James W Beauchamp Harmonic Tone Generator and Papers

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Instruction

Research and Publications

Professional Service

Administrative Records

Personal Papers

Harmonic Tone Generator Components and Research



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Finding Aid for James W Beauchamp Harmonic Tone Generator and Papers, 1862-2022 | The Sousa Archives and Center for American Music

By Scott Schwartz, Swarnikaa Kiran, and Finnegan Upchurch

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Collection Overview

Title: James W Beauchamp Harmonic Tone Generator and Papers, 1862-2022

ID: 12/5/69

Primary Creator: Beauchamp, James W. (1937-2022)

Extent: 23.0 cubic feet

Arrangement:

Organized in six series:

Series 1) Instruction, 1963-2010, which is organized into two sub-series: Sub-series 1) College of Engineering and Sub-series 2) School of Music. Both sub-series are arranged by course number and then chronologically by semester.

Series 2) Research and Publications, 1862-2018, which is organized into two sub-series: Sub-series 1) Research and Publications, which is organized alphabetically by topic; and Sub-series 2) Presentations at conferences, which is organized alphabetically by organization and then chronologically.

Series 3) Professional Service, ca. 1970-2020, which is organized into two sub-series: Sub-series 1) Acoustical Society of America Committee Files and Conference Programs, and Sub-series 2) Profesional Organization Conferences and Travel Itineraries. Both sub-series are arranged chronologically.

Series 4) Administrative Records, 1963-2021, which is arranged in three sub-series: Sub-series 1) Computer Music Project and Experimental Studio Records, which is arranged alphabetically and then chronologically by year; Sub-series 2) Faculty Records and Reports, which is arranged alphabetically and then chronologically by year; and Sub-series 3) Correspondence, which is arranged alphabetically by surname.

Series 5) Personal Papers, 1954-2022, which is arranged chronologically.

and Series 6) Harmonic Tone Generator Components and Research, 1963-1966, which arranged by material type and chronologically therein.

Date Acquired: 01/14/2015. More info below under Accruals.

Subjects: Acoustical Society of America, Acoustics, Alumni, Class Notes, Classroom Instruction, Computer Music, Computer Science, Dissertations, Electrical Engineering, Electrical Engineering Department, Electronic Music, Faculty, Faculty Papers, Hiller, Lejaren (1924-1994), Illiac Computers, Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Music, School of

Formats/Genres: Experimental Music, Papers

Languages: English

Scope and Contents of the Materials

Consists of published articles, class records (such as syllabi, class rosters, and homework assignments), research files, conference programs, essays, and photos documenting James Beauchamp's acoustic research and role as a Professor in the School of Music and College of Engineering at the University of Illinois Urbana-Champaign. Of note in this collection are the Harmonic Tone Generator, supporting Magnavox grant, correspondence with Robert Moog, programs and correspondence related to a Barry Truax concert held at the University of Illinois, a bound copy of his dissertation, and research and publications completed at the Institut de recherche et coordination in acoustique musique (IRCAM) in Paris, France.

Biographical Note

James Warren Beauchamp (1937-2022) was Professor Emeritus in both the School of Music and Department of Electrical and Computer Engineering at the University of Illinois. Dr. Beauchamp received his bachelor's and master's degrees from the University of Michigan, in 1960 and 1961 respectively. In 1965, he graduated from the University of Illinois with a PhD in electrical engineering. His dissertation was entitled Electronic Instrumentation for the Synthesis, Control, and Analysis of Harmonic Musical Tones. He worked closely with his mentor, chemist and composer Lejaren Hiller, during his PhD studies to create the Harmonic Tone Generator (HTG), funded by a Magnavox Corporation grant. The device was among the first voltage-controlled electronic music synthesizers. The HTG was used in a number of electronic music projects staged at the University of Illinois, including Salvatore Martirano's Underworld.

