Finding Aid for George Hunter Sound Recordings and Personal Papers, 1948-1982 | The Sousa Archives and Center for American Music

By Adriana Cuervo and Mandi Goodsett

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Archives Research Center, 1707 S. Orchard Street	Box 1-3
Archives Research Center, 1707 S. Orchard Street	Box 4-5 and 7-9
Archives Research Center, 1707 S. Orchard Street	Box 6

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Collection Overview

Title: George Hunter Sound Recordings and Personal Papers, 1948-1982

ID: 12/5/63

Primary Creator: Hunter, George (George H.) (1918-2011)

Extent: 5.0 cubic feet

Arrangement: Organized into three series. Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir Concerts and Albums, Series 2: Sound Recordings of Collegium Musicum, UI Concert Choir, and other School of Music Performances, Series 3: Collegium Musicum Records and Photos, School of Music Programs.

Date Acquired: 12/19/2012

Subjects: Choral music, Church music, Collegium Musicum of the University of Illinois, Concert tours, Early music collection, Faculty, Music, School of, Renaissance, University of Illinois, Vocal music, Yale University

Formats/Genres: Concert Programs, Papers, Sheet music, Sound Recordings

Languages: French, Latin, German, Italian, English

Scope and Contents of the Materials

Consists of reel-to-reel sound recordings, programs, newspaper clippings, photographs, and a sheet music library, documenting the development of the University of Illinois' Collegium Musicum ensemble and the personal papers of choral conductor George Hunter between 1948 and 1982. Also of note are records related to Paul Hindemith and the Early Music Ensemble of Yale University.

Biographical Note

George Hunter (1918-2011) was born in Columbus, Ohio. He studied piano, cello, and trumpet in high school, and graduated from Indiana University. He was accepted to study piano in Paris with Nadia Boulanger, but the war intervened and he spent five years in the army, serving as a band leader in Georgia. After the war, he went to Yale to study composition with Paul Hindemith and received his Masters Degree in 1947. He joined the University of Illinois faculty in 1948, where he taught music theory, composition, counterpoint, harpsichord and early music performance. Hunter probably began playing viols and recorders at Yale, though it is not clear whether he played the viola d'amore. Hindemith ran a Collegium Musicum at Yale, which might have influenced George Hunter to form the first Collegium Musicum at the University of Illinois in 1951. In 1963 he received a grant from the Ford Foundation to travel to Holland for year to study early choral music, and when he returned he founded the University of Illinois Concert Choir, which he conducted until his retirement in 1982. He passed away on March 26, 2011.

Subject/Index Terms

Choral music
Church music
Collegium Musicum of the University of Illinois
Concert tours
Early music collection
Faculty
Music, School of
Renaissance
University of Illinois
Vocal music
Yale University

Administrative Information

Repository: The Sousa Archives and Center for American Music

Acquisition Source: Katherine J. Hunter

Acquisition Method: Donation

Box and Folder Listing

Browse by Series:

[Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir, c. 1950-1986],
[Series 2: Sound Recordings of Collegium Musicum and UI Concert Choir Performances, 1955-1970],
[Series 3: Collegium Musicum Records and Photographs, School of Music Programs, 1950-1962],
[All]

Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir, c. 1950-1986

Consists of edited manuscript and published scores and notes. Arranged alphabetically by composer and alphabetically by title thereunder.

