George Hunter Sound Recordings and Personal Papers

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir

Sound Recordings of Collegium Musicum and UI Concert Choir Performances

Collegium Musicum Records and Photographs, School of Music Programs



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Finding Aid for George Hunter Sound Recordings and Personal Papers, 1948-1982 | The Sousa Archives and Center for American Music

By Adriana Cuervo and Mandi Goodsett

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Collection Overview

Title: George Hunter Sound Recordings and Personal Papers, 1948-1982

ID: 12/5/63

Primary Creator: Hunter, George (George H.) (1918-2011)

Extent: 5.0 cubic feet

Arrangement: Organized into three series. Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir Concerts and Albums, Series 2: Sound Recordings of Collegium Musicum, UI Concert Choir, and other School of Music Performances, Series 3: Collegium Musicum Records and Photos, School of Music Programs.

Date Acquired: 12/19/2012

Subjects: Choral music, Church music, Collegium Musicum of the University of Illinois, Concert tours, Early music collection, Faculty, Music, School of, Renaissance, University of Illinois, Vocal music, Yale University

Formats/Genres: Concert Programs, Papers, Sheet music, Sound Recordings

Languages: French, Latin, German, Italian, English

Scope and Contents of the Materials

Consists of reel-to-reel sound recordings, programs, newspaper clippings, photographs, and a sheet music library, documenting the development of the University of Illinois' Collegium Musicum ensemble and the personal papers of choral conductor George Hunter between 1948 and 1982. Also of note are records related to Paul Hindemith and the Early Music Ensemble of Yale University.

Biographical Note

George Hunter (1918-2011) was born in Columbus, Ohio. He studied piano, cello, and trumpet in high school, and graduated from Indiana University. He was accepted to study piano in Paris with Nadia Boulanger, but the war intervened and he spent five years in the army, serving as a band leader in Georgia. After the war, he went to Yale to study composition with Paul Hindemith and received his Masters Degree in 1947. He joined the University of Illinois faculty in 1948, where he taught music theory, composition, counterpoint, harpsichord and early music performance. Hunter probably began playing viols and recorders at Yale, though it is not clear whether he played the viola d'amore. Hindemith ran a Collegium Musicum at Yale, which might have influenced George Hunter to form the first Collegium Musicum at the University of Illinois in 1951. In 1963 he received a grant from the Ford Foundation to travel to Holland for year to study early choral music, and when he returned he founded the University of Illinois Concert Choir, which he conducted until his retirement in 1982. He passed away on March 26, 2011.

Subject/Index Terms

Choral music
Church music
Collegium Musicum of the University of Illinois
Concert tours
Early music collection
Faculty
Music, School of
Renaissance
University of Illinois
Vocal music
Yale University

Administrative Information

Repository: The Sousa Archives and Center for American Music

Acquisition Source: Katherine J. Hunter

Acquisition Method: Donation


Box and Folder Listing


Browse by Series:

[Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir, c. 1950-1986],
[Series 2: Sound Recordings of Collegium Musicum and UI Concert Choir Performances, 1955-1970],
[Series 3: Collegium Musicum Records and Photographs, School of Music Programs, 1950-1962],
[All]