He joined the electrical and computer engineering faculty as an associate professor in 1965. Shortly after, he took a leave of absence which he spent working in Stanford's Artificial Intelligence Laboratory. He returned in 1969 to his joint appointment in electrical and computer engineering and music. He served as director of the School of Music's Experimental Music Studios from 1984 to 1993, during which time he headed the Hybrid Computer Project and the Computer Music Project. It was during this time that he programmed a number of concerts for the Computer Music Project, the most notable being Dexter Morrill in 1982 and Barry Truax in 1996.

He retired from the University of Illinois faculty in 1997, but remained an active researcher in his field and continued to write papers with former Ph.D. students, Andrew Horner and Rob Maher. Dr. Beauchamp was a fellow of both the Audio Engineering Society and the Acoustical Society of America. He was also a visiting scholar at Stanford's Center for Computer Research in Music and Acoustics and a visiting researcher at the Institut de recherche et coordination in acoustique musique (IRCAM) in Paris.

Dr. Beauchamp passed away in 2022. In 2024, his former student Rob Maher established the James W. Beauchamp Award for Interdisciplinary Research. The award is granted to an Electrical and Computer Engineering doctoral student who pursues "interdisciplinary creative work that transcends traditional department boundaries".

Subject/Index Terms

Acoustical Society of America
Acoustics
Alumni
Class Notes
Classroom Instruction
Computer Music
Computer Science
Dissertations
Electrical Engineering
Electrical Engineering Department
Electronic Music
Faculty
Faculty Papers
Hiller, Lejaren (1924-1994)
Illiac Computers
Institut de Recherche et Coordination Acoustique/Musique (IRCAM)
Music, School of

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Folder of news-clippings donated on 11/16/2017. Twenty-one additional boxes donated on 06/10/2025 by Mrs. Beauchamp.

Acquisition Source: James Beauchamp

Acquisition Method: Gift

Related Materials: For further information about other Lejaren Hiller sound recordings and personal papers please visit  the University at Buffalo's Lejaren Hiller Papers. For more information please see https://research.lib.buffalo.edu/hiller.


Box and Folder Listing


Browse by Series:

[Series 1: Instruction, 1963-2010],
[Series 2: Research and Publications, 1862-2018],
[Series 3: Professional Service, 1963-2021],
[Series 4: Administrative Records, 1954-2022],
[Series 5: Personal Papers, 1951-2021],
[Series 6: Harmonic Tone Generator Components and Research, 1963-1966],
[All]

