.
By Scott Schwartz, Swarnikaa Kiran, and Finnegan Upchurch
Collection Overview
Title: James W Beauchamp Harmonic Tone Generator and Papers, 1862-2022
ID: 12/5/69
Primary Creator: Beauchamp, James W. (1937-2022)
Extent: 23.0 cubic feet
Arrangement:
Organized in six series:
Series 1) Instruction, 1963-2010, which is organized into two sub-series: Sub-series 1) College of Engineering and Sub-series 2) School of Music. Both sub-series are arranged by course number and then chronologically by semester.
Series 2) Research and Publications, 1862-2018, which is organized into two sub-series: Sub-series 1) Research and Publications, which is organized alphabetically by topic; and Sub-series 2) Presentations at conferences, which is organized alphabetically by organization and then chronologically.
Series 3) Professional Service, ca. 1970-2020, which is organized into two sub-series: Sub-series 1) Acoustical Society of America Committee Files and Conference Programs, and Sub-series 2) Profesional Organization Conferences and Travel Itineraries. Both sub-series are arranged chronologically.
Series 4) Administrative Records, 1963-2021, which is arranged in three sub-series: Sub-series 1) Computer Music Project and Experimental Studio Records, which is arranged alphabetically and then chronologically by year; Sub-series 2) Faculty Records and Reports, which is arranged alphabetically and then chronologically by year; and Sub-series 3) Correspondence, which is arranged alphabetically by surname.
Series 5) Personal Papers, 1954-2022, which is arranged chronologically.
and Series 6) Harmonic Tone Generator Components and Research, 1963-1966, which arranged by material type and chronologically therein.
Date Acquired: 01/14/2015. More info below under Accruals.
Subjects: Acoustical Society of America, Acoustics, Alumni, Class Notes, Classroom Instruction, Computer Music, Computer Science, Dissertations, Electrical Engineering, Electrical Engineering Department, Electronic Music, Faculty, Faculty Papers, Hiller, Lejaren (1924-1994), Illiac Computers, Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Music, School of
Formats/Genres: Experimental Music, Papers
Languages: English
Scope and Contents of the Materials
Consists of published articles, class records (such as syllabi, class rosters, and homework assignments), research files, conference programs, essays, and photos documenting James Beauchamp's acoustic research and role as a Professor in the School of Music and College of Engineering at the University of Illinois Urbana-Champaign. Of note in this collection are the Harmonic Tone Generator, supporting Magnavox grant, correspondence with Robert Moog, programs and correspondence related to a Barry Truax concert held at the University of Illinois, a bound copy of his dissertation, and research and publications completed at the Institut de recherche et coordination in acoustique musique (IRCAM) in Paris, France.
Biographical Note
James Warren Beauchamp (1937-2022) was Professor Emeritus in both the School of Music and Department of Electrical and Computer Engineering at the University of Illinois. Dr. Beauchamp received his bachelor's and master's degrees from the University of Michigan, in 1960 and 1961 respectively. In 1965, he graduated from the University of Illinois with a PhD in electrical engineering. His dissertation was entitled Electronic Instrumentation for the Synthesis, Control, and Analysis of Harmonic Musical Tones. He worked closely with his mentor, chemist and composer Lejaren Hiller, during his PhD studies to create the Harmonic Tone Generator (HTG), funded by a Magnavox Corporation grant. The device was among the first voltage-controlled electronic music synthesizers. The HTG was used in a number of electronic music projects staged at the University of Illinois, including Salvatore Martirano's Underworld.
He joined the electrical and computer engineering faculty as an associate professor in 1965. Shortly after, he took a leave of absence which he spent working in Stanford's Artificial Intelligence Laboratory. He returned in 1969 to his joint appointment in electrical and computer engineering and music. He served as director of the School of Music's Experimental Music Studios from 1984 to 1993, during which time he headed the Hybrid Computer Project and the Computer Music Project. It was during this time that he programmed a number of concerts for the Computer Music Project, the most notable being Dexter Morrill in 1982 and Barry Truax in 1996.