Series 1: Realizations and Arrangements of Baroque Music for Collegium Musicum and UI Chamber Choir, c. 1950-1986
Consists of edited manuscript and published scores and notes. Arranged alphabetically by composer and alphabetically by title thereunder.
Box 1
Folder 1: Anonymous - Motet: Alleluia Psallat, c. 1980
Parts: triplum, duplum, tenor. School of Worcester.
Folder 2: Anonymous - La Chasse, c. 1980
2 part canon (2 voice parts). 14th century.
Folder 3: Anonymous - Dit le burguygnon, c. 1980
Parts: tamborine, superius, tenor, bassus, altus, drum.
Folder 4: Anonymous - Ductia, c. 1980
Parts: vielle and recorder. 13th century.
Folder 5: Anonymous - Filles a Marier, c. 1980
9 full scores, parts: descant I, tenor, descant II, bassus. Chansonneirin Bibliotech Columbina, Seville.
Folder 6: Anonymous - from Harmonice Musices Odhecaton, c. 1980
"Hor oires une chanzon" and "Brunette." Parts: 1st treble, 2nd treble, 1st tenor, 2nd tenor, bass.
Folder 7: Anonymous - Ic truere en ic ben van mynen alzo sieck, c. 1980
Also included: "Een sottecluytte." Parts: Cantus, Tenor, Bassus.
Folder 8: Anonymous - Mais qu'il vous legne, c. 1980
(Virelais). Score for voice and solo instrument. "ApFSM#62."
Folder 9: Anonymous - Mon corps s'en va, c. 1980
"Rondeau." Dijon 517. Parts: tenor, contratenor.
Folder 10: Anonymous - Motet: Mout me fu / Robins m'aime, c. 1980
13th century. Full score.
Folder 11: Anonymous - Motet: O Maria verge davitica, c. 1980
O Maria maris stella. Full score.
Folder 12: Anonymous - Or sus, vous dormez trop, c. 1980
14th century. Full score for 3 parts. Parts: tenor, contratenor.
Folder 13: Anonymous- Saltarello, c. 1980
Br. Mus. Add. 29987.
Folder 14: Anonymous - Motet: S'on me regarde, c. 1980
Premes i garde. Score for two voices. Parts: rebec, recorder.
Folder 15: Anonymous - Terriblement suis fortunee, c. 1980
15th century. Full score, parts: contratenor, tenor/vielle.
Folder 16: Anonymous - Tre Fontana, c. 1980
[Estampie]. Br. Museum, Add. 29987.
Folder 17: Bach, Johann Sebastian - Sonata V in e Minor for Flute and Continuo, c. 1980
Full score. Several drafts.
Folder 18: Bach, Johann Sebastian - Sonata in E Major for Flute and Continuo, c. 1980
Full score. Several drafts.
Folder 19: Barbireau, J. - Der pfoben swancz, c. 1980
Full score, 3 copies. "+1491."
Folder 20: Binchois - De plus en plus (Rondeau), c. 1980
Parts: descant. Also included: "Helas, que poray-je?" Parts: tenor, cantus, contratenor.
Folder 21: Binchois - Motet: A Solis Ortu Cardine, c. 1980
Full score. Also included: "Inter natos mulierum." Parts: descant, tenor, contratenor.
Folder 22: Binchois - Adieu mon amoureuse joie, c. 1980
Parts: tenor, coutertenor, discant.
Folder 23: Binchois - Chanson: Amours merchi, c. 1980
Parts: vielle, ct. tenor recorder, voice, tenor, contratenor.
Folder 24: da Balogna, Jacapo - Posando sopr'un acqua, c. 1980
"Original a 4th lower." 4 scores for two voices.
Folder 25: Borlet - He, tres doulz roussiguol, c. 1980
a 4. Ap FSM #67. Parts: rebec, krummhorn, tenor, c.t.
Folder 26: Browne, William - Song for Mezzo Soprano and Piano, c. 1980
"Memory." Melody with fingered bass.
Folder 27: Busnoys - "Jay pris amours tout au rebours" from Odhecaton, c. 1980
Parts: bass, tenor, alto, discant. Also included: "He logerons nous" by Ysac (Henreich Issac).
Folder 28: de Castera, Anthonello - Notes pour moi (Ballade), c. 1980
Apel No. 27. Score (3 parts, one vocal).
Folder 29: Ciconia - Sus une fontayne
4 full scores (3 parts, one vocal).
Folder 30: Clerambault - L'Isle de Delos, c. 1980
Edits added to published score.
Folder 31: Compere - Nous sommes de l'ordre d'saynt babuyn, c. 1980
Parts: alto, discant, bass, tenor.
Folder 32: Cordier - Amaus ames, c. 1980
Parts: descant, tenor, contratenor.
Folder 33: Costeley, Guillaume - Las, je n'yray plus, c. 1980
Parts: soprano, tenor, alto, bass.
Box 2
Folder 1: Desprez, Josquin - Absalon fili mi, c. 1980
Full score (superius, contra, tenor, bassus). Several drafts.
Folder 2: Desprez, Josquin - Ave caro Christi cara, c. 1980
Printed score with written-in English translations and other markings.
Folder 3: Desprez, Josquin - Ave Maria [Virgo serena], 1983
Several drafts of edited score.
Folder 4: Desprez, Josquin - Baisiez moy ma doulce amye, c. 1980
4 copies of full score with lyrics.
Folder 5: Desprez, Josquin - Cueurs desolez, c. 1980
Photocopy of manuscript score.
Folder 6: Desprez, Josquin - De tous biens playne, c. 1980
Parts: descant, tenor, contratenor (bass), tenor.
Folder 7: Desprez, Josquin - Incessament, c. 1980
Parts: soprano, alto, tenor I, tenor II, bass.
Folder 8: Desprez, Josquin - J'ay bien cause de lamenter, c. 1980
Copy of manuscript score.
Folder 9: Desprez, Josquin - Missa Ave maris stella, 1968
Various drafts of full score.
Folder 10: Desprez, Josquin - Missa Gaudeamus, c. 1980
Full score with added markings.
Folder 11: Desprez, Josquin - Mittit ad Virginem, c. 1979
Various drafts of score and some supplementary material.
Folder 12: Desprez, Josquin - Nimphes des bois. La deploration de Jehan Ockeghem, c. 1980
Various drafts of score.
Folder 13: Desprez, Josquin - O admirable commercium, c. 1980
Reduction 1:2. 2 scores with edits. Photocopy.
Folder 14: Desprez, Josquin - O Venus brant, c. 1980
Parts: descant, tenor, contratenor (bass).
Folder 15: Desprez, Josquin - Parfons regretz, c. 1980
Score for two voices. Parts: recorder, vielle, bass viol.
Folder 16: Desprez, Josquin - Pater noster, qui es in caelis, c. 1980
Published score with written-in edits and notes.
Folder 17: Desprez, Josquin - Planxit autem David, c. 1980
Full score with edits written in.
Folder 18: Desprez, Josquin - La plus des plus, c. 1980
