Finding Aid for Salvatore Martirano Music, Personal Papers, and Sal-Mar Construction, 1927-1999 | The Sousa Archives and Center for American Music

By Elizabeth Surles and Hannah Jellen

Service Location	Boxes
SACAM, Band Building, 1103 S. 6th Street	2008.120542.001: Sal-Mar Construction
Archives Research Center, 1707 S. Orchard Street	2011.120542.001-003: Speakers 1-3
Archives Research Center, 1707 S. Orchard Street	2011.120542.004: Speaker 4
SACAM, Band Building, 1103 S. 6th Street	2011.120542.009: Black Leather Case
SACAM, Band Building, 1103 S. 6th Street	2011.120542.023: Helmet-Mask
SACAM, Band Building, 1103 S. 6th Street	2011.120542.024: Metal Tool Box
Archives Research Center, 1707 S. Orchard Street	Box 01-06, 09, 13-14, 18-21, 23, 25-27, 30
Archives Research Center, 1707 S. Orchard Street	Box 07, 11, 15-17, 22, 24
Archives Research Center, 1707 S. Orchard Street	Box 08, 10, 12
Archives Research Center, 1707 S. Orchard Street	Box 28-29, 31-32
Archives Research Center, 1707 S. Orchard Street	Box 33-34
Archives Research Center, 1707 S. Orchard Street	Box 35
SACAM, Band Building, 1103 S. 6th Street	Box 36-37
Archives Research Center, 1707 S. Orchard Street	Box 38-43
Archives Research Center, 1707 S. Orchard Street	Box 44-49
Archives Research Center, 1707 S. Orchard Street	Box 50-55
Archives Research Center, 1707 S. Orchard Street	Box 56-61
Archives Research Center, 1707 S. Orchard Street	Box 62-63
Archives Research Center, 1707 S. Orchard Street	Box 64
Archives Research Center, 1707 S. Orchard Street	Box 65-67
Archives Research Center, 1707 S. Orchard Street	Box 68: 2011.120542.027: Illiac II Control Panel
Archives Research Center, 1707 S. Orchard Street	Box 69
Archives Research Center, 1707 S. Orchard Street	Box 70
Archives Research Center, 1707 S. Orchard Street	Box 71-74
SACAM, Band Building, 1103 S. 6th Street	Oversized Portfolio Case 1
SACAM, Band Building, 1103 S. 6th Street	Oversized Portfolio Case 2

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Collection Overview

Title: Salvatore Martirano Music, Personal Papers, and Sal-Mar Construction, 1927-1999

ID: 12/5/42

Primary Creator: Martirano, Salvatore (1927-1995)

Extent: 56.25 cubic feet

Arrangement:

The collection is organized into eight series and seven sub-series. Series 1: Music, ca. 1947-1995, is organized alphabetically by title. Whenever possible an identification of the format of the music for each title (i.e., full score, condensed score, piano score, and parts) has been noted with the corresponding abbreviations, FS, CS, PS, P. Series 2: Correspondence, ca. 1932-1999, is organized into two sub-series. Sub-series 1: Contracts, Publishing, and Royalties, 1959-1995, is arranged chronogically. Sub-series 2: Personal and Professional, 1932-1999, is arranged alphabetically and then chronologically. Correspondence from 1990-1999 is organized chronologically. Business correspondence is arranged alphabetically according to institution name, while correspondence from colleagues, family, and friends is ordered alphabetically according to the letter writer's last name. Series 3: Instruments and Technology, ca. 1967-2000, is arranged in two subseries. Sub-series 1: Sal-Mar Construction, 1967-1984, is arranged according to document type. Sub-series 2: YahaSALmaMac, 1986-1993, is arranged according to document type. Series 4: Publicity and Performance, ca. 1950-1995, is arranged into three sub-series. Sub-Series 1: Publicity, Marketing, Media Coverage, and Interviews, is arranged according to document type and then chronologically. Sub-series 2: Performances, Lectures, and Panels, is arranged according to document type and then chronologically. Sub-series 3: Published and Unpublished Research, is arranged alphabetically by author. Series 5: Photographs, ca. 1927-2004, is organized by type of image, subject matter, and then chronologically. Series 6: Family and Personal Papers, ca. 1927-1952, is organized by document type and then chronologically. Series 7, Sound Recordings, 1956-1993, is organized by recording number. Series 8, L's GA Props, 1960-1999, is organized by item type.

The collection was received in annotated and numbered envelopes and folders. To retain the original order and annotation, the numbering system and information on the folders and envelopes have either been photocopied and retained with the original records or transcribed on the folders in which the collection has been rehoused. Additional documentation of the original order and annotation is located in the collection's control file. Boxes 71-74 contain an additional acquisition not received in numbered folders.

Date Acquired: 06/06/2008. More info below under Accruals.

Subjects: Electronic Music, Music, School of, Music Composition, Photographs

Formats/Genres: Architectural drawings, Financial Records, Newspaper Clippings, Papers, Photocopies, Sheet music

Languages: English, French, Korean, Italian, Japanese, German, Romanian, Dutch;Flemish

Scope and Contents of the Materials

Consists of correspondence between Martirano and colleagues, friends, and family, including Milton Babbit, John Cage, Elliot Carter, Gilbert Chase, Aaron Copland, Luigi Dallapicolla, Paul Fromm, Loren Maazel, Morton Subotnik, and Igor Stravinsky; recording and publishing contracts; royalty statements; published and unpublished music scores, drafts, manuscripts, and studies; grant proposals, applications, and reports; address book and lists; Sal-Mar Construction and YahaSALmaMac circuit diagrams, transparencies, and negatives; Sal-Mar Construction wiring lists; circuit boards; books; news clippings; photographs; negatives; slides; posters; concert programs and program notes; mailers; brochures; fliers; articles; theses; concert ticket; scrapbooks; invitations; birth certificate; autograph book; military records; poems by MC Halloway; architectural drawings; technical riders; lecture notes and transparencies; interviews; awards; and degrees. In addition, the Sal-Mar Construction, publicly unveiled in 1970 as the first musical instrument to generate dynamic improvisatory electronic music using analog and digital circuits designed with help from engineers who worked on the University's of Illinois' early Illiac supercomputer, was also included as part of this donation to the University. The papers, music, and Sal-Mar Construction document Martirano's activities as an award-winning composer, performer, and leader in the field of computer generated music.

Biographical Note

Born in Yonkers, Salvatore Martirano (1927-1995) grew up in New Rochelle, New York where he graduated from high school in 1945. While there he was the leader of "The Sonny Martin Band," the name of which came from Martirano's childhood nickname "Sonny." After graduating, Martirano served as a Marine for fourteen months in 1945 and 1946, during which time he performed with the Parris Island Marine Band and a touring USO show.

Martirano received his undergraduate degree in 1951 from Oberlin College, where he studied composition with Herbert Elwell. A year later he completed his master's degree in composition at the Eastman School of Music, where he studied with Bernard Rogers. During the same year, Martirano received a Fulbright to study composition in Italy with Luigi Dallapiccola from 1952 to 1954. Martirano continued to work in Italy from 1956 to 1959, when he was a resident fellow at the American Academy. Between 1959 and 1964, Martirano received commissions, awards, and fellowships from the Guggenheim, Ford, Koussevitzky, and Fromm Foundations, as well as from the American Academy of Arts and Letters and Brandeis University. In 1963, Martirano joined the Theory and Composition Department at the University of Illinois, where he remained on the faculty until his retirement and death in 1995. He was also a resident composer at the NSW Conservatorium of Music in Sydney (1979), IRCAM in Paris (1982) and the California Institute of the Arts (1993). Composers including Phil Winsor, Mark Zanter, Thorsteinn Hauksson, Stuart Saunders Smith, Maggi Payne, and Yehuda Yannay studied with Martirano while students at the University of Illinois.

Many of Martirano's early works incorporate twelve-tone compositional techniques as well as jazz, vernacular, and multimedia idioms. His best-known composition, "L's GA" (Lincoln's Gettysburg Address), was widely performed in the late 1960s and early 1970s and became associated with the anti-war movement. In the early 1960s, Martirano became interested in electronic music, and this interest guided much of his work from the 1960s on. Martirano was among the very first composers in the United States to utilize and invent new computer technology for composition. Martirano created a series of electronic music systems, including the Sal-Mar Construction and YahaSALmaMac, which enabled him to write and perform music that mixed human and computer-generated sounds and composition.

Subject/Index Terms

Electronic Music
Music, School of
Music Composition
Photographs

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: June 6, 2008, September 20, 2008, April 11, 2011, and December 7, 2017. Additional scores were donated by John Martirano on July 14, 2025 and October 27, 2025.

Access Restrictions: Box 17, Folder 16 restricted until November 17, 2034.

Acquisition Method: The music, papers, and Sal-Mar Construction were donated to the University of Illinois at Urbana-Champaign by the Martirano family on June 6, 2008. The Sal-Mar Construction was received by the University of Illinois at Urbana-Champaign from the Martirano family on September 20, 2008. Audio-visual materials were received by the Martirano family on April 11, 2011. An addition of two sound recordings and oversized notebooks with music parts were acquired on December 7, 2017 by way of the University of Illinois' Music and Performing Arts Library, which received them from the Martirano family through Stephen Taylor in the School of Music.

Processing Information: Papers, Music, and Sal-Mar Construction processed in 2008-2009.

Box and Folder Listing

Browse by Series:

[Series 1: Music, ca. 1945-1995],
[Series 2: Correspondence, ca. 1932-1999],
[Series 3: Sal-Mar Construction and YahaSALmaMac, ca. 1967-2000],
[Series 4: Publicity, Lectures, and Performances, ca. 1950-1995],
[Series 5: Photographs, ca. 1927-2004],
[Series 6: Family and Personal Papers, ca. 1927-1952],
[Series 7: Sound Recordings, 1956-1995],
[Series 8: L's GA Props],
[All]

Series 1: Music, ca. 1945-1995

Organized alphabetically by title. Boxes 71-74 contain an additional acquisition, organized alphabetically by title with oversized materials in Box 74.

Box 5

Folder 1: Action Analysis (FS), 1968: Composer/Arranger: Martirano, Salvatore
Folder 2: Ballad, 1966: Composer/Arranger: Martirano, Salvatore
Folder 3: Cocktail Music, 1962: Composer/Arranger: Martirano, Salvatore
Folder 4: Columbo (FS, incomplete), ca. 1992: Composer/Arranger: Martirano, Salvatore
Folder 5: FoDo (P), 1994: Composer/Arranger: Martirano, Salvatore
Folder 6: Fugue on a Given Theme (FS), ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 7: Lo Disse Dante notes, ca. 1965
Folder 8: LON/dons (draft, FS, incomplete), 1989: Composer/Arranger: Martirano, Salvatore
Folder 9: LON/dons (draft, FS, incomplete), 1989: Composer/Arranger: Martirano, Salvatore
Folder 10: LON/dons (draft, FS, incomplete), 1989: Composer/Arranger: Martirano, Salvatore

Box 6

Folder 1: 1st Orchestra Piece (CS), ca. late 1940s: Composer/Arranger: Martirano, Salvatore
Folder 2: Another You (P), 1992: Composer/Arranger: Warren and Gordon/Martirano, Salvatore
Folder 3: Blues for Do (P), 1992: Composer/Arranger: Martirano, Salvatore
Folder 4: Blow (FS), 1963: Composer/Arranger: Martirano, Salvatore
Folder 5: Bulgarian Dance No. 6 (FS, incomplete), ca. 1947-1951: Composer/Arranger: Bartok, Bela/Martirano, Salvatore
Folder 6: Chansons Innocentes (FS), 1955: Composer/Arranger: Martirano, Salvatore
Folder 7: Cherokee (P), 1992: Composer/Arranger: Noble/Martirano, Salvatore
Folder 8: The Cherry Orchard (draft, FS, P, incomplete), ca. 1950: Composer/Arranger: Martirano, Salvatore
Folder 9: The Cherry Orchard (FS, P), ca. 1950: Composer/Arranger: Martirano, Salvatore
Folder 10: Cocktail Music (draft, PS, incomplete), 1962: Composer/Arranger: Martirano, Salvatore
Folder 11: Contrasto (draft, CS), 1954: Composer/Arranger: Martirano, Salvatore
Folder 12: Great Green Dancing Devil, Devil, Devil, Devil (FS, P), 1963: Composer/Arranger: Martirano, Salvatore
Folder 13: I Remember April (P), 1992: Composer/Arranger: Martirano, Salvatore, arr.
Folder 14: Isabela (FS, P), 1993: Composer/Arranger: Martirano, Salvatore

Box 7

Folder 1: Ballad (FS, P), 1966: Composer/Arranger: Martirano, Salvatore
Folder 2: Cocktail Music (PS), 1962: Composer/Arranger: Martirano, Salvatore
Folder 3: Contrasto (FS), 1954: Composer/Arranger: Martirano, Salvatore
Folder 4: LON/dons (notes), 1989: Composer/Arranger: Martirano, Salvatore
Folder 5: Phleu (draft, FS, P), 1988: Composer/Arranger: Martirano, Salvatore
Folder 6: Piece for Orchestra (draft, FS, P), 1952: Composer/Arranger: Martirano, Salvatore
Folder 7: Sampler, everything goes when the whistle blows (FS, P), 1985: Composer/Arranger: Martirano, Salvatore
Folder 8: Stuck on Stella (PS), 1979: Composer/Arranger: Martirano, Salvatore
Folder 9: Untitled (FS, incomplete), Undated: Composer/Arranger: Martirano, Salvatore
Folder 10: A Venusian Waltz (FS), ca. 1963: Composer/Arranger: Martirano, Salvatore

Box 8

Folder 1: L's GA (FS), ca. 1967: Composer/Arranger: Martirano, Salvatore
Folder 2: Octet (notes), 1963: Composer/Arranger: Martirano, Salvatore
Folder 3: Phleu (draft, notes), 1988: Composer/Arranger: Martirano, Salvatore
Folder 4: Phleu and Sampler midi charts, 1985, 1988: Composer/Arranger: Martirano, Salvatore
Folder 5: Prelude in A Major, The Well-Tempered Clavier, Vol. I, No. 19 (FS), ca. 1947-1951: Composer/Arranger: Bach, J.S. and Martirano, Salvatore, arr.
Folder 6: Scrape Rim Skin, 1990: Composer/Arranger: Martirano, Salvatore
Folder 7: Sampler, everything goes when the whistle blows (draft, P), 1985: Composer/Arranger: Martirano, Salvatore
Folder 8: String Quartet No. 1 (FS, P), 1950: Composer/Arranger: Martirano, Salvatore

Box 9

Folder 1: LON/dons (FS), 1989: Composer/Arranger: Martirano, Salvatore
Folder 2: The Magic Stones (draft, libretto), 1951: Note: Original title was Something for Nothing.; Librettist/Composer: Rothchild, Eric and Salvatore Martirano
Folder 3: The Magic Stones (FS), 1951: Note: Original title was Something for Nothing; Librettist/Composer: Rothchild, Eric and Salvatore Martirano
Folder 4: The Magic Stones (P), 1951: Note: Original title was Something for Nothing; Librettist/Composer: Rothchild, Eric and Salvatore Martirano
Folder 5: The Magic Stones (FS), 1951: Note: Original title was Something for Nothing; Librettist/Composer: Rothchild, Eric and Salvatore Martirano
Folder 6: The Magic Stones (Something for Nothing) (PS), 1951: Librettist/Composer: Rothchild, Eric and Salvatore Martirano

Box 10

Folder 1: Mass a capella (FS), 1952-1955: Composer/Arranger: Martirano, Salvatore
Folder 2: Ninna Nanna (draft, FS), 1957: Composer/Arranger: Martirano, Salvatore
Folder 3: O, O, O, O That Shakespeherian Rag (FS), 1958: Composer/Arranger: Martirano, Salvatore
Folder 4: O, O, O, O That Shakespeherian Rag (draft, FS), 1958: Composer/Arranger: Martirano, Salvatore
Folder 5: Octet (draft, FS, incomplete), 1963: Composer/Arranger: Martirano, Salvatore
Folder 6: Octet (FS, P), 1963: Composer/Arranger: Martirano, Salvatore
Folder 7: An Olive for the Noble Snare (draft, FS), 1987: Composer/Arranger: Martirano, Salvatore
Folder 8: Play-Time (PS), ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 9: Prelude in A minor, Op. 6, No. 2 (PS), ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 10: Prelude for Orchestra (draft, FS, P), 1951: Composer/Arranger: Martirano, Salvatore
Folder 11: Prelude in D-flat minor, Op. 6, No. 15 (PS), ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 12: Prelude IV, The Well-Tempered Clavier, Vol. II (PS), ca. 1947-1951: Composer/Arranger: Bach, J.S. and Salvatore Martirano

Box 11

Folder 1: Lo Disse Dante (draft, FS), ca. 1965: Composer/Arranger: Martirano, Salvatore
Folder 2: Underworld actors parts, 1965: Composer/Arranger: Martirano, Salvatore
Folder 3: Underworld actors parts, 1965: Composer/Arranger: Martirano, Salvatore
Folder 7: Underworld cue sheets, undated

Box 12

Folder 1: Sonata for Violin and Piano (draft, FS, P), 1951: Composer/Arranger: Martirano, Salvatore
Folder 2: String Quartet No. 1 (draft, FS, P), 1950: Composer/Arranger: Martirano, Salvatore
Folder 3: Suite for Chamber Orchestra (FS), ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 4: Thrown (draft, P), 1984: Composer/Arranger: Martirano, Salvatore
Folder 5: Toads in Tweeds (FS), ca. 1963: Composer/Arranger: Martirano, Salvatore
Folder 6: UIUS and Jes Fa'laffs (FS, P), 1991: Composer/Arranger: Martirano, Salvatore
Folder 7: Unidentified student works, notes, and studies, ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 8: Untitled (draft, FS, incomplete): Composer/Arranger: Martirano, Salvatore
Folder 9: Untitled, Undated: Composer/Arranger: Martirano, Salvatore
Folder 10: Untitled, Undated: Composer/Arranger: Martirano, Salvatore
Folder 11: Unidentified drafts and notes, Undated: Composer/Arranger: Martirano, Salvatore

Box 13

Folder 1: Thrown (FS), 1984: Composer/Arranger: Martirano, Salvatore
Folder 2: Underworld (draft, notes), 1964-1965: Composer/Arranger: Martirano, Salvatore
Folder 3: We, Undated: Composer/Arranger: Martirano, Salvatore

Box 14

Folder 1: Notebook, ca. 1960: Composer/Arranger: Martirano, Salvatore
Folder 2: Theory and Composition Notebooks, ca. 1947-1951: Composer/Arranger: Martirano, Salvatore
Folder 3: Unidentified sketches, drafts, and notes, Undated: Composer/Arranger: Martirano, Salvatore
Folder 4: Unidentified sketches, drafts, and notes, Undated: Composer/Arranger: Martirano, Salvatore
Folder 5: Unidentified sketches, drafts, and notes, Undated: Composer/Arranger: Martirano, Salvatore
Folder 6: Unidentified sketches, drafts, and notes, Undated: Composer/Arranger: Martirano, Salvatore

Box 15

Folder 1: Underworld bass part, 1965: Composer/Arranger: Martirano, Salvatore
Folder 2: Underworld bass part, 1965: Composer/Arranger: Martirano, Salvatore
Folder 3: Underworld tenor saxophone part, 1965: Composer/Arranger: Martirano, Salvatore
Folder 4: Underworld (draft), 1965: Composer/Arranger: Martirano, Salvatore

Box 16

Folder 1: Underworld tape part, 1965: Composer/Arranger: Martirano, Salvatore
Folder 2: Underworld (FS), 1965: Composer/Arranger: Martirano, Salvatore
Folder 3: Underworld percussion parts, 1965: Composer/Arranger: Martirano, Salvatore

Box 31

Item 1: Underworld Computer Programming Cards, Undated

Box 33

Item 1: Underworld Score Negative, ca. 1964: Linograph direct print photographic paper roll
Item 2: Underworld Score Negative, ca. 1964: Linograph direct print photographic paper roll
Item 3: Underworld Score Negative, ca. 1964: Linograph direct print photographic paper roll

Box 34

Item 1: Underworld Score Negative, ca. 1964: Linograph direct print photographic paper roll

Box 69

Folder 1: Underworld, 1965: Composer/Arranger: Martirano, Salvatore
Folder 2: Underworld, 1965: Composer/Arranger: Martirano, Salvatore
Folder 3: Underworld, 1965: Composer/Arranger: Martirano, Salvatore
Folder 4: Underworld, 1965: Composer/Arranger: Martirano, Salvatore
Folder 5: Underworld, Left String Bass (Amplified) part, April 1965: Composer/Arranger: Martirano, Salvatore
Folder 6: Underworld, Right String Bass part, undated: Composer/Arranger: Martirano, Salvatore
Folder 7: Underworld, Tenor Saxophone part, undated: Composer/Arranger: Martirano, Salvatore
Folder 8: Underworld, Performance and Lighting Notes, circa 1966: 3 sheets: Underworld performance notes dated March 10, 1966 and undated stage lighting notes for a performance of Underworld at Gregory Hall.

