Finding Aid for Kenneth Gaburo Papers, 1936, 1945-93 | The Sousa Archives and Center for American Music

By Bethany R. Cooper and Nolan Vallier

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Collection Overview

Title: Kenneth Gaburo Papers, 1936, 1945-93

ID: 12/5/33

Primary Creator: Gaburo, Kenneth (1926-1993)

Extent: 37.7 cubic feet

Arrangement: The Kenneth Gaburo Papers are arranged into two distinct series: Series 1) Kenneth Gaburo Music and Papers, and Series 2) Larry Polansky Lingua Press Records. Series 1 was arranged and described by Bethany Cooper in 2003. Materials in Series 1 were arranged into 40 subseries and were organized first at the box level and secondarilly by material type. Series 2 was arranged and described by Nolan Vallier in 2013 and was arranged into two separate subseries: Business Records and Correspondence. Materials in Series 2 were arranged chronologically.

Date Acquired: 05/27/1999. More info below under Accruals.

Subjects: Choirs, Computer Music, Electronic Music, Faculty Papers, Multimedia Performance, Music Publishers, University of California San Diego, University of Illinois, University of Iowa

Formats/Genres: Experimental Music, Papers

Languages: English

Scope and Contents of the Materials

Papers of Kenneth Gaburo (1926-93), Professor of Music (1955-68) contain correspondence, published and manuscript musical compositions, sound recordings, motion picture and video recordings, and photographs relating to his compositions and performances, Lingua Press music publishing business, and his New Music Choral Ensemble performance group, University of California San Diego Electronic Music Studio (1968-75), University of Iowa Electronic Music Studio (1970-91). This series also includes source materials, drafts, and final versions of compositions inlcuding the "Lingua I Series," "Lingua II: Maledetto," "Lingua III: In the Can," and major compositions including electronic pieces, "Lemon Drops," and "For Harry," the series of 10 "Antiphonies," incomplete "Antiphony XI," and "Testimony" videotapes from Gaburo's "Scratch" project. It also contains audio and video recordings, the conductors score, and rehearsal tapes of Harry Partch's "The Bewitched," which Gaburo conducted.

Biographical Note

Kenneth Gaburo (1929-1993) was born in Somerville New Jersey. In 1943, he began his studies in composition at the Eastman School of Music with Bernard Rodgers. In 1949, he received master's degrees in composition and piano performance from Eastman. Between 1954 and 1955 he studied at the Accademia di Santa Cecilia in Rome with Goffredo Petrassi. Soon after he began his doctoral studies with Burrill Phillips and Hubert Kessler at the University of Illinois where he received a Doctor of Musical Arts in 1962. While completing his doctorate, he joined the faculty of the composition department at the University between 1955 and 1968. In 1967 he was named an associate fellow of the University of Illinois Institute for Advanced Study and received several grants to research the confluence between musical composition and linguistics at both the University's of Illinois and California. In the summer of 1965, Gaburo established the New Music Choral Ensemble I, a summer workshop that performed contemporary music that explored pitch, duration, timbre, indeterminacy, extended vocal techniques, and the integration of the voice and electronic instruments. In 1968, Gaburo left the University of Illinois to accept a teaching position at the University of California at San Diego, here he established the New Music Choral Ensemble II. By 1970 he had established the New Music Choral Ensemble III in order to more fully explore musical linguistics and dance. In 1972, he established the New Music Choral Ensemble IV to explore mime and acting. In 1975, Gaburo resigned from the University of California at San Diego and began touring professionally. Shortly after this, Gaburo accepted a position at the University of Iowa where he worked until his death in 1993.

While maintaining an active career as a composer, Gaburo also acted as a music publisher founding the Lingua Press in 1975, which he managed until his death in 1993. After Gaburo died the company continued to publish music under the Lingua Press title until it was changed to Frog Peak Music by Gaburo's Business Partner Larry Polansky.

Gaburo was also an active conductor and promoter of new music conducting his four New Music Choral Ensembles as well as the European premiere performance of Harry Partch's The Bewitched in 1979.

Subject/Index Terms

Choirs
Computer Music
Electronic Music
Faculty Papers
Multimedia Performance
Music Publishers
University of California San Diego
University of Illinois
University of Iowa

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: The Kenneth Gaburo Papers were initially acquired by University Archives on May 27, 1999. Additional materials were acquired from Larry Polansky by the Sousa Archives on August 9, 2013.

Acquisition Source: gift

Related Materials: See also the Experimental Studio Records, the Harry Partch Estate Archive, the Music and Performing Arts Library Harry Partch Collection, the Salvatore Martirano Papers, the Paul Martin Zonn Papers, the Scott Wyatt Papers, the William Brooks Papers, the Music Library Administrative Records, and the School of Music Audio Recordings Festival of Contemporary Arts Series. For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers. For more information please see https://research.lib.buffalo.edu/hiller.

Box and Folder Listing

Browse by Series:

[Series 1: Kenneth Gaburo Music and Papers],
[Series 2: Larry Polansky Lingua Press Records, 1975-1991],
[All]

Series 1: Kenneth Gaburo Music and Papers

Consists of correspondence, educational materials, tax information, pictures, slides, concert programs, business records, musical scores and sketches, and both audio and visual recordings of performances, rehearsals, and found sounds made by Kenneth Gaburo. The Series was organized by the University Archives by physical shape and size and by document type at the box level. There are a total of 40 Subseries within series 1, with additional Sub-Subseries located within Subseries 1 and Subseries 37 (These are notated with additional markings within the titles of the items).

Box 1

Sub-Series 1: Personal Items

Folder 1: Personal Items: Astrological Readings for Kenneth Gaburo, undated
Folder 2: Personal Items: "In Memory of Kenneth Gaburo" Funeral Booklet, 1993
Folder 3: Personal Items: Gaburo EEG Extended, June 2, 1989
Folder 4: Articles and Clippings: Notes on Scrap Paper, undated
Folder 5: Articles and Clippings: Gaburo Scrapbook 1, 1945-1959
Folder 6: Articles and Clippings: Gaburo Scrapbook 2, 1948-1967
Folder 7: Articles and Clippings: Scrapbook (Awards, Correspondence, and Clippings), 1948-1961
Folder 8: Articles and Clippings: Scrapbook (The Snow Queen, Widow, New York events, photographs and clippings), 1949-1962, 1973
Folder 9: Articles and Clippings: Newspaper Articles, 1957-1961
Folder 10: Articles and Clippings: Newspaper Articles, 1963-1966
Folder 11: Articles and Clippings: Newspaper Articles, 1967-1972
Folder 12: Articles and Clippings: Newspaper Articles, 1973-1978
Folder 13: Articles and Clippings: Newspaper Articles, 1979-1982
Folder 14: Articles and Clippings: Newspaper Articles, 1983-1988
Folder 15: Articles and Clippings: Newspaper Articles, 1987-1991
Folder 16: Statement of Purpose and Proposal for the Collegiate Singers, 1961
Folder 17: "Music of the last 40 years not yet established in the repertoire", 1974-1975
Folder 18: Center for Music Experiment Report, 1974-1975
Folder 19: Symposium of the International Musicological Society (Abstracts), 1988
Folder 20: Interviews: Kenneth Gaburo: Sound and Fury, interview by Judith S. Grove, 1972
Folder 21: Interviews: "Para-Maledetto" Essay on Gaburo Composition Lingua II: Maldetto, by students of Dr. Charles Lipp, 1974
Folder 22: Interviews: Maldetto, by Bill Brooks for Perspectives of New Music, 1980
Folder 23: Interviews: Kenneth Gaburo interviewed by Nicholas Zurbrugg, 1983
Folder 24: Collaboration I: Kenneth Gaburo and Steven Schick discuss Gaburo's Antiphony VIII [revolution], 1988
Folder 25: Disstertations and Scholarly Writing: Dissertations supervised by Gaburo, undated
Folder 26: Disstertations and Scholarly Writing: "Lightning for In the Can" by Gary L. Yoder, 1972
Folder 27: Disstertations and Scholarly Writing: "Mouthpiece by Kenneth Gaburo: A performer's analysis of the composition" by Jack Logan, 1977
Folder 28: Disstertations and Scholarly Writing: "Corporeality in the Music of Harry Partch" (Interview with Gaburo), 1984: Interview on pp. 184-261
Folder 29: Disstertations and Scholarly Writing: "The Choral Compositions of Kenneth Gaburo" by David Charles Ferreira, 1963
Folder 30: Disstertations and Scholarly Writing: "Antiphony IV of Kenneth Gaburo" by Eric Larson, 1987
Folder 31: Correspondence: General, 1971, 1973-1974, 1977
Folder 32: Correspondence: Albaugh, John and Laura Carlson, 1986
Folder 33: Correspondence: Allik, Kristi, 1981-1986
Folder 34: Correspondence: Anderson, Cain, Scott and Veronica, 1987-1991
Folder 35: Correspondence: Babbitt, Milton, 1958-1981
Folder 36: Correspondence: Bard, Ellen, 1982-1991
Folder 37: Correspondence: Barkin, Elaine, 1977-1992
Folder 38: Correspondence: Barndt, Mimi, 1969, 1971
Folder 39: Correspondence: Barndt, Ros, 1979, 1982
Folder 40: Correspondence: Barnett, Bonnie, 1977-1992
Folder 41: Correspondence: Barron, Elinor, 1972, 1978
Folder 42: Correspondence: Barron, Susan and David, 1969-1983

Box 2

Sub-Series 1: Personal Items

Folder 1: Correspondence: Basant, Ann, 1973-1988
Folder 2: Correspondence: Bean, Calvert, 1962-1989
Folder 3: Correspondence: Blakey, Sue, 1989
Folder 4: Correspondence: Blackburn, Philip and Alex, 1979-1992
Folder 5: Correspondence: Blackenburg, Lou, 1980-1984
Folder 6: Correspondence: Block, Glen, 1976-1986
Folder 7: Correspondence: Bolleter, Ross, 1987-1988
Folder 8: Correspondence: Brooks, Bill, 1971-1992
Folder 9: Correspondence: Brun, Herbert, 1966-1980
Folder 10: Correspondence: Bulber, Patrice, 1985
Folder 11: Correspondence: Burt, Warren, 1973-1993
Folder 12: Correspondence: Cantrill, Arthur and Corrine, 1987-1988
Folder 13: Correspondence: Cary, Tristram, 1976
Folder 14: Correspondence: Casellman, Barry, 1971-1991
Folder 15: Correspondence: Celona, John, 1972-1987
Folder 16: Correspondence: Chase, David and Ann, 1971-1983
Folder 17: Correspondence: Chopin, Henri, 1985
Folder 18: Correspondence: Conover, William K., 1983
Folder 19: Correspondence: Cope, David, 1977-1981
Folder 20: Correspondence: Copland, Aaron, 1959-1967
Folder 21: Correspondence: Cuellar, Carlos, 1990
Folder 22: Correspondence: Culbertson, Mark, 1981, 1992
Folder 23: Correspondence: Cummiskey, Linda, 1976-1979
Folder 24: Correspondence: Cupples, Ric, 1972-1977
Folder 25: Correspondence: Cutler, Jean, 1971
Folder 26: Correspondence: Dahlheim, Eric and Barbara, 1972-1989
Folder 27: Correspondence: Defotis, Bill amd Susan Motycka, 1977-1992
Folder 28: Correspondence: Delloria, M., 1980, 1985
Folder 29: Correspondence: Dickson, Susan, undated
Folder 30: Correspondence: Drummond, Siobhan, 1980-1981
Folder 31: Correspondence: Dunn, David, 1983-1987
Folder 32: Correspondence: Dywnska, Dorota, 1988
Folder 33: Correspondence: English, Jon, undated
Folder 34: Correspondence: Enslin, Mark, 1987
Folder 35: Correspondence: Erickson, Robert, 1959-1962
Folder 36: Correspondence: Ewen, David, 1979-1980
Folder 37: Correspondence: Ferreira, David and Linda, 1976-1977
Folder 38: Correspondence: Fonville, John, 1987
Folder 39: Correspondence: Francois, Jean Charles, 1986, 1991
Folder 40: Correspondence: Freeman, Betty, 1983, 1985
Folder 41: Correspondence: Franco, Clare, 1973-1974
Folder 42: Correspondence: Fromm, Paul, 1955-1987
Folder 43: Correspondence: Fulkerson, James, 1973-1987
Folder 44: Correspondence: Gaber, Harley, 1976-1989
Folder 45: Correspondence: Gaburo, Amadeo, 1955
Folder 46: Correspondence: Gaburo, Isabelle, 1967-1982
Folder 47: Correspondence: Gaburo, Kenneth, 1961-1992
Folder 48: Correspondence: Gaburo, Kirk and Beth, 1971-1990
Folder 49: Correspondence: Gaburo, Lia, 1983-1989
Folder 50: Correspondence: Gaburo, Mark, Joyce, and Angela, 1980-1989
Folder 51: Correspondence: Gaburo, Virginia, 1980-1981
Folder 52: Correspondence: Gaburo, Yvonne, 1979-1982
Folder 53: Correspondence: Geil, Jean, 1985-1993
Folder 54: Correspondence: General Correspondence, 1968-1992
Folder 55: Correspondence: Glasgow, Glenn, 1959, 1985
Folder 56: Correspondence: Glassman, Jeff, 1981-1985
Folder 57: Correspondence: Goode, Daniel, 1973-1991
Folder 58: correspondence: Haase, Pearl, 1985-1986
Folder 59: Correspondence: Hamlin, Peter, undated
Folder 60: Correspondence: Harrison, Lou, 1982-1985
Folder 61: Correspondence: Hasse, Jean, 1977-1978
Folder 62: Correspondence: Heller, Barbara, 1990
Folder 63: Correspondence: Hendler, Joyce, 1979
Folder 64: Correspondence: Hewitt, Barnard, 1965-1978
Folder 65: Correspondence: Hibbard, William, 1970-1978
Folder 66: Correspondence: Hix, Jennifer, 1989-1992
Folder 67: Correspondence: Hoitenga, Camilla, 1989
Folder 68: Correspondence: Hruby, Patricia, 1991-1992
Folder 69: Correspondence: Hunter, George, 1966-1967
Folder 70: Correspondence: Jeffers, Ron, 1971-1989
Folder 71: Correspondence: Johnson, Jack, 1976
Folder 72: Correspondence: Johnston, Ben, 1969-1991
Folder 73: Correspondence: Kaplon, Linda B., undated
Folder 74: Correspondence: Kemp, Milford C., 1976-1980
Folder 75: Correspondence: Knetsch, Christiane, 1987-1988
Folder 76: Correspondence: Kolb, Barbara, 1975-1976
Folder 77: Correspondence: Korte, Karl, 1968, 1977
Folder 78: Correspondence: Krueger, Sardi, 1976-1977
Folder 79: Correspondence: Laske, Otto, 1978-1992
Folder 80: Correspondence: Latham, Thais, 1971-1972
Folder 81: Correspondence: Leandre, Joelle, 1978-1979
Folder 82: Correspondence: Lentz, E.M., 1977
Folder 83: Correspondence: Levin, Rami, 1977-1978
Folder 84: Correspondence: Levy, Burt, 1969-1992
Folder 85: Correspondence: Lewis, Bob, 1965-1969

