School of Music Audio Department Sound Recordings

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

University of Illinois Ensembles

Faculty Recitals and Lectures

Student Recitals

Festival of Contemporary Arts

Champaign-Urbana Symphony Orchestra

Convocations, Symposia, Forums, and Guest Recitals

Special Requests and Donations

Card Catalogs

Transcription Discs

DAT Sound Recordings

F1 Audio and Betamax Video Recordings

CD-R and DVD Sound Recordings

Rex Anderson Master Recordings



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Finding Aid for School of Music Audio Department Sound Recordings, 1945-2018 | The Sousa Archives and Center for American Music

By 2013 LIS584 class, Spring 2024 262A Class, and Sousa Archives staff

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Collection Overview

Title: School of Music Audio Department Sound Recordings, 1945-2018View associated digital content.

ID: 12/5/64

Primary Creator: School of Music Audio Department

Other Creators: Anderson, Rex D., University of Illinois at Urbana-Champaign. School of Music

Extent: 334.25 cubic feet

Arrangement:

Organized in thirteen series:

Series 1) University of Illinois Ensembles is arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within this series that do not have identifying numbers are arranged chronologically at the end.

Series 2) Faculty Recitals is arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within this series that do not have identifying numbers are arranged chronologically at the end.

Series 3) Student Recitals is arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within this series that do not have identifying numbers are arranged chronologically at the end.

Series 4) Festival of Contemporary Arts, 1953-1978 is arranged chronologically.

Series 5) Champaign-Urbana Symphony Orchestra is arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within this series that do not have identifying numbers are arranged chronologically at the end.

Series 6) Convocations, Symposia, Forums and Guest Recitals is arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within this series that do not have identifying numbers are arranged chronologically at the end.

Series 7) Special Requests and Donations is arranged chronologically, materials at the end of the series are arranged by call number beginning with the letter "R".

Series 8) Card Catalogs is arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within these series that do not have identifying numbers are arranged chronologically at the end of the series. Note: Cards include all extant cards from the Music and Performing Arts Library that correspond to the recordings; cards marked "Withdrawn" indicate tapes that were deaccessioned based on their being duplicates or on other appraisal decisions.

Series 9) Transcription Discs has been arranged chronologically rather than by record label number because several of the original label numbers duplicate, many are missing, many appear out of order, and the record labels changed in early 1949 from a four digit label (ex. 5000/5001) to a single digit label (ex. 1/2).

Series 10) DAT Sound Recordings is arranged chronologically.

Series 11) F1 Audio and Betamax Video Recordings is arranged chronologically.

Series 12) CD-R and DVD Sound Recordings, 1951-2009 is arranged by item number as originally assigned by the School of Music Audio Department, and is largely, though not consistently, chronological by recording date. Some cases include duplicate recordings of concerts, each assigned a unique item number despite sharing the same archival number. Some recordings dated prior to 2000 are noted as either remastered copies, reel-to-reel transfers, and DAT to CD-R transfers.

and Series 13) Rex Anderson Master Recordings, 1977-1991 is arranged alphabetically by the performer's surname.

Date Acquired: 03/07/2013. More info below under Accruals.

Subjects: Band Concerts, Beethoven, Ludwig van (1770-1827), Black Chorus, Cage, John (1912-1992), Chamber Orchestra Music, Choirs, Christmas music, Compositions-Music, Computer Music, Concerts, Contemporary Arts Festival, Convocations, Copland, Aaron (1900-1990), Decker, Harold (1914-2003), Electronic Music, Faculty, Gaburo, Kenneth (1926-1993), Garvey, John (1921-2006), Glee Clubs, Gray, Robert (1926-2008), Illinois Summer Youth Music, Instrumental music, Jazz -- Soviet Union, Johnston, Ben (1926-2019), Krannert Center for the Performing Arts, Lectures, Madrigals, Martirano, Salvatore (1927-1995), Music, School of, Music Composition, Opera, Partch, Harry, Percussion, Recitals, Rolland, Clara, Rolland, Paul, Russian Folk Orchestra, Smith Music Hall, Speakers, Visiting, Stravinsky, Igor Fyodorovich (1882-1971), Student Performance, Summer Youth Music, Symphony Orchestra, Walden Quartet, Woodwind Choir, World Music