Box 1

Folder 1: Anonymous - Motet: Alleluia Psallat, c. 1980: Parts: triplum, duplum, tenor. School of Worcester.
Folder 2: Anonymous - La Chasse, c. 1980: 2 part canon (2 voice parts). 14th century.
Folder 3: Anonymous - Dit le burguygnon, c. 1980: Parts: tamborine, superius, tenor, bassus, altus, drum.
Folder 4: Anonymous - Ductia, c. 1980: Parts: vielle and recorder. 13th century.
Folder 5: Anonymous - Filles a Marier, c. 1980: 9 full scores, parts: descant I, tenor, descant II, bassus. Chansonneirin Bibliotech Columbina, Seville.
Folder 6: Anonymous - from Harmonice Musices Odhecaton, c. 1980: "Hor oires une chanzon" and "Brunette." Parts: 1st treble, 2nd treble, 1st tenor, 2nd tenor, bass.
Folder 7: Anonymous - Ic truere en ic ben van mynen alzo sieck, c. 1980: Also included: "Een sottecluytte." Parts: Cantus, Tenor, Bassus.
Folder 8: Anonymous - Mais qu'il vous legne, c. 1980: (Virelais). Score for voice and solo instrument. "ApFSM#62."
Folder 9: Anonymous - Mon corps s'en va, c. 1980: "Rondeau." Dijon 517. Parts: tenor, contratenor.
Folder 10: Anonymous - Motet: Mout me fu / Robins m'aime, c. 1980: 13th century. Full score.
Folder 11: Anonymous - Motet: O Maria verge davitica, c. 1980: O Maria maris stella. Full score.
Folder 12: Anonymous - Or sus, vous dormez trop, c. 1980: 14th century. Full score for 3 parts. Parts: tenor, contratenor.
Folder 13: Anonymous- Saltarello, c. 1980: Br. Mus. Add. 29987.
Folder 14: Anonymous - Motet: S'on me regarde, c. 1980: Premes i garde. Score for two voices. Parts: rebec, recorder.
Folder 15: Anonymous - Terriblement suis fortunee, c. 1980: 15th century. Full score, parts: contratenor, tenor/vielle.
Folder 16: Anonymous - Tre Fontana, c. 1980: [Estampie]. Br. Museum, Add. 29987.
Folder 17: Bach, Johann Sebastian - Sonata V in e Minor for Flute and Continuo, c. 1980: Full score. Several drafts.
Folder 18: Bach, Johann Sebastian - Sonata in E Major for Flute and Continuo, c. 1980: Full score. Several drafts.
Folder 19: Barbireau, J. - Der pfoben swancz, c. 1980: Full score, 3 copies. "+1491."
Folder 20: Binchois - De plus en plus (Rondeau), c. 1980: Parts: descant. Also included: "Helas, que poray-je?" Parts: tenor, cantus, contratenor.
Folder 21: Binchois - Motet: A Solis Ortu Cardine, c. 1980: Full score. Also included: "Inter natos mulierum." Parts: descant, tenor, contratenor.
Folder 22: Binchois - Adieu mon amoureuse joie, c. 1980: Parts: tenor, coutertenor, discant.
Folder 23: Binchois - Chanson: Amours merchi, c. 1980: Parts: vielle, ct. tenor recorder, voice, tenor, contratenor.
Folder 24: da Balogna, Jacapo - Posando sopr'un acqua, c. 1980: "Original a 4th lower." 4 scores for two voices.
Folder 25: Borlet - He, tres doulz roussiguol, c. 1980: a 4. Ap FSM #67. Parts: rebec, krummhorn, tenor, c.t.
Folder 26: Browne, William - Song for Mezzo Soprano and Piano, c. 1980: "Memory." Melody with fingered bass.
Folder 27: Busnoys - "Jay pris amours tout au rebours" from Odhecaton, c. 1980: Parts: bass, tenor, alto, discant. Also included: "He logerons nous" by Ysac (Henreich Issac).
Folder 28: de Castera, Anthonello - Notes pour moi (Ballade), c. 1980: Apel No. 27. Score (3 parts, one vocal).
Folder 29: Ciconia - Sus une fontayne: 4 full scores (3 parts, one vocal).
Folder 30: Clerambault - L'Isle de Delos, c. 1980: Edits added to published score.
Folder 31: Compere - Nous sommes de l'ordre d'saynt babuyn, c. 1980: Parts: alto, discant, bass, tenor.
Folder 32: Cordier - Amaus ames, c. 1980: Parts: descant, tenor, contratenor.
Folder 33: Costeley, Guillaume - Las, je n'yray plus, c. 1980: Parts: soprano, tenor, alto, bass.