Box 3

Sub-Series 1: Personal Items

Folder 1: Correspondence: Lewis, Peter Tod, 1970-1981
Folder 2: Correspondence: Lockwood, Annea, 1990
Folder 3: Correspondence: Lipp, Charles, 1967-1981
Folder 4: Correspondence: London, Ed, 1974
Folder 5: Correspondence: Lusk, Norma, 1972
Folder 6: Correspondence: Macdougal, Bob, 1980-1982
Folder 7: Correspondence: Mackenzie, Kendra, 1979
Folder 8: Correspondence: MacLow, Jackson, 1979
Folder 9: Correspondence: Magrill, Sam, 1977-1983
Folder 10: Correspondence: Mann, Chris, 1969-1990
Folder 11: Correspondence: Mortino, David, 1966-1982
Folder 12: Correspondence: Martirano, Salvatore, 1980
Folder 13: Correspondence: May, Theodore, 1975-1981
Folder 14: Correspondence: Mayer-Denkmann, Gerty, 1990
Folder 15: Correspondence: Mayer, William, 1968
Folder 16: Correspondence: McCarty, Frank, 1973-1974
Folder 17: Correspondence: Mitro, Gary and Joanna, 1978-1992
Folder 18: Correspondence: Mizelle, Susan and John, 1975-1992
Folder 19: Correspondence: Moore, Alan, 1986
Folder 20: Correspondence: Morrow, Jean, 1973-1980
Folder 21: Correspondence: Mortague, Stepha, 1979
Folder 22: Correspondence: Mullen, Bill, 1976-1979
Folder 23: Correspondence: Muller, Dave, 1978-1994
Folder 24: Correspondence: Natvig, Candace and John English, 1972
Folder 25: Correspondence: Nee, Thomas, undated
Folder 26: Correspondence: Nowark, Mark Andrew, 1990-1991
Folder 27: Correspondence: O'Brien, Jane, 1988
Folder 28: Correspondence: Otte, Al, 1974-1992
Folder 29: Correspondence: Oliver, Wendy, 1973-1975
Folder 30: Correspondence: Oliveros, Pauline, 1967-1990
Folder 31: Correspondence: Paccione, Paul, 1978-1992
Folder 32: Correspondence: Parenti, Susan, 1982
Folder 33: Correspondence: Poredes, Bob and Catherine Schieve, 1985-1986
Folder 34: Correspondence: Porsons, Will and Grace Bell, 1984-1986
Folder 35: Correspondence: Petrassi, Geoffredo, 1961-1986
Folder 36: Correspondence: Phillips, Burill, 1957-1985
Folder 37: Correspondence: Phillips-Farley, Barbara and Mike, 1988-1991
Folder 38: Correspondence: Pierssens, Michael, 1974-1992
Folder 39: Correspondence: Pinell, Gerald, 1983-1986
Folder 40: Correspondence: Polansky, Larry, 1982-1987
Folder 41: Correspondence: Powell, Morgan, 1968-1991
Folder 42: Correspondence: Poyourow, David, undated
Folder 43: Correspondence: Randall, J.K., 1987-1989
Folder 44: Correspondence: Rands, Bernard, 1973-1989
Folder 45: Correspondence: Reynolds, Roger, 1977-1981
Folder 46: Correspondence: Richards, Eric, 1975-1986
Folder 47: Correspondence: Riley, Dennis, 1972
Folder 48: Correspondence: Robboy, (Ron), 1977-1989
Folder 49: Correspondence: Robertson, Bob, 1966
Folder 50: Correspondence: Robertson, Durant, 1975-1977
Folder 51: Correspondence: Rodgers, Betty, 1985-1986
Folder 52: Correspondence: Rodell, Andrew, 1983
Folder 53: Correspondence: Rosenberg, Wolf, 1967
Folder 54: Correspondence: Rubin, Anna, 1982
Folder 55: Correspondence: Rymlan, Lizbeth, 1989
Folder 56: Correspondence: Rzewski, Frederic, 1991
Folder 57: Correspondence: Sacks, Jonathan, 1978
Folder 58: Correspondence: Salzman, Eric, 1965-1973
Folder 59: Correspondence: Sazama, Carol, 1968-1976
Folder 60: Correspondence: Scarvada, Donald, 1978-1984
Folder 61: Correspondence: Schick, Steve, 1983-1992
Folder 62: Correspondence: Schmidt, Eric, 1980-1981
Folder 63: Correspondence: Schochen, Seyril, 1960-1982
Folder 64: Correspondence: Scott, Cleve L., 1971-1990
Folder 65: Correspondence: Segur, Eric, 1980-1991
Folder 66: Correspondence: Shallenberg, Bob (Robert), 1970-1981
Folder 67: Correspondence: Sigurbjornssen, Thorkell, undated
Folder 68: Correspondence: Sinclair, Jessica, 1978
Folder 69: Correspondence: Skei, Allen B., 1975-1985
Folder 70: Correspondence: Skei, Nancy, 1988
Folder 71: Correspondence: Silber, Jon, 1975
Folder 72: Correspondence: Smith, Sherry, 1974-1979
Folder 73: Correspondence: Smith, Stuart, 1982-1987
Folder 74: Correspondence: Smith, Sylvia, 1974-1986
Folder 75: Correspondence: Steimitz, Paul, 1967
Folder 76: Correspondence: Steinke, Greg, 1979-1982
Folder 77: Correspondence: Sterne, Teresa, 1967-1971
Folder 78: Correspondence: Stweart, Amanda, 1988-1989
Folder 79: Correspondence: Strange, Allen, undated
Folder 80: Correspondence: Sublette, Ned, 1976-1980
Folder 81: Correspondence: Sullivan, Mark, 1977-1988
Folder 82: Correspondence: Swengel, Marcia, 1972-1976
Folder 83: Correspondence: Taylor, Ruth Ellen, 1971
Folder 84: Correspondence: Telegrams, 1961-1965
Folder 85: Correspondence: Tenney, James, 1973-1986
Folder 86: Correspondence: Terhune, Elizabeth, 1979
Folder 87: Correspondence: Thomson, Virgil, 1962-1985
Folder 88: Correspondence: Thorne, Francis, undated
Folder 89: Correspondence: Thoreen, John, 1972
Folder 90: Correspondence: Turetzky, Bertram, 1983-1991
Folder 91: Correspondence: Vella, Richard, 1987
Folder 92: Correspondence: Verkade, Gary, 1985-1992: See also Musical Americana (12/9/50) Series 3, Box 69, Folder 21.
Folder 93: Correspondence: Vickerman, Linda, 1972
Folder 94: Correspondence: Von Foerster, Heinz, 1973-1990
Folder 95: Correspondence: Wilson, Margery, 1972
Folder 96: Correspondence: Winhurst, Karen, undated
Folder 97: Correspondence: Wishart, Trevor, 1979
Folder 98: Correspondence: Wood, Charles and Essential Music, 1980-1991
Folder 99: Correspondence: Wuorinen, Charles, 1967-1968
Folder 100: Correspondence: Yannay, Yehuda, 1981
Folder 101: Correspondence: Yoder, Gary, 1971-1972
Folder 102: Correspondence: Zurbrugg, Nicholas, 1987-1992
Folder 103: Diaries and Notebooks: Comp Linguistics Workbook 1, undated
Folder 104: Diaries and Notebooks: From Folder entitled "Scraps on Process", undated
Folder 105: Diaries and Notebooks: From Notebook labelled "Current Workbook 92-3 c/o SABAT, workbook checklist of things done", undated
Folder 106: Diaries and Notebooks: contents of unlabelled notebook, undated

Box 4

Sub-Series 1: Personal Items

Folder 1: Diaries and Notebooks: "Pub. Workbook", 1973: Includes writing about "Mouthpiece"
Folder 2: Diaries and Notebooks: Contents of Notebook, 1975
Folder 3: Diaries and Notebooks: "Compositional Linguistics" Notebook Contents, undated
Folder 4: Diaries and Notebooks: Loose Notebook pages, undated: Part 1 of 2
Folder 5: Diaries and Notebooks: Loose Notebook pages, undated: Part 2 of 2
Folder 6: Diaries and Notebooks: Contents of a research notebook, undated: Not labelled
Folder 7: Diaries and Notebooks: Loose Diary Pages, undated
Folder 8: Diaries and Notebooks: Contents of a notebook, 1988-1989
Folder 9: Diaries and Notebooks: School/ Composition Lesson Notebook, 1961-1962
Folder 10: Diaries and Notebooks: General Notebook at VCSD, undated
Folder 11: Diaries and Notebooks: General Notebook, 1978
Folder 12: Diaries and Notebooks: SMSD and Essays on Damage, 1978
Folder 13: Diaries and Notebooks: Loose Paper from SMSD Notebook, undated
Folder 14: Diaries and Notebooks: Diary on "Bewitched" project, 1979-1980
Folder 15: Diaries and Notebooks: Loose pages from "Bewitched" diary, undated
Folder 16: Diaries and Notebooks: Business, working orders and grant awards, 1981
Folder 17: Diaries and Notebooks: Diary, 1981-1983
Folder 18: Diaries and Notebooks: Loose paper from Black Diary, September 17, 1981
Folder 19: Diaries and Notebooks: Lingua Press Collection 3 Catalogue and General Work, 1983
Folder 20: Diaries and Notebooks: Bookkeeping, 1977-1978
Folder 21: Diaries and Notebooks: Addresses Q-Z, undated
Folder 22: Diaries and Notebooks: Essays on Damage and other writings, general notebook, undated
Folder 23: Diaries and Notebooks: Workbooks and Reminders, 1986, 1984: Includes three notebooks: Studio Needs, Yellow Notebook with addresses and lists, and "Hytone Memo Pad" with addresses
Folder 24: Diaries and Notebooks: Iowa City, undated
Folder 25: Diaries and Notebooks: "EM Studio/KG work" Anthiphony X patches and notes, 1989-1990
Folder 26: Diaries and Notebooks: Writings, 1983, 1988-1992
Folder 27: Diaries and Notebooks: Loose Paper from "Writings" notebook, undated
Folder 28: Diaries and Notebooks: Lingua Press, 1992
Folder 29: Promotional and Biography, 1993
Folder 30: Promotional Biography, undated
Folder 31: Program Notes, 1975-1976
Folder 32: Requests to Meet, 1963-1989

Box 5

Sub-Series 1: Personal Items

Folder 1: Taxes, 1978
Folder 2: Taxes, 1979
Folder 3: Taxes, 1980
Folder 4: Taxes, 1981
Folder 5: Taxes, 1982
Folder 6: Taxes, 1983
Folder 7: Taxes, 1984
Folder 8: Taxes, 1985
Folder 9: Taxes, 1986
Folder 10: Taxes, 1987
Folder 11: Taxes, 1988
Folder 12: Taxes, 1989
Folder 13: Gaburo Dissertation, 1962
Folder 14: Gaburo Thesis Materials, ca. 1965
Folder 15: Qualifying Examination Materials, 1975
Folder 16: Archives Business, 1989-1992
Folder 17: Curriculum Vitae, 1988
Folder 18: Family, ca. 1955-1980
Folder 19: Fan mail and thank-you letters, 1965-1992
Folder 20: Financial Papers, 1980-1989
Folder 21: The Music in Samuel Beckett's Play, 1973-1974
Folder 22: Housing, 1978
Folder 23: Legal Problems with S. Lay over Gaburo Dogs, 1973-1975
Folder 24: Medical, 1981-1992

