.
By Kelli McQueen
Collection Overview
Title: Sever Tipei Music and Papers, 1961-2015
ID: 12/5/78
Primary Creator: Tipei, Sever
Extent: 15.15 cubic feet
Arrangement: Organized in five series: Series 1: Computer Music Project Administrative Records; Series 2: Sever Tipei Personal Papers; Series 3: Coursework and Instructional Materials; Series 4: Performance Recordings and Digital Audio Tapes (DAT); Series 5: Computer Music Project Technology. Series 2 constists of two subseries: Subseries 1: Adiministrative Papers, including grant applications, conference presentations, and faculty appointments, organized chronologically; Subseries 2: Sheet Music, Scores, and Concert Programs, organized alphabetically by title. Series 3 consists of two subseries: Subseries 1: Sever Tipei's Course Materials, organized by course number; Subseries 2: James Beauchamp's course materials and articles.
Date Acquired: 06/28/2021
Scope and Contents of the Materials
Consists of the music and papers of Sever Tipei and James W. Beauchamp. Sever Tipei is an emeritus professor of music composition theory and the director of the University of Illinois' Computer Music Project. James Beauchamp is an emeritus professor of electrical engineering and music. Beauchamp was the director the Experimental Music Studios from 1969-1972, and co-founder of the Computer Music Project.
Biographical Note
Sever Tipei was born in Bucharest, Romania, immigrated to the United States in 1972 and became a U.S. citizen in 1978. He holds degrees in composition from the University of Michigan and in piano performance from the Bucharest Conservatory (now National University of Music at Bucharest). Sever Tipei has been teaching since 1978 at the University of Illinois School of Music where he directs the Computer Music Project. MP1, his program for computer-assisted composition in use between 1973 and 1998, was the first such program to be implemented on a supercomputer ( NCSA 's CRAY X-MP), in 1986. Sever Tipei also had a Faculty Appointment (visiting scientist) at the Argonne National Laboratory between 1994 and 2003. In collaboration with Hans Kaper, Senior Mathematician (now retired), at Argonne Tipei worked on developing an Environment for Music Composition (EMC), that included software for composition, sound synthesis, automatic music notation, and visualization of music in a virtual environment. Tipei and Kaper have also pursued the sonification of complex scientific data. A more recent project, DISSCO, a Digital Instrument for Sound Synthesis and Composition, available on Github.com represents a unified approach to composition and sound synthesis.
Administrative Information
Repository:
The Sousa Archives and Center for American Music
Acquisition Source:
Sever Tipei
Acquisition Method:
Gift
Box and Folder Listing
Browse by Series:
[
Series 1: Computer Music Project Administrative Records],
[
Series 2: Sever Tipei Personal Papers],
[
Series 3: Coursework and Instructional Materials],
[
Series 4: Performance Recordings and data discs],
[
Series 5: Computer Music Project Technology],
[All]
- Series 1: Computer Music Project Administrative Records
- Box 1
- Folder 1: Computer Music Project Research, 1944-2001
- Folder 2: Correspondence with Jack McKenzie and Iannis Xenakis, 1966-1990
- Folder 3: "A User's Manual for the Stochastic Music Propgram" by Bruce Rogers, June 1972
- Folder 4: Experimental Music Studio budget, letters, newspaper clipping, 1976-1984
- Folder 5: National Endowment of the Arts grant application, 1980-1984
- Folder 6: Computer Music Project letters and Research Board Application, 1981-1987
- Folder 7: Research Board Application for RA in Computer Music-Printing System, 1983-1989