He retired from the University of Illinois faculty in 1997, but remained an active researcher in his field and continued to write papers with former Ph.D. students, Andrew Horner and Rob Maher. Dr. Beauchamp was a fellow of both the Audio Engineering Society and the Acoustical Society of America. He was also a visiting scholar at Stanford's Center for Computer Research in Music and Acoustics and a visiting researcher at the Institut de recherche et coordination in acoustique musique (IRCAM) in Paris.
Dr. Beauchamp passed away in 2022. In 2024, his former student Rob Maher established the James W. Beauchamp Award for Interdisciplinary Research. The award is granted to an Electrical and Computer Engineering doctoral student who pursues "interdisciplinary creative work that transcends traditional department boundaries".
Subject/Index Terms
Administrative Information
Repository:
The Sousa Archives and Center for American Music
Accruals:
Folder of news-clippings donated on 11/16/2017. Twenty-one additional boxes donated on 06/10/2025 by Mrs. Beauchamp.
Acquisition Source:
James Beauchamp
Acquisition Method:
Gift
Related Materials:
For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers. For more information please see https://research.lib.buffalo.edu/hiller.
Box and Folder Listing
Browse by Series:
[
Series 1: Instruction, 1963-2010],
[Series 2: Research and Publications, 1862-2018],
[
Series 3: Professional Service, 1963-2021],
[
Series 4: Administrative Records, 1954-2022],
[
Series 5: Personal Papers, 1951-2021],
[
Series 6: Harmonic Tone Generator Components and Research, 1963-1966],
[
All]
- Series 2: Research and Publications, 1862-2018
- Consists of Beauchamp's scholarly research, including work on the Harmonic Tone Generator, presentations given at professional conferences, and publications not written by Beauchamp. Organized into two subseries, Subseries 1: Research and Publications, and Subseries 2: Presentations at Conference.
- Sub-Series 1: Research and Publications, 1862-2011
- Consists of Beauchamp's scholarly research, including analysis of various music instrument and vocal acoustics, topics in audio engineering like pitch shifting, detection, perception, and tracking, noise, reverberation, digital audio and recording, and timbre. Also consists of articles not written by Beauchamp. Arranged alphabetically by given topic, then alphabetically by title.
- Box 4
- Folder 23: Acoustics Lab, 1975-1978
- Includes newsletters and products from B&K Instruments.
- Folder 24: Acoustics - Percussion (Thomas Rossing) (1 of 3), 1971-2002
- Most articles are written by Thomas Rossing, with some collaborations with other authors. Of note, contains correspondence between Beauchamp and Rossing.
- Folder 25: Acoustics - Percussion (Thomas Rossing) (2 of 3), 1971-2002
- Most articles are written by Rossing, with some collaborations with other authors. Of note, contains correspondence between Beauchamp and Rossing.
- Folder 26: Acoustics - Percussion (Thomas Rossing) (3 of 3), 1971-2002
- Most articles are written by Rossing, with some collaborations with other authors. Of note, contains correspondence between Beauchamp and Rossing.
- Folder 27: Acoustics and Audio Books, 2011
- Folder 28: Acoustics History - H. Fletcher, Jan. 29th, 1996
- Folder 29: Acoustics Notes, 2000-2007
- Folder 30: Acoustic Pipe Simulation, 1993, 2018
- Folder 31: Article Written for Acoustics Today, April 2006
- Folder 32: Brass Acoustics (1 of 2), 1982-2012
- Folder 33: Brass Acoustics (2 of 2), 1982-2012
- Folder 34: Bowed String Acoustics (1 of 2), 1862-1980
- Contains article from 1862 as a photocopy.
- Folder 35: Bowed String Acoustics (2 of 2), 1862-1980
- Contains article from 1862 as a photocopy.