Box 70

Folder 1: Underworld, Full Score, 1965: Conductor's Score, Version I & II. Composer/Arranger: Martirano, Salvatore
Folder 2: Underworld, Percussion (1), undated: 8 oversized boards with music pasted on front and back (16 pages total). Composer/Arranger: Martirano, Salvatore
Folder 3: Underworld, Percussion (2), undated: 8 oversized boards with music pasted on front and back (16 pages total). Composer/Arranger: Martirano, Salvatore
Folder 4: Underworld, Percussion (3), undated: 8 oversized boards with music pasted on front and/or back (15 pages total). Composer/Arranger: Martirano, Salvatore
Folder 5: Underworld, Percussion (4), undated: 9 oversized boards with music pasted on front and back (18 pages total). Composer/Arranger: Martirano, Salvatore

Box 71

Folder 1: Arrangements by Martirano [violin part], undated: Composer/Arranger: Martirano, Salvatore
Folder 2: Ballad [FS] - printing draft, 1966: Composer/Arranger: Martirano, Salvatore
Folder 3: Chansons Innocentes [FS], 1957: Composer/Arranger: Martirano, Salvatore
Folder 4: Election Nite Diversion - notes and analysis, 1968: Composer/Arranger: Martirano, Salvatore
Folder 5: L's GA [FS] - notes, program notes, 1968: Composer/Arranger: Martirano, Salvatore
Folder 6: Mass [FS] - includes manuscript copies of sections, undated: Composer/Arranger: Martirano, Salvatore
Folder 7: Notes for Cocktail music analysis, undated: Composer/Arranger: Martirano, Salvatore
Folder 8: Octet [FS] - pre edit, undated: Composer/Arranger: Martirano, Salvatore
Folder 9: Octet [FS] - with Sal's notations, 1963: Composer/Arranger: Martirano, Salvatore
Folder 10: Octet [FS] - with MCA editorial corrections, 1968: Composer/Arranger: Martirano, Salvatore
Folder 11: An Olive for the Noble Snare, 1987: Composer/Arranger: Martirano, Salvatore
Folder 12: Phleu [FS, P], 1988: Composer/Arranger: Martirano, Salvatore
Folder 13: Sampler [FS], 1985: Composer/Arranger: Martirano, Salvatore

Box 72

Folder 1: Sal's tunes for Dorothy, undated: Composer/Arranger: Martirano, Salvatore
Folder 2: Sampler [FS] - with pencil annotations, undated: Composer/Arranger: Martirano, Salvatore
Folder 3: Sampler [FS] - copies for printing, 1985: Composer/Arranger: Martirano, Salvatore
Folder 4: Sextet for Winds [FS, P] - ink master, undated: Composer/Arranger: Martirano, Salvatore
Folder 5: That Shakespeherian Rag [FS, VS], undated: Composer/Arranger: Martirano, Salvatore
Folder 6: Sonata for Violin and PIano [P], undated: Composer/Arranger: Martirano, Salvatore
Folder 7: Stuck on Stella [P], 1979-1982: Composer/Arranger: Martirano, Salvatore

Box 73

Folder 1: Thrown [FS, P] - copy, 1984: Composer/Arranger: Martirano, Salvatore
Folder 2: Thrown [FS, P] - quality check copy, 2007: Composer/Arranger: Martirano, Salvatore
Folder 3: Thrown [P], 1984: Composer/Arranger: Martirano, Salvatore
Folder 4: Thrown [FS, P] - handwritten photocopies with corrections, 1984: Composer/Arranger: Martirano, Salvatore
Folder 5: Thrown [FS, P] - bound copy, 1984: Composer/Arranger: Martirano, Salvatore

Box 74

Folder 1: Ballad [FS, P] - UI performances, 1966: Composer/Arranger: Martirano, Salvatore
Folder 2: Phleu - Pat Spencer's tape track notations, undated: Composer/Arranger: Martirano, Salvatore
Folder 3: String Quartet [P] - with editor notes, 1950: Composer/Arranger: Martirano, Salvatore

Box 75

Folder 1: The Great Green Dancing Devil, Devil, Devil, Devil (P), ca. 1968: String Parts for MCA. Composer/Arranger: Martirano, Salvatore
Folder 2: The Great Green Dancing Devil, Devil, Devil, Devil (P), ca. 1968: Winds, Brass, and Percussion Parts for MCA. Composer/Arranger: Martirano, Salvatore
Folder 3: The Great Green Dancing Devil, Devil, Devil, Devil (FS), 1968: Full score created for MCA and the Ford Foundation. Composer/Arranger: Martirano, Salvatore
Folder 4: Isabela (FS), 1993: Composer/Arranger: Martirano, Salvatore
Folder 5: Isabela (P), 1993: Includes annotated winds, brass, and percussion parts. Composer/Arranger: Martirano, Salvatore
Folder 6: Isabela (P), 1993: Annotated String Parts. Composer/Arranger: Martirano, Salvatore

Box 76

Folder 1: LON/don (P), 1989: Annotated parts and ensemble stage plot, also includes concert program from the Cleveland Chamber Symphony from 1988-1989 season. Composer/Arranger: Martirano, Salvatore.
Folder 2: The Magic Stones (FS), 1952: Annotated full score. Composer/Arranger: Martirano, Salvatore
Folder 3: Octet (P), undated: Annotated parts. Composer/Arranger: Martirano, Salvatore
Folder 4: Prelude from the Magic Stones (P), undated: Annotated String Parts. Composer/Arranger: Martirano, Salvatore.

Box 77

Folder 1: Prelude from the Magic Stones (FS, P), undated: Annotated full score and wind, brass, and percussion parts. Composer/Arranger: Martirano, Salvatore
Folder 2: Prelude for Orchestra (P), undated: Annotated String Parts. Composer/Arranger: Martirano, Salvatore
Folder 3: Something for Nothing (FS), 1951: Later renamed the Magic Stones. Composer/Arranger: Martirano, Salvatore
Folder 4: Sonata for Violin and Piano (P), ca. 1951: Annotated parts. Composer/Arranger: Martirano, Salvatore
Folder 5: Sonata for Violin and Piano (P), 2011: String Ensemble Publications Edition. Composer/Arranger: Martirano, Salvatore
Folder 6: String Quartet No. 1, ca. 2011: String Ensemble Edition. Composer/Arranger: Martirano, Salvatore
Folder 7: UIUS and Jest Fa'laffs (FS, P), 1991: Annotated parts. Originally for the Ciosoni Ensemble and Yamahasalmamac. Composer/Arranger: Martirano, Salvatore
Folder 8: Underwold, lighting and performance notes, 1965
Folder 9: Underworld, production draft, 1965: Composer/Arranger: Martirano, Salvatore

Box 78

Folder 1: Contrasto (FS), 1954: Composer/Arranger: Martirano, Salvatore

Oversize Portfolio Case 2: Underworld, 1965

Oversized and spiral-bound, with Martirano's handwritten notes and signature. Also includes rental copy of score. Composer/Arranger: Martirano, Salvatore

Series 2: Correspondence, ca. 1932-1999

Sub-Series 1: Contracts, Publishing, and Royalties, 1959-1995

Box 17

Folder 1: Associated Music Publishers, Inc., 1959-1960
Folder 2: Schott and Co., Ltd., 1959-1972
Folder 3: MCA, McGoey and Martirano, Belwin Mills Publishing Co., 1967-1980
Folder 4: MCA and MGM, 1967-1968
Folder 5: Polydor, McGoey and Martirano, MCA, MGM, and Salvatore Martirano, 1969-1972
Folder 6: Polydor, MCA, AFM Union, McGoey and Martirano, 1969-1972
Folder 7: Lingua Press, McGoey and Martirano, Salvatore Martirano, 1980-1992
Folder 8: Lingua Press Contracts and Royalty Statement, 1980-1985
Folder 9: G. Schirmer and McGoey and Martirano, 1982-1991
Folder 10: G. Schirmer and McGoey and Martirano, 1982-1991
Folder 11: Smith Publications, 1987-1995
Folder 12: Smith Publications, 1987-1995
Folder 13: GM Recordings, Truemedia Records, 1992
Folder 14: University of Illinois and Consortium to Distribute Computer Music (CDCM), 1989-1995
Folder 15: University of Illinois Research Board and Consortium to Distribute Computer Music (CDCM), 1994

Sub-Series 2: Personal and Professional, 1932-1999

Box 17

Folder 16: Recommendations, Correspondence, and Resumes for Recommendees [RESTRICTED], 1969-1980: Access to this folder requires the written permission of the head of the Sousa Archives and Center for American Music, University of Illinois Library
Folder 17: Correspondence, 1990-1999 and Undated
Folder 18: A Correspondence, 1955-1982
Folder 19: B Correspondence, 1957-1981
Folder 20: C Correspondence, 1957-1986

Box 18

Folder 1: Dallapiccola Correspondence, 1953-1972
Folder 2: D Correspondence, 1968-1976
Folder 3: E-F Correspondence, 1952-1984
Folder 4: European Tour Correspondence, 1970-1971
Folder 5: Fulbright Grant Correspondence, 1952-1954
Folder 6: G-H Correspondence, 1960-1988
Folder 7: I-J Correspondence, 1958-1985
Folder 8: K Correspondence, 1957-1986
Folder 9: L Correspondence, 1959-1987

Box 19

Folder 1: Martirano, Salvatore Correspondence, 1964-1985
Folder 2: N-O Correspondence, 1958-1981
Folder 3: P-Q Correspondence, 1955-1987
Folder 4: R Correspondence, 1952-1981
Folder 5: Romania Trip Correspondence and Budget, 1992-1993
Folder 6: S Correspondence, 1956-1990
Folder 7: Seoul, Korea Trip Correspondence, 1991
Folder 8: Summer Workshop in Contemporary Music Correspondence and Programs, 1965-1969
Folder 9: T Correspondence, 1951-1970
Folder 10: Town Hall Performance Correspondence, 1965
Folder 11: U-V Correspondence, 1963-1985
Folder 12: W, X, Y, Z Correspondence, 1955-1981
Folder 13: World Music Institute Correspondence, 1994
Folder 14: Unidentified Correspondence, 1957-1988
Folder 15: Addresses

Box 20

Folder 1: Martirano, Salvatore Correspondence, ca. 1945-1946
Folder 2: Martirano, Salvatore Correspondence, 1947-1953
Folder 3: Martirano Family Correspondence, 1932-1976
Folder 4: Early Correspondence, 1941-1945

Series 3: Sal-Mar Construction and YahaSALmaMac, ca. 1967-2000

Sub-Series 1: Sal-Mar Construction, 1967-1984

Box 21

Folder 1: Progress Report #1, ca. 1972
Folder 2: Wiring Lists and Notes, ca. 1972-1973
Folder 3: Wiring Lists and Notes, ca. 1972-1973
Folder 4: Patch Bay Diagrams, Undated
Folder 5: Circuit Diagrams and Notes, Wiring Lists, and Component Specifications, ca. 1970-1976
Folder 6: Circuit Diagrams and Notes, Undated
Folder 7: Electronics Newsletter Photocopies, ca. 1972-1974

Box 22

Folder 1: Circuit Diagrams, Wiring Lists, Notes, and Component Specifications, ca. 1967-1971
Folder 2: Circuit Diagrams, 1971
Folder 3: Wiring Lists for Individual Wire-Wrap Cards, ca. 1972
Folder 4: Wiring Lists, ca. 1972-1973
Folder 5: Microsal Notes, Information, and Diagrams, ca. 1978
Folder 6: Block Diagrams Copies, ca. 1972-1973
Folder 7: Digital Electronics for Scientists, 1969

Box 23

Folder 1: Equipment Vouchers, Invoices, and Notes, ca. 1978-1981
Folder 2: International Festival of Electronic Music, Video, and Computer Art Proposals, Correspondence, Address Lists, and Forms, 1981-1982
Folder 3: Sal-Mar Construction Grant Proposals and Correspondence, 1976-1977
Folder 4: Sal-Mar Construction Grant Correspondence and Proposals, 1974-1979
Folder 5: Martirano, Salvatore Sabbatical Proposals, Reports, and Correspondence, 1981-1984

Box 24

Folder 1: Block Diagrams, 1972-1973
Folder 2: Block Diagrams, 1972-1973
Folder 3: Circuit Diagram Negatives and Transparencies, Undated
Folder 4: Circuit Diagram Negatives and Transparencies, Undated
Folder 5: Circuit Diagram Negatives and Transparencies, Undated
Folder 6: Circuit Diagram Negatives and Transparencies, Undated
Folder 7: Circuit Diagram Negatives and Transparencies, Undated
Folder 8: Circuit Board and Circuit Diagram Negatives and Transparencies, Undated
Folder 9: Circuit Diagram Negatives and Transparencies, Undated
Folder 10: Circuit Diagram Negatives and Transparencies, Undated
Folder 11: Circuit Diagram Negatives and Transparencies, Undated
Folder 12: Circuit Diagram Negatives and Transparencies, Undated

Box 25

Folder 1: Oversized Sal-Mar Construction Diagrams and Notes, ca. 1970s
Folder 2: Piano Action Diagram, Undated

Box 32

Item 1: Sal-Mar Construction Circuit Prototype, Undated: Audio amplifier circuit to drive twenty-four speakers

MapCabinet 3

MapDrawer 1

Folder 1: Posters, Performance Schematics, Panoramic Photographs, Sal-Mar Construction Diagrams, and vinyl LP copy of "Salvatore Martirano: The SalMar Construction," on Sub Rosa records (containing the spring 1983 performance at IRCAM).

MapDrawer 6

Item 1: 2008.120542.002 MARVIL Test Prototype, ca. 1975

Item 1: Sal-Mar Construction, 1967-1970

The Sal-Mar Construction is a unique electronic instrument that enables the simultaneous composition and performance of a piece of music through live improvisation. Sound is produced based on the interaction of the performer and the digital and analog circuitry of the Sal-Mar Construction.

Accession number: 2008.120542.001

Item 2: Sal-Mar Construction Bubble Speaker

Accession number: 2011.120542.001

Item 3: Sal-Mar Construction Bubble Speaker

Accession Number: 2011.120542.002

Item 4: Sal-Mar Construction Bubble Speaker

Accession number: 2011.120542.003

Item 5: Sal-Mar Construction Bubble Speaker

Accession number: 2011.120542.004

Box 36

Item 1: Pencil rubbing Sal-Mar Construction control panel, ca. 1969: Item is contained in a cardboard roll.

Box 65

Item 1: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.001
Item 2: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.002
Item 3: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.003
Item 4: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.004
Item 5: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.005
Item 6: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.006
Item 7: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.007
Item 8: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.008
Item 9: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.009
Item 10: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970: Accession number: 2014.120542.010

Box 66

Item 1: Sal-Mar Construction Touch Sensor Board, c. 1970

Assembled on an MU 100 printed circuit

Accession number: 2014.120542.011

Item 2: Sal-Mar Construction Touch Sensor Board, c. 1970

Assembled on an MU 100 printed circuit

Accession number: 2014.120542.012

Item 3: Sal-Mar Construction Touch Sensor Board, c. 1970

Assembled on an MU 100 printed circuit

Accession number: 2014.120542.013

Item 4: Sal-Mar Construction Touch Sensor Board, c. 1970

Assembled on an MU 102 printed circuit

Accession number: 2014.120542.014

Item 5: Sal-Mar Construction Touch Sensor Board, c. 1970

Assembled on an MU 101 printed circuit

Accession number: 2014.120542.015

Item 6: Sal-Mar Construction Touch Sensor Board, c. 1970

Assembled on an MU 100 printed circuit

Accession number: 2014.120542.016

Item 7: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970

Accession number: 2014.120542.017

Item 8: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970

Accession number: 2014.120542.018

Item 9: Printed Circuit Board, c. 1970

Circuit board with no components attached. Same type used to create the audio amplifier and sound distribution boards for the Sal-Mar Construction.

Accession number: 2014.120542.019

Item 10: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970

Accession number: 2014.120542.021

Item 11: Sal-Mar Construction Audio Amplifier and Sound Distribution Board, c. 1970

Accession number: 2014.120542.022

Box 67

Item 1: Circuit Board Test Fixture, circa 1970

Test fixture constructed to test the MU 100 circuit boards that serve the touch sensors on the Sal-Mar Construction control panel.

Accession number: 2014.120542.020

Box 68

Item 1: Illiac II control panel, Circa 1962

ILLIAC II Control Module. ILLIAC II was a supercomputer that the University of Illinois built in 1962. It was the first transistorized computer.

Accession number: 2011.120542.027

Sub-Series 2: YahaSALmaMac, 1986-1993

Box 23

Folder 6: Correspondence and Research Board Proposal, 1986
Folder 7: Research Board Proposal, 1987
Folder 8: Research Board Proposal, 1988
Folder 9: Research Board Proposal and Sabbatical Request, 1988-1989
Folder 10: Research Board Proposals and Correspondence, ca. 1991-1993
Folder 11: Research Board Memo and Computer Print-out, Undated
Folder 12: Sal's Notes, Undated
Folder 13: Notebook, 1983
Folder 14: Notebooks, 1988
Folder 15: Equipment Invoices, Receipts, and Correspondence, 1984-1985

Box 25

Folder 3: Oversized YahaSALmaMac Diagrams and Notes, ca. 1970s-1980s

Series 4: Publicity, Lectures, and Performances, ca. 1950-1995

Sub-Series 1: Publicity, Marketing, Media Coverage, and Interviews

Box 25

Folder 4: News Clippings, 1951-1969
Folder 5: News Clippings, 1970-1979
Folder 6: News Clippings, 1981-1995 and Undated
Folder 7: Posters, 1964-1995 and Undated

Box 26

Folder 1: Periodical Articles, 1957
Folder 2: Periodical Articles, 1962-1969
Folder 3: Periodical Articles, 1970-1978
Folder 4: Periodical Articles, 1982-1987
Folder 5: Periodical Articles, 1994-1995
Folder 6: Interviews, ca. 1965-1993

Box 27

Folder 1: News Releases (1965-1989)

Box 30

Folder 4: Mailers, 1963-1995
Folder 5: Brochures and Fliers, 1958-1994

MapCabinet 3

MapDrawer 1

Folder 1: Posters, Performance Schematics, Panoramic Photographs, and Sal-Mar Construction Diagrams

Sub-Series 2: Performances, Lectures, and Panels

Box 26

Folder 7: Tone Road Ramblers Proposal, ca. 1982
Folder 8: Concert Ticket, Undated
Folder 9: Technical Riders and Performance Logistics, ca. 1970-1987 and Undated
Folder 10: Underworld Talk and Panel Discusion Transcriptions, ca. 1968 and Undated
Folder 11: "Micro-Computers and General Programming Aspects" Lecture Notes and Transparencies, ca. 1975
Folder 12: Hanyang University Lecture Notes and Transparencies, 1991

Box 27

Folder 2: Round House Concert Invitations, 1963-1966
Folder 3: Programs, Undated
Folder 4: Programs, 1950-1958 and Undated
Folder 5: Programs, 1960-1963
Folder 6: Programs, 1964-1965
Folder 7: Programs, 1966
Folder 8: Programs, 1967
Folder 9: Programs, 1968
Folder 10: Programs, 1970-1974
Folder 11: Programs, 1975-1979 and Undated

Box 28

Folder 1: Programs, 1980-1982
Folder 2: Programs, 1983-1984
Folder 3: Programs, 1985-1987
Folder 4: Programs, 1988-1989 and Undated
Folder 5: Programs, 1990-1998 and Undated
Folder 6: Programs, Seoul, Korea Trip, 1991
Folder 7: Travel Documents, Seoul, Korea Trip, 1991

Box 30

Folder 3: Brandeis University Award, 1965

Sub-Series 3: Published and Unpublished Research

Box 29

Folder 1: Recording Liner Notes, 1998 and Undated
Folder 2: Brock, Gordon Thesis, "Salvatore Martirano: A Study of His Mass", 1978
Folder 3: Franco, Sergio Thesis, "Hardware Design of a Real-Time Music System", 1974
Folder 4: Reynolds, Roger book excerpt, Undated
Folder 5: Roubal, Peter Research Project, "A Comparative Analysis of Large-Scale Forms Present in Selected Performances by Salvtore Martirano with the Sal-Mar Construction, 2001
Folder 6: Sekon, Joseph Thesis, "A Real-Time Collection Generating and Control System", 1975
Folder 7: Walker, William Thesis, "A Conversation-Based Framework for Musical Improvisation", 1994
Folder 8: Research Articles on Salvatore Martirano and Composition, ca. 1970-1985 and Undated

