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Collection Overview
Title: Nicholas Temperley Music and Papers, 1786-2019![Add to your cart. Add to your cart.](themes/library_web/images/addtocart.gif)
ID: 12/5/80
Primary Creator: Temperley, Nicholas (1932-2020)
Extent: 19.95 cubic feet
Arrangement:
Temperley's materials have been arranged into five series, which are as follows:
Series 1: Secular Music Reseach is arranged into six sub-series: 1) Publications and Published Scores, 2) Unpublished Edited Scores and Materials Related to Score Editing, 3) Unpublished Lectures and Liner Notes, 4) Research Files, 5) Photographic Slides and Prints, and 6) Historic Opera Scores, Libretti, and Music Catalog Collection. Sub-series 1 is arranged by a numeric code derived by Temperley, which is roughly chronological. Sub-series 2 is arranged chronologically and by material type. Sub-series 3, 4, 5, and 6 are arranged alphabetically by title.
Series 2: Hymn Tune and Sacred Music Research is arranged into four sub-series: 1) Publications and Published Scores, 2) Unpublished Lectures and Edited Scores, 3) Research Files, 4) Photographic Slides and Prints. Sub-series 1 is arranged by a numeric code derived by Temperley, which is roughly chronological. Sub-series 2, 3, and 4 are arranged alphabetically by title.
Series 3: Personal Files is arranged into three sub-series: 1) Personal Papers, 2) Original Published Compositions and Unpublished Music Manuscripts, and 3) Choral Ensemble Files and Arrangements for Choral Ensemble. Sub-series 1 is arranged alphabetically. Sub-series 2 is arranged using two alpha numeric codes given by Temperley, and chronologically thereafter. Sub-series 3 is arranged alphabetically.
Series 4: Teaching and Service Files is arranged alphabetically by title or institution and chronologically therein.
Series 5: Audio Recordings and Digital Research Files is arranged in two sub-series: 1) Audio Files and 2) Digitial Research Files. Sub-Series 1 is arranged by type of material and alphabetically by title therein. Sub-series 2 is arranged alphabetically by title.
This arrangement maintains his original order while applying a new intellectual order around his predominant research areas.
Date Acquired: 08/11/2021. More info below under Accruals.
Subjects: Church music, Church of England, English History, Music Composition, musicology, Opera, Victorian Music
Formats/Genres: Sheet music
Scope and Contents of the Materials
Contains published books, articles, reviews, and scores by Nicholas Temperley; unpublished research files; a collection of 18th and 19th century scores, libretti, and music publishing catalogs; teaching files, including copies of bound preliminary and final exams from Cambridge University; unpublished music manuscripts; audio recordings; and personal files related to choral music concerts staged by Temperley and his wife. Of particular note are early research files related to Temperley's work on the Hymn Tune Index and collected ephemera from the premiere of Temperley's revival of Raymond and Agnes. In addition, these papers contain Temperley's collection of rare 18th and 19th-century scores and libretti, used throughout his career.
Biographical Note
Nicholas Temperley (1932-2020) was born in Beaconsfield, England on August 7, 1932. His parents were Arthur Cecil Temperley, a Major-General of the British Army who served as a representative at the League of Nations, and Joyce van Oss, a Dutch musician and author. Temperley began his musical studies at the age of five, performing on piano and studying composition. After his father died in 1939, he was admitted to an all-boy's boarding school. In this same year he published his first composition entitled "Elegy," which appeared in a British publication called The Young Musician. In 1945, Temperley won a Foundation Scholarship to study at Eaton College, where he received further musical instruction until 1951. In 1948, his mother married a German refugee named Donald von Hirsch, who would go on to lead the German Institute in London. Temperley then earned his associate degree in piano performance at the Royal College of Music in 1952 as well as a certificate in organ performance at the Royal College of Organists in 1954. Following this, he earned another Foundation Scholarship to study music at King's College, Cambridge University where he earned a bachelor of arts degree (Double First in Music) in 1955, a bachelor's of music degree in 1956, and both his master's and doctoral degrees in 1959. While at King's College, Temperley specialized in the history of English music during the Classical and Romantic periods and he took additional courses in composition and organ performance.