Sub-Series 2: Drafts of Publications and Manuscripts

Folder 25: Review of Goffredo Petrassi's Orchestrated Music, 1958
Folder 26: "Theory, Why the Fear, The Dread, The Difficulty?", 1958
Folder 27: The Widow, Libretto, 1958-1960
Folder 28: Extraction from Paper Play series, Lingua Press, 1965
Folder 29: Twenty Sensing Compositions, 1968-1973
Folder 30: "The Beauty of Irrelevant Music", 1970
Folder 31: Murmur, 1971
Folder 32: A non-scatalogical set of preliminary remarks of NCME IV, 1972
Folder 33: Show Tellies, Video Compositions, 1973
Folder 34: Collection One: Works of Kenneth Gaburo, 1975
Folder 35: Privacy Two: My, My, My, What a Wonderful Fall, 1974, 1977
Folder 36: "The Arch: a one-act play" by Kenneth Gaburo, 1956
Folder 37: Ringings...., 1976
Folder 38: Whole Language Language, 1979
Folder 39: Collaboration Two: David Dunn and Kenneth Gaburo discuss publishing as eco-system, 1983
Folder 40: "How I spent My Summer of Music, of Dance" by Lou Blankenburg and Kenneth Gaburo in Dancewriting, 1984
Folder 41: In Search of Partch's Bewitched: Part One, Concerning Physicality, 1985
Folder 42: The Deterioration of an Ideal, Ideally Deteriorated, 1985
Folder 43: "The Cognitive Inquiry into the Nature of Interdisciplinary Research" by Hans Breder and Kenneth Gaburo, 1985
Folder 44: "Locus", 1986
Folder 45: ISIT, 1986
Folder 46: LA, 1986
Folder 47: Pentagonly, Part One: Ago, 1986
Folder 48: Rethink, 1987
Folder 49: Lecture, Recent Trends in Music for the Catholic Liturgy, undated
Folder 50: Statement on Serious Music Making as Idea, 1980

Box 6

Sub-Series 3: Drafts and Manuscripts of Publications

Folder 1: The Scratch Project, 1982, 1988
Folder 2: A Critique of the Text "Music as a Way of Life", 1990
Folder 3: Ah Dio, 1991
Folder 4: Talking with Gaburo: Publishing as an Environmental System, undated
Folder 5: Another Renaissance: Current Interations between music, the Arts and Humanities, undated
Folder 6: Untitled Poem by Kenneth Gaburo, undated
Folder 7: Sketches for "Making", undated: Part 1 of 2
Folder 8: Sketches for "Making", undated: Part 2 of 2
Folder 9: Privacy One: Words Without Song, 1950-1974
Folder 10: "Snow Queen" Libretto by K. Gaburo and Margery Wilson, 1952
Folder 11: Sketches for "The Arch", 1956
Folder 12: Review of UIUC Composer's Exchange, 1961
Folder 13: "The Hydrogen Jukebox," play by Seyril Schochen with electronic music by Kenneth Gaburo, 1964
Folder 14: Sketches for essay on "Improvisation", 1964
Folder 15: Article on Culture, 1966
Folder 16: "C-is" draft, 1968-1969
Folder 17: Draft/Source Material: "The Beauty of Irrelevent Music" from Paper Play series, Lingua Press, 1970
Folder 18: Drafts of "Murmur" from Paper Play series, Lingua Press, 1971
Folder 19: "Collaboration One" notes, 1972
Folder 20: "Passing" drafts, 1973
Folder 21: The Music in Beckett's Play, 1973
Folder 22: Serious Music- Making in San Diego, 1977
Folder 23: Concerning Commonness and other Conceptual Dysfunctions, 1980
Folder 24: Whole Language Language, 1980: Part 1 of 2
Folder 25: Whole Language Language, 1980: Part 2 of 2
Folder 26: Drafts for Program Notes about "Bewitched", 1980, 1983, 1990: Includes notes about other artists including Partch (1980), Varese (1983), and Chris Mann (1990)
Folder 27: Draft of Gaburo interviewed by Nicholas Zurbrugg, 1983
Folder 28: First Draft, Antiphony VIII interview (Schick, Gaburo, Francois), 1985
Folder 29: Draft of David Dunn/ Gaburo, "Publishing as an Eco-System", undated
Folder 30: "Pysichality" materials, 1985
Folder 31: "The Deterioration of an Ideal, Ideally Deteriorized", 1985
Folder 32: Sketches for "ISIT", 1987: Part 1 of 2
Folder 33: Sketches for "ISIT", 1987: Part 2 of 2
Folder 34: Sketches for "LA", 1987: Part 1 of 2
Folder 35: Sketches for "LA", 1987: Part 2of 2
Folder 36: Sketches for "Pentagon-y", 1987-1988
Folder 37: Rethink, 1988
Folder 38: Compositions as Eco-Systems, 1990
Folder 39: Sketches for "Hiss", 1992
Folder 40: Ah Dio, 1991
Folder 41: Concerning some work in Composition as Eco-System, 1990

Box 7

Sub-Series 4: Concert Programs

Folder 1: Concert Programs, 1950-1959
Folder 2: Concert Programs, 1960-1966
Folder 3: "3rd Annual Summer Workshp of Contemporary Music", 1967
Folder 4: Concert Programs, 1967-1969
Folder 5: Concert Programs, 1970-1973
Folder 6: Concert Programs, 1974-1975
Folder 7: Concert Programs, 1976-1979
Folder 8: Concert Programs, 1980-1983
Folder 9: Concert Programs, 1984-1985
Folder 10: Concert Programs, 1986-1989
Folder 11: Concert Programs, 1990-1992
Folder 12: Concert Programs A-M, ca. 1960-1980
Folder 13: Concert Programs N-Z, undated

Sub-Series 5: Lingua Press

Folder 14: Business, 1970-1979
Folder 15: Business, 1980-1989
Folder 16: Business, 1990-1993
Folder 17: "Langauge, a Magical Enterprise, the Body, Paperplay" by Barry Casselman, 1973
Folder 18: "The Flow of [U]" by Kenneth Gaburo, 1974: 1/4'' Tape
Folder 19: "Embarbussments for Four Speaking Voices" by Ned Sublette, 1974
Folder 20: "The Reasons Being" by Durrant Robertson, 1975-1977: 1/4'' Tape (7'' Open reel)
Folder 21: "Literal Violence" by Michael Pierssens, 1977
Folder 22: "Musicology and Other Delights" by Allen Skei, 1977
Folder 23: Tape Play Collection, 1978: 1/4'' Tape
Folder 24: "Walking" by Bruce Leibig, 1978
Folder 25: "Sky Drift" by David Dunn, 1979
Folder 26: "Something Medieval" by J.K. Randall, 1988
Folder 27: "Music, Language and Environment" by David Dunn, 1990

Box 8

Sub-Series 5: Lingua Press

Folder 1: "Notation" by Virginia Gaburo, undated
Folder 2: "Menage for Soprano, Trumpet, and Violin" by William Hibbard, undated
Folder 3: Orders, 1971-1992
Folder 4: Promotional Materials, 1975-1992
Folder 5: Submissions, 1965-1983

Sub-Series 6: Apogee Press

Folder 6: Apogee Press, 1965-1989

Sub-Series 7: World Library of Sacred Music

Folder 7: World Library of Sacred Music, 1958-1975

Sub-Series 8: New Music Choral Ensemble (NMCE)

Folder 8: NMCE I, II, 1967-1973, 1991
Folder 9: NMCE III, 1967-1972
Folder 10: NMCE IV, 1966-1979
Folder 11: Materials, 1972-1983

Sub-Series 9: Performances

Folder 12: Australian Tour, 1975-1992
Folder 13: Performances, 1952-1969
Folder 14: Performances, 1970-1992

Sub-Series 10: Permissions

Folder 15: Permissions, 1953-1971

Sub-Series 11: Project for Music Experiment

Folder 16: Project for Music Experiment, 1971-1973

Sub-Series 12: Requests for Gaburo Scores and Texts

Folder 17: Requests for Gaburo Scores and Texts, 1959-1990

Sub-Series 13: Residencies

Folder 18: Residencies, 1959-1992

Sub-Series 14: Grants and Fellowships

Folder 19: Faculy Scholar Award, undated
Folder 20: Grant Proposals, 1960-1992
Folder 21: "Contemporary Music Project for Creativity in Music Education", 1966
Folder 22: Fellowships and Grants, 1955-1992
Folder 23: Fromm Foundation, 1962-1987
Folder 24: Fulbright, 1952-1960
Folder 25: Guggenheim Fellowship, 1956-1974
Folder 26: Institute of International Education, 1959-1962
Folder 27: Koussevitsky, 1959-1977
Folder 28: National Endowment for the Arts (NEA), 1966-1991
Folder 29: NEA Proposal for NMCE, 1972-1975
Folder 30: Rockerfeller Foundation, 1974-1975
Folder 31: Studio Business Including NEA proposal, 1982-1990
Folder 32: Unesco, 1961-1962

Box 9

Sub-Series 15: Productions and Projects

Folder 1: Art/Score Exhibits, 1971-1987
Folder 2: "Baby Maker" Film Business, 1970
Folder 3: Beckett Play, undated
Folder 4: "Bewitched" Project, 1979-1980
Folder 5: Forkner, John: Notes about lighting system built for Gaburo, 1978
Folder 6: "In the Can" Production Notes, 1970
Folder 7: "In the Can" Script, 1970
Folder 8: Jean Brown Archives, 1981-1997
Folder 9: Luna Park Archives, 1987-1991
Folder 10: Poems by Tagore, undated: Text used in some pieces by Gaburo
Folder 11: Poems by De La Mare, 1950: Text used in some pieces by Gaburo
Folder 12: Poems by Virginia Gaburo, 1962: Includes "Pearl White Moments," text used in Antiphony III
Folder 13: Schoenberg Project, 1978-1982
Folder 14: Scratch Project, 1982-1989
Folder 15: "Tiger Rag" Script, 1957
Folder 16: UC/ Video Tesitimony Project, 1985-1987

Sub-Series 16: Universities and Employment

Folder 17: Employment, 1955-1986: Includes dates: 1955, 1963, 1965-1967, 1971-73, 1977, 1980, 1982, and 1986
Folder 18: Students, 1961-1993
Folder 19: Recomendations, 1959-1992
Folder 20: University of California, San Diego, 1968-1973
Folder 21: University of California, San Diego, 1974-1975
Folder 22: University of California, San Diego: Departmental Correspondance, 1969-1971
Folder 23: University of California, San Diego: General Departmental Bullshit [sic], 1971
Folder 24: University of California, San Diego: Curriculum Revision Proposals, 1970-1972
Folder 25: University of California, San Diego: Electronic Music Studio Equiptment and Use, 1969-1971
Folder 26: University of California, San Diego: E M Systems Price Lists and Specifications, Submodules 1100-1400, undated
Folder 27: University of California, San Diego: Fourth College Planning Committee, 1970-1972
Folder 28: University of California, San Diego: Students, 1970-1973
Folder 29: University of California, San Diego: Students: Charles Buel, 1971
Folder 30: University of California, San Diego: Students: Barry W. Liesch, 1973
Folder 31: University of California, San Diego: Students: Frank L. McCarty, 1971
Folder 32: University of California, San Diego: Students: William Mullen, 1971
Folder 33: University of California, San Diego: Students: Allen Strange, 1971
Folder 34: University of Illinois at Urbana Champaign, 1955-1971: Includes dates: 1955, 1960-1966, 1968-1969, and 1971
Folder 35: University of Illinois at Urbana Champaign: University of Illinois Residency, 1962-1978: Includes dates: 1962, 1968, and 1977-1978
Folder 36: University of Iowa: Department of Music and Electronic Music Studio, 1970-1991: Includes dates: 1970-1979, 1988, and 1991. Also includes sabbatical plans and reports, correspondence re salary, evaluation of faculty, and external assessment of Music Department
Folder 37: University of Iowa, 1975-1987
Folder 38: University of Iowa, 1987-1989
Folder 39: University of Iowa, 1990-1996: Includes Electronic Music Studio Proposals and Equiptment Requests

Box 10

Sub-Series 17: Conferences, Panels, Organizations

Folder 1: American Music Center, 1959-1991
Folder 2: Arts Colonies, 1960-1982
Folder 3: American Society of Composers, Authors, and Publishers (ASCAP), 1959-1992
Folder 4: Center for Music Experiment, 1972-1975
Folder 5: Center for Music Experiment: Informal Report on New Music Choral Ensemble (NMCE) IV Activities, 1973-1974
Folder 6: Commissions/Performance Opportunites, 1953-1992: Includes dates: 1953, 1958-1959, 1961-1969, 1971-1975, 1977, 1981, 1983, 1986-1987, and 1989-1992
Folder 7: Conferences and Panels, 1958-1993
Folder 8: Contracts: Performances/ Lectures, 1967-1986: Includes dates 1967, 1975-1977, 1982, and 1986
Folder 9: Deutscher Akademischer Austauschdienst, 1971, 1977
Folder 10: Works by Others, 1965-1989
Folder 11: Essential Music, 1990, 1991
Folder 12: Libraries, 1956-1977: Includes dates: 1956, 1959-61, 1972, 1976, and 1977