- Folder 36: Musical Acoustics - Articles, brochures, and newsletters, 1936-1997
- Folder 37: Musical Acoustics - Theses notes, articles, and potential classes, 1965-2008
- Contains notes on theses, potential classes, and articles
- Folder 38: Musical Acoustics Notes and Electronic Music, Meetings and Visits, 1936-1966, March 5th, 1973
- Folder 39: Organ Acoustics, 1978-2000
- Folder 40: Piano - Acoustics, Analysis, and Synthesis (1 of 2), 1962-2011
- Folder 41: Piano - Acoustics, Analysis, and Synthesis (2 of 2), 1962-2011
- Folder 42: String Acoustics, 1971-1990
- Folder 43: String Acoustics (Plucked), 1976,1984
- Folder 44: Tuba Analysis, March 1982
- Folder 45: Violin Acoustics (1 of 2), 1981-2014
- Folder 46: Violin Acoustics (2 of 2), 1981-2014
- Folder 47: Vocal Acoustics (1 of 4), 1967-2012
- Box 5
- Folder 1: Vocal Acoustics (2 of 4), 1967-2012
- Folder 2: Vocal Acoustics (3 of 4), 1967-2012
- Folder 3: Vocal Acoustics (4 of 4), 1967-2012
- Folder 4: Wind Acoustics, 1947-2014
- Folder 5: Wind Acoustics - Arthur Benade (1 of 2), 1959-1973
- Consists of research notes and articles bu Arthur Benade. Notably, includes a letter from Beauchamp to Benade about his acoustics research.
- Folder 6: Wind Acoustics - Arthur Benade (2 of 2), 1959-1973
- Consists of research notes and articles bu Arthur Benade. Notably, includes a letter from Beauchamp to Benade about his acoustics research.
- Folder 7: Woodwinds (1 of 2), 1959-2016
- Articles and handwritten notes on the acoustics for woodwinds.
- Folder 8: Woodwinds (2 of 2), 1959-2016
- Articles and handwritten notes on the acoustics for woodwinds.
- Folder 9: Noise Shaping, Dither, Over-sampling (Digital Audio Methods), 1987-1993
- Folder 10: Auditory Demonstration, 1991-1992
- Folder 11: Digital Sound Editing, 1982-1994
- Includes a proposal written by Beauchamp, about a workstation for musical sound editing and processing.
- Folder 12: Detection of Musical Pitch, March 1993
- Presented at the Audio Engineering Society in Berlin with Robert maher and Rebekah Brown.
- Folder 13: Pitch Perception (1 of 2), 1931-2001
- Folder 14: Pitch Perception (2 of 2), 1931-2001
- Folder 15: Pitch Detection Papers - Spectrum Based (1 of 2), 1962-2007
- Folder 16: Pitch Detection Papers - Spectrum Based (2 of 2), 1962-2007
- Folder 17: Pitch Detection Papers - Time Domain Based (1 of 2), 1973-2001
- Folder 18: Pitch Detection Papers - Time Domain Based (2 of 2), 1973-2001
- Folder 19: Pitch Detection Project by Lim Boon Pang, 2000
- Folder 20: Apparatus for Pitch Extraction (1 of 2), 1937-1983
- Folder 21: Apparatus for Pitch Extraction (2 of 2), 1937-1983
- Folder 22: Pitch Shifting, 1989, 2001-2003
- Folder 23: Pitch Tracking Paper (1 of 2), 1993-1994
- Full Title: Fundamental frequency estimation of musical signals using a Two Way Mismatch Procedure.
- Folder 24: Pitch Tracking Paper (2 of 2), 1993-1994
- Full Title: Fundamental frequency estimation of musical signals using a Two Way Mismatch Procedure.
- Folder 25: Polyphonic Pitch Processing, 2000-2010
- Folder 26: Articles about Phase Vocoders, Interpolation and Music Application, 1976-2004
- Folder 27: Speech Application and Phase Vocoder Papers, 1962-2006
- Folder 28: Detection Theory in Psychoacoustics, 1965-1975
- Folder 29: Musical Psychoacoustics, 1965-1966
- Folder 30: Restoration of Compromised Recordings, 1992-2002
- Folder 31: Restorations and Enhancements of Recordings, April 2002
- Folder 32: Anti-Reverberation of Rooms and Impulse Response Measurement, 1983-1988
- Box 6
- Folder 1: Artificial Reverberation Theory and Practice (1 of 2), 1962-1996
- Folder 2: Artificial Reverberation Theory and Practice (2 of 2), 1962-1996
- Folder 3: Roughness, 1974-2001
- Folder 4: Articles on Signal Processing, 1975-2002
- Folder 5: Signal Processing Books, 1999-2002
- Folder 6: Spectogram and Format Tracking (Speech), 1955-2000
- Folder 7: Music Spectrum Analyzers - Armadillo/Spear Software, 1998-2005
- Folder 8: Speech Synthesis/Recognition, 1955-1992
- Folder 9: Spectral Analysis/Synthesis, 1987-1997
- Papers about spectral modding synthesis by Xavier Serra and Julius Smith.