Following his graduation from King's College, Temperley moved to the United States, becoming a post-doctoral fellow at the University of Illinois Urbana-Champaign. It was here that Temperley met Mary Dorothea Sleator, an assistant professor of English who was also an active singer in Urbana. The two were married a year later in Ann Arbor, Michigan. While in Urbana, Temperley published several early articles on the influence of Handel, Beethoven, Mozart, and Mendelssohn upon English composers; founded an amateur carol group called the "Temperley Singers"; and served as a music critic for the Champaign-Urbana Courier.
In 1961, he and Mary moved to the UK, Temperley having accepted a position as an assistant lecturer at Cambridge University and the Director of Studies in Music at Clare College, Cambridge. In addition to his teaching responsibilities, Temperley edited and revised both the entrance exams and the "Musical Tripos" final exams for graduate students. Two of Temperley's children were born during this time, Lucy (1962) and David (1963). During this period, Temperley began publishing short articles on the history of English Parish Church music and Victorian opera. He also combined his historical research with his interest in composition, arranging new editions of Victorian operas. While at Cambridge in 1966, he resurrected the Victorian-era composer Edward Loder's opera Raymond and Agnes. Soon after, Temperley accepted a position as an assistant professor at Yale University, where he taught for a year.
In 1967, Temperley returned to the University of Illinois as an associate professor in musicology. On the first day of school, his third child, Sylvia, was born. Temperley was promoted to full professor in 1972, at which point he had already written nearly two dozen articles about English music in the Victorian era. Temperley published his first book, Jonathan Gray and Church Music in York, 1770-1840 five years later in 1977. Two years later he received the Otto Kinkeldey Award from the American Musicological Society for his book, The Music of the English Parish Church. Building upon his research on hymns and church music, Temperley founded the Hymn Tune Index at the University of Illinois in 1982. As a research center, the Hymn Tune Index compiled an archive of hymns printed in English texts up to 1820 and published a reference book of their findings in four volumes begininng in 1998.
In 1981, Temperley published The Romantic Age: 1800-1914, a groundbreaking book on the music of the Victorian era. He would go on to edit several other books related to Victorian music including the 20-volume series The London Piano Forte School 1766-1860. Tied to his research on this era, Temperley also completed critical editions of both Berlioz's Symphonie fantastique (1971) and Haydn's The Creation (1988); a revised edition of John Gay's the Beggar's Opera (1984); and arrangements of two unfinished operas, George Friedrich Handel's Hercules (1985) and Mozart's L'Oca del Cairo (1991).
After serving two terms as department chair of the Musicology Division and being named a University Senior Scholar between 1986 and 1989, he retired in 1996. Temperley continued to research and publish in the areas of English church music and Victorian-era opera. For instance, in 2007, Temperley served as the co-editor alongside Sally Drage for a critical edition of 18th-Century English church music for the Musica Britannica series. In 2016, he published his twelfth book, Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family. In 2018, he and Beth Quitslund published the first critical edition of the Elizabethan era congregational book The Whole Book of Psalms, Collected into English Metre.
During his retirement, Temperley remained connected to the Musicology Division at the University of Illinois, establishing a dissertation prize in 2003 and a research prize in 2017. Temperley also spent his retirement staging Gilbert and Sullivan operettas in Urbana and in 2009 he published Christmas is Coming, a collection of original and arranged carols. Temperley died on April 19, 2020 in Urbana Illinois.
Subject/Index Terms
Administrative Information
Repository:
The Sousa Archives and Center for American Music
Accruals:
Addition on December 4, 2023
Acquisition Source:
gift
Acquisition Method:
Donated by Sylvie Khan.
Related Materials:
Hymn Tune Index Records 12/5/81
Box and Folder Listing
Browse by Series:
[
Series 1: Secular Music Research, 1786-2018],
[Series 2: Hymn Tune and Sacred Music Research, 1955-2018],
[
Series 3: Personal Files, 1940-2020],
[
Series 4: Teaching and Service Files, 1957-1987],
[
Series 5: Audio Recordings and Digital Research Files, 1961-2013],
[
All]
- Series 2: Hymn Tune and Sacred Music Research, 1955-2018
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- Materials are arranged into four sub-series: Publications, Unpublished Lectures and Edited Scores, Research Files, and Photographic Slides and Prints. Consists of Temperley's publications, research notes, unpublished lectures, photographs, and edited scores related to his interests in sacred music. Of particular note are his research files, drafts, and materials related to The Hymn Tune Index.