No. 64 Odhecaton. Parts: descant, contratenor (bass), tenor.
Folder 19: Desprez, Josquin - Salve regina, c. 1980
2 published scores with written-in edits and notes.
Folder 20: Desprez, Josquin - Tenez-moy en voz bras, c. 1979
2 published scores with written-in notes.
Folder 21: Desprez, Josquin - Tu Pauperum Refugium, c. 1980
Published score (discant, tenor bariton, bass) with added notes and edits.
Folder 22: Desprez, Josquin - Two Chansons a 6, c. 1980
"Allegez moy" and "Petite camusette." Two published scores and subsequent arrangement.
Folder 23: Desprez, Josquin - Ut Phoebi radiis, c. 1980
Edited scores and supplementary material.
Folder 24: Dufay - Adieu, m'amour
Alternate title: "Adieu m'amour, adieu ma joye." Full score (several drafts). Parts: descant, tenor, superius, contratenor.
Folder 25: Dufay - Ave Regina Caelorum, c. 1980
Edited drafts of full score.
Box 3
Folder 1: Dufay - La belle se siet, c. 1980
3 parts (rebec, organ, and unidentified instrument).
Folder 2: Dufay - Bon jour, bon mois, c. 1980
Several drafts of edited score. Parts: tenor, vielle, contratenor, soprano & tenor, lute (contratenor).
Folder 3: Dufay - Ce moys de may soyons lies et joyeux, c. 1980
Rondeau. 2 full scores (for descant and tenor). Parts: descant, tenor, contratenor.
Folder 4: Dufay - Chansons, c. 1980
Parts: descant, tenor, contratenor. Songs: "Adieu quitte le demeurant," "Belle que vous," "Le jour s'endort," "Vergine bella."
Folder 5: Dufay - Les douleurs dont me sens tel somme, c. 1980
Several edited scores.
Folder 6: Dufay - Je languis en piteux martire, c. 1980
Several edited scores. Parts: tenor, contratenor.
Folder 7: Dufay - Je me complains piteusement, c. 1980
1425, a di 12 luio. Parts: primus, secundus, tertius.
Folder 8: Dufay - Mon chier amy, c. 1980
H.A.M. 67. Ballade. 4 copies of score.
Folder 9: Dufay - Resvelons nous, c. 1980
Parts: contratenor & tenor, superius. With markings and transposed versions.
Folder 10: Dufay - Vergine bella, c. 1980
4 manuscript scores. 2 discant parts.
Folder 11: de Florentia, Andreas - Donna, bench'i mi parta, c. 1980
Squarcialuppi Codex. Parts: contratenor, discant, tenor.
Folder 12: de Florentia, Gerardellus - Si forte vola, c. 1980
Marked score.
Folder 13: Frescobaldi, Girolamo - Aria di Romanesca, c. 1980
From Arie Musicali, 1630. 3 scores for piano and voice.
Folder 14: Gervaise, Cl. - Danceries, c. 1980
Parts: treble, bass, tenor I, tenor II.
Folder 15: de Ghizeghem, Hayne - Les grans regrets, c. 1980
Several scores with edits. Parts: superius, countertenor/vielle.
Folder 16: Gibbons, Orlando - O Lord in Thy Wrath Rebuke Me Not, c. 1980
Full score (medius I, medius II, contratenor I, contratenor II, tenor, bassus). Photocopy.
Folder 17: Le Grant, Johannes - Laisies moy coy, Rondeau, c. 1980
Parts: discant, tenor, contratenor.
Folder 18: de la Halle, Adam - Dame, sui trahi, c. 1980
2 scores, parts for vielle and alto recorder.
Folder 19: de la Halle, Adam - Le doux regard, c. 1980
Manuscript parts: portative (organ), rebec.
Folder 20: Handel, G. F. - Nel dolce del' oblio, 1952
"In sleep's sweet oblivion." Cantat for Soprano voice, Treble Recorder & Keyboard. Edited and arranged by Walter Bergmann and Edgar Hunter. English words by Norman Platt. Written-in edits.
Folder 21: Handel, G. F. - Sonata in F Major for Recorder (or Flute), Violin and Continuo, c. 1980
Figured bass realized by George Hunter. Score and parts: recorder/flute, violin, cello.
Folder 22: Handel, G. F. - Sonata in a Minor for Recorder and Continuo, c. 1980
Realization by George Hunter. Full score. Manuscript.
Folder 23: Handel, G. F. - Sonate F-Dur fur Blockflote und bezifferten Bass, c. 1980
Sonata in F Major for recorder and figured bass, Op. 1, Nr. 11. Realization by George Hunter. Published score with pasted in edits.
Folder 24: Issac, Heinrich - Isbruck, ich muss dich lassen, c. 1980
4-part choral score.
Folder 25: Issac, Heinrich - La Morra, c. 1980
Parts: vielle, superius, bassus.
Folder 26: Jeffreys, George - Fantasia a 3, c.1980
Parts: tenor, bass, 2nd half of unidentified part.
Folder 27: Landini - Amor, in te spera, c. 1980
Photocopy of score. Parts: tenor, contratenor.
Folder 28: Landini - Ecco la primavera
7 scores. Parts: tenor and unidentified.
Folder 29: Landini - Gram piant' agli ochi, c. 1980
5 scores for three voices.
Folder 30: Landini - Lasso di donna, c. 1980
Two scores for tenor, contratenor, and discant.
Folder 31: Landini - Per sequir la speranca, c. 1980
2 scores (for 3 unspecified parts).
Folder 32: Landini - Si dolce non sono, c. 1980
"Madrigale." 2 scores.
Folder 33: de Lantins - Puisque je voy, c. 1980
Parts: contratenor, descant.
Folder 34: di Lasso, Orlando - Symphonie a 6, c. 1980
Parts: treble I, tenor II, treble II, bass I, bass II, tenor I.
Folder 35: LeClair, Jean-Marie - Sonata in E Minor for Flute and Basso Continuo, c. 1980
Edited by George Hunter. 4 scores and 2 flute parts.
Folder 36: LeClair, Jean-Marie - Sonata No. 5, c. 1980
2 scores for high instrument and figured bass.
Folder 37: LeClair, Jean-Marie - Triosonate in D-Dur, 1977
Trio Sonata in D Major. For violin or flute, viola da gamba (violoncello), and basso continuo. Full score. B.C. G. Hunter.
Folder 38: Le Jeune, Claude - Helas! mon Dieu, ton ire s'est tournee, c. 1980
Score for 5 voices.
Folder 39: Lemlin, Lorenz - Der Gutzgauch, c. 1980
Various scores and parts (soprano, alto, tenor, recorder).
Folder 40: Liederbuch, Glogauer - Du lenze gut, c. 1980
Vocal score and parts: recorder (2 keys), treble viol, vielle.
Folder 41: Liederbuch, Glogauer - Ich bins erfreut, c. 1980
Parts: tenor, contratenor, bassus, recorder, superius, viol.
Box 4
