score of Derek Hurst's composition Tonus.

Folder 9: Christopher Preissing - A Comparison of XY and O.R.T.F Stereo Microphone Techniques, ca. 1990

Five typed pages with illustrations.

Folder 10: Scott Wyatt - A Time of Being (For Mixed Chorus, Percussion, and Tape), 1996

13-page bound musical score. Note on cover states: "This work is dedicated to the memory of the victims of the Oklahoma City bombing that occured on April 19, 1995."

Folder 11: List of Compositions Produced at the Experimental Studio of the Polish Radio, ca. 1981

Ten typed pages containing an inventory of recordings from the Experimental Studio of the Polish Radio.

Folder 12: Repertoire International Des Musiques Experimentales: Studios Ceuvres Equipements Bibliographie, ca. 1962

Fifty-six page booklet in French. Created by the Publie Par Le Service De La Recherche De La Radiodiffusion-Television Francaise (RTF).

Folder 13: Wlodzimierz Kotonski - Etiuda Study Etude, 1959

Fifteen page bound booklet. Mixed langauges including English. Published by the Experimental Polish Radio in Warsaw.

Folder 14: J.C. Risset - Computer Study of Trumpet Tones, ca. 1965

86 page formerly bound.

Folder 15: Richard Toop - Karlheinz Stockhausen Music and Machines (1954-1970), 1985

Fifty-Seven copied pages. Published by the BBC Concert Publications. Contains information on Karlheinz Stockhausen and his compositions.

Folder 16: Keyboard Magazine - MIDI Articles, 1986

108 copied pages from the January, 1986 issue of Keyboard Magazine. Articles pertain to MIDI use and development.

Folder 17: David Luftig - EMS Archive Report, 2016

CD-ROM. This CD-ROM was created by David Luftig for an independant study project through the Univesity of Illinois Graduate School of Library and Information Science and the School of Music. This independant study was carried out under the guidance of Dr. Eli Fieldsteel, Direcotr of the Exerimental Music Studios. Disc contents include: Photographs of the EMS archive before and during the move. Phoographs of the tape cases for numerous tapes, Microsoft Excel databases with a list of materials that were in the EMS archive and a list of materials that were transfered to the University of Illinois Sousa Archives and Center for American Music,  A .PDF document containing the final report for the independant study, Scans of some documents found in the EMS archive. This includes: The Dartmouth Tape Catalog, the EMS concert notebook (see Folders 5-6 in Box 30 for ther original documents), the hand-written and typed list of tapes within the EMS archive (see Folders 1-3 of in Box 30 for ther original documents)

Box 31

Item 1: EMS Tape Catalog Cards, ca. 1985

Contains several hundred custom index cards with the catalog number, composition name, composer, and some addtional info for items within the EMS tape collection. These cards were used as a card-catalog to locate tapes within the EMS collection. Originally found in a wooden box within the EMS.

Box 32

Folder 1: EMS Research Proposal, 1975

Folder 2: EMS60 History Promotional Display Photos and Signage, 1958-2018

Folder 3: Photocopied Electronic Music Articles, 1967-1986

Folder 4: EMS 25th Anniversary Programs, 1984

Folder 5: EMS/Scott Wyatt Correspondence, 1996-2012

Folder 6: EMS 40th and 50th Anniversary Correspondence, 1998-2008

Box 33

Folder 1: HPSCHD Programs, Poster, and Newsclipping, 1969

Folder 2: EMS Holiday Party Photo Collages, 2001-2012

Folder 3: EMS Class and Technician Photographs, 2006-2016

Folder 4: EMS 50th Anniversary Poster, 2008

Folder 5: EMS60 Promotional Display Photograph, 2016

Printed photograph of  the 1967 vinyl record "Electronic Music From The University of Illinois" by Brün, Gaburo, Hamm, Hiller, and Martirano. This was originally included with the EMS60 History Promotional Display Photos and Signage (see folder 2 in box 32).

Oversize Portfolio Box 1

Folder 1: EMS Posters, ca. 1978 - 2000

Folder includes three distinct bodies of material: CD Mock Ups, Concert and Event Posters, and Set Design Sketches.

CD Mock ups include: 1) Passages - In Celebration of the 40th Anniversary of the Experimental Music Studios at the University of Illinois at Urbana-Champaign. Record Label: EMS 9900. Composers: Andrew Walters, Michael Pounds, Richard Freeman-Toole, Ann Warde, J.C. Kilbourne, Chin-Chin Chen, Paul A. Oehlers. Measurement: 19" x 25"; 2)  Orgins - Recently completed compositions by graduate composers at the Experimental Music Studios of the University of Illinois at Urbana-Champaign. Record Label: EMS 2001. Composers: Michael Drews, Kyongmee Choi, Minsoo Choi, J.C. Kilbourne. Jesse Guessford, David Psenicka, Paul A. Oehlers, Tim Johnson, Mei-Fang Lin. Measurement: (copy 1) 26" x 21.5" and (copy 2) 22.5" x 18".

Posters include: In Celebration of the 25th Anniversary of the Experimental Music Studios (Mockup), Measurement: 22.5" x 17.5"; Two Concerts In Celebration of the 25th Anniversary of the Experimental Music Studios. December 7, 1983. Measurement: 24" x 17"; 40th Anniversary of the Experimental Music Studios. Poster contains information regarding EMS studio facilities. Measurement: 23.5" x 17"; Soundshapes Combined Media in Composition. Friday May 8, 1987. Measurement: 24" x 16"; 10th Anniversary Celebration of the Society for Electro-Acoustic Music in the United States. 1995. Measurement: 21" x 17"; Society for Electro-Acoustic Music in the United States; School of Music, University of Illinois at Urbana-Champaign. October 24-25, 1991. Measurement: 17" x 17";  A Cyberfest  '97 Concert Event. March 12, 1997. Measurement: 17" x 11"; University of Illinois Experimental Music Studios 40th Anniversary Concert. March 24, 1999. Measurement: 17" x 17"; The Experimental Music Studios of the University of Illinois at Urbana-Champaign. Poster has information regarding the EMS facilities. Measurement: 24" x 10". All posters have duplicates.

Sketches include: fourteen sketches of set designs at Krannert Performing Arts Center. Sticky note on folder states: "According to Scott Wyatt, this package is the proposal for lighting the Krannert for the EMS 20th Anniversary performance. These plans were not put into action due to budget constraints - David Luftig 12/16."

Series 2: EMS Technical Reports, 1961-1974

Consists of technical, historical, and analytical reports regarding computer music created by members of the EMS.

Box 2

Folder 1: EMS Technical Report No. 1, June 1961

"Electronic Music for Two One-Act Plays: Annotated Performance Scripts for 'Blue is the Antecedent of It' and 'Cuthbert Bound'", by LeJaren Hiller and John Cutler. Two copies.

Folder 2: EMS Technical Report No. 2, June 1961

"Preparation of Musicwriter Punched Paper Tapes for Use by the ILLIAC Electronic Digital Computer", by Robert A. Baker. Two copies.

Folder 3: EMS Technical Report No. 4, June 1962

"Report on Contemporary Experimental Music", by Lejaren Hiller. Two copies, one bound.

Folder 4: EMS Technical Report No. 5, July 1962

"Information Theory and Musical Analysis" by Lejaren Hiller.

Folder 5: EMS Technical Report No. 6, May 1963

"Seven Electronic Studies for Two-Channel Tape Recorder" by Lejaren Hiller. Two copies, one bound.

Folder 6: EMS Technical Report No. 7, August 1963

"A Statement of Progress on the Research Investigation, Generation, and Creation of New Electronic Sounds," by James Beauchamp. Two Copies.

Folder 7: EMS Technical Report No. 8, October 1963

"Computer Cantata: A Study in Composition Using the University of Illinois IBM 7090 and CSX-1 Electronic Digital Computers," by Lejaren Hiller and Robert A. Baker. Two Copies.

Folder 8: EMS Technical Report No. 9, July 1963

"MUSICOMP: Music Simulator -Interpreter for COMpositional Procedures for the IBM 7090 Electronic Digital Computer," by Robert A Baker. Two copies.

Folder 9: EMS Technical Report No. 10, August 1964

"A Report on the Magnavox Sponsored Research Investigation 'The Development of New Electronic Systems for Generating Musical Sound'", by James Beauchamp.

Folder 10: EMS Technical Report No. 11, February 1966

"A Provisional List of Electronic Music Compositions," by Sven Hostrup Hansell. Two copies, one bound.

Folder 11: EMS Technical Report No. 13, March 1966

"Revised MUSICOMP Manual" by Lejaren Hiller and Antonio Leal. Two copies, one bound.  EMS Technical Report No. 12 (see box 1, folder 46).

Folder 12: EMS Technical Report No. 14, September 1968

"Four Sound Processing Programs for the ILLIAC II Computer and D/A Converter" edited by James Beauchamp. Includes the following programs: 1) "Low Pass Digital Filtration" by Alton B. Otis, 2) "Artificial Reverberation" by Alton B. Otis, 3) "Time Rate Changing" by Alton B. Otis, 4) "Provisional Sound Generator" by Gary R. Grossman and James A. Cuomo. Two copies.

Folder 13: EMS Technical Report No. 16, July 1967

"An Artificial Reverberation System for the Electronic Music Studio" by Marvin C. Rogers Jr. Two Bound copies.

Folder 14: EMS Technical Report No. 18, February 1968

"Music Composed with Computer - A Historical Survey," by Lejaren Hiller.

Folder 15: EMS Technical Report No. 19, July 1967

"Review of Completed and Proposed Research on Analysis and Synthesis of Musical Sounds by Analog and Digital Techniques", by Lejaren Hiller and James Beauchamp, based on a proposal to the national science foundation. Two bound copies.

Folder 16: EMS Technical Report No. 20, July 1968

"An Analysis of the Acoustics of Tamtam Sounds" by Donald Andrus. Two copies, one bound.

Folder 17: EMS Technical Report No. 21, February 1970

"A Technical Survey" by James Beauchamp. Two copies.

Folder 18: EMS Technical Report No. 22, June 1974

"Electronic Synthesis of Violin Tones" by Thomas E. Rucktenwald. Based on his master's thesis in Electrical Engineering.

Folder 19: EMS Technical Report No. 23, July 1974

"Digital Electronic Techniques for Control and Processing of Audio Frequencies" by Robert R. Thompson, based on his Master's Thesis in Electrical Engineering. Two bound copies.

Series 3: Audio and Audio Visual Recordings, ca. 1924-2015

Sub-Series 1: Cataloged Audio Recordings, ca. 1955-1999

Box 5

Item 6: Lejaren Hiller - Illiac Suite, 1956-1960

Recording number 5001. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Illiac Suite Performed by the WQXR String Quartet - Hugo Fiorato, violin ; Harry Glickman, violin ; Jack Braunstein, viola ; Harvey Shapiro, cello, (1960) ; 2) Incomplete Performance. Performed by Sanford Roening, violin ; Peggy Andrix, violin ; George Andrix, viola ; Robert Swenson, cello (1956).

Item 7: Lejaren Hiller and Leonard Isaacson - Illiac Suite, 1957

Recording number 5001B. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Composition String Quartet. Cuts: 1) Illiac Suite for String Quartet (1957).

Item 8: Lejaren Hiller - Divertimento for Chamber Ensemble, 1959-1960

Recording number 5002. 12" Polyester Reel-to-Reel Tape. Recorded December 6, 1960 at the University of Illinois. Performed by the University of Illinois Wind Ensemble with Theremin, Robert Gray, Conductor. Cuts: 1) Fanfare and Furioso ; 2) Nocturne ; 3) Five Structures; Movements include: mvt 1. Message to the Listener, mvt. 2 Homage to Wm. Hayes, mvt. 3 Perfection, mvt.4 A Numbers Game (2, 11, 9, 47, 6, 10, 1, 5, 3, 8, 12) ; 4) Scherzo with Trio ; 5) Capriccio and Coda.

Item 9: Lejaren Hiller - Divertimento, ca. 1959

Recording number 5002B. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Divertimento.

Item 10: Lejaren Hiller - Music for Two One-Act Plays, 1959-1960

Recording number 5003. 12" Acetate Reel-to-Reel Tape. Cut 2 contains two parts. Cuts: 1) Blue is the Antecedent of it (1959-1960), play written by Jack Leckel; 2) Cuthbert Bound - A. Tape Music with Voices Dubbed In ; B. Performance Tape of Music Only (1959-1960), play written by Christopher Newton.

Item 11: Lejaren Hiller - Cuthbert Bound / Two Performances, 1960 - 1964

Recording number 5004. 12" Polyester Reel-to-Reel Tape. Cut 1) Round House Performance (1964), Play written by Christopher Newton, Performers: Cessida Bound: Elizabeth Hiller, Imogen Bound, Judith Hoppe, Augustus Bound, Charles Rogers, Tobias Bound, Royal Macdonald; Cut 2) University Workshop Theater (1960), Play written by Christpher Newton, Performers: Cressida Bound, Anne Bays, Imogen Bound, Eleanor Gregg, Augustus Bound, Thom McGreevey, Tobais Bound, Jerald Ketchum.

Item 12: Lejaren Hiller - Time of the Heathen (Stereo Master and Cues), 1961

Recording number 5005. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Wind Ensemble. Robert Gray, Conductor. Cuts: 1) Stereo Master, 2) Cued Performance Tape, 3) Nightmare Music Absolute.

Item 13: Lejaren Hiller - Spoon River Anthology and Amplification, 1962

Recording number 5007. 12" Acetate Reel-to-Reel Tape. Note on case reads: "Amplification for Tape Recorder and Theater Band." Cuts: 1) Complete Performance, 2) Master Tape of Complete Performance, 3) Cued Performance Tape for Tape Recorder, 4) Original Tape of Final Instrument Recording, 5) Original Tape of Instrumental Rehearsal Tape.

Item 14: Lejaren Hiller - Electronic Sonata For Tape Alone, 1976

Recording number 5008. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Electronic Sonata for Tape Alone.

Item 15: Lejaren Hiller - Seven Electronic Studies (Submaster), 1963

Recording number 5010. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Vocalise, 2) Proportions, 3) Homage to Helmoltz, 4) Two-Part Invention, 5) Ordered Disorder, 6) Even-Tempered Scherzo, 7) Peroration.

Item 16: Lejaren Hiller - Seven Electronic Studies (Master), 1963

Recording number 5011. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Vocalise, 2) Proportions, 3) Homage to Helmoltz, 4) Two-Part Invention, 5) Ordered Disastor, 6) Even Tempered Scherzo, 7) Peroration.

Item 17: Lejaren Hiller and R.A. Baker - Computer Cantata, 1963

Recording number 5013. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Complete Performance. Performed by the University of Illinois Percussion Ensemble: Jack McKenzie, Conductor and Helen Hamm, Soprano Soloist, 2) Cue - For Strophe I, 3) Cue - for Strophe II, 4) Cue - For Prolog to Strophe III, 5) Cue - For Epilogue to Strophe III, 6) Cue - For Strophe IV.

Item 18: Lejaren Hiller and R.A. Baker - Computer Cantata, 1963

Recording number 5013B. 12" Acetate Reel-to-Reel Tape. Note on case reads: "Extra Copy." Recorded at the University of Illinois. Performed by the Contemporary Chamber Players. Peformers: Helen Kamm, Soprano and Jack McKenzie, Conductor. Cuts: 1) Computer Cantata.

Box 6

Item 1: Lejaren Hiller - Machine Music, ca. 1964

Recording number 5015. 12" Acetate Reel-to-Reel Tape. Note on case reads: "Copy of Submaster Use for Dubbing." Performers: Phyllis Rappoport, piano; Thomas Siwe, percussion; Burt Levy, tape recorder. Cuts: 1) Machine Music for Piano, Percussion, and Tape Recorder, 2) Ibid.

Item 2: Lejaren Hiller - Machine Music (Premier and Cues), ca. 1964

Recording number 5015A. 12" Acetate Reel-to-Reel Tape. Note on case reads: "Premier and Cues ; Recording of complete performance." Cuts: 1) Cue 1: First Trio, 2) Cue 2: First Duo, 3) Cue 3: Third Solo, 4) Cue 4: Fourth Solo, 5) Third Duo, 6) Cue 6: Second Trio.

Item 3: Lejaren Hiller - Machine Music Festival Performances, 1965

Recording number 5015B. 12" Polyester Reel-to-Reel Tape. Recorded at the Darmstadt Festival (Germany).  Performed by Arthur Maddox, piano; Jack McKenzie, percussion; Burt Levy, tape recorder. Cuts: 1) Machine Music for Piano Percussion & Two-channel Tape Recorder, 2) Machine Music for Piano Percussion & Two-channel Tape Recorder.

Item 4: Lejaren Hiller Machine - Music and 2 Piano Suite (Performance), 1967

Recording number 5015C. 12" Polyester Reel-to-Reel Tape. Cut 2 was recorded in Bloomington, Indiana. Cuts: 1) Machine Music, 2) Suite for Two Pianos and Tape.

Item 5: University of Illinois Experimental Compositions Volume I (Various Composers), 1959-1963

Recording number 5017. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Robert Shallenberg and James Hoffman - Three Electronic Studies (1959) ; 2) Thorkell Sigurbjornsson - Leikar No. 3 (1961) ; 3) David Ward-Steinman - Piano Collage (1961) ; 4) Gordon WIlson - Inchoate Study (1962) ; 5) Thomas Turner - Music for Electrophones (1962) ; 6) Kent Sandusky - Loop Study (1962) ; 7) Donald Andrus - Electronic Study No. 1 (1963) ; 8) Larry Neeman - Electronic Piece (1963).

Item 6: University of Illinois Experimental Compositions Volume II (Various Composers), 1963-1965

Recording number 5018. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Robert Baker - CSX-1 Study (1963) ; 2) Burt Levy - Gnomes (1964) ; 3) Ehr Lin - Shomyo for Violin, Percussion, and Tape (1964) ; 4) Ross Reid - Construction No. 1 and Improvisation No. 1 (1964); 5) Morgan Powell and James Lewis - Tape Piece Using Trombone Sounds (1965) ; 6) Ernest Bastin - Ghost Sonata (1965) ; Thomas Mayhew - Linear Impressions (1965) ; 7) John Myhill - Scherzo a Tre Voci (1965) ; 8) Morgan Powell - Manipulates Instrumental Sounds (1965).

Item 7: CSX-1 Sound Synthesis Tape, ca. 1962

Recording number 5019. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Recording utilizes the University of Illinois CSX-1 computer. Cuts: 1) University of Illinois Computer Sound Synthesis - Examples.

Item 8: Herbert Brun, 1958-1964

Recording number 5020. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Various Compositions Anepigraphe (1958). Recorded at WDR, Cologne ; 2) Klange Unterwegs (Wayfaring Sounds) (1961). Recorded at Siemens and Halski, Munich ; 3) Futility (1964). Prepared at the University of Illinois.

Item 9: Salvatore Martirano - Compositions - Volume I, ca. 1963-1965

Recording number 5026. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Three Electronic Dances, 2) Underworld, 3) Underworld (Stereo).

Item 10: James Tenney - Compositions Volume I, 1960-1963

Recording number 5027. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Three Improvisations of Medea (1960); 2) Noise Study (1961); 3) Collage #1 (1961); 4) Phases (1963).

Item 11: James Tenney - Compositions Volume III, 1962-1964

Recording number 5028. 12" Polyester Reel-to-Reel Tape. Note on tape case reads: "Composer's Master Recording." Cuts: 1) Five Stochastic Studies (1962); 2) Stochastic Quartet (1963); 3) Radio Piece (1963); 4) Dialogue (1963); 5) Phases (1963-1964).

Item 12: Lejaren Hiller - Demonstration Tapes, ca. 1963

Recording number 5029. 12" Polyester Reel-to-Reel Tape. Contains two cuts. The first cut has thirteen sound examples. Cuts: 1) Sound Samples - Tape Music; A. Sine Wave, B. Square Wave, C. Sawtooth Wave, D. Additive Synthesis, E. Subtractive Synthesis - Complex Sound, F. Inharmonic Partials - Clangorous Tones, G. Concrete Sounds - "Horrible Comfort Music," H. White Noise, I. Colored Noise, J. Tape Loop, K. Reverberation, l. Backwards - Speed up, etc., M. Use of Freq. Meter Scales. 2) Harmonic Tone Generator - Excerpt from an Improvization.

Item 13: American Experimental Music (Various Composers), ca. 1968

Recording number 5036. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Edward Zajda - Study #3 ; 2) Edward Zajda - Study #3 (rev.); 3) Edward Zajda - Memories of St. Anthony; 4) Donald MacInnis - Intersections for Tape Recorder & Orchestra; 5) Aurelio de la Vega - Coordinates, for Monaural Tape; 6) Beverly Grigsby - The Awakening, for Monaural Tape; 7) Edward Zajda - Do Not Attempt to Defeat the Interlock; 8) Edward Zajda - Study #7; 9) Edward Zajda - Then I Kissed Her; 10) Edward Zajda - Study #10.

Item 14: George Antheil / Olver Messiaen, ca. 1960

Recording Number 5037. 12" Acetate Reel-to-Reel Tape. Cuts: 1) George Antheil - Ballet Mechanique. Performed by the Los Angeles Contemporary Music Ensemble, Robert Craft, Conductor; 2) Olver Messiaen - Centeyodjaya.

Item 15: Robert Ashley - Compositions, 1959-1963

Recording number 5038. 12" Acetate and Polyester Reel-to-Reel Tape. All compositions by Robert Ashley except cut #1 which is composed by Robert Ashley and Gordon Mumma. Cuts: 1) Robert Ashley and Gordon Mumma - Detail for Two Pianists (1961); 2) The Fox (1959); 3) The Spy (1960); 4) The 4th of July (1960); 5) Heat (1961); 6) Hum (1961); 7) A Gathering of Seasons (1961); 8) I Love You Don't Be Afraind (1963); 9) I Must See You Regarding a Matter of the Utmost Urgency (1963).

Item 16: Milton Babbitt - Compositions, 1960-1961

Recording number 5039. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the Columbia-Princeton Music Center. Both compositions utlize the RCA Mark II Synthesizer. Cuts: 1) Compositions for Synthesizers (1960-1961); 2) Vision and Prayer For Soprano & Synthesizer (1961).

Item 17: Pierre Barbaud and Roger Blanchard - Algorithme I, ca. 1961

Recording number 5040. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Algorithme I. Orchestra conducted by Roger Blanchard.

Item 18: BBC Demonstration Tape, undated

Recording number 5041. 12" Polyester Reel-to-Reel Tape. Recorded at the studios of the British Broadcasting Corporation. Cuts: 1) Use of Electronic Effects for Broadcast Purposes.

Box 7

Item 1: Forbidden Planet: Part I, 1956

Recording number 5042. 12" Acetate Reel-to-Reel Tape. Note on tape case reads: "An MGM film with Walter Pidgeon. Part I electronic music score by Louis and Bebe Barron." Cuts: 1) Forbidden Planet Part I.

Item 2: Forbidden Planet: Part II, 1956

Recording number 5043. 12" Acetate Reel-to-Reel Tape. Composed by Louis Barron and Bebe Barron. Cuts: 1) Forbidden Planet - Part II and Suite.

