Robert Kelly Music and Papers

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Music

Papers



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Finding Aid for Robert Kelly Music and Papers, 1933-2000 | The Sousa Archives and Center for American Music

By Noah Lenstra

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Collection Overview

Title: Robert Kelly Music and Papers, 1933-2000

ID: 12/5/46

Primary Creator: Kelly, James Robert (1916-2007)

Extent: 5.0 cubic feet

Arrangement: Organized into two series: Series 1: Music. Consists of original manuscripts, manuscript reproductions, paste-ups and pre-publication proofs of Kelly original compositions. Arranged by opus number, with original manuscripts followed by holograph reproductions, paste-ups and publication proofs. Series 2: Papers. Maintained in original order as received. Titles of folders correspond to titles of works unless otherwise noted. Folders contain press clippings, programs, photographs and correspondence relating to works, their premieres and other performances.

Date Acquired: 07/01/2005

Subjects: Faculty, Faculty Papers, Music, Music, School of

Formats/Genres: Sheet music

Languages: English

Scope and Contents of the Materials

Consists of original manuscripts, holograph manuscript reproductions, paste-ups and proofs of compositions, programs, correspondences, photographs and clippings documenting Robert Kelly's career as a violinist, composer and professor of Music Composition and Theory at the University of Illinois. Of special note are photographs and newspaper clippings from the premiere of the Emancipation Symphony (Symphony No. 3) in Washington DC by the National Symphony in 1963, the 100th Anniversary Year of the Emancipation Proclamation.

Biographical Note

J. Robert Kelly was born September 26, 1916, at Clarksburg, West Virginia and died in 2007 in Urbana, Illinois. He studied violin at an early age and later majored in violin at the Juilliard School of Music under Samuel Gardner. He studied composition with Rosario Scalero at the Curtis Institute of Music, where he received his Bachelor of Music Degree in Composition. Much later, he continued studies with Herbert Elwell at the Eastman School of Music, where he received his Master of Music Degree in Composition.

From 1946 until his retirement in 1976 he was Professor of Composition and Theory at the University of Illinois School of Music, Urbana, Illinois. Many of his compositions were composed and performed in this period. Notable ones include: Miniature Symphony (Symphony No. 1) premiered by the Austin Symphony, Ezra Rachlin, conductor, and later with Rafael Kubelik conducting this Miniature Symphony on one of the University of Illinois Contemporary Arts Festivals. Later performances include a performance of the Miniature Symphony by the Cleveland Orchestra, George Szell conducting. Kelly's Symphony No. 2 was premiered in Tokyo, Japan by the Japan Philharmonic Orchestra, Akeo Watanabe conducting. The Emancipation Symphony (Symphony No. 3) was premiered in Washington DC by the National Symphony in 1963, the 100th Anniversary Year of the Emancipation Proclamation. Walden Pond, an Environmental Cantata for Mixed Choir, Percussion Ensemble, Flute, Soprano, and Narrator was premiered by the University of Illinois Concert Choir and Percussion Ensemble conducted by Harold Decker.

Subject/Index Terms

Faculty
Faculty Papers
Music
Music, School of

Administrative Information

Repository: The Sousa Archives and Center for American Music

Acquisition Source: Robert Kelly

Acquisition Method: Donation

Related Materials: Walden String Quartet Administrative Records, 1945-1975, record series 12/05/050, Sousa Archives and Center for American Music, Champaign, IL


Box and Folder Listing


Browse by Series:

[Series 1: Music, 1933-1994],
[Series 2: Papers, 1939-2000],
[All]