Box 2

Folder 1: Desprez, Josquin - Absalon fili mi, c. 1980: Full score (superius, contra, tenor, bassus). Several drafts.
Folder 2: Desprez, Josquin - Ave caro Christi cara, c. 1980: Printed score with written-in English translations and other markings.
Folder 3: Desprez, Josquin - Ave Maria [Virgo serena], 1983: Several drafts of edited score.
Folder 4: Desprez, Josquin - Baisiez moy ma doulce amye, c. 1980: 4 copies of full score with lyrics.
Folder 5: Desprez, Josquin - Cueurs desolez, c. 1980: Photocopy of manuscript score.
Folder 6: Desprez, Josquin - De tous biens playne, c. 1980: Parts: descant, tenor, contratenor (bass), tenor.
Folder 7: Desprez, Josquin - Incessament, c. 1980: Parts: soprano, alto, tenor I, tenor II, bass.
Folder 8: Desprez, Josquin - J'ay bien cause de lamenter, c. 1980: Copy of manuscript score.
Folder 9: Desprez, Josquin - Missa Ave maris stella, 1968: Various drafts of full score.
Folder 10: Desprez, Josquin - Missa Gaudeamus, c. 1980: Full score with added markings.
Folder 11: Desprez, Josquin - Mittit ad Virginem, c. 1979: Various drafts of score and some supplementary material.
Folder 12: Desprez, Josquin - Nimphes des bois. La deploration de Jehan Ockeghem, c. 1980: Various drafts of score.
Folder 13: Desprez, Josquin - O admirable commercium, c. 1980: Reduction 1:2. 2 scores with edits. Photocopy.
Folder 14: Desprez, Josquin - O Venus brant, c. 1980: Parts: descant, tenor, contratenor (bass).
Folder 15: Desprez, Josquin - Parfons regretz, c. 1980: Score for two voices. Parts: recorder, vielle, bass viol.
Folder 16: Desprez, Josquin - Pater noster, qui es in caelis, c. 1980: Published score with written-in edits and notes.
Folder 17: Desprez, Josquin - Planxit autem David, c. 1980: Full score with edits written in.
Folder 18: Desprez, Josquin - La plus des plus, c. 1980: No. 64 Odhecaton. Parts: descant, contratenor (bass), tenor.
Folder 19: Desprez, Josquin - Salve regina, c. 1980: 2 published scores with written-in edits and notes.
Folder 20: Desprez, Josquin - Tenez-moy en voz bras, c. 1979: 2 published scores with written-in notes.
Folder 21: Desprez, Josquin - Tu Pauperum Refugium, c. 1980: Published score (discant, tenor bariton, bass) with added notes and edits.
Folder 22: Desprez, Josquin - Two Chansons a 6, c. 1980: "Allegez moy" and "Petite camusette." Two published scores and subsequent arrangement.
Folder 23: Desprez, Josquin - Ut Phoebi radiis, c. 1980: Edited scores and supplementary material.
Folder 24: Dufay - Adieu, m'amour: Alternate title: "Adieu m'amour, adieu ma joye." Full score (several drafts). Parts: descant, tenor, superius, contratenor.
Folder 25: Dufay - Ave Regina Caelorum, c. 1980: Edited drafts of full score.