- Sub-Series 1: Publications and Published Scores, 1957-2016
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Temperley's publications were originally arranged in chronological order by material type using the following numeric code: I. monographs, II. book chapters, III. articles, IV. reviews of books, V. critical editions and urtexts, VI. published edited and arranged scores, VII. original published music. Each code contains two pieces of information: 1) the material type and shelf on which it was stored and 2) the chronological order of the publication within that type of material. For instance, "II .47" corresponded with Shelf 2 (book chapters), Item number 47.
This numeric code guides the arrangement of this sub-series. Publications on secular subjects have been moved to Series 1, Sub-Series 1 to more accurately reflect his creative process; the code for that sub-series follows the same original order as this series. Please refer to Box 1, Folder 1 for a full list of Temperley's publications in its original order.
- Box 12
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- Folder 1: The Creation, Full Score, by Franz Joseph Haydn (Temperley, ed.) (VI.15), 1988
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- Folder 2: Eighteenth-Century Psalmody (Nicholas Temperley and Sally Drage, eds.) (VI.17), 2007
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- Folder 3: Sing We Merrily: Music for 18th-Century Choirs (Nicholas Temperley and Sally Drage, eds.) (VI.18), 2008
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- Box 21
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- Folder 3: Jonathan Gray and Church Music in York, 1770-1840 (I.1), 1977
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- Folder 4: The Music of the English Parish Church, Vol. 1 (I.2), 1979
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- Folder 5: Fuging Tunes in the Eigteenth Century, with Charles Manns (I.4), 1983
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- Folder 6: Music and the Wesleys, with Stephen Banfield (I.12), 2010
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- Folder 7: "Stephen Humbert's Union Harmony, 1816," in Sing Out the Glad News: Hymn Tunes in Canada Conference Proceedings 1986 (II.11), 1987
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- Folder 8: "The Problem with Definitive Identification in the Indexing of Hymn Tunes," in Music Reference Services Quarterly (II.20), 1993
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- Folder 9: "The Hymn Books of the Foundling and Magdalen Hospital Chapels," in Music Publishing and Collecting: Essays in Honor of Donald Krummel (II.21), 1994
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- Folder 10: "Worship Music in English-Speaking North America, 1608-1820," in Taking a Stand: Essays in Honor of John Beckwith (II.22), 1995
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- Folder 11: "Ancient and Modern in the Work of John Stainer," in 19th-Century British Music Studies, Vol. 3 (II.26), 2003
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- Folder 12: "If any of you be mery, let hym syng psalms: The Culture of Psalms in Church and Home," in Noyses, Sounds, and Sweet Aires: Music in Early Modern England (II.28), 2006
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- Folder 13: "The Adventures of Hymn Tunes," in Hymnology in the Service of the Church: Essays in Honor of Harry Eskew (II.30), 2008
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- Folder 14: "A List of T.A. Walmisley's Church Music," English Church Music, Vol. 27, No. 1 (III.2), 1957
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- Folder 15: "Male-Voice Church Music," The Musical Times, Vol. 106, No. 1473 (III.13), 1965
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- Folder 16: "The Adventures of a Hymn Tune, pt. 1," The Musical Times, Vol. 112, No. 1538 (III.21a), 1971
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- Folder 17: "The Adventures of a Hymn Tune, pt. 2," The Musical Times, Vol. 112, No. 1539 (III.21b) , 1971
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- Folder 18: "Kindred and Affinity in Hymn Tunes," The Musical Times, Vol. 113, No. 1555 (III.23), 1972
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- Folder 19: "John Playford and the Metrical Psalm," Journal of the American Musicological Society, Vol. 25, No. 3 (III.24), 1972
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- Folder 20: "John Playford and the Stationer's Company," Music & Letters, Vol. 54, No. 2 (III.25), 1973
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- Folder 21: "Middleburg Psalms," Studies in Bibliography, Vol. 30 (III.31), 1977
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- Folder 22: "Croft and Charity Hymn," The Musical Times, Vol. 119, No. 1624 (III.32), 1978