Series 1: Music, 1933-1994
Consists of original manuscripts, manuscript reproductions, paste-ups and pre-publication proofs of Robert Kelly original compositions. Arranged by opus number.
Box 1
Folder 1-2: "Notebook no. 1-Original Manuscripts", containing manuscript pages of opus nos. 2, 3, 4, 5, 7, 8, 9, 11, 12, 13
Folder 3: Transcriptions-piano
Folder 4: Transcriptions-violin I
Folder 5: Transcriptions-violin II, viola, clarinet
Folder 6: Op. 1  "Adirondack Suite"
Folder 7: Op. 2  "Variations on a Theme by Schubert"
Folder 8: Op. 10  "Paiyatuma Ballet"
Folder 9: Op. 13  "Rounds for String Orchestra"
Folder 10: Op. 14  "Miniature Symphony"
Folder 11: Op. 15  "Passacaglia and Fugue for Woodwind Quintet"
Box 2
Folder 1-2: Op. 17  "Tod's Gal" (a folk opera in one act)
Folder 3: Op. 18  "Chorale and Fugue for Brass Choirs"
Folder 4: Op. 19  "Sonata and Fugue for Tenor Trombone and Piano"
Folder 5: Op. 20  "Introduction and Dialogue"
Folder 6: Op. 21  "O World, Thou Choosest Not the Better Part" (for high voice)
Folder 7: Op. 22  "Sonata for Violin and Piano" (dedicated to Mary Kelly)
Folder 8: Op. 23  "Quartet no. 2 for 2 Violins, Viola and Cello"
Folder 9: Op. 24  "Concertino for Band"
Folder 10: Op. 25  "Patterns-A Cantata for Soprano and Orchestra"
Folder 11: Op. 26  "Song Cycle" (5 poems by Edna St. Vincent Millay)
Folder 12: Op. 27  "Sonata for Oboe and Harp" (ded. to Marlene and David Ledet)
Folder 13: Op. 27A  "Sonata for Violin and Piano (or harp)"
Folder 14: Op. 28  "Suite for Solo Cello" (ded. to Roger Drinkall & Rbt. Swenson)
Folder 15: Op. 29  "Quintet for Bb Clarinet, 2 Violins, Viola and Cello"
Folder 16: Op. 30  "The Word of God" (Cantata  for soloists, chorus, brass choir & string orch.)
Folder 17: Op. 31  "Song and Dance of a Hillbilly" (for Band)
Folder 18: Op. 32  "Sonata for Cello and Piano" (dedicated to Robert Swenson)
Box 3
Folder 1: Op. 33  "Symphony No. 2"
Folder 2: Op. 34  "The Sounding of the Seven Trumpets"
Folder 3: Op. 35  "Toccata for Marimba and Percussion Ensemble"
Folder 4: Op. 36  "The Torment of Job" (for narrator, men's chorus, brass, percussion & piano)
Folder 5: Op. 37, no. 1  "Deus, Deus Meus"  (motet for a cappella choir)
Folder 6: Op. 38 "Concerto for Violin, Cello and Orchestra" (to Homer Schmitt & Rbt. Swenson)
Folder 7: Op. 39  "Emancipation Symphony (Symphony no. 3)"
Folder 8: Op. 40  "Triptych for Cello and Piano"  (dedicated "to John")
Folder 9: Op. 41  "An American Diptych for Orchestra"
Folder 10: Op. 42  "String Quartet no. 3"
Folder 11: Op. 43  "Colloquy for Chamber Orchestra"
Box 4
Folder 1-8: Op. 44  "The White Gods" (opera in three acts)
1 of 5
Box 5
Folder 1: The White Gods (9 of 9)
Folder 2: Conquistadors Marching Song and Three Aztec Dances (from "The White Gods")
Folder 3: Op. 45  "Variant for Violin, Cello and Piano"
Folder 4-5: Op. 46  "Concerto for Violin and Orchestra"
Folder 6: Op. 47  "Wanderlust" (for soprano and piano)
Folder 7-8: Op. 48  "Diacoustics for Piano and Percussion Ensemble"
Folder 9: Op. 49  "3 Expressions (Dramatic, Serene, Jovial) for Violin and Cello (or Viola)"
Folder 10-11: Op. 50  "Fluctuations for Organ, Brass and Percussion"
Folder 12: Op. 51  "Concerto for Cello and Orchestra" (dedicated to Roger Drinkall)
Box 6
Folder 1: Concerto, op. 51 (2 of 2)
Folder 2-3: Op. 52  "Walden Pond" (Cantata) and "Four Transitions for 'Walden Pond'"
Folder 4-5: Op. 53  "Concerto for Viola and Orchestra" (dedicated to Guillermo Perich)
Folder 6: Op. 54  "Concertino for Chamber Orchestra" (ded. to Texas Little Symphony)
Folder 7: Op. 55  "Tubulations" (for Solo Tuba, Winds and Perc.) (ded. to Daniel Perantoni)
Folder 8: Op. 56  "Garden of Peace-A Meditation for Strings" (in mem. of Fannie Kelly)