Item 3: Ghent University - Volume I (Various Composers), ca. 1958-1961

Recording number 5044. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Didier Gazelle - Studie, 2) Louis de Meester - Ringuariarties Klavier, 3) Louis de Meester - Incantations (1958), 4) Louis de Meester - Industrie (1961), 5) Lucien Goethals - Studie V.

Item 4: Bell Laboratories (Various Composers), undated

Recording number 5045. 12" Acetate Reel-to-Reel Tape. Note on tape case reads: "Played by IBM 7090 computer and digital to sound transducer." There are 29 cuts from various composer. Recorded at the Bell Laboratories. Cuts: 1) Frere Jacques; 2) Orlando Gibbons - Fantasia; 3) Max Vernon Mathews - Numerology; 4) Max Vernon Mathews - May Carol; 5) Max Vernon Mathews - Bicylcle Built for Two; 6) Max Vernon Mathews - The Second Law; 7) Max Vernon Mathews - Joy to the World; 8) John Robinson Pierce - Variations in Timbre & Attack; 9) John Robinson Pierce - Stochatta; 10) John Robinson Pierce - Five Against Seven: Random Canon; 11) John Robinson Pierce - Beat Cannon; 12) John Robinson Pierce - Molto Amoroso; 13) John Robinson Pierce - Melodie; 14) David Lewin - Study No. 1; 15) David Lewin - Study No. 2; 16) Newman Guttman - Pitch Variations; 17) S.D. Speeth - Theme and Variations; 18) Newman Guttman - Computer Piece #2; 19) John Robinson Pierce and Claude Shannon - Random Music Piece for Piano; 20) David Slepian - Stochastic Music; 21) Gerald Strang - Piece for the IBM 7090; 22) Gerald Strang - Fibres; 23) Gerald Strang - Clusters; 24) Gerald Strang - Composition #3; 25) Gerald Strang - Composition #2; 26) Gerald Schwarz and Max Vernon Mathews - Canzoni Personal a Quattro; 27) John Ward - Fantasia; 28) Max Vernon Mathews - Quartet in F - M.Ravel; 29) Max Vernon Mathews - Sech Bagatellen - A. Webern.

Item 5: Luciano Berio (and Krzysztof Penderecki) - Compositions, 1957-1961

Recording number 5047. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Luciano Berio - Perspectives 15 (1957); 2) Krzysztof Penderecki - Psalms, for Single Channel Tape Recorder (1961);  3) Luciano Berio - Omaggio a Joyce. Performed by Cathy Berberian, Soprano (1958) ; 4) Luciano Berio - Moments (Tape).

Item 6: Karl-Birger Blomdahl / Pierre Boulez, ca. 1958

Recording number 5048. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Karl-Birger Blomdahl - Aniara, Electronic Music Sequence; 2) Pierre Boulez - Poesie Pourvoir Excerpts (1958). Performed by The SWF Orchestra, Baden-Baden, Germany.

Item 7: Andre Boucourecliev - Compositions, ca. 1958

Recording number 5049. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Texte I Rai-Milano (1958); 2) Texte II - 1st. Version; 3) Texte II - 2nd Version.

Item 8: John Cage - Music of John Cage, 1939 - 1954

Recording number 5054. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Williams Mix (1952). Recorded at Louis and Bebe Barron Studio, NY ; 2) Fontana Mix (1959), Performed by Cathy Berberian, voice, Recorded at the RAI Studio in Milan; 3) Imaginary Landscape #1 (1939); 4) Music for Carillon (1954).

Item 9: Hugh Le Caine - Compositions, 1955 - 1958

Recording number 5055. 12" Polyester Reel-to-Reel Tape. Cuts: 1) 99 Generators (1956); 2) A Noisome Pestilence (1958); 3) Invocation (1957); 4) Textures (1958); 5) Dripsody (1955); 6) The Burning Deck (1958)

Item 10: Canadian Experimental Music (Various Composers), 1959-1963

Recording number 5056. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Arnold Walter, Harvey Olnick and Myron Schaeffer - Summer Idyl (1969); 2) Arnold Walter, Harvey Olnick and Myron Schaeffer - Project A (1961); 3) Istvan Anhalt - Electronic Compositions #3; 4) Hugh Le Caine - Sackbut Blues (1958); 5) Myron Schaeffer - Dance R (1960); 6) Myron Schaeffer - Etude for White Noise (1959); 7) Myron Schaeffer - Allegro for Tape Recorder (1961); 8) Myron Schaeffer - Bridge #1 (1960); 9) Myron Schaeffer - Jeptha (1963).

Item 11: University of Toronto Experimental Music (Various Composers), ca. 1965

Recording number 5057. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Toronto. Cuts: 1) Myron Schaeffer - New Intruder Suite, 2) Webster Aitken - Noesis, 3) Lowell Cross - Three Etudes for Hugh Le Caine (1965).

Item 12: David Champernowne - Edsac Experiments (Computer Music), 1962

Recording number 5058. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Composition Quartet. Performers: David Preves, violin ; Suzanne Wright, violin ; Charles Adams, viola ; William Skidmore. Cuts: 1) Victorian Hymn - Tune Synthesis,  2) Premutational 12 - Tone Study.

Item 13: Columbia-Princeton Experimental Music I (Various Composers), 1963-1964

Recording number 5061. 12" Acetate Reel-to-Reel Tape. Recorded at the Columbia-Princeton Music Center. Cuts: 1) Bulent Arel - Studio Electronic Music No. 1; 2) Mario Davidovsky - Electronic Study No. 2; 3) Mario Davidovsky Synchronisms, for Flute and Monaural Tape (1963), Performed by: John Robertson, flute; 4) Andres Lewin-Richter - Study #1 (1964); 5) Ilhan Mimaroglu - Study After Jasper Johns (1964); 6) Walter Carlos - Motif and Metaphor for Flute and Tape (1963), Performed by John Heiss, flute; 7) Philip Ramey - Dialogues for Piano and Two Speakers (1963), Performed by Philip Ramey, piano; 8) Walter Carlos - Epitaph for Man - Movements Include: mvt 1. Sacred Sonorities, mvt 2. Narration - "The Second Coming" (Yeats), mvt 3. Epitaph; 9) Mario Davidovsky - Synchronisms II for Flute, Clarinet, Cello, and Tape.

Item 14: Tod Dockstader - Compositions, ca. 1968

Recording number 5063. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Eight Electronic Pieces.

Item 15: Jim Fassett - Demonstrations, ca. 1960

Recording number 5066. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Strange to My Ears, 2) Symphony of the Birds - Movements include: mvt 1. Andante elirico, mvt 2. Buffo, mvt 3. Misterioso.

Item 16: Ramon Fuller - Music for Tape and Percussionists, 1964

Recording number 5067. 12" Acetate Reel-to-Reel Tape. Performed by: G. Allen O'Conner and William Youhass, percussionists. Cuts: 1) Complete Performance, 2) Performance Tapes, 3) Stereo Dub, 4) Mono Dub.

Item 17: Gravesano - Demonstrations: Volume I (Various Composers), ca. 1961

Recording number 5069. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Dr. A. Moles - 24 Filter Investigations on Recorded Music; 2) Dr. A. Moles - 36 Filter Investigations on the Spoken Word; 3) Fritz Enkel - Psycho and Electro-Acoustics of Sound Synthesis (With 9 Examples); 4) Auton Springer - A Bell's Spectrum of Partial Tones; 5)  Grutzmacher - Musical Examples from the Computer Part I .

Item 18: Gravesano - Blatter Demonstrations: Volume II (Various Composers), ca. 1961

Recording number 5070. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Grutzmacher - Musical Examples from the Computer - Part II; 2) Oskar Sala - Electronic Music From a Film by Oskar Sala; 3) Dr. Ing. Werner Burck - The Meanning of Feeling of Sound Intensity, its Measurements and Evauation for the Fight Against Noise (in German); 4) Acoustic Oddities: A. Drums and Fifes taken from Emile Berliner's First "Gramophone". Record made in 1892, B. Noise made by Termites at Work, C. Nocturnal Battle Between Jackals and Dogs; 5) Jerusalem Church Bells and Chants; 6) Syrian and Armenian Praying Chants and Bells.

Box 8

Item 1: Gravesano Demonstrations - Volume III (Various Composers), ca. 1942-1962

Recording number 5071. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Pierre Schaeffer - Anamorphoses I; 2) Pierre Schaeffer - Anamorphoses II; 3) Gerold Ungeheuer - Unspecified composition; 4) Sounds From An Old Australian Bell (1942); Werner Meyer-Eppler - Residulation and Formants.

Item 2: Bengt Hambraeus, 1959-1962

Recording number 5072. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Interferences for the Organ (1961-1962); Constellations II for Organ Sounds (1959).

Item 3: Hermann Heiss - Compositions, ca. 1959

Recording number 5073. 12" Polyester Reel-to-Reel Tape. Inside the case is a fragile one-sided piece page written in German with the title "Zuordnung Vier - elektronisch." Note on the tape hub reads: "Stevenson Concert 12-12-59". Cuts: 1) Zuordnung Vier, 2) Zuordnung Vier, 3) Komposition IV, 4) Grosse Paukenmaschine, 5) Eogatome for Speaker, Viola, Trumpet, 2 Pianos, Percussion & Tape.

Item 4: Jacobs, Et Al. - Vortex, Highlights (Various Composers), undated

Recording number 5075. 12" Acetate Reel-to-Reel Tape. These compositions may be the same as those on the LP, "Highlights Of Vortex," releason on Folkways Records (FSS 6301). Cuts: 1) David Talcott - Trilogy; 2) Henry Jacobs - Chan; 3) William Loughborough - For the Big Horn; 4) Henry Jacobs - Logos; 5) Henry Jacobs - Rhythm Study #8; 6) Gordon Longfellow - Note on the History of the World Part 3; 7) David Talcott - Loop 3; 8) Henry Jacobs - Electronic Kabuki Mambi; 9) Gordon Longfellow - 350-2.

Item 5: Andre Jolivet - Compositions, ca. 1947

Recording number 5076. 12" Acetate Reel-to-Reel Tape. Performed by the Orchestre de Theatre National de l'Opera. Andre Jolivet, Conductor. Cuts: 1) Concerto for Ondes Martenot and Orchestra.

Item 6: Mauricio Kagel - Compositions, 1958-1960

Recording number 5077. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Transicion I.

Item 7: Mauricio Kagel - Compositions, 1957-1962

Recording number 5077A. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Antithesis (1962); 2) Anagram (1957-1958).

Item 8: Mauricio Kagel - Compositions, 1965

Recording number 5078. 12" Acetate Reel-to-Reel Tape. Inside the tape case is a four page program note written in German titled "Peters-Nachrichten - Frankfurt." The papers are dated 1962. Performed by Royal MacDonald, speaker ; Bill Hugg, mime ; David Barron, singer ; Don Andrus, singer ; Lee Rosen, singer ; Jon Dutton, singer ; Burt Levy, tape recorder ; Lejaren Hiller, musical preparaton ; James Campbell, Recording Director ; Carl Volkers, stage manager and technical director ; Mauricio Kagel, in charge of production. Cuts: 1) Sur Scene.

Item 9: Gyorgy Ligeti - Compositions, 1958

Recording number 5079. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Artikulation.

Item 10: Otto Leunig and Vladimir Ussachevsky - Compositions Volume I, 1952-1954

Recording number 5080. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Vladimir Ussachevsky - Sonic Contours (1952); 2) Otto Leuning - Fantasy in Space (1952); 3) Otto Leuning - Invention in Twelve Tones (1952); 4) Otto Leuning - Low Speed (1952); 5) Vladimir Ussachevsky - Composition and Underwater Waltz; 6) Vladimir Ussachevsky and Otto Leuning - Incantations (1953); 7) Vladimir Ussachevsky and Otto Leuning - Rhapsodic Variations for Tape Recorder and Orchestra (1953-1954), Performed by the Louisville Orchestra; 8) Vladimir Ussachevsky and Otto Leuning - A Poem in Cycles and Bells (1954).

Item 11: Otto Leunig and Vladimir Ussachevsky - Compositions Volume II, 1956-1965

Recording number 5081. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Vladimir Ussachevsky - Piece for Tape Recorder (1959); 2) Otto Leuning and Vladimir Ussachevsky - Suite From "King Lear" (1956); 3) Otto Leuning and Vladimir Ussachevsky -  Concerted Piece for Tape Recorder and Orchestra (1960); 4) Otto Leuning - Gargoyles (1960); 5) Vladimir Ussachevsky - Linear Contrasts (1958); 6) Vladimir Ussachevsky - Creation: Prologue for Four Choruses with Electronic Accompainiment (1961); 7) Vladimir Ussachevsky - Of Wood and Brass (May, 1965).

Item 12: Bruno Maderna - Compositions, ca. 1958

Recording number 5084. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Invezioni Su Una Voce; 2) Musica Su Due Dimensione (1958); 3) Serenata No. 3 For Two Channo Tape Recorder; 4) Serenata No. 27, Performed by Bruno Maderna, Conductor.

Item 13: Gunther Maas - Compositions, ca. 1963

Recording number 5085. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Composition V (1963); 2) Composition V (1963); 3) Composition VI (1963); 4) Motivtafel.

Item 14: Gordon Mumma - Compositions Volume I, 1959-1963

Recording number 5087. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Vectors (1959); 2) Densities (1960); 3) Mirrors (1960-1961); 4) Meanwhile a Two Piece for Two Performers: Piano, Percussion Groups One Other Instrument and Magnetic Tape, Performed by Robert Ashley, piano and Gordon Mumma, horn, Recorded at the ONCE Festival; 5) Greys for Scavarda Film (1963); 6) Say Nothing About This to Anyone - Manupelli Film (1963); 7) If You Leave Me I Will Kill Myself - Manupelli Film (1963); 8) Love in Truro (1963); 9) Film Score Sequences from Analog Computer and Its Applications to the Solutions of Ordinary Differential Equations (1963), Performance Excerpt from Space Theater.

Item 15: Alwin Nikolais - Compositions, ca. 1959

Recording number 5089. 12" Acetate Reel-to-Reel Tape. Note on tape case reads: "Choreosonic Music for the New Dance Theater." Cuts: 1) Eruptions & Evolutions, 2) Lythic, 3) Illusional Frieze, 4) Shivare, 5) Aeolus, 6) Paraphrenalia, 7) Lyre, 8) Prismatic Forest, 9) Fixation, 10) Gylmistry, 11) Fetish.

Item 16: Japanese Electronic Music (Various Composers), ca. 1956

Recording number 5090. 12" Acetate Reel-to-Reel Tape. Cut three does not have a title listed on the tape case. Cuts: 1) Toshiro Mayuzumi and Makoto Moroi - Variations Sur 7 (1956), Recorded at NHK Electronic Music Studio, Tokyo; 2) Makoto Moroi - Cantata da Camera No. 1, for Narrator, Ondes Martenot, Harpsichord and Celesta, Percussion, and Chorus; 3) unidentified cut; 4) Makoto Shinohara - Memories; 5) Makoto Shinohara - City Visit (Part 4), Recorded at the Columbia-Princeton Music Center.

Item 17: RTF Musique Concrete Volume I (Various Composers), 1948-1952

Recording number 5091. 12" Acetate Reel-to-Reel Tape. Recorded at the Radiodiffusion-Television Francaise (RTF), Paris. Cuts: 1) Pierre Schaeffer - Etude Aux Chemins de Fer (1948); 2) Pierre Schaeffer - Etude Pathetique (1948); 3) Pierre Schaeffer - Etude au Piano (1948); 4) Pierre Schaeffer - Etude aux Tourniquets (1948); 5) Pierre Schaeffer - Variations Sur Une Flute Mexicaine (1949); 6) Pierre Henry - Musique Sans Titre (1950); 7) Pierre Henry - Le Microphone Bien Tempere (1950); 8) Pierre Henry - Tam Tam IV; 9) Pierre Henry and Pierre Schaeffer - Finale From Concerto Des Ambiguites (1950); 10) Pierre Henry and Pierre Schaeffer - Bidule En Ut (1950); 11) Pierre Schaeffer - L'Oiseau R.A.I. (1950); 12) Pierre Schaeffer and Pierre Henry - Symphonie Pour Un Homme Seul (1950); 13) Andre Hadier - Jazz et Jazz (1951); 14) Pierre Boulez - Etude I (1952); 15) Pierre Henry - Antiphonie (1952).

Item 18: RTF Musique Concrete Volume II (Various Composers), 1953-1955

Recording number 5092. 12" Acetate Reel-to-Reel Tape. Recorded at the Radiodiffusion-Television Francaise (RTF), Paris. Cuts: 1) Pierre Henry - Le Voigle D'Orphee (1953); 2) Pierre Henry - Astrologie (1953); 3) Michel Philippot - Etude I (1953); 4) Philippe Arthuys - Boite A Musique (1955); 5) Philippe Arthuys - Le Crabe Qui Jovait Aveg La Mer (1955); 6) Philippe Arthuys - Conte De Noel (1955).

Box 9

Item 1: RTF Musique Concrete Volume III (Various Composers), 1957-1960

Recording number 5093. 12" Acetate Reel-to-Reel Tape. Recorded at the Radiodiffusion-Television Francaise (RTF), Paris. Cuts: 1) H. Sauguet - Aspect Sentimental (1957); 2) Luc Ferrari - Etude Aux Accidents (1958); 3) Luc Ferrari - Etude Aux Sons Tendus (1958); 4) Pierre Schaeffer - Etude Aux Allures (1958); 5) Pierre Schaeffer - Etudes Aux Son Ainmes (1958); 6) Iannis Xenakis - Diamorphoses (1958); 7) Michel Philippot - Ambiance I (1959); 8) Iannis Xenakis - Analogue A and B (1960); 9) Pierre Schaeffer - Anamorphoses I; 10) Pierre Schaeffer - Anamorphoses II.

Item 2: Harry Partch - Oedipus Part I, ca. 1951

Recording number 5097. 12" Acetate Reel-to-Reel Tape. Inside the tape case there are thirteen of the original pink University of Illinois Experimental Music Studio index/catalog cards. Each card has a diferent cataloged Harry Partch composition listed on it. Cuts: 1) Oedipus, Performed by Allan Louw, Oedipus;  Pierce Murphy, Chorus Spokesman;  Sue Bell Starck, Jocasta; 2) Oedipus. Performed by the Gate 5 Ensemble. Jack Hohensee, Conductor.

Item 3: Harry Partch - Oedipus Part II and Bewitched Part I, ca. 1951-1955

Recording number 5098. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Oedipus (Concluded); 2) The Bewitched Part I (Prologue and Scenes 1-4). Performed at the University of Illinois Contemporary Arts Festival Ensemble. Perfoermers: Preda Schell, Witch; John Garvey, Conductor.

Item 4: Harry Partch - The Bewitched Part II & U.S. Highball, ca. 1943-1957

Recording number 5099. 12" Acetate Reel-to-Reel Tape. Cuts 2-7 are part of U.S. Highball (1943, rev. 1956). Cuts 2-7 Performed by: Instrumental Ensemble. Thomas Coleman-Mac, voices; Jack McKenzie, Conductor. Cuts: 1) The Bewitched (Concluded - Scenes 5-10 and Epilogue); 2) San Francisco to Sparks; 3) Sparks to Moleen; 4). Moleen to Rock Springs; 5) Rock Springs to Little America; 6) Little America to North Platte; 7) North Platte to Chicago.

Item 5: Harry Partch - Plectra and Percussion Dances (Excerpts), ca. 1953

Recording number 5100. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Castor and Pollux (1953); 2) Ring Around the Moon; 3) Even Wild Horses; 4) Gate 5 Ensemble of Sausalito. Performed by Horace Schwartz, Conductor.

Item 6: Harry Partch - Partch - Revelation in a Courthouse Part I, ca. 1962

Recording number 5101. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Chorus One, 2) Scene One, 3) Chorus Two, 4) Scene Two, 5) Chorus Three.

Item 7: Harry Partch - Revelation from a Courthouse Part II and Miscellaneous Compositions, ca. 1931-1962

Recording number 5102. 12" Acetate Reel-to-Reel Tape. Cuts 1-4 are the concusion of Revelation in a Courthouse. Cuts 5-9 are miscellaneous compositions. Cuts: 1) Scene Three; 2) Chorus 4; 3) Scene Four; 4) Coda; 5) Poems by Li Po (1931-1933); 6) Windsong (1958); 7) Bless This Home (1961), Performed by the University of Illinois Ensemble, John Garvey, Conductor; 8) By the Rivers of Babylon (1931); 9) Rotate the Body in All of its Planes (1961).

Item 8: Harry Partch - Water! Water!, ca. 1961

Recording number 5103. 12" Acetate Reel-to-Reel Tape. Performed by the University of Illinois Partch Ensemble. John Garvey, Conductor. Cuts: 1) Water! Water!

Item 9: Harry Partch - Compositions, ca. 1948-1951

Recording number 5104. 12" Acetate Reel-to-Reel Tape. There are two cuts on this tape. Cut 2 has thirteen sound examples. Cuts: 1) Discourse & Sample Passages; Cut 2) Instrusions - Movements include: A. Phyrygian Suite; B. The Greek Anharmonic Scale; C. The Rose; D. The Crane; E. The Wind; F. The Waterfall; G. The Letter; H. The Street; I. Vanity; J. Lover; K. Soldiers; L. Cloud Chamber Music; M. Dark Brother.

Item 10: Wlodzimierz Kotonski - Compositions, ca. 1959

Recording number 5106. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Etude Pour Un Seul Coup de Cymbale, 2) Incidental Music for Eugene Ionesco's "Rhinoeros."

Item 11: Henri Pousseur: Electre - Theatre Ensemble and Tape, undated

Recording number 5107. 12" Acetate Reel-to-Reel Tape. Performed by: Madeleine Riviere, Irene Vernal, Henri Billen, Jean Nergal, Ives Larec, Janine Cheirel, Anore Gevrey, Raoul Demanez, cast. Text by Pierre Rhallys. Cuts: 1) After Sophocles.

Item 12: RAI Studios - Compositions (Various Composers), ca. 1960

Recording number 5108. 12" Polyester Reel-to-Reel Tape.  Recorded at the Radio Audizioni Italiane (RAI), Italy. Cuts: 1) Pier Giacomo Castiglioni, Divertimento; 2) Aldo Clementi, Collage No. 2; 3) Gino Marinuzzi, Traiettori.

Item 13: The Sounds and Music of the RCA Electronic Music Synthesizer (Various Composers), ca. 1955

Recording number 5109. 12" Acetate Tape. Note on tape case states "Ca. 1955 ; The Sounds and Music of the RCA Electronic Music Synthesizer." Cuts: 1) Acoustics Demonstration; 2)  J. S. Bach, Composer - The Well-Tempered Clavier: Fugue No. 2; 3)  Johannes Brahms, Composer - Hungarian Dance No.1; 4) Adam, Composer - Oh Holy Night; 5) Bishop, Composer - Home, Sweet Home; 6) Foster, Composer - Medley; 7) Arndt, Composer - Nola; 8) Berlin, Composer - Blue Skies.

Item 14: Polish Experimental Music - Volume I (Various Composers), ca. 1965

Recording number 5112. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Andrzej Markowski - Music for E. Ionesco's Rhinoceros; 2) Andrzej Markowski - Music for the Film "Gulliver"; 3) Andrzej Markowski - Music for Magnetic Tape #1; 4) Zbigniew Wiszniewski - "Db, Hz, Sck" Electronic.