- Folder 8: Grant Applications, 1983-1990
- Folder 9: Experimental Music Studios 25th Anniversary records, 1984
- Folder 10: First Annual Composition Competition (FACC), 1984
- Folder 11: Directory of Scholars in Artificial Intelligence Applications on Supercomputers, 1985
- Folder 12: User Manuals: Computer Music Project and G-RAPH, 1985-1986
- Folder 13: Visiting Scholar Aureliu G. Stroe letters and documents, 1985-1986
- Folder 14: Proposal "A Digital Instrument for Additive Synthesis on Supercomputers", 1985-1992
- Folder 15: Excel Project, 1885
- Folder 16: Excel Project, 1986
- Folder 17: Applicant letters for Excel RA-ship, 1986
- Folder 18: Computer Music Workshop administrative documents, 1986
- Folder 19: University of Illinois Foundation funding applications and letters, 1987
- Folder 20: Computer Music Workshop, August 13-22, 1987
- Folder 21: International Computer Music Conference, 1987
- Folder 22: International Computer Music Conference, 1987
- Folder 23: International Computer Music Conference Exhibitors and Sponsers, 1987
- Folder 24: Meet the Composer-Arts Midwest: Hiller and Albright, 1987
- Box 2
- Folder 1: International Computer Music Conference (ICMC), 1987
- letters, notes, documents
- Folder 2: Illinois Arts Council Application for ICMC, 1987
- Folder 3: ICMC application and budget proposal, 1987
- Folder 4: ICMC - AT&T Reception, 1987
- Folder 5: ICMC conference multimedia notes, 1987
- Folder 6: ICMC Publicity, 1987
- Folder 7: ICMC - Concerts Selection Process, 1987
- Folder 8: Brochure Correspondence, 1987
- Folder 9: Consortium to Distribute Computer Music - Larry Austin correspondence, 1987-1991
- Folder 10: Brunswick Foundation funding application and letters, 1988
- Folder 11: National Center for Supercomputing Applications: Summer Workshop at U of I, 1989
- Folder 12: National Center for Supercomputing Applications, 1989
- Folder 13: National Endowment for the Arts: Equipment Grant, 1986-1987
- Folder 14: National Endowment for the Arts: application and letters, 1984-1987
- IBM equipment grant
- Folder 15: Beckmam Institute Newsletters and correspondence, 1988-1992
- Folder 16: Advanced Scientific Computing and Technical Education Research applications, 1989-1993
- Folder 17: Wiring Diagrams, 1991
- Folder 18: Research Board Proposals: "Digital Instrument for Additive Synthesis", 1991-1992
- Folder 19: Request for Equipment: IBM Ultimate Audio Adapter RS/6000 375, 1993
- Folder 20: Computer Music Project user manuals, 1993-1994
- Folder 21: Research Board Proposal and graduate student applications, 1993-1995
- Folder 22: Educational Technologies Board Grant application materials, 1994
- Folder 23: Research Board Proposals and letters, 1995-1998
- Folder 24: Individual Investigation LDRD Program application, 1996
- Folder 25: UIUC Campus Research Board application and letters, 1997-1999
- Folder 26: Education Technologies Board grant letters and application, 1998
- Folder 27: FAA Computing for the Arts, 1998
- Folder 28: RA Jobs letters and applications, 1998-1999
- Folder 29: Research Board applications and letters, 1997-2000
- Folder 30: Historical Marker for Computer Music, 2000
- Folder 31: Research Board grant application, 2000-2001
- Folder 32: CFAC computing policy committee, November 5, 2007
- Folder 33: NSF: Cyber-Enabled Discovery and Innovation, 2007-2010
- Folder 34: NCSA: UIUC Fellowship application, 2008
- Folder 35: Research Board Application and IMCN: McGill and FAA Creative Research Award, 2009
- Folder 36: Campus Research Board: CMP CD, 2014-2015
- Folder 37: Computer Music Project upgrade, 2015
- Folder 38: Computer Music Project 35th Anniversary funding letters, 2018