Series 3: Professional Service, 1963-2021
Consists of contracts, meeting minutes, conference programs, grant proposals, and travel itineraries documenting professional and academic services. Organized into two subseries: Subseries 1, Acoustical Society of America Committee Files and Conference Programs, and Subseries 2, PRofessional Organization Conferences and Travel Itineraries.
Sub-Series 1: Acoustical Society of America committee files and conference programs, 1966-2021
Consists of Acoustical Society of America conference programs, talks, and committee meeting minutes. Arranged chronologically.
Box 11
Folder 6: 180th Acoustical Society of America Meeting (Virtual), June 8-10, 2021
Folder 7: Acoustical Society of America Membership and Donations [Folder 1 of 2], 2017-2020
Folder 8: Acoustical Society of America Membership and Donations [Folder 2 of 2], 2018-2020
Folder 9: 179th Acoustical Society of America Meeting (Virtual), December 7-11, 2020
Folder 10: Louisville Acoustical Society of America, May 13-17, 2019
Folder 11: Minneapolis Acoustical Society of America Meeting, May 7-11, 2018
Folder 12: Acoustical Society of America Meeting - New Orleans, December 4-8, 2017
Folder 13: Honolulu Acoustical Society of America Meeting, November 28-December 2, 2016
Held in conjunction with the Acousical Society of Japan
Folder 14: Salt Lake City Acoustical Society of America, May 23-27, 2016
Folder 15: Jacksonville Acoustical Society of America Meeting, November 2-6, 2015
Folder 16: Acoustical Society of America Meeting - Pittsburgh, May 18-22, 2015
Folder 17: 168th Acoutical Society of America Meeting - Indianapolis, October 27-31, 2014
Folder 18: Providence Acoustical Society of America Meeting, May 5-9, 2014
Folder 19: San Fransisco Acoustical Society of America Meeting, December 2-6, 2013
Folder 20: Montreal Acoustical Society of America/International Congress on Acoustics Meeting, June 2-7, 2013
Folder 21: Acoustical Society of America Membership Committee, 2012-2013
Folder 22: Kansas City Acoustical Society of America Meeting, October 22-26, 2012
Folder 23: Acoustical Society of America 163 - Acoustics 2012 - Hong Kong, May 13-18, 2012
Folder 24: San Diego Acoustical Society of America Meeting, October 31-November 4, 2011
Folder 25: Acoustical Society of America - Seattle, May 23-27, 2011
Folder 26: Acoustical Society of America Meeting - Cancun, November 15-19, 2010
Folder 27: Acoustical Society of America Meeting - Baltimore, April 19-23, 2010
Folder 28: Acoustical Society of America Meeting - San Antonio, October 26-30, 2009
Folder 29: Acoustical Society of America Meeting - Portland, May 18-22, 2009
Folder 30: Acoustical Society of America Meeting - Miami, November 10-14, 2008
Folder 31: Acoustical Society of America/European Acoustics Society - Paris, June 29-July 4, 2008
Folder 32: Acoustical Society of America - New Orleans Meeting, November 27-December 1, 2007
Folder 33: Acoustical Society of America Meeting - Salt Lake City, June 4-8, 2007
Folder 34: Acoustical Society of America Meeting - Honolulu, November 28-December 2, 2006
Folder 35: Acoustical Society of America Meeting - Providence, June 5-9, 2006
Folder 36: Acoustical Society of America Meeting - Minneapolis, October 17-21, 2005
Folder 37: Acoustical Society of America Meeting - Vancouver, May 16-20, 2005
Folder 38: Acoustical Society of America Meeting - San Diego, November 15-19, 2004
Folder 39: Acoustical Society of America Meeting - New York City, May 24-28, 2004
Folder 40: Acoustical Society of America Meeting - Austin, Texas, November 10-14, 2003
Folder 41: Acoustical Society of America Meeting - Nashville, April 28-May 2, 2003
Folder 42: Acoustical Society of America - Fellow Applicants, 2003-2011
Folder 43: Acoustical Society of America Meeting - Cancun, December 2-6, 2002
Folder 44: Acoustical Society of America Membership [Folder 1 of 2], 1966-2009
Folder 45: Acoustical Society of America Membership [Folder 2 of 2], 1967-2009
Folder 46: Technical Committee on Musical Acoustics - Acoustical Society of America [Folder 1 of 2], 1969-2008