Series 5: Photographs, ca. 1927-2004

Box 1

Folder 1: Childhood and Youth Photographs, ca. 1927-1952
Folder 2: Childhood and Youth Photographs, ca. 1927-1952
Folder 3: Childhood and Youth Photographs, ca. 1927-1952
Folder 4: Salvatore Martirano Portraits and Snapshots, ca. 1951-1995
Folder 5: Martirano Family Photographs, ca. 1900, 1960s-1990s
Folder 6: Salvatore Martirano, Family, and Friends Photographs, ca. 1965-1995
Folder 7: Salvatore Martirano, Family, and Friends Photographs, ca. 1965-1995
Folder 8: Friends of Salvatore Martirano Photographs, ca. 1950-1980

Box 2

Folder 1: L's GA Photographs, ca. 1967-1987
Folder 2: Sal-Mar Construction Photographs, ca. 1968-1980
Folder 3: Sal-Mar Construction Photographs, ca. 1970-1990
Folder 4: Sal-Mar Construction Photographs, 2004
Folder 5: YahaSALmaMac Photographs, ca. 1985-1995

Box 3

Folder 1: Tokyo Trip Photographs, 1969
Folder 2: Houston Performance Photographs, 1976
Folder 3: Miscellaneous Trips and Performance Photographs, 1965-1995
Folder 4: White Street Art Center Photographs, ca. 1980-1995
Folder 5: Eugene, Oregon Trip Photographs, ca. 1990
Folder 6: Korea Trip Photographs, 1991

Box 4

Folder 1: Oversize Images, Undated
Folder 2: Salvatore Martirano Portrait Negatives, Undated
Folder 3: L's GA Negatives, ca. 1968-1978
Folder 4: Sal-Mar Construction, Family, Friends, Underworld, and L's GA Performances Negatives, Undated
Folder 5: Performances Negatives, Undated
Folder 6: Martirano Family and Friends Slides, 1972-1986
Folder 7: L's GA, Sal-Mar Construction, Family, Friends, and Underworld Slides, ca. 1968-1978
Folder 8: Kyma System and YahaSALmaMac Slides, Undated

MapCabinet 3

MapDrawer 1

Folder 1: Posters, Performance Schematics, Panoramic Photographs, and Sal-Mar Construction Diagrams

Oversize Portfolio Case 1

Item 1: Oversized panoramic photographs of Oberlin College faculty and students, ca. 1950: Two oversized panoramic photographs. These are housed in a flat, portfolio-type box.
Item 2: Oversized panoramic photographs of Oberlin College faculty and students, ca. 1950

Series 6: Family and Personal Papers, ca. 1927-1952

Box 20

Folder 5: Autograph Book and Birth Certificate, ca. 1938 and 1927
Folder 6: High School Ephemera, 1941-1946
Folder 7: Military Ephemera, 1929-1946
Folder 8: Student Papers, Assignments, and Sketches, ca. 1951
Folder 9: Degrees, 1951, 1952
Folder 10: Verdi Notes, Undated
Folder 11: ABC Audition Form and Editorial, Undated
Folder 12: Poems, Undated
Folder 13: M.C. Holloway Poems, ca. 1966-1995

Box 25

Folder 8: Architectural Drawings, Undated
Folder 9: Maria Martirano Scrapbook, ca. 1951-1964

Box 30

Folder 1: Maria Martirano Scrapbook #2, ca. 1950-1980
Folder 2: Maria Martirano Scrapbook #2, ca. 1950-1980

Series 7: Sound Recordings, 1956-1995

Box 35

Audio-Visual Recording 1: Martirano Early Music 2, undated: String Quartet, Prelude for Orchestra, The Magic Stones, Incidental Music [two tracks], Family Party. Digital audio tape. Recording ID: S01.
Audio-Visual Recording 2: Martirano Early Music 1, ca. 1965-1978: Three Electronic Dances; Chansons Innocentes: In Just Spring, hist whist, tumbling hair, ninna nanna, performed by Magda Lazlo-soprano; Ives 100th at Yale Panel (1974); Hostess-Fashion Show (1965); 51-Sal Mar Construction (1978). Digital audio tape. Recording ID: S02.
Audio-Visual Recording 3: Martirano Proposal, ca. 1968: Three tracks: Proposal, Reel 4 (8/16/1968), and Ron [Dewar], [Fred?] Atwood, Salvatore Martirano). Digital audio tape. Recording ID: S03.
Audio-Visual Recording 4: Martirano, 1960s, 1968: Two tracks: In Praise (8/15/1968) and Two Piano Improvisation (8/16/1968) with Ron [Dewar], Bill [Parsons], Don [Smith]. Digital audio tape. Recording ID: S04.
Audio-Visual Recording 5: Martirano 1960s, 1967-1968: Two tracks: Trio, Firecracker (4/17/1968) with Don Smith, Bill Parsons, Salvatore Martirano; Improvisation I (5/23/1967). Digital audio tape. Recording ID: S05.
Audio-Visual Recording 6: Sampler, undated: Master cue. Five tracks: Tone, Wet, Dry, DAT Direct, and with click. Digital audio tape. Recording ID: S06.
Audio-Visual Recording 7: Sampler, 1993: Romania master cue: "Windsor, Sampler, Austin." Digital audio tape. Recording ID: S07.
Audio-Visual Recording 8: Phleu, 1991: Recorded 11/2//1991. Includes 440 tone, Phleu cue tape with and without the beat, master, and Fonoille [?] Performance. Digital audio tape. Recording ID: S08.
Audio-Visual Recording 9: Phleu, undated: Tape label "#1 Tone, #2, #3 with click, #4 and 5" Dub from PCM with click track. Digital audio tape. Recording ID: S09.
Audio-Visual Recording 10: L's G.A., undated: L's G.A. cue tape from PCM. 30", includes 1 khz tone. Digital audio tape. Recording ID: S10.
Audio-Visual Recording 11: L's G.A. cue, undated: Duplicate of Recording ID S10. Recording ID: S11.
Audio-Visual Recording 12: L's G.A. cue., undated: Digital audio tape. Recording ID: S12.
Audio-Visual Recording 13: U[IUS] and J[est Fa'laffs] Master Cue, undated: U[IUS] and J[est Fa'laffs] master cue for performance, and U[IUS] and J[est Fa'laffs] with click track. Dub 1. Digital audio tape. Recording ID: S13.
Audio-Visual Recording 14: Sampler cue, undated: Digital audio tape. Recording ID: S14.
Audio-Visual Recording 15: Martirano cue tape, 1992: Cue tape for concert on 1/18/1992: 440 khz tone, Phleu, UIUS and Jest Fa'laffs, Sampler. Digital audio tape. Recording ID: S15.
Audio-Visual Recording 16: Centaur Records Master, undated: Includes Underworld, SAT Behind, Look at the [Back of My Head A While], 4 not 2, 1 of 3, L's G.A. 73'46". Digital audio tape. Recording ID: S16.
Audio-Visual Recording 17: Compilation, undated: Includes Ballad, Octet, L's G.A., 3 not 2, Meahnder, Sal-Mar Construction at IRCAM, and Chansons Innocentes. Digital audio tape. Recording ID: S17.
Audio-Visual Recording 18: Sal-Mar Construction, undated: Sal-Mar Construction live performance at IRCAM. Digital audio tape. Recording ID: S18.
Audio-Visual Recording 19: Meandher, undated: Program #2, master recording. Digital audio tape. Recording ID: S19.
Audio-Visual Recording 20: U[IUS] and J[est Fa'laffs] Master Cue, undated: Program #6, solo. Sal 80: #s 1-6. Digital audio tape. Recording ID: S20.
Audio-Visual Recording 21: Martirano, undated: Includes: 4 not 2 (tracks 1 and 3); SAT Behind You (track 2); performed by Philadelphia New Music America with Dorothy Martirano. 13'14". Digital audio tape. Recording ID: S21.
Audio-Visual Recording 22: Martirano 1, 1954-1993: Includes: L's G.A., Ballad, Octet, Underworld, Contrasto 1954 New York Philharmonic, Isabela 10/18/93 Cleveland. Digital Audio Tape. Recording ID: S22.
Audio-Visual Recording 23: Martirano, undated: Includes: Sampler, LON/dons, PHLEU, New Music America, Roulette. Digital audio tape. Recording ID: S23.

Box 38

Reel 1: Loops 0 to 209, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: A1.
Reel 2: Loops 210 to 231 plus 2 unmarked, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: A2.
Reel 3: Loops 0 to 231 plus 2 electronic, undated: 1/4 inch acetate tape on 7 inch reel. 15 ips, stereo, tail out. Recording ID: A3.
Reel 4: Underworld, ca. 1964: Reel no. 1. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Enclosed receipt. Recording ID: A4.
Reel 5: Underworld Materials, ca. 1964: Reel no. 2. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A5.
Reel 6: Dupl. Masters Mar., Vibe, Xylo., ca. 1964: Reel no. 3. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A6.
Reel 7: Underworld, ca. 1964: Reel no. 4. Bongo, Marimba A. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A7.
Reel 8: Underworld, ca. 1964: Reel no. 5. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A8.
Reel 9: Underworld, Sarna-Snow plus 6-8 improv., ca. 1964: Reel no. 6. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A9.
Reel 10: Underworld Coin Rolls, Slivers, ca. 1964: Reel no. 7. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A10.
Reel 11: Underworld, ca. 1964: Reel no. 8. 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A11.
Reel 12: Marimba, Slivers, undated: Side 1: L.CH. [left channel?]. Recorded over Acts I and II of Fidelio. Includes Underworld parts for Marimba, Snowbells, Sarna, Timpani, and Piano. 1/4 inch acetate tape on 7 inch reel. Recording ID: A12.
Reel 13: Sarna and Snow Bells, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: A13.
Reel 14: Attacks Clusters, undated: Clusters-Attack Tst. 1/4 inch polyester tape on 7 inch reel. Head out. Recording ID: A14.
Reel 15: Dub 15 Latest, undated: Occillagraph tape. Tape 1. 1/4 inch acetate tape on 7 inch reel. Tail out [?]. Recording ID: A15.
Reel 16: Master, July 24 [?]: Gate. 2nd part short. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, head out [may be tail, both listed]. 1 channel, 8 bars. Recording ID: A16.
Reel 17: Uned. Final III, undated: Bar 6, 10, 1, 2, 4. 1/4 inch acetate tape on 7 inch reel. Recording ID: A17.
Reel 18: Unedit Final II, undated: Bar 9, L and R. 1/4 inch acetate tape on 7 inch reel. Recording ID: A18.
Reel 19: Final, Channel 4, undated: Left channel, bars 1-7 and 9-10. Left and right channel, bar 8. Box and tape may be mismatched, as enclosed note details Petr Kotik's "Music for Three" and "Omaggio a Conza" and indicates the tape is 7 1/2 ips, monaural, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: A19.
Reel 20: 5 small pieces, 1-15, undated: Variable speed phrases plus little pieces varied plus master part of intro to yes [Underworld?] plus marimba. Contents listed on tape box. 1/4 inch acetate tape on 7 inch reel. Recording ID: A20.
Reel 21: Final, undated: Channel 1-9, bars 1-4 and leader. 1/4 inch acetate tape on 7 inch reel. Head out, channel 1. Bars 1-4, Dub. Recording ID: A21.

Box 39

Reel 22: 6.7.8, undated: 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Recording ID: A22.
Reel 23: 6 channels bad, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: A23.
Reel 24: Dub, undated: Incomplete (no ending, low down). 1/4 inch acetate tape on 7 inch reel. 15 ips, tail out. Recording ID: A24.
Reel 25: #2, #4, Dub, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: A25.
Reel 26: Transition Cry to Laugh [Underworld], undated: B C#, 4" plus 15", sounds and tymp. Part delay, basses; Cry to Laugh; master and coda, 12 tone marimba; 1/4 inch acetate tape on 7 inch reel. 15 ips, A B tail out. Recording ID: A26.
Reel 27: Underworld #1, 2, 3, undated: Re-recorded tape. "Mixed Marimba, Vibe, Xylo. 12 tet rolls and attacks, exact and random. Ditto on Marimbia alone." 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips Recording ID: A27.
Reel 28: 4 and 5, undated: Revised; 4 plus 5; Side 1, trios: timp., tenor, bongos; marimba 8tet, vibes. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Recording ID: A28.
Reel 29: Attack, Tam Tam, undated: Attacks Tam Tam Collage. 26 RC keyed attacks. Re-recorded tape. 1/4 inch polyester tape on 7 inch reel. Tail out. Recording ID: A29.
Reel 30: Duet Masters, undated: Two alternate masters for Duets, variable speed up down intro. AB tail out. Final coda, variable and unvariable-final laugh [Underworld]. 1/4 inch acetate tape on 7 inch reel. Recording ID: A30.
Reel 31: High Trills A and B, Variable speed Trills, undated: I Channel A-B, Trills, etc. Trills three and two plus collage of two and three. 15 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: A31.
Reel 32: Reverb. Ex., undated: Channel A-reverberated sound (either 2 or 3); Channel B-original sound (direct recording). Includes enclosed content listing. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Recording ID: A32.
Reel 33: A and B Hostess, undated: Stereo Hostess A and B without conversation. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Recording ID: A33.
Reel 34: Directional Mike Underworld without counting, undated: 1/4 inch polyester tape on 7 inch reel. Recording ID: A34.
Reel 35: Ron Pel. [Pellegrino] or David R. [Rosenboom], undated: 1/4 inch polyester tape on 7 inch reel. Tail out. Recording ID: A35.
Reel 36: Ballad-Octet, undated: 1. Trill (High-Left Channel and Right Channel), 2. Bass Am Right Channel. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, tail out. 2 track stereo. Recording ID: A36.
Reel 37: Fugue 2 voices, 8 part, Final Phrase, undated: [Underworld], Fugue 2 voices, left and right channels; Phrases, 8 voices, left and right channels. 1/4 inch polyester tape on 7 inch reel. 15 ips. DBX encoded. Recording ID: A37.
Reel 38: NME [New Music Ensemble], 1985: NME reel 1 of 2. Recorded 10-22-85 in Krannert Great Hall. Recording engineer Rich Denhart. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Tail out. Stereo. Recording ID: A38.
Reel 39: Untitled, undated: 1/4 inch polyester tape on 7 inch reel. 15 ips. Tail out. Recording ID: A39.
Reel 40: Session, 1982: Guido Sinclair 10/22/82 Sal Martirano, Dorothy Martirano. 1/4 inch polyester tape on 7 inch reel. Recording ID: A40.
Reel 41: Computer 123-456, undated: August 21 [year not specified].1/4 inch polyester tape on 7 inch reel. Recording ID: A41.
Reel 42: Untitled, undated: 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Tail out. Recording ID: A42.

Box 40

Reel 43: Fashion shows Chinese, 1965: 1 Chinese string, 2 Swingle, 3 Chinese Bell, 4 Stockhausen. Tail out. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Stereo. Tail out. Recording ID: A39.
Reel 44: News and Biafra, 1968: Junk. 9/31/68. News - Biafra. 1/4 inch acetate tape on 7 inch reel. Recording ID: A44.
Reel 45: Quartet, undated: 4tet Bill Parsons, Grace Bell, Dorothy Martirano, Sal Martirano. 1/4 inch acetate tape. Recording ID: A45.
Reel 46: Syn-Ashtray, undated: 1/4 inch polyester tape on 7 inch reel. 71/2 ips. Head out. Recording ID: A46.
Reel 47: Trill 2 X 2 + collage 12 and 3, undated: Trill 3 X 2 + collage 12 and 3. 1/4 inch polyester tape on 7 inch reel. Recording ID: A47.
Reel 48: Contemporary Chamber Ensemble, 1980: Contemporary Chamber Ensemble. Date recorded 3-25-80. Recorded in FT KCPA. Recording engineer RA. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Head out. Stereo. 1/2 track. Recording ID: A48.
Reel 49: Sous la coupe du carrelat, undated: Tape for art. Two takes of Sous la coupe du carrelat. -tail in- Take #2 must be turned over (the tape in other words to side 2) for completion. 1/4 inch polyester tape on 7 inch reel. Recording ID: A49.
Reel 50: Music of Occidental Africa, undated: Scratch tape I, CPT 529, Side 1: Malinke, Side 2: Baoule. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips, stereo, two track. Recording ID: B1.
Reel 51: Brun-Futility 1964; Hamm-Canto, ca. 1974: Performance tape for [Herbert] Brun-Futility 1964. a.) 7 1/2 ips, stereo (removed for concert) b.) 7 1/2 ips monoaural; [Charles] Hamm Canto, 7 1/2 ips monoaural; [Robert] Baker-CSX-1 Study, 15 ips stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: B2.
Reel 52: Knapp's Last Tape, undated: Side I: Knapp's Last Tape; Side II: various pieces (contents listed on tape box). 1/4 inch polyester tape on 7 inch reel. Recording ID: B4.
Reel 53: Jesus Freak Head, 1962: Box indicates recording of Scott Ross Show. Tape label indicates "3 dances, Martirano." 1/4 inch polyester tape on 7 inch reel. Recording ID: B6.
Reel 54: Dallapiccola, 1958: Stockholm, 1958. Side 1: An Mathilde, Lazlo; Goethe Lieder; Elisabeth Soederstroem and L.D. [Luigi Dallapiccola]; Machado 1 2 3 4 [Luigi Dallapiccola, Quatro Liriche di Antonio Machado?]. Side 2: Canti di Liberazione; Anakreon's Lieder 1, 2, 3, Soederstroem and L.D. [Luigi Dallapiccola]; Rencesvals; 1/4 inch acetate tape on 7 inch reel. Recording ID: B10.
Reel 55: David Reck, Lukas Foss. Xenakis, Albright, Schuller., undated: Side One. David Reck Number One for 12 Instruments. Lukas Foss: Echoi I, II, III. Yannis Xenakis: Pithoprakta Metastasis. Side Two. Gunther Schuller: Spectra for Orchestra, Double Quintet. William Albright: Foils for Winds and Percussion. 1/4 inch acetate tape on 7 inch reel. Recording ID: B14.
Reel 56: Bartelby Aschaffenburg, 1964: Bartelby - Act I [thus follows a description of the opera including opus number as well as specifics about the performance and the characters.] 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Stereo. Recording ID: B16.
Reel 57: Bartelby Aschaffenburg 2, 1964: Bartelby - Act II [thus follows a description of the opera including opus number as well as specifics about the performance and the characters.] 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Stereo. Recording ID: B17.
Reel 58: Larry Austin, undated: Larry Austin. Montage: Themes and variations for violin and computer music on tape. 1/4 inch polyester tape on 7 inch reel. 15 ips. Stereo. Recording ID: B18.
Reel 59: Larry Austin MONTAGE: Themes and Variations for Violin and Computer Music on Tape, 1985: Performance Tape (Dub). Contents detailed on tape box. 1/4 inch polyester tape on 7 inch reel. 15 ips. 4-channel. Recording ID: B19.
Reel 60: TABLEAUX VIVANT, Larry Austin, 1977: Inscribed to Salvatore and Dorothy Martirano from Larry Austin. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Tail out. 4-channel. Recording ID: B20.
Reel 61: Babbitt Composition for Synthesizer, undated: Milton Babbitt Composition for Synthesizer. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Stereo. Recording ID: B21.
Reel 62: Babbitt Three Compositions for Piano, undated: Three Compositions for Piano. Lisa Moore, piano. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Stereo. 4track. Recording ID: B22.
Reel 63: David Baer, Atrocities, 1971-1973: Excerpts from the Atrocities of D.A. Baer, 1971-1973. Submitted to Salvatore Martirano by Baer in fulfillment of degree requirements. 1/4 inch polyester tape on 7 inch reel. Recording ID:B23.