- Folder 39: Computer Music Project policies, undated
- Box 16
- Folder 1: Lejaren Hiller and Robert Barker at the music typewriter, 1961
- Folder 2: Salvatore Martirano and the SAL-MAR Construction, 1970s
- Folder 3: James Beauchamp at the PDP5 computer, 1974
- Folder 4: Herbert Brun and pipe, undated
- Folder 5: Sever Tipei compiling MP1 data, undated
- Oversize Portfolio Case 1
- Folder 1: Event posters, 1983-1988
- Item 1: Two Concerts in Celebration of the 25th Anniversary of the Experimental Music Studios, December 7, 1983
- Item 2: Soundshapes Combined Media in Composition, May 8, 1987
- Item 3: Changes: New Music in Recognition of John Cage's 75th Birthday, 1987-1988
- Item 4: International Computer Music Conference, August 23-26, 1987
- Folder 2: Event Posters, 1990-1997
- Item 1: Information Art: Diagramming Microchips, September 6-October 30, 1990
- Item 2: National Conference of the Society for Electro-Acoustic Music in the US, October 24-26, 1991
- Item 3: 19th Annual Internation Conference on Computer Graphics and Interactive Techniques, July 1992
- Item 4: Music, Media, and Movement: The 1993 Seamus Music Conference, March 31-April 3, 1993
- Item 5: +522 Composers and Computers: An On-Going Collaboration, March 12, 1997
- Folder 3: Event Posteres and Photograph, undated
- Item 1: Indy Silicon Graphics, undated
- Item 2: Iannis Xenakis, undated
- poster of photograph
- Item 3: High Performance Computing and Music Composition, undated
- Series 2: Sever Tipei Personal Papers
- Sub-Series 1: Administrative Papers
- Box 3
- Folder 1: International Computer Conferences, 1978-1987
- Folder 2: Musical Score Submissions - correspondence, 1979-1989
- Folder 3: Guggenheim Fellowship application and letters, 1981-1997
- Folder 4: American New Music Consortium Festival, June 1984
- Folder 5: IRCAM: International Computer Music Conference, 1984
- Folder 6: ICMC - Vancouver, 1985
- Folder 7: Midwestern Composers Symposium, April 19-20, 1985
- Folder 8: ICMH and ICCH, 1986-1987
- Folder 9: Center For Advanced Study grant applications, 1986-2000
- Folder 10: Computers in Music Research Conference, 1988
- Folder 11: International Computer Music Composition "Manifold Compositions", 1989
- Folder 12: New Music and Arts Festival - Bowling Green, November 9, 1989
- Folder 13: Conferences and Festivals Travel Funding, 1989
- Folder 14: Midwest Composers Symposium, November 10-11, 1989
- Folder 15: Illinois Arts Council applications, 1989-1992
- Folder 16: National Endowment for the Arts applications, 1989-1994
- Folder 17: National Center for Supercomputing applications, 1990
- Folder 18: Southwest Texas State University Music Festival and Conference, November 12-16, 1990
- Folder 19: Computer scores advertisement, November 16, 1990
- Folder 20: Grant writing workshop, 1990
- Folder 21: association for Computers and the Humanities, 3rd Biennial Conference, 1990
- Folder 22: Second International Symposium on Electronic Art (SISEA), 1990
- Folder 23: New Music Festival - DANA, "Manifolds" presentation and travel documents, 1991
- Folder 24: Juniata College, PA - presentation, letters, documents, September 9, 1991
- Folder 25: Computer Workshop - Gubbio, 1991
- Folder 26: International Computer Music conference, 1991
- Folder 27: NYU - presentation and travel funds, 1991-1994
- Folder 28: Illinois Arts Council - Arts tour applications, 1991-1997
- Folder 29: Forum on Romanian Music, November 9, 1992
- Folder 30: International Festival of New Music - Moldova, 1992
- Folder 31: Romania - letters, documents, photographs, 1993-1996
- Folder 32: "Sounds Encounters: The Festival" Society for Composers, April 15-18, 1993
- Folder 33: Argonne National Library programs and applications, 1993-1999