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- Folder 23: "The Anglican Communion Hymn: 1. Hymn Singing in the Church of England," The Hymn, Vol. 30, No. 1 (III.33a), 1979
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- Folder 24: "The Anglican Communion Hymn: 2. The Communion Hymn," The Hymn, Vol. 30, No. 2 (III.33b), 1979
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- Folder 25: "The Anglican Communion Hymn: 3. The First Communion Hymn," The Hymn, Vol. 30, No. 3 (III.33c), 1979
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- Folder 26: "The Anglican Communion Hymn: 4. From Wither to Wesley," The Hymn, Vol. 30, No. 4 (III.33d), 1979
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- Folder 27: "The Old Way of Singing," The Musical Times, Vol. 120, No. 1641 (III.34), 1979
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- Folder 28: "Organ Settings of English Psalm Tunes," The Musical Times, Vol. 122, No. 1656 (III.36), 1981
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- Folder 29: "The Old Way of Singing: Its Origins and Development," Journal of the American Musicological Society, Vol. 34, No. 3 (III.38), 1981
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- Folder 30: "Organ Music in Parish Churches, 1660-1730," Bios, Journal of British Organ Studies, Vol. 5 (III.39), 1981
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- Folder 31: "The Origins of The Fuging Tune," Research Chronicle, Vol. 17 (III.40), 1981
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- Folder 32: "Psalm Singing in Christian Churches," The American Organist, Vol. 20, No. 10 (III.44), 1986
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- Folder 33: "Recent Studies in Victorian Religion: IV Music," Victorian Studies, Vol. 33 (III.49), 1989
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- Folder 34: "Haydn's Tempos in the Creation," Early Music, Vol. 19 (III.51)
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- Box 22
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- Folder 1: "The Lock Hospital and Its Music," Journal of the Royal Music Association, Vol. 118 (III.52), 1993
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- Folder 2: "First Forty: The Earliest American Compositions," American Music, Vol. 15, No. 1 (III.54), 1997
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- Folder 3: "The Hymn Tune Index: Everlasting Praise 1," The Musical Times, Vol. 139, No. 1863 (III.56), 1998
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- Folder 4: "The Hymn Tune Index," The Hymn, Vol. 49, No. 3 (III.57), 1998
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- Folder 5: "Tune or No Tune?" The Musical Times, Vol. 143, No. 1881 (III.58), 2002
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- Folder 6: "All Skillful Praises Sing: How Congregations Sang the Psalms in Early Modern England," Renaissance Studies, Vol. 29, No. 4 (III.61), 2015
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- Folder 7: "The Whole Book of Psalms and the Beginning of Congregational Singing in England," Monastic Musicians Newsletter, No. 24 (III.63), 2016
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- Folder 8: "Gerald H. Knight and William Read, The Treasury of English Curch Music, Part 1," The Musical Times, Vol. 107, No. 1475 (V.6), 1966
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- Folder 9: "Ralph T. Daniel, The Anthem in New England Before 1800," The Musical Times, Vol. 108 (V.7), 1967
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- Folder 10: "Arthur Hutchings, Church Music in the 19th Century," The Musical Times, Vol. 108, No. 1496 (V.8), 1967
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- p. 909
- Folder 11: "Edmund H. Fellowes, English Cathedral Music," The Musical Times, Vol. 111, No. 1529 (V.15), 1970
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- p. 712-713
- Folder 12: "Thomas Hastings, A Dissertation on Musical Taste," The Musical Times, Vol. 111, No. 1534 (V.16), 1970
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- p. 1226
- Folder 13: "Bernarr Rainbow, the Choral Revival in the Anglican Church, 1839-72," The Musical Times, Vol. 112, No. 1535 (V.17), 1971
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- p. 73-75
- Folder 14: "Miles Birkett Foster, Anthems and Anthem Composers," The Musical Times, Vol. 112 (V. 18), 1971
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- Folder 15: "Kinneth Long, Music of the English Church," The Musical Times Vol. 113, No. 1553 (V.21), 1972
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- See also V.20, same issue
- Folder 16: "George W. Williams, ed., Jacob Eckhard's Choirmaster Book of 1809," The Musical Times, Vol. 114 (V.22), 1973
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- Folder 17: "Edna D. Parks, Early English Hymns: An Index," The Musical Times, Vol. 114 (V.23), 1973
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- Folder 18: "Friedrich Blume, Protestant Church Music," The Musical Times, Vol. 117, No. 1601 (V.29), 1976