Box 41

Reel 64: Banks: Commentary, 1971: Donald Banks: "Commentary" (1971) for piano and 2-channel tape Lisa Moore, piano. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Stereo. Tail out. 1/4 track. Recording ID: B24.
Reel 65: Bodin: Prolog, 1976: Lars-Gunnar Bodin: Prolog (1976). 1/4 inch polyester tape on 7 inch reel. 15 ips. Stereo. Heads out. Recording ID: B25.
Reel 66: Zack Browning, 1977: Concerto for Brass and Percussion (1977). Zack Browning. Salvatore Martirano, conductor. [also included is a list of the players and their instruments] 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. 1/2 track. Stereo. Tail out. Recording ID: B26.
Reel 67: Herbert Brun 2nd String Quartet., undated: Herbert Brun, 2nd String Quartet. Inscribed to Salvatore Martirano. 1/4 inch acetate tape on 7 inch reel. Recording ID:B27.
Reel 68: Warren Burt, undated: Music by Warren Burt. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Stereo. Head out. Recording ID: B30.
Reel 69: Chadabe Albany Music, undated: Electronic Music Studio State University of New York at Albany. Joel Chadabe: albanymusic2 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Two track monaural. Recording ID:B31.
Reel 70: Chadabe, Bolton's Landing, 1971: Joel Chadabe: Ideas of Movement at Bolton's Landing, 4/30/71. (Performance) 2 Track. 1/4 inch polyester tape on 7 inch reel. 15 ips. Stereo. Tail out. Recording ID: B32.
Reel 71: Chadabe, J.A. Echoes/Dancers, undated: Joel Chadabe 1. Echoes (1972) (guitar and electronics). 2. Dancers (1975) (electronic sounds) 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. 2 track. Stereo. Head out. Recording ID: B33.
Reel 72: Dallapiccola, undated: Contents listed on tape box. 1/4 inch acetate tape on 7 inch reel. Recording ID: B34.
Reel 73: Dallapiccola, BBC, 1969: Four tracks, Gilbert Gabin (piano with orchestra); F.C. Judd--Introduction to Electronic Music; Conversations at Cambridge--Humphrey Searle, Luigi Dallapiccola, Elliot Carter, Roger Smalley. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips, 1/2 track. Recording ID: B35.
Reel 74: Dallapiccola, ca. 1956: Side 1: Il prigioniero, Munchen, 1956, L.D. [Luigi Dallapiccola], H. [Hermann] Scherchen, [conductor]. Side 2: Der gefangene, contd.; Cori di M. [Michelangelo Buonarroti il giovane]: I.) Il coro delle malmaritate and dei malammogliati II.) D[au.] Rose Beloniez, The Poppy. 1/4 inch acetate tape on 7 inch reel. Recording ID: B36.
Reel 75: Ichiyanagi, Tokyo, 1969: Toshi Ichianagi [Ichiyanagi]. Street front churches [written on reel]. 1/4 inch acetate tape on 7 inch reel. 19 cmps. Stereo. Tail out. Recording ID: B37.
Reel 76: Lennie Tristano, undated: Lennie Tristano. Contents of tape unclear. Information on box has been crossed out. Label on reel indicates "Master coda. Fast short." 1/4 inch polyester tape on 7 inch reel. Recording ID: C1.
Reel 77: Peter Lewis : Gestes, Scorpio-bird, undated: Peter Tod Lewis: Gestes (1973), Scorpio-bird (homage a David Tudor) (1973). 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Tail out. 1/2 track stereo. Recording ID: C2.
Reel 78: The Turtle Dove: Lewis, undated: The Turtle Dove (1972) : Peter Tod Lewis. "I am the turtle dove, who does not drink clear water, but first muddies the water with his foot, the better to suit his pensive mind." -Evan S. Connel, Jr., Notes Found in a Bottle on the Beach of Carmel. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Tail out. 1/4 track stereo. Recording ID: C3.
Reel 79: Peter Tod Lewis, undated: Peter Tod Lewis. Duration: 8:43. Harmonie I: beklemmt (1979). 1/4 inch polyester tape on 7 inch reel. 15 ips. Tail out. 1/2 track stereo mixdown from quad. Recording ID: C4.
Reel 80: London, undated: London. 1/4 inch polyester tape on 7 inch reel. Recording ID: C5.
Reel 81: Illinois Sleep, undated: D. Mahle. Illinois Sleep. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Stereo. Head out. 1/2 track. Recording ID: C6.
Reel 82: Pianississimo: A Sonata For Piano (1970), undated: [Donald] Martino: Pianississimo: A Sonata for Piano (1970). William Heiles, Piano. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. 2 track stereo. Tail out. Recording ID: C7.
Reel 83: Mike's Piece, undated: Mike's Piece. [Michael] Lytle. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Stereo. Tail out. Recording ID: C8.
Reel 84: Shuko Mizuno, 1966: Orchestra 1966. Shuko Mizuno. Hiroshi Wakasugi, conductor. 1/4 inch polyester tape on 7 inch reel. 3 3/4. Stereo. Tail out. Recording ID: C9.

Box 42

Reel 85: R. Moore - Blues People, undated: Blues People - R. Moore 1/4 inch polyester tape on 7 inch reel. 1/2 track stereo. Recording ID: C10.
Reel 86: Cocktail Music, undated: By Salvatore Martirano. 1/4 inch acetate tape on 7 inch reel. Recording ID: C11.
Reel 87: Lost in Legends : Newell, 1982: Lost in Legends (1980) : Newell. University of Illinois Contemporary Chamber Ensemble. Salvatore Martirano, Conductor. 3/2/82. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. 2 track stereo. Tail out. Recording ID: C12.
Reel 88: Nono: "Variante", 1960: Luigi Nono (b. 1924): "Variante" for violin and orchestra (1957). Participants: violinist Rodolf Kolisch with Hans Rosbaud conducting a Donaueschingen ensemble (strings with 2 clarinets, 2 flutes). "Contemporary Music" Friday August 28 at 9 p.m. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips. Recording ID: C13.
Reel 89: Pellegrino: Cries, undated: Cries (1973) by R. [Ron] Pellegrino. Real time on ARP 2600. Buchla Electric Box. 2 Putney VCS-3's. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. 1/2 track stereo. Tail out. Recording ID: C14.
Reel 90: Pellegrino, undated: [Ron] Pellegrino. 1. S+H Explorations (1972) for B-flat clarinet and AD 2600 Synthesizer. L. McDonald-Clarinet, R. Pellegrino-Synthesizer. 2. Score to "TOO" (1971) for 16 mm film and tape (realized on the Putney VCS-3). 3. Score to "PATHS" (1972) for 16 mm film and stereo tape (realized on a MOOG III, an ARP 2600, and 2 Putney VCS-3's in real time). 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. 1/2 track stereo. Tail out. Recording ID: C15. [there is a note inside of the box about Martirano borrowing the tape]
Reel 91: Events: Mel Powell, undated: Events: Mel Powell. 1/4 inch acetate tape on 7 inch reel. Tail out. Recording ID: C16.
Reel 92: "Analogs": Mel Powell, undated: "Analogs I, II, III, IV": Mel Powell. Yale University Electronic Music Studio. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. 2-track stereo. Recording ID: C17.
Reel 93: Duet II, Morgan Powell, undated: Includes enclosed correspondence. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips, 1/2 track stereo. Tail out. Recording ID: C18.
Reel 94: Morgan Powell, Transitions, undated: 1/4 inch polyester tape on 7 inch reel. Recording ID: C19.
Reel 95: J.K. Randall, Variations 1-10, undated: J.K. Randall, Variations 1-10, "work in progress." Paul Zukofsky, violin. "Line 1" written on reel. 15 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: C20.
Reel 96: J.K. Randall, ca. 1965: J.K. Randall's "Mudgett: Monologues by a Mass Murderer," for pre-recorded female voice and converted digital tape. 1.) Electronic Prelude 2.) Toronto (I leave my recently adopted children Alice and Nellie at 16 Saint Vincent Street.) Vocalist, Melinda Kessler. 15 ips, stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: C21.
Reel 97: Rands Etendre, undated: Barry Guy, double bass; 20th Century Ensemble of London; Edwin Roxbaugh, conductor. Stereo, 1 X 1/2 track, 7 1/2 ips/19 cmps. 1/4 inch polyester tape on 7 inch reel. Recording ID: C22.
Reel 98: Rands, Aum, undated: 1. "Aum" for harp and orchestra. Siddone Goosseus, harp. Westdeutscher Rundfunk Orchester, Koln. 2. "Etendre" for contrabass and ensemble. Barry Guy, contrabass. London Ensemble. Bernard Rands, conductor. 7 1/2 ips, 1/2 track, stereo. Tape V. 1/4 inch polyester tape on 7 inch reel. Recording ID: C23.
Reel 99: Music by Roger Reynolds, 1981: 1. "...from behind the unreasoning mask." Recorded at Smith Hall, February 3, 1981. Philip Larson, bass-baritone; Edward Zadrozny, trombone; Larry Snider, percussion. Recording engineer, Frank Jensen. 1/2 track, stereo, 7 1/2 ips, head out. 1/4 inch polyester tape on 5 inch reel. Recording ID: C24.
Reel 100: R. Reynolds: "...the serpent-snapping eye", undated: Roger Reynolds, composer. Ed Hankinds, trumpet; J.C. Francois, percussion; and David Arden, piano with 4-channel computer generated sound. 7 1/2 ips, 2-track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: C25.
Reel 101: Again, mono for rehearsal, undated: Roger Reynolds, "Again," mono. reduction of 4-track. 7 1/2 ips, tail out, copy II. 1/4 inch polyester tape on 7 inch reel. Recording ID: C26.
Reel 102: Music by Roger Reynolds, 1981: 3.) Voicespace IV: The Palace. Smith Music Hall, February 3, 1981. Program enclosed. Recording engineer, Frank Jensen. 7 1/2 ips, 1/2 track stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C27.
Reel 103: Music by Roger Reynolds, 1981: 2.) Less Than Two. Smith Music Hall, February 3, 1981. Program enclosed. Recording Engineer, Frank Jensen. 7 1/2 ips, 1/2 track stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C28.
Reel 104: Reynolds, Emperor, mono, ca. 1981: "The Emperor of Ice Cream," Roger Reynolds, composer. Enclosed correspodence from student of Salvatore Martirano. 1/4 inch polyester tape on 7 inch reel. Recording ID: C29.
Reel 105: Again, Reynolds, 1970-1974: Roger Reynolds, "Again." Scored for 2 flutes, sopranos, trombones, contrabasses, and percussionists. Four channel tape. Duration: 25:30. 7 1/2 ips, 2 track stereo (may be unbalanced), 1/4 inch polyester tape on 7 inch reel. Recording ID: C30.

Box 43

Reel 106: Reynolds, Again, 1979: Roger Reynolds, "Again." 1.) Rehearsal Tape, April, 10, 1979, 3 3/4-4 channel 2.)Performance Tape. 1/4 inch polyester tape on 7 inch reel. Recording ID: C31.
Reel 107: Again, 1979: Roger Reynolds, "Again." Studio Theatre performance, April 11, 1979. Cindy Powell and Jean Geil, sopranos; Morgan Powell and Jim Staley, trombone; Mike Manion, percussion; Ann La Berge and Camilla Sy[?], flutes; Mark Sullivan and Rick Ashley, basses. 7 1/2 ips, 1/2 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C32.
Reel 108: Again-tape cue Reynolds, undated: Again- cue tape [Roger] Reynolds. 7 1/2 ips. Head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: C33.
Reel 109: Rowell Rogers: Abstract I, 1986: Rowell Rogers. ABSTRACT I cue to reader. Quad teal format. Track: 1 Left front, 2 Left rear, 3 Right front, 4 Right rear. After second leader is blank tape. No n.r. [letter to Martirano from composer and programme notes inside box] 15 ips. Tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C34.
Reel 110: David Rosenboom: In The Beginning I, 1979: In The Beginning I (Electronic): David Rosenboom (1978). Live performance: The Music Gallery, Toronto 7 April 1979. Dub of cassette master. 7 1/2 ips, 1/2 track, stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: C35.
Reel 111: Rosenboom and Humbert, undated: Side I: 1. Dub of the record, J. Jasmine...My New Music songs by Jacqueline Humbert with music by David Rosenboom (Jacqueline - voice, David - instruments, Sam Ashley and David Behrman - back-up vocals). (1977). 2. Trio Michael Byron - trumpet, William Winant - percussion, David Rosenboom - piano. (1977) Side II: 1. The Seduction of Sapientia (Rosenboom - 1972) Peggie Sampson - Viola da Gamba. 3 3/4 ips, stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: C36.
Reel 112: Rosenboom: Portable Gold and Philosophers' Stones, undated: Rosenboom - "Portable Gold and Philosophers' Stones", (music from brains in fours)." Piece for four brain biofeedback performers. 7 1/2 ips, 1/2 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C37.
Reel 113: Loren Rush: Dans le sable, undated: Loren Rush: Dans le sable (1968). Renee Blowers, soprano; Robert Moran, speaker. Ron Daniels, conductor of the San Francisco Conservatory Artists Ensemble. 7 1/2 ips, two 1/4 tracks mono. Tail out. (dub from mono aircheck) 1/4 inch acetate tape on 7 inch reel. Recording ID: C38.
Reel 114: Loren Rush: Nexus 16, undated: Loren Rush: Nexus 16. 16 instruments. Tape contents unclear. Box also indicates, " Final Trills and Marimba, A and B," [Underworld]. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: C39.
Reel 115: Dubs for Martirano, undated: Dubs for Martirano. 1) Loren Rush: Nexus 16 (1964) (Fromm Fellows - 1964). 2) Loren Rush: Hexahedron (1963-1964) (Peltzer - 1964). 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: C40.
Reel 116: Josef Sekon: Lemon Ice, 1971: Josef Sekon: Lemon Ice (1971). Young American Composers Concert. Krannert Center for the Performing Arts. Saturday 6 March 1971. 8'25". 7 1/2 ips, 2 track stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: C41.
Reel 117: Dan Senn: Buckteeth, 1982: Buckteeth (1982) by Dan Senn. For flute, trombone, and tape. (Performance tape) 15 ips, four-channel, no DBX, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C42.
Reel 118: Seymour Shifrin: String Quartet #2, undated: Seymour Shifrin: String Quartet #2. 7 1/2 ips.1/4 inch polyester tape on 7 inch reel. Recording ID: C43.
Reel 119: Martin Wesley-Smith: Media Music One, undated: Media Music One (Man Watching Television) for tape (1970) by Martn Wesley-Smith (Born Adelaide, South Australia, 1945). Composed in the Electronic Music Studio, University of York, England. 15 ips, 1/2 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C44.
Reel 120: Harvey Sollberger: Flute Quartet, 1979: Harvey Sollberger: Flute Quartet. 11 April 1979. Krannert Center for the Performing Arts. (Master). Tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C45.
Reel 121: Dolby 2-Track Master of Ben's Tape, 1971: May 3, 1971. Letter to Sal-from Stephen. Dolby 2-track master of Ben's [Johnston?] Tape. 7 1/2 ips, 1/4 track stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: C46.
Reel 122: Karlheinz Stockhausen: Gesang de Junglinge, undated: Original box contents scratched out. Karlheinz Stockhausen: Gesnag de Junglinge. 7 1/2 ips, mono, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: C47.
Reel 123: Morton Subotnik: Serenade #2, undated: Morton Subotnik: Serenade #2 for clarinet, horn, piano, inside piano. [Franco Evangelisti's name, along with two other illegible names are listed on the front]. 1/4 inch acetate tape on 7 inch reel. Recording ID: C48.
Reel 124: Subotnik: Play #4, undated: Mono Copy of Electronic Music for Play #4. 1/4 inch acetate tape on 7 inch reel. Recording ID: C49.
Reel 125: Owen Underhill, 1978: Side one: Calico, performed August 16, 1978. Victoria, British Columbia. Side two: Arbre, performed February 4, 1978. Waterloo, Ontario. Owen Underhill. 7 1/2 ips, 1/4 track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: C50.
Reel 126: Iowa, November 1973: Chansons-Cocktail- De Groot, 1973: 1. Chansons Innocente (6'34") Candace Natvig, Andreas Marchand. 2. Cocktail Music (5'12") Andreas Marchand. 3. De Groot Expedition (16'35") Candace Natvig, William Parsons, Peter Lewis, Jon English. November 1973. 7 1/2 ips, 1/2 track, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D1.

Box 44

Reel 127: Interviews, Performers, Octet and Ballad, undated: Interviews, performers. Octet and Ballad. 15 ips, full track. 1/4 inch polyester tape on 7 inch reel. Recording ID: D2.
Reel 128: Music of Salvatore Martirano, 1973: Music of Salvatore Martirano (University of Iowa, November 1973). Chansons Innocentes, Cocktail Music, Kyrie from the Mass: Clapp Recital Hall, 17 Novemer 1973. Kyrie from the Mass, Cocktail Music, Chansons Innocentes: Harper Hall, 19 November 1973. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D3.
Reel 129: Electronic Workshop Excerpts, 1978: Electronic workshop examples used for a lecture; Inside hand-written notes for seven "TAPE EXAMPLES". 7/9/78. Salvatore Martirano. 7 1/2 ips, stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D4.
Reel 130: Salvatore Martirano: Mass Side I, 1977: Salvatore Martirano: Mass a cappella, chorus. Side one: 1. Kyrie, 2. Gloria, 3. Credo. 10/6/77. 1/2 ips, stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: D5.
Reel 131: Salvatore Martirano: Mass Side II, 1977: Salvatore Martirano: Mass a cappella, chorus. Side two: 1. Sanctus, 2. Agnus dei. 10/6/77. 7 1/2 ips, stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: D6.
Reel 132: Martirano: Mass, Beckett: Embers (Hamburg), undated: Side I: Mass- Salvatore Martirano. Side II: Embers- Samuel Beckett. 1/4 inch polyester tape on 7 inch reel. Recording ID: D7.
Reel 133: Mass a cappella: Salvatore Martirano, 1959: Mass a cappella: Salvatore Martirano. Reel Number 3 of 15. Sanctus and Agnus Dei. Hamburg N.D.R. December 17 and 24, 1959. Max Thurn, conductor. Tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D8.
Reel 134: Mass, undated: Mass a capella, Salvatore Martirano. Parts I, II, and III. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D9.
Reel 135: Mass, Sanctus and Agnus Dei, undated: Mass a capella, Salvatore Martirano. Sanctus and Agnus Dei, recorded in Hamburg, NDR. Reel 1, 15 ips. 1/4 inch polyester tape on 7 inch reel. Recording ID: D10.
Reel 136: Mass, IV and V, undated: Mass a capella, Salvatore Martirano. Sanctus and Agnus Dei. Two track, tail out, 7 1/2 ips, stereo. 1/4 inch acetate tape on 5 inch reel. Recording ID: D11.
Reel 137: O, O, O, O That Shakespeherian Rag, undated: Salvatore Martirano. The Princeton Chamber Singers conducted by T. Hilbish. Re-recorded tape. 7 1/2 ips, 24 minutes, 1/4 inch acetate tape on 7 inch reel. Recording ID: D12.
Reel 138: O, O, O, O That Shakespeherian Rag, 1965: O, O, O, O That Shakespeherian Rag, Salvatore Martirano. University of Illinois Chamber Chorus. Art Maddox, piano; Bill Parsons, percussion; Ron Scalise; alto saxophone; John English, Trombone; Dave Thomas, Bass; Salvatore Martirano, conductor. April, 1965. 7 1/2 ips, mono/ 1/4 inch acetate tape on 7 inch reel. Recording ID: D13.
Reel 139: Rag-Martirano, undated: O, O, O, O That Shakespeherian Rag, Salvatore Martirano. Chorus and instruments. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: D14.
Reel 140: O, O, O, O That Shakespeherian Rag rehearsal, undated: Reel contents unclear. Tape box labelled, "O, O, O, O That Shakespeherian Rag rehearsal, 1st movement, Salvatore Martirano, cond." Reel labelled, "Partch, tape 3 of 7, stereo, tail out, 15 ips." 1/4 inch acetate tape on 7 inch reel. Recording ID: D15.
Reel 141: Cocktail Music, Dwight Peltzer, undated: Cocktail Music for Piano, Dwight Peltzer, piano, at the University of California. 1/4 inch acetate tape on 7 inch reel. Recording ID: D16.
Reel 142: Octet, ca. 1963: Octet copy from MCA Music rental department. 7 1/2 ips. 1/4 inch acetate tape on 7 inch reel. Recording ID: D17.
Reel 143: Octet Remains, undated: Recording Session, Octet remains, Tape II, 15 ips, a and b tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D18.
Reel 144: Octet, undated: Octet, Salvatore Martirano. 7 1/2 ips, 1/2 track, A and B. 1/4 inch acetate tape on 7 inch reel. Recording ID: D19.
Reel 145: Octet-Schuler, undated: Octet by Salvatore Martirano. 1/4 inch acetate tape on 7 inch reel. Recording ID: D20.
Reel 146: TV-Underworld, 1982: March 1, 1982. 7 1/2 ips, 2 track stereo, tail out, 1/4 inch polyester tape on 7 inch reel. Recording ID: D21.
Reel 147: Underworld--Armory, 1965: Underworld by Salvatore Martirano. Copy of master. Second performance at the Armory Experimental Theatre, University of Illinois. 15 ips, stereo, 2 track, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D22.