- Folder 34: College of Fine and Applied Arts Special Grant Request, 1993-2008
- Box 4
- Folder 1: Asian Contemporary Music Festival performance - Korea, 1993
- Folder 2: Midwest Slavic Conference - Michigan State, 1993
- Folder 3: Rice University - Houston, Texas, January 20-24, 1993
- presentation and travel documents
- Folder 4: ICMC - Aarhus, Denmark, 1994
- Folder 5: Proposal for a Radio Show, 1994
- Folder 6: ICMC - Banff, Canada, 1995
- Folder 7: ICMC - Banff Paper (poster), 1995
- Folder 8: Critical Research Initiatives Program application, 1995-1996
- Folder 9: ICMC - Hong Kong, 1996
- Folder 10: Critical Research Initiatives Application, 1997
- Folder 11: Argonne National Laboratory application, 1997
- Folder 12: ICMC - Greece, 1997
- Folder 13: The International Conference on Computer Design (ICAD), 1997
- articles, participation list, program
- Folder 14: Composer's Forum, 1997, 1999
- Folder 15: University of Chicago - Argonne National Laboratory seed grant application, 1997
- Folder 16: International Study for Computing in the Arts, 1997-1998
- proposal, letters, lecture notes
- Folder 17: ICMC - Ann Arbor, 1998
- Folder 18: ICAD - "Scientific Sonification with DIASS", 1998
- Folder 19: ISCM days in Romania letter, July 12, 1999
- Folder 20: Arts International - Romania ISCM World Days, 1999
- budget and application materials
- Folder 21: Journee d'Informatique Musicale (JIM), 1999
- Folder 22: International Computer Conference China "Formalizing the Concept of Sound", 1999
- Folder 23: NCSA/UIUC Faculty Fellows Program application, 1999-2000
- Folder 24: The Structure of Sound Information Channel grant application, 2000
- Folder 25: ICMC - Berlin, 2000
- Folder 26: CAS presentation "Music Composition, Sound Synthesis, and Sonification of Complex Data Sets", November 16, 2000
- Folder 27: Enescu Symposium "Between Oedipus and Odysseus", 2000-2005
- Folder 28: Honor's Symposium, 2000-2001
- Folder 29: NCSA/UIUC Faculty Fellows Program grant applications, 2001
- Folder 30: Beckman Talk, September 20, 2001
- Folder 31: ITR/HCI: The Structure of Sound as an Information Channel, 2001
- Folder 32: ASA - Chicago, June 6, 2001
- Folder 33: ICMC: "Loudness Scaling in a Digital Instrument", 2002
- Folder 34: An "Incorrect" Forum, December 10, 2002
- Folder 35: UIUC Scholars Travel Fund: "Control and Randomness in Musical Composition", 2002
- Folder 36: IRCAM: "Sound Design", 2004
- Folder 37: ICMC - Miami, 2004
- Folder 38: ICMC: Scholars Travel fund, 2010, 2013, 2016
- Folder 39: Conference Presentation in Iasi, Romania, 2010
- "Concieving Music Today: Manifold Compositions, DISSCO, and Beyond"
- Folder 40: Research Board Application "Sculpting Sound", 2011
- Folder 41: NCSA IACAT fellowship, 2012
- Folder 42: UIUC Campus Research Board, 2013
- Folder 43: "Complex Dynamic Systems" - WOCMAT, 2015
- Folder 44: SMC - Hamburg: "Emerging Composition", 2016
- Folder 45: ICMC - Barcelona, 2005
- Folder 46: Center for Advanced Study application, 2005
- Folder 47: ICMC - Tulane, 2006
- Folder 48: UIUC Campus Research Board Travel Fund, FAA Creative Research Award
- Folder 49: UIUC Campus Research Board travel fund and ICMC, 2010-2012
- Folder 50: FAA Creative Research Awards, 2012
- Folder 51: NCSA and Composers Forum, March 3, 2015
- "Music, Collaborations, and Sewing Machines", "High Performance Computing in Music Composition and Sound Design"
- Folder 52: SEAMUS composer contract, August 20, 2015
- Folder 53: Campus Research Board application: "Complex Dynamic System", August 2015
- Folder 54: Center for Advanced Study application: "Mirrored", October 2, 2018
- Folder 55: NCSA Fellows, 2019