Item 15: Oskar Sala - Sound Studios Compositions, ca. 1958-1961

Recording number 5113. 12" Acetate Reel-to-Reel Tape. Recorded at the Oskar Sala Sound Studio - Mars-Film House, West Berlin. Cuts: 1) Oskar Sala and Remi Gassman - Electronics for the Ballet "Paean" (1958-1960); 2) Five Improvisations on Magnetic Tape;  3) Film Music Plus Some Wagner.

Item 16: Siemens and Halski, Munich (Various Composers), undated

Recording number 5114. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the Studio for Elektronischemusik, Munich. Cuts: 1) Unspecified Composer - Demonstration Tape, 2) Erhard Karkoschka - Drei bilder auf der Differnbarung des Johannes.

Item 17: Southern Illinois University (Harald Bottje, Composer), ca. 1963

Recording number 5115. 12" Polyester Reel-to-Reel Tape. Recorded at Southern Illinois University. All commpositions by Harald Bottje. Cuts: 1) Intuitive Impulse (1963), Produced at Utrecht; 2) Study with Piano (Instruments with Tape); 3) Study in Undertones.

Item 18: Karlheinz Stockhausen - Compositions Volume II, ca. 1959-1960

Recording number 5117. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Kontakte (Electronics Only).

Box 10

Item 1: Gerald Strang - Electronic Music Lecture, 1964

Recording number 5119. 12" Acetate Reel-to-Reel Tape. Recorded at San Francisco State College. Cuts: 1) Electronic Music Lecture Given at the San Francisco State College, Spring 1964.

Item 2: Michiko Toyama - Compositions, undated

Recording number 5120. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Wake (Part I) for Tape & Narration; 2) Wake (Part II); 3) Princess Hollycock (Music Drama for Voices and Tape).

Item 3: University of Michigan - Volume I (Various Composers), 1961-1963

Recording number 5121. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Michigan. Cuts: 1) Michael Von Biel, Egon Mayer (violin), Michael Von Biel and Gordon Mumma (pianos)  - Book Three (1962), Recorded on Febraury 10, 1963; 2) Christian Wolff, Gordon Mumma (Horn), Robert Ashley (piano) - Duet Two for Horn & Piano (1961).

Item 4: Miscellaneous Demonstration Tapes (Various Composers), ca. 1968

Recording number 5122. 12" Acetate Reel-to-Reel Tape. Inside the tape case there is a one-sided, typed, sheet of paper with the title "Outline of Tape for Demonstration of Time Compression and Expansion." The document was composed by Grant Fairbanks, University of Illinois. Cuts: 1) Grant Fairbanks - Speech Compressor / Expander (Vari-Vox); 2) Unspecified composer - Bell Labs Format Tape for Subjective Formant Response; 3) Unspecified composer -  Magnavox Electronic Organ Demonstration Tapes (Dinner Music); 4) Harold Bode - Demonstration Tape of Electronic Instruments; 5) Nicholas Temperley - Subjective Time Test.

Item 5: University of Oregon (Various Composers), 1963

Recording number 5123. 7" Acetate Reel-to-Reel Tape. Recorded at the University of Oregon, January 15th, 1963. Inside the tape case there is a single sheet music program titled "A Program of Contemporary Music." Composers listed on the program include: Pat Chaffin, Krisinte Goplen, Barbara Possman, Michael Vannice, Steven Wolfe, Donald Addison, Ralph Towner, Dennis Atkinson, Keith Taylor, Dick Raajmakers, Lejaren Hiller, Paul Earls, Don Hunter, and Mel Powell. Cuts: 1) Dennis Atkinson - Collage for Tape; 2) Keith Taylor - Sound Piece #1 for Tape; 3) Don Hunter - Patterns.

Item 6: Harmonic Tone Generator - Demonstration (Various Composers), 1963-1965

Recording number 5124. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois utilizing the Harmonic Tone Generator instrument. On this tape, there are sixteen different cuts within two different groups. Note on case states Cuts 1-4 "Improvizations with Harmonic Tone Generator (07/63)."  Note on case states Cuts 5-16 are "Some Examples Using the 6 Harmonic Machine." Cut 4 has five different sound examples.Cuts: 1) James Beauchamp - Study #1; 2) Arthur Maddox and James Beauchamp - Study #2; 3) Arthur Maddox and James Beauchamp - Study #3; 4) Five Modulations by Acoustical Instruments -Movements include: A) Patrick Purswell, Arthur Maddox, and James Beauchamp - Flute and Piano, B) Arthur Maddox and James Beauchamp - Piano, C)  Richard Wyman - Calrinet, D) A. Ratzell and Arthur Maddox - Voice, E) James Beauchamp - Trumpet; 5) Unspecified composer - Separate Harmonics (1-6); 6) Unspecified composer - Phase Modulation (2nd Harmonic, lcps); 7) Unspecified composer - Six F.M. Examples; 8) Arthur Maddox - H.T.G. Keybd. Improvisation (05/1964); 9) James Beauchamp - Microstudy (Realization by Splicing) (January, 1964); 10) James Beauchamp - Microstudy (Realization by Time-Delay) (April,1965); 11) Kenneth Gaburo - Lemon Drops (December, 1965); 12) Salvatore Martirano - Electronic Excerpts from "Underworld" (October, 1964); 13) Salvatore Martirano - Electronic Live rom "Underworld" (October, 1964); 14) Herbert Brun and James Beauchamp (J.S. Bach, Composer) - Excerpt from "Art of Fugue" (1965); 15) Herbert Brun and James Beauchamp - Excerpt from "3-Part Inventions" (1965); 16) James Beauchamp - Tenderly (May, 1965).

Item 7: Morton Subotnick - The San Francisco Tape Music Center, ca. 1964

Recording number 5125. 12" Acetate Reel-to-Reel Tape. Recorded at the San Francisco Tape Music Center. Cuts: 1) UCLA.

Item 8: Utrecht University - Volume I (Various Composers), ca. 1958

Recording number 5126. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the Eindhoven Research Laboratories, Netherlands. Cuts: 1) Henk Badings - Kain and Abel; 2) Henk Badings - Demonstration of Technique for 'Philips Technical Review' Article on Electronic Music; 3) Henk Badings - Kain and Abe (Short Version); 4)  Henk Badings - Dialogues for Man and Machine (1958); 5) Tom Dissevelt - Second Syncopation.

Item 9: Utrecht University - Volume II (Henk Badings), 1959

Recording number 5127. 12" Polyester Reel-to-Reel Tape. Recorded at the Utrecht University Electronic Music Studio. Cuts: 1) Henk Badings - Salto Mortale.

Item 10: Utrecht University - Volume III (Various Composers), 1959-1960

Recording number 5128. 12" Polyester Reel-to-Reel Tape. Recorded at Utrecht University. Cuts: 1) Henk Badings - Die Frau von Andros (1959); 2) Toa De Leeuw - Antiphonie (1960).

Item 11: Utrecht University - Volume IV (Various Composers), ca. 1961

Recording number 5129. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at Utrecht University. Cuts: 1) Henk Badings and Joke Vermeulen, violin - Capriccio for Violin and Two Sound Tracks; 2) Henk Badings - Genese; 3) Henk Badings - Evolution (Ballet Suite); 4) Dick Raaijmakers - Contrasts; 5) Hans Kox - Herkales (1961); 6) Tom Bruynel - Music for Piano and Two Sound Tracks (1961); 7) Jan Boerman - Etude Sonore (1961).

Item 12: Utrecht University - Volume V (Various Composers), ca. 1965-1968

Recording number 5130. 12" Polyester Reel-to-Reel Tape. Recorded at Utrecht University. Inside the tape case is a single-sheet of paper with copyright information listed. Cuts: 1) Tom Dissevelt - Vibration; 2) Rainer Riehn - Chants de Maldoror; 3) Konrad Boehmer - Aspekt; 4) Ramon Zupko - Metacycles.

Item 13: Edgard Varese - Compositions, ca. 1950-1954

Recording number 5131. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Poem Electronique, 2) Deserts, 3) Deserts (Electronic Part Only).

Item 14: Westdeutscher Rundfunk - Compositions Volume I (Various Composers), ca. 1952-1955

Recording number 5132. 12" Acetate Reel-to-Reel Tape. Recorded at Westdeutscher Rundfunk (WDR), Cologne. Note on tape case says "Music from Wor-Koln." Cuts: 1) Herbert Eimert - Einfuhrung; 2) Herbert Eimert - Etude Uber Tongemische (1953-1954); 3) Herbert Eimert - Five Pieces (1953-1954); 4) Herbert Eimert  - Glockenspiel (1953-1954); 5) Gottfried Michael Koenig - Klangfiguren.

Item 15: Westdeutscher Rundfunk - Compositions Volume II (Various Composers), ca. 1956-1958

Recording number 5133. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at Westdeutscher Rundfunk (WDR), Cologne. Cuts: 1) Gottfried Michael Koenig - Essay, Komposition fur Electronische Klange (1957-1958); 2) Franco Evangelisti - Incontri del Fasce Sonore.

Item 16: Joseph Scianni and Robert Wykes - Compositions, ca. 1962

Recording number 5135. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Robert Wykes - Transforms (For 2-Channel Tape Recorder & Percussion Instruments). Performance Tape Only; 2) Joseph Scianni - Horizon South, for Contrabass & Electronic Mutations.

Item 17: Salvatore Martirano - Percussion Loops from Underworld, ca. 1965

Recording number 5138. 12" Acetate Reel-to-Reel Tape. Note on tape case says: "Percussion Sounds (Pre-Recorded) for 'Underworld' by S. Martirano. These sounds were recorded from tape loops." Recorded onto this tape are fifty-two cuts that have been grouped into instrument groups. Cuts: 1-8) Tom-Tom; 9-16) Conga Rolls; 17-20) Brush Rolls (Snare); 21-24) Large Gong; 25-28) Medium Gong; 29-32) Small Gong; 33-36) Sizzle Cymbal; 37-42) Large Cymbal; 43-44) Single Bells; 45-52) Temple Block Roll.

Item 18: Otto Henry - Compositions Volume I, ca. 1963-1965

Recording number 5139. 12" Acetate Reel-to-Reel Tape. There are seven cuts on this tape. Cuts: 1) Three Humors (#3 only - Mischievous); 2) Sonatina from Aknuf; 3) Four Landscapes (#1 only - The Crystal Egg), Performed by: H.G. Wells and Mary Jane Hohenstein, voices; 4) The Land of Wu (Li Po), Performed by Joe Kagel, voice; 5) Triptych from the Bible (#'s 2 - The War in Heaven; The Temptation & 3 - Geneology; The song of songs only), Performed by James Duff, Joe Kagel, Mary Jane Hohenstein, voices; 6) The Humors - Movements include: mvt 1. Somber, mvt 2. Romantic, mvt3. Mischievious (1965), Performed by James Duff, Joe Kagel, and Mary Jane Hohenstein, voices, Recorded at the EMS, Toronto; 7) Unspecified cut - Movements include: mvt 1. Prelude and March, mvt 2, Sonatina (AKNUF), mvt 3. Fantasia, mvt 4. Chaconne (1963).

Box 11

Item 1: Max Neuhaus - Realizations of John Cage, 1965

Recording number 5143. 12" Acetate Reel-to-Reel Tape. Performed by Max Neuhaus, percussionist. Cuts: 1) Tape and Live Sounds. Recorded April 13, 1965; 2) Tape and Live Sounds. Recorded April 24, 1965.

Item 2: Mel Powell - Compositions, ca. 1963-1970

Recording number 5144. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois Krannert Center.  Note on tape case says: "Cut 3 extracted on 7/29/70 for 8/7/70 concert in Studio Theatre, Krannert Center. ; Cut 3 re-instated on 11/15/70." Cuts: 1) Second Electronic Setting (1963); 2) Events (1963), Text is of Hart Crane's "Legend," Performed by Mildred Dunnock, Martha Scott, Lee Bowman, voices and tape; 3) Analogue I (1965); 4) Analogue II (1965); 5) Analogue III (1965); 6) Analogue IV (1965); 7) Imobilles (for Tape and Diverse Instruments). Note on tape case says: "for tape part only."

Item 3: Herbert Deutsch - Compositions, ca. 1965

Recording number 5145. 12" Polyester Reel-to-Reel Tape. Cuts: 1-4) Sonata for Tape Recorder (four movements); 5) Passacaglia; 6) The Road (With a Nod to Charles Ives). Recorded utilizing Moog equipment and harpsichord.

Item 4: Herbert Brun - Compositions II, 1967

Recording number 5146. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Chamber Ensemble. Herbert Brun, Conductor. Cuts: 1) Sonoriferous Loops; 2) Infraudibles (Original Version); 3) Infraudibles (Short Version); 4) Infraudibles (Shortest Version).

Item 5: East Berlin Experimental Music Studio - Demo (Various Composers), ca 1963-1964

Recording number 5147. 12" Acetate Reel-to-Reel Tape. Note on tape casse says: "The Art of Sounds Employing the Subharchord." Recorded at the East Berlin Experimental Music Studio, East Berlin. Inside the tape case are four typed pages, written in German, of composition information. The document is titled: "Experimentelle Musik I 1963/64." Cuts: 1) Hans Hendrik Wehding - Concertino for Electronic Sounds; 2-3) Hans Hendrik Wehding - 2 Examples from the Perparations for an Orchestral Ballad; 4) Hans Hendrik Wehding - Examples from Sound Experiments with the Sobharchord. Note on tape case says: "see enclosed sheet for further breakdown"; 5) S. Hornig - Sounds for TV film "Ingenieure"; 6) Wolfgang Hohensee - Sounds for the TV Detective Series "Die Spur Fuhrt in Den 7 Himmel"; 7) S. Hornig - Sounds for the TV Film "Schrechgespenst Automation"; 8) Hopfner - Excerpts from the Children's Play "Sudostlich Des Mondes"; 9) Addy Kurth - Der Faule Zauberer; 10) Addy Kurth - Theme from the Pupper Film Mab for Mab; 11) W. Kubiczek - "Ein Stadtbummel" Foxtrot.

Item 6: Kenjiro Ezaki - Compositions, ca. 1964

Recording number 5148. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois Experimental Music Studio. Cuts: 1) Electronic Composition #2.

Item 7: Ghent University - Volume II (Various Composers), ca. 1964

Recording number 5149. 12" Polyester Reel-to-Reel Tape. Recorded at Ghent University, Ghent. Cuts: 1) Lucien Goethals - Endmorrfe; 2) Lucien Goethals - Cellotape; 3) Didier Gazelle - Stochas; 4) Louis Debras - Klangstructuren; 5) Lucien Goethals - Studie V; 6) Karel Goeyvaerts - Studie Vour Piano.

Item 8: Makoto Moroi - Compositions, ca. 1964

Recording number 5150. 12" Acetate Reel-to-Reel Tape. Note on tape case says: "See also Tape 5090." Cuts: 1) Kusabira (Mushroom) for 2 Voices and Electronic Sound.

Item 9: Terry Rusling - Compositions, ca. 1964-1965

Recording number 5151. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Black & White; 2) Variations on Black & White; 3) Freedom; 4) Spatial Motion; 5) Haiker #1; 6) Composition #1; 7) Variation; 8) Three Blind, etc.; 9) Furthermore; 10) Frag. Des.; 11) Sans Motion Quickly.

Item 10: Edgard Varese - Deserts, undated

Recording number 5152. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Wind Ensemble, Robert Gray, Conductor. Tape music prepared on the RCA Electronic Music Synthesizer. Cuts: 1) Deserts.

Item 11: Polish Experimental Music - Volume II (Various Composers), 1965-1966

Recording number 5153. 12" Polyester Reel-to-Reel Tape. Inside the tape case are three typed half-sheets of paper with composition  and playback information. Note on tape case says: "WARNING: Handle this tape with great care. It is 1 mil polyester!! Avoid excessive fast-forward & rewind." For cuts 3-5, note on tape case says: "See also 5154." Cuts: 1) Boguslaw Schaffer - Movimento Sinfonico (1965); 2) Andrzej Dobrowolski - Music for Oboe & Tape (1965); 3) Eugeniusz Rudnick - Collage (1965); 4) Eugeniusz Rudnick - Eorsen (1965); 5) Boguslaw Schaffer - Assemblage I (1966); 6) Boguslaw Schaffer - Assemblage II (1966).

Item 12: Polish Experimental Music - Volume III (Various Composers), 1963-1966

Recording number 5154. 12" Polyester Reel-to-Reel Tape. Note on tape case says: "WARNING: Handle this tape with great care. It is 1 mil polyester!! Avoid excessive fast-forward & rewind" and "The remainder of the tape consists of extra copies of 5153-3, 5153-4, and 5153-5." Cuts: 1) Boguslaw Schaffer - Assemblage III (1966); 2) Zbigniew Wiszniewski - Burlesque (1963).

Item 13: Czech Experimental Music (Rudolf Komorous, Composer), ca. 1965

Recording number 5157. 12" Polyester Reel-to-Reel Tape. All cuts composed by Rudolf Komorous. Cuts: 1) Olympia, 2) Komorou, 3) The Graveston of Malevitch.

Item 14: Hermann Heiss - Missa, ca. 1956

Recording number 5158. 12" Acetate Reel-to-Reel Tape. Note on tape case says: "Herman Heiss ; Missa for alto tenor, chorus, and electronic sounds." Performed by Anita Christie, alto ; Georg Maron; Chorus of the Austrian Radio, Hermann Heiss, Conductor. Cuts: 1) Incantation, 2) Kyrie, 3) Gloria, 4) Credo, 5) Agnus Dei, 6) Sanctus.

Item 15: University of Cordoba - Experimental Music (Various Composers), ca. 1965

Recording number 5159. 12"  Polyester Reel-to-Reel Tape. Recorded at University of Cordoba, Cordoba. Cuts: 1) Horacio Vaggione - Lineal Electronic; 2) Pedro Echarte - Treno Tape; 3) Oscar Bazan - Simbiosis Tape; 4) Graciela Castillo - Dos Dialogos Tape.

Item 16: H.S. Howe - Compositions, Date unknown

Recording number 5161. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Composition for Two Speakers. Movements include: mvt 1. 0=84, mvt 2. d=72, mvt 3. Canon !=72, mvt 4. 0=84.

Item 17: Emmanuel Ghent - Experimental Compositions, ca. 1970

Recording number 5162. 12" Acetate and Polyester Reel-to-Reel Tape. Inside the tape case are two typed sheets of paper with information regarding "Phosphones." Cuts: 1) Hex, An Ellipsis for Trumpet, Instruments, and Tape [Note on the tape case says: "This is electronic music alone. No inst. except A. #177-374 B. Coda. Here performance is spliced in"]; 2) Phosphones, Composed at the Bell Telephone Laboratories with use of the GR00VE program and a Honeywell DDP-224 computer; 3) Computer Brass. Note on case says "cue tape for Divertimento for electronic violin and computer brass."

Item 18: Schroer - Golden Mean Harmonics Demonstration Tape, Date unknown

Recording number 5164. 12" Polyester Reel-to-Reel Tape. Note on tape case says: "See breakdown sheet inside box." Inside the tape case is a hand-written two-sided sheet of paper with fifty-three sounds described. Cuts: 1-53) "Golden Mean" Harmonic Demonstrations.

Box 12

Item 1: Garry Grossman - Compositions, 1966

Recording number 5166. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Composition utilizes Illiac II computer. Note on tape case says: "Composer's master." Inside the tape case are four typed sheets of paper titled "Four Studies for ILLIAC II by Gary R. Grossman." Cuts: 1) Four Studies for Illiac II. Movements include: mvt 1. Points, mvt2. Line, mvt3. Lines of Points, mvt4. Isorhythm.

Item 2: Donald Andrus - Compositions Volume I, ca. 1962-1964

Recording number 5167. 12" Acetate Reel-to-Reel Tape. Inside the tape case is a copy of a hand-written sheet of paper with track information. Cuts: 1) Electronic Study II (Pssh) (1964), Recorded at Utrecht University; 2) Imbrications (1962), Performed by Maddox and Purswell (pianos), Levy (piano strings), Ranta (percussion); 3) Macbeth Music Tape 'B', Recorded at the University of Illinois.

Item 3: Donald Andrus - Compositions Volume II, 1964

Recording number 5167A. 12" Acetate Reel-to-Reel Tape. Inside the tape case are three hand-written copies of paper regarding lists of track times. Note on tape case says: "Composer's master." Recorded at the University of Illinois. Cuts: 1) Tape for Macbeth Production.

Item 4: University of Illinois - Experimental Compositions Volume III, ca. 1965-1969

Recording number 5168. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Lee Chegwidden - Retro Grade Spiral Study (1965); 2) Olly Wilson - Setus (1967); 3) Terry Mohn - Sky Sine; 4) William Defotis - The Clap; 5) Janet Gilbert - The Orange Book; 6) Charles Madden - Four Little Radio Pieces (1969).

Item 5: Lejaren Hiller - A Triptych For Hieronymus, ca. 1965

Recording number 5169. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Note on tape case says: "Master Recording." There are five cuts on this tape. Cuts: 1) First Act - Movements include: mvt1. Third Day of Creation, mvt 2. Fauna, mvt 3. Chorale, mvt 4. Dance of Death; 2) First Entr'acte; 3) Second Act - Movements include: mvt 1. Barkers' Fuge, mvt 2. First Takeoff, mvt 3. The Golden Mean, mvt 4. Second Takeoff, mvt 5. Hurdy-Gurdy, mvt 6. Third Takeoff, mvt 7. Vox Humana, mvt 8. Fourth Takeoff, mvt 9. Billboard Music; 4) Seond Entr'acte; 5) Third Act - Movements include: mvt 1. The Junction, mvt. 2 Conclusion.

Item 6: Lejaren Hiller - A Triptych for Hieronymus (Performance Cues), ca. 1965

Recording number 5170. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Third Day of Creation, 2) Fauna, 3) Chorale, 4) Dance of Death, 5) First Entr'acte, 6) Barkers' Fugue, 7) First Takeoff, 8) The Golden Mean, 9) Second Take Off, 10) Hurdy-Gurdy, 11) Third Takeoff, 12) Vox Humana, 13) Fourth Takeoff, 14) Billboard Music, 15) Second Entr'acte, 16) The Junction, 17) Conclusion.

Item 7: Lejaren Hiller - Primarily Act III, 1966

Recording number 5171. 12" Acetate Reel-to-Reel Tape. Recorded in August, 1966. Performed by the Contemporary Chamber Players. Jack McKenzie, Condcutor. Cuts: 1) Concert Performance, 2) Rehearsal Performance.

Item 8: Lejaren Hiller - An Avalanche..., ca. 1968

Recording number 5172. 12" Acetate Reel-to-Reel Tape. Cut 3 contains seven sound examples credited to different artists. Note on tape case says: "Lejaren Hiller - #39 An Avalanche for Pitchman, Prima Donna, Player Piano, Percussionist, and Prerecorded Voices." Cuts: 1) Studio Recording, Recorded June, 1968; 2) Depot Performance, Recorded April 4, 1968; 3) Cue Tape (submaster) - Movements include: A. Herbert Marder - Quotation from Henry Miler, B. Jerry Briske - Quotation from Frank Lloyd Wright, C. Frank Parmon - Quotation from Frank Parmon, D. John Cage - Quotation from John Cage, E. Jean Michel - Quotation from N. Lenin, F. Stars and Stripes Forever; 4) Player Piano Only.

