Old Town School of Folk Music Banjo Exhibition Records and Samuel Swaim Stewart Banjos

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Administrative Records

Exhibition Records

Music Instruments



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Finding Aid for Old Town School of Folk Music Banjo Exhibition Records and Samuel Swaim Stewart Banjos, 1819-2001 | The Sousa Archives and Center for American Music

By Dan Andree, Julie Calcagno, Bronwyn Schell, Liz Wittrig, Wendy Wong, Anna Yacullo, and Kezhen Zhang

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Collection Overview

Title: Old Town School of Folk Music Banjo Exhibition Records and Samuel Swaim Stewart Banjos, 1819-2001

ID: 12/9/154

Primary Creator: Old Town School of Folk Music (1957-)

Extent: 32.5 cubic feet

Arrangement: Organized in three series: Series 1, Administrative Records, 1974-2000; Series 2, Exhibition Records, 1819-2001; and Series 3, Music Instruments, 1847-1925 and 1988-1989. Series 2 is then organized in two sub-series: Sub-series 1, Research Records, 1963-2001 and Sub-series 2, Exhibition Labels, Photographs, and Illustrations, 1819-1993. Series 3 is organized in two sub-series: Sub-series 1, Samuel Swaim Stewart Banjos, 1885-1900 and Sub-series 2, Non-Samuel Swaim Stewart Instruments, 1847-1920 and 1988-1989. Series 1 is arranged chronologically, Series 2.1 is arranged by file time and then chronologically, Series 2.2 is arranged alphabetically by subject and then chronologically, Series 3.1 is arranged sequentially by serial number, and Series 3.2 is unarranged.

Date Acquired: 01/20/2017

Subjects: Banjo, Folk music, Musical Instrument Collections, Musical Instrument Makers - United States, Music instruments -- Africa, West, Old Town School of Folk Music, Stewart, Samuel Swaim

Languages: English

Scope and Contents of the Materials

Consists of research files, correspondence, photographs, exhibition labels and illustrations, banjo magazines, newsletters, instruction books, music catalogues and 33 music instruments including the Heinja collection of 24 Samuel Swaim Stewart banjos that document the acquisition and exhibition of the Samuel Swaim Stewart banjos and the development of the Old Town School of Folk Music's exhibit "The Making of the 5-String Banjo: From Hollow Gourds to Silvered Rims" that was displayed at the Old Town School of Folk Music between 1989 and 1990, and again from 1991 to 1993.

Biographical Note

The Old Town School of Folk Music was given a collection of thirty historical banjos during the 1970s by Dr. Henja, an orthopedic surgeon at Chicago's Rush Presbyterian Hospital.  According to Paul Tyler, who curated the Old Town School of Folk Music's banjo exhibit, the Henja banjo collection began as a "magnificent collection of Samuel Swain Stewart banjos that were brought together over many years by Robert Johnson of Rossville, Georgia." The banjos were later purchased by Dr. Henja in June 1969 from the Hathaway and Bowers auction house.  This collection originally consisted of twenty-six Stewart banjos that were manufactured in Philadelphia during the late nineteenth century.  In addition to these instruments, Dr. Henja also included four other historic banjos that were made by other American banjo makers.

The Henja banjo collection was originally displayed for nearly twenty years in the foyer of the Old Town School of Folk Music that was located on Chicago's Armitage Avenue.  The instruments, according to Paul Tyler, "were afforded no particular conservation or security other than the trust and good manners" of the school's many students and teachers.  In 1987 the Armitage Avenue building was renovated and the banjos were sent to Evanston, Illinois' Guitar Works to be restored by Terry Straker.  When this restoration work was completed in 1988 a new exhibition space was created on the second floor of the building, and Paul Tyler was hired to be the school's Curator of Collections and Exhibitions.  His primary responsibility was the creation of a special exhibit that documented the origin and development of the banjo in America using the Henja collection.

In 1989 the school's new exhibition of the Stewart banjos, modelled after Massachusetts Institute of Technology's 1984 exhibit, "Ring the Banjar," opened as "The Making of the 5-String Banjo: From Hollowed Gourds to Silvered Rims."  The Old Town School's exhibit according to Tyler, "highlighted the continuities between a popular musical instrument that was mass-produced in American factories" and the banjo's early origins as "folk lutes carved and assembled by various West African peoples" who were brought to America through the Atlantic slave trade.  The exhibit was revised and reinstalled in 1991 after the School's exhibition, "Weaving and Identity: Folk Are from Guatemala," was closed.  The revised banjo exhibit remained open until 1993 when the Old Town School closed its exhibition gallery to make more room for their growing number of folk music classes.