- Folder 56: "What am I Doing" presentation slides and transparencies, undated
- Folder 57: "Computer Assisted Composition" presentation and slides, undated
- Box 5
- Folder 1: School of Music Faculty Appointment letters, 1978-1999
- Folder 2: Professional correspondence, recommendations, thank you cards, 1978-2009
- Folder 3: Composers Forum "MPI - A Computer Program for Composition", February 21, 1983
- Folder 4: Sabbatical letters and reports, 1984-1999
- Folder 5: Tenure and Promotion, 1991
- Folder 6: Composition-Theory Divison Meeting Notes, 1994
- Folder 7: Composition-Theory Divison Meeting Notes, 1995-1996
- Folder 8: School of Music Faculty Appointments, 2000-2019
- Folder 9: Sabbatical application and report, 2004-2006
- Folder 10: Application to California Institute for the Arts, 2007
- Folder 11: Papers by Sever Tipei, 1972-1989
- Folder 12: "Non-sequential TIme in the Compositional Process" article and notes, 1984
- Folder 13: Computing in Science and Engineering article "Data Sonification", 1998
- Folder 14: "Data Sonification and Sound Visualization" reprint, 1999
- Folder 15: "A Learning System for DIASS", 1999
- Folder 16: P.M.1.a flow diagram-original, undated
- Folder 17: "Slavic Review"-peer reviewed and edited article, 1988
- Folder 18: "Solving Specific Compositional Problems with MPI" - draft, 1983
- Folder 19: "Sonification Report: Status of the Field"- "Sonification of Scientific Data", 1998-1999
- Folder 20: "Music, Words, and Beyond" concert program, notes, newspaper clippings, May 8, 1986
- Folder 21: Concert Programs and thankyou letters, 1987-2019
- Folder 22: ORPHEUS software business letters, 1987
- Folder 23: Veriatza recording project, 1987
- Folder 24: WILL Second Sunday Concert letters, program, notes, 1992
- Folder 25: Recording Project Tirreno Group Editoriale - letters, fax, memos, 1 of 2, 1995-1997
- Folder 26: Recording Project Tirreno Group Editoriale - letters, fax, memos, 2 of 2, 1995-1997
- Folder 27: Sonic Residues concert program, 1997
- Folder 28: Browning/Tipei Duo - notes, letters, recital program, undated
- Sub-Series 2: Sheet Music, Scores, and Concert Programs
- Box 6
- Folder 1: "AGA matter" score and article, undated
- Folder 2: "ANL-folds" score, 1996
- Folder 3: "Cage Variations-Maverick", December 8, 2002
- Folder 4: "Cantus Interruptus" score, 1994
- Folder 5: "Clariphannies" score and article, 1980-1988
- Folder 6: "Cunicull" score transparenccies, undated
- Folder 7: "Cuniculi", 1985
- Folder 8: "Cuniculi" stage notes, 1987
- Folder 9: "Curses (Blesteme)" score and notes, 1996
- Folder 10: "Dad Cabaret" and "Manifest i" - performance stage notes, undated
- Folder 11: "Dux Markovians and Tress", undated
- Folder 12: "Funktasia" and "Stripped Throat", 2003-2007
- Folder 13: "HB with G & B" - "Translation for Voice, Clarinet, and Piano", undated
- Folder 14: "HB with G & E" score, 2010
- Folder 15: "Happy And" score, undated
- Folder 16: "Ianus" Instrumental Parts, 1 of 2, 2006
- Folder 17: "Ianus" Instrumental Parts, 2 of 2, 2006
- Folder 18: "Jewel Steps Grievance" score, 2011
- Folder 19: "Lament" score and article, 1979-1994
- Folder 20: "Maiden Voyages (I)" score and notebook, 1984
- Folder 21: "Maiden Voyages" presentation and score, 1985
- Folder 22: "Maiden Voyages (II)" score and article, 1985
- Folder 23: "Maiden Voyages - A Score Produced with MP1", 1986
- Folder 24: "Memories of Thoughts Past" score and parts, 1991
- Folder 25: MP1 -notes and printouts, 1 of 2, 1992
- Folder 26: MP1 - notes and printouts, 2 of 2, 1992
- Folder 27: "Portrait of the Artists as a Young Woman Killing Herself with a coup de telephone", 1994
- Folder 28: New Record document for "Raw Cuts", February 19, 2002