Box 45

Reel 148: Underworld--Dekalb, 1982: Contemporary Chamber Players performance, March 31, 1982. 2 of 2. Includes enclosed program and correspondence. 1.) Underworld [Salvatore Martirano] 2.) Knocking Piece [Ben Johnston]. 7 1/2 ips, stereo, 1/2 track, tail out. 1/4 polyester tape on 7 inch reel. Recording ID: D23.
Reel 149: Salvatore Martirano: Underworld, undated: 1/4 inch polyester tape on 7 inch reel. Recording ID: D24.
Reel 150: Salvatore Martirano: Underworld, dress rehearsal, undated: Underworld dress rehearsal, music without actors. 1/4 inch polyester tape on 7 inch reel. Recording ID: D25.
Reel 151: Salvatore Martirano: Underworld, undated: Underworld rehearsal. Non-directional; with actors. 15 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D26.
Reel 152: Salvatore Martirano: Underworld, performance tape, undated: Underworld, performance tape. A and B channels. 1/2 track stereo. 15 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D27.
Reel 153: Salvatore Martirano: Underworld, cue tape, 1982: Underworld (1964-1965). Cue tape. 2/22/82. DBX type I. Model 155, 154, 150. Tape/splice/leader, 2" before start. Spicing tape "marker", 1" before start. Submaster copy. Recorded at University of Illinois Electronic Studio. 15 ips, 1/2 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D28.
Reel 154: Salvatore Martirano: Underworld, master cue tape, undated: Underworld, cue tape. 15 ips, 1/2 track mono, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D29.
Reel 155: Salvatore Martirano: Underworld, rehearsal tape, undated: Underworld, rehearsal tape for individual performers. 7 1/2 ips, stereo, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D30.
Reel 156: Salvatore Martirano: Underworld, rehearsal tape, undated: Underworld, rehearsal tape for individual performers. 7 1/2 ips, mono, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D31.
Reel 157: Salvatore Martirano: Underworld, rehearsal tape, undated: Underworld Electronic, rehearsal tape for individual performers. 15 1/2 ips, 2-track stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: D32.
Reel 158: Master gate tape, undated: Master gate tape. July 24. Head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D33.
Reel 159: Salvatore Martirano: Underworld, fragments, undated: Underworld fragments. Phrases: fugue 12 voices, dub final laugh, part duet-retro tape, tape 2 and 3, final trills and marimba. Channels A and B. 15ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D34.
Reel 160: Salvatore Martirano: Underworld, phrases, undated: Underworld, phrases. [list of contents on box] Tail out. 1/4 inch acetate tape on 7 inch reel. Left and right channels. Recording ID: D35.
Reel 161: Salvatore Martirano: Underworld, bars 6, 7, 8, undated: Underworld: bars 6, 7, 8 and unedited finals. [description of tracks on back of box] 1/4 inch acetate tape on 7 inch reel. Recording ID: D36.
Reel 162: Salvatore Martirano: Ballad, 1965: Salvatore Martirano: Ballad for amplified nite-club singer and instrumental ensemble. Donald Smith - soloist, Salvatore Martirano - condcutor. 7 1/2 ips, stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D37.
Reel 163: Salvatore Martirano: Ballad, 1968: Salvatore Martirano: Ballad. A. Rabon-vocalist. Recorded at Victor Studios, Tokyo, Japan. July 10, 1968. Players from Cross Talk. Roger Reynolds, conductor. Monaural copy, from stereo original. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D38.
Reel 164: Salvatore Martirano: Ballad, Round House, undated: Ballad, Round House concert. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D39.
Reel 165: Proposal, 1968: A Proposal. Slides and tape. Duration: 7'45". Tuesday, March 1968. Ron Nameth, Salvatore Martirano. 7 1/2 ips, full track mono, tail out. 1/4 inch acetate tape on 5 inch reel. Recording ID: D40.
Reel 166: Scraps from Proposal, 1968: Scraps from Proposal, 1968. Tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: D41.
Reel 167: Institut de Recherche et Coordination Acoustique/Musique, 1983: 4X 7/5/83 IRCAM (Institut de Recherche et Coordination Acoustique/Musique). (All of the original content listing is marked out.) 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D42.
Reel 168: J.A. Sekon: Aero, Nonce, 1974: J.[Joseph] A. Sekon: Aero (1974), Nonce (1973). Real-time composition, performed on the Sal-Mar Construction. May 1974. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D43.

Box 46

Reel 169: In memoriam, undated: In memoriam L.D. [Luigi Dallapiccola?] 7 1/2 ips, stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D44.
Reel 170: Stuck on Stella, 1983: Salvatore Martirano: Stuck on Stella. Pianist, David Liptak. Recorded 10/17/83 in Krannert Great Hall. Recording Engineer: RA c-24 x-y Figure 8's. Comments: Hamburg Steinway. 7 1/2 ips, 1/2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D45.
Reel 171: Cocktail Music, Chansons, Octet, 1962-1963: First performances: Cocktail Music by Salvatore Martirano, 1962. Dwight Peltzer, piano. 5'45". Full track, 7 1/2 ips, head out. Chansons Innocentes for soprano and piano by Salvatore Martirano with text by e.e. cummings [first three songs only], Magda Lazlo [soprano], Martirano, piano, 1957, 8'30". 1.) In Just [Spring], 2.) Hist Whist 3.) Tumbling hair 4. Ninna Nanna (anonymous, 14th century [text]). Octet for flute, bass clarinet in B-flat, contra-alto clarinet in E-flat, marimba, celeste, violin, cello, and bass. Commissioned by the Koussevitzky Foundation, 1963. Salvatore Martirano conducting the Berkeley High School Octet, 6'30". 1/4 inch acetate tape on 7 inch reel. Recording ID: E1.
Reel 172: Round House Number One, 1964: Round House concert number one. Octet and Knocking Piece. (P.O., T.F., C.H.). 1/4 inch acetate tape on 7 inch reel. Recording ID: E2.
Reel 173: O, O, O, O That Shakespeherian Rag, Hilbish, undated: Salvatore Martirano, O, O, O, O That Shakespeherian Rag for mixed chorus and instrumental ensemble. Thomas Hilbish conducting the Princeton Chamber Singers. 7 1/2 ips, 24'57", tail out. Issued on LP sound disc by C.R.I. and published by Schott. American Agent is A.M.P. 1/4 polyester tape on 7 inch reel. Recoridng ID: E3.
Reel 174: University of Illinois Electronic Selections, undated: Tape No. 4. 1.) Salvatore Martirano, Underworld. University of Illinois Chamber Ensemble, Jack McKenzie conducting. 16'40", stereo. 2.) James Tenney, Collage. 3'25", mono. 3.) Lemon Drops for the Harmonic Tone Generator, Kenneth Gaburo. 2'50", mono. 4.) Donald Andrus, Electronic Study. 4'59", mono. 7 1/2 ips, tail out, two tracks. 1/4 inch acetate tape on 7 inch reel. Recording ID: E4.
Reel 175: Sampler and Monday concert, 1986: Salvatore Martirano, June 26, 1986. 7 1/2 ips, 1/2 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E5.
Reel 176: Unidentified, undated: Unidentified piece. Instrumentation includes saxophone, voice, piano, trumpet, and electronically-generated sound. 7 1/2 ips, head out. 1/4 inch polyester tape on 5 inch reel. Recording ID: E7.
Reel 177: Master Octet, 1963: Master Octet, Salvatore Martirano. Flute, B-flat clarinet, contra-bass clarinet, marimba, celeste, violin, cello, bass. 15 ips, 6'35". 1/4 inch acetate tape on 7 inch reel. Recording ID: E8.
Reel 178: Shop Talk, undated: Shop Talk, Salvatore Martirano (two dubs). 7 1/2 ips, 2 track mono. 1/4 inch polyester tape on 7 inch reel. Recording ID: E9.
Reel 179: Underworld, [Action] Analysis, undated: Enclosed tape contents listing does not correspond to box and tape label. Enclosure indicates Cocktail Music, David Burge, piano and "tape for speech" [from Action Analysis?]/ 15 ips, 1/2 track, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E10.
Reel 180: Ballad and Octet, undated: Salvatore Martirano, Ballad and Octet, Record Sub Master, 7 1/2 ips, 2 track, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E11.
Reel 181: Underworld, 1968: Underworld, by Salvatore Martirano, performed by the University of Illinois Contemporary Chamber Players, conducted by David Gilbert. Dubbed 8/23/1968. 7 1/2 ips, stereo, A and B, tail out, duration: 17'10". 1/4 inch acetate tape on 7 inch reel. Recording ID: E12.
Reel 182: Contemporary Chamber Ensemble, I, 1980: Recorded at the Festival Theater, Krannert Center for the Performing Arts. Reel I. Contemporary Chamber Ensemble performance, 25 March 1980. Salvatore Martirano, conductor, with guest artists Ray Sasaki, Carla Scaletti, Lisa Moore and John Rinehart. Program enclosed. Includes Stuck on Stella (S. Martirano). 1/2 track stereo, 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel. Recording ID: E13.
Reel 183: Contemporary Chamber Ensemble, IV, 1980: Recorded at the Festival Theater, Krannert Center for the Performing Arts. Reel IV. Contemporary Chamber Ensemble performance, 25 March 1980. See program enclosed with Reel 181. 1/2 track stereo, 7 1/2 ips, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E14.
Reel 184: Contemporary Chamber Ensemble, II, 1980: Recorded at the Festival Theater, Krannert Center for the Performing Arts. Reel II. Contemporary Chamber Ensemble performance, 25 March 1980. See program enclosed with Reel 181. 1/2 track stereo, 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E15.
Reel 185: Ballad, undated: Contents unclear. Conflicting box labelling. May be dub of Ballad or Border Guard Imrpovisation, "Poetic Voice." 7 1/2 ips, monaural. 1/4 inch acetate tape on 7 inch reel. Recording ID: E16.
Reel 186: Martirano, Octet, 1965: University of Illinois performance, Salvatore Martirano, conducting. Tail out, 7 1/2 ips, mono, full track. 1/4 inch tape on 7 inch reel. Reel ID: E17.
Reel 187: Ballad, 1966: By Salvatore Martirano, recorded 11/29/66, Smith Hall. 15 ips, tail out, stereo, A and B. 1/4 inch acetate tape on 7 inch reel. Recording ID: E18.
Reel 188: Contrasto/Octet, 1958, 1965: Contrasto for Orchestra by Salvatore Martirano, recorded in Rome, conducted by Bruno Maderna. Octet by Salvatore Martirano, performed by the University of Illinois Contemporary Chamber Players, conducted by Martriano. 7 1/2 ips, full track, mono, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E19.
Reel 189: Brain, undated: 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Tape ID: E20.

Box 47

Reel 190: Underworld, 1966: University of Illinois Chamber Players performing Underworld in Darmstadt, September, 1966, David Gilber, conductor. Tape dubbed on May 26, 1967. 7 1/2 ips, tail out, single channel half-track. 1/4 inch acetate tape on 7 inch reel. Recording ID: E21.
Reel 191: Cocktail Music, 1979: Cockatil Music (2 versions), recorded at Melbourne State College, Lisa Moore, piano. 19 June 1979. 7 1/2 ips, 1/2 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E22.
Reel 192: Ralph Shapey: Shapey's Rag, 1969: Contemporary Chamber Players 1/24/69. Ralph Shapey, Director and Chorus. Conducted by Ralph Shapey. [Martirano is listed on the back, but the other words are ilegible] 7 1/2 ips, 1-track stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: E23.
Reel 193: Salvatore Martirano: L's G.A. for Gassed-Masked Politico, undated: Salvatore Martirano: L's G.A. for Gassed-Masked Politico, three 16 mm projectors, helium bomb, and two channel tape recorder. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E24.
Reel 194: Salvatore Martirano: Underworld, undated: 7 1/2 ips, stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: E25.
Reel 195: Salvatore Martirano: Ballad, 1979: Salvatore Martirano: Balad. Arch Ensemble, 5/5/79. Tom Buckner, tenor. John Adams, guest conductor. 7 1/2 ips, 1/4-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E26.
Reel 196: Election Nite Diversion I, undated: Election Nite Diversion I. Tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E27.
Reel 197: Election Nite Diversion III, undated: Election Nite Diversion III. Tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E28.
Reel 198: Election Nite Diversion II, undated: Election Nite Diversion II. Tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E29.
Reel 199: Salvatore Martirano and Ron Pellegrino No. 3, 1974: Salvatore Martirano and Ron Pellegrino No. 3. 5/5/74. Master copy. 7 1/2 ips, four channel, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E30.
Reel 200: Salvatore Martirano and Ron Pellgrino No. 4, 1974: Salvatore Martirano and Ron Pellegrino No. 4. 5/6/74. 1 take. Master copy. 7 1/2 ips, 4 channel, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E31.
Reel 201: Salvatore Martirano and Ron Pellegrino No. 1, 1974: Salvatore Martirano and Ron Pellegrino No. 1. 5/5/74. 3 Takes. Master copy. 7 1/2 ips, four channel, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E32.
Reel 202: Salvatore Martirano and Ron Pellegrino No. 2, 1974: Salvatore Martirano and Ron Pellegrino No. 2. 5/5/74. 1 take. Master copy. 7 1/2 ips, four channel, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E33.
Reel 203: Salvatore Martirano and Ron Pellegrino No. 4, 1974: Salvatore Martirano and Ron Pellegrino No. 4. 5/6/74. 1 take. Copy. 7 1/2 ips, 1/2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E34.
Reel 204: Salvatore Martirano and Ron Pellegrino No. 3, 1974: Salvatore Martirano and Ron Pellegrino No. 3. 5/5/74. 1 take. 7 1/2 ips, 1/2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E35.
Reel 205: Joji Yuasa: Icon, unknown: Joji Yuasa: Icon (1967) on a source of white noise. 7 1/2 ips, stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: E36.
Reel 206: Scott A. Wyatt: All For One, undated: Scott A. Wyatt: All For One (1979). Composition for tape and percussion. Tom Siwe, percussion. Copy. Tape type: Ampex 456. Recorded at: Experimental Music Studios, University of Illinois. Program notes inside box. 7 1/2 ips, 1/2 track, 1/4 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E37.
Reel 207: Tom Wistel's Composition Recital, undated: Tom Wistel's Composition Recital, Indiana University. 7 1/2 ips, 4-track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: E38.
Reel 208: Webern, Spanish Flamenco, undated: Webern, Spanish flamenco. Box label does not match tape reel. Reel labelled: High trill A and B [Underworld]. Tail out. 1/4 inch half polyester, half acetate tape on 7 inch reel. Recording ID: E39.
Reel 209: Vladmir Ussachevsky: Computer Piece No. 2, We, undated: Vladmir Ussachevsky. 1. Computer Piece No. 2, 2. We. Experimental Music Center. 7 1/2 ips, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E40.
Reel 210: Lorca parts, undated: Lorca parts. Hostess dub without conversation. 7 1/2 ips, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E41.

Box 48

Reel 211: Lorca -stamping, undated: Iva-Lorca stamping around. 7 1/2 ips, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: E42.
Reel 212: David Rosenboom and Donald Buchla, undated: David Rosenboom and Donald Buchla. Sal-Mar Construction. Four channel. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E43.
Reel 213: Final, undated: Final. 1/4 inch acetate tape on 7 inch reel. Recording ID: E44.
Reel 214: Don Banks: Commentary, tape part, unknown: Tape part for "Commentary" by Don Banks. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: E45.
Reel 215: Roger Reynolds: Archipelago, undated: Roger Reynolds: Archipelago (1982). Ensemble Intercontemporain. Peter Eotvos, conductor. 7 1/2 ips, stereo, DBX. 1/4 inch polyester tape on 7 inch reel. Recording ID: E46.
Reel 216: Salvatore Martirano: L's G.A., undated: Salvatore Martirano: L's G.A. (Lincoln's Gettysburg Address). 7 1/2 ips, A and B channel, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F1.
Reel 217: Salvatore Martirano: Underworld, 1982: Salvatore Martirano: Underworld (1964-1965). 2/22/82. Cue tape. "O" DB Cal. Gig. Tape/splice/leader 2" before start. Splicing tape "marker" 1" before start. Submaster. Tape type: 456. Recorded at University of Illinois, Urbana. 15 ips, 1/2-track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F2.
Reel 218: Fast Forward-ASUC Conference, 1977: Remembering Dallapiccola. ASUC National Conference 3/4/77. Searle, Dallapiccola, Carter, Smalley and moderator. Fast Foward. 2/26/77. Excerpts from BBC broadcast 1969? And F.C. Judd-Introduction to Electronic Music. Gilbert Gubin (4-track, piano, orchestra-Once in a while). 7 1/2 ips, channel B, 2-track stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F3.
Reel 219: Salvatore Martirano: Underworld, undated: Salvatore Martirano: Underworld. 7 1/2 ips,A and B channels. 1/4 inch polyester tape on 7 inch reel. Recording ID: F5.
Reel 220: Hostess, Incidental Music for Fashion Show, Cocktail Music, undated: Ninna Nanna, Magda Lazlo- soprano. Text anonymous 14th century Italian. Salvatore Martirano: Cocktail Music. Hostess (Fashion Show Incidental Music). 7 1/2 ips, A and B channels, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: F6.
Reel 221: Salvatore Martirano: Ballad; Octet, undated: Ballad: 1966. Salvatore Martirano, conductor. Octet: 1963. Salvatore Martirano, conductor. [List of performers found on back] 7 1/2 ips, A and B channels, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F7.
Reel 222: Salvatore Martirano: Ballad, 1966: Salvatore Martirano: Ballad. Donald Smith, soloist. November 29, 1966. [original contents marked out] 7 1/2 ips, 2-track stereo, tail out.Â 1/4 inch acetate tape on 7 inch reel. Recording ID: F8.
Reel 223: Lunch at Treno's with Morgan, Ben, Scott, undated: Lunch at Treno's with Morgan Powell, Ben Johnston, Scott Wyatt. 1/4 inch polyester tape on 7 inch reel. Recording ID: F9.
Reel 224: Salvatore Martirano: Mass, 1974: Salvatore Martirano: Mass. April 1974. Performance with Sal-Mar. Edwin London speaking. 7 1/2 ips, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F10.
Reel 225: Salvatore Martirano: Ballad, Octet, undated: Salvatore Martirano: 1. Ballad 11':32". 2. Octet: 6':51". Record submaster #4. 2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F11.
Reel 226: Magic Stones, String Quartet, undated: Family party. Magic Stones-Orchestra piece (1948). String Quartet (1950).Tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F12.
Reel 227: Salvatore Martirano, 1968: Salvatore Martirano. 914 SW 3-4223. You are too beautiful, Gypsy woman, Lush Life, Muddy Waters, Fly me to the moon, Who can I turn to, Stormy Monday, God bless the child, Our day will come, Guess who I saw today. Donald Smith. July 13, 1968. Thursday nite. 7 1/2 ips, stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F14.
Reel 228: Sal's first take, undated: Sal's [Salvatore Martirano] first take. 1/4 inch polyester tape on 12 inch reel. Recording ID: F15.
Reel 229: Sal's beginning of second, undated: Sal's [Salvatore Martirano] begin[ning] of second. 1/4 inch polyester tape on 12 inch reel. Recording ID: F16.
Reel 230: Untitled, undated: [Note taped to front of box] For Sal M. [Salvatore Martirano] from Morgan P. [Morgan Powell]. Reverse reads, From S. Martirano for Morgan Powell. 1/4 inch polyester tape on 12 inch reel. Recording ID: F17.
Reel 231: Salvatore Martirano: L's G.A., cue tape, undated: Salvatore Martirano: L's G.A., cue tape. 15 ips, 2-track stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: F18.