Folder 1: Liederbuch, Glogauer - Ich sachs eins mals, c. 1980
Score and parts: contratenor, bass, tenor, supurius
Folder 2: Liederbuch, Glogauer - Die kranich schnabel, c. 1980
1 score, parts: rebec, superius, gamba, flute (recorder), treble, bass, 3 unidentified parts (on the back: Die katzenpfote).
Folder 3: Liederbuch - Mein gemuth das wuth, c. 1980
Parts: descant (vielle), bass, tenor.
Folder 4: Liederbuch - Der Neue Bauernschwanz, c. 1980
Parts: discant, bass, tenor. Also on page: "O Rosa Bella" by John Dunstable.
Folder 5: Machaut, Guillaume de - Ballade: Amours me fait desirer, c. 1980
Score for descant, triplum, and tenor. Parts: descant, tenor.
Folder 6: Machaut, Guillaume de - De bon espoir - Puis que la donce - Speravi, c. 1980
Parts: duplum, tenor, triplum.
Folder 7: Machaut, Guillaume de - Motet: Dame, je sui cilz - Fins cuers doulz, c. 1980
3 scores (for 3 vocal parts).
Folder 8: Machaut, Guillaume de - Rondeau: Douce dame, c. 1980
4 scores for two voice parts, one part.
Folder 9: Machaut, Guillaume de - Motet: Felix virgo - Inviolata genetrix - Ad te suspiramus, c. 1980
One score. Parts; tenor, contratenor, unidentified.
Folder 10: Machaut, Guillaume de - Hoquetus: David, c. 1980
3 parts: hoquetus, tenor, triplum.
Folder 11: Machaut, Guillaume de - Lai: Loyante, que point ne delay, c. 1980
2 drafts and 1 vocal score with lyrics.
Folder 12: Machuat, Guillaume de - Ballade: Ma chiere dame, c. 1980
Parts: recorder/rebec, vielle/tenor, lute/contratenor.
Folder 13: Machaut, Guillaume de - Ballade: Mes esperis, c. 1980
Score. Parts: cantus, tenor (2), contratenor (2).
Folder 14: Machaut, Guillaume de - Virelai: Plus dure que un dyamant, c. 1980
Score for two voice parts and tenor part.
Folder 15: Machaut, Guillaume de - Pourquoi me bat : Se j'aim : Lasse! comment, c. 1980
2 scores. Part: middle vocal part.
Folder 16: Machaut, Guillaume de - Rose, liz, prentemps, verdure, c. 1980
1 score. Parts: contratenor (2), tenor (2), triplum (2), unidentified vocal part.
Folder 17: Machaut, Guillaume de - Se je souspir, c. 1980
Score for voice and lute, and unidentified part.
Folder 18: Machaut, Guillaume de - Ballade: De Tout Flors
3 scores (one arranged for keyboard). Parts: triplum, contratenor, tenor.
Folder 19: Machaut, Guillaume de - Virelai: Tres bonne et belle, c. 1980
Score (for 3 vocal parts). Parts: contratenor, descant, tenor.
Folder 20: Marais, Marin - Quatrieme Suitte
For viola da gamba and continuo. Realization by George Hunter. Various drafts of full score, notes, and drafts of program notes.
Folder 21: Marc - Pieces de Dessus et Pardessus, c. 1980
Manuscript score for solo instrument and figured bass.
Folder 22: Monteverdi, Claudio - Bel Pastor. Az, Canto o Tenore, c. 1980
Madrigali e Canzonette. Libro Nono 1651. 2 scores for piano and two voices.
Folder 23: Monteverdi, Claudio - Ch'io t'ami (Book V), c. 1980
Il Quinto Libro de Madrigali, 1605. Published score with added edits and translations.
Folder 24: Monteverdi, Claudio - Chiome d'oro, c. 1980
Canzonetta a due voci concertata con duoi violini, chitorone o spinetta (from Concerto, Settimo Libro 1619). Alternate title: Chiome d'oro, bel tesoro. Manuscript score. Parts: violin I, violin II, viola da gamba, contrabass.
Folder 25: Monteverdi, Claudio - Con che soarita, c. 1980
7th Book of Madrigals. Several scores in various states of editing. Notes and program note drafts. Parts: spinetta (and voice), violin I (choro II), violin II (choro II), violin III (choro II), viola I (choro II), viola II (choro II), cello (choro III), gamba I (choro III), gamba II (choro III), contrabass gamba (choro III), harpsichord I (choro II), harpsichord II, organ (choro III), lute.
Box 5
Folder 1: Monteverdi, Claudio - O quam pulchra es, c. 1980
"Ghirlanda Sacra scritta da Diversi Eccelentissimi conpositori de varij Motetti a voce sola. Libro Prima. Opera Seconda. Per Leonardo Simonetti Musico nella Capella del Serenissimo Prencipe ... Venice, Gardano, MDC XXXVI). Raccolta Leonradi Simonetti 1625. Realization by George Hunter. Score with edits.
Folder 2: Monteverdi, Claudio - Ohime dor'e il mio ben. Romanesca a 2., c. 1980
Several edited scores. One part for harpsichord. Notes and drafts.
Folder 3: Monteverdi, Claudio - Tornate, o cari baci, c. 1980
7th Book of Madrigals, 1619. "Concerto. Settimo Libro de Madrigali a 1.2.3.4. & sei voci, con altri genere de Canti. Novamenta Datto in Luces MDCXIX." 3 scores with edits.
Folder 4: Monteverdi, Claudio - Tu se' morta, c. 1980
Accompaniment realized by Goerge Hunter. Edited score for piano and voice.
Folder 5: Monteverdi, Claudio - Vago augelletto, c. 1980
Harpsichord realization by George Hunter. Parts: harpsichord, violin I, violin II, cello, contrabass.
Folder 6: Obrecht - Tsat een meskin, c. 1980
Parts: treble, tenor I, tenor II, bass.
Folder 7: Ockeghem, Johannes - Agnus au travaille suis, c. 1980
Score with text added.
Folder 8: Ockeghem, Johannes - Alma Redemptoris Mater, 1986
Edited by George Hunter. "Rome Bibl. Vat. Cap. Sist. 46 115v-118. Florence Bibl. Ricc. 2794 11v-13." Score.
Folder 9: Ockeghem, Johannes - Missa "De plus en plus", c. 1980
Edited score.
Folder 10: Ockeghem, Johannes - Missa "Ecce ancilla Domini", c. 1980
Manuscript score.
Folder 11: Ockeghem, Johannes - Missa "Fors seulement" Kyrie, c. 1980
Edited score.
Folder 12: Ockeghem, Johannes - Missa "Ma maistresse", c. 1980
Several edited manuscript scores.
Folder 13: Ockeghem, Johannes - Missa Prolationum, 1978
Edited by George Hunter. Several scores. Notes, drafts, and program notes.
Folder 14: Ockeghem, Johannes - Missa sine nomine, c. 1980
3 different scores.
Folder 15: Ockeghem, Johannes - Salve Regina, 1982