Sub-Series 18: Publishers

Folder 13: Ars Nova/ Ars Antiqua Recording Company, 1968-1972
Folder 14: Boosey and Hawkes Music Publishing, 1961
Folder 15: Columbia Records Inc., 1958-1966
Folder 16: Composer's Recordings Inc., 1967-1992
Folder 17: Edward B. Marks Publishing House, 1970, 1973
Folder 18: The Elektra Corporation, 1967, 1968, 1974
Folder 19: Harriet Kaplan-Lily Veidt Inc, 1958-1961
Folder 20: Leeds Music Corporation, 1960-1963
Folder 21: Listening Room Radio Productions, 1988, 1990
Folder 22: Music Publishers, 1956-1972
Folder 23: Nonesuch Record Company, 1967-1980
Folder 24: Performers, Collaborations, undated
Folder 25: Perspectives of New Music, 1974-1992
Folder 26: Publication of Others which contain Gaburo works, biographies, and score excerpts, 1962-1992
Folder 27: Recording Opportunities, 1960-1990
Folder 28: Text Publishing, 1956-1992
Folder 29: Theodore Presser Company, 1956-1992

Sub-Series 19: General Professional Correspondence

Folder 30: Alder, Samuel, 1977
Folder 31: Bassett, Leslie, 1967-1980
Folder 32: Boulez, Pierre, 1970
Folder 33: Boretz, Benjamin, 1963-1990
Folder 34: Cage, John, 1966-1990
Folder 35: Corrillo, Doris (Mexico Trip), 1969-1970
Folder 36: de Oliveria, Jocy, 1981-1985
Folder 37: Forte, Allen, 1962-1977
Folder 38: Garland, Peter, 1970-1984
Folder 39: Kobialka, Dan, 1971-1975
Folder 40: Kostelanetz, Richard, 1975-1992
Folder 41: Miles, Dorothy, 1979-1981
Folder 42: Nono, Luigi, ca. 1962
Folder 43: Ogden (?), Will, ca. 1962
Folder 44: Perez, Rudy, 1975-1980
Folder 45: Roads, Cartis, 1976-1983
Folder 46: Rochberg, George, 1960-1976
Folder 47: Rosenboom, David, 1972-1985
Folder 48: Warland, Dale, 1962-1969
Folder 49: General Business Correspondence, 1956-1992

Box 11

Sub-Series 20: Teaching Materials

Folder 1: Notes on Compositional Linguistics, undated
Folder 2: Bibliographies (for teaching purposes), undated
Folder 3: Cognitive Studies Seminar, 1990
Folder 4: Compositional Linguistics Seminar, 1973
Folder 5: Course Planning for HUM 332, Funding of Music, undated
Folder 6: Music Proseminar: Studies of 20th Century Theoretic Systems, undated
Folder 7: Music Analyses (for teaching purposes), undated
Folder 8: Notes "Music Lit. Seminar", undated
Folder 9: Essay on Content Analysis, undated
Folder 10: Classes on Musical Structure, Course Outlines, undated
Folder 11: Notes "Music Theory Seminar", undated

Box 12

Sub-Series 21: Musical Scores, 1947-1954

Folder 1: Compositions before 1947, ca. 1947
Folder 2: Score/Parts Music for Henry IV, undated
Folder 3: Three Interludes for Strings, 1947
Folder 4: Five Postludes for Piano, 1947
Folder 5: Chaconne for Two Pianos, 1948
Folder 6: Two Shorts and a Long, 1948: Six pages; pages 1 and 2 missing
Folder 7: Music for Brass and Percussion, 1948
Folder 8: Introduction and Escapade, 1950
Folder 9: Sinfonietta, 1951
Folder 10: The Night is Still, 1952
Folder 11: Three Dedicated to Lorca, 1953
Folder 12: Four Inventions for Clarinet and Piano, 1953
Folder 13: Antiphonia for Two Pianos, 1954

Box 13

Sub-Series 21: Musical Scores, 1945-1970

Folder 1: Music for Five Instruments, 1954
Folder 2: Quartet in One Movement-Score and Parts, 1956
Folder 3: Antiphony for 3 String Groups (alternate title: Antiphony I: voices), 1957-1958
Folder 4: Musical Scores, 1957: Folder includes five separate vocal scores all composed in 1957 by Kenneth Gaburo: Line Studies, Ave Maria, Ad Te Domine, Terra Tremuit, and Laetentor Caeli.
Folder 5: Mass for Tenors and Basses, 1958
Folder 6: Musical Scores, 1959: Folder includes two scores from 1959: Stray Birds and Elegy
Folder 7: Antiphony II, 1963
Folder 8: Antiphony III, 1963
Folder 9: Ideas and Transformations, 1964
Folder 10: Psalm, 1965
Folder 11: Never, 1966
Folder 12: Antiphony IV: Poised, 1967
Folder 13: Lingua III: In the Can, 1970

Box 14

Sub-Series 21: Musical Scores, 1970-1976

Folder 1: The Flight of the Sparrows and Two, 1970 and 1971: Folder includes two scores: The Flight of the Sparrows (1970) and Two (1971)
Folder 2: Collaboration One, 1972
Folder 3: Twenty Sensing [Instruction] Compositions and Privacy Two, 1973 and 1974: Folder includes two scores: Twenty Sensing [Instruction] Compositions (1968-1973) and Privacy Two: My, My, My What a Wonderful Fall (1974)
Folder 4: Cantilena Four, 1975
Folder 5: Subito, 1976

Box 15

Sub-Series 22: Musical Sketches, ca. 1944-1954

Folder 1: Popular Music- Early songs by Kenneth Gaburo, 1944-1947
Folder 2: Canonization, ca. 1950
Folder 3: Sketches for early, unfinished works, undated
Folder 4: Two Shorts and a Long, 1948
Folder 5: Music for Brass and Percussion, 1949
Folder 6: On a Quiet Theme and Alas! Alack!, 1950: Includes two scores: On a Quiet Theme (1950) and Alas! Alack! (1950)
Folder 7: Songs on Text by Tagore (not Stray Birds or Night is Still), 1951
Folder 8: Four Inventions for Clarinet, 1954

Box 16

Sub-Series 25: Source Materials for composition, Audiotapes, undated

Item 1: Mangrove (Gaburo Improvisation Group), 1987
Item 2: Brun, undated
Item 3: "Primative Material", undated
Item 4: Bazooka/ Scream, undated
Item 5: Demo Tape No. 1, Vocal Sounds Transform, undated
Item 6: Lia, 1970-1971
Item 7: Lasrson Voices, undated
Item 8: Synthetic Speech, undated
Item 9: Vocal Sounds, undated
Item 10: Hi Vowels, undated
Item 11: Low Vowels, undated: Two tapes
Item 12: Consonants, undated: Three tapes
Item 13: Alto Flute Sounds, undated
Item 14: Walker Flutes, undated
Item 15: James George Clarinet, 1971
Item 16: Lipp Bassoon Sample, 1990
Item 17: Dorn Saxophone, 1970-1971: Two tapes
Item 18: Jack Logan Trumpet Sounds, 1973: Three tapes
Item 19: Ron George, Modulation Experiments on the Vibraphone, undated
Item 20: Turetzky, Bass Demo, undated
Item 21: Imporvisations with the Harmonic Tone Generator, 1968: Two Tapes
Item 22: Bonnie Mara Barnett, January 8, 1973
Item 23: Klang, undated
Item 24: Aspects of Vocal Multiphonics, undated: Two Tapes
Item 25: Bazooka Extra, undated
Item 26: 8 Klang Source, undated
Item 27: Forlorn Voices, undated: Two Tapes
Item 28: Verkade, 1987: Two Tapes
Item 29: Vocal, undated

Box 17

Sub-Series 26: In the Can

Item 1: 16mm film, "Train Station and Phebol Truck and Potenzia Just Standing", undated
Item 2: 16mm film, "An Actor: Subject, P. Jamison", undated
Item 3: 16mm film, "Investigation", undated
Item 4: 16mm film "Down Right: Collage (2) Interlude, B&W Animation", undated
Item 5: 16mm film, "Down Left: Collage (3) Introduction (Man in Castle) 11th Madgrigal & March to Castle (Crowd Animation Faces and Man)", undated
Item 6: 16mm film, "In the Can Dancer, Semi Nude(2), cu of body re legs and face", undated
Item 7: 16mm film, unmarked, undated
Item 8: Intermezzo I & II, RB-7 Tape, 1970
Item 9: Basic Material, RB-7 Tape, undated
Item 10: Part II, CHB, RB-7 Tape, undated
Item 11: Part II, CHA, RB-7 Tape, undated
Item 12: 16mm film, All Models from "In the Can" doing Exercise in the TV Studio, undated
Item 13: 16mm film, Train Shunting, BL Exp. of Potenzia, Clowns in RR Yard, undated
Item 14: R-90 Tape, In the Can, undated
Item 15: R-90 Tape, Heads Collage, undated
Folder 1: "In the Can," Source Materials, Slides, undated
Folder 2: "In the Can" Source Materials, Slides: Audience and Cast, undated
Folder 3: "In the Can" Source Materials, Film Logs, undated
Folder 4: "In the Can" Source Materials, Negatives, undated

Sub-Series 27: Seminars, Lectures, Panels, Radio: Audio Tapes

Item 16: Compositional Linguistics: Glides and Semi-Vowels, undated
Item 17: Compositional Linguistics: Dwight, December 13, 1970
Item 18: Compositional Linguistics: Tibetan Chant, undated
Item 19: Compositional Linguistics: Barnett Box 1, undated: 1 of 2
Item 20: Compositional Linguisitics: Barnett Box 2, undated: 2 of 2
Item 21: Compositional Linguistics: Final, 1970

Box 18

Sub-Series 27: Seminars, Lectures, Panels, Radio: Audio Tapes

Item 1: Compositional Linguistics: Seminar, 1974: Contains two lectures: March 1, 1974 and March 8, 1974
Item 2: Compositional Linguistics: Seminar, March 12, 1974
Item 3: Composer's Forum, December 21, 1957
Item 4: Extraction Lecture/Concert, undated
Item 5: Computer Music Language Symposium, May 29, 1976
Item 6: Gaburo Composer's Forum, USC/ASI, December 5, 1980
Item 7: Panel: Mandeville Opening, March 2, 1975: Part 1 of 2
Item 8: Panel: Mandeville Opening, March 2, 1975: Part 2 of 2
Item 9: Criticism: CME Panel, undated
Item 10: Panel Disc, undated
Item 11: Radio Tapes I, II, III, IV, undated

Box 19

Sub-Series 28: Compositions: Audio Tapes

Item 1: Line Studies, April 27, 1966
Item 2: The Snow Queen, undated: Four Tapes
Item 3: Alas! Alack, undated
Item 4: Improv #4: Music for "Hairy Ape", undated
Item 5: Sources Rock-Cool, undated
Item 6: The Window, undated: Eight Tapes
Item 7: Two, 1963
Item 8: Line Studies, undated
Item 9: "Hairy Ape" Master, undated
Item 10: Antiphony II, undated
Item 11: Ideas and Transformations, undated
Item 12: Elegy for Chamber Orchestra, New York Philharmonic, undated
Item 13: String Quartet in One Movement, 1956
Item 14: Summer Workshop: Ave Maria, Psalm, Concerto for Nono Havenito, undated
Item 15: Stray Birds, undated
Item 16: Line Studies, Composer's Workshop, SF, 1960
Item 17: Line Studies, April 29, 1969
Item 18: Elegy with University of Iowa Orchestra, undated
Item 19: Tail Out, July, 6, 1966: James Dixon Conducting
Item 20: Elegy, University of Iowa, 1966: James Dixon Conducting
Item 21: Stray Birds, 1960
Item 22: University of Iowa Center for New Music, undated
Item 23: Section II, Intro Ch. A-B, undated

Box 20

Sub-Series 28: Compositions: Audio Tapes

Item 1: Cavafy Readings, undated: Three Tapes
Item 2: Cavafy Basic Material, undated
Item 3: Cavafy III Material, undated
Item 4: Cavafy Sub Master, undated
Item 5: Cavafy Tape Master, Variation II, III, IV, undated: Three Tapes
Item 6: Antiphony II, Contemporary Vocal Ensemble, undated
Item 7: Cavafy Variation II, SATB Tape, undated
Item 8: Antiphony II Master Tape, Variation II, III, IV, undated
Item 9: Antiphony II, A Reading, Not a Performance, undated
Item 10: Antiphony II Performance, July 31, 1966
Item 11: The Window Part II, Scenes III-IV, undated
Item 12: Antiphony III, Master, undated: Three Reels
Item 13: Antiphony III, Fragments, undated
Item 14: Antiphony III, I, SubMaster, undated
Item 15: Antiphony III, II SubMaster, March 17, 1967
Item 16: Antiphony III Mix, undated
Item 17: Antiphony III X/Mix, undated