Item 9: Jim Randall - Computer Pieces, 1965-1968

Recording number 5173. 12" Acetate Reel-to-Reel Tape. Note on tape case says: "Realized with Princeton (but not Columbia-Princeton) IBM 7094 Computer D/A conversion accomplished at Bell Telephone Laboratories, Murray Hill, N.J." Cuts: 1) Mudgett: Monologues by a Mass Murderer (1965) - Movements include: A. Electronic Prelude, B. Toronto (I Leave My Recently Adopted Children Alice and Nellia at 16 St. Vincent Street); 2) Lyric Variations for Violin and Computer (1968), Performed by Zukofsky, violin.

Item 10: George Newson - Compositions Volume I, 1967

Recording number 5174. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Note on tape case says: "Tape only (with text)." Cuts: 1) Silent Spring.

Item 11: George Newson - Compositions Volume II, ca. 1966

Recording number 5175. 12" Acetate Reel-to-Reel Tape. Recorded for BBC broadcast. Text by Leonard Smith. Cuts: 1) The Man Who Collected Sounds.

Item 12: Lejaren Hiller - Suite for Two Pianos and Tape, 1967

Recording number 5176. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois Smith Music Hall. Performed by Roger Shields and Neely Bruce, pianos ; Carl Volkers, tape. Recorded on March 29, 1967. Cuts: 1) Suite for Two Pianos and Tape, 2) Applause.

Item 13: Lejaren Hiller - Suite for Two Pianos and Tape,, ca. 1967-1968

Recording number 5176A. 12" Acetate Reel-to-Reel Tape. 2nd Generation copy. Recorded at the University of Illinois. Cuts: 1) Retrospects - Movements include: A. Animal Dance, B. Estample; 2) Circumspects - Movements include: A. Carnival Time, B. Sonata A Cuatro, C. Magician's Waltz, D. Vox Humana, E. Grand Parade; 3) Prospect (Intrada), Performed by Roger Sheilds and Neely Bruce (piano), Recorded January, 1968.

Item 14: Lejaren Hiller - Miscellaneous Volume II, ca. 1961- 1963

Recording number 5177. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Music for "Time of the Heathen," 2) Computer Cantata.

Item 15: Lejaren Hiller - Algorithms I (Version Zero), ca. 1967

Recording number 5178. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Contemporary Chamber Players. G. Allen O'Conner, Conductor. Cut 3 has been divided into five parts. Cuts: 1) The Decay of Information; 2) Icosahedron; 3) The Incorporation of Constraint - Movements include: A. Recording Sessions, (has tape dubbed in), Recorded on  May, 8 1967, B.  2nd Movement of the Above Without Tape Part Added, C. Recording Session, Recorded July 2, 1967, D. Concert Performance, Recorded July 2, 1967, E. Cue Tapes for 2nd Movement.

Item 16: Toshi Ichiyanagi - Japanese Electronic Music, 1962-1966

Recording number 5179. 12" Acetate Reel-to-Reel Tape. Inside the tape case is a had written two-sided sheet of paper titled "List of works by Toshi Ichiyanagi." Cuts: 1) Situation for Biwa, Koto, Violin, Double Bass, Piano Forte, Multiplier (1966); 2) Life Music for Chamber Ensemble (1964); 3) "Sapporo" for 15 Performers and a Conductor (1962).

Item 17: Robert Erickson - Compositions, ca. 1967

Recording number 5180. 12" Polyester Reel-to-Reel Tape. Cuts: 1) RICERCAR A5. Performed by Stewart Dempster, trombone; 2) Piece for Bells & Toy Pianos; 3) Roddy.

Item 18: Salvatore Martirano - Compositions Volume II, ca. 1959-1963

Recording number 5181. 12" Acetate Reel-to-Reel Tape. Cuts: 1) O, O, O, O, That Shakespeherian Rag, 2) Underworld (Cue Tape, Three Parts).

Item 19: Gyorgy Ligeti - Compositions Volume III, undated

Recording number 5182. 12" Acetate Reel-to-Reel Tape. Performed by the University of Illinois Chamber Players. Herbert Brun, Conductor. Recorded at the University of Illinois. Cuts: 1) Aventures, 2) Nouvellas Aventures.

Box 13

Item 1: James Cuomo - Compositions Volume III, 1967

Recording number 5183. 12" Acetate Reel-to-Reel Tape. Performed by Mike Russell, tuba ; Don Elam, flute ; Gary Grossman, Conductor. Recorded at the University of Illinois Gregory Hall. Cuts: 1) Zetos 2...,2* For Tuba, Flute.

Item 2: George Newson - Compositions Volume III, ca. 1957-1966

Recording number 5184. 12" Acetate Reel-to-Reel Tape. Note on tape case says: "George Newson - 'The Composer Develops' (BBC program)." Cuts: 1) Variations For Cello Alone (1957); 2) Song Cycle "3 Interiors" for Soprano, Wind Quartet, and Double Bass; 3) Quintet 1962; 4) Songs From "The Man Who Collected Sounds."

Item 3: Japanese Electronic Music Volume II, ca. 1962-1963

Recording number 5186. 12" Acetate Reel-to-Reel Tape. Cuts: 1) M. Morei - Variete; 2) Yukihiro Takahashi - Phonogene (1962); 3) Toshi Khiyanagi - Parallel Music; 4) Jyeji Yuasa - Projection Enplastic (1963).

Item 4: University of Illinois Computer Demos (Various Composers), ca. 1963-1971

Recording number 5189. 12" Acetate Reel-to-Reel Tape. Recording utilizes Illiac II computer. Inside the case are three documents (two hand written and one typed). The documents have composition and track information on them. Cut 1 contains five sound selections with several examples per selection. Cuts: 1) Alton Otis - Time Compression Experiments with the Illiac II Computer; A. Original, B1, Time compressed, B2 Expanded ; C1, Tone Burst, C2, 100ms Reverb, C3 Schroeder Reverb, D. Reverberated Singing, E1. Reverberated Singing, E2. Expanded Britten; 2) Alton Otis - Reverberation Experiments; 3) Alton Otis - Whipped Cream; 4) Neeley Bruse and Gary Nelson - Trials of Psyche (1971); 5) Gerald Strang - Composition #4 ; 6) Gerarld Strang - Piece for IBM 7090, Recorded in the Bell Laboratories.

Item 5: Abram Plum - Compositions Volume I, 1966-1967

Recording number 5190. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Once Upon a Time (1966); 2) Impromptu (1966); 3) Four Studies (1967); 4) Improvisation II (1967).

Item 6: Abram Plum - Compositions Volume II, 1967

Recording number 5191. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Improvisation IV, 2) Improvisation V.

Item 7: Otto Henry - Compositions Volume II, 1964-1969

Recording number 5192. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Pericles (1967); 2) The Temptation (from Lucifer) (1964); 3) The Old Glory: Prelude I (1966); 4) The Old Glory: Prelude II (1966); 5) The Sears Box (1967), Performed by Valorie DeCasas, soprano; 6) Gloria Mundi (1969), Performed by the East Carolina Univversity Band; 7) Beethoven's Fifth (1969).

Item 8: Otto Henry - Compositions Volume III, 1966

Recording number 5193. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Symphony in One Movement, Recorded in June, 1966; 2) Midnight Special, Recorded in July, 1966; 3) Symphony No. VI in 4  Movements (1966); 4) Passages (1966).

Item 9: Stefan Wolpe - Compositions, ca. 1962

Recording number 5194. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Form, Performed by Katherine Wolpe, piano; 2) Piece in Two Parts for Six Instruments, Performed by Park Lane Ensemble and Jacques Louie-Monad.

Item 10: Phil Winsor - Compositions, 1966-1967

Recording number 5195. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Melted Ears for 2 Pianos (1967) Recorded at the University of Illinois for the Contemporary Directions Series at the  University of Michigan. Performed by William Albright and Tom Warbarton pianos; 2) Sound Study III (Bride Unveiled) (1966).

Item 11: Maryanne Amacher - Here, ca. 1966

Recording number 5199. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Unspecified track title, 2) Unspecified track title.

Item 12: Polish Experimental Studio Compositions - Warsaw Studio (Various Composers), ca. 1966

Recording number 5200. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at Poland Radio-Warsaw Studio, Warsaw.  Inside the tape case are six typed documents with composition information. Cuts: 1) Arthur Maddox - Hi-Lo-Joy Honk; 2) Boguslaw Schaffer - Symphonie; 3) Bohdan Mazurek - Bozzetti; 4) Francois Bernard Mache - Nuit Blanche.

Item 13: Joji Yuasa - Compositions, ca. 1970

Recording number 5201. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Icon, for Tape, 2) Projections, for Eight kotos and Orchestra, 3) Interpretations, for Two Flutes, 4)  Music for a Noh Play (Concrete Tape Excerpts).

Item 14: Salvatore Martirano - Underworld for Tape and Instruments, ca. 1965

Recording number 5202. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Performed by the University of Illinois Contemporary Players. Cuts: 1) Underworld for Tape and Instruments.

Item 15: Salvatore Martirano - L's G.A., 1968-1973

Recording number 5203. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) L's G.A. for Speaker, film, and Tape (1968) ; 2) Sal=Mar #1 (1973).

Item 16: Nigel Butterley - In the Head the Fire, ca. 1966

Recording number 5208. 12" Acetate Reel-to-Reel Tape. Cuts: 1) In the Head the Fire.

Item 17: Utrecht (University) Experimental Studio (Various Composers), ca. 1968

Recording number 5209. 12" Polyester Reel-to-Reel Tape. Recorded at the Utrecht Exterimental Studio, Utrecht. Cuts: 1) Peter Schat - De Aleph (1964-1965); 2) Makoto Shinohara - Visions (1965); 3) Gottfried Michael Koenig - Terminous II (1967); 4) Gary McKenzie - Luminations (1965); 5) Jaap Vink - Screen (1968).

Item 18: Joel Chadabe - Compositions, ca. 1967

Recording number 5211. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the State University of New York - Albany. Cuts: 1) Albanymusic 3 ; 2) Street Scene Tape Piece (1967).

Box 14

Item 1: Joel Chadabe - Mod 3, ca. 1969

Recording number 5211A. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Mod 3 ; 2) Rendezvous (1969).

Item 2: J.D. Robb -- Compositions, 1964-1966

Recording number 5212. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the Rio Grande Electronic Music Lab, Albuquerque. Cuts: 1) Torontoniana; 2) Pleasant Obsession; 3) Pulsations of Tone; 4) Spatial Serenade; 5) Four Nature Poems (Spring, Summer, Sea, The Cavern); 5) Fantasy of Echoes (Remembered Song, For the Birds, Tarantella).

Item 3: Illiac II Sound Synthesis, undated

Recording number 5213. 12" Polyester Reel-to-Reel Tape. Performed using the Illiac II computer. Only Cut 1 has a composer listed. Recorded at the University of Illinois. Cuts: 1) Bob Miller and Ehrlin - Sabre Dance; 2) Tonight; 3) "America" - West Side Story; 4) Flight of the Bumblebee; 5) West Side Story (Misc); 6) Illiac Suite; 7) West Side Story.

Item 4: Lejaren Hiller - Algorithms I, 1968

Recording number 5214. 12" Polyester Reel-to-Reel Tape. Note on tape case states that this tape is a "Submaster/Composer's Master" recording. Recorded at the University of Illinois. Cuts: 1) First Movement: A. Version I, B. Version II, C. Version III, D. Version IV ; 2) Second Movement: Version I, B. Version II, C. Version III, D. Version IV ; 3) Third Movement: A. Version I, B. Version II, C. Version III, D. Version IV.

Item 5: Lejaren Hiller - Algorithms I Cue Tape, ca. 1968-1971

Recording number 5214A. 12" Polyester Reel-to-Reel Tape. Inside the tape case is a typed half sheet of paper with composition information. Recorded at the University of Illinois. Cuts: 1) Algorithms I, Version IV Cue-Tape - (With Cue for Third Entrance in Third Movement); 2) A Triptych for Hieronymus (1966), Recorded February 17, 1971.

Item 6: Lejaren Hiller - A Triptych for Hieronymus, ca. 1965

Recording number 5215. 12" Acetate Reel-to-Reel Tape. Note on tape case says: "Compiled from the Suite (2 pnos., tape), Primarily Act II, and other fragments." Cuts: 1) Frame, 2) Act One, 3) Frame, 4) Act Two, 5) Frame, 6) Act Three, 7) Frame.

Item 7: Charles Hamm - Compositions, ca. 1963

Recording number 5216. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Canto, Performed by the University of Illinois Chamber Players, Helen Hamm (soprano); 2) Canto; 3) Canto; 4) Round (Performance).

Item 8: Goethals, Devcic, Zupko (Various Composers), ca. 1968

Recording number 5217. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Lucien Goethals - Sinfonia Engris Mateur, Performed by the Belgium Radio Orchestra, Michael Grelan, Conductor; 2) Matko Devcic - Columbia '68, Recorded at the Columbia-Princeton Music Center; 3) Ramon Zupo - Transients.

Item 9: A. H. Frisch - Various Tape Experiments, ca. 1966

Recording number 5218. 12" Acetate Reel-to-Reel Tape. Inside this tape case is a one-page signed letter from the Law Offices of Frisch & Goldfluss to Lejaren Hiller. The letter is dates December 5, 1966. Cuts: 1) Bach Fuge #11; 2) Frere Jacques; 3) A H F Original Counterpoint; 4) Harmonizing the Scale; 5) Bass Horn and Tremolos; 6) Cross Rhythm Tom-Toms - v/1, v/3. v/6, v/9, v12.

Item 10: SMU Concert Series I (Various Composers), ca. 1964

Recording number 5219. 12" Acetate and Polyester Reel-to-Reel Tape. Inside the case is a typed half sheet of paper with composition titles. Note on tape case states that this tape is a "Performance Master." Cuts: 1) Gordon Mumma - Megaton for William Burroughs; 2) Gordon Mumma - Three Temps from the Space Theater; 3) George Wilson - Fragments; 4) John Hassell - Sequence Arrangement No. 1 (1964), Recorded in Toronto; 5) Ramon Sender - Triad.

Item 14: Victor Grauer - A Small Dog, ca. 1968

Recording number 5221. 12" Acetate Reel-to-Reel Tape. Note on tape case says that this is a "Master Recording." Recorded at the University of Illinois. Cuts: 1) A Small Dog (1968); 2) For a Depot Production.

Item 15: Iannis Xenakis - Compositions, ca. 1953-1957

Recording number 5222. 12" Acetate Reel-to-Reel Tape. Inside the tape case there is an index card with information regarding the track listings and tape speed. Cuts: 1) Metastasis, 2) Pithoprakta, 3) Achorripsis, 4) ST/10-1,08062.

Item 16: Morton Feldman / Iannis Xenakis - Compositions, ca. 1960-1962

Recording number 5227. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Morton Feldman - Swallows of Salangan; 2) Iannis Xenakis - Atrees.

Item 17: Ben Johnston - Compositions, 1968

Recording number 5230. 12" Acetate Reel-to-Reel Tape. Recorded at the Columbia-Princeton Music Center. Cuts: 1) Ben Johnston and Emmanuel Ghent - Co-ordinate Realization of Knocking Piece.

Item 18: Ben Johnston and Jaap Spek, ca. 1969

Recording number 5230A. 12" Acetate Polyester Reel-to-Reel Tape. Cuts: 1) Ben Johnston and Jaap Spek - From Kindergatenlieder, Recorded at the University of Illinois; 2) Ben Johnston - Hickory Dickory Dock; 3) Ben Johnston - Clickety Clack; 4) Ben Johnston - Who-ee Who-ee; 5) Ben Johnston - .. 1 Same as #1 but Mono; 6) Ben Johnston and Jaap Spek - Automobile Tape #1 (1969) [Note on tape case says "Automobile tape #1 and Automobile tape #2 to be played simultaneously."]; 7) Ben Johnston - Automobile Tape #2 (1969); 8) Ben Johnston - Casa Bertram, Performed by Bertam Turetsky, solo bass and tape delay.

Box 15

Item 1: Wolf Rosenberg - Compositions Volume I, 1968-1969

Recording number 5231. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Electronic Study #1  ; 2) Electronic Study #2.

Item 2: Wolf Rosenberg - Compositions Volume II, ca. 1970

Recording number 5232. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Tapestry (Electronic Study #3) (1969); 2) Flashes (Electronic Study #4) (1969-1970); 3) Loopholes (1971) Recorded at Ohio State University; 4) Crocket (1970).

Item 3: Wolf Rosenberg - Compositions Volume III, ca. 1969

Recording number 5232A. 12" Acetate Reel-to-Reel Tape. 1/2" 4 Track tape. Recorded at the University of Illinois. Inside the case is two copies of a four page typed document titled "Crocket by Pamela Rosenberg." Note on tape case states that this is a "Master Recording." Cuts: 1) Crockett. Performed by James Hurt, voice ; David Barron, barritone.

Item 4: Maronn - Demonstration I, undated

Recording number 5233. 12" Acetate Reel-to-Reel Tape. Inside the tape case is a single page typed document written in German. Cuts: 1) Maronn Demo Tapes - Reel I.

Item 5: Maronn - Demonstration II, undated

Recording number 5234. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Maronn Demo Tapes - Reel II.

Item 6: SMU Concert Series II (Various Composers), ca. 1964-1968

Recording number 5235. 12" Acetate Reel-to-Reel Tape. inside the tape case is a single paged type document with Tulane University letterhead. The document has composition information on it. Note on tape case indicates that this tape is a "Performance Master." Cuts: 1) Morton Subotnick - Yod; 2) Jean Ivery - Pinball; 3) Ernst Krenek - Quitonia; 4) Jean Ivey - Enter Three Witches (1964), Recorded in Toronto; 5) David Ahlstrom - Two Dances from "NO EXIT"; 6) Roberto Gerhard - Caligula; 7) Paul Epstein - Intersections I (1968) Recorded at Tulane University.

Item 7: Indiana University Student Compositions (Various Composers), undated

Recording number 5237. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Brady J. - Interplay.

Item 8: Utrecht (University) 68/69 Volume I (Various Composers), 1968-1969

Recording number 5239. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Gottfried Michael Koenig - Funktion Blau (1969); 2) Gottfried Michael Koenig - Funktion Orange (1968); 3) Gottfried Michael Koenig - Funktion Violett (1969); 4) J.L. Delas - Nubes (1969)

Item 9: Utrecht (University) 68/69 Volume II (Various Composers), 1968-1969

Recording number 5240. 12" Polyester Reel-to-Reel Tape. Note on tape case says: "Double check titles!! (5/89) ; Date Recorded: 7/1/70 ; Copy Calibration: CCIR." Cuts: 1) Frits Weiland - Textaur (1968); 2) Luctor Ponse - Radiophonie II (1969); 3) Werner Kaegi - Hydrophonie I (1969).

Item 10: Warsaw I (Polish Experimental Studio Compositions - Various Composers), 1960-1965

Recording number 5241. 12" Polyester Reel-to-Reel Tape. Inside the tape case are three typed pages with composition information listed. Recorded at the Polish Radio Experimental Studio, Warsaw. Cuts: 1) Wlodzimierz Kotonski - Etudis (1960); 2) Krzysztof Penderecki - Psalms (1961); 3) Z.B. Wisniewski - Db, Hz, S (1962); 4) Andrzej Dobrowolski - Music for Tape #1 (1962); 5) Wlodzimierz Kotonski - Microstructures (1963); 6) Tomasz Sikorski - Echoes II (1963); 7) Andrzej Dobrowolski - Music for Oboe and Tape (1965); 8)  Eugeniusz Rudnik - Collage (1965); 9) Eugeniusz Rudnik - Korzen (1965)

Item 11: Warsaw II (Polish Experimental Studio Compositions - Various Composers), 1963-1966

Recording number 5242. 12" Polyester Reel-to-Reel Tape. Note on tape case says: "Cue tape of compositions for instruments (or voice) with tape. Tape part only." Recorded at the Polish Radio Experimental Studio, Warsaw. Cuts: 1) Andrzej Dobrowolski - Music for Oboe and Tape (Tape Part Only) (1965); 2) Tomasz Sikorski - Echoes II (Piano Manipulation) (1963); 3) Francois Bernard Mache - Nuit Blanche (1966).

Item 12: Warsaw III (Polish Experimental Studio Compositions - Various Composers), ca. 1966-1967

Recording number 5243. 12" Polyester Reel-to-Reel Tape. Recorded at the Polish Radio Experimental Studio, Warsaw. Cuts: 1) Boguslaw Schaeffer - Assemblage I (1966); 2) Boguslaw Schaeffer - Assemblage II (1966); 3) Boguslaw Schaeffer - Assemblage III (1966); 4) Francois Bernard Mache - Nuit Blanche (1966); 5) Arthur Maddox - Hi-Lo-Joy Honk (1967); 6) Andrzej Dobrowolski - Music for Strings, Two Groups of Winds and 2 Loudspeakers.

Item 13: Warsaw IV (Polish Experimental Studio Compositions - Various Composers), 1967-1969

Recording number 5244. 12"  Polyester Reel-to-Reel Tape. Recorded at the Polish Radio Experimental Studio, Warsaw. Cuts: 1) Boguslaw Schaeffer - Homage to Strezeminski (1967); 2) Boguslaw Schaeffer - Bozzetti (1967); 3) Eugeniusz Rudnik -  Dixi (1967); 4) Bohdan Mazorek - Epitafium (Epitaph) (1969); 5) Eugeniusz Rudnik - Rondo (1969); 6) Boguslaw Schaeffer - Koncert Na Tasme (Concerto for Tape) (1969); 7) Arne Nordheim - Solitaire (1969).

Item 14: Boguslaw Schaeffer - Compositions, 1968

Recording number 5245. 12" Polyester Reel-to-Reel Tape. Note on tape case says: "Broadcasting Opera to texts of J. Ritsos and G. Seferis." Performed by Irena Jun, speaker; Bohdan Mazurek, collaborator. Cuts: 1) Monodram

Item 15: Warsaw V (Polish Experimental Studio Compositions - Various Composers), ca. 1966

Recording number 5247. 12"  Polyester Reel-to-Reel Tape. Recorded at the Polish Radio Experimental Studio, Warsaw. Cuts: 1) Boguslaw Schaeffer - Symphonie; 2) Vittorio Gelmetti - L'opera Abbandonata Tace e Volge la Sua Cavita Verso L'estero; 3) Bohdan Mazorek - Phantasma.

Item 16: Warsaw VI (Polish Experimental Studio Compositions - Various Composers), ca. 1969

Recording number 5248. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the Polish Radio Experimental Studio, Warsaw. Cuts: 1) Boguslaw Schaeffer - Koncert Na Tasma i Harfel Sama Tasma; 2) Wlodzimierz Kotonski - Tre Contra Tre; 3) Bohdan Mazurek - Dswiek do Filmu Telewiszjnego "Omgivelser" Wokol Nas. Performed by K. Kolberg, author; 4) Tomasz Sikorski - Anitphony for Instruments, Voice, and Tape. Performed by J. Hendrick, soprano; Tomasz Sikorski, piano; I; Palazewski, horn; M. Czerniski, percussion.