- Folder 10: Random Spectrum Alteration Paper, 2004
- Submitted to the Journal of the Acoustical Society of America . Co-authored with Andrew Horner.
- Folder 11: Commerical Digital Signal Processing Software, 1979-1983
- Folder 12: Archives of Acoustics Journal - Volume 36, Issue Number 2, 2011
- Article by Beauchamp on pages 225 - 238: "Perceptually correlated parameters of musical instrument tones"
- Folder 13: Nonlinearity and Chaos in Acoustics, 1990, 1993
- Folder 14: Speech and Vocal Acoustics, 1967-1982
- Folder 15: Tape Recorder (Theory: Analog) [Folder 1 of 2], 1960-1981
- Folder 16: Tape Recorder (Theory: Analog) [Folder 2 of 2], 1960-1981
- Folder 17: Audio Compression - Dolby Coding [Folder 1 of 2], 1993-1998
- Folder 18: Audio Compression - Dolby Coding [Folder 2 of 2], 1994-1995
- Folder 19: Audio Signal Compression, 1979-2004
- Folder 20: Automatic Transcription [Folder 1 of 2], 2008-2013
- Folder 21: Automatic Transcription [Folder 2 of 2], 1981-2007
- Folder 22: Handbook of Acoustics - Digital Audio Chapter, 1996-1997
- Written by Beauchamp
- Folder 23: Digital Audio Papers [Folder 1 of 2], 1980-1997
- Folder 24: Digital Audio Papers [Folder 2 of 2], 1973-1985
- Folder 25: Digital Recording/Audio (Commercial Articles/Brochures) [Folder 1 of 2], 1980-1992
- Folder 26: Digital Recording/Audio (Commercial Articles/Brochures) [Folder 2 of 2], 1980-1992
- Folder 27: Digital to Analog and Analog to Digital Techniques [Folder 1 of 2], 1987-1994
- Folder 28: Digital to Analog and Analog to Digital Techniques [Folder 2 of 2], 1971-1989
- Folder 29: Digital Filters, 1973-1985
- Folder 30: Musical Instrument Digital Interface Articles [Folder 1 of 2], 1987-1990
- Folder 31: Musical Instrument Digital Interface Articles [Folder 2 of 2], 1986-1990
- Folder 32: Expressive Parameters, April 2010
- Presented at the 159th Acoustical Society of America Meeting in Baltimore, Massachusetts
- Folder 33: Linear Predictive Coding, 1969-1992
- Folder 34: Loudness and Dynamics, 1954-1994
- Box 7
- Folder 1: Articles and Papers about Loudspeakers [Folder 1 of 3], 1970-1990
- Folder 2: Articles and Papers about Loudspeakers [Folder 2 of 3], 1970-1990
- Folder 3: Articles and Papers about Loudspeakers [Folder 3 of 3], 1970-1990
- Folder 4: Commercial Loudspeakers, 1976-1993
- Folder 5: Microphones, 1971-1993
- Folder 6: Music Information Retrieval, June 2005
- Folder 7: Music Information Retrieval Feature Extraction, 2005
- Folder 8: Noise, January 1975
- Folder 9: Noise Reduction/Suppression/Removal, 1967-1992
- Folder 10: Musical Acoustics/Pitch Perception/Scales [Folder 1 of 2], 1975-1987
- Folder 11: Musical Acoustics/Pitch Perception/Scales [Folder 2 of 2], 1971-1974
- Folder 12: Measurement of Audio Quality, 2000
- Folder 13: Data Reduction and Spectral Matching, November 1989
- Folder 14: Sound Source Identification and Music Instrument Classification, 1995-2005
- Folder 15: Sound Source Separation from Monaural Recording [Folder 1 of 2], 2006-2010
- Folder 16: Sound Source Separation from Monaural Recording [Folder 2 of 2], 1976-2006
- Folder 17: Handbook of Signal Processing in Acoustics, 2004-2009
- Folder 18: Sample Rate Conversion, June 1991
- Folder 19: Wind Synthesis/Analysis, 1965-1982