Formats/Genres: Catalogs, Experimental Music, Sound Recordings

Languages: English, French, German, Italian

Scope and Contents of the Materials

Consists of original 1/4"-inch reel to reel, 12'' inch transcription discs, 10'' inch audio recordings, and CD-R and DVD audio recordings, documenting performances by university ensembles, faculty, students, and guest performers between 1945 and 2009. The audio tapes were recorded either as mono or stereo on 2- and 4-track acetate and polyester tape, while the transcription discs were recorded on acetate discs. In addition to the recordings of University of Illinois ensemble performances and faculty/student recitals, this collection includes recordings of performances associated with the University's Festival of Contemporary Arts, Champaign-Urbana Symphony Orchestra, SPICMACAY, Enescu Ensemble, and lectures, concerts, music forums and symposia given by visiting performers and scholars. Of particular note are recordings of performances and lectures by Harry Partch, John Cage, Aaron Copland, Paul Hindemith, Igor Stravinsky, Soulima Stravinsky, Georges Enesco, Benjamin Britten, Peter Pears, Ben Johnston, Frederic Rzewski, Béla Bartók, Max Roach, Gunther Schuller, Harrison Birtwhistle, George Crumb, Salvatore Martirano, Carl Dahlhaus, Joel Chadabe, Lucas Foss, Karlheinz Stockhausen, Cornelius Cardew, Morton Feldman, Iannis Xenakis, Stefan Wolpe, David Tudor, Milton Babbit, David Rosenboom, Pauline Oliveros, Sudhir Phadke, Jon Faddis, the Astor Piazzolla Quintet.

Biographical Note

The School of Music purchased its first recording equipment in 1948 (University of Illinois, 1948).  Since then, the School of Music Audio Department has provided recording services for student, faculty, and guest performers at University venues including Smith Music Hall, the Krannert Center for Performing Arts, and the Music Building Recording Studios (University of Illinois School of Music, 2013).  Past Directors of the Audio Department include Jim Campbell, Carl Volkers (ca. 1950s-1976), Jeff Whimsatt (1976-78), and Rex Anderson (1978-2010). Following Anderson's retirement in 2010, audio engineers Frank Horger and Bill Demkov jointly managed the department until Demkov left the position in 2015. Horger then solely oversaw the recordings until 2020, when the management of the recordings was transferred to Graham Duncan. Duncan worked for the Audio Department as a part-time employee from 2002-2005 and 2007-2021, at which point he was appointed the full-time audio director.

The Festival of Contemporary Arts, first organized in 1948, included as part of its programming dance, theater, landscape architecture, music and an Exhibition of Contemporary American Painting and Sculpture. The Festival's music events included a variety of concerts, lectures, and workshops that were produced by University faculty and student ensembles, and guest composers and performers.  The styles of new music performance incorporated into these festivals encompassed everything from contemporary orchestral, jazz, opera, and choral music to new forms of performance art.  Initially held annually, the five- to six-week festival of performing and studio arts became a biennial event after 1953. Budgetary concerns led to the effective end of the festival after 1971, however, a related Festival of Contemporary Performing Arts was held in 1978.