Box 3

Folder 1: Dufay - La belle se siet, c. 1980: 3 parts (rebec, organ, and unidentified instrument).
Folder 2: Dufay - Bon jour, bon mois, c. 1980: Several drafts of edited score. Parts: tenor, vielle, contratenor, soprano & tenor, lute (contratenor).
Folder 3: Dufay - Ce moys de may soyons lies et joyeux, c. 1980: Rondeau. 2 full scores (for descant and tenor). Parts: descant, tenor, contratenor.
Folder 4: Dufay - Chansons, c. 1980: Parts: descant, tenor, contratenor. Songs: "Adieu quitte le demeurant," "Belle que vous," "Le jour s'endort," "Vergine bella."
Folder 5: Dufay - Les douleurs dont me sens tel somme, c. 1980: Several edited scores.
Folder 6: Dufay - Je languis en piteux martire, c. 1980: Several edited scores. Parts: tenor, contratenor.
Folder 7: Dufay - Je me complains piteusement, c. 1980: 1425, a di 12 luio. Parts: primus, secundus, tertius.
Folder 8: Dufay - Mon chier amy, c. 1980: H.A.M. 67. Ballade. 4 copies of score.
Folder 9: Dufay - Resvelons nous, c. 1980: Parts: contratenor & tenor, superius. With markings and transposed versions.
Folder 10: Dufay - Vergine bella, c. 1980: 4 manuscript scores. 2 discant parts.
Folder 11: de Florentia, Andreas - Donna, bench'i mi parta, c. 1980: Squarcialuppi Codex. Parts: contratenor, discant, tenor.
Folder 12: de Florentia, Gerardellus - Si forte vola, c. 1980: Marked score.
Folder 13: Frescobaldi, Girolamo - Aria di Romanesca, c. 1980: From Arie Musicali, 1630. 3 scores for piano and voice.
Folder 14: Gervaise, Cl. - Danceries, c. 1980: Parts: treble, bass, tenor I, tenor II.
Folder 15: de Ghizeghem, Hayne - Les grans regrets, c. 1980: Several scores with edits. Parts: superius, countertenor/vielle.
Folder 16: Gibbons, Orlando - O Lord in Thy Wrath Rebuke Me Not, c. 1980: Full score (medius I, medius II, contratenor I, contratenor II, tenor, bassus). Photocopy.
Folder 17: Le Grant, Johannes - Laisies moy coy, Rondeau, c. 1980: Parts: discant, tenor, contratenor.
Folder 18: de la Halle, Adam - Dame, sui trahi, c. 1980: 2 scores, parts for vielle and alto recorder.
Folder 19: de la Halle, Adam - Le doux regard, c. 1980: Manuscript parts: portative (organ), rebec.
Folder 20: Handel, G. F. - Nel dolce del' oblio, 1952: "In sleep's sweet oblivion." Cantat for Soprano voice, Treble Recorder & Keyboard. Edited and arranged by Walter Bergmann and Edgar Hunter. English words by Norman Platt. Written-in edits.
Folder 21: Handel, G. F. - Sonata in F Major for Recorder (or Flute), Violin and Continuo, c. 1980: Figured bass realized by George Hunter. Score and parts: recorder/flute, violin, cello.
Folder 22: Handel, G. F. - Sonata in a Minor for Recorder and Continuo, c. 1980: Realization by George Hunter. Full score. Manuscript.
Folder 23: Handel, G. F. - Sonate F-Dur fur Blockflote und bezifferten Bass, c. 1980: Sonata in F Major for recorder and figured bass, Op. 1, Nr. 11. Realization by George Hunter. Published score with pasted in edits.
Folder 24: Issac, Heinrich - Isbruck, ich muss dich lassen, c. 1980: 4-part choral score.
Folder 25: Issac, Heinrich - La Morra, c. 1980: Parts: vielle, superius, bassus.
Folder 26: Jeffreys, George - Fantasia a 3, c.1980: Parts: tenor, bass, 2nd half of unidentified part.
Folder 27: Landini - Amor, in te spera, c. 1980: Photocopy of score. Parts: tenor, contratenor.
Folder 28: Landini - Ecco la primavera: 7 scores. Parts: tenor and unidentified.
Folder 29: Landini - Gram piant' agli ochi, c. 1980: 5 scores for three voices.
Folder 30: Landini - Lasso di donna, c. 1980: Two scores for tenor, contratenor, and discant.
Folder 31: Landini - Per sequir la speranca, c. 1980: 2 scores (for 3 unspecified parts).
Folder 32: Landini - Si dolce non sono, c. 1980: "Madrigale." 2 scores.
Folder 33: de Lantins - Puisque je voy, c. 1980: Parts: contratenor, descant.
Folder 34: di Lasso, Orlando - Symphonie a 6, c. 1980: Parts: treble I, tenor II, treble II, bass I, bass II, tenor I.
Folder 35: LeClair, Jean-Marie - Sonata in E Minor for Flute and Basso Continuo, c. 1980: Edited by George Hunter. 4 scores and 2 flute parts.
Folder 36: LeClair, Jean-Marie - Sonata No. 5, c. 1980: 2 scores for high instrument and figured bass.
Folder 37: LeClair, Jean-Marie - Triosonate in D-Dur, 1977: Trio Sonata in D Major. For violin or flute, viola da gamba (violoncello), and basso continuo. Full score. B.C. G. Hunter.
Folder 38: Le Jeune, Claude - Helas! mon Dieu, ton ire s'est tournee, c. 1980: Score for 5 voices.
Folder 39: Lemlin, Lorenz - Der Gutzgauch, c. 1980: Various scores and parts (soprano, alto, tenor, recorder).
Folder 40: Liederbuch, Glogauer - Du lenze gut, c. 1980: Vocal score and parts: recorder (2 keys), treble viol, vielle.
Folder 41: Liederbuch, Glogauer - Ich bins erfreut, c. 1980: Parts: tenor, contratenor, bassus, recorder, superius, viol.