Item 17: Gordon Mumma - Compositions Volume II, 1963-1965

Recording number 5249. 12" Acetate Reel-to-Reel Tape. Cuts: 1) Music from the Venezia Space Theater (1963). Recorded at the Co-operative Studio, Ann-Arbor; 2) The Dresden Interleaf (1965).

Box 16

Item 1: Teodor Grigoriu - Compositions, ca. 1965

Recording number 5253. 12" Acetate and Polyester Reel-to-Reel Tape. Inside this tape case are two hand written pages, with the tite "Electrecord record ECD 1075." Those pages have several composition titles listed under "side 1," "side 2," and "side 1 data."  There are also four pink catalog/index cards from the University of Illinois Experimental Music Studio with hand-written composition titles listed. It is unclear as to what compositions are actually on this tape. Cuts: 1) Unspecified composition(s).

Item 2: Lejaren Hiller - An Avalanche... (Depot Performance), ca. 1968

Recording number 5254. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) An Avalanche..., 2) Primarily Act III (Cue Tape).

Item 3: Ramon Zupko - Compositions, ca. 1966

Recording number 5255. 12" Acetate Reel-to-Reel Tape. Inside the tape case is a single typed sheet of paper with information about the composition Metacycles. Cuts: 1) La Guerra, 2) Transients, 3) Metacycles.

Item 4: Aurel Stroe - Compositions, ca. 1962-1966

Recording number 5256. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Laudes I ; 2) 28 Strings ; 3) Arcade.

Item 5: Kenneth Gauburo - Compositions, ca. 1964-1965

Recording number 5257. 12" Acetate Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) For Harry (Dedicated to Harry Partch) (1965). Note on tape case says: "Realized with the Harmonic Tone Generator and Monochord"  ; 2) Lemon Drops (1964). Note on tape case says: "Realized with the Harmonic Tone Generator alone." ; 3) Wasting of Lacrecetzia (1963). Note on tape case says "Pre-recorded and electronic sound." ; 4) Pat Millie's Lament. Performed using electronic sounds and pre-recorded sounds of the University of Illinois Jazz Band. ; 5) Antiphony IV ; 6) Tape Cues for Antiphony IV ; 7) Tape Cues for Antiphony IV.

Item 6: Paul Zonn - Compositions, ca. 1970

Recording number 5258. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Ragtime for Eleven Fingers (1968) ; 2) Liberata I (1969) ; 3) Melos (1970) ; 4) Divetimento #1 (1964) ; 5) Compositions for Quartet (1967) ; 6) Voluntary ; 7) Bon Temps de la Mesure ; 8) Doubles.

Item 7: Pierre Schaeffer - Etude aux Objects, 1959

Recording number 5259. 12" Polyester Reel-to-Reel Tape. Inside the tape case are three fragile typed papers written in French. Two papers have the title "Etude aux objects - Pierre Schaeffer." The other paper is titled 'Bordereau D'envoi" and contains postal/shiping information from the Office De Radiofission Television Francaise, Paris. Cuts: 1) Etude aux Objects.

Item 8: Pierre Schaeffer and Pierre Henry - Symphonie pour un Homme Seul, 1951

Recording number 5259. 12"  Polyester Reel-to-Reel Tape. Inside the tape case are two typed papers, written in French, with composition information. Cuts: 1) Symphonie pour un Homme Seul.

Item 9: Edwin London - Compositions, 1969-1972

Recording number 5261. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Hoopla (1969) ; 2) Hi-Lites from Carbivore of Uranus (1972).

Item 10: Bratislavia/Central Europe Experimental Music (Various Composers), ca. 1964

Recording number 5262. 12" Polyester Reel-to-Reel Tape. Recorded in Bratislavia. Cuts: 1) Peter Kolman - Panagyrikos for 4 Oboes, 4 Trumpets, 4 Cellos, 4 Percussion (1964). Performed by Ladislav Kupkovig, Conductor ; 2) Ilja Zeljenka - Collage for Prepared Piano ; 3) ...From "Kosmos" Ilja Zeljenka. Note on tape case says: "excerpt from electronic ballet score."

Item 11: Music By Computers (Master Recording), 1969

Recording number 5263. 12" Acetate  Reel-to-Reel Tape. This tape is the master recording of the flexi-discs that were included with the book "Music by Computers" which was published in 1969 by WIley Press (Heinz von Foerster, James Beauchamp, Editors). Tape case has the name "Arthur Roberts spelled as "Arthure Roberts." Cuts: 1) Arthur Roberts - Sonatina for CDC-3600 ; 2) Arthur Robers - 1st Movement "Scherzo" ; 3) Arthur Roberts - 2nd Movement "Micro Intervals" ; 3) Arthur Roberts - 3rd Movement "Rondo" ; 4) Arthur Roberts - Title Music to 'Link' ; 5) Lejaren Hiller - "Algorithms I", 2nd Movement "Cosahedron" ; 6) Herbert Brun - Infaudibles ; 7) Max Mathews - Rhythm Development ; 8) Max Mathews - The British Grenadiers/Johnny Comes Marching Home ; 9) Max Mathews - The International Lullaby ; 10) John Pierce - Eight Tone Canon ; 11) Gerald Strang - Sound Examples for "The Problem of Imperfection in Computer Music."

Item 12: University of Illinois Class Studies (Various Composers), 1970

Recording number 5264. 12" Polyester Reel-to-Reel Tape. Tape contains student's Experimental Music Studio compositions. Tape case has only two cuts listed with multiple composers on the same cut. Recorded at the University of Illinois. Cuts: 1) Barry Brosch, Joe Pinzarrone, Phil Musser, Dan Clark, Bill Lucky, Phil Brink, Warren Darcy - Manual Score. Recorded July 6, 1970 ; 2) Russ Meyer, Ralph Athey, Margaret Payne, Neeley Bruce, Warren Darcey - Manual Score. Recorded July 3, 1970.

Item 13: University of Michigan Volume II (Various Composers), 1966-1970

Recording number 5266. 12" Acetate and Polyester Reel-to-Reel Tape. Tape case says: "Tape Compositions from Univ. of Mich. Studio - Performed at Studio Theater, Krannert 8/7/70." Cuts: 1) George Balch Wilson - Calibration Tone (1968) ; 2) Leslie Bassett - Exigencies (1966) ; 3) Jack Fortner - Nocturne (1967) ; 4) David S. Bates - David S. Bates - SST (1971).

Item 14: University of Michigan Volume III (Robert Bates, Composer), 1969

Recording number 5266A. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Michigan, Ann Arbor. Cuts: 1) Robert Bates - On.

Item 15: University of Illinois Student Works I, 1968-1970

Recording number 5267. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Charles Madden - 4 Little Radio Pieces (1969) ; 2) Barry Brosch - Mouth (1970) ; 3) Peter Salemi - Bitch '69 (1969) ; 4) Peter Salemi - Water Music (1968) ; 5) Peter Salemi - Purple Plastic Feathers (1969) ; 6) William Barnes - Ray Price (1970) ; 7) Veronika W. Cohen - Overture Soundtrack Postlude (for Witkiewicz's The Water Hen") (1970).

Item 16: University of Illinois Student Works II, 1970

Recording number 5268. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Stephen Beck - Prextyphia. Note on tape case states: "Prextyphia is an audio tape which is part of a color video synthesis; it is not an electronic tape to be listened to alone!" ; 2) Dennis Eberhard - Mariner ; 3) Veronika Wolf Cohen - Music for Simchas Torah ; Veronika Wolf Cohen - Not Machine Music.

Item 17: Miscellaneous Compositions from the University of Illinois I (Various Composers), ca. 1970-1974

Recording number 5269. 12" Acetate and Polyester Reel-to-Reel Tape. Inside the tape case there are three typed pages composed by Seth Howard Dworkin, dated in 1975, with composition information. Recorded at the University of Illinois. Cuts: 1) James Cuomo - Crimson Uniform (1970) ; 2) Seth Howard Dworkin - Champaign (1974) ; 3) Seth Howard Dworkin - Greensye (1975) ; 4) Seth Howard Dworkin - Honor and Pride (1975) ; 5) James Beauchamp - Streams & Impulses (1971) ; 6) Joseph Pinzarrone - Comic (1970) ; 7) Joseph Sekon - Nonce (1973) ; 8) Lee Chapman - Computer Composed Song (1974) ; 9) David Burr - Flight of the Bublebee (2 Versions) ; 10) Tremblay - Fugue (1974) ; 11) Michael Baskin - Kindred Spirits ; 12) Michael Baskin - Babel.

Box 17

Item 1: Columbia-Princeton Experimental Music II (Various Composers), ca. 1970

Recording number 5270. 12" Acetate and Polyester Reel-to-Reel Tape. Cuts: 1) Enrique Pinilla - Prisma (1967). Recorded at the Columbia-Princeton Music Center ; Recorded at the Columbia-Princeton Music Center ; 2) Larry Nelson - Things That Go Wump In the Night (1970). Recorded at Michigan State ; 3) Stephen Syverud - Tow (1967) ; 4) William Hellerman - Ariel (1967). Recorded at the Columbia-Princeton Music Center ; 5) William Hellerman - Ek-Stasis. Recorded at the Columbia-Princeton Music Center (1968).

Item 2: Miscellaneous Moog/Trumansburg Studio Compositions (Various Composers), ca. 1961-1970

Recording number 5271. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded in Trumansburg. Cuts: 1) Jon Weiss - Act of Openings (1969) ; 2) J. Boerman - Alchemie (1961) ; 3) Wilhelm Fuchs - Due-Due, Quattro-Due, Quattro-Due ; 4) Ron Pellegrino - ETT/Y (1970).

Item 3: Nippon Hoso Kyokai Studio - Electronic Music (Various Composers), ca. 1968-1970

Recording number 5272. 12" Acetate and Polyester Reel-to-Reel Tape. Inside this tape case are two slips of paper including "copyright notes" and a letter of receipt signed by James Beauchamp, May 15, 1970. Recorded at the Nippon Hoso Kyokai (NHK) Studio. Cuts: 1) Toshiro Mayuzumi - Mandara (1969) ; 2) Makoto Moroi - Sho-San-Ke (1968) ; 3) Minao Shibata - Improvisation (1968) ; 4) Yama - Study #2.

Item 4: University of Stanford - Computer Generated Sound Demo Tape (Various Composers), ca. 1970-1979

Recording number 5273. 12" Acetate and Polyester Reel-to-Reel Tape. Note on tape case says: "Technique for controlling sounds in space described by paper by John Chowning: 'The Simulations of Moving Sound Sources,' pp. 2-6, J. Audio Engineering Society, Jan., 1971." On this recording, there are three cuts with multiple sound examples for cuts one and two. Cuts: 1) John Chowning and Leland Smith - Note Swarms ; Varying Timbres ; Bach Invention in F Right Channel ; No Reverb. ; Bach Invention, Stereo with Reverb. ; Mono Distance Cue Localized Space, Decreases in Amplitude While Rev. is Constant ; Mono Continuous Through Space ; Stereo localized Sounds in 2-Dim. Space ; Continous Circular Movement Car Timbre Inc. Doppler Shift + High Pulse Rev. Buzz, Low, Impulse, Ping Varying Rate ; Clearest Image Rev Just Noticeable ; Global Clocks Located in Space ; Leland Smith - Rondino (1970); 2) John Chowning and Leland Smith - Various Tests ; J.S. Bach - Bach Invention in F ; J.S. Bach - Bach's Musical Offering - 3 Pt. Canon;  J.S. Bach - Bach's Riddle ; Leland Smith -  Rondino ; Darius Milhaud - Excerpts from "Machines of Loving Grace" (1970); 3) Paul Kirk - Desert Dance (1979).

Item 5: Brandeis University - Compositions (Various Composers), ca. 1969-1970

Recording number 5274. 12" Polyester Reel-to-Reel Tape. Recorded at Brandeis University, Waltham. Cuts: 1) Harold Shapero and Hannah Shapero - Three Pieces in C# (1969) ; 2) Paul Epstein - Tone Group I and II ; 3) M. Clark and D. Luce - Synthesizer Instrument (1970). Performed by Harold Shapero.

Item 6: Nikos Mamangakis - Paratasis, 1970

Recording number 5275. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Paratasia: Fur Prapariertes Tonband, Floten un Gesang.

Item 7: R. Milner and J. Skoro - Compositions, 1971

Recording number 5276. 12" Acetate and Polyester Reel-to-Reel Tape. All compositions credited to R. Milner and J. Skoro. Recorded at the University of Illinois.Cuts: 1) The Hole on the Roof of the Snowshoe of an Arabian Horse; Movements include: mvt1. Better Butter Popcorn, mvt2. Morning Raga in Nors Myth, mvt3. Moon Rock Cantata; 2) Space Mythology Sketches; Movements include: mvt1. Wait a Minute, mvt2. Untitled ; mvt3. Untitled, mvt4. A Week in Atlantic City.

Item 8: Columbia-Princeton Experimental Music III (Various Composers), ca. 1972

Recording number 5279. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Mario Davidowsky - Synchronisms No. 5 (5 Percussion & Tape) (1972). Recorded at the Columbia-Princeton Music Center ; 2) Vladimir Ussachevsky - 2 Excerpts from "We" CBC Adaptation of a Story by Eugene Zamiatin. Recorded at the Columbia-Princeton Music Center ; 3) Phil Smiley - Kolyosa. Recorded at the Columbia-Princeton Music Center ; 4) Vladimir Ussachevsky - Computer Piece #2  and 2 Fragments. Recorded at Bell Laboratories using the GROOVE Computer System ; 5) Burent Arel - Stereo Electronic Music #2. Recorded at the Columbia-Princeton Music Center.

Item 9: Jose Vincente Asaur - Compositions, 1968-1970

Recording number 5280. 12" Polyester Reel-to-Reel Tape. Recorded in Chile (unpsecified exact location). Cuts: 1) Divertimento (1970). Note on tape case says: "Winner of 1970 Dartmouth Competition." ; 2) Guararia Repano (Electronic Sounds of Gujiros Indian Musical Instruments) (1970) ; 3) Katharsis (with Voice Processing) (1968). Performed by the Hellenic Group of Contempary Music. Antoniou, Conductor ; Eberbart Blum, flute solo.

Item 10: Gerald Plain - Compositions, ca. 1969-1971

Recording number 5281. 12" Acetate and Polyester Reel-to-Reel Tape. Recorded at the University of Michigan, Ann Arbor. Cuts: 1) Golden Wedding (1969) ; 2) A CHATTaNOOga CHOO (Copy of Performance). Performed using for 4-track tape, amplified alto flute, guitar, and double bass ; 3) A CHATTaNOOga CHOO (Mix-Down of Original 4-track Version to 2-track Stereo) Tape Part Only (1970) ; 4) Showers of Blessings (Tape Part Only) (1971). Performed using clarinet and tape.

Item 11: Bell Laboratory Experimental Compositions (Various Composers), 1969

Recording number 5282. 12" Acetate Reel-to-Reel Tape. Recorded at the Bell Laboratories. Cut 3 has nine sound examples. Cuts: 1) F. Richard Moore - Requim. Performed using the Bell Labs GROOVE Computer System ; 2) F. Richard Moore and Johnson - Horn Call and Bergoniask from Midsummers Nights Dream; 3) Examples Using the Bell Labs "Groove" Synthesizer: A. MUM - Keyboard Improvising ; B. MUM and UU Lili Marlene ; C. F. Richard Moore - 19th Note Canon ; D. F. Richard Moore - Birth ; E. MUM - Lili Marlene ; F. F. Richard Moore - Ornando Lasso 'Christe De Solvies' ; G. F. Richard Moore - Jazz Tune '69 ; H. F. Richard Moore and J.S. Bach - B Minor 2 Part Invention ; I. F. Richard Moore and J.S. Bach - Mikrokosmos (Staccato).

Item 12: Ronald Pellegrino - Performance Copy of ETT/Y for 4 Channel Tape, 1970

Recording number 5283. 12" Polyester Reel-to-Reel Tape. Quadraphonic sound recording. Cuts: 1) ETT/Y.

Item 13: Miscellaneous Compositions from the University of Illinois 71/72 (Various Composers), 1971-1972

Recording number 5284. 12" Polyester Reel-to-Reel Tape. Cut 1 has eight sound examples. Recorded at the University of Illinois. Cuts: 1) David Baer - A. Source tape for 2, B. Wone Uthing Else Is, C. Once a Dingle Starry, D. Move, E. Hwoon Whoo, F. You You You, G. 2, E. This Way, F. That Way, G. Green Circles, H. Once Half Fourth Eight. Recorded December, 1971. 2) David Baer - Modus One (1972) ; 3) Howard Risatti - Janus One (1972) ; 4) James Beauchamp - Streams and Impulses (1971).

Item 14: University of Illinois Dolby Recordings I, 1967-1971

Recording number 5285. 12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Barry Brosch - Variations (To Save Anton) (1972) ; 2) Kenneth Gaburo - Fat Millies Lament (1965) ; 3) Kenneth Gaburo - Lemon Drops (1964) ; 4) Herbert Brun - Futility 1964 (1964) ; 5) Wolf Rosenberg - Flashes (1969-1970) ; 6) Phillip Musser - 4th of July, Champaign-Urbana (1969) ; 7) Phillip Musser - Infraudibles (1968) ; 8) Charles Madden - 4 Little Radio Pieces (1970) ; 9) James Beauchamp - Streams and Impulses (1971) ; 10) Phillip Musser - Ovarb! (9 Doors) (1971).

Item 15: University of Illinois Dolby Recordings II, ca. 1968-1972

Recording number 5286. 12" Polyester Reel-to-Reel Tape. Notes on tape case say: "De-Dolbyize while playing" and "Dolbyized U. of IL Tapes Part II 1972." Recorded at the University of Illinois. Cuts: 1) Dennis Berhard - Mariner (1970) ; 2) Wolf Rosenberg - Tapestry (1969) ; 3) Peter Salemi - Water Music (1968) ; 4) Ben Johnston and Jaap Spek - Kindergarten Lieder (1969) ; 5) Barry Brosch - Cycle 2379.

Item 16: Charles Madden - Compositions, 1969-1973

Recording number 5287. 12" Polyester Reel-to-Reel Tape. Cuts: 1) ILLMO III (1970). Performed by Ta Mama Theatre Group, New York City. Recorded at the University of Illinois 2) Newbu I. Recorded at New York University on January, 1973 ; 3) Newbu II. Recorded at New York University on February, 1972 ; 4) Illmo I. Recorded at the University of Illinois on July 5, 1969 ; 5) ILLMO II, Part III. Recorded at the University of Illinois in October, 1969.

Item 17: Polish Radio Experimental Music Studio (Boguslaw Schaeffer, Composer), ca. 1966

Recording number 5288. 12" Polyester Reel-to-Reel Tape. Recorded at the Experimental Music Studio-Polish Radio, Warsaw. All cuts are composed by Boguslaw Schaeffer. Cuts: 1) Symfonia, Trio for Flute, Viola, and Harp, 2) Sinfonia Rustica, 3) Epitaph.

Box 18

Item 1: Miscellaneous Quadraphonic (Various Composers), 1971-1974

Recording number 5289. 12" Polyester Reel-to-Reel Tape. Recordings utilize quadraphonic sound. Cuts: 1) John Chowning - Sabelithe II (1971). Recorded at Stanford University ; 2) John Chowning - Turenas (1972). Recorded at Stanford University ; 3) Edward Diemente - Devil's Hopyard (1973-1974). Recorded at the Columbia-Princeton Music Center ; 4) Edward Diemente - Mirrors I (1973-1974). Recorded at the Columbia-Princeton Music Center ; 5) Edward Diemente - Mirrors II (1973-1974). Recorded at the Columbia-Princeton Music Center ; 6) Edward Diemente - Mirrors III (1973-1974). Recorded at the Columbia-Princeton Music Center ; 7) Jane Gilbert - Oenone (1974). Recorded at the University of Illinos ; 8) Seth Howard Dworkin - Studio B (1974). Recorded at the University of Illinois ; 9) Seth Howard Dworkin - Buchla Study (1974). Recorded at the University of Illinois.

Item 2: Barry Schrader - Celebration, 1972

Recording number 5290. 12" Polyester Reel-to-Reel Tape. Recording utilizes quadraphonic sound. Recorded at the California Institute of the Arts. Cuts: 1) Celebration.

Item 3: California Institute of the Arts Quadraphonic Recordings (Various Composers), 1972

Recording number 5291. 12" Polyester Reel-to-Reel Tape. Recording utilizes quadraphonic sound. Recorded at the California Institute of the Arts. Cuts: 1) Unpsecified composer - Test Tones ; 2) David Mahler - Pyramid ; 3) Carl Stone - 7 Confusongs. Words by S. Weisser. 4) James Reehan - Ares.

Item 4: Institute of Sonology at Utrecht State University (Various Composers), 1969-1972

Recording number 5292. 12" Polyester Reel-to-Reel Tape. Recording utilizes quadraphonic sound. Inside the tape case is a single hand-written document with composition descriptions. Recorded at the University in Utrecht. Cuts: 1) Will Eisma - An Old house in Mulberry Street (1972) ; 2) Gottfried Michael Koenig - Funktion Grau (1969) ; 3) Mary Beth Nelson - L, Moros (1970) ; 4) Luctor Ponse - Radiophonie III (1969).

Item 5: Unlabled Tape, undated

Recording number 5293. 12" Polyester Reel-to-Reel Tape. There are four sections on this tape, each divided by tape leader. Author(s) and compositions are unknown.

Item 6: Music of David Wessel, Oliver Johnson, and Richard Hensolt, 1968

Recording number 5294. 7" Acetate Reel-to-Reel Tape (inside a 12" tape box). Composed by David Wessel, Oliver Johnson, and Richard Hensolt. Cuts: 1) March 5th.

Item 7: Music of Ronald Pellegrino, ca. 1969

Recording number 5295. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). It is possible that this recording's proper title is "An Electronic Studio Manual for Use with R.A. Moog's Voltage Controlled, Modular Synthesizing Equipment." Cuts: 1) Sound Catalog for Studio Manual.

Item 8: Music of Robert Erickson, ca. 1973

Recording number 5296. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cut 3 has four different sound examples. Cuts: 1) Loops. (1973) Realized by John Grey. Recorded at the Stanford University Computer Music Center ; 2) Loops (1973). Realized by John Grey. Recorded at the Stanford University Computer Music Center ; 3) A. Exl, D ; B. EX2, I & J ; C. EX3, M-Q ; D. Complete New Loops. Recorded at the University of California in San Diego.

Item 9: Music of Dennis Riley, 1970

Recording number 5297. 7" Acetate Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) The Fragility of the Flower Inbruised Penetrates Space.

Item 10: Music of Miscellaneous (Various Composers), 1963

Recording number 5299. 7" Acetate Reel-to-Reel Tape (inside a 12" tape case). Cut 1 has three sound examples. Cuts: 1)  Aurelio de la Vega - Coordinates, for Monaural Tape (A. Polynomial, B. Acoutsical Measurements, C. Vectors); 2) Beverly Grigsby - The Awakening, for Monaural Tape ; 3) Mario Davidovsky -  Synchronisms, for Flute and Tape.