Edited by George Hunter. Rome, Bibl. Vat., Cap. Sist. 42. One edited manuscript score, one published score (New York Pro Musica Series, Associated Music Publishers, New York).
Folder 16: de Perusio - Ballade: Le greygnour bien, c. 1980
Apel #1. Two parts.
Folder 17: de Perusio - Se je me plaing, c. 1980
Score and parts: tenor, contratenor.
Folder 18: de Perusio - Virelai: Puisque je sui, c. 1980
Apel Nr. 6. Score and parts: tenor, contratenor.
Folder 19: Purcell - Sonata of Four Parts, No. VI, c. 1980
Realized by George Hunter. Score and parts: violin I, violin II, viola da gamba.
Folder 20: Purcell - 12 Sonatas of 3 Parts, No. VI in C, c. 1980
Score with markings.
Folder 21: Rameau - Le Berger Fidele, c. 1980
Score with markings and parts: violin I, violin II, cello.
Folder 22: Sammartini - Sonata in G for Cello and Piano, 1992
Scores arranged by various editors (including Suzuki Cello School Book 8), score with Hunter edits. Correspondence related to the publication of Hunter edits.
Folder 23
Box 6
Folder 1: Senfl - Ich stund an einem, c. 1980
Edited score for three vocal parts.
Folder 2: Senfl - Entlaubet ist der Walde, c. 1980
Parts: tenor, tenor recorder, alto, bass. Also included: score of "Entlaubet ist der Walde" by Thomas Stolzer.
Folder 3: Senfl - Zwischen Berg, c. 1980
Manuscript score for tenor and bass, recorder part.
Folder 4: Senleches, Jacob de - Ballade : En attendant esperance, c. 1980
Apel No. 49. 3 scores. Parts: tenor, unspecified high part.
Folder 5: Solage - Virelai : Tres gentil cuer, c. 1980
3 unidentified parts.
Folder 6: Stamitz, Carl - Sonata pour la Viole d'Amour avec accompagnement d'un Violon ou d'une Alt Viole, c. 1980
Arrange pour Viole d'Amour et piano par George Hunter. Manuscript score with note by Hunter.
Folder 7: Susato, Tielman - Danserye 1551, c. 1980
Parts: tenor I, tenor II, bass, treble. Also included: "Danceries" by Cl. Gervaise. (Treble, tenor I, tenor II, bass.)
Folder 8: Tallis, Thomas - Videte miraculum, c. 1980
2 marked scores. 1 note.
Folder 9: Tomkins, Thomas - A Sad Pavane for these distracted times, c. 1980
Composed: Feb. 14, 1649. Piano score with markings.
Folder 10: Unknown Composer - O Virgo Virginem, c. 1980
Several published scores with markings.
Folder 11: Collegium Musicum Masters, c. 1980
Gibbons - The Cries of London; Tye - Trye (In Nomine); Lawes - Pavan; Tye - Howld Fast; Coperario - Fantasy of 5 Parts; Tye - Two In Nomines; Tye - Saye So; Senfl - Entlaubet ist der Walde; Senfl - Carmen in Re; Senfl - Das Galut zu Speyer; Finck - Greiner Zanner; Liederbuch - Two Dances; Senfl - Ich weiss nit, was er ihr verheiss; Senfl - Zwischen Berg und tiefen Tal; Senfl - Ewiger Gott; Liederbuch - Senliche not freu und spat; Senfl - Tandernac; Peuerl - 9th Dance Suite from "newe Padouan, 1611"; Peuerl - 10th Dance Suite from "Newe Paduan, 1611."
Folder 12: Collegium Musicum Concert Poster, 1967
"The music of Dufay, Josquin, Monteverdi." Directed by George Hunter. Friday, May 26, Hertz Hall, 8:30pm. University of California, Berkeley.
Folder 13: Ockeghem, Johannes - Alma Redemptoris Mater, 1986
Oversize. Score edited by George Hunter.
Series 2: Sound Recordings of Collegium Musicum and UI Concert Choir Performances, 1955-1970
Consists of reel-to-reel tape, LP, and CD recordings of performances and auditions. Organized into three sub-series: Sub-Series 1: Collegium Musicum Recordings, Sub-Series 2: UI Concert Choir Recordings, Sub-Series 3: Other School of Music Performances.
Sub-Series 1: Collegium Musicum Recordings
Arranged chronologically.
Box 8
Disc 3: Viol Consort, December 1949
Recording ID: 1. Performers: Hunter, Garvey, Lundgren, Snyder. Side A: Pavane - Bittre Rene, Pass'emezo ditto il Romano. Side B: Senfl - Herzliches Bild, Tourdien - C'est Grand Plaisir. 12 inch LP disc, 78 rpm.
Disc 4: Dufay, Dunstable, May 27, 1950
Recording ID: 2. Performers: Hunter, Snyder, Hagen, J. Noorman, Garvey. Side A: 1) Dufay - "Mon chier amy," 2) Dunstable - O Rosa Bella." Side B: 1) Dunstable - "O Rosa Bella," 2) Glogauer Liederbuch - Christ ist erstanden, 3) Glogauer Liederbuch - Ich sachs eins mals. 12 inch LP disc.
Disc 5: Liederbuch, Stokem, Coperario, May 27, 1950
Recording ID: 3. Performers: Hunter (treble viol), Garvey (tenor viol), Snyder (tenor viol), Hagan (bass viol). Side A: 1) "Freuntlich begir senet sich nach dir" - Glogauer Liederbuch, 2) "Helas, c'est n'est pas sans raison" - Jo. Stokem. Side B: Goivanni Coperario - 3 part Fantasia. 12 inch LP disc.
Disc 6: Byrd, December 8, 1950
Recording ID: 4. Performers: Jantina Noorman with Snyder, Hunter, Hagen, Lundren, and Sheils. Side A: 1) Byrd - Ah Seely Soul (2:51), 2) Anon. - Or circe une chanzon (1:13). Side B: Chr. Tye - Trye, In Nomine (2:03). 12 inch LP disc.
Disc 7: Byrd Fantasia, December 8, 1950
Recording ID: 5. Performers: Snyder, Hagen, Hunter, Sheils. Side A: Byrd - Fantasia a 4 (3:15). Side B: Byrd - Fantasia a 4 ("other side better"). 12 inch LP disc.
Disc 8: Byrd, February 16, 1951
Recording ID: 6. Performers: Noorman, Snyder, Hunter, Hagen, Sheils. Side A: 1) Byrd - My sweet little darling (1:22), 2) Compere - Alons, ferons barbe. Side B: Byrd - Lord, to thee I make my moan. "Good recording on 7a." 12 inch LP disc, 78 rpm. Start: out.
Disc 9: Obrecht, Byrd, Senfl, Isaac, Greiter, February 16, 1951
Recording ID: 7. Performers: Noorman, Snyder, Hunter, Hagen, Sheils. Side A: 1) Obrecht - Tsat een meskin (1:45), 2) Wm. Byrd - Lord, to thee I make my moan. Side B: Ich stund an einem Morgen (1:27), 1) Senfl, 2) Isaac, 3) Greiter. 12 inch LP disc, 78 rpm. Start: out.
Disc 10: Senfl, Finck, February 16, 1951