- Folder 29: "Rumage Sale", 1975
- Folder 30: "Sound in C" - notes, undated
- Folder 31: "UI0622 MWDAT1 BIN 05", December 1, 1989
- Folder 32: Composition Sketches on manuscript paper, undated
- Box 7
- Folder 1: "Cuniculi: For Five Tubas", 1986
- Folder 2: "Dux Markovians and Tress", "HB with G & E", "Ianus, 2002-2010
- Folder 3: "Happy And", "Kings Nap", undated
- Folder 4: "Les Liasons Dangereux", "Many Worlds", "Melopoeia", "Musica Natura", 1985-1989
- Folder 5: "Never Mind" - "Reconnaissances Pour Gerard", 1978
- "Never Mind"; "On the Church of St. John of the Studion"; "Pardon my Motski"; "Portrait of the Artist as a Young Woman"; "Reconnaissances Pour Gerard"
- Folder 6: "Translation for Voice, Clarinet, and Piano"-"Toaca", undated
- Folder 7: "Undulating Michigamme", undated
- Folder 8: Newspaper articles, promotional materials, 1986-2001
- Folder 9: Concert prorams and Photograph, 1975-1978
- Box 8
- Folder 1: "Canto CXVI", "Cuniculi", "Clariphanies", 1980-1986
- Folder 2: "L'Execration du Pere-Mere", 2002
- Folder 3: "HB with G & E", undated
- Folder 4: "Maiden Voyages", 1984
- Folder 5: "Melopoeia: A Song for Sappho", undated
- Folder 6: "Nevermind", "Reconaissance pour Gerard", "Popea", undated
- Folder 7: "Three Improvisations", "Toaca", "Translation", 1976-2004
- Folder 8: "Undulating Michigamme", 1976-1978
- Folder 9: Conference and concert posters, 2003
- Series 3: Coursework and Instructional Materials
- Sub-Series 1: Sever Tipei's Course Materials
- Box 9
- Folder 1: Coursework, essays, notes, exams, 1973
- Folder 2: Sheet music and notes: Guillaume de Machaut, Giles Binchois, undated
- Folder 3: Course Outlines for Mus 101, 102, 103, 105, 107, 204, 1978-1981
- Folder 4: Mus 100, Fall 1975
- Folder 5: Mus 103 - Roosevelt University, 1975
- Folder 6: Mus 103, Fall 1993
- Folder 7: Mus 103/113: Proficiency exams, 2002
- Folder 8: Mus 103: "Fundamentals of Music Theory and Practice III", Spring 2003
- Folder 9: Mus 104: musical examples, undated
- Folder 10: Mus 104: handouts and tests, 1984-1985
- Folder 11: Mus 104: syllabus, assignments, handouts, exams, 1991-1998
- Folder 12: Mus 104: materials, 1991
- Folder 13: Mus 104 and 202: final exams, proficiency tests, undated
- Folder 14: Mus 104: assignments and tests, undated
- Folder 15: Mus 105, 1978
- Folder 16: Mus 106, 1980-1985
- Folder 17: Mus 106: Beginning Composition, 1987
- Folder 18: Mus 108, 1981-1982, 1992
- Folder 19: Mus 108: textbook chapters, undated
- Folder 20: Mus 108, 1998
- Folder 21: Mus 132: Papers and slides, undated
- Folder 22: Mus 200, 1982
- Folder 23: Mus 203: Rudiments of Theory 2, 1992
- Folder 24: Mus 204-Roosevelt University, 1975
- Box 10
- Folder 1: Mus 300, 1978-1980
- Folder 2: Mus 303: Music Formalization, syllabus and readings, 1990-1995
- Folder 3: Mus 303: Music Formalization, 1 of 2, 1989
- Folder 4: Mus 303: Music Formalization, 2 of 2, 1989
- Folder 5: Mus 303 and 403: syllabus and course materials, 1988-1990
- Folder 6: New courses Mus 303, 329, 403, 1990
- Folder 7: Mus 304: Supercomputer Assisted Composition; Mus 403: Computer Assisted Composition, 1990-1992
- Folder 8: Mus 304: Xenakis, 1984
- Folder 9: Mus 304: Contemporary Compositional Techniques, Fall 1984
- Folder 10: Mus 304, 1988-1989
- Folder 11: Mus 304 - A, 1 of 3, 1990
- Folder 12: Mus 304 - A, 2 of 3, 1990
- Folder 13: Mus 304 - A, 3 of 3, 1990
- Folder 14: Mus 304 - B, Computer Assisted Composition, 1 of 2, 1988
- Folder 15: Mus 304 - B, Computer Assisted Composition, 2 of 2, 1988
- Folder 16: Mus 308 Project, 1999
- Folder 17: Mus 309: Roosevelt University, undated
- Folder 18: Mus 329 course proposal and Culture Values and Ethics committee letters, 1989-1991