Item 11: Music of John Mizelle, 1967-1972

Recording number 5300. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Poem in October (1972) ; Tangential Energy II (1967).

Item 12: Music of Eric Valinksy, 1971-1972

Recording number 5301. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Hommage to the Circle (1971) ; The Rocks (1972) ; 3) The Laughing Man (1972).

Item 13: Music of John Melby, ca. 1969-1973

Recording number 5302. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) A Forandre: Seven Variations for Digital Computer (1969-1970) ; 2) "0" Db Level for no. 3 ; 3) Valedictory for Soprano and Computer (1973).

Item 14: Music of Emmanual Ghent, ca. 1970

Recording number 5303. 7" Acetate Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Innerness (Tape).

Item 15: Music of Max V. Mathews, 1973

Recording number 5304. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Inside the tape case is a small typed document with playing times and the return address of Max Mathews. Recorded at the Bell-GROOVE Laboratory. Cuts: 1) Runnin Man Suite, 2) Elephants Can Graze, 3) Scales, 4) Mistakes.

Item 16: Music of Peter Berkow, 1975

Recording number 5305. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Prelude to "I Run Too."

Box 19

Item 1: Music of David Armstrong, 1974

Recording number 5307. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Inside the case is a singe page hand-written document with composition information (including title, date, location, and credits). Composition information is take from that document since the tape case has no documentation. Cuts: 1) D.G.D.

Item 2: Music of Charles Dodge, 1973

Recording number 5308. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Recorded at Columbia University, New York City. Cuts: 1) Speech Songs.

Item 3: Music of Johnathon Harvey, ca. 1970

Recording number 5309. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Time Points (Dobly Off) ; 2) Time Points (Dolby On).

Item 4: Music of Allen Otte, ca. 1973

Recording number 5310. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Slowpiece 'n Modules for Percussion and Tape

Item 5: Music of Joseph Olive, ca. 1973

Recording number 5311. 7" Acetate Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Study No. 5.

Item 6: Music of Roar Schaad, ca. 1975

Recording number 5313. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Inside the tape case is a half sheet, hand-written document, with composition details and track information. Cuts: 1) Postures.

Item 7: Music of David Hinton, F.R. Moore, and James Beauchamp, 1973

Recording number 5314. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). The compositions by F.R. Moore and James Beauchamp have been crossed out from the back of the case and do not appear on the cut list. Cuts: 1) David Hinton - Experiment. Recorded at the EMS Stockholm.

Item 8: Music of Reynold Weidenaar, 1973-1979

Recording number 5315. 7" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Close Harmony (1979) ; 2) Fanfare (1973).

Item 9: Music of Knut Wiggen, 1973

Recording number 5316. 5" Polyester "BASF" Reel-to-Reel Tape (inside a 12" tape box). Composition name and date is on paper attached to tape hub. Inside the tape case is a hand written document that says: "Recomend combining this with 'Hinton' since both are done on the EMS Stockholm synthesizer - Jim B." Recorded April, 1973." Cuts: 1) Etude 4.

Item 11: Music of Herbert Brun and Charles Hamm, 1963-1964

Recording number 5317. 7" Acetate Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Herbert Brun - Futility (1964) ; 2) Charles Hamm - Canto (1963).

Item 12: Music of Paul Zonn, undated

Recording number 5318. 5" Polyester Reel-to-Reel Tape (inside a 12" tape box). Cuts: 1) Zunkunftsmusik.

Item 13: Michael W. Gilbert, ca. 1978-1980

Recording number 5319. 12" Polyester Reel-to-Reel Tape. Tape does not have hub. Cuts: 1) Ascents (1978) ; 2) Winter Light (1976) ; 3) Traces (1980) ; 4) Journeys: Suite for Dance (for Susan Waltner); Movements include: mvt 1. Steel Clouds, mvt2. Soft Rains, mvt3. Moving Pictures, mvt4. Phase, mvt5. Postlude.

Item 14: Emma Lou Diemer - Electronic Compositions, 1980

Recording number 5320. 7" Polyester Reel-to-Reel Tape. Quadraphonic sound recording. Cuts: 1) Scherzo, 2) Harpsichord Quartet, 3) Presto Canon, 4) Of the Past.

Item 15: Victor Saucedo - Fluxions, undated

Recording number 5321. 7" Polyester Reel-to-Reel Tape. Quadraphonic sound recording. Cuts: 1) Fluxions.

Item 16: Peter Tod Lewis - Perpertusa, 1975

Recording number 5322. 7" Polyester Reel-to-Reel Tape. Quadraphonic sound recording. Cuts: 1) Perpertusa.

Item 17: David Weinstein - The Blood of the Juggernaut, undated

Recording number 5323. 7" Polyester Reel-to-Reel Tape. Cuts: 1) The Blood of the Juggernaut.

Item 18: Larry Polanski - Psaltery, 1979

Recording number 5324. 7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Psaltery.

Box 20

Item 1: Hubert S. Howe, Jr - Freeze, 1972

Recording number 5325. 7" Acetate Reel-to-Reel Tape. Composition was created on a Sigma 7 Computer. Recorded at Queens College, Flushing. Cuts: 1) Freeze.

Item 2: Richard Orton - Compositions, 1972-1973

Recording number 5326. 7" Polyester Reel-to-Reel Tape. Cuts: 1) For the Bein (1972) ; 2) Clock Farm (1973).

Item 3: Paul Martin Zonn - Compositions, 1975-1978

Recording number 5327. 7" Polyester Reel-to-Reel Tape. Cuts: 1) Voyage of Columbus (1975) ; 2) String Quartet #4 (1977) ; 3) Interiors for Order (1978).

Item 4: Burton Beerman - Compositions, ca. 1975

Recording number 5328. 7" Polyester Reel-to-Reel Tape. Cuts: 1) Polygraph IV for Viola and Tape. Performed by Bernard Linden, viola. ; 2) Polygraph V for Flute and Tape. Performed by Judith Bentley, flute.

Item 5: Jan Swafford - MAGUS for Cello and Recorded Sound, ca. 1977

Recording number 5329. 7" Polyester Reel-to-Reel Tape. Note on the spine of the tape case says: "WILL 206." Cuts: 1) MAGUS for Cello and Recorded Sound. Performed by Gerhard Powlica, cello.

Item 6: Compositions of David Keane and Hugh Lecaine, 1955-1978

Recording number 5330. 7" Polyester Reel-to-Reel Tape. Cuts: 1) Hugh Lecaine - Dripsody (1955) ; 2) David Keane - In Memoriam: Hugh Lecaine (1978).

Item 7: Franklin E. Morris - Compositions, 1971-1980

Recording number 5331. 7" Polyester Reel-to-Reel Tape. Cuts: 1) Four Oscillator: Quantizer Piece (1971) ; 2) Concerto in One Movement (1980).

Item 8: Kazuo Uehara - Inner Space II, 1978-1980

Recording number 5332. 7" Polyester Reel-to-Reel Tape . Inside this tape case is a single page typed document. The document has biographical and composition info regarding Kazuo Uehara. The document is dated September 20, 1980. Recorded at the Electronic Art Center (E.A.C.), Tokyo. Cuts: 1) Inner Space II.

Item 9: Compositions Realized at the University of Michigan (Various Composers), ca. 1976

Recording number 5333. 7" Polyester Reel-to-Reel Tape. Recorded at the University of Michigan, Ann Arbor. Cuts: 1) Edmund Cionek - Abracadabra ; 2) John Burke - Kinesis.

Item 10: P.W. Loarie - Excerpts from Galactic Androgyny and More, ca. 1974

Recording number 5334. 7" Polyester Reel-to-Reel Tape. Note on tape case says: "Use of homemade instruments and source tape (Moog) ; Homemade instruments used." Cuts: 1) Digital Lunch, 2) Portazilla, 3) Peakfreens Afternoon Tea Asscurt (Real Time Mix).

Item 11: Larry Nelson - Compositions, 1979-1980

Recording number 5335. 7" Polyester Reel-to-Reel Tape. Cuts: 1) Evolutions I. Recorded February, 1980 ; 2) Visions of Periodicity. Recorded October, 1979 ; 3) Evolutions II. Recorded February, 1980 ; 4) Spaces. Recorded February, 1980.

Item 12: Jon Appleton - Compositions, 1976-1977

Recording number 5336. 7" Polyester Reel-to-Reel Tape. Performed using the Dartmouth Digital Synthesizer. Recorded at the Bergman Electronic Music Studio at Dartmouth College, Hanover. Cuts: 1) In Deserto (1977) ; 2) The Sydsing Camklang (1976) ; 3) In Desrto: Copy Two (1977).

Item 13: Jon Appleton - 'Otahiti, 1974

Recording number 5337. 7" Polyester Reel-to-Reel Tape. Note on tape case says: "Realized in the studios of the Group de Musique Experimentale de Bourges, France Jan. 1974." Cuts: 1) 'Otahiti.

Item 14: Roger Meyers - After "The Pond", 1979

Recording number 5338. 7" Polyester Reel-to-Reel Tape. Cuts: 1) After "The Pond."

Item 15: Robin Heifetz - Compositions, ca. 1977

Recording number 5339. 12" Polyester Reel-to-Reel Tape. Cuts: 1) Coming Apart (1977) ; 2) Susurrus ; 3) Susurrus ; 4) Harbinger.

Item 16: William Defotis - Compositions, ca. 1977-1979

Recording number 5340. 7" Polyester Reel-to-Reel Tape. Cuts: 1) Erasers (1979) ; 2) Tableau (1977) ; 3) Tableau.

Item 17: Paul Chihara - Tree Music / Various Composers - Voice of the Computer, ca. 1970

Recording number 5341. 12" Polyester Reel-to-Reel Tape. Cuts 1-2 are from Paul Chihara's LP 'Tree Music' (Composers Recordings Inc, 1970). Cuts 3-13 are from the LP 'Voice of the Computer' (Decca Records, 1970). Cuts: 1) Paul Chihara - Logs ; 2) Paul Chihara - Logs XVI ; 3) Max Vernon Mathews - Masquerades ; 4) Jean-Claude Risset - Flight And Count-Down ; 5) Jean-Claude Risset - Fall ; 6) Jean-Claude Risset - Computer Suite from "Little Boy" / Contra-Apotheosis 7) James Tenney - Stochsatic Quartet ; 8) Wayne Slawson - Wishful Thinking About Winter ; 9) R.N. Sheppard - Sheppard's Tones (Ascending) ; 10) ) R.N. Sheppard - Sheppard's Tones (Descending) ; 11) J.R. Pierce - Eight-Tone Canon ; 12) Max Vernon Mathews - Slider ; 13) Max Vernon Mathews - Swansong.

Item 18: Janet Gilbert - The Orange Book, 1974

Recording number 5343. 7" Polyester Reel-to-Reel Tape. Note on tape case says: "For performance: Start at end of paper leader. At end: Let leader run out - performance end piece." Cuts: 1) The Orange Book.

Box 21

Item 1: Lejaren Hiller - Suite For Two Pianos and Tape, ca.  1966

Recording number 5344. 12" Polyester Reel-to-Reel Tape. Note on tape case says: "Performance of Magician's Waltz, Vox Humana, Intrada (2 successive  copies). Tapes for performance - 'cues' for: Cue 5 - Magician's Hurdy Gurdy, Cue 6 - Vox Humana, Cue 8 - The Junction for Intrada (2 successive copies)." Cuts: 1) Magician's Waltz ; 2) Vox Humana ; 3) Intrada; 4) Cue 5 - Magician's Hurdy Gurdy ; 5) Cue 6 - Vox Humana ; 6) Cue 8 - The Junction for Intrada.

Sub-Series 2: Non-Cataloged Audio Recordings, ca. 1958-2000

Box 2

Item 26: Transient Images (Various Composers), 2015

Compact Disc. Recorded at the University of Illinois. Cuts: 1) Wu, Shu-Cheng - Axonometric Projection ; 2) Lucas Marshall Smith - Talos ; 3) Benjamin D. Whiting - Under Lock and Key ; 4) M.O. Abbot - Exenterated Metaphysician ; 5) John Nichols II - The Pillar ; 6) Daehoon Jang - Kiwooje ; 7) Dennis Deovides Reyes III - Bolgia ; 8) M. Anthony Reimer - Untitlededede ; 9) Halim Beere - Kingdom of Names.

Box 5

Item 1: Experimental Music Studio (University of Illinois ) Student Album Reel I, undated

12" Polyester Reel-to-Reel Tape. Note on tape casae says "Backup Master." Composers and compositions are unlabled.

Item 2: Experimental Music Studio (University of Illinois ) Student Album Reel II, undated

12" Polyester Reel-to-Reel Tape. Note on tape casae says "Backup Master." Composers and compositions are unlabled.

Item 3: Grad CD Master Reel I, undated

12" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a Master Recording. Composers and compositions are unlabled.

Item 4: Grad CD Master Reel II, undated

12" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a Master Recording. Composers and compositions are unlabled.

Item 5: Koln Concert (Various Composers), 1955-1960

12" Polyester Reel-to-Reel Tape. Inside the tape case there is a single page performance program titled "Tape Music in Europe, 1955 - 1970 Concert II: Warsaw; Music Building Auditorium July 6, 1989."

Cuts: 1) Herbert Brun - Anepigraphe (1956-1957) ; 2) Franco Evangelisti - Incontri dei Fasce Sonore (1957) ; 3) Herbert Eimert - Funf Stuckle (1955) ; 4) Gyorgy Ligeti - Artikulation (1958) ; 5) Mauricio Kagel - Transicion I (1958-1960).

Box 14

Item 1: Experimental Music Studio (University of Illinois ) - Studio D Background for Tours, undated

12" Polyester Reel-to-Reel Tape. Composers and compositions are unlabled.

Item 2: Experimental Music Studio (University of Illinois ) - Studio A Background for Tours, undated

12" Polyester Reel-to-Reel Tape. Composers and compositions are unlabled.

Item 3: Experimental Music Studio (University of Illinois ) - Studio B Background for Tours, undated

12" Polyester Reel-to-Reel Tape. Composers and compositions are unlabled.

Box 19

Item 1: Reynold Weidenaar - The Tinsel Chicken Coop, For Your Usual Magnetic Tape, 1971

12" Polyester Reel-to-Reel Tape. Tape case has a stamp from the Cleveland Institute of Music. Extensive notes on tape case regarding composition and playback information. Quadraphonic sound recording. Cuts: 1) The Tinsel Chicken Coop, For Your Usual Magnetic Tape.

Box 21

Item 2: Herbert Brun - I Told You So, ca. 1981

12" Polyester Reel-to-Reel Tape. Note attached to tape case says: "This tape being Ampex and very old deposits oxydes on heads, rollers, etc! - Clean heads before and after use." Cuts: 1) I Told You So.

Item 3: Herbert Brun - i toLD YOu so!, 1988

12" Polyester Reel-to-Reel Tape. Note on tape case says "New Master 1988." Cuts: 1) i toLD YOu so!

Item 4: Herbert Brun - Dustiny 4 Ch, 1978

12" Polyester Reel-to-Reel Tape (tape hub only). Note on tape case says: "Dustiny (April 20, 1978)." Cuts: 1) Dustiny.

Item 5: Herbert Brun - U-Turn-To, ca. 1980

12" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a "Master" recording. Cuts: 1) U-Turn-To.

Item 6: Herbert Brun - A Mere Ripple, ca. 1979

12" Polyester Reel-to-Reel Tape. Cuts: 1) A Mere Ripple.

Item 7: Herbert Brun - Dust, 1976

12" Polyester Reel-to-Reel Tape. Cuts: 1) Dust/Sawdust NR. 1.

Item 8: Herbert Brun - SNOW '84 (Master), 1984

12" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a "Master" recording and the "disc version." Cuts: 1) SNOW

Item 9: Lejaren Hiller - Electronic Sonata 2 Channel Version, 1976

12" Polyester Reel-to-Reel Tape. Cuts: 1) Electronic Sonata for Tape Alone.

Item 10: Carla Scaletti - Lysogny Harp/Tape Mix, ca. 1984

12" Polyester Reel-to-Reel Tape. Note on tape indicates that this is a "Master" recording. Cuts: 1) Lysogeny (Scott Wyatt Mix).

Item 11: Sever Tipei - Maiden Voyages Master, ca. 1984

12" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a "Master" recording. Cuts: 1) Maiden Voyages.

Item 12: Scott A. Wyatt - Menagerie, ca. 1978

12" Polyester Reel-to-Reel Tape. Quadraphonic sound recording. Recorded at the University of Illinois. Cuts: 1) Menagerie.

Item 13: Jon Appleton - Synthrophia, 1977

12" Polyester Reel-to-Reel Tape (3m 250). Quadraphonic sound recording. Prerformed using the Synclavier electronic instrument. Recorded on September, 1977. Recorded at the University of Illinois. Cuts: 1) Synthrophia.

Box 22

Item 1: Antonio Barata - Cantes Rojos Y Negros (Master), undated

12" Polyester Reel-to-Reel Tape. Inside the tape case there are three documents. One document is a hand written letter (on EMS stationary) to "Greg" from Scott Wyatt. The second document is partly hand written and paartly copies and contains information about "Cantes Rojes y Negros." The third document is a small hand written note." Cuts: 1) Test Tone, 2) Cante de Preparacion, 3) Rojo y Negro, 4) Sacta, 5) Asi Dos, 6) Remote.

Item 2: Experimental Music Studio (University of Illinois ) #1, 1984

12" Polyester Reel-to-Reel Tape. Note on tape case states: "Master tape ; DBX Typer I Encode ; Log - Electrosound ; Mastered by JT Mastersonics Inc. 7-24-84." Unspecified composition names.

Item 3: Experimental Music Studio (University of Illinois ) #2, 1984

12" Polyester Reel-to-Reel Tape. Note on tape case states: "Master tape ; DBX Typer I Encode ; Log - Electrosound ; Mastered by JT Mastersonics Inc. 7-24-84." Unspecified composition names.

Item 4: Experimental Music Studio (University of Illinois ) #3, 1984

12" Polyester Reel-to-Reel Tape. Note on tape case states: "Master tape ; DBX Typer I Encode ; Log - Electrosound ; Mastered by JT Mastersonics Inc. 7-24-84." Unspecified composition names.

Item 5: Experimental Music Studio (University of Illinois ) #4, 1984

12" Polyester Reel-to-Reel Tape. Note on tape case states: "Master tape ; DBX Typer I Encode ; Log - Electrosound ; Mastered by JT Mastersonics Inc. 7-24-84." Unspecified composition names.

Item 6: Experimental Music Studio (University of Illinois ): Children's Stories II (Side 1) - Master Recording, ca. 1987

12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Master recording.Tape is of Music 409 (Electroacoustic Music Techniques II) class projects that were turned into cassettes/CDs so as to be used by teachers in the local public schools for their students.

Item 7: Experimental Music Studio (University of Illinois ): Children's Stories II (Side 2) - Master Recording, ca. 1987

12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Master recording. Tape is of Music 409 (Electroacoustic Music Techniques II) class projects that were turned into cassettes/CDs so as to be used by teachers in the local public schools for their students.

Item 8: Experimental Music Studio (University of Illinois ): Stories for Children - Master Recording, ca. 1987

12" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Master recording. Tape is of Music 409 (Electroacoustic Music Techniques II) class projects that were turned into cassettes/CDs so as to be used by teachers in the local public schools for their students.

Item 9: Master Representative Works Vol. 2, ca. 1986

12" Polyester Reel-to-Reel Tape. Unknown composers and composition names.

Item 10: Studio Tape Dubs (Various Composers), ca. 1963-1971

12" Polyester Reel-to-Reel Tape. Cuts: Barry Brood - Variations to Save Ashton ; 2) Kenneth Gaburo - Fat Millies Lament ; 3) Kenneth Gaburo - Lemondrops ; 4) Herbert Brun - Futility 1964 ; 5) Wolf Rosenberg - Flashes ; 6) Herbert Brun - Infraudibles ; 7) Charles Madden - A Little Radio Piece ; 8) James Beauchamp - Streams and Impulses ; 9) Phillip Musser - Ovarb (Nine Doors).

Item 11: Durand Rene Begault - Electronic Music Compositions, 1979-1980

12" Polyester Reel-to-Reel Tape (Maxell 35-180). Quadraphonic sound recording. Cuts: 1) Excerpt for Oceanus Performance Tape. Note on tape case states: "Scored for Rhodes Electric Piano, Percussion, Bass, and Quadraphonic Tape Playback" ; 2) Hard Rubber: Theme and Variation (1979) ; 3) Mandala Music #5 Tape to Accompany Trombone Soloist (Mandala Music #4 dance collaboration; #3, 2, 1 Studies) (1980) ; 4) Music-Architecture Excerpt (1980). Note on tape case states: "Scored According to formalization in thesis of the same name." 5) Organ Grinder Spatial Themes Derived from Sound Source Tapes of Medieval Positive Organ (1978).

Item 12: Lars-Gunnar Bodin, 1982-1986

12" Polyester Reel-to-Reel Tape. On the tape hub there are two stickers from EMS Stockholm with composer and title names. Cuts: 1) Memoires Du Temps D'avant La Destruction (1982). Note on tape case says: "Commissioned by Groupe De Musique Experimental De Bourges." ; 2) In Speaking Terms II (1986). Note on tape case says: "(Text-Sound-Composition) Text composed by the composer."

Item 13: Lars-Gunnar Bodin - For John (Fragments of a Time to Come)., 1970

12" Polyester Reel-to-Reel Tape (3m 250). Note on tape case says: "Commissioned by Sverges Radio." Cuts: 1) For John (Fragments of a Time to Come).

Item 14: James Dashow - Conditional Assemblies, ca. 1980

12" Polyester Reel-to-Reel Tape (no tape hub). Inside the tape case is a one page copied document with composition and track information. Quadraphonic sound recording. Cuts: 1) Conditional Assemblies.

Item 15: Luther Henderson - Red Velvet Brass, ca. 1980

12" Polyester Reel-to-Reel Tape. Cuts: 1) Red Velvet Brass.

Item 16: Bohdan Mazurek - Lieder Die Worte, 1982

12" Polyester Reel-to-Reel Tape. Cuts: 1) Lieder Die Worte.

Item 17: Robert Moore - The Shamen: An Elegy for Lenny Bruce (000561-1), ca. 1980

12" Polyester Reel-to-Reel Tape. Inside the tape case there is a hand-written one page document from Robert Moore to Scott Wyatt. The letter is on University of Southern California School of Performing Arts letterhead. There is also a 1/4 sheet of notebook paper with handwritten composition information regarding "An Elegy" Cuts: 1) The Shamen: An Elegy for Lenny Bruce.

Item 18: Jean-Claude Risset / George Todd, ca. 1977

12" Polyester Reel-to-Reel Tape. Cuts: 1)  Jean-Claude Risset - Inharmonique for Soprano and Tape. Note on tape case says: "tape performance at IRCAM." ; 2) George Todd - Variations on a Bagaielle. Performed at Middlebury College utilizing the Synclavier electronic instrument.