Box 49

Reel 232: Salvatore Martirano and Ron Pellegrino duo, 1974: Salvatore Martirano and Ron Pellegrino. Copy. 1. 5/5/74. 3 takes. 2. 5/5/74. 1 take. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F19.
Reel 233: Light, undated: "Light". David Rosenboom, Terry Clarke, Bruce Pennecook, Kathy Moses, Rick Homme. 1/4 inch polyester tape on 12 inch reel. Recording ID: F22.
Reel 234: Martin Wesley-Smith: Vietnam Image, undated: Martin Wesley-Smith, (born 1945 Adelaide, South Australia): Vietnam Image (1970) for tape. Composed in the Electronic Music Studio, University of Adelaide. 15 ips, 1/2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F24.
Reel 235: Roger Reynolds: Again, undated: Roger Reynolds: Again (Dolby). 7 1/2 ips. 1/4 inch polyester tape on 12 inch reel. Recording ID: F26.
Reel 236: Joel Chadabe, undated: Tape version. Could be either 'Dreams' or 'Drift'. Back of box reads 'Dreams', where side reads, 'Drifting'. 15 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F27.
Reel 237: Untitled, undated: Unidentified piece. Includes jazz ensemble, trumpet, and percussion. 7 1/2 ips, tail out. 1/4 inch polyester tape on 10 inch reel. Recording ID: F28.
Reel 238: Roger Reynolds: Again, undated: Roger Reynolds: Again. 15 ips, 2/2-track stereo, Dolby 'A'. First take(s). 1/4 inch polyester tape on 12 inch reel. Recording ID: F29.
Reel 239: Joel Chabade: Rounds, a Jazz Collage, undated: Joel Chabade: Rounds, a Jazz Collage. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: F30.
Reel 240: Roger Reynolds: Again, undated: 2 takes. 7 1/2 ips. 1/4 inch polyester tape on 12 inch reel. Recording ID: F31.
Reel 241: Salvatore Martirano: Underworld, undated: First track unidentified 2. Underworld (percussion player voices). 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F32.
Reel 242: Salvatore Martirano: Contrasto- New York Philharmonic, 1967: Salvatore Martirano: Contrasto for Orchestra (1952) (revised 1954). New York Philharmonic (1967). Lorin Maazel, conductor. 7 1/2 ips, stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F33.
Reel 243: Fifty One, 1978: Thursday morning, 1/12/78. Fifty One. Salvatore Martirano on Sal-Mar. For NEA in support of Salvatore Martirano. Duration: circa 12'. Master of Dolby B. Dubdown of 4 channel original. 7 1/2 ips, 1/2 track stereo on 1/4, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F34.
Reel 244: Sal-Mar Construction, 1977: "Tape". Salvatore Martirano on Sal-Mar Construction. 4 channel. Duration: 12'. Master, non-Dolby. November. 12, 1977, 4.00 p.m. 7 1/2 ips, 1/2 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F35.
Reel 245: Salvatore Martirano: Shoptalk; Proposal, undated: Salvatore Martirano: Shoptalk, Proposal. Channels A and B. On DAT. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: F36.
Reel 246: Proposal, undated: 7 1/2 ips, channel A, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F37.
Reel 247: Master Ives, undated: Master Ives. Action analysis written for Election Nite Diversion. Dolby B. 7 1/2 ips, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: F38.
Reel 248: Salvatore Martirano: tape for improv concert, 1967: Tape for improv concert. May 23, 1967. 7 1/2 ips, channels A and B, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: F40.
Reel 249: Master: Hostess, La Gazza Ladra, undated: Master. 1. Hostess. 2. La Gazza Ladra. 2 clarinet. 2 channel, 7 1/2 ips, stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: F41.
Reel 250: Chansons Innocentes, Ninna Nanna, Contrasto, 1957: Salvatore Martirano, Via Angelo Masina 5, Roma. I. Chansons Innocentes - Salvatore Martirano (e.e. cummings), II. Ninna Nanna- anonymous, Magda Laszlo [soprano], III. Contrasto- Salvatore Martirano, Bruno Maderna, conductor. 7 1/2 ips. 1/4 inch acetate tape on 7 inch reel. Recording ID: F42.
Reel 251: Unidentified, undated: Unidentified piece. Includes unidentified jazz ensemble, pianist, and saxophonist. 4 track mono, 2 sided recording, 3 3/4 ips, tail out. 1/4 inch polyester tape on 10 inch reel. Recording ID: G2.
Reel 252: Unidentified, undated: Unidentified choral piece [Mass a capella?]. 15 ips, tail out, 1/4 inch polyester tape on 10 inch reel. Recording ID: G5.

Box 50

Reel 253: Unidentified, undated: Unidentified piece. Instrumental ensemble, violin, and saxophone. Some jazz content. 2 sided tape, 15 ips, 1/4 inch polyester tape on 10 inch reel. Recording ID: G7.
Reel 254: Improvisation, undated: Lee Duckles, Tom Howell, Salvatore Martirano. 15 ips, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G9.
Reel 255: Salvatore Martirano: Ballad, Underworld, undated: Salvatore Martirano: Ballad (1966), Underworld (1965). University of Illinois, Department of Music. Urbana, Illinois. 2 track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G10..
Reel 256: Depot I, quartet, undated: Depot I quartet. 7 1/2 ips. 1/4 inch acetate tape on 7 inch reel. Recording ID: G11.
Reel 257: IRCAM Concert, 1983: Institut de Recherche et Coordination Acoustique/Musique [IRCAM] concert. 3/27/83. Dub of 4 channel. SAL MAR. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G12.
Reel 258: Improvisation I, undated: Quartet; Glen Cronkite, Olly Wilson, Salvatore Martirano, Ron Dewar. 1/4 inch acetate tape on 12 inch reel. Recording ID: G13.
Reel 259: Depot II, undated: 1/4 inch acetate tape on 12 inch reel. Recording ID: G14.
Reel 260: Rehearsal for Electric Circus, 1968: July 13, 1968. 7 1/2 ips, stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G15.
Reel 261: Improvisation II, undated: Quartet. Olly Wilson, Glen Cronkite, Salvatore Martirano, Ron Dewar, and Michael Holloway. 1/4 inch polyester tape on 12 inch reel. Recording ID: G16.
Reel 262: Jam Session, undated: Mariner [?], Rick, John, Salvatore Martirano. 7 1/2 ips, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G17.
Reel 263: Percussion sounds, part II, undated: 1/4 inch polyester tape on 12 inch reel. Recording ID: G18.
Reel 264: Piano mix, undated: Piano mix- Phono Radio Piano mix-blank. 1/4 inch acetate tape on 12 inch reel. Recording ID: G19.
Reel 265: April 22, 1968, 1968: Jim Knapp, Michael Holloway, Salvatore Martirano, Bendell [?], Scalise [?], Curtis [?]. 7 1/2 ips, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G20.
Reel 266: Button Down the Bottom Button, 1968: Parons thinks this is "Button Down the Bottom Button". March 19, 1968. Michael Holloway, Curtis [?], Ronald Dewar, Jim Knapp. Left and right channels. 15 ips, stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G21.
Reel 267: Dallapiccola Concert, 1979: Dallapiccola Concert-University of Illinois. Salvatore Martirano. Krannert Center for the Performing Arts. February 16, 1979. [contains Sal-Mar improvisation] [box contains copy of concert program, which includes track listing and performers]. 7 1/2 ips, 2-track stereo, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G22.
Reel 268: Improvisations III, 1967: Improvisation III. May 23, 1967. Salvatore Martirano. Tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G23.
Reel 269: Improvisations II, 1967: Improvisations II. May 23, 1967. Salvatore Martirano. Tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: G24.
Reel 270: Border Guard, 1968: Saturday July 13, 1968. Jim Knapp, Don Smith, Bill Parsons, Ron Dewar, Salvatore Martirano. Quartet. 7 1/2 ips, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G25.
Reel 271: Parsons, Holloway, Lytle, Martirano, Curtis, 1968: June 28, 1968. Bill Parsons, Michael Holloway, Michael Lytle, Curtis [?], Salvatore Martirano. 7 1/2 ips, head out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G26.
Reel 272: Don Smith, Salvatore Martirano, and Ron [Dewar], 1968: I. Contrapuntal speaking "A woman loves", II. Playing, III. Trio. Don Smith, Salvatore Martirano. Ron enters. 8-15-68. 1/4 inch acetate tape on 12 inch reel. Recording ID: G27.
Reel 273: Precursion [sic] sounds, 1968: Precursion [sic] sounds. August 17, 1968. 1/4 inch acetate tape on 12 inch reel. Recording ID: G28.

Box 51

Reel 274: Reel IX, 1968: Reel IX. August 18, 1968. Head out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G29.
Reel 275: Reel VII, 1968: Reel VII. August 18, 1968. Trio. I. Sparse, II. Bursts of energy, III., IV. Thumb piano-inside piano, V. Different channel singing. L.L. up to high-not much happening. 1/4 inch acetate tape on 12 inch reel. Recording ID: G30.
Reel 276: Reel X, 1968: Reel X. August 20, 1968. Michael Holloway (mostly), Ron Dewar, Bill Parsons, Salvatore Martirano. 15 ips, channels A and B, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G31.
Reel 277: Reel XI, 1968: Reel XI. August 20, 1968. 7 1/2 ips, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: G32.
Reel 278: Test, undated: Test. Ben [Johnston?]. [receipt enclosed] 7 1/2 ips, tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: H1.
Reel 279: Record submaster #2, undated: Record submaster #2. 1. Ballad 11':32", 2. Octet 6':51". Salvatore Martirano. 15 ips, 2-track stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: H3.
Reel 280: Record Submaster #2, undated: 1. 1000 cps -Odb, 2. L's G.A. 24':17". Salvatore Martirano. 15 ips, 2-track stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: H4.
Reel 281: Salvatore Martirano: Undeworld master copy, undated: Salvatore Martirano: Underworld. Tape, percussion, tenor saxaphone, bass and 'cello. University of Illinois Chamber Players. Master copy. 17':10". 15 ips, stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: H5.
Reel 282: Salvatore Martirano: O,O,O,O, That Shakespeherian Rag, undated: Salvatore Martirano: O,O,O,O, That Shakespeherian Rag for chorus and instrumental ensemble. Princeton Chamber Singers. Thomas Hilbish, conductor. Duration: 24 minutes. 15 ips, mono, full track. 1/4 inch polyester tape on 12 inch reel. Recording ID: H6.
Reel 283: Improvisation, undated: Improvisation. Ron Dewar, Salvatore Martirano, bass, Bill Parsons. 7 1/2 ips, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: H7.
Reel 284: Salvatore Martirano: Underworld, Octet, Ballad, Shoptalk, undated: Salvatore Martirano: 1. Underworld, 2. Octet, 3. Ballad, 4. Shoptalk. 1/4 inch polyester tape on 12 inch reel. Recording ID: H8.
Reel 285: Salvatore Martirano: Ballad, 1966: [tape may contain both Ballad and Underworld, however, box is unclear; box reads only Ballad, however, papers inside indicate both Ballad and Underworld] Salvatore Martirano: Ballad. Close mike, Don [Don Smith?]. Music Department, University of Illinois, Urbana, Illinois. August 12, 1966. 15 ips, 1/2 track stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: H9.
Reel 286: Sal-Mar Construction, Ben's tape, 1977: Sal-Mar, 2 mikes. Ben's tape. 3/14/77. Channels A and B. Tail out. 1/4 inch polyester tape on 12 inch reel. Recording ID: H10.
Reel 287: Salvatore Martirano: Mass, undated: Salvatore Martirano: Mass. Hamburg. 1/4 inch polyester tape on 12 inch reel. Recording ID: H11.
Reel 288: Salvatore Martirano: Mass, rehearsal, undated: Salvatore Martirano: Mass, rehearsal. 1/4 inch polyester tape on 12 inch reel. Recording ID: H13.
Reel 289: Salvatore Martirano: IRCAM Concert, 1983: Salvatore Martirano: IRCAM [Institut de Recherche et Coordination Acoustique/Musique] concert. 27 April 1983. Track no. 1: left front, track no. 2: right front, track no. 3: left rear, track no. 4: right rear. 4 tracks-quadra. recording. 19 cm. per second. CCIR. DBX. Head out. 1/4 inch polyester tape on 12 inch reel. Recording ID: H14.
Reel 290: Sal-Mar Construction No. 8, undated: 4 track, 15 ips, tail out. 1/2 inch polyester tape on 12 inch reel. Recording ID: H16.
Reel 291: Sal-Mar Construction No. 6, 1974: 3/21/74. 1/2 inch polyester tape on 12 inch reel. Recording ID: H18.
Reel 292: Sal-Mar Construction No. 7, undated: Dolby B. 7 1/2 ips, 4 track, tail out. 1/2 inch polyester tape on 12 inch reel. Recording ID: H19.
Reel 293: Berkeley-Ford Fondation, undated: Berkeley-Ford Foundation. 1/4 inch acetate tape on 7 inch reel. Recording ID: I1.
Reel 294: Michael Kowalski: Sinfonieta, 1979: Michael Kowalski: Sinfonietta. New Music Concert, November 27, 1979. Cincinnati Conservatory. Gerhard Samuel, conductor. Dub: December 28, 1979, Boston. 7 1/2 ips, 1/2 track stereo. 1/4 inch polyester tape on 5 inch reel. Recording ID: I4.

Box 52

Reel 295: Chroma, undated: Chroma. 1/4 inch polyester tape on 5 inch reel. Recording ID: I6.
Reel 296: Commentary-Banks, undated: Commentary-Banks. 1/4 inch polyester tape on 5 inch reel. Recording ID: I7.
Reel 297: Ted Ashford: Toys I Had, undated: Ted Ashford: Toys I Had. 1/4 inch polyester tape on 5 inch reel. Recording ID: I8.
Reel 298: Walden String Quartet, undated: Walden String Quartet. 1/4 inch acetate tape on 5 inch reel. Recording ID: I9.
Reel 299: Phil Winsor: Melted Ears, undated: Phil Winsor: Melted Ears for two pianos (1967). Performed at the Contemporary Directions Series. University of Michigan, William Albright and Tom Warburton. 7 1/2 ips, stereo, tail out. 1/4 inch acetate tape on 5 inch reel. Recording ID: I10.
Reel 300: Two Improvisations, undated: Two Improvisations, Meatwave [sic] Studies; E. Miller. 7 1/2 ips, 1/2 track stereo. 1/4 inch polyester tape on 5 inch reel. Recording ID: I11.
Reel 301: Brass Sextet, undated: Ed. Miller, Brass Sextet, N. Gottschalk, Conducting. 1/4 inch polyester tape on 5 inch reel. Recording ID: I12.
Reel 302: Bauman, ca. 1970: Interplay by Jon Bauman, performed at Frostburg State College. Enclosed concert program. Dub is 7 1/2 ips, stereo, head out. 1/4 inch acetate tape on 5 inch reel. Recording ID: I13.
Reel 303: Johnston, Tango, undated: [Ben?] Johnston, Tango (for Ring [illegible]). 7 1/2 ips mono. 1/4 inch acetate tape on 5 inch reel. Recording ID: I14.
Reel 304: Robinson, Brass Quintet No. 1, 1964: Keith Robinson's Brass Quintet No. 1 (1963); performance by the Modern Brass Ensemble at Carnegie Recital Hall, March 27, 1964; Al Liggoti, 1st trumpet; Don Benedetti, 2nd trumpet; George Nadaf, French horn; Ralph Hauck, trombone; Lew Waldeck, tuba. Copy No. 3. 7 1/2 ips, single track, 14'38". 1/4 inch acetate tape on 5 inch reel. Recording ID: I15.
Reel 305: Nexus 16, ca. 1964: Loren Rush, Nexus 16. Inscribed from the composer to Salvatore Martirano. Commissioned by the Fromm Music Foundation fo the 1964 festival of Contemporary Music of the Berkshire Music Center. Eduardo Mata, conudctor. 7 1/2 ips, 2 track mono. Recording ID: I16.
Reel 306: Improvisation sur Mallarme No. 2, undated: [contents of tape may not match contents listed on box] Pierre Boulez: Improvations sur Mallarme No. 2. Another place on box has an illegible name written in Salvatore Martirano's handwriting. Duration: 10': 51". 7 1/2 ips. 1/4 inch acetate tape on 5 inch reel. Recording ID: I17.
Reel 307: Jensen, undated: Box label and enclosed track listing and description do not match. 15 ips. 1/2 track stereo. 1/4 inch acetate tape on 5 inch reel. Recording ID: I18.
Reel 308: Bill Parsons and Grace Bell, 1980: Bill Parsons and Grace Bell, Part II. July 7, 1980. 7 1/2 ips, 2 track, tail out. 1/3 inch polyester tape on 7 inch reel. Recording ID: I20.
Reel 309: Untitled, undated: Features unidentified instrumental ensemble (piano, saxophone, clarinet, etc.) playing avant-garde music. 7 1/2 ips, head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: I21.
Reel 310: Pretty Girl, 1968: Edwin London and Salvatore Martirano, Pretty Girl. 6/1/1968. 1/4 inch polyester tape on 7 inch reel. Recording ID: I22.
Reel 311: Underworld, undated: Salvatore Martirano: Underworld, copy of master. Second performance at the Armory Experimental Theatre, University of Illinois. 7 1/2 ips, full track monophonic. 1/4 inch acetate tape on 5 inch reel. Recording ID: I23.
Reel 312: Salvatore Martirano: Octet, 1963: Salvatore Martirano: Octet. 2/1/63. Duration: 7'45". 7 1/2 ips, 1/4 inch acetate tape on 5 inch reel. Recording ID: I24.
Reel 313: Salvatore Martirano: Octet, undated: Salvatore Martirano: Octet, Cleveland. 1/4 inch polyester tape on 5 inch reel. Recording ID: I25.
Reel 314: Computer 1, 2, 3, undated: Computer 1, 2, 3. 1/4 inch acetate tape on 7 inch reel. Recording ID: J1.
Reel 315: David Rosenboom and Salvatore Martirano No. 1, undated: David Rosenboom and Salvatore Martirano. 4 track Dolby. 7 1/2 ips, tail. 1/4 inch polyester tape on 7 inch reel. Recording ID: J2.

Box 53

Reel 316: David Rosenboom and Salvatore Martirano No. 2, undated: David Rosenboom and Salvatore Martirano No. 2. 4 track, Dolby. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J3.
Reel 317: David Rosenboom and Salvatore Martirano No. 3, undated: David Rosenboom and Salvatore Martirano No. 3. 4 track, Dolby. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J4.
Reel 318: Document I, 1972: Doc. I, 10/12/72. The SAL MAR Construction. 7 1/2 ips, 4 channel tape. 1/4 inch polyester tape on 7 inch reel. Recording ID: J5.
Reel 319: Sal-Mar Construction No. 5, 1976: Inscribed to Daryl Dayton. 7 1/2 ips, 4 track, tail out, Dolby B. 1/4 inch polyester tape on 7 inch reel. Recording ID: J6.
Reel 320: University of Western Ontario, Sal-Mar Construction Performance, 1974: Tape No. 4. March 12, 1974. 1/2 track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: J7.
Reel 321: Sal-Mar Construction No. 3, 1979: 2/16/79. 7 1/2 ips, 1/2 track stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J8.
Reel 322: Current Music Festival, 1977: Salvatore Martirano performance on Sal-Mar Construction, Part 1, at Miami University. Enclosed program. 7 1/2 ips, 1/2 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. [Note from Ken Beck: Unplayable due to oxide shed.] Recording ID: J9.
Reel 323: Piano, Sal-Mar Construction, undated: 3 3/4 ips, 1/4 track, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J10.
Reel 324: Sal-Mar Construction, undated: Tape B. Ten minute P.R. sample, 4 track, 7 1/2 ips, head out. Recording ID: J11.
Reel 325: Sal-Mar Construction, 1972: Document III, 10/13/1972. 7 1/2 ips, 4 channel. 1/4 inch polyester tape on 7 inch reel. Recording ID: J12.
Reel 326: Sal-Mar Construction, Underworld, undated: Contents unclear. Labelled "Underworld, rehearsal tape for individual performers" as well as "Sal-Mar." Head out, 1/4 inch polyester tape on 7 inch reel. Recording ID: J13.
Reel 327: Sal-Mar Construction, 1974: Tape II, Sal-Mar Construction concert, La Crosse, Wisconsin, 10/29/1974. 1/2 track, 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel. Recording ID: J14.
Reel 328: Marvil Construction, undated: Early Marvil Construction glissando, 7 1/2 ips, 2 track, head out, stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: J15.
Reel 329: Sal-Mar Construction #7, 1976: 2/12/1976. Hi Sounds. No. 1: Tape runs out on Bali [?]. No. 2: Abstract 6a. No. 3: Rhythm w/o Blues. No. 4: Fun and Funereal. No. 5: Back in Bali. Dub of 4 track to 2 track, 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: J16.
Reel 330: Sal-Mar Construction No. 6, undated: 2 track dub from 4 track, 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J17.
Reel 331: Sal-Mar Construction No. 4, 1973: Master recording, June, 1973. 7 1/2 ips, 4 track, Dolby B, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J18.
Reel 332: Sal-Mar Construction No. 3, undated: 2 track stereo dub from 4 track, 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J19.
Reel 333: Sal-Mar Construction No. 1, 1973: Recorded 3/18/1973. 7 1/2 ips, 2 track, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J20.
Reel 334: Sal-Mar Construction, 1974: Tape I, Sal-Mar Construction concert, La Crosse, Wisconsin, 10/29/1974. 1/2 track, 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel. Recording ID: J21.
Reel 335: Untitled, 1974: Recorded March 12, 1974, University of Western Ontario. Tape no. 3. 1/2 track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: J22.
Reel 336: Untitled, 1974: Recorded March 12, 1974, University of Western Ontario. Tape no. 2. 1/2 track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: J23.