- Folder 19: Mus 340 and Roosevelt University Composition Seminar, 1978
- Folder 20: Mus 320 and National Center for Supercomputing applications, 1989-1991
- Box 11
- Folder 1: Mus 408 B, syllabus and notes, 2016
- Folder 2: Mus 422: "Post Webern Europe", Fall 1981
- Folder 3: Mus 422: "Innovative Notation", Fall 1983
- Folder 4: Mus 448, course materials, 1 of 2, Fall 1995
- Folder 5: Mus 448, course materials, 2 of 2, Fall 1995
- Folder 6: Extramural noncredit courses "Uncommon Musical Delights", 1993
- Folder 7: Overview of the Sal-Mar construction by MIchael Robinson, July 1, 1978
- Folder 8: Professional documents about committee chair and mentoring, 1987-2013
- Folder 9: Insook Choi articles, 1993
- Folder 10: "Loudness" by Cheryl L. Herdon, July 30, 1995
- Folder 11: Students' Master Thesis, 1995-1996
- Folder 12: Auditory Display & Sonification, Audification, and Auditory Interfaces (ICAD), 1997
- Folder 13: Undergraduate Research Initiative, 2016
- Folder 14: "EV Meta-Ontology", undated
- Folder 15: "8 voices for Midi Synthesizer" by Mei-Fang Lin, undated
- Sub-Series 2: James Beauchamp's course materials and articles
- Box 11
- Folder 16: EE 302, Professor Beauchamp, Fall 1982
- Folder 17: Music 4 C: Introduction, 1996
- Folder 18: Music 4C: Unit Generator Descriptions, 1995
- Folder 19: Mus 320-D, "Computer Sound Synthesis", 1986
- Folder 20: Mus 320-D, "Computer Sound Synthesis/Unix/M4C", undated
- Folder 21: Mus 320-D, readings, undated
- Folder 22: Kelly Raymond Fitz masters thesis, 1992
- Folder 23: James Beauchamp and Larry Austin articles, 1993-2001
- Folder 24: James Beauchamp articles and letter to the editor of Computer Music Journal, 1992-2006
- Series 4: Performance Recordings and data discs
- Box 12
- Reel 1: "Amores" by John Cage, November 19, 1980
- Reel 2: "And you Also..."--"Katastrophe", undated
- Reel 3: "Clariphannies", undated
- Reel 4: "Happy And", undated
- Reel 5: "Happy And" drone, undated
- Reel 6: "Happy And", "Vouie V", December 12, 1979
- Reel 7: "Katastrophe", undated
- Reel 8: "Lament", October 7, 1981
- Reel 9: "Les Liasons Dangereuses", March 30, 1977
- Reel 10: "Melopoeia", undated
- Reel 11: "Music, Words, and Beyond", "Cuniculi", May 8, 1986
- Reel 12: "Music You Can't Dance To", undated
- Reel 13: NYU Players, 1 of 2, March 28, 1982
- Reel 14: NYU Players, 2 of 2, March 28, 1982
- Reel 15: "Portrait of the Artist...", undated
- Jean Geil, Debra Zae Munn, Lucinda Lawrence-Powell, Connie Brown
- Reel 16: "The Sophisticates", January 5, 1975
- Reel 17: "Sphaera" by William ALbright, January 24, 1992
- Reel 18: "Sphaera": tape part, January 27, 1992
- Reel 19: Sever Tipei, piano plays, undated
- Reel 20: "Translation", October 26, 1983
- Reel 21: WDET Improv, undated
- Item 22: Baseline Backup: /uand/U1, August 4, 1988
- Item 23: Misc. Backups, January 27, 1989
- Item 24: TAR backups, January 27, 1989
- Item 25: Backup of Tipei RT /u filesystem tar, March 1, 1989
- Item 26: /u2, March 12, 1989
- Item 27: Misc. Backups, March 20, 1989
- Item 28: AIX 2.1 Backup, December 18, 1989
- Item 29: /u1, December 18, 1989
- Item 30: /u tar, August 5, 1990
- Item 31: /u2, August 5, 1990
- Item 32: anfiles 8jwb, October 24, 1990
- Item 33: 1,/usr,/scss TAPE 1 of 2, January 4, 1991
- Item 34: 1,/usr,/scss TAPE 2 of 2, January 4, 1991
- Item 35: /u2, March 3, 1991
- Item 36: /u PART 1 tar backup, June 29, 1991
- Item 37: /u PART 2 tar backup, June 29, 1991
- Item 38: /u2 tar backup, June 29, 1991
- Box 13
- Item 1: 1) /NEXT/U/NEXTrootdis, undated
- Date listed as October 13, no year provided.
- Item 2: 2) /u2, August 30, 1999
- Item 3: 2) /NEXT/u2, undated
- Date listed as October 15, no year provided.