Box 4

Folder 1: Liederbuch, Glogauer - Ich sachs eins mals, c. 1980: Score and parts: contratenor, bass, tenor, supurius
Folder 2: Liederbuch, Glogauer - Die kranich schnabel, c. 1980: 1 score, parts: rebec, superius, gamba, flute (recorder), treble, bass, 3 unidentified parts (on the back: Die katzenpfote).
Folder 3: Liederbuch - Mein gemuth das wuth, c. 1980: Parts: descant (vielle), bass, tenor.
Folder 4: Liederbuch - Der Neue Bauernschwanz, c. 1980: Parts: discant, bass, tenor. Also on page: "O Rosa Bella" by John Dunstable.
Folder 5: Machaut, Guillaume de - Ballade: Amours me fait desirer, c. 1980: Score for descant, triplum, and tenor. Parts: descant, tenor.
Folder 6: Machaut, Guillaume de - De bon espoir - Puis que la donce - Speravi, c. 1980: Parts: duplum, tenor, triplum.
Folder 7: Machaut, Guillaume de - Motet: Dame, je sui cilz - Fins cuers doulz, c. 1980: 3 scores (for 3 vocal parts).
Folder 8: Machaut, Guillaume de - Rondeau: Douce dame, c. 1980: 4 scores for two voice parts, one part.
Folder 9: Machaut, Guillaume de - Motet: Felix virgo - Inviolata genetrix - Ad te suspiramus, c. 1980: One score. Parts; tenor, contratenor, unidentified.
Folder 10: Machaut, Guillaume de - Hoquetus: David, c. 1980: 3 parts: hoquetus, tenor, triplum.
Folder 11: Machaut, Guillaume de - Lai: Loyante, que point ne delay, c. 1980: 2 drafts and 1 vocal score with lyrics.
Folder 12: Machuat, Guillaume de - Ballade: Ma chiere dame, c. 1980: Parts: recorder/rebec, vielle/tenor, lute/contratenor.
Folder 13: Machaut, Guillaume de - Ballade: Mes esperis, c. 1980: Score. Parts: cantus, tenor (2), contratenor (2).
Folder 14: Machaut, Guillaume de - Virelai: Plus dure que un dyamant, c. 1980: Score for two voice parts and tenor part.
Folder 15: Machaut, Guillaume de - Pourquoi me bat : Se j'aim : Lasse! comment, c. 1980: 2 scores. Part: middle vocal part.
Folder 16: Machaut, Guillaume de - Rose, liz, prentemps, verdure, c. 1980: 1 score. Parts: contratenor (2), tenor (2), triplum (2), unidentified vocal part.
Folder 17: Machaut, Guillaume de - Se je souspir, c. 1980: Score for voice and lute, and unidentified part.
Folder 18: Machaut, Guillaume de - Ballade: De Tout Flors: 3 scores (one arranged for keyboard). Parts: triplum, contratenor, tenor.
Folder 19: Machaut, Guillaume de - Virelai: Tres bonne et belle, c. 1980: Score (for 3 vocal parts). Parts: contratenor, descant, tenor.
Folder 20: Marais, Marin - Quatrieme Suitte: For viola da gamba and continuo. Realization by George Hunter. Various drafts of full score, notes, and drafts of program notes.
Folder 21: Marc - Pieces de Dessus et Pardessus, c. 1980: Manuscript score for solo instrument and figured bass.
Folder 22: Monteverdi, Claudio - Bel Pastor. Az, Canto o Tenore, c. 1980: Madrigali e Canzonette. Libro Nono 1651. 2 scores for piano and two voices.
Folder 23: Monteverdi, Claudio - Ch'io t'ami (Book V), c. 1980: Il Quinto Libro de Madrigali, 1605. Published score with added edits and translations.
Folder 24: Monteverdi, Claudio - Chiome d'oro, c. 1980: Canzonetta a due voci concertata con duoi violini, chitorone o spinetta (from Concerto, Settimo Libro 1619). Alternate title: Chiome d'oro, bel tesoro. Manuscript score. Parts: violin I, violin II, viola da gamba, contrabass.
Folder 25: Monteverdi, Claudio - Con che soarita, c. 1980: 7th Book of Madrigals. Several scores in various states of editing. Notes and program note drafts. Parts: spinetta (and voice), violin I (choro II), violin II (choro II), violin III (choro II), viola I (choro II), viola II (choro II), cello (choro III), gamba I (choro III), gamba II (choro III), contrabass gamba (choro III), harpsichord I (choro II), harpsichord II, organ (choro III), lute.