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- Folder 19: "John Marsh, ed., Samuel Wesley: Confitebor tibi, Domine," Notes, Vol. 36, No. 1 (V.38), 1980
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- Folder 20: "Paul Chappell, Dr. S.S. Wesley: Portrait of a Victorian Musician," Catholic Historical Review, Vol. 66 (V.39), 1980
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- Folder 21: "Erik Routley, The Music of Christian Hymns," The Hymn, Vol. 33 (V.46), 1982
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- Folder 22: "Karl Kroeger, ed., William Billings: The New England Psalm-Singer," American Music Vol. 1, No. 4 (V.47), 1983
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- Folder 23: "Bernarr Rainbow, English Psalmody Prefaces, 1562-1835," The Musical Times, Vol. 124, No. 1687 (V.49), 1983
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- p. 575
- Folder 24: "Karl Kroeger, ed., The Complete Works of William Billings," Journal of the American Musicological Society, Vol. 113, No. 1 (V.60), 1980
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- Folder 25: "William Gatens, Victorian Cathedral Music," Journal of the Royal Musical Association, Vol. 113 (V.61), 1988
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- Folder 26: "Lionel Adey, Class and Idol in the English Hymn," Victorian Studies, Vol. 33 (V.65), 1990
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- Folder 27: "Robert Klepper, Methodist Hymnal Concordance AND Concordance of the Pilgrim Hymnal" Notes, Vol. 47 (V.67), 1990
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- Folder 28: "Allen Perdue Britton, Irving Lowens, and Richard Crawford, American Sacred Imprints," Journal of the American Musicological Society, Vol. 45, No. 1 (V.70), 1992
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- Folder 29: "Nicholas Thistlewaite, The Making of the Victorian Organ," Notes, Vol. 49 (V.71), 1992
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- Folder 30: "Peter Horton, ed, Samuel Sebastian Wesley Anthems," AND "H. Diack Johnstone, Maurice Green," Journal of the Royal Music Association, Vol. 117 (V. 73), 1992
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- Folder 31: "Mark Argent, Recollections of R.J.S. Stevens: An Organist in Georgian London," London Times Literary Supplement (V.75), 1995
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- Folder 32: "Donald Davie, The Eighteenth-Century Hymn in England," Notes, Vol. 51 (V.79), 1995
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- Folder 33: "Peter Horton, ed., Samuel Sebastian Wesley, Anthems II," Notes, Vol. 51 (V.80), 1995
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- Folder 34: "J.R. Watson, The English Hymn," Music & Letters, Vol. 79, No. 3 (V.87), 1998
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- Folder 35: "Thomas McCart, the Matter and Manner of Praise," Notes, Vol. 56 (V.90), 1999
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- Folder 36: "Dale Adelmann, The Contribution of Cambridge Ecclesiologists to the Revival of Anglican Choral Worship," Albion, Vol. 31 (V.91), 1999
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- Folder 37: "T.E. Muir, Roman Catholic Music in England," Music and Letters, Vol. 91, No. 2 (V.108), 2010
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- Folder 38: "Bernarr Rainbow, Bernar Rainbow on Music," Music & Letters, Vol. 93, No. 2 (V.113), 2012
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- Folder 39: "Andrew Grant, O Sing unto the Lord: A History of English Church Music," Church History (V.118), 2019
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- Folder 40: "Might in Thy Sight Appear" by Samuel Wesley (Temperley, ed.) (VI.3), 1966
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- Folder 41: Anthems for Men's Voices, Vol. 1 by Peter Le Huray, Nicholas Temperley, Peter Trandell, and David Willocks (VI.5a), 1966
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- Folder 42: Anthems for Men's Voices, Vol. 2 by Peter Le Huray, Nicholas Temperley, Peter Trandell, and David Willocks (VI.5b), 1966
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- Folder 43: "Agnus Dei in F," by Henry Hugo Pierson (Temperley, ed.) (VI.7), 1973
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- Folder 44: "To Thee, O Lord of Hosts," by William Croft (Temperley, ed.) (VI.9), 1978
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- Folder 45: The Creation, Continuo Part, by Franz Joseph Haydn (Temperley, ed.) (VI.15b), 1988
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- Sub-Series 2: Unpublished Lectures and Edited Scores, 1975-2018
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- Materials are arranged alphabetically. Consists of unpublished lectures, lecture notes and examples, edited sheet music, and musical sketches.