- Folder 20: Tempo Estimation and Beat Tracking, 1985, 2003
- Folder 21: Timbre - Auditory Sream Segregation, 1992-1997
- Folder 22: Timbre Discrimination, 1995-1999
- Written with Stephen McAdams for the Journal of Acoustical Society of America
- Folder 23: Hearing Impared Timbre Testing (Tinnitus), 2002-2017
- Folder 24: Timbre morphing and Hybridization, 1995
- Folder 25: Greg Sandell Articles - Timbre, 1990-1997
- Folder 26: Timbre studies based on synthetic sounds [Folder 1 of 3], 1991-1997
- Folder 27: Timbre studies based on synthetic sounds [Folder 2 of 3], 1980-1989
- Folder 28: Timbre studies based on synthetic sounds [Folder 3 of 3], 1934-1974
- Folder 29: Perception of Natural Sounds - Timbre Studies [Folder 1 of 2], 2001-2003
- Folder 30: Perception of Natural Sounds - Timbre Studies [Folder 2 of 2], 1959-1999
- Folder 31: Timbre - Multidimensional Scaling Space Studies [Folder 1 of 3], 1999-2011
- Folder 32: Timbre - Multidimensional Scaling Space Studies [Folder 2 of 3], 1992-1999
- Folder 33: Timbre - Multidimensional Scaling Space Studies [Folder 3 of 3], 1964-1989
- Folder 34: Time/Frequency Reassignment Method, 1995, 1998
- Folder 35: Multidimensional Scaling Project, 2006-2013
- Written with Andrew Horner
- Box 8
- Folder 1: Ear Models Physiology, 1972-2010
- Folder 2: Rhythm Analysis Dynamic Expression, 1977-1993
- Folder 3: Aperiodocity of Musical Sounds, 1992-2005
- Folder 4: Perception of Rise (Attack) Time and Other Transients in Musical Tones, 1962-1987
- Folder 5: Critical Band, Sharpness, Euphony [Folder 1 of 2], 1954-1986
- Folder 6: Critical Band, Sharpness, Euphony [Folder 2 of 2], 1991-2009
- Folder 7: Sound Localization Articles [Folder 1 of 2], 1981-2010, bulk 1981-1997
- Folder 8: Sound Localization Articles [Folder 2 of 2], 1981-2010, bulk 1981-1997
- Folder 9: Spectral Envelope Synthesis Papers with Andrew Horner, 1993-1995
- Folder 10: Spectral Integration Paper, 2008, 2009
- Written with Andrew Horner for the Journal of the Acoustical Society of America
- Folder 11: Wavetable/Spectra Interpolation and Synthesis Matching Papers [Folder 1 of 2], 1983-1990
- Folder 12: Wavetable/Spectra Interpolation and Synthesis Matching Papers [Folder 2 of 2], 1996-2005
- Folder 13: Brass Synthesis Notes, 1967-1985
- Folder 14: Chaos Synthesis, 1992-1993
- Folder 15: Fixed Waveform Synthesis, 1975-1991
- Folder 16: Flute Synthesis, September 2000
- Folder 17: Flute Analysis Project - Spectral Envelope Synthesis, 1995-1996
- Folder 18: FM Synthesis [Folder 1 of 2], 1990-2010
- Folder 19: FM Synthesis [Folder 2 of 2], 1973-1990
- Folder 20: Karplus-Strong Synthesis, 1983-1995
- Folder 21: Papers with Andrew Horner - Matched Synthesis, 1991-1997
- Folder 22: Nonlinear Synthesis - General, 1970-1979
- Folder 23: Nonlinear Synthesis - Clarinet, 1981-1982
- Folder 24: Nonlinear Piano Synthesis, 1983-1984
- Folder 25: Phase Preservation in analysis/synthesis, 2003
- Folder 26: Physical Modelling Approaches for Sound Synthesis, 1992-2004
- Some items in French
- Folder 27: Speech Analyzers - PC Based Synthesizers, 1991-1992
- Folder 28: Time Scale Modication Granular Synthesis, 1985-2016
- Folder 29: Tone Analysis [Folder 1 of 3], 1985-2002