Box 5

Folder 1: Monteverdi, Claudio - O quam pulchra es, c. 1980: "Ghirlanda Sacra scritta da Diversi Eccelentissimi conpositori de varij Motetti a voce sola. Libro Prima. Opera Seconda. Per Leonardo Simonetti Musico nella Capella del Serenissimo Prencipe ... Venice, Gardano, MDC XXXVI). Raccolta Leonradi Simonetti 1625. Realization by George Hunter. Score with edits.
Folder 2: Monteverdi, Claudio - Ohime dor'e il mio ben. Romanesca a 2., c. 1980: Several edited scores. One part for harpsichord. Notes and drafts.
Folder 3: Monteverdi, Claudio - Tornate, o cari baci, c. 1980: 7th Book of Madrigals, 1619. "Concerto. Settimo Libro de Madrigali a 1.2.3.4. & sei voci, con altri genere de Canti. Novamenta Datto in Luces MDCXIX." 3 scores with edits.
Folder 4: Monteverdi, Claudio - Tu se' morta, c. 1980: Accompaniment realized by Goerge Hunter. Edited score for piano and voice.
Folder 5: Monteverdi, Claudio - Vago augelletto, c. 1980: Harpsichord realization by George Hunter. Parts: harpsichord, violin I, violin II, cello, contrabass.
Folder 6: Obrecht - Tsat een meskin, c. 1980: Parts: treble, tenor I, tenor II, bass.
Folder 7: Ockeghem, Johannes - Agnus au travaille suis, c. 1980: Score with text added.
Folder 8: Ockeghem, Johannes - Alma Redemptoris Mater, 1986: Edited by George Hunter. "Rome Bibl. Vat. Cap. Sist. 46 115v-118. Florence Bibl. Ricc. 2794 11v-13." Score.
Folder 9: Ockeghem, Johannes - Missa "De plus en plus", c. 1980: Edited score.
Folder 10: Ockeghem, Johannes - Missa "Ecce ancilla Domini", c. 1980: Manuscript score.
Folder 11: Ockeghem, Johannes - Missa "Fors seulement" Kyrie, c. 1980: Edited score.
Folder 12: Ockeghem, Johannes - Missa "Ma maistresse", c. 1980: Several edited manuscript scores.
Folder 13: Ockeghem, Johannes - Missa Prolationum, 1978: Edited by George Hunter. Several scores. Notes, drafts, and program notes.
Folder 14: Ockeghem, Johannes - Missa sine nomine, c. 1980: 3 different scores.
Folder 15: Ockeghem, Johannes - Salve Regina, 1982: Edited by George Hunter. Rome, Bibl. Vat., Cap. Sist. 42. One edited manuscript score, one published score (New York Pro Musica Series, Associated Music Publishers, New York).
Folder 16: de Perusio - Ballade: Le greygnour bien, c. 1980: Apel #1. Two parts.
Folder 17: de Perusio - Se je me plaing, c. 1980: Score and parts: tenor, contratenor.
Folder 18: de Perusio - Virelai: Puisque je sui, c. 1980: Apel Nr. 6. Score and parts: tenor, contratenor.
Folder 19: Purcell - Sonata of Four Parts, No. VI, c. 1980: Realized by George Hunter. Score and parts: violin I, violin II, viola da gamba.
Folder 20: Purcell - 12 Sonatas of 3 Parts, No. VI in C, c. 1980: Score with markings.
Folder 21: Rameau - Le Berger Fidele, c. 1980: Score with markings and parts: violin I, violin II, cello.
Folder 22: Sammartini - Sonata in G for Cello and Piano, 1992: Scores arranged by various editors (including Suzuki Cello School Book 8), score with Hunter edits. Correspondence related to the publication of Hunter edits.
Folder 23