Folder 47: Technical Committee on Musical Acoustics - Acoustical Society of America [Folder 2 of 2], 2005-2008
Box 12
Folder 1: Acoustical Society of America Medals and Awards Committee [Folder 1 of 3], 2004-2005
Folder 2: Acoustical Society of America Medals and Awards Committee [Folder 2 of 3], 2003
Folder 3: Acoustical Society of America Medals and Awards Committee [Folder 3 of 3], 2001-2003
Folder 4: Acoustical Society of America Silver Award, 2003; 2013
Presented to William Strong
Folder 5: Acoustical Society of America - Silver Candidates [Folder 1 of 2], 2003
Folder 6: Acoustical Society of America - Silver Candidates [Folder 2 of 2], 2003
Folder 7: Acoustical Society of America - Medals Committee, June 1, 2003
Box 19
Folder 1: "Teaching Musical Acoustics", November 8-9, 1991
Sponsored by the Acoustical Society of America. Diagram included.
Item 1: Metal bar (unknown length), November 8-9, 1991
Accession number: 2015.1205069.004
Item 2: Tuning Fork, November 8-9, 1991
Accession number: 2015.1205069.005
Item 3: Eye screw with nut, November 8-9, 1991
Accession Number: 2015.1205069.006
Item 4: Tuning Fork (880 Hz), November 8-9, 1991
Accession Number: 2015.1205069.007
Item 5: Metal wire (unknown length), November 8-9, 1991
Accession number: 2015.1205069.008
Item 6: L Bracket [1 of 2], November 8-9, 1991
Approximately 2 inches wide. Accession number: 2015.1205069.009
Item 7: L Bracket [2 of 2], November 8-9, 1991
Approximately 2 inches wide. Accession number: 2015.1205069.010
Item 8: L Bracket, 1991 November 8 - 9
Approximately one and half inch wide. Accession number: 2015.1205069.011
Item 9: L Bracket (with holes) and small magnet, November 8-9, 1991
Accession Number: 2015.1205069.012
Item 10: U Bracket [1 of 2], November 8-9, 1991
Accession number: 2015.1205069.0013
Item 11: U Bracket [2 of 2], November 8-9, 1991
Accession number: 2015.1205069.014
Item 12: One-inch plastic tube, red [1 of 2], November 8-9, 1991
Has unknown metal inside. Accesssion number: 2015.1205069.015
Item 13: One-inch plastic tube, red [2 of 2], November 8-9, 1991
Accession number: 2015.1205069.016
Sub-Series 2: Professional Organization Conferences and Travel Itineraries, 1963-2018
Consists of Audio Engineering Society membership records for Beauchamp, programs and posters for talks given by Beauchamp, and programs for acoustic workshops and conferences attended. Arranged chronologically.
Box 12
Folder 8: Audio Engineering Society Membership [Folder 1 of 4], 1990-2004
Folder 9: Audio Engineering Society Membership [Folder 2 of 4], 1990-2004
Folder 10: Audio Engineering Society Membership [Folder 3 of 4], 1963-1982
Folder 11: Audio Engineering Society Membership [Folder 4 of 4], 1964-1989
Folder 12: Joint Computer Conference - Fall, November 8, 1966
Folder 13: Consulting Activities [Folder 1 of 2], 1989-2001
Folder 14: Consulting Activities [Folder 2 of 2], 1979-1984
Folder 15: Iowa Acoustics Conference [Folder 1 of 2], April 5-6, 1974; August 25, 1985
Folder 16: Iowa Acoustics Conference [Folder 2 of 2], April 1983-May 1983
Folder 17: Miscellaneous Acoustics Conferences, 1975-2001
Folder 18: Audio Engineering Society Meeting - Los Angeles, May 6-9, 1980
Folder 19: Computer Music Journal, 1980-1984
Folder 20: The Computer Music Association Membership Records [Folder 1 of 3], 1987-2010
Contains receipts, correspondence, and newsletters regarding Beauchamp's involvement with the Computer Music Association
Folder 21: The Computer Music Association Membership Records [Folder 2 of 3], 1983-1990
Folder 22: The Computer Music Association Membership Records [Folder 3 of 3], 1981-1983
Folder 23: Society for Electro-Acoustic Music Conferences [Folder 1 of 2], 1991-1997
Folder 24: Society for Electro-Acoustic Music Conferences [Folder 2 of 2], 1983-2004
Folder 25: International Computer Music Association Journals [Folder 1 of 4], 1980-1983
Folder 26: International Computer Music Association Journals [Folder 2 of 4], 1984-1988
Folder 27: International Computer Music Association Journals [Folder 3 of 4], 1988-1991