- Box 9
- Folder 1: Tone Analysis/Synthesis [Folder 2 of 3], 1972-1979
- Folder 2: Tone Analysis/Synthesis [Folder 3 of 3], 1965-1969
- Folder 3: Vocal Analysis/Synthesis, undated
- Folder 4: Vocal Synthesis (Papers and Reports) [Folder 1 of 2], 1981-2008
- Folder 5: Vocal Synthesis (Papers and Reports) [Folder 2 of 2], 1972-1980
- Folder 6: Principal Components Analysis and Independent Component Analysis, 1981-2004
- Folder 7: Low Peak Waveform Paper, 1994-2000
- Written with Andrew Horner
- Folder 8: Messengen der Klangeinsatzdauer bei Musikinstrumenten, 1970
- Article in German; original folder titled by Beauchamp as "Attack Time of Musical Sounds"
- Folder 9: Nonlinear/Linear Acoustic Propagation Theory, 2010, January 2012
- Folder 10: Indian Music, October 2011, January 2012
- Folder 11: Institute for Research and Coordination in Acoustics/Music Software, April 1994-March 1995
- Folder 12: Mel-frequency Cepstral Coefficients Project, Mel-scale [Folder 1 of 2], 2010-2011
- Folder 13: Mel-frequency Cepstral Coefficients Project, Mel-scale [Folder 2 of 2], 1976-2009
- Written with Andrew Horner for the Journal of Audio Engineering Society
- Folder 14: Metrics to Predict Discrimination Based on Randomly Altered Spectra, 2002-2006, 2011
- Written with Andrew Horner and Richard So for the Journal of Audio Engineering Society
- Folder 15: Computer-based Education Research Lab Music Group Analysis/Synthesis, 2002
- Folder 16: Matric Pencil Spectral Analysis, May 1993-October 1993
- Folder 17: Miscellaneous Signal Analysis Methods, 1988-1993
- Folder 18: Timbre Study (Trombone, Flute), 1990-1991
- Folder 19: Time-Frequency Distribution Theory/Practice, 1978-2006
- Folder 20: 36 Tone Study with Stephen Lakatos [Folder 1 of 2], 2000-2002
- Folder 21: 36 Tone Study with Stephen Lakatos [Folder 2 of 2], 1999-2000
- Folder 22: Intonation Measurements, 1949-1996
- Folder 23: Clarinet Data, 1980-1973
- Folder 24: Clarinet Passage Data, 1981-1983
- Folder 25: Coronet Analysis, 1968-1979
- Folder 26: Flute Data, June 27, 1979
- Folder 27: French Horn, 1982; 1987
- Folder 28: Marimba Analysis, March 1983
- Folder 29: Oboe Data, June 27, 1979
- Folder 30: Percussion Graphics, November 1995
- Folder 31: Piano Tone Analysis, undated
- Folder 32: Piano Analysis, 1972-1981
- Folder 33: "Rob and Jim's Ill-fated Analysis Paper", 1988-1989
- Folder 34: Saxaphone Data, February 1981-March 1981
- Folder 35: Trombone Analysis Project for Endeveo Microphone, 1998-2000
- Folder 36: Trombone Data, 1971-1996
- Includes some correspondence
- Box 10
- Folder 1: Trombone Analysis [Folder 1 of 2], 1968-1970
- Folder 2: Trombone Analysis [Folder 2 of 2], 1970-1972
- Folder 3: Trumpet Study - Cox Trumpet Tones, 1989, 1993
- Performed by Ben Cox in 1989
- Folder 4: Vocal Analysis, undated
- Contains graphs
- Folder 5: Twining Sounds (Vocal), February 18-19, 1994
- Folder 6: Vibrato Research, 2015-2016
- Folder 7: Vocal Vibrato Paper, 1989-1991
- Consists of a copy of "An Investigation of Vocal Vibrato for Synthesis" and related correspondence
- Folder 8: Articles by Clark, Luce, and Strong, 1967, 2001
- Consists of articles written by Melville Clark, David Luce, and William Strong