Box 6

Folder 1: Senfl - Ich stund an einem, c. 1980: Edited score for three vocal parts.
Folder 2: Senfl - Entlaubet ist der Walde, c. 1980: Parts: tenor, tenor recorder, alto, bass. Also included: score of "Entlaubet ist der Walde" by Thomas Stolzer.
Folder 3: Senfl - Zwischen Berg, c. 1980: Manuscript score for tenor and bass, recorder part.
Folder 4: Senleches, Jacob de - Ballade : En attendant esperance, c. 1980: Apel No. 49. 3 scores. Parts: tenor, unspecified high part.
Folder 5: Solage - Virelai : Tres gentil cuer, c. 1980: 3 unidentified parts.
Folder 6: Stamitz, Carl - Sonata pour la Viole d'Amour avec accompagnement d'un Violon ou d'une Alt Viole, c. 1980: Arrange pour Viole d'Amour et piano par George Hunter. Manuscript score with note by Hunter.
Folder 7: Susato, Tielman - Danserye 1551, c. 1980: Parts: tenor I, tenor II, bass, treble. Also included: "Danceries" by Cl. Gervaise. (Treble, tenor I, tenor II, bass.)
Folder 8: Tallis, Thomas - Videte miraculum, c. 1980: 2 marked scores. 1 note.
Folder 9: Tomkins, Thomas - A Sad Pavane for these distracted times, c. 1980: Composed: Feb. 14, 1649. Piano score with markings.
Folder 10: Unknown Composer - O Virgo Virginem, c. 1980: Several published scores with markings.
Folder 11: Collegium Musicum Masters, c. 1980: Gibbons - The Cries of London; Tye - Trye (In Nomine); Lawes - Pavan; Tye - Howld Fast; Coperario - Fantasy of 5 Parts; Tye - Two In Nomines; Tye - Saye So; Senfl - Entlaubet ist der Walde; Senfl - Carmen in Re; Senfl - Das Galut zu Speyer; Finck - Greiner Zanner; Liederbuch - Two Dances; Senfl - Ich weiss nit, was er ihr verheiss; Senfl - Zwischen Berg und tiefen Tal; Senfl - Ewiger Gott; Liederbuch - Senliche not freu und spat; Senfl - Tandernac; Peuerl - 9th Dance Suite from "newe Padouan, 1611"; Peuerl - 10th Dance Suite from "Newe Paduan, 1611."
Folder 12: Collegium Musicum Concert Poster, 1967: "The music of Dufay, Josquin, Monteverdi." Directed by George Hunter. Friday, May 26, Hertz Hall, 8:30pm. University of California, Berkeley.
Folder 13: Ockeghem, Johannes - Alma Redemptoris Mater, 1986: Oversize. Score edited by George Hunter.