Folder 28: International Computer Music Association Journals [Folder 4 of 4], 1991-1998
Folder 29: Miscellaneous Talks [Folder 1 of 2], 1983-1993
Folder 30: Miscellaneous Talks [Folder 2 of 2], 1974-1983
Folder 31: Iowa/Reycor Talk, April 26, 1985
Folder 32: Institute of Electrical and Electronics Engineers - Acoustics, Speech and Signal Processing Conference, September 14-17, 1986
Folder 33: Iowa Talk, April 30-May 2, 1987
Presented at Iowa Acoustics Colloquium
Box 13
Folder 1: Miscellaneous Computer Conferences, 1989-1992
Folder 2: Scholar's Travel Applications and Notice of Awards, 1989-2004
Folder 3: Institute of Electrical and Electronics Engineers - Acoustics, Speech and Signal Processing Workshop, October 27, 1989
Folder 4: International Computer Music Association, 1991-1995
Folder 5: Institute of Electrical and Electronics Engineers - Acoustics, Speech, and Signal Processing Workshop, October 20-23, 1991
Folder 6: International Symposium on Musical Acoustics - Tokyo, August 28-September 1, 1992
Folder 7: Workshop on Applications of Signal Proessing to Audio and Acoustics, 1993-1999
Folder 8: Audio Engineering Society Meeting - Berlin, March 16-19, 1993
Folder 9: Paris Sabbatical, 1994-1995
Folder 10: Hong Kong Trip, May 10-18, 1994
Talk given: "Analysis and Synthesis of Sounds using the McAulay-Quatieri Method of Spectral Tracking
Folder 11: International Computer Music Conference - Denmark, September 12-17, 1994
Folder 12: Audio Engineering Society Talk - Paris, February 25-28, 1995
Presented with Andrew Horner
Folder 13: Society for Music Perception and Cognition - Berkeley, June 22-25, 1995
Folder 14: Prauge Conference, September 23-26, 1995
Folder 15: University of Michigan Talk, March 14, 1996
Folder 16: American Society for Cybernetics Talk, March 8-12, 1997
Folder 17: International Computer Music Conference - Greece, September 25-30, 1997
Folder 18: Chicago Talk - Audio Engineering Society, March 24, 1998
Folder 19: International Computer Music Conference - Ann Arbor, October 1-6, 1998
Folder 20: Audio Engineering Society - Chicago Chapter, 1998-2001
Folder 21: Society for Music Perception and Cognition - Northwestern University, August 14-17, 1999
Folder 22: International Computer Music Conference - Beijing, October 22-28, 1999
Folder 23: International Computer Music Conference - Berlin, August 27-September 1, 2000
Folder 24: Institute of Electical and Electronics Engineers - Digital Audio Mohonk Workshop, October 21-24, 2001
Folder 25: International Conference on Music Perception and Cognition - Sydney, Australia, July 17-21, 2002
Folder 26: Society for Music Perception and Cognition - Las Vegas, June 16-19, 2003
Folder 27: Workshop on Applications of Signal Processing to Audio and Acoustics, October 19-22, 2003
Folder 28: International Conference on Music Perception and Cognition - Northwestern, August 3-7, 2004
Folder 29: Independent Component Analysis Conference - Charleston, South Carolina, March 5-8, 2006
Folder 30: International Conference on Music Perception and Cognition - Bologna Italy, August 22-26, 2006
Folder 31: International Society for Music Information Retrieval - Vienna, September 2327, 2001
Folder 32: Society of Musical Peception and Cognition - Indianapolis, August 3-7, 2009
Folder 33: International Conference on Music Perception and Cognition - Seattle, August 23-27, 2010
Folder 34: ViennaTalk, September 19-21, 2010
Folder 35: Midwest Music Information Retrieval Gathering, June 14, 2014
Folder 36: Rochester - Speaker at Electrical and Computer Engineering, 2014
Folder 37: Music Technology Major Proposal, 2014
Folder 38: Midwest Music and Audio Day at Northwestern University, June 23, 2017
Folder 39: Timbre 2018 - McGill University, July 4-7, 2018

Browse by Series:

[Series 1: Instruction, 1963-2010],
[Series 2: Research and Publications, 1862-2018],
[Series 3: Professional Service, 1963-2021],
[Series 4: Administrative Records, 1954-2022],
[Series 5: Personal Papers, 1951-2021],
[Series 6: Harmonic Tone Generator Components and Research, 1963-1966],
[All]

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