Box 54

Reel 337: Untitled, 1974: Recorded March 12, 1974, University of Western Ontario. Tape no. 1. 1/2 track stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: J24.
Reel 338: Ron Dewar and Salvatore Martirano, 1973: Recorded 3/17/1973. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J25.
Reel 339: T.V. Back, Second Cut, undated: Includes instructions to "Use second cut, 3:15." 7 1/2 ips, 2 track mono, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J27.
Reel 340: Sal-Mar Construction concert at London, Ontario, 1 of 4, 1974: Salvatore Martirano at the keyboard. Recorded 3/12/1974. 7 1/2 ips, 2 tracks. 1/4 inch acetate tape on 7 inch reel. Recording ID: J28
Reel 341: Sal-Mar Construction concert at London, Ontario, 2 of 4, 1974: Salvatore Martirano at the keyboard. Recorded 3/12/1974. 7 1/2 ips, 2 track. 1/4 inch acetate tape on 7 inch reel. Recording ID: J29.
Reel 342: Improvisation Tape 1, Undated: Salvatore Martirano. 15 ips, A and B channels. 1/4 inch polyester tape on 7 inch reel. Recording ID: J30.
Reel 343: Sal-Mar Construction #4, Undated: Dub from 4 to 2 channel, 7 1/2 ips, 2 track, tail out. Channel 1-3 Master 1/4 track Dolby. 1/4 inch polyester tape on 7 inch reel. Recording ID: J31.
Reel 344: Sal-Mar Construction concert at London, Ontario, 3 of 4, 1974: Salvatore Martirano at the keyboard. Recorded 3/12/1974. 7 1/2 ips, 2 track. 1/4 inch acetatetape on 7 inch reel. Recording ID: J32.
Reel 345: Sal-Mar Construction concert at London, Ontario, 4 of 4, 1974: Salvatore Martirano at the keyboard. Recorded 3/12/1974. 7 1/2 ips, 2 track. 1/4 inch acetate tape on 7 inch reel. Recording ID: J33.
Reel 346: Martirano and Pellegrino Duet, 1975: Ron Pellegrino and Salvatore Martirano. Recorded 2/14/1975. 7 1/2 ips, 1/2 track stereo, head out. Dolby B MASTER. 1/4 inch polyester tape on 7 inch reel. Recording ID: J34.
Reel 347: Early Machine (sound), Undated: Undated. 1/4 inch acetate tape on 7 inch reel. Recording ID: J35.
Reel 348: Sal-Mar Construction No #1, 1973: Recorded 3/18/1973. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J36.
Reel 349: Ben's Tape, Mag Demo, Undated: Ben [Johnston?] and Mike Sinc [A B Stereo]. Undated. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J37.
Reel 350: Sal-Mar Construction Earlier, #7, Undated: Undated. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J38.
Reel 351: Sal-Mar Construction Sample, Undated: Undated. Opening - Moving Noise. Coda - "Balinese Immo" 7 1/2 ips, 2 track, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: J39.
Reel 352: Sal-Mar Construction #3, Undated: Undated. Dub from 4 channel master. 7 1/2 ips, 2 track, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: J40.
Reel 353: Sal-Mar Construction Samples, Undated: Undated. 1/4 inch polyester tape on 7 inch reel. Recording ID: J41.
Reel 354: Sal-Mar Construction #3, Undated: Dolby B MASTER. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J42.
Reel 355: Sal-Mar Construction No. 2, 1973: Recorded 3/18/1973. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J43.
Reel 356: Sal-Mar Construction #3, Undated: [A B]. Undated. 7 1/2 ips, 2 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J44.
Reel 357: Sal-Mar Construction #5, Undated: Dolby B MASTER. Undated. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J45.

Box 55

Reel 358: Sal-Mar Construction, Unknown, Undated: [A B]. Undated 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J46.
Reel 359: Sal-Mar Construction, Doc IV, 1972: Simulated and on GFE. Recorded 10/21/1972. 7 1/2 ips, 4 track. 1/4 inch polyester tape on 7 inch reel. Recording ID: J47.
Reel 360: Sal-Mar Construction Doc., 1972: Recorded 10/8/1972. 15 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J48.
Reel 361: Sal-Mar Construction, 1973: Ron Pellegrino. Recorded 3/17/1973. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J49.
Reel 362: Sal-Mar Construction, 1973: Ron Pellegrino. Recorded 3/17/1973. 7 1/2 ips, 4 track, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: J50.
Reel 363: April 21, undated: April 21. Michael [Holloway], Lorn [Loren Rush?]. 7 1/2 ips, stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: K7.
Reel 364: Michael Holloway reading, 1976: Recorded 7/27/76. 1/4 inch polyester tape on 7 inch reel. Recording ID: K8.
Reel 365: I Remember You, 1977: Performers: Art Davis, Patrick Castle, Joel Spenser, Salvatore Martirano. 3 3/4 ips, tail out, 4 track. 1/4 inch polyester tape on 7 inch reel. Recording ID: K9.
Reel 366: Improvisation I, undated: Band 1: Percussion - Glen Cronkite, Prepared piano - Salvatore Martirano, Bass - Olly Wilson. Band 2. Same as above, add Ron Dewar - woodwinds. Poet, Michael Holloway. 7 1/2 ips, tail out, stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: K11.
Reel 367: Bird solos, undated: [contents of tape may not match contents listed on box; on one side, box reads 'Bird solos', on other side, box lists tracks and descriptions. Sticker on tape reads, 'vocie-last movement L's G.A.'] 1/4 inch polyester tape on 7 inch reel. Recording ID: K12.
Reel 368: Emily-Lex and Chris, undated: Emily- Lex Martirano and Chris Martirano [nephews of Salvatore Martirano. Emily was their band]. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: K15.
Reel 369: Patrick Castle, Salvatore Martirano, and Joel Spenser, 1977: Patrick Castle, Salvatore Martirano, and Joel Spenser. 1977. 3 3/4 ips, tail out, 4 track. 1/4 inch polyester tape on 7 inch reel. Recording ID: K16.
Reel 370: Quartet, undated: Quartet: Ray Sasaki, John Meyers, Patrick Castle, and Salvatore Martirano. 1/4 inch polyester tape on 7 inch ree. Recording ID: K20.
Reel 371: Singabaugh speech, undated: Singabaugh speech. Tape delay-early Marvil machine. Tape delay. Drunk nite speech. 3 a.m.. 7 1/2 ips, 2 track stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: K21.
Reel 372: Ron Dewar seminar, undated: [original contents marked out] Ron Dewar seminar. 1/4 inch acetate tape on 7 inch reel. Recording ID: K22.
Reel 373: Piano improvsation at the Lake, undated: Side II: Edwin London sings. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K24.
Reel 374: Improvisation- California, undated: Box front also reads "Mrs Farris." 7 1/2 ips, channels A and B, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: K26.
Reel 375: Session, 1968: April, 1968. Salvatore Martirano, Rick Kvistad, Ron Dewar, and unidentified performer. Includes part of "Depot." 1/4 inch acetate tape on 7 inch reel. Recording ID: K27.
Reel 376: Depot II, 1965: Side I: Quartet, trio, quartet. Side II: quartet. Famous chord. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K28.
Reel 377: Depot I, undated: Performers: Ron Dewar, Edgar Krapp, Glen Cronkite, Salvatore Martirano. 7 1/2 ips, 1/2 track mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K29.
Reel 378: Good improvisation, undated: Performers: Ron Dewar, Glen Cronkite, Salvatore Martirano. Contents of tape may not match contents listed on box. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: K30.

Box 56

Reel 379: Improvisation H. T. G., undated: Thomas Howell, Glen Cronkite, Salvatore Martirano. 1/4 inch acetate tape on 7 inch reel. Recording ID: K31.
Reel 380: Improvisation I master tape, 1967: 4/25/67. Channels A and B. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: K32.
Reel 381: Improvisation II, 1967: 4/25/67. Dub. Tail out, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K33.
Reel 382: Improvisation I, 1967: 4/25/67. Dub. Channel A. Donald Smith. 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: K34.
Reel 383: Improvisation, 1967: Jim K., Ron Dewar, P. Dutton, Rick B., Thomas Howell, Glen Cronkite, Salvatore Martirano. 1/4 inch acetate tape on 7 inch reel. Recording ID: K35.
Reel 384: Improvsation II, undated: Ron Dewar- bass clarinet and tenor saxaphone, Glen Cronkite- percussion, Salvatore Martirano- prepared piano, Olly Wilson- string bass, Michael Holloway- poet. 7 1/2 ips, tail out, stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: K37.
Reel 385: Improvisation, undated: Ron Dewar, Salvatore Martirano, and unknown musician. 1/4 inch polyester tape on 7 inch reel. Recording ID: K38.
Reel 386: Michael Holloway, used book collection, undated: Salvatore Martirano, piano. Two takes. 7 1/2 ips, tail out, channels A and B. 1/4 inch acetate tape on 7 inch reel. Recording ID: K40.
Reel 387: Seminar, undated: 3 3/4 ips. 1/4 inch acetate tape on 7 inch reel. Recording ID: K41.
Reel 388: Saxophone and flute stops, undated: Saxophone, bass clarinet , and flute. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K42.
Reel 389: Oboe sounds, undated: Ruhlman. 7 1/2 ips, mono, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: K43.
Reel 390: Bassoon sounds, undated: C. Lipp- bassoon. Track 1: Vol. 1, Track 2: Vol. 2. 7 1/2 ips, head out, 1/2 track mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K44.
Reel 391: Flute sounds, undated: Thomas Howell, flute. 1/4 inch acetate tape on 7 inch reel. Recording ID: K45.
Reel 392: Saxophone and flute stops, undated: Side 1-forward. Saxophone stops 0, flute stops. Side 2- rewind. Saxophone 0-thru, flute. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: K46.
Reel 393: Seminar, undated: Mono, right channel. 1/4 inch acetate tape on 7 inch reel. Recording ID: K47.
Reel 394: Rick-Scalise And[rews?], Modulated, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L1.
Reel 395: L's G.A. Cue Tape, undated: 24'06", 7 1/2 ips, 2 track stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L2.
Reel 396: L's G.A., undated: Cue tape, sub master, 7 1/2 ips A and B, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L3.
Reel 397: L's G.A., undated: "Basic Noise Fluttering" and "G and H imitations." "1st pass for end collage of L's G.A." [Contents unclear, as box also indicates the tape is blank.] 1/4 inch acetate tape on 7 inch reel. Recording ID: L4.
Reel 398: [Tenor?] Sax, undated: Tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L5.
Reel 399: L's G.A., undated: Full track, mono, 7 1/2 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L6.

Box 57

Reel 400: L's G. A. voices and chant, undated: Premature collage for final. 15 ips, channels A and B. 1/4 inch polyester tape on 7 inch reel. Recording ID: L7.
Reel 401: L's G. A., undated: Master organ without reverb. 1/4 inch polyester tape on 7 inch reel. Recording ID: L8.
Reel 402: L's G. A. actor tape, undated: Collage of actor tape. Tape- Salvatore Martirano. Politico- Michael Holloway, Film- Ron Nameth. 7 1/2 ips, mono, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L9.
Reel 403: L's G. A., undated: Original organ and masters. Enclosures with additional information. Stereo. 1/4 inch acetate tape on 7 inch reel. Recording ID: L10.
Reel 404: L's G. A. basic basic white, undated: 15 ips, head out, 2 track. Channels A and B. 1/4 inch acetate tape on 7 inch reel. Recording ID: L11.
Reel 405: L's G. A., undated: "Now 1-8 remains." Enclosures with additional information. Mono. 1/4 inch acetate tape on 7 inch reel. 1/4 inch tape on 7 inch reel. Recording ID: L12.
Reel 406: L's G. A. Organ, first take, undated: Master organs without reverb. Two takes. Enclosure with additional information. 1/4 inch acetate tape on 7 inch reel. Recording ID: L13.
Reel 407: Gregorian Lo Men 15, undated: Variable speed. Dee Voild. Dub final laugh. 7 1/2 ips, tail out, channels A and B. 1/4 inch acetate tape on 7 inch reel. Recording ID: L14.
Reel 408: Unpanned Michael Holloway's voice, undated: Last movement. Filtered. 15 ips, tail out, channels A and B, monophonic full track. 1/4 inch acetate on 7 inch reel. Recording ID: L15.
Reel 409: Rate changed loop is "altogether", undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L16.
Reel 410: L's G. A. basic basic black, undated: Strange Lincoln. 15 ips, channels A and B. 1/4 inch acetate tape on 7 inch reel. Recording ID: L17.
Reel 411: L's G. A. Raw marimba collage, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L18.
Reel 412: L's G. A. parts, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L19.
Reel 413: L's G. A. timings, undated: Enter 1'35", fade 2'00". Head out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L20.
Reel 414: L's G. A. Part Lo Men III, undated: Mono. 1/4 inch polyester tape on 7 inch reel. Recording ID: L21.
Reel 415: L's G. A. parts speeded up, undated: "By the people, for the people, of the people" for part VIII. 1/4 inch acetate tape on 7 inch reel. Recording ID: L22.
Reel 416: L's G. A. Gliss after B, undated: 15 ips, tail out, 2 track. 1/4 inch acetate tape on 7 inch reel. Recording ID: L23.
Reel 417: L's G. A. Now, undated: Take 3. 1/4 inch acetate tape on 7 inch reel. Recording ID: L24.
Reel 418: Dee Voild, undated: Insert includes additional information. 1/4 inch acetate and polyester tape on 7 inch reel. Recording ID: L25.
Reel 419: L's G. A. Part II, undated: "But...to add or detract" 15 ips, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L26.
Reel 420: Gliss, etc., undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L27.
Reel 421: L's G. A., undated: Mono, left channel, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L28.

Box 58

Reel 422: L's G. A. speeded up attacks, undated: I. Noise-speeded up attacks, II. Long tone collapsed, raised and filtered, III. Drums-down-drums-down-. 15 ips, 2 track stereo, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L29.
Reel 423: Octet, undated: High speed AM Octet for saxophone beats. 1/4 inch acetate tape on 7 inch reel. Recording ID: L30.
Reel 424: L's G. A. is altogether unedited, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L31.
Reel 425: L's G. A. part collage, undated: With panned voice and saxophone. 1/4 inch acetate tape on 7 inch reel. Recording ID: L32.
Reel 426: L's G. A. reverb tape and parts, undated: Additional information regarding timing listed on back of box. 1/4 inch acetate tape on 7 inch reel. Recording ID: L33.
Reel 427: L's G. A. part III: III. It is for us. Old, no good. Enclosure with additional information. 1/4 inch acetate tape on 7 inch reel. Recording ID: L34.
Reel 428: Spook music, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L35.
Reel 429: L's G. A. part, undated: Inserts include additional information regarding cues. 1/4 inch acetate tape on 7 inch reel. Recording ID: L36.
Reel 430: L's G. A. parts, undated: Insert includes additional information about cues. 1/4 inch acetate tape on 7 inch reel. Recording ID: L37.
Reel 431: L's G. A. part II b, undated: Extensive list of contents on box. 7 1/2 ips, mono, left channel. 1/4 inch acetate tape on 7 inch reel. Recording ID: L38.
Reel 432: Effects, undated: 1st splice crow, 2nd splice wolf. 7 1/2 ips, full track mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: L39.
Reel 433: AM saxophone, panned voice, and gregorian, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L40.
Reel 434: Long crescendo, undated: Master. 1/4 inch polyester tape on 7 inch reel. Recording ID: L41.
Reel 435: L's G. A. dub, undated: Thin tape. 1/4 inch polyester tape on 7 inch reel. Recording ID: L42.
Reel 436: L's G. A. last movement, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L43.
Reel 437: L's G. A. last movement, undated: Take out. 1/4 inch acetate tape on 7 inch reel. Recording ID: L44.
Reel 438: L's G. A., undated: Take 2. NOW. 1/4 inch acetate tape on 7 inch reel. Recording ID: L45.
Reel 439: L's G. A. basics, pt II no. 2, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L46.
Reel 440: L's G. A. master collage of "Now we are" without trill, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: L47.
Reel 441: Early Stuck [on Stella?], undated: 1/4 inch polyester tape on 7 inch reel. Recording ID: L48.
Reel 442: Dan Senn: Caged, Honkytok, undated: I. Caged (1980), II. Honkytok (1980). Description of the pieces is on the front of the box. 7 1/2 ips, 1/2 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: M1.

Box 59

Reel 443: Will Parsons and Grace Bell, pt I, 1980: July 7, 1980. 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: M2.
Reel 444: Align- elevated, undated: 7 1/2 / 15 ips. 1/4 inch polyester tape on 7 inch reel. Recording ID: M3.
Reel 445: Dorothy [Martirano] and Sal-Mar Construction, 1979: "She spoke." September 1979. 1/4 or 1/2 track stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: M4.
Reel 446: Pretty Girl (vocal), undated: Cummings. [e. e. cummings? In his poem 'mr youse needn't be so spry', the last stanza reads, 'a pretty girl who naked/ is worth a thousand statues.'] 1/4 inch acetate tape on 7 inch reel. Recording ID: M5.
Reel 447: Parts for Lorca, undated: [Garcia Lorca poetry setting?] 1/4 inch acetate tape on 7 inch reel. Recording ID: M6.
Reel 448: Crickets, undated: 7 1/2 ips, full track, tail out. 1/4 inch acetate tape on 7 inch reel. Recording ID: M7.
Reel 449: Early Proposal parts, undated: 1st Proposal. 1/4 inch acetate tape on 7 inch reel. Recording ID: M8.
Reel 450: Background conversation for Hostess, undated: 7 1/2 ips, head out, left channel. 1/4 inch acetate tape on 7 inch reel. Recording ID: M9.
Reel 451: No. 2 of 3 brain variations, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: M10.
Reel 452: No. 3 of 3 brain variations, undated: Insert on box includes information. 1/4 inch acetate tape on 7 inch reel. Recording ID: M11.
Reel 453: Parts- Covered Wagon Train, undated: 1/4 inch acetate tape on 7 inch reel. Recording ID: M12.
Reel 454: Salvatore Martirano: Hostess, undated: Full piece. 7 1/2 ips, mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: M13.
Reel 455: Loop mat- Roger Reynolds experiment, undated: 1/4 inch polyester tape on 7 inch reel. Recording ID: M14.
Reel 456: Tape II WILL talk, undated: 7 1/2 ips, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: M15.
Reel 457: Tape I WILL talk, undated: 7 1/2 ips, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: M16.
Reel 458: No Greater Love, Scotch and Water, Pat's Tune, undated: 1/4 inch polyester tape on 10 inch reel. Recording ID: N1.
Reel 459: L's G.A., ca. 1968: Stereo Collage of Actor and Tape ([Salvatore]Martirano, [M.C.] Holloway, and [Ron] Nameth). 24'51", master recording, tail out, 15 ips. 1/4 inch acetate tape on 10 inch reel. Recording ID: N2.
Reel 460: Quartet, undated: Pieces: Scotch and Water, It's You or No One, Star Eyes, There'll Never be Another You. Performers: Ray Sasaki, John Meyers, Pat Castle, and Salvatore Martirano. Contents unclear, as tape is also labelled "blank." 7 1/2 ips, tail out. 1/4 inch polyester tape on 10 inch reel. Recording ID: N3.
Reel 461: Discussion, undated: November 2nd. [Jerry?] Brieske, M.C. Holloway, Ed London, Salvatore Martirano. 7 1/2 ips, tail out. 1/4 inch acetate tape on 10 inch reel. Recording ID: N4.
Reel 462: Salvatore Martirano Composition Class, 1967: Tape I of II. University of Illinois Symphony Orchestra. [David?] Rosenboom. Recorded 11/11/1967. 15 ips, tail out, stereo. 1/4 inch acetate tape on 10 inch reel. Recording ID: N5.
Reel 463: Salvatore Martirano Composition Class, 1967: Tape II of II. University of Illinois Symphony Orchestra. O'Connor and Howell. Recorded 11/11/1967. 15 ips, tail out, stereo. 1/4 inch acetate tape on 10 inch reel. Recording ID: N6.