Box 21

Sub-Series 28: Compositions: Audio Tapes

Item 1: The Waste(ing) of Lucretia, undated
Item 2: Lemon Drops, undated: Three Tapes
Item 3: For Harry, undated: Three Tapes
Item 4: Round Shot Version, Wasting of Lucretia, Fat Millie's Lament, undated
Item 5: Maledetto, Rehearsal, undated: Part 1 of 2
Item 6: Maledetto, Rehearsal, undated: Part 2 of 2
Item 7: Maledetto, May 1973
Item 8: Antiphony IV, Master, undated: Five Tapes
Item 9: Rehearsal (almost unmarked tape), undated
Item 10: Tape Compositions, 1964-1965
Item 11: Extra Posies, undated
Item 12: Miscellany, undated
Item 13: Posies Dub, undated
Item 14: Tape Play Master, undated
Item 15: For Morgan, undated
Item 16: Wasting of Lucretia, For Morgan, undated
Item 17: Antiphony III, undated: Nine Tapes
Item 18: Gaburo Chorus, undated
Item 19: Have I, etc, Cool Jazz, Funny Sounds, Mi Toccata, undated

Box 22

Sub-Series 28: Compositions: Audio Tapes

Item 1: Inside, Peter Farrell, undated
Item 2: Turetsky Discussion and "Inside", 1970
Item 3: My, My, My, What a Wonderful Fall, Master, 1971: Two Tapes
Item 4: Dante, Baby Maker, undated: Two Tapes
Item 5: Dante, Joynte, 1965: Four Tapes
Item 6: Flow of U, undated: Two Tapes
Item 7: Kyrie, May 1975
Item 8: Mutatis, 1979: Nine Tapes
Item 9: Lingua I, undated
Item 10: Mouthpiece, 1972: Four Tapes
Item 11: Cogito, undated: Four Tapes
Item 12: Dirige, undated
Item 13: Electronic Works, Miscellaneous, undated: Includes: L.A. Hiller, Machine Works, Seven Electronic Studies, and Time of the Heathen; Kenneth Gaburo, Lemon Drops; Herbert Brun, Sonoriferous Loops and Wayfaring Sounds; and Don Andrus, Electronic Study

Box 23

Sub-Series 28: Compositions: Audio Tapes

Item 1: Ringings, 1976
Item 2: Kyrie, 1976: Two Tapes
Item 3: Antiphony VIII, 1984-1987: Five Tapes
Item 4: Few Master, 1985
Item 5: ReRun Master, 1983: Two Tapes
Item 6: ReRun, Kyrie, Pentagony, 1983
Item 7: ReRun, Summer, Kyrie, 1983
Item 8: Antiphony IX, 1985: Eight Tapes
Item 9: Testimony Text, undated
Item 10: Antiphony VIII, 8track 1/2'' Tape Master (10''Reel), undated

Box 24

Sub-Series 28: Compositions: Audio Tapes

Item 1: La Coro, undated
Item 2: Gaburo/ (Hans) Breder, undated: Two Tapes
Item 3: Enough! (not enough), 1987
Item 4: Verkade Organ, 1987: Seven Tapes
Item 5: Antiphony X, samples, undated
Item 6: New Tape Works, 1990
Item 7: Antiphony X, 1992
Item 8: Antiphony X, Open Reel, undated
Item 9: Antiphony XI, Working Materials, 1990
Item 10: Center for New Music, February 11, 1984
Item 11: Antiphony IV Check, undated
Item 12: Antiphony X, 4 Chapter Version, 1994
Item 13: Antiphony X, 8 channel Master, 1990

Box 25

Sub-Series 29: Compositions, Testimony, New Music Choral Ensemble (NMCE): Audio Tape

Item 1: Durrant Robertson, "The Reasons Being" Lingua Press, 1978: (15 ips) 10'' Open Reel Tape
Item 2: Collaboration with Hans Breder, undated: 10'' Open Reel Tape
Item 3: Arts Unit Testimony, 1988: Seven Tapes. 10'' Open Reel Tape
Item 4: Schenectady Testimony, undated: 10'' Open Reel Tape
Item 5: St. Louis Testimony, 1990: 10'' Open Reel Tape
Item 6: Antiphony X (winded) for solo organist and tape, undated: 10'' Open Reel Tape
Item 7: NMCE: Recording Session: Shallenberg Residue, Webern, Bassett, undated: 10'' Open Reel Tape
Item 8: NMCE: Messiaen Residue (for recording session), undated: 10'' Open Reel Tape
Item 9: NMCE: Stravinsky/ Layton/ Ogdon/ Glasow/ Gaburo, undated: 10'' Open Reel Tape

Box 26

Sub-Series 30: New Music Choral Ensemble (NMCE): Audio Tape

Item 1: Concert, November 1967: 10'' Reel Tape
Item 2: Taped During Performance, Shifrin/ Ives/ Hamm/ Maddox/ Grossman, undated: 10'' Reel Tape. Includes "Odes of Shang," "Serenity," "Round," "On the Surface of Things," and "Laudate."
Item 3: Nono, Sara Dolce, undated: 10'' Reel Tape
Item 4: Master for Final Editing: Hamm, Round unfiltered/ Bassett/ Shallenberg/ Last movement of Messian, undated: 10'' Reel Tape
Item 5: Schoenberg, Tape 2, 1968: 10'' Reel Tape
Item 6: NMCE I, undated: 10''Reel Tape. Includes: Ives "Serenity," Johnston "Cit-Gat Satie," Shallenberg "Lilacs," Oliveros "Sound Patterns," Nono "Sara' Dolce Tacere," and Webern "Entfleiht Auf Leichten."
Item 7: NMCE I: "Messiaen, Cinq Rechants", undated: 10'' Reel Tape
Item 8: NMCE IV: "My, My, My What a Wonderful Fall", undated: 10'' Reel Tape
Item 9: Maledetto Master, December 10, 1971: 10'' Reel Tape
Item 10: NMCE III: Rehearsal, August 12, 1969: 10'' Reel Tape
Item 11: NMCE I, May 10, 1981: 7'' Reel
Item 12: Take I, September 16, 1969: 7'' Reel
Item 13: Rehearsal, undated: 7'' Reel
Item 14: NMCE I, Erikson "End Mime", August 7, 1966: 7'' Reel
Item 15: Maddox "Surface"/ Hamm "Round"/ Erickson "Mime"/ Nono "Sara", undated: 7'' Reel
Item 16: NMCE III, Taped Vocal Sounds for Study, 1965: 7'' Reel
Item 17: Reactive Techniques, undated: 7'' Reel
Item 18: NMCE III Response B Tech, undated: 7'' Reel
Item 19: Tape 1, NMCE "On the Surface of Things," "Round," "Laudate," "End of the Mime...", 1965: 7'' Reel. See Also CD Transfer Dub, also in box 26
Item 20: NMCE Kenneth Gaburo Director, undated: 7'' Reel. Two Tapes. Includes: Ives, Serenity; Oliveros, Sound Patterns; Johnston, CI-GIT Satie; Bassett, Notes in the Silence; Gaburo, Exit Music I; Shallenberg, Lilacs; Hamm, Round; Webern, Entflieht Auf Leichen Kalhnen; Gaburo, Exit Music II; Messiaen, Cinq Renchants.
Item 21: NMCE III, Response A Tech, undated: 7 '' Reel
Item 22: CD Tranfer Dub, 1965: CD dub of Item 19

Box 27

Sub-Series 31: New Music Choral Ensmble (NMCE): Audio Tape

Item 1: NMCE IV: Take I, December 10, 1971: 10'' Reel
Item 2: NMCE IV: Take II, December 10, 1971: 10'' Reel
Item 3: NMCE IV: Maldetto, Take I, Thursday Straight Through, undated: 10'' Reel
Item 4: NMCE IV: Maldetto, Take II, Thursday (some sections repeated), undated: 10'' Reel
Item 5: NMCE IV: "The Flow", Take 4, Sunday, May 19, 1974: 10'' Reel
Item 6: NMCE IV: Flow of [u] mix Caufy Readings for 206C Seminar Final Project, undated: 10'' Reel
Item 7: NMCE IV: Flow of [u], Take 2, May 9, 1974: 10'' Reel
Item 8: NMCE IV: Flow of [u], Take 3 (Mothers Day), May 12, 1974: 10'' Reel
Item 9: NMCE IV: The Flow of [u], Take 1, April 29, 1974: 10'' Reel
Item 10: NMCE IV: The Flow of [u], Take 1a, undated: 10'' Reel
Item 11: NMCE III: Interview, undated: 7'' Reel Two Tapes
Item 12: Still Life Readings, undated: 7'' Reel
Item 13: NMCE IV: Maldetto, June 10, 1973: 7'' Reel, Three Tapes
Item 14: NMCE IV: CL Seminar, Cavaufy Readings, May 31, 1974: 7'' Reel
Item 15: NMCE IV: Reading, Thoreen Text, December 1, 1975: 7'' Reel
Item 16: Glenn's Reading of Webern Text, undated: 7'' Reel

Box 28

Sub-Series 32: New Music Choral Ensemble: Audio Tape and Video Tape

Item 1: Lexicon I, December 1, 1973: 7'' Reel
Item 2: "Tube" Multi, take 2, November 21, 1973: 7'' Reel. Two Tapes
Item 3: Phillip Lexicon I, undated: 7'' Reel
Item 4: Vickerman, Lexicon II, December 1, 1973: 7'' Reel
Item 5: Vickerman Lexicon III, December 1, 1973: 7'' Reel
Item 6: Barron, Elinor: Still Life Readings, Breathing Meditation, undated: 7'' Reel
Item 7: Barron: Helium Texts, undated: 7'' Reel
Item 8: Pamela R, 5 takes, March 15, 1976: 7'' Reel
Item 9: Mary Lou Texts, 5 takes, February 18, 1976: 7'' Reel
Item 10: NMCE IV: Early Readings, Thoreen Texts, undated: 7'' Reel
Item 11: Mary Lou, Tight Places, Aug. 1975; Ginny, Tennis, April 75; NMCE IV, Falling, March 1975; Lia, April 1975, 1975: 7'' Reel
Item 12: Blackenburg; Lou, "How I Spent My Summer", undated: 7'' Reel
Item 13: Amelar, March 15, 1976: 7'' Reel
Item 14: Linda C, January 10-11, 1977: 7'' Reel
Item 15: Lexicon and Mary Lou, undated: 7'' Reel
Item 16: Multi Beginning, October 3, 1973: 7'' Reel
Item 17: ai-e-I-i, November 18, 1973: 7'' Reel, Two Tapes
Item 18: NMCE IV: The Flow of [u] Master, May 19, 1974: 7'' Reel
Item 19: Beckett, undated: 6'' Reel, Four Tapes
Item 20: Soundtrack Movie, "Party-Garden-Toes", undated: 6'' Reel
Item 21: Show Telles Composition (1. Give & Take 2. MinimTellie, 1, 2, 3), undated: 6'' Reel, Video Tape, Open Reel 1/2''
Item 22: Still Life, 1974: 7'' Reel, Video Tape, Open Reel, 1/2''
Item 23: Show Tellie (Some Video Compositions), NCME IV, 1974: 7'' Reel, Video Tape, Open Reel, 1/2''
Item 24: Falling #1, 1975: 7'' Reel, Video Tape, Open Reel, 1/2''
Item 25: Falling #2, 1975: 7'' Reel, Video Tape, Open Reel, 1/2''
Item 26: Falling #5, 1987: 7'' Reel, Video Tape, Open Reel, 1/2''

Box 29

Sub-Series 33: New Music Choral Ensemble: Video Tape

Item 1: Falling Distance, January 18, 1975: 7'' Reel, Video Tape
Item 2: Lexicon, undated: 7'' Reel, Video Tape
Item 3: Beach Dance #1, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 4: Fulkerson, November 29, 1974: 7'' Reel, Video Tape, Open Reel 1/2''
Item 5: Wells/Pauley Exercises, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 6: Hands/Elinor/Phillip, March 19, 1974: 7'' Reel, Video Tape, Open Reel 1/2''
Item 7: NMCE IV: Hands 1 and 2, 1974: 7'' Reel, Video Tape, Open Reel 1/2''. Two Tapes
Item 8: NMCE IV: Minim-Tellig, Slow Up #2, Wells Legs, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 9: NMCE IV: I, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 10: Show-Tellie, Composition, 1975: 7'' Reel, Video Tape, Open Reel 1/2''. For Course: General Interest Music
Item 11: NMCE IV: Show-Tellie, Waveforms, 1974: 7'' Reel, Video Tape, Open Reel 1/2''
Item 12: NMCE IV: Show-Tellie composition, "Give and Take and Minim-Tellig 1, 2, 3", 1973: 7'' Reel, Video Tape, Open Reel 1/2''
Item 13: "Show Tellie Compositions, 1973" VHS Copy, February 5, 2006: VHS. (Best copy available, includes static)
Item 14: Lexicon I, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 15: Lexicon 2, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 16: Master Tape 1: Lin Barron Take, Phillip Larson Takes, May 23-24, 1974: 7'' Reel, Video Tape, Open Reel 1/2''. Lin Barron Take was recorded on May 23, and Phillip Larson Take was recorded on May 24.
Item 17: Master Tape 2: Linda V, Minim-Tellie, Video Titles for Give-Take, May 29, 1974: 7'' Reel, Video Tape, Open Reel 1/2''
Item 18: Master Tape 3: NMCE IV Exercises, Seminar Segments, undated: 7'' Reel, Video Tape, Open Reel 1/2''
Item 19: NMCE IV: Work with visiting Professor Mehta, 1975: 7'' Reel, Video Tape, Open Reel 1/2''
Item 20: Show-Tellies Composition, November 1967: 6'' Reel, Video Tape, Open Reel 1/2''. Two Copies
Item 21: Beckett Play, Thoreen The Party, Gaburo My, My, My What a Wonderful Fall, 1987: Video Cassette (3/4'' U-Matic)