- Box 12
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- Folder 4: Arrangements and Score Fragments of Psalms, undated
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- Folder 5: Photocopies of Psalms with Annotations, undated
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- Folder 6: Responses used in Lichfield Cathedral and Leeds Choral Service, undated
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- Box 22
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- Folder 46: Anglo American Popular Psalmody, Lecture-Recital given at the Sonneck Society National Meeting, 1975
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- Folder 47: Clacton Lecture, undated
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- Folder 48: Class Distinctions in 18th-Century Church Music, Lecture, ca. 1996
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- Folder 49: Eight Unpublished Lectures on the History of English Sacred Music, 1750-1874, undated
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- Folder 50: The Elizabethan Metrical Psalms and the Tunes, AMS Southwest Lecture, 2012
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- Folder 51: English Congregational Song and How it Started, University of Washington Lecture, 2012
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- Folder 52: Handel's Solomon, Swarthmore Lecture, undated
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- Folder 53: Haydn and the English Language, American Society for 18th Century Studies, Lecture, 1998
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- Folder 54: Haydn's Tempos in Creation, AMS Midwest Lecture, 1990
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- Folder 55: Haydn's Creationism, Dial Club Lecture, undated
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- Folder 56: Haydn's Creation, ACDA Lecture and University of S. Florida Seminar, 1991-2002
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- Folder 57: Haydn: Editing the Creation, Lecture given in Tampa, 1990
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- Folder 58: Haydn: Performing Haydn's Creation in English, Lecture, undated
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- Folder 59: Hymn Tune Index, Dial Club Lecture, 2007
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- Folder 60: Hymn Singing in England: A Shaky Start with the Whole Book of Psalms, NABMSA Lecture, 2016
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- Folder 61: Hymn Tune Sketches, sheet music, undated
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- Folder 62: In Virtue's Cause: How Handel's Music was Sanctified, Howard Serwer Lecture, 2001
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- Folder 63: Lecture on Messiah, Centre College, 1984
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- Folder 64: The Lock Hospital, Washington University Lecture, ca. 1998
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- Folder 65: Messiah, Michigan Conference Lecture, 1981
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- Folder 66: Newburry Tune, Philadelphia Lecture, 1983
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- Folder 67: Psalm Tune Index, Sonneck Society Lecture, 1976
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- Folder 68: Whole Book of Psalms, Lecture with Transperancies, ca. 2018
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- Folder 69: Whole Book of Psalms (1567), edited sheet music, ca. 2000
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- Folder 70: Whole Book of Psalms (1586), edited sheet music, ca. 2000
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- Sub-Series 3: Research Files, 1969-2018
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- Materials are arranged alphabetically and chronologically therein. Consists of research notes, correspondence, facsimilies with annotations, and drafts of articles and chapters.
- Box 13
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- Folder 1: Beasley Article, ca. 1978-1981
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- Box 22
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- Folder 71: 18th-Century Church Music (1 of 2), ca. 1988-1990
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- Folder 72: 18th-Century Church Music (2 of 2), ca. 1988-1990
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- Folder 73: 1992 Tune Essays, 1987-1993
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- Folder 74: Amazing Grace, 2006-2008
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- Folder 75: American Colonies, undated
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- Box 23
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- Folder 1: Bay Psalm Book, Notes, ca. 1974
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- Folder 2: Catholic Music in Parish Church Collections, undated
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- Folder 3: Chanting, undated
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- Folder 4: Chapel Royal Singeers, 1703-1755, undated
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- Folder 5: Communion Hymns, undated
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- Folder 6: Correspondence Regarding Loan of Music of the Heart, 2005
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- Folder 7: Daily Service Music, undated
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- Folder 8: English Cathedral Music, by Edmund Fellowes, 1969
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- With annotations by Temperley.
