National Academy of Dance/National Academy of Arts Collection

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Heidi Irgens Papers

National Academy of Arts Collection



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Finding Aid for National Academy of Dance/National Academy of Arts Collection, 1972-2013 | The Sousa Archives and Center for American Music

By Nolan Vallier and Finnegan Upchurch

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Collection Overview

Title: National Academy of Dance/National Academy of Arts Collection, 1972-2013Add to your cart.

ID: 12/13/50

Primary Creator: The National Academy of Dance (1967-1987)

Other Creators: Irgens, Heidi (1960-)

Extent: 2.0 cubic feet

Arrangement: Materials are arranged in two series. Series 1) Heidi Irgens Papers, and Series 2) National Academy of Arts Collection. Both series are arranged chronologically.

Date Acquired: 07/18/2015. More info below under Accruals.

Subjects: Correspondence, Dance, Dance Curriculum, Dance Education, High School Music, Music - Instruction and study, National Academy of Music, Paul Rolland, Photographs, Radio Station

Formats/Genres: Papers

Languages: English

Scope and Contents of the Materials

Consists of photographs, newspaper clippings, programs, an informational brochure and poster about the National Academy of Arts; a print of a poster for the Summer Dance Showcase; and correspondence and drawings by Heidi Irgens, documenting her time as a student at the National Academy of Arts.

Biographical Note

The National Academy of Dance (and later, the National Academy of Arts) was a residential conservatory of dance and music that operated in Urbana-Champaign, Illinois from 1972-1978 and again from 1982-1987. The Academy was the brainchild of University of Illinois English Professor Dr. Gilbert D. Wright. Although he was not a regular connoisseur of dance, Wright was inspired by a Royal Ballet School performance that he saw during a 1966 research trip to London, when he returned to the university he decided to develop a similar residential ballet conservatory in Illinois.

Wright began laying the groundwork for the National Academy of Dance in 1969 when he formed Illinois Foundation for the Dance and became a board member for the American Ballet Theater. In 1971, the Foundation launched an Extension Division to provide ballet training, soliciting teachers from current and retired faculty at the University of Illinois. Despite his initial plans to locate the school in the Chicago metropolitan area, the Academy ultimately opened in Urbana-Champaign, which was experiencing a cultural explosion during the late 1960s and early 1970s. At this time there were few institutions in America that provided quality ballet training for young dancers, and the new Urbana-Champaign residential dance academy generated great interest across the country. During the Academy's first auditions in the spring of 1972, nearly 250 students auditioned for entry into the school from major cities around the nation.

With a total of 63 students, the National Academy of Dance opened in the fall of 1972, functioning as a charter school that offered academic courses and a high school degree through the University of Illinois High School. In 1974, after two years of high enrollment, the Academy expanded by adding a music program to its curriculum. As a result the school changed its name to The National Academy of Arts (NAA) with the two performance disciplines designated within the school as the National Academy of Music (NAM) and National Academy of Dance (NAD). In addition to offering high school degrees with specializations in music and dance, the Academy later considered offering humanities degrees for students focusing on technical theater and production but this new academic concentration was never implemented.

In 1975, a company of student dancers formed an apprentice semi-professional dance company called the National Academy Ballet. A year later the company evolved into a professional company and changed its name to the National Ballet of Illinois (NBI) - a move that was considered by some Academy faculty and supporters to be controversial.  Also beginning with the 1975-1976 school year NAA also offered a purely academic-only program as part of its curriculum for non-NAD and NAM students who enrolled in Academy.

After student enrollement peaked in 1977, funding problems for both the Academy and its professional company became a serious issue which eventually forced the closure of the school in 1978. As a result five properties owned by the Academy were sold at auction to cover its debt, and the Academy eventually was able to reopen in 1982.  However, after five more years of shrinking student enrollment and growing financial commitments the Academy was closed again in 1987.

During the height of its activity, the National Academy of Arts maintained several buildings in the Urbana-Champaign area including their central facility, the Inman Hotel in downtown Champaign. Throughout the 1970s and 1980s, 230 students graduated from the Academy and found careers in such venues as Broadway, at the River North Dance Theatre, the Ballet Tucson, the Chicago Symphony Orchestra, the St. Louis Symphony Orchestra, and the Minnesota Symphony Orchestra. A reunion of past graduates of the Academy took place in Champaign, Illinois on July 17th and 18th, 2015.

Subject/Index Terms

Correspondence
Dance
Dance Curriculum
Dance Education
High School Music
Music - Instruction and study
National Academy of Music
Paul Rolland
Photographs
Radio Station

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Additional materials were acquired from Kathy Moos, Mary Price Boday, and Lori Berdo on July 18, 2015 and from Roo Dunn on January 18, 2016. Additional materials were acquired from Heidi Irgens on May 23, 2025.