Box 30

Sub-Series 34: Testimony Project: Video Tape

Item 1: Iowa City "Scratch Project", 1982: Video Tape, 3/4'' U-Matic
Item 2: Mills College, Oakland, CA, 1985: Video Tape, 3/4'' U-Matic. Five Tapes. Filmed from February 28- March 28, 1985
Item 3: Frankfurt, KY, May 2, 1985: Video Tape, 3/4'' U-Matic
Item 4: "Do you feel expendable?" Caracas, Venezuela, June 1985: Video Tape, 3/4'' U-Matic
Item 5: Greenwich Village West, San Diego and San Diego Public Library, San Diego, CA, August 3 and 10, 1985: Video Tape, 3/4'' U-Matic. Greenwich Village West recorded on August 3, and Public Library recorded August 10.
Item 6: San Diego Public Library, San Diego, CA, August 10, 1985: Video Tape, 3/4'' U-Matic
Item 7: Whole Being Convention, Julian, CA, September 28, 1985: Video Tape, 3/4'' U-Matic
Item 8: VT 1, "Edited Master of Inside Gaburo/ Turetzky", 1985: Video Tape, 3/4'' U-Matic
Item 9: VT 3, "Gaburo's Masters", undated: Video Tape, 3/4'' U-Matic

Box 31

Sub-Series 34: Testimony Project: Video Tape

Item 1: Minneapolis, MN, February 26-28, 1987: Video Tape, 3/4'' U-Matic. Four Tapes
Item 2: Minneapolis, MN, February 23, 1988: Video Tape, 3/4'' U-Matic
Item 3: Iowa City, 1989: Video Tape, 3/4'' U-Matic
Item 4: Second Generation of dub Video-testimony samples taken from Oakland (USA), London (England) and Minneapolis (USA), undated: Video Tape, 3/4'' U-Matic
Item 5: Verkade Germany Testimony Transfer, undated: Video Tape, 3/4'' U-Matic
Item 6: K.G. Cartoid Tape, Four Dubs, June 2, 1989: Video Tape, 3/4'' U-Matic
Item 7: Turetzky/Gaburo, June 1985: Video Tape, 3/4'' U-Matic
Item 8: Antiphony IX, Iowa, undated: Video Tape, 3/4'' U-Matic
Item 9: Scratch Project, unmarked, undated: Video Tape, 3/4'' U-Matic. Two Tapes

Box 32

Sub-Series 35: Testimony Project: Compositions and Performances

Item 1: Scratch Project, Testimony from Minneapolis, MN; Oakland, CA; foreign, undated: 3/4'' U-Matic. Four Tapes.
Item 2: Minim-Tellig/Give Take, undated: 3/4'' U-Matic
Item 3: Minim-Tellig, October 25, 1991: 3/4'' U-Matic
Item 4: Antiphony IX (...A Dot...), Enough! (Not Enough), undated: Beta II
Item 5: Plot for Lingua, Antiphony IV, 1970-1972: 7'' Reel, Video Tape, Open Reel 1/2''
Item 6: Schenectady, NY, May 17-20, 1983: VHS, Two Tapes
Item 7: Gaburo Testimony, July 1987: VHS
Item 8: Antiphony IX, Hand Held Camera, March 8, 1988
Item 9: Antiphony IX, Peter's Hand Held Camera, March 8, 1988: VHS
Item 10: Testimony, July 2, 1988: VHS
Item 11: For Debate, undated: VHS
Item 12: Antiphony X (Winded), undated: VHS
Item 13: Travels, undated: VHS, Two Tapes
Item 14: ABC Net: Waverly Project, undated: VHS
Item 15: Gary Testimony, undated: VHS
Item 16: Bewitched Rehearsal #71, December 10, 1979: Video Tape, Color, Open Reel, 1/2'', 6'' Reel. Three Tapes
Item 17: "Bewitched Rehearsal #71" VHS Copy, February 5, 2006: VHS, Best Copy Available, includes video static
Item 18: Fresno, undated: 7'' Reel
Item 19: Seminar 206C, undated: 6'' Reel
Item 20: unmarked, undated: 6'' Reel

Box 33

Sub-Series 36: Motion Pictures, Compositions, and Performances

Item 1: Interaction, undated: Movie Reel, Open Reel, 10'' Reel
Item 2: Beckett, undated: Movie Reel, Open Reel, 10'' Reel
Item 3: Beckett Residue, undated: Box of Various sizes of Movie Reel Tape.
Item 4: Party, 1974: 16mm sound, Two Tapes
Item 5: Super 8 Film, "Gaburo", undated: Super 8 Film, Three Tapes
Item 6: Lo Pitch Lo Intensity, undated: Eastman Tri-X Film
Item 7: Ad Te Domino, undated: LP
Item 8: On a Quiet Theme, 1955: LP. Recorded at Carnegie Hall, New York Phillharmonic, Dimitri Mitropoulos cond.
Item 9: Chartreuse, Things Just Happen, 1946: LP
Item 10: 5 Postludes- Piano, undated: LP
Item 11: Dubbing, Inside Out, undated: LP
Item 12: Antiphony III, undated: LP
Item 13: Snow and the Willow, undated: LP
Item 14: Inventions, Clarinet and Piano, undated: LP
Item 15: Test, Three Albums, ca. 1974: LP
Item 16: Music for Five Instruments, undated: LP
Item 17: Excerpt from "Tiger Rag", undated: LP

Box 34

Sub-Series 37: Oversized Materials

Folder 1: Lingua Press Publications: "Sounds for Eleven" by Donald Scavarda, 1961
Folder 2: Lingua Press Publications: "Voice II" for Female Voices, alto flute, and percussion, by Harley Gaber, Apogee/Lingua, 1967
Folder 3: Lingua Press Publications: "Music for Brass Quintet and Percussion" by Morgan Powell, 1971: Written for the 1971 Festival of Contemporary Arts.
Folder 4: Lingua Press Publications: "Aardvark II" Piano Solo, by Warren Burt, 1977
Folder 5: Lingua Press Publications: "Music, Language, and Environment" by David Dunn, 1974
Folder 6: Lingua Press Publications: "Michi" for Solo Violin, by Harley Garber, 1976
Folder 7: Lingua Press Publications: "Nighthawk I" by Warren Burt, 1977
Folder 8: Lingua Press Publications: "Wingsets for Baritone Solo, Chorus, and Instruments" by Eric Richards, 1977
Folder 9: Lingua Press Publications: "The Great Bass" and "Chimyaku", 1977: Folder contains two scores, both written in 1977: "The Great Bass for Solo Violin," by Eric Richards and "Chimyaku," by Harley Gaber.
Folder 10: Lingua Press Publications: "Song from Catullus: a Setting of the Poem 'Living Lesbid'" by Paul Paccione, 1977
Folder 11: Lingua Press Publications: "Soundscape for Percussion Ensemble" by Dary John Mizelle, 1978
Folder 12: Lingua Press Publications: "Madrigal" by David Dunn, 1980
Folder 13: Lingua Press Publications: "An Expository Journal of Extractions from Wilderness: NotesToward an Environmental Language," by David Dunn, 1981

Box 35

Sub-Series 37: Oversized Materials

Folder 1: Announcement Flyers, UIUC, 1986-1987

Folder 2: Marked Conductor Scores: Come Holy Silence, Ogden, 1959-1960

Folder 3: Marked Conductor Scores: Maldetto, Gaburo, 1967-1969

Folder 4: Photograph, undated

Single picture in a folder within "Concert Posters" Folder. Includes: Charles Hamm, Lejaren Hiller, Salvatore Martirano, Herbert Brun, and Kenneth Gaburo in the University of Illinois Champaign Urbana computer music studio.

Folder 5: Concert Posters, Photographs, Ca. 1960-1985

Folder Contains 40 posters and small folder (folder 4) containing picture of Gaburo and other famous music composers and scholars. Includes the following:

Segment from Electronic Composition "The Flow of [i], 1965; "In the Can" Gerlinger Annex, undated; Works from the Compositional Linguistic Seminar, undated; Hydrogen Jukebox, undated; Schoenberg 10 Concert, Virgina Gaburo, undated; Babel: Pieces by John Cage, William Brooks, and Kenneth Gaburo, undated; Farewell, F Street, undated; New Music Choral Ensemble, Union Theater October 21, undated; Herbert Brun Graphics Artwork, undated; Gaburo Portrait Charicature, E. Sloin (?), 1978; Fifteen: a Multimedia Workshop and Performance with..., 1976; 201 Series Program: Turetsky, 1969; 201 Series Program: Music and Light, undated; 201 Series Program: The Dying Alchemist, 1969; 201 Series Program: Mondo Violino, undated; 201 Series Program: An Open Rehearsal of Music for Voices, Instruments, and Electronic Sounds, NMCE II, 1969; Works from the Compositional Linguistics Seminar, 1972; LP Cover: "NMCE in Works of Ives, Nono, Shallenberg...", undated; LP Cover: Music for Voices, Instruments, and Electronic Sounds, NMCE II, undated (See box 26, items 2-6); Sonat, The Quality of Soft is not Strainning, UCSD Music Department, June 6, 1974; NMCE III Performs Lingua I and Lingua II, March 3, undated; NMCE directed by Kenneth Gaburo, March 17, undated; Palomar Contemporary Arts Festival, NMCE IV, Compositional Linguistics Ensemble, undated; Palomar Contemporary Arts Festival, Virginia Gaburo, undated; Bradley University Spring Festival of Arts, 1967; 201 Series Program: NMCE III, April 12, undated; 201 Series Program: NMCE II, April 12, undated; 201 Series Program: Stuart Dempster, Trombonist, undated; Readings in Compositional Linguistics, undated; Lingua II, Maldetto, undated; OM, undated; Line Drawing portrait of Kenneth Gaburo, undated; Pastel Drawing portrait of Kenneth Gaburo, by Reinlander, 1973; Center for New Music, "Two" and "Antiphony IV", 1969-1970; San Diego State University, Contemporary Music Ensemble Multimedia Concert, undated; Progressions Arts UMBC, undated; Frostburg State College, a Program of Compositional Linguistics, undated; Allos, a painting by Milford Kemp, 1982; "... a Dot is No Mere Thing..." Kansas City Civic Orchestra, undated (World Premier).

Box 36

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: Sketches for Musical Compositions: Early Draft for Antiphony III, "Pearl-White Moments", 1963
Folder 2: Gaylord Scrapbook: Sketches for Musical Compositions: Early Draft for Antiphony IV, "Poised", 1967
Folder 3: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for Antiphony VIII, "Revolution", 1983
Folder 4: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Enough! (not enough!)", 1987-1989: Folder 1 of 2
Folder 5: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Enough! (not enough!), 1987-1989: Folder 2 of 2
Folder 6: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for Antiphony IX, "...a Dot is No Mere Thing...", undated
Folder 7: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Antiphony X: Winded", 1990: Folder 1 of 2
Folder 8: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for "Antiphony X: Winded", 1990: Folder 2 of 2
Folder 9: Gaylord Scrapbook: Sketches for Musical Compositions: Sketches for Antiphony XI, unfinished, 1991
Folder 10: Gaylord Scrapbook: Sketches for Musical Compositions: La Coro Sketch, 1991

Box 37

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: Sketches for Musical Compositions: Subito, 1977: Part 2 of 2 (Part 1 located in Box 50)
Folder 2: Gaylord Scrapbook: Sketches for Musical Compositions: Maldetto, 1971: Folder 1 of 2
Folder 3: Gaylord Scrapbook: Sketches for Musical Compositions: Maldetto, 1971: Folder 2 of 2
Folder 4: Gaylord Scrapbook: Sketches for Musical Compositions: The Widow, 1961: Folder 1 of 2
Folder 5: Gaylord Scrapbook: Sketches for Musical Compositions: The Widow, 1961: Folder 2 of 2

Box 38

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: Compositions: The Widow, 1960
Folder 2: Gaylord Scrapbook: Compositions: Sinfonia Concertant for Orchestra and Piano and On a Quiet Theme, 1949
Folder 3: Gaylord Scrapbook: Compositions: The Snow Queen, 1952: Opera in Three Acts. Act I, Scene I: "The Demon's Mirror;" Act I, Scene II: "The Gardin;" Act II, Scene I: "Enchantment;" Act II, Scene II: "Dreams;" Act III, Scene I: "The Wasteland;" Act III, Scene II: "The Snow Queen."
Folder 4: Gaylord Scrapbook: Compositions: Antiphony IV "Poised", undated: Score and Parts: Double Bass, Piccolo, Trb (?), Trombone.
Folder 5: Gaylord Scrapbook: Compositions: Antiphony VI, "Cogitio", 1971

Box 39

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: "Antiphony VIII: Revolution", 1983
Folder 2: Gaylord Scrapbook: "Antiphony IX: Orchestra, Children, and 4 Channel Tapes", 1982-1985
Folder 3: Gaylord Scrapbook: "Antiphony X: Winded", 1987-1991
Folder 4: Gaylord Scrapbook: "Lingua II: Maldetto", 1967-1969
Folder 5: Gaylord Scrapbook: Antiphony IX Orchestral Parts: Addenda, Trumpet 1-3, Horn 1-5, 1982-1985: Contains nine folders: Addenda, Trumpet parts 1-3, and Horn parts 1-5.
Folder 6: Gaylord Scrapbook: Antiphony IX Orchestral Parts: Piccolo, Flute 1 &2, Alto Flute, Oboe 1 & 2, 1985: Contains four folders: Piccolo, Flute parts 1 &2, Alto Flute, and Oboe parts 1 &2.