Folder 9: Op. 57  "Concerto for Violin, Viola and Orchestra"
Box 7
Folder 1: Op. 58  "Rural Songs for Soprano and Orchestra" (ded. to Phyllis Curtin)
Folder 2: Op. 59  "Shenandoah Variations" for cello (or viola) ensemble (ded. to Rbt. Ashby)
Folder 3: Op. 59A  "Variations on Shenandoah" for string orchestra
Folder 4: Op. 60  "The Celestial Trumpet" (A Trinity for solo trumpet, brass choir & perc.)
Folder 5: Op. 61  "String Quartet no. 4 (Oriental-Occidental Quartet"
Folder 6: Op. 62  "Fantasia for Solo Harp, Alto Flute, Oboe and String Quartet"
Folder 7: Op. 63  "A Heavenly Rhapsody" for solo flute, harp, celesta, perc. and strings
Folder 8: Op. 64  "Sonata No. 2 for Cello and Piano" (ded. to Roger Drinkall & Dian Baker)
Folder 9: Op. 65  "Christmas Poem" (SATB with keyboard; poem by John Gracen Brown
Folder 10: Op. 66  "Variations on Five Moods" for oboe & harp
Folder 11: Op. 67  "A Symphony of Rose Sonnets (Symphony no. 4)"
Folder 12: Op. 67A  "A Symphony of Rose Sonnets" for soprano (or tenor) and piano
Folder 13: Op. 68  "Hungarian Scenes (Sonata no. 2)" for violin & piano (plus an incomplete attempt at orchestrating the same piece for violin and chamber orchestra)
Folder 14: Op. 69  "Serenades" for saxophone quartet and percussion (dedicated "In memory of our son, Thomas J. Kelly")
Folder 15: Op. 72  "Sonata no. 2 for Viola and Piano" (ded. to Anne & William Heiles)
Box 8
Folder 1: Op. 73  "A Sinfonia Concertante for Chamber Orchestra"
Folder 2: Op. 77  "Memories" for string trio and Op. 78 "Humorous Songs" for mixed choir & piano (both in one spiral-bound manuscript notebook)
Folder 3: Op. 83  "Chamber Concerto" for violin, harp and mixed choir
Folder 4: "Old State House" for speakers, narrator, mixed chorus & orchestra
Folder 5: Twenty-Third Psalm, No. 1, and choral
Folder 6: "The Bee and the Grasshopper" (score and parts)
Folder 7: "Make a Joyful Noise to the Lord" for SATB (unpublished manuscript)
Folder 8: "O Jesu Veracisseme" for SATBB
Folder 9: "Bless You, Paul" for SATB (lyrics by Kelly, music anonymous)
Folder 10: "O, Children of God" for SATB
Folder 11: "Sunset Reflections-A Song for A Retirement Village" (seems to be Kelly's last completed completed composition)
Folder 12: Folder marked "Compositions in Progress"
Folder 13: Printed copy of Op. 14 (with 1995 copyright notice & corrections)
Folder 14: Paste-up score of Op. 19
Folder 15: Originals for printing for Op. 34 & 34A, with corrections & notes
Folder 16: Originals for printing for Op. 35A, with corrections & notes
Folder 17: Composer's copy of Op. 36
Folder 18: Composer's copy of Op. 37, no. 1
Folder 19: Composer's copy of Op. 46A
Folder 20: Originals for printing for Op. 47, with notes & corrections
Box 9
Folder 1: Printed cello part for Op. 48
Folder 2: Composer's copy of Op.55 (score & solo tuba part)
Folder 3: Composer's copy of Op. 57, with corrections
Folder 4: Examination copy of Op. 58
Folder 5: Composer's copy of Op. 59A (parts)
Folder 6: Composer's copy of Op. 63 (choir part)
Folder 7: Composer's copy of Op. 65, with corrections
Folder 8: Composer's copy & proofs of Op. 66, with corrections
Folder 9: Back-up originals of Op. 67 (orchestral score & parts)
Folder 10: Composer's copy & proofs of Op. 67 (piano reduction)
Folder 11: Composer's copy of Op. 69, with corrections
Folder 12: Proof copy of Op. 70
Folder 13: Composer's copy of Op. 71, with corrections and orchestration ideas
Box 10
Folder 1: Composer's copy of Op. 73 (note on front cover: "corrected after premiere")
Folder 2: Composer's copy of Op. 76 (viola part only)
Folder 3: Composer's copy of Op. 80
Folder 4: Composer's copy of Op. 83, with notes & corrections