Acquisition Source: Heidi Irgens


Box and Folder Listing


Browse by Series:

[Series 1: Heidi Irgens Papers, 1974-1978],
[Series 2: National Academy of Arts Collection, 1972 - 2013],
[All]

Series 1: Heidi Irgens Papers, 1974-1978Add to your cart.
The series contains letters sent to Heidi Irgens, student at the National Academy of Dance. Many letters are from friends she made while attending the Brevard Music Center in Brevard, North Carolina. Other letters are from family members, including her aunts in Norway. This series also includes classwork from Heidi's classes at the National Academy of Arts, programs from school performances, photographs taken by Irgens, and a framed "On Air Studio" sign from the local NBC station located in the Inman Hotel, the same building that housed the National Academy of Arts until it's closure. Papers are arranged chronologically by school year.
Box 1Add to your cart.
Folder 1: Drawings of a turtle and snail, undatedAdd to your cart.
Both drawings have Mary Mortensen's and Alia Pheed's names written on them
Folder 2: Postcards from Gaye, undatedAdd to your cart.
Postcards are from Salzburg, Austria, and Houmt Souk (Jerba-Tunisie)
Folder 3: English Ballad, Haikus, and "Back in Time?", undatedAdd to your cart.
Folder 4: College English Paper, undatedAdd to your cart.
Kept by Dr. Irgens and sent to Heidi
Folder 5: "On Air Studio", undatedAdd to your cart.
From Heidi's notes: "The local NBC station was on the second floor of the Inman Hotel. Their on-air studio was just inside their main entrance from the staircase so we music students regularly walked by it during our hike up to our fourth floor music classes. The NBC folks were very accommodating, sometimes even letting us into the studio during the evening to watch broadcasts—as long as we stayed quiet! When NAA closed my senior year the NBC station relocated too, and they left this sign. I wanted it. Evening/weekend security guard Michael O'Hara helped me get it off their door."
Folder 6: Photographs of Student Life, 1974-1978Add to your cart.
Taken by Heidi Irgens, photographs highlight student life, dorm life, and classes within the academy.
Folder 7: Letters from Dr. Roar Irgens[Folder 1 of 2], 1974 - 1976Add to your cart.
Dr. Irgens was Heidi's father. He often signs the letters from "Daddy" or "D"
Folder 8: Letters from Dr. Roar Irgens [Folder 2 of 2], 1975 - 1976Add to your cart.
Folder 9: Letters from Barbara Irgens [Folder 1 of 2], 1975 - 1976Add to your cart.
Barbara Irgens was Heidi's mother. She often signed her letters "Momma."
Folder 10: Letters from Barbara Irgens, 1975 September - DecemberAdd to your cart.
Folder 11: Letters from Mother, Father, Leif, and aunts, 1975 - 1976Add to your cart.
Leif is Heidi Irgens' brother. Letters from Heidi's aunts are from Norway.
Folder 12: Letters from Mother, Father, Leif, and Grandmother, 1974 - 1977Add to your cart.
Also includes letter from Paul Rolland to Dr. Roar Irgens, a letter of recommendation to the Vice President of the National Academy of Arts, Mary L. Moore, and a letter metioning Dr. Rolland's comments to Heidi.
Folder 13: Academy Business, 1989Add to your cart.
Consists of Correspondence related to creating a National Academy of Arts newsletter for alumni
Folder 14: Notes and Handouts from Roger Brown's History and Theory Class, 1975 - 1976Add to your cart.
Notes and handouts related to music history and theory
Folder 15: English Papers to be kept, 9th through 12th grade, 1974 - 1978Add to your cart.
Folder 16: Programs from Performances, 1975 - 1978Add to your cart.
Sent to Heidi by her father
Folder 17: Copy of letter of Recommendation from Dr. Rolland, `75 May 10Add to your cart.
Folder 18: Letters from friends [Folder 1 of 4], 1974 - 1979Add to your cart.
Notable senders include: J.P. Melville, Judy Kyle, Leo Pondelick, Marta Mortensen, Elaine Boda, and Cecelia Kirkman
Folder 19: Letters from friends [Folder 2 of 4], 1974 - 1979Add to your cart.
Folder 20: Letters from friends [Folder 3 of 4], undatedAdd to your cart.
Folder 21: Letters from friends [Folder 4 of 4], 1974 - 1979Add to your cart.
Folder 22: Letters from Jim Obertino, 1983 - 1985Add to your cart.
Dr. Jim Obertino was an English teacher at the National Academy of Arts
Folder 23: Copy of "Me and Her, Her and Me" and Notes from Heidi Irgens, May 2025Add to your cart.
"Me and Her, Her and Me", originally by Shel Silverstein, was edited by Susan Bower and gifted to Heidi in her yearbook. The notes about the collection are written by Heidi about people who were sending her letters, a brief note about her relationship with Susan Bower, and brief descriptions of some items in the collection.

Browse by Series:

[Series 1: Heidi Irgens Papers, 1974-1978],
[Series 2: National Academy of Arts Collection, 1972 - 2013],
[All]

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