Box 23

Item 1: Boguslaw Schaffer, ca. 1986

10" Polyester Reel-to-Reel Tape. Tape is inside a custom Polskie Radio I Telewizja tape case. Recorded at the Experimental Studio of Polish Radio in Warsaw. Cuts: 1) Project for Bassoon and Tape. Performed by Bohdan Mazurek and Charles Lipp, basoon ; 2) Project for Tuba and Tape. Performed by Bohdan Mazurek and Zdzislaw Piernik, tuba.

Item 2: Tape 1: Patachich, Doust, Kreiger, Parmerud, 1978

12" Polyester Reel-to-Reel Tape (BASF). Inside the tape case is a typed document on University of Illinois letterhead with composition and composer names. The name "Bohdan Mazurek" has been signed on the tape case. Cuts: 1) Ivan Patachich - Metamorfosis Per Maribafono E Magnetofon ; 2) Ivan Doust - Quator ; 3) Arthur Krieger - Theme and Variations ; 4) Ake Parmerud - Narheter.

Item 3: Tape 3: Francois Bayle, ca. 1974

12" Polyester Reel-to-Reel Tape (BASF). Inside the tape case is a typed document on University of Illinois letterhead with composition names. The name "Bohdan Mazurek" has been signed on the tape case. All cuts by Francsois Bayle. Cuts: 1) Le Grande Poliphonie (First Part) ; 2) Le Langage Des Fleurs.

Item 4: Tape 2: Berger, Ungvary, Ammann, Sikora, 1979-1980

12" Polyester Reel-to-Reel Tape (BASF). Inside the tape case is a typed document on University of Illinois letterhead with composition and composer names. The name "Bohdan Mazurek" has been signed on the tape case. Cuts: 1) Roman Berger - En Passant, Study for Tape (1979). Performed by Bohdan Mazurek ; 2) Tamas Ungvary - Les Mouvements Mousseux (1979). Performed by Bohdan Mazurek ; 3) Benno Ammann - Wandering Strophe (1979). Performed by Bohdan Mazurek ; 4) Elzbieta Sikora - Letters for "M" (1980). Performed by Elzbieta Sikora and Barbara Okon-Makowska.

Item 5: Tape 4: Smalley, Reibel, Closieur, Barriere, ca. 1972-1979

12" Polyester Reel-to-Reel Tape (BASF). Inside the tape case is a typed document on University of Illinois letterhead with composition and composer names. The name "Bohdan Mazurek" has been signed on the tape case. Cuts: 1) David Smalley - Pents ; 2) Guy Reibel - Franges Du Signe ; 3) Christian Glosieur - Symphony Pour Un Enfant Seul ; 4) Francois Barriere - Javarosa.

Item 6: Tape 5: Freedman, Truax, Barroso, Nemescu, ca. 1975-1978

12" Polyester Reel-to-Reel Tape (BASF). Inside the tape case is a typed document on University of Illinois letterhead with composition and composer names. The name "Bohdan Mazurek" has been signed on the tape case. Cuts: 1) Hel Freedman - Skelemedania ; 2) Barry Truax - Sonic Landscape N# 3 ; 3) Sergio Barroso - Yantra IX ; 4) Octavian Nemescu - Concentrique.

Item 7: Utrecht Concert (Various Composers), 1968-1969

12" Polyester Reel-to-Reel Tape. Inside the tape case there is a single page program note titled "Tape Music in Europe, 1955 - 1970 Concert II: Warsaw; Music Building Auditorium June 22, 1989." Cuts: 1) Gotfried Michael Koenig - Funktion Blau (1969) ; 2) J.L. deDelas - Nubest (1969) ; 3) Frits Weiland - Textuur (1968) ; 4) Gottfried Michael Koenig - Funktion Violetti (1969).

Item 8: Warsaw Concert (Various Composers), 1959-1969

12" Polyester Reel-to-Reel Tape. 12" Polyester Reel-to-Reel Tape. Inside the tape case there is a single page program note titled "Tape Music in Europe, 1955 - 1970 Concert II: Warsaw; Music Building Auditorium June 29, 1989." Cuts: 1) Wlodimierz Kotonski - Study for one Cymbal Stroke (1959) ; 2) Zbigniew Wisniewski - Db, Hz, S (1962) ; 3) Bohdan Mazurek - Bozzetti (1967) ; 4) Eugeniusz Rudnik - Rondo (1969) ; 5) Arne Nordheim - Solitaire (1969) ; Boguslaw Schaeffer - Symfonie (1966). Note on tape case says: "Performed according to the graphic score by Bohdan Mazurek."

Item 9: Tommy Zwedberg / Tamas Ungvary / Swedish Studio, 1984-1986

12" Polyester Reel-to-Reel Tape. Inside the tape case are two typed documents. One document titled L'aube Des Flammes" detailsÃ?  PDP-15/XVM conputer at the EMS. The other document contains information regarding the composition Bavvarde.Ã?  On the tape hub are two EMS Stockholm stickers with the composition title and author names. Cuts: 1) Tommy Zwedberg - Bavarde (1986). Note on tape case states that this composition was "Commissioned by Gheb Bourges, France." ; 2) Tamas Ungvary - L'aube Des Flammes (1984).

Item 10: Jon Appleton - Geoganna's Farewell, 1975

7" Polyester Reel-to-Reel Tape. Performed using the Dartmouth Digital Synthesizer utilizing the SING language. Recorded at Dartmouth University, Hanover. Cuts: 1) Geoganna's Farewell.

Item 11: Jon Appleton - In Deserto, 1977

There is no tape in this case, just an empty tape hub. Note on tape case says: "Composed in 1977. Realized on the Dartmouth Digitial Synthesizer in the Bregman Electronic Music Studio at Dartmouth College, Hanover, New Hampshire 03755."

Item 12: Jon Appleton - In Deserto (Quad), 1976

7" Polyester Reel-to-Reel Tape. Note on tape case says "Realized on the Dartmouth Digital Synthesizer using the SING language. Mixed down in the Bregman Electronic Music Studio. In Deserto is available on the recording Jon Appleton: Music for Synclavier and other Digital Systems, Folkways FTS 33445." Quadraphonic sound recording. Cuts: 1) In Deserto.

Item 13: Jon Appleton - In Medias Res, 1978

7" Polyester Reel-to-Reel Tape. Performed using the Synclavier electronic instrument. Recorded at Dartmouth College, Hanover. Cuts: 1) In Medias Res.

Item 14: Jon Appleton - Mussems Song

7" Polyester Reel-to-Reel Tape. Note on tape case says: "Realized at Stiftelsen Elektronmusikstudion Stockholm (EMS) Sweden using the voice synthesizer caled 'Musse' developed at the Royal Institute of Technology in Stockholm by Bjorn Larsson. Accompaniment generated on the computer system at EMS with the help of Tamas Ungvary. Composed in 1976." Recorded at the Stiftelsen Elektronmusikstudion Stockholm. Cuts: 1) Mussems Song.

Item 15: Jon Appleton - The Sweet Dreams of Miss Pamela Beach, 1981

7" Polyester Reel-to-Reel Tape. Performaned using the Synclavier II electronic instrument. Recorded at Recorded Elektronmusikstudion Stockholm. Recorded on June, 1981. Cuts: 1) The Sweet Dreams of Miss Pamela Beach.

Item 16: Milton Babbitt - Excerpt from Composition for Synthesizer, 1961

7"  Polyester Reel-to-Reel Tape. Cuts: 1) Excerpt from Composition for Synthesizer.

Item 17: Robin Bargar - Business as Usual, 1991

7" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a "Master" Recording. Recorded on April 10, 1991. Cuts: 1) Business as Usual.

Item 18: Robin Bargar - To the Distant Observer, 1989

7" Polyester Reel-to-Reel Tape. Cuts: 1) To the Distant Observer.

Item 19: Marc Battier - Geometrie d'Hiver, ca. 1977

7" Polyester Reel-to-Reel Tape. In the case, there are two document written in both French and English. The first document is from the "Studio Electroacoustique De Vincennes" in Paris. The second document is titled "Marc Battier - 'Geometrie d'Hiver" Cuts: 1) Geometrie d'Hiver.

Item 20: Brian E. Belet - Quanta Affected by Observation, 1983-1985

7" Polyester Reel-to-Reel Tape. Inside this tape case there is a signed document from Brian Belet with composition and copyright information. The document is dated from Novemeber 25, 1985. Cuts: 1) Test Tone - 700hz 0db (1983) ; 2) Quanta Affected by Observation (1985).

Item 21: Brian E. Belet - Quanta... Stereo Compressed (Album), ca. 1983-1985

7" Polyester Reel-to-Reel Tape. Cuts: 1) Test Tone - 700hz 0db ; 2) Quanta Affected by Observation.

Item 22: Luciano Berio - Circles/Moments, undated

7" Acetate Reel-to-Reel Tape. Inside the tape case there is a hand-written document with composition and track information. Cuts: 1) Kelly Chromatic Series, 2) Quiz 5B.

Item 23: James Beauchamp - Streams and Impulses, undated

7" Polyester Reel-to-Reel Tape. Inside the tape case is a one-page typed document containing a biographical information of the composer. Cuts: 1) Streams and Impulses.

Item 24: Lars-Gunnar Bodin, undated

7" Polyester Reel-to-Reel Tape. Recorded on AGFA tape. Inside the tape case is a one page document that provides information about the composition. The document was written by the composer and dated June 18, 1986. Note on tape case says: "1st Movement (can be performed independently)." Cuts: 1) For Jon II Retrospective Episodes.

Item 25: Herbert Brun, ca. 1976-1979

7" Polyester Reel-to-Reel Tape. Cuts: 1) A Mere Ripple, 2) More Dust with Percussion, 3) At Loose Ends.

Item 26: Herbert Brun - Final Chan VIII Bar 1-10, ca. 1976

7" Acetate Reel-to-Reel Tape. Note taped to tape case says: "DUST: Name-Full-Time (Master 4 Channel 7.5/Sec) without final dynamics)." Cuts: 1) Dust.

Box 24

Item 1: Herbert Brun - Dust [4 Channel] / Dustiny [4 Chan] / More Dust [4 Channel], ca. 1976-1978

7" Polyester Reel-to-Reel Tape. Inside the tape case are three hand-written documents with track and composition information. Cuts: 1) Dust, 2) Dustiny, 3) More Dust.

Item 2: Herbert Brun - Futility 1964, 1963-1964

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Futility 1964.

Item 3: Herbert Brun - I Told You So, 1981

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a single-page typed document from Lingua Press in Ramona, California. The document contains information about Brun compositions and how to purchase his recorded materials. Note on tape case says: "Nr. 6 of SAWDUST (Computer music project)." Quadraphonic sound recording. Cuts: 1) I Told You So.

Item 4: Herbert Brun - i toLD YOu so / For CD-Project, ca. 1981-1988

7" Polyester Reel-to-Reel Tape. Note on tape case says: "For CD-Project ; Herbert Brun Project SAWDUST Nr. 6 i ToLD YOu so! ; Mix Down from 4 track to 2 track 15 ips; done by Scott Wyatt in Studio A on 12 July 1988." Cuts: 1) i ToLD YOu so!

Item 5: Herbert Brun - Piece of Prose, 1972

7" Polyester Reel-to-Reel Tape. Cuts: 1) Piece of Prose.

Item 6: Herbert Brun - U-TURN-TO, ca. 1980

7" Polyester Reel-to-Reel Tape. Note on tape case says: "Do not play the test tone at the performance." Cuts: 1) U-Turn-To.

Item 7: Mike Cerri -Trilogy for Max Ernst, undated

7" Polyester Reel-to-Reel Tape. Note on tape case says: "Produced at Studio D on the Synclavier II." Recorded at the University of Illinois. Cuts: 1) Angel, 2) Forrest, 3) Lop-Lop.

Item 8: Chin-Chin Chen - 4x4, 1996

7" Polyester Reel-to-Reel Tape. Note on tape case says: "Final Mix. Spring '96." Quadraphonic sound recording. Cuts: 1) 4x4.

Item 9: Mary Ellen Childs - Standpoints, ca. 1988

7" Polyester Reel-to-Reel Tape. Cuts: 1) Standpoints.

Item 10: Mary Ellen Childs - Standpoints for Four Channel Tape, ca. 1988

7" Polyester Reel-to-Reel Tape. Cuts: 1) Standpoints for Four Channel Tape (9:10 Version).

Item 11: Insook Choi - King Bonce the First, 1990

7" Polyester Reel-to-Reel Tape. Recorded on September 7, 1990. Cuts: 1) King Bonce the First.

Item 12: Insook Choi - Later the Runaway, Leaving No Trace, 1991

7" Polyester Reel-to-Reel Tape.Note on tape case says: "Master Mix." Recorded on February 10, 1991. Cuts: 1) Later the Runaway, Leaving No Trace.

Item 13: Insook Choi - Later, the Runaway, Leaving No Trace, Not Even a Trace of Misfortune, 1991

7" Polyester Reel-to-Reel Tape. Recorded February 1, 1991. Cuts: 1) Later, the Runaway, Leaving No Trace, Not Even a Trace of Misfortune.

Item 14: The Clarinet: Some Recent Thoughts on Multiphonics I, 1977

7" Polyester Reel-to-Reel Tape. Note on tape case says: "'The Clarinet: Some recent thoughts on multiphonics' II 3-5-77 ; 11am - 12 noon ; Auditorium ; New Music Bldg ; (Master Tape)." No composition titles are given.

Item 15: The Clarinet: Some Recent Thoughts on Multiphonics II, 1977

7" Polyester Reel-to-Reel Tape. Note on tape case says: "'The Clarinet: Some recent thoughts on multiphonics' I 3-5-77 ; 11am - 12 noon ; Auditorium ; New Music Bldg ; (Master Tape)." No composition titles are given.

Item 16: Classical Electronic Music (Various Composers), 1955-1958

7" Polyester Reel-to-Reel Tape. Cuts: 1) Edgard Varese - Poeme Electronique (1958) ; 2) Karlheinz Stockhausen - Gesang der Junglinge (1955-1956).

Item 17: Classical Electronic Music Tape (Various Composers), 1954-1958

7" Polyester Reel-to-Reel Tape. Cuts: 1) Herbert Eimert - Skeleton I (1959) ; Karlheinz Stockhausen - Study II (1954) ; 3) Bruno Maderna - Continuo (1958) ; 4) Edgard Varese - Poeme Electronique (1958).

Item 18: Patric Cohen - Drum Machine, ca. 1991

7" Polyester Reel-to-Reel Tape. Cuts: 1) Drum Machine.

Item 19: David Cottle - Enoch, 1989

7" Polyester Reel-to-Reel Tape. Recorded on October 6, 1989. Cuts: 1) Enoch.

Item 20: David Cottle - Enoch (Master), 1989

7" Polyester Reel-to-Reel Tape. Note on tape case says "Master Recording." Recorded on May 16, 1989. Cuts: 1) Enoch.

Item 21: David Cottle - Enoch (Quadraphonic - 4 Channel Version), ca. 1989

7" Polyester Reel-to-Reel Tape (unsecured tape hub). Quadraphonic sound recording. Cuts: 1) Enoch.

Item 22: Judd G. Danby - Twelve Can Play that Game, 1993

7" Polyester Reel-to-Reel Tape. Cuts: 1) Twelve Can Play that Game.

Item 23: Mario Davidovsky, ca. 1962

7" Polyester Reel-to-Reel Tape. Cuts: 1) Synchronisms for Flute and Tape, 2) Synchronisms II for Flute, Clarinet, Cello, and Tape.

Item 24: Marcel Deschens and Wilhelm Zobl, ca. 1973-1978

7" Polyester Reel-to-Reel Tape. Recorded at the Experimental Studio of the Polish Radio in Warsaw. Cuts: 1) Marcelle Deschenes - Moll, Opera-lilliput pour 6 Roches Mollies. Note on tape case says: "1978 Canada." ; 2) Wilhelm Zobl - Andere Die Welt, Sie Braucht Es (1973).

Item 25: Charles Dodge - In Celebration, ca. 1976

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a typed poem titled "In Celebration by Mark Strand." There is also a small piece hand-written document with track information written on it. Cuts: 1) In Celebration.

Item 26: Andrzej Dutkiewicz, 1978

7" Polyester Reel-to-Reel Tape. Recorded at the Experimental Studio of the Polish Radio in Warsaw. Performed by Perfomer - Bohdan Mazurek ; Andrzej Dutkiewicz, piano. Cuts: 1) Six Meditations for Electronic Sound and Piano.

Item 27: Herbert Eimert - Selection I, ca. 1960

7" Polyester Reel-to-Reel Tape. Cuts: 1) Selection I.

Item 28: Electronic Music Studios (London) - The Putney Synthesizer (Various Composers), ca. 1973

7" Polyester Reel-to-Reel Tape. This tape features compositions from within the studio of the EMS synthesizer company. Recorded utilizing the VCS 3 "Putney" Synthesizer. Attached to the tape case is a sticker from the EMS (London). Recorded at the Electronic Music Studios, London. Copied on April 16, 1973. Cuts: 1) Peter Zinovieff - January Tensions ; 2) Harrison Brit Wistle - Chronometer ; 3) Peter Zinovieff - Lollipop for Papa. Note on tape case says: "Based on Haydn Piano Sonata in E Minor, Last Mvmt." ; 4) Peter Zinovieff and Alan Sutcliffe - Zasp.  Recording utilizing the PDP-8 Computer.

Item 29: Marcus Engelmann - Final Winter, ca. 1986

7" Polyester Reel-to-Reel Tape. Inside the tape case are three typed documents with info regarding contact, composition, and usage information. The documents are dated from 1986. Cuts: 1) Final Winter.

Item 30: Ross A. Feller - This Appearence For Doublebass and Tape, 1990

7" Polyester Reel-to-Reel Tape. Performed by Alex McHattie, doublebass. Recorded on July, 1990 at the University of Illinois. Cuts: 1) This Appearence For Doublebass and Tape.

Item 31: Colin M. Franey - Risonre C, ca. 1990

7" Polyester Reel-to-Reel Tape. Cuts: 1) Risonre C.

Item 32: Constantine Giavaras - 2x7x4=6 / Ex.2 1x4, 1987

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a single page typed document written by Constantine Giavaras on EMS letterhead. The document concerns composition information and is dated from December, 1987. Recorded at the University of Illinois. Cuts: 1) 2x7x4=6.

Item 33: Constantine Giavaras - Sliced Life, 1987

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a single sheet typed document on EMS letterhead that describes the composition. The document is dated from April, 1988. Recorded at the University of Illinois. Cuts: 1) Sliced Life.

Item 34: Constantine Giavaras and Jack Sayre - Slapping Babies, ca. 1987

7" Polyester Reel-to-Reel Tape. Cuts: 1) Slapping Babies.

Box 25

Item 1: Stephen Gryc - Gravity's Revenge, 1980

7" Polyester Reel-to-Reel Tape. Tape case is a custom University of Michigan School of Music box. Quadraphonic sound recording. Recorded at the University of Michigan, Ann Arbor on March 20, 1980. Cuts: 1) Gravity's Revenge.

Item 2: Stan Hanson - How Are You / Lars Gunar Boding - Traces I, 1969-1970

7" Polyester Reel-to-Reel Tape. Inside the tape case, there is a single page hand-written document containing track listings. The written information is on the back of a EMS malfunctioning equipment form. Cuts: 1) Stan Henson - How Are You (1969) ; 2) Lars Gunnar Bodin - Traces I (1970).

Item 3: Robin Heifetz - Susurrus, 1978

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Susurrus for 2-Channel Tape.

Item 4: Margaret Helmuth - Occurents, ca. 1990

7" Polyester Reel-to-Reel Tape. Inside the tape case is a half-page typed document with information about the composition. Cuts: 1) Occurents, 2) Occurents (4 Channel).

Item 5: Lejaren Hiller - An Avalanche Cue Tape, 1968

7" Acetate Reel-to-Reel Tape. Cuts: 1) Cue 1 - Quotation from Henry Miller ; 2) Cue 2 - Quotation from Frank Lloyd Wright ; 3) Cue 3 - Quotation from Frank Paiman ; 4) Cue 4 - Quotation from John Cage ; 5) Cue 5 - Quotation from Louis *. Please note: On the tape case, the last name of this quoted individual is illegible. ; 6) Cue 6 - Quotation from Nikolai Lenin ; 7) Cue 7 - Quotation from John Philip Sousa.

Item 6: Lejaren Hiller - Cenotaph for Two Pianos, 1971

7" Acetate Reel-to-Reel Tape. Performed by Frida Boldt and Kenwyn Boldt, pianos. Cuts: 1) A Cenotaph for Two Pianos.

Item 7: Lejaren Hiller - Machine Music, ca. 1964

7" Polyester Reel-to-Reel Tape. Cuts: 1) Machine Music.

Item 8: Lejaren Hiller - Machine Music (7 1/2 IPS Performance Tape), ca. 1964

7" Polyester Reel-to-Reel Tape. Cuts: 1) First Trio, 2) First Duo, 3) Third Solo, 4) Fourth Solo, 5) Third Duo, 6) Second Trio.

Item 9: Lejaren Hiller - Machine Music (15 IPS Performance Tape), ca. 1964

7" Polyester Reel-to-Reel Tape. Cuts: 1) First Trio, 2) First Duo, 3) Third Solo, 4) Fourth Solo, 5) Third Duo, 6) Second Trio.

Item 10: Lejaren Hiller - Quadrilateral, 1981

7" Polyester Reel-to-Reel Tape. Cuts: 1) Prelude, 2) Interlude II, 3) Postlude.

Item 11: Lejaren Hiller, Herbert Brun, and Salvatore Martirano - Interviews, 1979

7" Polyester Reel-to-Reel Tape. Recorded March 12. 1979. The titles of the cuts are unlabled.

Item 12: Elizabeth Hinkle-Turner - American Made, ca. 1989

7" Polyester Reel-to-Reel Tape. Cuts: 1) American Made.

Item 13: Elizabeth Hinkle-Turner - Insurections I, ca. 1990

7" Polyester Reel-to-Reel Tape. Cuts: 1) Insurections I.

Item 14: Illinois Electronic Music 1 (Various Composers), 1964-1970

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Barry Brasch - Variations (to Save Anton) (1972) ; 2) Kenneth Gaburo - Fat Millie's Lament (1965) ; 3) Kenneth Gaburo - Lemon Drops (1964) ; 3) Herbert Brun - Futility 1964 (1964) ; 4) Wolf Rosenberg - Flashes (1969-1970) ; 5) Philip Musser - 4th of July Champaign-Urbana (1969).

Item 15: Illinois Electronic Music 2 (Various Composers), 1968-1971

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Infaudibles (Short Version) (1968) ; 2) Charles Madden - 4 Little Radio Pieces (1970) ; 3) James Beauchamp - Streams and Impulses (1971) ; 4) Philip Musser - Ovarb I (1971).

Item 16: Illinois Electronic Music 3 (Various Composers), 1969-1970

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Dennis Eberhard - Mariner (1970) ; 2) Wolf Rosenberg - Tapestry (Electronic Study #3) (1969).

Item 17: Illinois Electronic Music 4 (Various Composers), 1968-1972

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Peter Salemi - Water Music (1968) ; 2) Ben Johnston and Jaap Spek - Kindergartenlieder (1969) ; 3) Barry Brosch - Cycle 12.79 (1971) ; 4) David Baer - Motus One (1972).