- Item 4: 2) /NEXT/u2, undated
- Date listed as November 18, no year provided
- Item 5: 3) /Next/u3, undated
- Date listed as October 1, no year provided.
- Item 6: 3) /NEXT/u3, undated
- Date listed as October 19, no year provided
- Item 7: 3) /NEXT/US, undated
- Date listed as November 12, no year provided
- Item 8: 3) ru3, undated
- Date listed as November 17, no year provided
- Item 9: 4) /NEXT/u4, undated
- Date listed as October 5, no year provided
- Item 10: 4) /NEXT/u4, undated
- Date listed as October 19, no year provided
- Item 11: 4) /NEXT/u4, undated
- Date listed as November 11, no year provided
- Item 12: 5) /Next/ U3, undated
- Date listed as October 3, no year provided
- Item 13: 5) /NEXT/u5, undated
- Date listed as October 20, no year provided
- Item 14: 6) /NEXT/U6 /NEXT/clicals, undated
- Date listed as October 6, no year provided
- Item 15: 6) /NEXT/u6 /NEXT/clients, undated
- Date listed as October 21, no year provided
- Item 16: 6) /NEXT/us/ NEXT/clients, undated
- Date listed as April 14, no year provided
- Item 17: 7) RS, undated
- Date listed as August 25, no year provided
- Item 18: 7) SGI/rootdir, undated
- Date listed as October 6, no year provided
- Item 19: 7) SGI/rootdir, undated
- Date listed as October 22, no year provided
- Item 20: 8) /SGI/U.sgi, undated
- Date listed as February 3, no year provided
- Item 21: 8) /SGI/u.sgi, undated
- Date listed as October 28, no year provided
- Item 22: 9) USR2.sgi, undated
- Date listed as November 19, no year provided
- Item 23: 9) /SGI/usr2.sgi, undated
- Date listed as October 8, no year provided
- Item 24: 9) usr2.sgi, undated
- Date: November 2
- Item 25: 10) /timbre, undated
- Date listed as November 21, no year provided
- Item 26: 10) /timbre, undated
- Date listed as November 30, no year provided
- Item 27: 10) /timbre, undated
- Date listed as November 7, no year provided
- Item 28: 11) /RS/rootdir, undated
- Date listed as November 10, no year provided
- Item 29: 11) /RS/rootdir, undated
- Date listed as November 10, no year provided
- Item 30: 11) /RS/roodir, undated
- Item 31: 12) /RS/roousin/RS/ws, undated
- Item 32: 12) /RS/usr2/RS/rootdir, undated
- Item 33: chp.nxt1:/u/users No. 2, undated
- Item 34: dennely/Timbre, undated
- Item 35: Donnacha, undated
- Item 36: Old User Files, October 1, 1999
- Item 37: test, undated
- Item 38: TVS Demo / Opiei from Carrell, 1991
- Item 39: /us/Sever/projects/Curses, January 5, 1998
- Item 40: Walters next anch., undated
- Item 41: Music 199 ST - Discovery: "Collective composition", Spring 2006
- Item 42: "Dux Markovian and Tiens" Revisions, 2008
- Item 43: "Electronic Masters" vol. 6, 2018
- Item 44: "Funktasia: Music by Zack Browning and Sever Tipei", 2006
- Item 45: "raw cuts: experimental music", 1 of 2, 1998
- Item 46: "raw cuts: experimental music", 2 of 2, 1998
- Item 47: "Transient Images", 2015
- Item 48: "Trees", November 18, 2008
- Item 49: "Trees", undated
- Box 14
- Item 1: "Chamber Music", 1979-1985
- "Fantasy" by David Liptak; "All for One" by Scott A. Wyatt; "Clariphannies" by Sever Tipei; "Akhanda" by Don Baker and Zack Browning
- Item 2: "Cuniculi" for 5 Tubas, undated
- Item 3: Dinu Ghezzo, Dolby A safety dub, undated
- Item 4: "Many Words", undated
- Box 15
- Item 1: MP1, undated
- Series 5: Computer Music Project Technology
- Item 1: Putney VCS3 Synthesizer
- 2021.1205078.01
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Series 2: Sever Tipei Personal Papers],
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Series 3: Coursework and Instructional Materials],
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Series 5: Computer Music Project Technology],
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