Folder 5: Composer's copy of "A Sentimental Song", with notes & corrections
Folder 6: Comp. copy of "Modal Variations on Two-Voice Bach Inventions", w/ ms. pages
Folder 7: Facsimile score of "Jesus is Crucified"
Folder 8: "Box No. 2, Original manuscripts, "non opus numbers"-containing several manuscripts, chiefly for vocal songs, either with no opus numbers or opus numbers later crossed out
Folder 9: "First Compositions"-containing manuscripts for pieces & songs, 1933-36, some untitled
Folder 10: "NBC"-containing manuscript score & parts for "Choral" and "Fugue" for brass choir, along with manuscripts for other pieces, including "American Dance No. 1" and "Prelude."
Folder 11: Opera The White Gods, op. 44
proofreading copies of the entire score and the "Four Aztec Dances"
Folder 12: Opera The White Gods, op. 44
envelope marked "pentachord structure of The White Gods"
Folder 13: Opera The White Gods, op. 44
typescript copy of the libretto, with corrections; and composer's (printed) copy of the libretto, with corrections
Box 11
Folder 1: The White Gods, Vocal Score, proofreading copy
Folder 2: The White Gods, Vocal Score, proofreading copy
Folder 3: "Two Songs for Soprano", op. 7 no. 1 & op. 8 no. 1
Folder 4: "Daybreak" (song)
Folder 5: "Variations on a Theme of Schubert", op. 12
Folder 6: "Quartet in E Major", op. 16
Folder 7: "A Free Fugue on Two Themes", op. 18
Folder 8: "String Quartet No. 2", op. 23
Folder 9: "Patterns", op. 25
Folder 10: "Suite for Solo Cello", op. 28
Folder 11: "Song and Dance of a Hillbilly", op. 31
Folder 12: "Mosaic", op. 42
Folder 13: "O World, Thou Choosest Not the Better Part" (song)
Folder 14: "The Last Invocation" (song)
Folder 15: "Passacaglia and Fugue for Woodwind Quintet"
Folder 16: Tod's Gal (A Folk Opera), piano-vocal score with handwritten synopsis
Box 12
Folder 1: Op. 14  Miniature Symphony, 1969
Folder 2: Op. 17  "Tod's Gal", 1971-
Folder 3: Op. 19  Sonata for Trombone and Piano, 1986
Folder 4: Op. 25  Patterns, 1963
Folder 5: Op. 32  Sonata for Alto and Piano, 1987
Folder 6: Op. 33  Symphony No. 2, 1975
Folder 7: Op. 35  Toccata for Marimba and Percussion Ensemble, undated
Folder 8: Op. 39  Emancipation Symphony, 1963
Folder 9: Op. 41  An American Diptych, undated
Folder 10: Op. 44  "The White Gods", 1966
Folder 11: Op. 45  Variant-includes a copy of the piece submitted to Bowdoin College's 1974 competition for new chamber works, with a letter of consolation, 1974
Folder 12: Op. 46  Concerto for Violin & Orchestra, 1973
Folder 13: Op. 51  Cello Concerto, 1975
Folder 14: Op. 52  "Walden Pond", 1980-1992
Folder 15: Op. 53  Concerto for Viola and Orchestra, 1977
Folder 16: Op. 54  Concertino for Chamber Orchestra, 1977
Folder 17: Op. 56  "Garden of Peace"(for strings), 1980-1981
Folder 18: Op. 57  Concerto for Violin, Viola and Orchestra, 1981
Folder 19: Op. 58  "Rural Songs", 1980
Folder 20: Op. 59A  Variations on "Shenandoah", 1986
Folder 21: Op. 60  "The Celestial Trumpet", 1988
Folder 22: Op. 61  String Quartet No. 4, 1980s
Folder 23: Op. 63  "A Heavenly Rhapsody", 1992
Folder 24: Op. 64  Sonata No. 2 for Cello and Piano, 1991
Folder 25: Op. 65  "Christmas Poem", 1994
Box 14
Folder 1: "Adirondack Suite", op. 1 (2 copies)
Folder 2: "Paiyatuma", op. 10 (and the ballet suite from same)
Folder 3: Tod's Gal (A Folk Opera), full score
Folder 4: Curtis Institute Student Compositions, ca. 1939-1941
Folder 5: Garden of France, op. 56A, 1987
Folder 6: Variant for Violin, Cello and Piano, submitted to Bowdoin Competition, 1964
Folder 7: Debussy, "Suite Bergamasque" transcriptions for violin, viola and cello

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[Series 2: Papers, 1939-2000],
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