Subject/Index Terms

Banjo
Folk music
Musical Instrument Collections
Musical Instrument Makers - United States
Music instruments -- Africa, West
Old Town School of Folk Music
Stewart, Samuel Swaim

Administrative Information

Repository: The Sousa Archives and Center for American Music

Acquisition Source: Old Town School of Folk Music

Acquisition Method: Gift


Box and Folder Listing


Browse by Series:

[Series 1: Administrative Records, 1974-2000],
[Series 2: Exhibition Records, 1819-2001],
[Series 3: Music Instruments, 1847-1925 and 1988-1989],
[All]

Series 2: Exhibition Records, 1819-2001
Consists of research files and exhibition labels, photographs, and illustrations documenting the development of the Old Town School of Folk Music's 1989-1993 exhibition "The Making of the 5-String Banjo: From Hollow Gourds to Silvered Rims." The records are organized in two subseries: Sub-Series 1: Research Records, 1963-2001, Sub-Series 2: Exhibition Labels, Photographs, and Illustrations, 1819-1993.
Sub-Series 1: Research Records, 1963-2001
Consists of instrument catalogues, magazines, newsletters, and photocopies of journal and newspaper articles documenting Paul Tyler's research for the exhibition. The records are arranged by file type and then chronologically.
Box 1
Folder 8: Research Records: Banjo and Player History Research, 1963-2000
Folder 9: Research Records: African American Music Tradition Research, 1964-2001
Folder 10: Research Records: Instrument Construction Research, 1965-1972
Folder 11: Research Records: Abdou Mangara Research, 1989-1990
Folder 12: Research Records: Bill Morris' American Banjo Fraternity Research, 1989
Folder 13: Instruction Book: Frank Converse's Banjo Instructor, Without A Master, 1865
Folder 14: Instruction Book: George C. Dobson's Simplifed Method for Banjo, ca. 1879
Folder 15: Instruction Book: 1855 Brigg's Banjo Instructor, Reprinted 1992
Box 2
Folder 1: American Musical Digest vol. 1, no. 6, ca. 1970
Folder 2: Mugwumps vol. 2, no. 3, 1973
Folder 3: Mugwumps vol. 2, no. 4, 1973
Folder 4: Mugwumps vol. 2, no. 5, 1973
Folder 5: Mugwumps vol. 2, no. 6, 1973
Folder 6: Pickin' Magazine, 1978
Folder 7: Banjo Newsletter vol. IV, no. 6, 1977
Folder 8: Banjo Newsletter vol. XIV, no. 6, 1987
Folder 9: Banjo Newsletter vol. XV, no. 1, 1987
Folder 10: Banjo Newsletter vol. XV, no. 10, 1988
Folder 11: Washburn Guitars, Mandolins, and Zithers Catalogue, 2 Copies, 1889
Folder 12: Lyon & Healy's Catalogue of Mandolins and Guitars and Banjos, 1917
Folder 13: Epiphone Recording Banjos Catalogue, 1923
Folder 14: Hathaway and Bowers, Inc. Catalogue No. 9, 1969
Folder 15: Washbum Instrument Catalogue, Undated
Folder 16: The Bacon Professional Banjo Catalogue, Undated
Folder 17: "Banjo Dancing" Concert Program by Stephen Wade, 1981
Folder 18: Rosenbaum & Co. Advertisement, Undated
Folder 19: Banjo Comics, 1989
Box 3
Folder 1: Piano Music by Louis Moreau Gottschalk, featuring "The Banjo", 1956
Folder 2: Constructing a 5-String Banjo: A Complete Technical Guide by Roger H. Siminoff, 1985
Box 4
Folder 1: Banjo Construction Diagram by Annette Sutherland, 1975
Folder 2: "The Artistry of Fingerboards," Pickin' Magazine, 1975
Sub-Series 2: Exhibition Labels, Photographs, and Illustrations, 1819-1993
Consists of exhibition labels, photographs, slides, negatives, and illustrations that were used for the exhibition. The exhibition labels are listed first and then are followed by the photographs and illustrations which are arranged chronologically in each box.
Box 2
Folder 20: Banjo Exhibition Labels, 1989-1993
Folder 21: Traditional African Music Instruments, 1839
Folder 22: Banjo Shell Photograph, 1880
Folder 23: Harry Kingery Slides, 1989
Folder 24: Harry Kingery Photograph, 1989
Folder 25: Harry Kingery Cutting Inlay Photograph, 1989
Folder 26: Terry Straker Photograph, 1989
Folder 27: Banjo Exhibition Transfer Negatives, 1989-1990
S. S. Stewart factory, Terry Straker doing inlay work, and paintings and drawings.
Folder 28: Banjo Pegboard Photograph, Undated
Folder 29: 5-String Banjo Neck Photograph, Undated
Folder 30: Stephen Wade Photograph, Undated
Box 3
Folder 3: African Instrument Sketches, 1819
Folder 4: Oil Painting of The Banjo Player, 1859
Folder 5: The Artistry of Pegheads Excerpted from a Poster Pickin' Magazine, 1974
Folder 6: Banjo Construction Plans, 1984
Folder 7: Photographs and Negatives of and for The Exhibit "The Making of The 5-String Banjo", 1989-1991
Folder 8: "Dancing Home" Poster, undated
Folder 9: Minstrel Show Illustration, Undated
Folder 10: Banjo Materials Illustration, Undated
Box 4
Folder 3: Union Warship Banjo Player Photographs, ca. 1864
Folder 4: Banjo Rim Photograph, ca. 1880
Folder 5: Harry Kingery and Banjo Neck Photograph, 1989
Folder 6: Banjo Finishing Department Photographs, Undated
Folder 7: Five-String Banjo and Three-String Gourd Banjo Photographs, Undated

Browse by Series:

[Series 1: Administrative Records, 1974-2000],
[Series 2: Exhibition Records, 1819-2001],
[Series 3: Music Instruments, 1847-1925 and 1988-1989],
[All]

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