- Folder 9: Articles by Andrew Horner [Folder 1 of 2], 1995-2001
- Folder 10: Articles by Andrew Horner [Folder 2 of 2], 2002-2010
- Folder 11: Articles about Music Source Separation, 2004-2011
- Folder 12: Articles by Rob Maher, 1990-1993
- Folder 13: Book, Article, and Proposal Reviews, 1971-1986
- Folder 14: Copies of Articles written by Beauchamp for Journals, 1966-1994
- Folder 15: Fast Fourier Transformation Window Functions, 1978-2004
- Folder 16: Genetic Algorithm by Andrew Horner, May 6, 1992
- Folder 17: Hutchins, Cat Gut Society, Bowed Strings Octet Newsletters, 1967-2014
- Contains newsletter from the Hutchins Consort, Cat Gut Society, and the Bowed String Octoet
- Folder 18: Imperial College Press, July 1996-August 1996
- Folder 19: Lip Vibration/Excitation for Brass, 1942-1996
- Folder 20: McGill Sample Tones [Folder 1 of 2], 1995-2004
- Folder 21: McGill Sample Tones [Folder 2 of 2], 1987
- Folder 22: McAulay/Quatieri Articles, 1977-1993
- Folder 23: Mico Herschberg Papers - Organ/Clarinet Reed Flow [Folder 1 of 2], 1992-1995
- Folder 24: Mixo Herschberg Papers - Organ/Clarinet Reed Flow [Folder 2 of 2], 1990-1991
- Folder 25: Physical Modeling Papers by Tamara Smyth, 2004, 2009-2010
- Folder 26: Shigeo Ando Papers, 1975-1993
- Contains articles written or co-authored by Ando.
- Folder 27: Wavelet Theory and Practice, 1988-1993
- Folder 28: Wave Guide Theory [Folder 1 of 3], 1990-2000
- Most articles written by Julius O. Smith III.
- Folder 29: Wave Guide Theory [Folder 2 of 3], 1987-1988
- Folder 30: Wave Guide Theory [Folder 3 of 3], January 1988-May 1988
- Folder 31: William Strong Papers, 1966-1978
- Contains articles written or co-authored by Strong
- Folder 32: Xavier Rodet and Phillipe Depalle Papers, 1984-2004
- Sub-Series 2: Presentations at Conferences, 1964-2018
- Consists of articles written by Beauchamp and presented at various conferences. Arranged alphabetically by organization, then chronologically by year given.
- Box 10
- Folder 33: Articles written by Beauchamp [Folder 1 of 4], October 1964-June 1965
- Contains the Magnavox Grant proposal
- Folder 34: Articles written by Beauchamp [Folder 2 of 4], 1965-1969
- Folder 35: Articles written by Beauchamp [Folder 3 of 4], 1971-1981
- Folder 36: Articles written by Beauchamp [Folder 4 of 4], 1981-1985
- Box 11
- Folder 1: Articles written by Beauchamp [Folder 1 of 3], 2010-2018
- Folder 2: Articles written by Beauchamp [Folder 2 of 3], 2000-2009
- Folder 3: Articles written by Beauchamp [Folder 3 of 3], 1988-1999
- Folder 4: Beauchamp-Kausel-Carral Project, 1989, 2010-2012
- Titled "Brass Instrument power efficiency and the relationship between input impedance and transfer function"
- Folder 5: "Analysis of Simultaneous Mouthpiece and Output Waveforms of Instruments", 1980
- Presented at the spring session of the Audio Engineering Society
Browse by Series:
[
Series 1: Instruction, 1963-2010],
[Series 2: Research and Publications, 1862-2018],
[
Series 3: Professional Service, 1963-2021],
[
Series 4: Administrative Records, 1954-2022],
[
Series 5: Personal Papers, 1951-2021],
[
Series 6: Harmonic Tone Generator Components and Research, 1963-1966],
[
All]
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