Item 18: Illinois Electronic Music 5 (Herbert Brun, Composer), 1964-1966

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Herbert Brun - Non Sequitur VI (1966) ; 2) Herbert Brun - Soniferous Loops (1964).

Item 19: Ben Johnston - Kindergartenlieder (Plus Other Composers and Compositions), 1968-1971

7" Polyester Reel-to-Reel Tape. Cuts: 1) Peter Salemi - Water Music (1968) ; 2) Ben Johnston and Jaap Spek - Kindergartenlieder (1969) ; 3) Barry Brosch - Cycle 12.79 (1971).

Item 20: Ben Johnston - Sonnets of Desolation, ca. 1981

7" Polyester Reel-to-Reel Tape. Cuts: 1) Sonnets of Desolation, 2) Swingle Swingers.

Item 21: Ben Johnston - Mass, ca. 1972

7" Polyester Reel-to-Reel Tape. Performed by the University of Illinois Concert Choir; Harold Decker, Conductor. Recorded at the University of Illinois. Cuts: 1) Mass.

Item 22: Andre Jolivet - Concerto for Ondes Martenot and Orchestra / Karlheinz Stockhausen - Momente, 1947-1965

7" Polyester Reel-to-Reel Tape. Cuts: 1) Andre Jolivet - Concerto for Ondes Martenot and Orchestra (Mvmt 2) ; 2) Karlheinz Stockhausen - Momente (Version 1965).

Item 23: Gottfried Michel Konig - Klangfiguren, ca. 1955

7" Polyester Reel-to-Reel Tape. Recorded at the  Hochschule fur Musik Koln, Cologne. Cuts: 1) Klangfiguren.

Item 24: Paul Koonce - Rule III, ca. 1979

7" Polyester Reel-to-Reel Tape. Cuts: 1) Rulle III.

Item 25: Paul Koonce - Rule III (Dolby B), ca. 1979

7" Polyester Reel-to-Reel Tape. Cuts: 1) Rule III.

Item 26: Paul Koonce - Series 60, ca. 1979

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Series 60.

Item 27: Paul Koonce - Series 60, 1979

7" Polyester Reel-to-Reel Tape. Inside the tape case is a typed document from Paul Koonce with composition information. Performed utilizing a Buchla Series 200 synthesizer. Recorded at the University of Illinois. Cuts: 1) Series 60.

Item 28: Paul Koonce - Series 60, 1979

7" Polyester Reel-to-Reel Tape. Inside the tape case is a typed document from Paul Koonce with composition information. Performed utilizing a Buchla Series 200 synthesizer. Recorded at the University of Illinois. Cuts: 1) Series 60 ; 2) Series 60.

Item 29: Paul Koonce - Wavekeeper, ca. 1983

7" Polyester Reel-to-Reel Tape. Cuts: 1) Wavekeeper.

Item 30: Wlodzimierz Kotonski - Musique Concrete (Study for One Cymbal Stroke), ca. 1957

7" Polyester Reel-to-Reel Tape. Cuts: 1) Study for One Cymbal Stroke.

Item 31: Drew Stafford Krause - Dead Aria, ca. 1992

7" Polyester Reel-to-Reel Tape. Cuts: 1) Dead Aria.

Item 32: Otto Laske - Message to the Messiah, 1978

7" Polyester Reel-to-Reel Tape. Note written on tape case states: "With sincere thanks to Scott Wyatt - Otto Laske." Recorded June 24, 1978. Cuts: 1) Message to the Messiah.

Item 33: Peter Tod Lewis, 1979-1980

7" Polyester Reel-to-Reel Tape. Inside the tape case is a hand-written document from Peter Lewis to "Scott." The document is written on University of Iowa letterhead and dated March 20, 1980. Recorded at the Electronic Music Studios at the University of Iowa, Iowa City. Cuts: 1) Harmonie I: Beklemmt (1979) ; 2) Gestes III - Douceurs (1980).

Item 34: The Linoleum Bachelors (Golden Analog Master), 1993

7" Polyester Reel-to-Reel Tape. Note on tape case says: "The Linoleum Bachelors was commissioned by Scott A. Wyatt of the University of Illinois Experimental Music Studios, on the occasion of the 35th anniversary celebration of the studio facilities. ; William F. Walker, 902 S. Race, Urbana, IL 61801." Recorded on May 11, 1993. Cuts: 1) The Linoleum Bachelors.

Item 35: Greg MacAyeal - Bartholomew and the Oobelek, ca. 1991

7" Polyester Reel-to-Reel Tape. Inside the tape case is a small hand-written document with playback information. Cuts: 1) Bartholomew and the Oobelek.

Item 36: Rob Maher - A Meditation, ca. 1989

7" Polyester Reel-to-Reel Tape. Note on tape case indicates that this is a Master Recording. Cuts: 1) A Meditation on a Theme by Dr. Martin Luther King, JR.

Box 26

Item 1: Nelson Mandrell - Excerpts from She Doesn't Know He Thinks He's God, ca. 1989

7" Polyester Reel-to-Reel Tape. Cuts: 1) Ecerpts from She Doesn't Know He Thinks He's God.

Item 2: Nelson Mandrell - Excerpts from She Doesn't Know He Thinks He's God (Record Version), ca. 1989

7" Polyester Reel-to-Reel Tape. Cuts: 1) Excerpts from She Doesn't Know He Thinks He's God (Record Version).

Item 3: Salvatore Martirano, Morgan Powell, and Ben Johnston - Various Compositions, ca. 1966-1969

7" Polyester Reel-to-Reel Tape. Cuts: 1) Salvatore Martirano - Ballade ; 2) Morgan Powell - Windows ; 3) Morgan Powell - Bird Merchant ; 4) Ben Johnston - Duo.

Item 4: Bohdan Mazurek - 4 Compositions, 1974-1979

7" Polyester Reel-to-Reel Tape. Recorded at the Experimental Studio of the Polish Radio in Warsaw. Cuts: 1) Moment Musical (1974) ; 2) Preludium (1977) ; 3) Ballada (1976) ; 4) Small Electronic Symphony (1979).

Item 5: Bohdan Mazurek - 6 Compositions, 1981

7" Polyester Reel-to-Reel Tape. Inside the case is a small hand written document with composition times. Tape case is a custom box from "Polskie Radio I Telewizja." Cuts: 1) 6 Electronic Preludes.

Item 6: Bohdan Mazurek- Children's Dreams, 1977-1979

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a small hand written document with composition time listed. Tape case is a custom box from "Polskie Radio I Telewizja." Cuts: 1) Children's Dream (1977) ; 2) Four Seasons of a Day (1979).

Item 7: Bohdan Mazurek- Children's Poems, ca. 1977

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a small hand written document with composition time listed. Tape case is a custom box from "Polskie Radio I Telewizja." Cuts: 1) Children's Dream.

Item 8: Bohdan Mazurek - Daisy Story, ca. 1978

7" Polyester Reel-to-Reel Tape. The title of Cut 2 is not leggible. Cuts: 1) Daisy Story, 2) Illegible composition name.

Item 9: Bohdan Mazurek - A Dream of Pennsylvania, ca. 1987

7" Polyester Reel-to-Reel Tape. Cuts: 1) A Dream of Pennsylvania.

Item 10: Bohdan Mazurek - Episodes, Canti, 1973

7" Polyester Reel-to-Reel Tape (BASF LGR 30P). Recorded at the Experimental Studio of the Polish Radio in Warsaw. Cuts: 1) Canti, 2) Episodes.

Item 11: Bohdan Mazurek - Epitaph, ca. 1969-1982

7" Polyester Reel-to-Reel Tape (AGFA - GEVAERT). Inside the tape case there are five typed documents. These documents are: (1) A letter to Mrs. Barriere from Bohdan Mazurek (two copies), (2) A document with the title "Ponische Lieder Ohne Worte - dedicated to Anna Kowalski." This document is from Bohdan Mazurek and dated May 3, 1982 (there are two copis of this document inside the tape case). (3) There is another document titled "Ponische Lieder Ohne Worte - dedicated to Anna Kowalski." This document is also dated from, May 3, 1982 but has additional information about the composition Epitaph. Cuts: 1) Polnische Lieder Ohne Worte, 2) Epitaph.

Item 12: Bohdan Mazurek - Epitaph, Phantasma, Sinfonia Rustica, 1968-1970

7" Polyester Reel-to-Reel Tape (BASF LGR 30P). Recorded at the Experimental Studio of the Polish Radio in Warsaw. Cuts: 1) Epitaph (1969) ; 2) Phantasma (1968) ; 3) Sinfonia Rustica (1970)

Item 13: Bohdan Mazurek - Epitaph To the Victims of Terror, ca. 1969

7" Polyester Reel-to-Reel Tape. Inside the tape case there is a typed document with the title "Ponische Lieder Ohne Worte - dedicated to Anna Kowalski." This document is from Bohdan Mazurek and dated May 3, 1982. Cuts: 1) Epitaph - To the Victims of Terror.

Item 14: Bohdan Mazurek - Epitaph to the Victims of Terror and From a Notebook, undated

Item 15: Jim McManus - Le Grande Saucisson, ca. 1986

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Le Grande Saucisson.

Item 16: John Melby - Accelerazioni, 1978-1979

7" Polyester Reel-to-Reel Tape. Performed by Carole Morgan, flute. Cuts: 1) Accelerazioni for Flute and Computer-Synthesized Tape.

Item 17: John Melby - CAW DBX 2-TRK Reduction, ca. 1979

7" Polyester Reel-to-Reel Tape. Note on tape case says "Dubbing Master." Cuts: 1) CAW "Chor der Waisen."

Item 18: John Melby - Chor Der Stein, 1979

7" Polyester Reel-to-Reel Tape. Cuts: 1) Chor der Steine for Computer-Synthesized Tape.

Item 19: John Melby - Concerto for Violin and Tape, 1979-1980

7" Polyester Reel-to-Reel Tape. Performed by Victor Romanual, violinist. Note on tape case says: "Politis Composition Prize Concerts." Recorded May 9, 1980 at Boston University. Cuts: 1) Concerto for Violin and Computer- Synthesized Tape (1979).

Item 20: John Melby - Two Stevens Songs / Salvatore Martirano - Shoptalk Conference Talk, ca. 1975

7" Polyester Reel-to-Reel Tape. Cuts: 1) John Melby - Two Stevens Songs for Soprano and Computer-Synthesized Tape (1975). Performed by Phyllis Bryn-Julson, soprano ; 2) Salvatore Martirano - Shoptalk for conference at Yale honoring the 100th Anniversary of Charles Ives.

Item 21: Jonathan Mitchell - Vinyl, 1993

7" Polyester Reel-to-Reel Tape. Cuts: 1) Vinyl for Two Channel Tape.

Item 22: Music 321 - Class Meeting 2 (Various Composers), ca. 1924-1965

7" Polyester Reel-to-Reel Tape. Cuts: 1) Arthur Honegger - Pacific 231 (1924) ; 2) George Antheil - Ballet Mecanique (1924) ; 3) Henry Cowell - The Banshee (1925) ; 4) Alexander Mosolov - Steel Foundry (1927) ; 5) Edgard Varese - Ionisation (1931) ; 6) Dr. Samuel J. Hoffman - This Room is My Castle of Quiet. Performed utilizing the Theremin ; 7) Dr. Samuel J. Hoffman - I Dream of Past Love ; 8) Marcel Landowski - Concerto for Ondes Martenot and String Orchestra with Percussion ; 9) Andre Jolivet - Concerto For Ondes Martenot and Orchestra ; 10) Karlheinz Stockhausen - Momente (1965)

Item 23: Jim Needles - Hologani (Walks in Balance Bringing Beauty), 1977-1978

7" Polyester Reel-to-Reel Tape. Tape case is a custom University of Michigan School of Music box. Recorded at the University of Michigan, Ann Arbor. Cuts: 1) Hologani (Walks in Balance Bringing Beauty).

Item 24: Bernard Parmegiani / Rolf Eustrom, ca. 1980

7" Polyester Reel-to-Reel Tape. Note on tape case mentions B. Mazurek but is mostly illegible. Name on tape case spells composer's name as "Parmeggiani." Cuts: 1) Bernard Parmegiani - Dedans - Dehors. Note on tape case says "GRM" ; 2) Rolph Eustrom - Sequence in Blue. Note on tape case says "Stockholm."

Item 25: Christopher Preissing - Enigmatic Game, ca. 1991

7" Polyester Reel-to-Reel Tape. Written on the inside of the tape box are playback and composition information. Cuts: 1) Enigmatic Game.

Item 26: Scott Reich - Shadows, Stars, and Dreams, 1980

7" Polyester Reel-to-Reel Tape. Tape case is a custom University of Michigan School of Music box. Recorded at the University of Michigan, Ann Arbor on March 25, 1980. Cuts: 1) Shadows, Stars, and Dreams.

Item 27: John Rimmer - Seaswell, Composition 9, Composition 10, 1980

7" Polyester Reel-to-Reel Tape (Scotch 206). Note on tape case says "from original master." Recorded at the University of Auckland in December, 1980. Cuts: 1) Seaswell  ; 2)  Composition 9 ; 3) Composition 10.

Item 28: Tucker Robinson - Study for Cymbals (Copy), 1986

7" Polyester Reel-to-Reel Tape. Cuts: 1) Study for Cymbals.

Item 29: Tucker Robinson - Study for Cymbals (Copy 2), 1986

7" Polyester Reel-to-Reel Tape. There is a sticky note attached to the tape case that says "Needs Baking." Inside the tape case are two typed documents with information about the composer and composition. Cuts: 1) Study for Cymbals.

Item 30: Carla Scaletti - Lysogeny (Master), ca. 1984

7" Polyester Reel-to-Reel Tape. Note on tape case indicates "Master" recording. Cuts: 1) Lysogeny (Longer Version).

Item 31: Carla Scaletti - Lysogeny (Video Version), ca. 1983

7" Polyester Reel-to-Reel Tape. Cuts: 1) Lysogeny (Video Version).

Item 32: Mike Schulze - Melancholy Song, undated

7" Polyester Reel-to-Reel Tape. Quadraphonic sound recording. Cuts: 1) Melancholy Song.

Item 33: Michael G. Sczerba - Hyperbol-ly, 1993

7" Polyester Reel-to-Reel Tape. Note on tape case says: "Hyperbol-ly was commissioned by Scott. A. Wyatt, Director of the University of Illinois Experimental Music Studios, on the occassion of the 35th anniversary celebration of the studio facilities." Cuts: 1) Hyperbol-ly.

Item 34: Daria Semegen - Electronic Composition #2: Spectra, 1979

7" Polyester Reel-to-Reel Tape. Inside the tape case are several typed documents. The first document, on a half-sheet of paper, is a letter to Scott Wyatt from Daria Semegen (Assoc. Director Electronic Music Studios). The letter is on State University of Stony Brook letterhead and dated March 27, 1980. There are also two additional documents with composition and composer information. Recording utilizes the Buchla 100, Buchla 200, Synthasound, Moog, and EMS Synthi instruments. Cuts: 1) Electronic Composition #2: Spectra.

Box 27

Item 1: Boguslaw Schaeffer - Symfonia (Muzyka Elektroniczna), ca. 1969

10" Vinyl Record. Muza (Record Label) Z-SL-570. Made in Poland. Recorded at Studio Eksperymentalne Polskiego Radio w Warzawie. Side A: Symfonia (1st and 2nd Movements) ; Side B: Symfonia (3rd and 4th Movements).

Item 2: Boguslaw Schaeffer - Symfonia (Muzyka Elektroniczna) / Symphony (Eletronic Music), ca. 1969

Two 7" Vinyl Records. Records are in custom record sleeve. Note on record sleeve states: "realizer Bohdan Mazurek." Recorded at Studio Eksperymentalne Polskiego Radio w Warzawie. Record 1: Side A: Symfonia (1st Movement) ; Side B: Symfonia (3rd and 4th Movement). Record 2: Side A: Symfonia (3rd Movement) ; Side B: Symfonia (4th Movement).

Item 3: Ju Ri Seo - Fragments, ca. 2009

7" Polyester Reel-to-Reel Tape. Cuts: 1) Fragments.

Item 4: Dennis Smalley / Lars Gunnar Bodin / Boguslaw Schaeffer, ca. 1972-1976

7" Polyester Reel-to-Reel Tape. Tape case has illegible notes written but they do inclulde the name "B. Mazurek." The title for Cut 3 is also illegible. Cuts: 1) Dennis Smalley - Darkness After ; 2) Lars Gunnar Bodin - Two Movements from Cloud. Movements include: mvt1. Eu Piece, Mvt 2. Landscape ; 3) Boguslaw Schaeffer - Illegible composition name.

Item 5: Pril Smiley - Kolyosa, 1970

7" Polyester Reel-to-Reel Tape. Cuts: 1)  Kolyosa.

Item 6: Laura Spiegel - Three Sonic Spaces, ca. 1989

7" Polyester Reel-to-Reel Tape. Cuts: 1) Three Sonic Spaces.

Item 7: Karlheinz Stockhausen - Studie I, ca. 1953

7" Polyester Reel-to-Reel Tape. Cuts: 1) Studie I.

Item 8: Karlheinz Stockhausen - Studie II, ca. 1954

7" Polyester Reel-to-Reel Tape. Cuts: 1) Studie II.

Item 9: Morton Subotnick - Touch (4 Chan), ca. 1969

7" Polyester Reel-to-Reel Tape. Cuts: 1) Touch.

Item 10: Tape Music Vol. 1 (Various Composers), 1955-1961

7" Polyester Reel-to-Reel Tape. Cuts: 1) Hugh LeCaine - Dripsody (1955) ; 2) Toru Takemitsu - Water Music (1960) ; 3) Krzysztof Penderecki - Psalmus (1961) ; 4) Tod Dockstader - Luna Park (1961).

Item 11: James Tenney - Collage, 1961

7" Polyester Reel-to-Reel Tape. Recorded at the University of Illinois. Cuts: 1) Collage Nr. 1.

Item 12: Tamas Ungvary, ca. 1978

7" Polyester Reel-to-Reel Tape. Cuts: 1) Sinus Concerto ; 2) Akonel III.

Item 13: Reynold Weidenaar - Pathways II: Seven Sonic Variations, 1980

7" Polyester Reel-to-Reel Tape (Scotch 206). Inside the tape case there are five typed documents. Four documents contain information regarding the composer and composition, program notes, as well as information regarding how to order recordings. The other document is a letter to Scott Wyatt signed by Reynold Weidenaar and dated May 23, 1981. Cuts: 1) Pathways II: Seven Sonic Variations.

Item 14: Ramon Zupro - Transients, 1965

5" Polyester Reel-to-Reel Tape. Recorded in December, 1965 at the University of Utrecht. Cuts: 1) Transients.

Item 16: Andrzej Dobrowolski "Music for Magnetic Tape and Oboe Solo", ca. 1966

5'' Record. In Polish and English. Recorded by the Studio Eksperymentalne Polskiego Radia.

Box 28

Item 1: Herbert Brun - Futility 1964, ca. 1964

ADAT Cassette (Ampex 489).

Item 2: Herbert Brun - U-Turn-2, ca. 1980

ADAT Cassette (Ampex 489).

Item 3: Scott Wyatt - Prelude: hW1.1, undated

ADAT Cassette (Ampex 489). Cuts: 1) Prelude: hW1.1.

Box 32

Folder 7: Bell Telephone Laboratories, Inc. "Synthesized Speech" Flexi-disc, 1962

Sub-Series 3: Video Recordings

Box 28

Item 4: Circulation, ca. 1987

U-Matic Cassette Tape (Scotch 3M MBR20s). Recorded at the University of Illinois Experimental Music Studios.

Item 5: Circulation Dupe Master, ca. 1987

U-Matic Cassette Tape (Scotch 3M MBR20s).

Item 6: Circulation Stereo (Not Encoded), ca. 1987

U-Matic Cassette Tape (Scotch 3M MBR20s). Note on tape case says: "Circulation by Scott Wyatt, Bryon Sletten, Adriennne Spindler, Craig Upson."

Item 7: EMS Story WCIA, undated

U-Matic Cassette Tape (Sony KCS20). Shots include: 1) The News Story ; 2) Wide Shots of the Studio ; 3) Scott at Buchla ; 4) Pan Ccross Buchla ; 5) Cooper Time Cube ; 6) Rate Changer ; 7) VU Meters ; 8) Oscillators ; 9) Side View of Buchla ; 10) Hand Held Shots of Components ; 11) Students Entering the Studio, with Talk from Scott ; 12. Interview with Phillip M. Johnson ; 13) Interview with Scott.

Item 8: Experimental Music (RF Copy), undated

U-Matic Cassette Tape (Scotch UCA 30).

Item 9: Farmaid, Undated

U-Matic Cassette Tape (Scotch UCA 30). Shots include: 1) Farmaid, 2) Crowd, 3) Stage , 4) Fireworks.

Item 10: Farmaid Closer 10/14 Dub, undated

U-Matic Cassette Tape (Scotch UCA 30). Tape case has the name "Scott Wyatt" written on it.

Item 11: New Directions in Experimental Music, undated

U-Matic Cassette Tape (Scotch UCA 30). On the case, there is a sticker for Instructional Television Division. Note on tape case states: "3rd Generation/Release Copy."

Item 12: New Music Preview, undated

U-Matic Cassette Tape (Scotch UCA 30). Cassette tape has note stating: "New Music Preview 3054/FAA Cuts 1,2,3, & 5."

Item 13: Real Illusion, 1987

U-Matic Cassette Tape (Scotch 3M MBR20s). Tape case has the following names listed: "Ed Ulbeich, Scott A. Wyatt, Heidi Zeller."

Item 14: Real Illusion/ Circulation, 1987

U-Matic Cassette Tape (Scotch 3M MBR20s). Cuts/Shots: 1) Real Illusion, 2) Circulation.

Item 15: Trans (RF Copy), undated

U-Matic Cassette Tape (Scotch UCA 30). Note on tape case states "RF Copy Trans Only." Inside the tape case there is a business card from Scott A. Wyatt, School of Music - University of Illinois.

Box 27

Item 15: Trans (Master), undated

U-Matic Cassette Tape (Sony KCS20). Tape has "Master" written on it.

Item 17: Interview with Herbert Brun, April 2 and 9, 1999

Item 18: Interview with Herbert Brun (copy), April 2 and 9, 1999

Series 4: Equipment, ca. 1940-1957

Item 1: Wilcox-Gay Recordio Phonograph, ca. 1940

Recording head not included. Model 6A10. Serial number: 5462. Accession number: 2016-1205070-001.

Item 2: Webster-Chicago Model 80 Wire Recorder, ca. 1948

Includes microphone, cabels, and two power cabels. Serial number: 53296. Accession number: 2016-1205070-002a and b.

Item 3: SONY MCI (Music Center Incorporated) JH-110C Tape Recorder, ca. 1970

Also includes with two 180 Type I Noise Reducation Systems and SONY MCI Audio Location III System with audio cables.  Accession Number 2019.1205070.001.

Box 4

Item 1: Timex Magnetic Disc Recorder, ca. 1954-1957

Includes original uncut Type 40-3 recording discs. Microphone not included. Model 40-1. Accession number: 2016.1205070-003.