Recording ID: 8. Performers: Noorman, Snyder, Hunter, Hagen, Sheils. Side A: Ich stund an einem Morgan (2:12), 1) Senfl, 2) Finck. Side B: Danceries. 12 inch LP disc, 78 rpm. Start: out.
Disc 11: Ferrabosen, Coperario, February 16, 1951
Recording ID: 9. Performers: Snyder, Hunter, Hagen, Sheils. Side A: 1) Danceries, 2) Ferrabosen: Fantasy of 4 Parts. Side B: Coperario: Fantasy of 4 Parts. 12 inch LP disc, 78 rpm. Start: out.
Audio-Visual Recording 12: Guillaume de Machaut - Motets, ballades, virelais, rondeaux, 1956
CD copy of LP: Westminster XWN 18166, Vega C 30 A 80. Information sheet enclosed. Performers: Collegium Musicum of the University of Illinois, George Hunter - director.�  1) Motet : Pourquoy me bat mes maris? 2) Ballade : Ma chiere dame, 3) Ballade : Tres douce dame que j'aour, 4) Virelai : Tres bonne et belle, 5) Rondeau : Douce dame tant com wivray, 6) Ballade : De toutes flours, 7) Virelai : Douce dame jolie, 8) Motet : Dame, je sui cilz, 9) Rondeau : Rose, liz, printemps, verdure, 10) Ballade : Mes esperis, 11) Lai : Loyaute, que point de delay, 12) Ballade : Amours me fait desirer, 13) Virelai : Se je souspir parfondement, 14) Virelai : Plus dure que un dyamant.
Audio-Visual Recording 13: Compositions by Johannes Ockeghem, c. 1957
CD copy from LP: The University of Illinois School of Music "Custom Recording Series" CRS 8. Information sheet enclosed. Performers: Collegium Musicum of the University of Illinois. George Hunter, director. Mass for the Dead: 1) Introit : Requiem aeternam, 2) Kyrie : Kyrie Eleison, 3) Gradual : Si ambulem in medio, 4) Tract : Sicut servus desiderat, 5) Offertory : Domine Jesu Christe. Motet : 6) Salve Regina, Mater misericordiae. Lament : 7) Lament on the death of Gilles Binchois : Mort, tu as navre.
Disc 14: George Hunter, Trio, undated
Performer: George Hunter. Side A: I. Allegro. Side B: Theme and Variations. 12 inch LP disc, 78 rpm. Start: out.
Disc 15: George Hunter LP, undated
Recording ID: 1. 12 inch LP disc.
Disc 16: George Hunter LP, undated
Recording ID: II. 12 inch LP disc.
Disc 17: George Hunter LP, undated
Recording ID: III. 12 inch LP disc.
Disc 18: George Hunter LP, undated
Recording ID: IV. 12 inch LP disc.
Box 9
Reel 1: Collegium Musicum Audition Tape, 1961
"Quality not very good." Program enclosed. Fifteenth century music. 1) Chanson : Amours merchi (Binchois), 2) Chanson : Filles a marier (Anonymous, Chansonier), 3) Motet : Ave Regina Coelorum (Dufay). Thirteenth century music. 4) Motet : S'on me regarde (Anonymous), 5) Rondeau : Li doux regard (de la Halle), 6) Dance : Saltarello (Anonymous). German music. 7) Ich bins erfreut (Liederbach), 8) Du Lenze gut (Liederbuch), 9) Dance : Die Katenpfote (Liederbuch), 10) Ich stund an einem Morgen (Senfl), 11) Douce dame jolie (de Machaut), 12) Donna perche mi spregi (Landini), 13) Ecco la primavera (Landini) . Seventeenth century. 14) Dialogue : Bel pastor, dal cui bel guardo (Monteverdi). 1/4 inch acetate tape on 7 inch reel. Single channel, half track, 7 1/2 ips.
Reel 2: Collegium Musicum Concert at the University of California, Berkeley, April 9, 1961
"Reel 1." 1/4 inch polyester tape on 7 inch reel. 1/4 track, stereo, 7 1/2 ips.
Reel 3: Collegium Musicum Concert at the University of California, Berkeley, April 9, 1961
Recording location: ASUC Radio-TV Theater, Eshleman Hall, University of California, Berkeley. "Reel II." 1/4 inch polyester tape on 7 inch reel.
Reel 4: Collegium Musicum SMH Concert, Reel 1, May 2, 1961
Includes notes and program. Recording location: Smith Music Hall. Performers: Jantina Noorman, Uni Thomas, James Cobb, Robert Smith, George Hunter (director). 1) Ich bins erfreut (Liederbuch), 2) Du Lenze gut (Liederbuch), 3) Dance : Die Katzenpfote (Liederbuch), 4) Ich stund an einem Morgan (Liederbuch), 5) Ich stund an einem Morgen (Senfl), 6) Ich weiss nit was er ihr verhiess (Senfl), 7) Motet : Ave Regina Coelorum (Dufay), 8) Ballata : Ecco la primavera (Landini), 9) Ballata : Donna, perche mi spregi (Landini), 10) Ballata : Gram piant' agli occi (Landini). 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Tail out.
Reel 5: Collegium Musicum SMH Concert, Reel 2, May 2, 1961
Includes program. Performers: Jantina Noorman, Uni Thomas, James Cobb, Robert Smith, and George Hunter (director). 11) Rondeau : Douce dame, tant com vivray (Machaut), 12) Ballade : De toutes flours (Machaut), 13) Chace : So je chant mains que ne seul (Anonymous), 14) Motet : Dame, je sui cilz and Fins cuer doulz (Machaut), 15) Virelai : Douce dame jolie (Machaut), 16) Motet : Prendes y garde (Anonymous 13th c.), 17) Rondeau : Dame, or sui trais (de la Halle), 18) Rondeau : Li doux regard (da la Halle), 19) Dance : Saltarello (Anonymous). 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, tail out.
Reel 6: Collegium Musicum SMH Concert, Reel 3, May 2, 1961
Includes program. Performers: Jantina Noorman, Uni Thomas, James Cobb, Robert Smith, George Hunter (director). Music of Claudio Monteverdi. 20) Dialogue : Bel pastor dal cui bel guardo, 21) Quel squardo sdegnosetto, 22) Lettera amorosa : Se i languidi miei squardi, 23) Romanesca : Ohime, dov'e il mio ben, 24) Chiomo d'oro, bel tessoro. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, tail out.
Reel 7: Collegium Musicum Recording Session, June, 1961