- Folder 9: English Organ Hymns, undated
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- Folder 10: Facsimilies (1 of 2), ca. 1600s-1980s
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- Folder 11: Facsimilies (2 of 2), ca. 1600s-1980s
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- Folder 12: Family of Tunes, undated
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- Folder 13: Gray, Jonathan, undated
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- Folder 14: Handel and the Church of England, undated
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- Folder 15: Haydn Creation, Correspondence, 1992
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- Folder 16: Haydn Creation, Deed of Amendment, 2010
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- Folder 17: Humbert Back-up, undated
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- Folder 18: Hymn Society of Great Britain and Ireland (HSGBI), 1995-1997
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- Folder 19: Hymn Society, 2006 Conference, DePauw University, 2006
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- Folder 20: Hymn Tune Index, 1996
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- Folder 21: Hymn Tune Index: After 2018, 2006-2018
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- Folder 22: Hymn Tune Index: Anthem Book Prefaces, undated
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- Folder 23: Hymn Tune Index: Bugs in Query Program, undated
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- Folder 24: Hymn Tune Index: CITES Work, 2001
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- Folder 25: Hymn Tune Index: Contract, Oxford University Press, 1982-2000
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- Folder 26: Hymn Tune Index: Correspondence, 2020
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- Folder 27: Hymn Tune Index: Database, 1999-2006
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- Folder 28: Hymn Tune Index: DAVY Project, undated
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- Folder 29: Hymn Tune Index: Expansion, 2003-2008
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- Folder 30: Hymn Tune Index: Future, 2005-2018
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- Folder 31: Hymn Tune Index: Interface Revision, undated
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- Folder 32: Hymn Tune Index: Joseph Herl, 2020
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- Folder 33: Hymn Tunes Index: New Sources
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- Folder 34: Hymn Tune Index: Old Version, undated
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- Folder 35: Hymn Tune Index: Reference Works, ca 2014
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- Folder 36: Hymn Tune Index: Revision, 2005, 2005
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- Folder 37: Hymn Tune Index: Scotland, 1827-1840, 2009
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- Folder 38: Hymn Tune Index: Subsidy to School of Music, 1997-2000
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- Folder 39: Hymn Tune Index: Transfer to Library, 2005-2009
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- Folder 40: Hymn Tune Index: Web Server, 1999-2005
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- Folder 41: Hymn Tune Melodic Comparisons, undated
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- Folder 42: Hymnal Articles to Be Done, undated
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- Folder 43: Hymnal Biographies, undated
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- Folder 44: Hymnal Companion Article (1 of 2), undated
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- Folder 45: Hymnal Companion Article (2 of 2), undated
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- Folder 46: Landmarks of Psalmody, 1985
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- Folder 47: Lectures on Parish Church Music, 1981-1983
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- Folder 48: London Churches, ca. 1970s-1990
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- Folder 49: Lowe, Clifford, Turner: Manuscript Notes, 2013
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- Folder 50: New Carol Index, 2008-2020
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- Folder 51: Metrical Psalms to 1750 (for Hymnal Companion), ca. 1987-1990
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- Folder 52: Metrical Psalms, Renaissance Conference, 1986
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- Folder 53: Music of the English Parish Church: S&H Definitive Lists, undated
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- Folder 54: Music of the English Parish Church: S&H Grids, undated
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- Folder 55: Music of the English Parish Church: CPM - Hymns, Psalms, undated
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- Box 24
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- Folder 1: Music of the English Parish Church: ADD. 15166, undated
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- Folder 2: Music of the English Parish Church: Music of the Psalms, undated
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- Folder 3: Music of the English Parish Church: Metrical Psalms Up to 1553, undated
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- Folder 4: Music of the English Parish Church: Psalm Tunes and the Reformation, undated
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- Folder 5: Music of the English Parish Church: Revised Edition, ca. 1975-2005
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- Folder 6: Music of the English Parish Church: Popular Tunes, undated
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- Folder 7: Music of the English Parish Church: Henry VIII, undated
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- Folder 8: Music of the English Parish Church: Edward VI, undated
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- Folder 9: Music of the English Parish Church: Marian Exiles, undated
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- Folder 10: Music of the English Parish Church: Elizabeth I, undated
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- Folder 11: Music of the English Parish Church: Whole Book of Psalms, undated
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- Folder 12: Music of the English Parish Church: Official Tunes, undated
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- Folder 13: Music of the English Parish Church: Charles I and Laud, undated
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- Folder 14: Music of the English Parish Church: Commonwealth, undated
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- Folder 15: Music of the English Parish Church: Town Psalmody, undated
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- Folder 16: Music of the English Parish Church: Town Churches, undated
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- Folder 17: Music of the English Parish Church: Country Psalmody, undated
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- Folder 18: Musci of the English Parish Church: Organ Voluntaries, undated
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- Folder 19: Music of the English Parish Church: Victorian Settlement, undated
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- Folder 20: Music of the English Parish Church: Post 1900, undated