Box 40

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Clarinet 1 & 2, undated
Folder 2: Gaylord Scrapbook: Antiphony IV Orchestral Parts: English Horn, undated
Folder 3: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bassoon and Contra Bassoon, undated
Folder 4: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bass Clarinet, undated
Folder 5: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Tuba, undated
Folder 6: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Trombone 1 & 2, undated
Folder 7: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bass Trombone, undated
Folder 8: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 1-3, undated
Folder 9: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 4-6, undated
Folder 10: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 7-9, undated

Box 41

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 10-12, undated
Folder 2: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 13-15, undated
Folder 3: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 16-18, undated
Folder 4: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 19-21, undated
Folder 5: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Violin 22-24, undated
Folder 6: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Viola 1 &2, undated

Box 42

Sub-Series 37: Oversized Materials

Folder 1: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Viola 3-6, undated
Folder 2: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Xylophone and Miscellaneous Percussion, undated
Folder 3: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Piano and Percussion, undated
Folder 4: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Cello 1-3, undated
Folder 5: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Cello 4-6, undated
Folder 6: Gaylord Scrapbook: Antiphony IV Orchestral Parts: Bass 1-3, undated

Box 43

Sub-Series 38: Hollinger Slides

Item 1: Antiphony VI Pictures, undated
Item 2: "Union" Slides, undated: Five Containers
Item 3: Rick Copples "Images", undated: Four Containers
Item 4: "Enough! Not Enough" Score Slides, undated: Two Containers (Second Container is shared with "Whole Language Language" Slides [Box 43, Item 5])
Item 5: "Whole Language Language", undated: Three Containers (Third Container is shared with "Enough! Not Enough" slides [Box 43, Item 4])
Item 6: "Privacy One", undated: Three Containers
Item 7: "Mouthpiece" Score and Text, undated: Three Containers

Box 44

Sub-Series 38: Hollinger Slides

Item 1: Michigan State Commissions, undated
Item 2: Dantes Joynte/ Antiphony IX, Sketches of Basic Language, undated
Item 3: Antiphony IX, Original Scatter, undated
Item 4: Antiphony IX, Score Titles, undated
Item 5: Antiphony IX, Score, undated: Three Containers
Item 6: University of Iowa, Electronic Music Studio, 1976
Item 7: University of Iowa, Electronic Music Studio, 1983: Five Containers
Item 8: Unmarked Slides, undated

Box 45

Sub-Series 38: Hollinger Slides

Item 1: Unmarked Slides, ca. 1970s

Box 46

Sub-Series 39: Photos

Item 1: Unmarked Slides, undated: 46 Slides in view pages
Item 2: In the Can, 1970
Item 3: Gaburo Opera, undated
Item 4: Gaburo Family, ca. 1940-1980
Item 5: Composition as an Eco-System Exhibit, undated
Item 6: Rehearsal of Dante's Joynte, undated
Item 7: Miscellaneous New Music Choral Ensemble (NMCE), undated
Item 8: Kenneth Gaburo, Ca. 1940-1970
Item 9: "Antiphony IX: Enough! Not Enough", ca. 1980s
Item 10: NMCE Rehearsing "Falling", ca. 1970s
Item 11: NMCE Rehearsing "Mutatis Mutandis", undated

Box 47

Sub-Series 40: Audio Tape Cassettes

Item 1: Dixon "Elegy", July 6, 1966
Item 2: Seminar, March 14, 1978
Item 3: Antiphony VIII "Revolution", March 9, 1984
Item 4: "Cantilena IV," Schoenberg Institute, February 14, 1985
Item 5: Antiphony IX, October 13, 1985
Item 6: Gary Verkade/ Gaburo, Organ Sounds, July 24, 1986
Item 7: UIUC Sonic Lab, "Maldetto" and "Kurzwellen", March 16, 1987
Item 8: "The Bomb Factory" Part I, April 22, 1987
Item 9: Audio Spectrum, Part I and II, August 11, 1987
Item 10: Audio Spectrum Part III, "Mangrove", August 11, 1987
Item 11: Ensemble, August 10, 1987
Item 12: Antiphony IX Rehearsal, March 8, 1988
Item 13: "Enough! Not Enough" (1 of 2 copies), December 11, 1988
Item 14: "Enough! Not Enough" (2 of 2 copies), December 11, 1988
Item 15: Antiphony X, September 16, 1991
Item 16: Interview with Todd Knoeble, undated
Item 17: "Mutatis Mutandis", undated
Item 18: "Mutatis" Rehearsal, undated
Item 19: Natuig- English Cantilena IV, Paris, undated
Item 20: "Surface Tension" Dub, undated
Item 21: Act One Scratch Project, undated
Item 22: "Partch Bewitched, Riasberlin", undated
Item 23: Antiphony VIII, Texts, undated
Item 24: Antiphony VIII Dub, undated
Item 25: Antiphony II, undated
Item 26: Liz Rymland, Text for Kenneth (1 of 2 copies), undated
Item 27: Liz Rymland, Text for Kenneth (2 of 2 copies), undated
Item 28: Antiphony X "Winded", 21, undated
Item 29: New Events Washington, "Lingua II: Maldetto", undated
Item 30: Cantilena 1, 4, "Chrome EQ", undated
Item 31: "Enough! Not Enough" plus Stockholm, undated
Item 32: "Enough! Not Enough" Collage, ISIT ABC Broadcast Dub, undated
Item 33: Antiphony II Dub, undated
Item 34: "Russia" Micro-Cassette, undated
Item 35: Boris Jarek "Testimony Sounds" Micro-cassette, undated
Item 36: #4A, B Micro-cassette, undated
Item 37: #5 A, B Micro-cassette, undated
Item 38: Audiocassette 1, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 39: Audiocassette 2, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 40: Audiocassette 3, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 41: Audiocassette 4, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 42: Audiocassette 5, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 43: Audiocassette 6, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 44: Audiocassette 7, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 45: Audiocassette 8, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 46: Audiocassette 9, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 47: Audiocassette 10, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 48: Audiocassette 11, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 49: Audiocassette 12, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 50: Audiocassette 13, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 51: Audiocassette 14, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 52: Audiocassette 15, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 53: Audiocassette 16, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 54: Audiocassette 17, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 55: Audiocassette 18, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 56: Audiocassette 19, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 57: Audiocassette 20, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 58: Audiocassette 21, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.
Item 59: Audiocassette 22, undated: One of 22 audiocassettes marked 1-22. Dates range from 6/23 - 8/12, year unknown.

Box 48

Sub-Series 37: Oversized Materials

Item 1: "The Snow Queen", 1952: From scrapbook in Box 1
Item 2: Teaching Materials: Musical Examples for Teaching, undated
Item 3: Teaching Materials: Educational Music Centre Project Course, undated
Item 4: Lingua Press Publications: "Lilacs" For Mixed Chorus a capella, by Robert Shallenberg, Apogee/Lingua, 1967
Item 5: Lingua Press Publications: "Ludus Primus: Foreplay" by Harely Gaber, 1967
Item 6: Lingua Press Publications:"Scambio for Flute and Piano" by Harely Gaber, 1963: Revised in 1969
Item 7: Lingua Press Publications: Lingua Press Collection Two Catalogue, November 1977
Item 8: "Collected Chips: Off the Old Block" For Piano, Vol. 1-3, by Tod Lewis, undated
Item 9: "Kata" For Solo Violin, by Harely Gaber, 1977
Item 10: Lingua Press Publications: Lingua Press Double Issue, 1978: Includes: "...Such Words As it Were Vain to Close..." by J.K. Randall and "...My Chart Shines High Where the Blue Milk Upsets..." by Benjamin Boretz.
Item 11: Lingua Press Publications:"Poempiece I: Whitegold Blue" by William Brooks, 1978

Box 49

Sub-Series 37: Oversized Materials

Item 1: Marked Conductor's Scores: "Two Egrets," Glasow, undated
Item 2: Marked Conductor's Scores: "Sensus Spei," Kohn, undated
Item 3: Marked Conductor's Scores: "Ave Maria", undated
Item 4: Marked Conductor's Scores: "Psalm," Gaburo, undated
Item 5: Marked Conductor's Scores: "The Hurricane," Ogden, undated
Item 6: Marked Conductor's Scores: "Anthem," Stravinsky, undated
Item 7: Marked Conductor's Scores: "Sound Patterns," Pauline Oliveros, undated
Item 8: Marked Conductor's Scores: "On the Surface of Things," Arthur, undated
Item 9: Marked Conductor's Scores: "Five Fragments," Ben Johnston, undated

Box 50

Sub-Series 37: Oversized Materials

Item 1: Sketches for Musical Composition: Subito, 1977: Folder 1 of 2 (Part 2 located in Box 37)
Item 2: Marked Conductor's Scores: "Bewitched" by Harry Partch, Berlin Performance Score conducted by Gaburo, undated
Item 3: Lingua Press Publications: "Groups for Piano" by Donald Scavarda, 1959: Copyright 1962, 1977
Item 4: Lingua Press Publications: "Antiphony IV "Cognito", 1971 String Quartet, Slides, Tape", 1980

Box 51

Sub-Series 23: Sketches for Musical Composition, 1952-1956

Folder 1: Sketches for The Snow Queen (other title: The Widow), 1952: 1 of 2.
Folder 2: Sketches for The Snow Queen (other title: The Widow), 1952: 2 of 2.
Folder 3: String Quartet, 1956

Box 52

Sub-Series 23: Sketches for Musical Composition, 1957-1958

Folder 1: Mass, 1958
Folder 2: Tiger Rag, 1957: 1 of 2.
Folder 3: Tiger Rag, 1957: 2 of 2.

Box 53

Sub-Series 23: Sketches for Musical Compositions, 1959-1967

Folder 1: Sketch A for Stray Birds, 1959
Folder 2: Sketch B for Stray Birds, 1959
Folder 3: Shapes and Sounds, 1960
Folder 4: Ave Maria, 1962
Folder 5: Two, 1962, 1962
Folder 6: Psalm, 1965
Folder 7: Poesies, 1966-1967
Folder 8: Dante's Joynte, 1968
Folder 9: Lingua I: Inside, 1969

Box 54

Sub-Series 23: Sketches for Musical Compositions, 1970-1973

Folder 1: Dirge, 1970
Folder 2: Lingua I: Flight of the Sparrow, 1970
Folder 3: Antiphony V (never completed), 1971
Folder 4: Antiphony VI, 1971
Folder 5: Dwell, 1973
Folder 6: 20 Sensing, 1968-1973

Box 55

Sub-Series 23: Sketches for Musical Compositions, 1974-1990 and undated

Folder 1: The Flow of [U], 1974
Folder 2: Enough! (not enough), 1984-1985: 1 of 2; for folder 2 of 2, see Oversized Box 36.
Folder 3: La Coro, collaboration with Hans Breder, 1990: 2 folders; folder 2 of 2, see Oversized Box 36.
Folder 4: A Festival Overture, undated
Folder 5: Psalm for Women's Chorus, Strings, Woodwinds, Timpani, Piano, 2 Trumpets, 2 Trombones, undated
Folder 6: Do Not Go My Love, undated
Folder 7: The Arch, undated
Folder 8: Metamorphosis for Orchestra, undated
Folder 9: Entrata, undated
Folder 10: The Wreck of Deutschland, undated
Folder 11: Offertory, undated
Folder 12: Various sketches for vocal music, undated
Folder 13: Musica de Camera, undated
Folder 14: A Piano Invention, undated
Folder 15: Composition for Brass, undated
Folder 16: In Memoriam, undated

Box 56

Sub-Series 24: Unidentified Sketches

Folder 1: Unidentified sketches, undated: 1 of 6.
Folder 2: Unidentified sketches, undated: 2 of 6.
Folder 3: Unidentified sketches, undated: 3 of 6.
Folder 4: Unidentified sketches, undated: 4 of 6.
Folder 5: Unidentifies Sketches, undated: 5 of 6.
Folder 6: Unidentified Sketches, undated: 6 of 6.