Performers: Jantina Noorman (mezzo soprano, portative organ, percussion), Uni Thomas (rebec, vielle), James Cobb (tenor, percussion), Robert Smith (baritone, recorders, krummhorn, portative organ), George Hunter (tenor, lute, viola da gamba, krummhorn). Burgundian Court Music (15th century). 1) "Ce moy de may" (Dufay), 2) "Amours, merchi" (Binchois), 3) "La belle se siet" (Dufay), 4) "Filles a marier" (Anonymous). French 14th century music. 5) "De toutes flours" (Machaut), 6) "Douce dame jolie" (Machaut), 7) "Notes pour moi cette ballade" (de Caserta), 8) "Mais qu'il vous legne" (Anonymous). Italian 14th century music. 9) - , 10) "Si dolce non sono" (Landini), 11) "Donna, perche" (Landini), 12) Ecco la primavera (Landini). 1/4 inch acetate tape on 7 inch reel. Tail out.
Reel 8: Collegium Musicum of the U of I, May 6, 1974
Reel 2 of 2. Note enclosed. 1/4 inch polyester tape on 7 inch reel. 1/2 track, stereo.
Reel 9: Collegium Musicum : Music of Johannes Ockeghem, May 27, 1963
Reel IV. Includes program and notes. Recording location: University Place Christian Church. Director: George Hunter. 1) Motet: Salve Regina, mater misericordiae, 2) Lament on the death of Gilles Binchois : "Mort, tu as navre," 3) Mass for the Dead - Introit : Requiem aeternam ..., Kyrie : Kyrie eleison, Gradual : Si ambulem in medio ..., Tract : Sicut cervus desiderat, Offertory : Domine Jesu Christe ...., 4) Missa "Fors seulement" - I. Kyrie eleison ..., II. Gloria in excelsis Deo ... III. Credo in unum Deum .... 1/4 inch polyester tape on 7 inch reel. Full track, 7 1/2 ips.
Sub-Series 2: UI Concert Choir Recordings
Arranged chronologically.
Box 8
Audio-Visual Recording 14: Josquin : Ave maris stella, 1969
Information sheet enclosed. Four motets. Performers: University of Illinois Chamber Choir. George Hunter, conductor. CD copy of LP: Nonesuch H-71 206, Nonesuch 32 802. Missa "Ave maris stella" 1) Kyrie, 2) Gloria, 3) Credo, 4) Sanctus - Benedictus (20'25"). Motets. 5) Tu solus, qui facis mirabilia, 6) Mittit ad virginem, 7) Absalon fili mi, 8) Save Regina (22'30").
Box 9
Reel 10: Concert Choir - Ockeghem - St. John's, undated
"Reel V." Mass for the Dead - Ockeghem. Introit, Kyrie, Gradual, Tract, Offertory. Monaural. 1/4 inch acetate tape on 7 inch reel. Full track, 7 1/2 ips.
Reel 11: Chamber Choir Concert, Reel I, April 25, 1966
Programs enclosed. Location: University Place Christian Church. George Hunter, conductor. 1) Hark, All Ye Lovely Saints Above (Weelkes), 2) Stay Corydon, Thou Swain (Wilbye), 3) Hymn : Jam Christus astra ascenderat (Tallis), 4) Two Songs from Opus 104 (Brahms), Songs from 16th Century German Liederbucher and Paul Hindemith's Liederbuch Op. 33. 5) Ich stund an einem Morgen (Isaac), 6) The Devil a Monk Would Be! (Hindemith), 7) Entlaubet ist der Walde (Stoltzer). 1/4 inch acetate tape on 7 inch reel. 1/2 track, mono, 7 1/2 ips. Tail out.
Reel 12: Chamber Choir Concert, Reel II, April 25, 1966
Program enclosed. Location: University Place Christian Church. George Hunter, conductor. 8) Lady's Lament (Hindemith), 9) Of Household Rule (Hindemith), 10) Der Gutzgauch auf dem Zaune sass (Lemlin), 11) Credo (Patrem de village) (Ockeghem), 12) Two Madrigals (Gesualdo), 13) Two Madrigals (Monteverdi). 1/4 inch acetate tape on 7 inch reel.
Reel 13: Chamber Choir Concert, Reel III, April 25, 1966
Program and note enclosed. Location: University Place Christian Church. George Hunter, conductor. 14) Two Madrigals (Monteverdi). 1/4 inch polyester tape on 7 inch reel.
Reel 14: Josquin Motets, Reel I, December 19, 1967
Program enclosed. Music of Josquin Desprez. Recording location: Smith Music Hall. Performers: Chamber Choir. George Hunter, conductor. Motets: 1) Ave caro Christi cara, immolata cruce ara (7:34), 2) Tu solus, qui facit mirabilia (4:05), 3) Absalon, fili mi, quis det ut moriar pro te (3:42), 4) Salve Regina, mater misericordiae (6:34), 5) Mittit ad verginem (7:37). 1/4 inch acetate tape on 7 inch reel. 2 track stereo, 7 1/2 ips. Head out.
Reel 15: Josquin Motets, Reel II, December 18, 1967
Program and note enclosed. Music of Josquin Desprez. Recording location: Smith Music Hall. Performers: Chamber Choir. George Hunter, conductor. 6) Missa Ave Maris Stella (21:34) a) Kyrie eleison - Christe eleison - Kyrie eleison, b) Gloria in excelsis Deo - Qui tollis peccata mundi, c) Credo in unum Deum - Et resurrexit, d) Sanctus - Pleni sunt coeli - Hosanna - Benedictus - Hosanna, e) Agnus Dei: I - II - III. 1/4 inch acetate tape on 7 inch reel. 2 track stereo, 7 1/2 ips. Head out.
Reel 16: St. John Passion, Reel I, March 31, 1968
Note enclosed. Composer: J.S. Bach. Performer: Chamber Choir.  29 min. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Reel 17: St John Passion, Reel II, March 31, 1968
Note enclosed. Performer: Chamber Choir. Composer: J.S. Bach. 26 min. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Reel 18: St. John Passion, Reel III, March 31, 1968
Note enclosed. Performer: Chamber Choir. Composer: J.S. Bach. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Reel 19: St. John Passion, Reel IV, March 31, 1968
Note enclosed. Performer: Chamber Choir. Composer: J.S. Bach. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Reel 20: Chamber Choir Recording Session, Reel I, June 16-20, 1968
Various programs and notes enclosed. Music of Josquin Desprez. Recording location: University Place Christian Church. Dubbing of master tape used for Nonesuch Records. Motets: 1) Mittit ad Virginem, 2) Tu solus, qui facit mirabilic, 3) Absolon, fili mi, 4) Salve Regina. 1/4 inch acetate tape on 7 inch reel. 2 track stereo, 7 1/2 ips.
Reel 21: Chamber Choir Recording Session, Reel II, June 16-20, 1968
Notes enclosed. Music of Josquin Desprez. Recording location: University Place Christian Church. Dubbing of master tape used for Nonesuch Records. 5) Missa Ave Marsi Stella, 6) Ave caro Christe cara. 1/4 inch acetate tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips.
Reel 22: Trio Sonata - Chamber, Reel I, October 21, 1977