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- Folder 21: Music of the English Parish Church: Royal School of Church Music & Present Day Parish Church Music, ca. 1975
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- Folder 22: Music of the English Parish Church: Appendix I - Collegiate Parish Churches, ca. 1971
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- Folder 23: Music of the English Parish Church: Appendix II - Wages of Clerks, Organists, undated
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- Folder 24: Music of the English Parish Church: Appendix IV - Lists of Subscribers, undated
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- Folder 25: Music of the English Parish Church: Appendix V - Chetham, undated
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- Folder 26: Music of the English Parish Church: Appendix VI - Musical Changes, London Churches, 1867-1894, undated
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- Folder 27: Music of the English Parish Church: 9. Lutheran Books, undated
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- Folder 28: Music of the English Parish Church: Appendix VII - Choir Music Repertoire, undated
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- Folder 29: Music of the English Parish Church: Appendix VIII - Hymn Books Outside London, undated
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- Folder 30: Music of the English Parish Church: "Great is the Lord", undated
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- Folder 31: Music of the English Parish Church: Bibliography - M.S., undated
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- Folder 32: Music of the English Parish Church: Tables, undated
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- Folder 33: Music and the Wesleys, April 1979
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- Folder 34: Music and the Wesleys, undated
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- Folder 35: Music and the Wesleys: Notes and Programs, ca. 2011
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- Folder 36: Music and the Wesleys: Wesley's Marriage, undated
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- Folder 37: Music and the Wesleys: Chapter Notes, 2009
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- Folder 38: Musical Wesleys, The, 1703-1896 by Eric Routley, 1968
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- With annotations by Temperley
- Folder 39: Norwich Parishes, undated
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- Folder 40: Notes on Chamber Barrel Organs, 1969-1970
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- Folder 41: Occasional Services, undated
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- Folder 42: Ordering Psalm Books, undated
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- Folder 43: Psalm Book Index of Significant Variants, ca. 1975
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- Folder 44: Psalm Book Project, ca. 1970s
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- Folder 45: Psalmody Newsletter, undated
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- Folder 46: Parish Records, undated
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- Folder 47: Printed Sources (1 of 2), undated
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- Folder 48: Printed Sources (2 of 2), undated
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- Folder 49: Review for the Royal Musical Association: Correspondence & Draft, 1991
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- Folder 50: Review fpr the Hymn: Correspondence & Draft, 1989-1994
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- Folder 51: Religious Groupings, undated
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- Folder 52: Roman Catholic Music, undated
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- Folder 53: Scottish Psalmody, undated
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- Folder 54: Sermons, undated
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- Folder 55: Stationers' Hall Entries: Notebook, ca. 1970
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- Folder 56: Temperley-Krummel Book, ca. 1976-1982
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- Folder 57: Victims of Compromise: 1st Version Corrected, undated
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- Folder 58: West Riding Parishes, ca. 1970s
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- Folder 59: Whole Book of Psalms: Papers at MLA and HSA, 2011-2014
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- Box 25
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- Folder 1: Whole Book of Psalms Edition: Collecting, ca. 2013
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- Folder 2: Whole Book of Psalms Edition: Early Editions, undated
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- Folder 3: Whole Book of Psalms Edition: Notes for Psalms Article, undated
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- Folder 4: World Book of Psalms Edition: Anthems post 1558, undated
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- Folder 5: World Book of Psalms Edition: Audio Project, 2012
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- Folder 6: World Book of Psalms Edition: Church Wardens' Accounts, undated
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- Folder 7: World Book of Psalms Edition: Cosyn Edition, undated
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- Folder 8: World Book of Psalms Edition: Pidoux, undated
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- Folder 9: World Book of Psalms Edition: Short Instruction, undated
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- Folder 10: World Book of Psalms Edition: X-Rs, undated
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- Folder 11: York Parishes, ca. 1970s
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- Box 36
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- Item 1: Card Catalog of Published Church Music, undated
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- Catalog organized alphabetically by last name of composer or name of journal.
- Sub-Series 4: Photographic Slides and Prints, ca. 1955-2010
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- Materials are arranged alphabetically. Consists of photographs, photographic slides, negatives, and posters.
- Box 28
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- Folder 10: Haydn Creation Novello Octavo Cover Photo and Negative, undated
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- Folder 11: Lock Chapel Slides, undated
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- Folder 12: Photo Negatives for Unidentified Book, undated
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- Folder 13: Rejected Book Photos, ca. 1955-1972
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- Folder 14: Whole Book of Psalms Photos and Illustrations, undated
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- Box 29
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- Folder 1: Poster: Music and the Wesleys, Book Edited by Nicholas Temperley and Stephen Banfield, 2010
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Browse by Series:
[
Series 1: Secular Music Research, 1786-2018],
[Series 2: Hymn Tune and Sacred Music Research, 1955-2018],
[
Series 3: Personal Files, 1940-2020],
[
Series 4: Teaching and Service Files, 1957-1987],
[
Series 5: Audio Recordings and Digital Research Files, 1961-2013],
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