Subject/Index Terms

Band Concerts
Beethoven, Ludwig van (1770-1827)
Black Chorus
Cage, John (1912-1992)
Chamber Orchestra Music
Choirs
Christmas music
Compositions-Music
Computer Music
Concerts
Contemporary Arts Festival
Convocations
Copland, Aaron (1900-1990)
Decker, Harold (1914-2003)
Electronic Music
Faculty
Gaburo, Kenneth (1926-1993)
Garvey, John (1921-2006)
Glee Clubs
Gray, Robert (1926-2008)
Illinois Summer Youth Music
Instrumental music
Jazz -- Soviet Union
Johnston, Ben (1926-2019)
Krannert Center for the Performing Arts
Lectures
Madrigals
Martirano, Salvatore (1927-1995)
Music, School of
Music Composition
Opera
Partch, Harry
Percussion
Recitals
Rolland, Clara
Rolland, Paul
Russian Folk Orchestra
Smith Music Hall
Speakers, Visiting
Stravinsky, Igor Fyodorovich (1882-1971)
Student Performance
Summer Youth Music
Symphony Orchestra
Walden Quartet
Woodwind Choir
World Music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Originally obtained from the Music and Performing Arts Library on March 7, 2013. A second set of recordings, Series 9, was found within the Music and Performing Arts library in 2014 and were transferred to the Sousa Archives on August 9, 2015 and December 7, 2015. Additional reel-to-reel recordings of the 1970 and 1971 performances of the University of Illinois Opera Group and 1971 performances of the John Wustman studio were transferred to the Sousa Archives from the Library's Audio Preservation Unit on August 18, 2016. Recordings of the University wind band and men's glee club tapes were transferred from the the University Press Building on September 26, 2017, and a third addition of reel-to-reel tapes from the Music and Performing Arts Library was transferred to the Center on May 1, 2018. The CD-R and DVD sound recordings were transferred to the Sousa Archives from the School of Music Audio Department on October 26, 2023. Additional CD-Rs and 1/4" reel-to-reel tapes were transferred to the Sousa Archives from the Department on November 14, 2023.

Acquisition Source: School of Music Audio Department

Appraisal Information: Several items within all series were deaccessioned due to decay, lack of information on the object, and duplication elsewhere within the collection or at other archives. Several discs in series 9 were deaccessioned due to acetate breakdown, but a description of the record number and works performed have been retained within the collection record.

Related Materials: Festival of Contemporary Arts Programs Announcements, 1948- (record series: 12/1/806) For more information please see http://archives.library.illinois.edu/archon/index.php?p=collections/controlcard&id=5243.

Related Publications: For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers which can be accessed using the following URL [https://research.lib.buffalo.edu/hiller].


Box and Folder Listing


Browse by Series:

[Series 1: University of Illinois Ensembles, 1950-92],
[Series 2: Faculty Recitals and Lectures, 1949-1992],
[Series 3: Student Recitals, 1955, 1963-1992],
[Series 4: Festival of Contemporary Arts, 1953-1978],
[Series 5: Champaign-Urbana Symphony Orchestra, 1960-1985],
[Series 6: Convocations, Symposia, Forums, and Guest Recitals, 1952-1986],
[Series 7: Special Requests and Donations, 1950-1988],
[Series 8: Card Catalogs, 1945-1992],
[Series 9: Transcription Discs, 1948-1951],
[Series 10: DAT Sound Recordings, 1979-2001],
[Series 11: F1 Audio and Betamax Video Recordings, 1984-1991],
[Series 12: CD-R and DVD Sound Recordings, 1951-2018],
[Series 13: Rex Anderson Master Recordings, 1977-1991],
[All]

Series 8: Card Catalogs, 1945-1992
Box 288
Item 1: School of Music Sound Recording Card Index, 1945-1992

Music and Performing Arts Library catalog cards, divided as: 1945-1958, 1959, 1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975. Undivided cards continue to 1992.

Includes all extant cards that correspond to the School of Music Audio Department recordings from this period; cards marked "Withdrawn" indicate tapes that were deaccessioned based on their being duplicates or on other appraisal decisions.

Item 2: School of Music Recording Service Index to Tapes, 1949-1965
Card index to recordings made by the School of Music Recording Service, indexed by recording engineer James Campbell.

Browse by Series:

[Series 1: University of Illinois Ensembles, 1950-92],
[Series 2: Faculty Recitals and Lectures, 1949-1992],
[Series 3: Student Recitals, 1955, 1963-1992],
[Series 4: Festival of Contemporary Arts, 1953-1978],
[Series 5: Champaign-Urbana Symphony Orchestra, 1960-1985],
[Series 6: Convocations, Symposia, Forums, and Guest Recitals, 1952-1986],
[Series 7: Special Requests and Donations, 1950-1988],
[Series 8: Card Catalogs, 1945-1992],
[Series 9: Transcription Discs, 1948-1951],
[Series 10: DAT Sound Recordings, 1979-2001],
[Series 11: F1 Audio and Betamax Video Recordings, 1984-1991],
[Series 12: CD-R and DVD Sound Recordings, 1951-2018],
[Series 13: Rex Anderson Master Recordings, 1977-1991],
[All]

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