Performer: Chamber Choir. Recording location: Smith Hall. Trio Sonata - Flute Sonata. 1/4 inch polyester tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips.
Reel 23: Violin Sonata - Chamber, Reel II, October 21, 1977
Performer: Chamber Choir. Recording location: Smith Hall. Violin Sonata - Brandenberg. 1/4 inch polyester tape on 7 inch reel. 1/2 track stereo, 7 1/2 ips. Head out.
Sub-Series 3: Other School of Music Performances
Arranged chronologically.
Box 9
Reel 23: Clerambault - Marais, December 29, 1956
Note enclosed. Concert. Marais (cont. - last 2 movements). Clerambault - Cantata. 1/4 inch acetate tape on 7 inch reel.
Reel 24: Couperin - Marais, December 29, 1956
Reel II. Note enclosed. From concert. 1) Couperin : L'Aporteus de Corelli (13:10), 2) Marais : Suite (cont. on SMH 310) (20:10). 1/4 inch acetate tape on 7 inch reel.
Reel 25: Hindemith and Debussy Concert, July 7, 1964
Note enclosed. Side I: 1) Cello Concerto - Hindemith, 2) Trio (fl., vla., hp.) - Debussy. Side II: 1) Trio (Heckelfon, vlc., p.) - Hindemith, 2) Kleine Kammermusik, Op. 24, No. 2 - Hindemith. 1/4 inch polyester tape on 7 inch reel. 1/4 track stereo, 7 1/2 ips.
Reel 36: Silverstein, November 25, 1969
1) Mute cornett and lute (Wade Piger - Frans Layolle), 2) Rem. Bass flute (Alphonso X), 3) Bass Kortnalt (Alphonso X), 4) Curoed cornetta, 5) Voice flute (recorder in D) - Telemann Fantasia. 1/4 inch acetate tape on 5 inch reel. 1 side, 1/2 track. 7 1/2 ips.
Reel 26: Rameau, c. 1974
Note enclosed. Recording location: Smith Music Hall. Performers: Delany, Farrell, Hunter. Rameau: Pieces Le Clavecin en Concert. 1/4 inch acetate tape on 7 inch reel. 15 ips.
Reel 27: Rameau (2nd suite), c. 1974
Note enclosed. Recording location: Smith Music Hall. Performers: Charles Delaney (flute traversiere), Peter Farrell (basse de Viole), George Hunter (clavecin). Rameau: Pieces de Clavecin en Concert (2nd Suite). 1) La Laborde (5:20), 2) La Boucon - Air Gracieux (4:00), 3) L'Agacante (2:24), 4) Menuets I et II (4:18). 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Tails out.
Reel 28: LeClair and Monteverdi, c. 1974
Note enclosed. Recording location: Smith Music Hall. Performers: Delaney, Farrell, Hunter. 1) Trio - LeClair, 2) Con che soavitz - Monteverdi. 1/4 inch acetate tape on 7 inch reel. 15 ips.
Reel 29: Monteverdi / Hindemith, March, 1976
1/4 inch polyester tape on 7 inch reel. 1/4 track stereo. Tails out.
Reel 30: French Baroque Chamber Music, Reel I, November 13, 1977
Program enclosed. Recording location: Smith Music Hall. Performers: Lucy Bardo (guest artist, viola da gamba), John Fonville (flauto traverso), Genette Foster (baroque violin), George Hunter (harpsichord). Side A: 1) Cinquieme Concert : La Forqueray, La Cupis, La Marais (Jean-Phillippe Rameau) - 12:58, 2) Quatrieme Suitte : Prelude, Allemande, Gavotte, Gigue - Vivement, Caprice - Gay, Muzette I et II, La Suitillante - Legerement, Rondeau Loure (Marin Marais) - 15:37. Side B: 1) Sonata a Trois : Adagio, Allegro, Sarabande, Allegro assai (Jean-Marie Leclair) - 10:27, 2) Suite en F majeur : Prelude non mesuree, Allemande grave, Courante, Sarabande, Gigue, Chaconne, Tombeau de Mr. Blancrocher (Louis Couperin) - 15:15. 1/4 inch polyester tape on 7 inch reel. 1/4 track, 7 1/2 ips.
Reel 31: French Baroque Chamber Music, Reel II, November 13, 1977
Program enclosed. Recording location: Smith Music Hall. Performers: Lucy Bardo (guest artist, viola da gamba), John Fonville (flauto traverso), Genette Foster (baroque violin), George Hunter (harpsichord). Side A: 1) Sonata, Opus 9, No. 5 : Andante, Allegro assai, Adagio, Allegro ma non troppo (Jean-Marie Leclair) - 15:50, 2) Troisieme Concert : La La Popliniere, La Timide : Rondeau gracieux I et II, Tambourin I et II en rondeau (Jean-Phillippe Rameau) - 11:30. 1/4 inch polyester tape on 7 inch reel. 1/4 track, 7 1/2 ips.
Reel 32: Mozart, March 18, 1986
Performers: G. Foster, G. Perich, J. Winking, G. Hunter. 1) Sinfonia Concertante - Violin, Viola, and Orchestra (Mozart), 2) Trio - Clarinet, Viola, Piano (Mozart). 1/4 inch polyster tape on 7 inch reel.
Reel 33: Hindemith - Konzertmusik, undated
Recording location: Smith Music Hall. Konzertmusik for Piano and Brass (Hindemith). 1/4 inch acetate tape on 7 inch reel.
Reel 34: Hindemith - Konzertmusik, Op. 41, undated
Note enclosed. Concert Music for Orchestra of Wind Instruments, Op. 41 (Paul Hindemith). 15:00. 1/4 inch acetate tape on 7 inch reel.
Reel 35: 78 Jazz Records, undated
Jazz 78's. 1/4 inch polyester tape on 7 inch reel. Tail out.
Reel 37: Hindemith - Concert Music for Wind Orchestra, undated
Performer: U of I Wind Ensemble. George Hunter, conductor. 15:04. 1/4 inch polyester tape on 5 inch reel. 2/2 stereo, 7 1/2 ips.
Series 3: Collegium Musicum Records and Photographs, School of Music Programs, 1950-1962
Consists of Collegium Musicum programs, clippings, and program notes, as well as other School of Music programs. Arranged chronologically.
Box 7
Folder 1: Faculty Recital Programs (UI School of Music), 1949-1977
Folder 2: Issue of Illinois Music Educator with Hunter Article, 1949
Folder 3: Collegium Musicum Photos, c. 1951-1955
Photos of performances, rehearsals, and instruments.
Folder 4: Collegium Musicum Programs, 1951-1961
Performances at the UI School of Music. Organized chronologically.
Folder 5: Collegium Musicum Tour Programs and Clippings, c. 1951-1966
Folder 6: Collegium Musicum Local Clippings, 1955-1961
Folder 7: Recording Reviews, 1957-1970
Folder 8: Collegium Musicum Publicity Material and Program Notes, c. 1973
Folder 9: Hercules Program, Clippings, and Script, 1985

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