Box 60

Reel 464: University of Illinois Symphony Orchestra, undated: Most likely composition students of Salvatore Martirano. 1. Ross 2. Broche 3. [Joseph] Sekon 4. Knapp 5. Madden. 7 1/2 ips, 2 track stereo, tail out. 1/4 inch acetate tape on 10 inch reel. Recording ID: N9.
Reel 465: undated: Conversation-Dorothy and Salvatore Martirano. "Cedar" [Street? Location of former Martirano home.] Left channel, tail out. 1/4 inch acetate tape on 10 inch reel. Recording ID: N11.
Reel 466: Mass, undated: Reel 4 of 5. 1/4 inch polyester tape on metal core. Recording ID: N13.
Reel 467: Quintet, 1979: Recorded December 13, 1979. 1/4 inch polyester tape on 10 inch reel. Recording ID: N14.
Reel 468: Fibonacci, undated: 1/4 inch acetate tape on ten inch reel. Recording ID: N15.
Reel 469: Fashion Show Materials, undated: Enclosed contents listing, includes "Screams" and "Cocktail background." Approx. 22". 1/4 inch tape on 10 inch reel. Recording ID: N16.
Reel 470: Shared Waveshape, undated: "Bad Alex Redo" written on reel. 1/4 inch polyester tape on 10 inch reel. Recording ID: N17.
Reel 471: Pretty Girl, undated: "Bomb and Stra[v.?], E.N.D." [Election Night Diversion?] 1/4 inch acetate tape on 10 inch reel. Recording ID: N18.
Reel 472: Underworld-Parts, undated: No. 5. 1/4 inch acetate tape on 10 inch reel. Recording ID: N19.
Reel 473: R's Oscills, undated: Written on tape box, "Early, R's oscills--rotten--possibly documentation." 1/4 inch polyester tape on 10 inch reel. Recording ID: N20.
Reel 474: Early Sal-Mar Construction, 1970: Recorded August 3, 1970. Written on box, "First results, (documentation)." 1/4 inch polyester tape on 10 inch reel. Recording ID: N21.
Reel 475: Unidentified, undated: Written on box, "Dolby Master Out Takes." 1/4 inch polyester tape on 10 inch reel. Recording ID: N22.
Reel 476: E.N.D. [Election Night Diversion?], undated: Cue tape. "Pretty Girl 7 1/2 ips, Sine 15 ips, and Straw 15 ips," Tape 2. 1/4 inch acetate tape on 10 inch reel. Recording ID: N23.
Reel 477: Untitled, undated: Instrumental music (woodwinds) with some talking. 7 1/2 ips, tail out, 1/4 inch polyester tape on 10 inch reel. Recording ID: N24.
Reel 478: L's G.A., undated: Cue tape, sub-master, 15 ips, tail out, A and B. 1/4 inch acetate tape on 10 inch reel. Recording ID: N25.
Reel 479: Sal-Mar Construction: 7 1/2 ips, 2 track, mono, dub. 1/4 inch polyester tape on 10 inch reel. Recording ID: N26.
Reel 480: L's G.A. Part, undated: Master quartet of "Now." 9 takes. 1/4 inch acetate tape on 10 inch reel. Recording ID: N27.
Reel 481: Tape Delay-Microphone, undated: 1/4 inch acetate tape on 10 inch reel. Recording ID: N28.
Reel 482: L's GA Part, undated: Mass, Voice, first part. 1/4 inch acetate tape on 10 inch reel. Recording ID: N29.
Reel 483: Ron [Dewar?], Salvatore Martirano, Atwood, and [Ed?] London: 1/4 inch acetate tape on 10 inch reel. Recording ID: N31.
Reel 484: Underworld, undated: Written on box, "Channel 1 and 123-456 789." 1/4 inch acetate tape on 10 inch reel. Recording ID: O1.

Box 61

Reel 485: Underworld Part, undated: Written on box, "Tape A, B; Fugue 1, 2--2 voices, 8 part; High trill, Fugue--4 voices." Enclosed contents notes. 1/4 inch acetate tape on 10 inch reel. Recording ID: O2.
Reel 486: Underworld Part, undated: 1/4 inch acetate tape on 10 inch reel. Recording ID: O3.
Reel 487: Underworld, undated: Dub of Armory [ca. 1965]. 15 ips, 1/4 inch polyester tape on 10 inch reel. Recording ID: O4.
Reel 488: Mass, undated: No. VI, unedited. Detailed contents notes on box. 15 ips, tail out. Recording ID: O5.
Reel 489: Mass, Gloria, undated: No. IV, unedited, includes Credo. Detailed contents notes on box. 1/4 inch polyester tape on 10 inch reel. Recording ID: O6.
Reel 490: Mass, Credo, undated: No. V. 1/4 inch polyester tape on 10 inch reel. Recording ID: O7.
Reel 491: Octet outtakes, undated: Includes enclosed contents listing. 1/4 inch acetate tape on 10 inch reel. Recording ID: O8.
Reel 492: Octet, undated: Includes enclosed contents listing. Tape I remains, 15 ips. 1/4 inch acetate tape on 10 inch reel. Recording ID: O9.
Reel 493: Octet remains, undated: 7 1/2 ips, 1/4 inch acetate tape on 10 inch reel. Recording ID: O10.
Reel 494: Octet, undated: First generation recordings, A and B 15 ips and 7 1/2 ips. 1/3 of tape has recorded content. 1/4 inch acetate tape on 10 inch reel. Recording ID: O11.
Reel 495: Octet Outtakes, undated: Includes enclosed contents listing. 1/4 inch acetate tape on 10 inch reel. Recording ID: O12.
Reel 496: Ballad Outtakes, undated: Includes enclosed contents listing. 1/4 inch acetate tape on 10 inch reel. Recording ID: O13.
Reel 497: L's G.A. with Michael [Holloway] Hi Filter, undated: Tape contents unclear. Box labelled, "L's, G.A.," "Depot II Quartet," "Empty with Time Marks." Right channel: highs filtered and lows dictated [illegible ?]. Etched on reel, "SMH 1144." 1/4 inch acetate tape on 10 inch reel. Recording ID: O14.
Reel 498: L's G.A., undated: Track 1: long-tone, tracks A and B. Track 2: Piece of Underworld, tracks A and B. Track 3: 1st rate changed. Short sounds, tracks A and B. Track 4: Rate changed, long sounds, 2nd collage, left channel-short sounds. 1/4 inch acetate tape on 10 inch reel. Recording ID: O15.
Reel 499: L's G.A., undated: Includes enclosed contents listing. Includes "Boom Voice," "Raka Raka" section from L's G.A. 1/4 inch acetate tape on 10 inch reel. Recording ID: O16.
Reel 500: L's G.A. Part, undated: Voice only, head out. 7 1/2 ips, long-tone original. 1/4 inch acetate tape on 10 inch reel. Recording ID: O17.
Reel 501: L's G.A. Part, undated: Dolby, 4 tracks. Includes enclosed contents listing. 1/4 inch acetate tape on 10 inch reel. Recording ID: O18.
Reel 502: L's G.A. Cue, undated: Salvatore Martirano. Dolby A, sub performing master. 15 ips, 2 track stereo. 1/4 inch polyester tape on 10 inch reel. Recording ID: O19.
Reel 503: L's G.A. Part, undated: Contents unclear. Box labelled, "Morton Subotnik, UCLA, 15 ips, stereo." Reel labelled, "A and B, Part of Tapes I and IV." 1/4 inch acetate tape on 10 inch reel. Recording ID: O20.
Reel 504: L's G.A., undated: "Nazi glissando" section. 15 ips, tail out. 1/4 inch acetate tape on 10 inch reel. Recording ID: O21.
Reel 505: L's G.A., undated: Voice, short tone. 7 1/2 ips, head out, 2 track. 1/4 inch acetate tape on 10 inch reel. Recording ID: O22.

Box 62

Reel 506: L's G.A., ca. 1968: Early master. 15 ips, A and B channels, tail out. 1/4 inch tape on 10 inch reel. Recording ID: O23.
Reel 507: L's G.A. Part, 1967: Recorded 10/15/1967. Michael [Holloway] recording session for commercial recording. Tail out, 15 ips, 1/4 inch polyester tape on 10 inch reel. Recording ID: O24.
Reel 508: L's G.A. Part, undated: Dolby outtakes. I. Part one with phase and sax entrances. II. PArt VII. III. Part VII. IV. Part III "We are met." 1/4 inch acetate tape on 10 inch reel. Recording ID: O25.
Reel 509: L's G. A., undated: Includes Raka, Chant, and Ballad piece sections. 1/4 inch acetate tape on 12 inch reel. Recording ID: O26.
Reel 510: L's G. A. master uncollaged, undated: Detailed description on back of box. 15 ips, 2 track stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: O27.
Reel 511: L's G. A. part scraps, undated: Insert includes track listing. 15 ips, stereo, tail out. 1/4 inch acetate tape on 12 inch reel. Recording ID: O28.
Reel 512: L's G. A. part, undated: Detailed description of tracks listed on back of box. 1/4 inch acetate tape on 12 inch reel. Recording ID: O29.
Reel 513: Underworld, undated: 1/4 inch acetate tape on 12 inch reel. Recording ID: O30.
Reel 514: Nixon-Wallace, undated: Michael Holloway, Patty [?], Liz [?], Bill Parsons, Ron Dewar. Reverse of box reads 'Rossini: Otello, pt 3'. 1/4 inch acetate tape on 12 inch reel. Recording ID: O31.
Reel 515: Quintet, 1979: "Late-nite Quintet." Recorded 4/19/1979. Pieces: "It's You or No One," "I Thought About You," "Solar." 7 1/2 ips, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: T01.
Reel 516: Cue Tape, Underworld, undated: DBX Type I encoded, tail out, 15 ips, 12:30. 1/4 inch polyester tape on 7 inch reel. Recording ID: T02.
Reel 517: Phleu, undated: Dub from digital copy, dry and wet versions. Also on DAT. 7 1/2 ips, 1/2 track, tail out, stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: T03.
Reel 518: Thrown, 1984: Tone Road Ramblers, reel 1 of 2. Recorded 10/6/1984, Krannert Great Hall, alternate version from the one on Detour. Recording engineer: Rex Anderson. 15 ips, 1/2 track, tail out, Dolby-A, stereo, 17:40. 1/4 inch polyester tape on 10 inch reel. Recording ID: T05.
Reel 519: 4-track Sampler, undated: 1/2 inch tape on ten inch reel. Recording ID: T06.
Reel 520: 8 track sampler, undated: 1/2 inch polyester tape on 10 inch reel. Recording ID: T07.
Reel 521: Improv, 1968: Holloway with Border Guard; Beta L's G.A. partial mix. 1/4 inch acetate tape on 10 inch reel. Recording ID: T08.
Reel 522: Untitled (Xenakis rehearsal), 1968: Mix: Michael [Holloway?], Loren [?], Bill [Parsons?], Me [Salvatore Martirano]. Xenakis rehearsal. 1/4 inch acetate tape on 10 inch reel. Recording ID: T09.
Reel 523: Sampler, undated: Sampler (without violin), Not edited, leader after the tone. "OVU" tone at the head=261 nw/m. 7 1/2 ips, tail out, stereo, 1/2 track. 1/4 inch polyester tape on 7 inch reel. Recording ID: T10.
Reel 524: Auto Mobile, Shop Talk, undated: Ives Festival. 71/2 ips, A and B, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: T11.
Reel 525: Ron Dewar, undated: 1/4 inch polyester tape on 7 inch reel. Recording ID: T12.
Reel 526: UIUS and Jest Fa'laffs, undated: Program on 1 and 2, click on 4, and tone on 4. Tail out, DBX encoded, 15 ips. 1/4 inch polyester tape on 7 inch reel. Recording ID: T13.

Box 63

Reel 527: Sampler, undated: 2 track, 15 ips, DBX encoded. 1/4 inch polyester tape on 7 inch reel. Recording ID: T14.
Reel 528: Interviews, 1969: Interviews, recorded 4/27/1969, with Don [Smith?], Michael [Holloway?], Dorothy [Martirano]. 15 ips, tail out, full track mono. 1/4 inch acetate tape on 7 inch reel. Recording ID: T15.
Reel 529: Underworld Session, 1982: Recorded 3/1/1982 by Rex Anderson in Krannert Great Hall. 7 1/2 ips, 1/2 track, stereo, head out. 1/4 inch polyester tape on 7 inch reel. Recording ID: T17.
Reel 530: New Music Ensemble (NME), 1985: Reel 2 of 2, recorded 10/22/1985 in Krannert Great Hall by R. Denhart. 7 1/2 ips, 1/2 track, tail out, stereo. 1/4 inch polyester tape on 7 inch reel. Recording ID: T18.
Reel 531: Phleu, undated: Dub from digital copy. Dry and Wet versions. 15 ips, 1/2 track, tail out, stereo. Recording ID: T19.
Reel 532: Untitled, undated: Reel labelled, "Helium, That we highly." Most likely L's G.A. 1/4 inch polyester tape on 10 inch reel. Recording ID: T20.
Reel 533: Don [Smith], Ron [Dewar], [Bill?] Parsons, Sal [Martirano], [Michael] Holloway, and poems, 1968: Recorded 8/16/1968. Reel IV. Don Smith, flute; Ron Dewar; [Bill?] Parsons, Salvatore Martirano, [Michael] Holloway. Multiple poems, take 2, "Rada Yeeda, Rada Rati," Don [Smith?]. On DAT, Recording ID S03, located in Box 35. 1/4 inch acetate tape on 10 inch reel. Recording ID: U3A.
Reel 534: Ron Dewar, Fred Atwood, Sal Martirano, undated: 7 1/2 ips, head out, #3 on DAT 3, located in box 35. 1/4 inch acetate tape on 10 inch reel. Recording ID: U3B.
Reel 535: In Praise, 1968: Michael [Holloway?]: "In Praise..." with Don [Smith?] singing and flute, Ron [Dewar], Sal [Martirano] trilling notes and "Black Blouse" [ 2 piano improvisation?]. 7 1/2 ips, 15", stereo, tracks A and B. Recorded 8/15/1968. 1/4 inch acetate tape on 10 inch reel. Recording ID: U4.
Reel 536: Two Piano Improvisation, 1968: Reel V, recorded 8/16/1968. Salvatore Martirano and Bill Parsons with Don Smith. No. 2 on DAT 4, "60s," located in Box 35. Recording ID: U4A.
Reel 537: Trio, 1968: Reel VI. Recorded 8/17/1968. Trio: Bill [Parsons], Don [Smith], Salvatore Martirano. Notes on tape box: "Fair balance," "Michael [Holloway] enters and leaves quietly," "good duo between Parsons and me [Martirano]," "good trio long tone," "fire-cracker ending." 1/4 inch acetate tape on 10 inch reel. Recording ID: U5.
Reel 538: Improvisations I, 1967: Recorded 5/23/1967. Tail out. On DAT 5, Box 35. 1/4 inch polyester tape on 10 inch reel. Recording ID: U5A
Reel 539: Jacob Druckman: WINDOWS, undated: BMCO, Bruno Maderna, coud. 7 1/2 ips, 1/2 track, tail out, stereo. 19 cm/s. Recording ID: B38.
Reel 540: Robert Erickson: Night Music, 1978: Recorded 5/24/1978. Sonor, Dress #2. 7 1/2 ips, 1/2 track, head out, stereo. Recording ID: B39
Reel 541: Feliciano: Mutations, Gravities, 1965: Mutations for Orchestra. Gravities for Piano, Four Hands. 7 1/2 ips, 1/2 track, stereo. Recording ID: B40.
Reel 542: Music for Loudspeakers No. 1, undated: Ian Fredericks: "Mother". For Small Rooms. 4 track, 15 ips, db + encoded, tail out. Recording ID: B41.
Reel 543: Ghent, undated: Ghent: Hex, an Ellipsis for Trumpet, Instruments and Tape. stereo, 7 1/2 ips. "A. Recording of Town Hall performance with electronic soli dubbed in from the master. (In the performance recording itself, most of track - I was not recorded.) B. (After 2nd leader). A dub of the electronic part of the score from beginning to end. "Instruments dubbed in during long instrumental solo). Recording ID: B42
Reel 544: Ghent: Electronic Ulu, Computer Brass, undated: Divertimento for Eletronic Violin and Computer Brass. Recording ID: B43
Reel 545: Jeff Goldstein: Strokes, undated: "Strokes". Tail out. 4 minutes. 1/2 inch quad, 15 ips. Recording ID: B44.
Reel 546: Goldstein: Buch, Arp and Moog, undated: Recorded 12/9/1974 at Oberlin College. Jeff Goldstein: "Characters and Conversations". 20 minutes, 7 1/2 ips, 1/2 track stereo, tail out. Copy and Live. Recording ID: B45.
Reel 547: Ben Johnston 4th, 1974: Recorded 4/30/1974 at [Howard?] Auditorium. Ben Johnston: String Quartet no. 4. Performed by the Five Arts Quartet. 1/2 or 1/4 track, 7 1/2 ips, tail out. Recording ID: B47.

Box 64

Reel 548: Paul Koonce: Rule 3, undated: Rule III - Paul Christian Koonce. Dolby B, tail out, 15 ips, 1/2 track. Recording ID: B48.
Reel 549: Untitled, 1979: Test Tone. Rule III - Paul Koonce, 4' long. For Scott - Series 60 - Paul Koonce, duration 6'. 15 ips, 1/2 track - 1/4 track compatible, tail out, Dolby B Encoded. Recording ID: B49.
Reel 550: Kowalski, 1975, 1976: 7 1/2 ips, 1/2 track, 2 ch.s, tail out. Band 1 (inner band as wound): hors d'oeuvres (1975) ca. 6 1/2': Candace Natvig soprano, John English trombone. Recorded 10/75, Utrecht, Neth. Band 2: fakebook (1976) ca. 10': Michael Kowalski piano. Reading session recorded 10/76, Urbana. Michael Kowalski, 103 Hartle Ave. Urbana, IL 61801. Recording ID: B51
Reel 551: Ed Hermann, 1979: Ed Hermann. Good Evening/Scuse Me, 2:35; Jon's Dance, 1:55; Trpt & Tape, 6:40; Ionistations, 1:10; Persona Magnitech, 7:30; She Spoke, 11:35. Performed on KOPN 26 September 1979. 7 1/2 ips, 1/2 track stereo, tail out. 1/4 inch polyester tape on 7 inch reel. Recording ID: D46.
Reel 552: Sampler, undated: Without violin. Pre beta (without percussion). 15 ips. Tail out. 1/4 inch polyester tape on 7 inch ree. Recording ID: F39.
Reel 553: Sampler, undated: Original contents scratched out. 15 ips. 1/4 inch polyester tape on 7 inch ree. Recording ID: D47.
Reel 554: Knapp Sounds and Holloway, undated: Tail out. 7 1/2 ips, mono. 1/4 inch polyester tape on 7 inch reel. Recording ID: K39.

Box 69

Folder 9: Audio Recording: Martirano Underworld (CD), undated: White compact disc in unlabeled case with the following hand-written on CD: 1. Tone; 2. 2-ch. w/ click; and 3. 2-ch for performance. Appears to be soundbites/clips of Martirano pieces
Folder 10: The Composer in the Computer Age - V: A Salvatore Martirano Retrospective: 1962-92, 1995: Compact disc. CDCM Computer Music Series, Vol. 22, by Centaur. Song list: Underworld (1964-1965); SATBehind Demo (1992); SAL-MAR Construction (1969-1972); Four Not Two (1987); Electronic Dance No. 1 (1962), and L's G.A. (1968).

Box 70

Folder 1: Contrasta II Movement, August 13, 1955: Marttirano's "Contrasta II Movement" on vinyl record 33^_1/3 RPM recorded by B&C. in New York,

Series 8: L's GA Props

Items 3-8 are stored inside Item 2 and Items 10-22 are stored inside Item 9.

Item 1: Helmet and gas mask, ca. 1967

Accession number: 2011.120542.023

Item 2: Metal Toolbox, ca. 1960

Accession number: 2011.120542.024

Item 3: Helium Tank, ca. 1967

Accession number 2011.120542.025

Item 4: Metal stand for helium tank, ca. 1967

Accession number: 2011.120542.026

Item 5: Regulator, ca. 1960

Accession number: 2011.120542.005

Item 6: Wrench, ca. 1960

Fits nozzle of Helium Tank, Series 8 Item 3. Accession number: 2011.120542.006

Item 7: Microphone, ca. 1967

Accession number: 2011.120542.007

Item 8: Bag of Balloons, ca. 1967

Pink plastic bag containing one red balloon, one pink balloon, and three clear plastic clips

Accession number: 2011.120542.008

Item 9: Black Leather Case, ca. 1967

Accession number: 2011.120542.009

Item 10: Two XLR Microphone cables and air hose in orange hose, ca. 1967

Accession number: 2011.120542.010

Item 11: Microphone connector box, ca. 1967

Accession number: 2011.120542.011

Item 12: Gray microphone cable, ca. 1967

Accession number: 2011.120542.012

Item 13: Silver needle nose pliers, ca. 1967

Accession number: 2011.120542.013

Item 14: Red needle nose pliers, ca. 1967

Accession number: 2011.120542.014

Item 15: Tan wire cutters, ca. 1967

Accession number: 2011.120542.015

Item 16: Microphone cable adapter, ca. 1967

XLR female to two XLR male connectors

Accession number: 2011.120542.016

Item 17: Microphone cable adapter, ca. 1967

XLR female to two XLR male connectors

Accession number: 2011.120542.017

Item 18: Microphone cable adapter, ca. 1967

XLR female connector to two 1/4" mono audio male connectors

Accession number: 2011.120542.018

Item 19: Microphone cable adapter, ca. 1967

XLR male to 1/8" mono audio female connectors. 11 cm long.

Accession number: 2011.120542.019

Item 20: Microphone cable adapter, ca. 1967

XLR male to 1/8" mono audio female connectors. 11 cm long.

Accession number: 2011.120542.020

Item 21: Microphone cable adapter, ca. 1967

XLR female to female connectors. 24 cm long.

Accession number: 2011.120542.021

Item 22: Microphone cable, ca. 1967

Black XLR cable, male to female connectors, 1.3 meters long.

Accession number: 2011.120542.022

Folder 23: Luggage Tags, ca. 1977, 1991

Airline luggage tags, presumably removed from Series 8, Item 9: Black Leather Case. Envelope discovered in case and added to finding aid on November 7, 2014.