Box 57

Sub-Series 37: Oversized Materials

Folder 1: Inside, 1969
Folder 2: December 8, 1967
Folder 3: Sketches for unfinished piece for Candace and Jon, undated
Folder 4: She, unfinished piece for Ginny Gaburo, undated
Folder 5: Ideas and Transformations, 1955
Folder 6: Antiphonia for 3 String Groups, later called Antiphony I, 1961
Folder 7: Antiphony IV, 1967
Folder 8: Glass, Unfinished Composition, 1968
Folder 9: Ringings, 1976
Folder 10: Mouthpiece, 1970

Box 58

Sub-Series 37: Oversized Materials

Folder 1: In the Can, 1970
Folder 2: Cantilene IV, 1975
Folder 3: Ringings, 1976
Folder 4: Antiphony IX, 1984-1985: 2 of 4.
Folder 5: Antiphony IX, 1984-1985: 3 of 4.
Folder 6: Cartilena, Unfinished, undated
Folder 7: Unknown Songs (The Valley Spirit), undated

Box 59

Sub-Series 37: Oversized Materials

Folder 1: Antiphony II (variations on a poem of Cauafy), 1961
Folder 2: Antiphony III, 1963: 1 of 3.
Folder 3: Antiphony III, 1963: 2 of 3
Folder 4: Antiphony III, 1963: 3 of 3.
Folder 5: Never, 1966
Folder 6: December 8, 1967
Folder 7: My, My, My What a Wonderful Fall, 1975
Folder 8: Antiphony IX, 1984-1985: Folder 1 of 4. Folders 2 and 3 see Box 58, folder 4 see Oversized Box 39.
Folder 9: Unidentified sketches, undated: From folder 3 of 6. See box 56 for other folders.
Folder 10: Unidentified sketches, undated: From folder 4 of 6. See box 56 for other folders

Box 63

Sub-Series 2: Drafts of Publications and Manuscripts

Folder 1: Electronic music equipment catalogs (1 of 2), 1958-1970
Folder 2: Electronic music equipment catalogs (2 of 2), 1958-1970
Folder 3: "Report on Contemporary Experimental Music," L.A. Hiller, Jr., 1961
Folder 4: "Numus West" magazine, Issue 2, 1972: All issues (1 through 8) available in the Music Library, 780.5 NUM
Folder 5: "Numus West" magazine, Issue 4, 1973: This copy is missing the Herbert Brun article. An intact version of this issue (and all issues, 1 through 8) is available in the Music Library, 780.5 NUM
Folder 6: "Numus West" magazine, Issue 6, 1974: All issues (1 through 8) available in the Music Library, 780.5 NUM
Folder 7: "Computer Music Compositions of the United States; a bibliography" by Carol Melby, 1975
Folder 8: SEAMUS National Archive "Request for Participation" by Scott Wyatt, 1990

Item 1: 16mm film, "In the Can" A-C, undated

Item 2: 16mm film, "In the Can", undated

Possibly contains som "Media Man"

Series 2: Larry Polansky Lingua Press Records, 1975-1991

Consists of business invoices, expense ledgers, diaries, promotional material, graphic design elements, and correspondence from Lingua Press and Kenneth Gaburo. The series is organized into two subseries: Subseries 1. Business Records and Subseries 2. Correspondence.

Sub-Series 1: Business Records, 1975-1991

This Subseries contains the business records for Lingua Press including: invoices, expense ledgers, check registers, memo books, diaries, warehouse books, promotional material, and graphic design elements. The Subseries is arranged chronologically beginning with the invoices, which comprise the majority of the business records. The remaining business records, which begin after the invoices, are also arranged chronologically.

Box 60

Folder 1: Invoices, 1975
Folder 2: Invoices, 1976
Folder 3: Invoices, 1977
Folder 4: Invoices, 1978: Part 1 of 7
Folder 5: Invoices, 1978: part 2 of 7
Folder 6: Invoices, 1978: Part 3 of 7
Folder 7: Invoices, 1978: Part 4 of 7
Folder 8: Invoices, 1978: Part 5 of 7
Folder 9: Invoices, 1978: Part 6 of 7
Folder 10: Invoices, 1978: Part 7 of 7
Folder 11: Invoices, 1979
Folder 12: Invoices, 1980: Part 1 of 2
Folder 13: Invoices, 1980: Part 2 of 2
Folder 14: Invoices, 1981: Part 1 of 4
Folder 15: Invoices, 1981: Part 2 of 4
Folder 16: Invoices, 1981: Part 3 of 4
Folder 17: Invoices, 1981: Part 4 of 4

Box 61

Folder 1: Invoices, 1982: Part 1 of 3
Folder 2: Invoices, 1982: Part 2 of 3
Folder 3: Invoices, 1982: Part 3 of 3
Folder 4: Invoices, 1983
Folder 5: Accounting, 1983
Folder 6: Invoices, 1984
Folder 7: Invoices, 1985
Folder 8: Invoices, 1986: Part 1 of 2
Folder 9: Invoices, 1986: Part 2 of 2
Folder 10: Invoices, 1987
Folder 11: Invoices, 1988
Folder 12: Invoices, Losses, 1988
Folder 13: Invoices, 1989: Part 1 of 2
Folder 14: Invoices, 1989: Part 2 of 2
Folder 15: Invoices, 1990
Folder 16: Invoices, 1991
Folder 17: Memo Books, 1960, 1964, 1970
Folder 18: Expense Ledger, 1974-1991
Folder 19: Expense Ledger, 1991-1993
Folder 20: Check Registers, 1979-1983
Folder 21: Dups to LP Warehouse, undated: Part 1 of 2
Folder 22: Dups to LP Warehouse, undated: Part 2 of 2

Box 62

Folder 1: Testimony Project, 1986
Folder 2: Diaries and Datebooks, 1991

Box 64

Folder 1: Collected Chips (Off the Old Block), vol. 1, 1960-1977: Composer: Peter Tod Lewis
Folder 2: Collection Two Photocopies, ca. 1970s
Folder 3: Packing Lists Invoices - San Diego State University, 1976
Folder 4: "Brain: Half a Whole" and Notes, ca. 1976-1987
Folder 5: University of Keele Invoices, 1978-1981
Folder 6: SUNY at Buffalo Invoices, 1978-1990
Folder 7: Commentary for Ads, 1979-1984
Folder 8: Direct Mail Sales Brochure and Cover Letters, ca. 1980
Folder 9: Jean-Charles Francois Writings, 1980-1986
Folder 10: LP Umbrella Review, 1981
Folder 11: LP Direct Mail Discounts to Retailers, 1981
Folder 12: LP Mizelle Percussion Music Flyer, 1981
Folder 13: Massoti Invoices, 1981-1982
Folder 14: Recommendation Letters for Kenneth Gaburo, 1981-1991
Folder 15: Delay in Order Mail, 1982
Folder 16: Great Midwestern Bookshow (Pictures), 1982
Folder 17: California State University - Dominguez Hills Invoices, 1982-1989
Folder 18: Middlebury Colleges Invoices, 1982-1989
Folder 19: Packing Slips Check Lists, 1983
Folder 20: Lingua Press Price List, 1985
Folder 21: Non Printed Works and Limited Editions + Recorded Works, 1985-1990
Folder 22: New Music Choral Ensemble History, 1986
Folder 23: Kentucky State University and Blazer Library Invoices, 1986-1987
Folder 24: National Endowment for the Arts Grant Application, 1987
Folder 25: Selected Cassette Duplicating Facilities List, 1987
Folder 26: University of Lousville Invoices, 1987
Folder 27: Gaburo CV and Biography, 1987-1989
Folder 28: Samples of Work (Including Performance Notes for IX), 1988
Folder 29: Funding Sources with Interests in Music, 1988
Folder 30: Application for a Faculty Scholar Award, 1988
Folder 31: History of Experimental Music Studio, Univesity of Iowa, ca. 1988
Folder 32: Excellence in Teaching Nomination Invitation, 1988-1989
Folder 33: Application to National Endowment for the Arts and Decision Letter, 1988-1989
Folder 34: Book Project Proposal, Faculty Scholar Award Info, 1988-89
Folder 35: New Music America Festival Proposal, 1989
Folder 36: Project Grant Application Form (NEA), 1989

Box 65

Folder 1: Warsaw Autumn '89 Program, 1989
Folder 2: Collection III Shipment Notice, 1989
Folder 3: "Chris Mann and Grammar" Copy, 1989
Folder 4: U of Iowa Semester Application and Prospectus, 1989-1990
Folder 5: Work Book/ Schedule, 1989-1990
Folder 6: Publishing and Performing Arts Directories, 1989-1991
Folder 7: Past Due Notices, 1989-1991
Folder 8: Lingua Press Promotional Copy and Reviews, 1989-1992
Folder 9: Tape and Disc Directory, 1990
Folder 10: Draft-"A View from the West", 1990: Author: Eric Segura
Folder 11: "A View from the West" Master, 1990: Author: Eric Segura
Folder 12: The Shifting Foundation Grant Application, 1990
Folder 13: Society for New Music News Letter, 1990
Folder 14: The University of Chicago Library Order Request, 1990
Folder 15: Editions Shelan Publications Ad, ca. 1990
Folder 16: Open Space Leaflet, ca. 1990s
Folder 17: Baku Arts Center Info, 1991
Folder 18: NEH Fellowship Application Statement, 1991
Folder 19: Application for the Center for Advanced Study, 1991
Folder 20: Proposal to Center for Advanced Study - The Scratch Project, 1991
Folder 21: Audio-Video Graphics Invoice, 1991
Folder 22: Discovery Systems Contract, 1991
Folder 23: Lingua Press Book Price Lists, ca. 1991

Box 66

Folder 1: Vasulkas Review and Crosswinds Monthly News Letter, 1992
Folder 2: NMA Publications Original Copy, 1992
Folder 3: Logos Foundation Flyer, 1992
Folder 4: The SoundArt Foundation Flyer, 1992
Folder 5: News Letters and Book Reviews, 1992
Folder 6: Fallen Leaf Press Advertisement, October 1, 1992
Folder 7: Perspectives of New Music Contact List and Memo, 1992
Folder 8: Bernard Rogers 100th Anniversary Info, 1992
Folder 9: Contact Phone Numbers, ca. 1992
Folder 10: McGill University Catalog Submission, September 9, 1992
Folder 11: The University of Wisconsin Press Submission, 1992
Folder 12: Lingua Press Price and Discount Lists, undated
Folder 13: Fonts Designs, undated
Folder 14: "A Journal of Text as Sound Experiment" Flyer, undated
Folder 15: Frog Peak Music Supplemental Catalog, undated
Folder 16: Publisher-Author Contract Master Copy, undated
Folder 17: Sample Response to LP Inquiries, undated
Folder 18: Lingua Press Ad Masters, undated
Folder 19: Notebook, undated
Folder 20: Design Copy for Glenn Block, undated
Folder 21: Composition Notes, undated
Folder 22: Flyer #88, undated
Folder 23: Experimental Music Publication Print-out, undated
Folder 24: LP Past Due Reminder, undated

Box 67

Folder 1: From "Sneden's Landing Variation" (Frank O'Hara) by Virgil Thomson, 1972
Folder 2: Lingua Press Collection Two Catalogue, 1977
Folder 3: IMI NEWS (Israel Music Institute), 1992
Folder 4: Mounted Publicity Image - The Percussion Group, undated

Sub-Series 2: Correspondence, 1979-1991

This subseries contains three types of correspondance held within the Lingua Press records with varrying date ranges. The subseries is arranged according to the orgininal order.

Box 62

Folder 3: Personal, Not Urgent, 1983-1990
Folder 4: Professional, Not Urgent, 1978-1990: Part 1 of 2
Folder 5: Professional, Not Urgent, 1978-1990: Part 2 of 2
Folder 6: Professional, Priority, 1979-1991: Part 1 of 2
Folder 7: Professional, Priority, 1979-1991: Part 2 of 2

Box 66

Folder 25: The Universiy of Iowa Correspondence, March 20, 1989
Folder 26: National Endorcement for the Arts Correspondence, 1989
Folder 27: Elaine Barkin Correspondence, 1992
Folder 28: Fallen Leaf Press Correspondence, 1992
Folder 29: Paul Smoker Correspondence, March 2, 1992
Folder 30: Louis Zoellar Bickett Correspondence, May 7 and 12, 1992
Folder 31: Gary Verkade Correspondence, October 7, 1992
Folder 32: Jim Boros Correspondence, October 23, 1992
Folder 33: Alex Lubet Correspondence, November 9, 1992
Folder 34: Two-Eighteen Press Correspondence, 1992
Folder 35: Radio Tangerine Wave, 1992
Folder 36: Tenaya Lake Postcard from Candace, 1992
Folder 37: Sound Encounters Festival Correspondence, 1993
Folder 38: SoundArt Foundation, Inc. Correspondence, undated
Folder 39: Correspondence-note from Herbert (Brun?), undated

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