Holdings Fine Arts and Applied Arts School of Music School of Music Audio Depar... Finding Aid Holdings Fine Arts and Applied Arts School of Music School of Music Audio Depar... Finding Aid By 2013 LIS584 class, Spring 2024 262A Class, and Sousa Archives staff
Title: School of Music Audio Department Sound Recordings, 1945-2009
ID: 12/5/64
Primary Creator: School of Music Audio Department
Other Creators: University of Illinois at Urbana-Champaign. School of Music
Extent: 334.0 cubic feet
Arrangement:
Organized in thirteen series: Series 1, University of Illinois Ensembles; Series 2, Faculty Recitals; Series 3, Student Recitals; Series 4, Festival of Contemporary Arts, 1953-1978; Series 5, Champaign-Urbana Symphony Orchestra; Series 6, Convocations, Symposia, Forums and Guest Recitals; Series 7, Special Requests and Donations; Series 8, Card Catalogs; Series 9, Transcription Discs; Series 10: DAT Sound Recordings; Series 11: F1 Audio and Betamax Video Recordings; Series 12: CD-R and DVD Sound Recordings, 1951-2009; and Series 13: Rex Anderson Master Recordings, 1977-1991.
Recordings in series 1, 2, 3, 5, 6, and 8 are arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within these series that do not have identifying numbers are arranged chronologically at the end of the series. Recordings in Series 4, Series 7, Series 9, Series 10, and Series 11 are arranged chronologically, with the exception of the end of Series 7, which contains items arranged by call number beginning with the letter "R". Series 9 in particular, has been arranged chronologically rather than by record label number because several of the original label numbers duplicate, many are missing, many appear out of order, and the record labels changed in early 1949 from a four digit label (ex. 5000/5001) to a single digit label (ex. 1/2). Series 12 is arranged by item number as originally assigned by the School of Music Audio Department, and is largely, though not consistently, chronological by recording date. Some cases include duplicate recordings of concerts, each assigned a unique item number despite sharing the same archival number. Some recordings dated prior to 2000 are noted as either remastered copies, reel-to-reel transfers, and DAT to CD-R transfers. Series 13 is arranged alphabetically by the performer's surname.
Note: Cards in Series 8 include all extant cards from the Music and Performing Arts Library that correspond to the recordings; cards marked "Withdrawn" indicate tapes that were deaccessioned based on their being duplicates or on other appraisal decisions.
Date Acquired: 03/07/2013. More info below under Accruals.
Subjects: Compositions-Music, Computer Music, Contemporary Arts Festival, Electronic Music, Faculty, Instrumental music, Krannert Center for the Performing Arts, Music, School of, Music Composition, Smith Music Hall, Speakers, Visiting, Student Performance, Symphony Orchestra
Consists of original 1/4"-inch reel to reel, 12'' inch transcription discs, 10'' inch audio recordings, and CD-R and DVD audio recordings of performances by university ensembles, faculty, students, and guest performers between 1945 and 2009. The audio tapes were recorded either as mono or stereo on 2- and 4-track acetate and polyester tape, while the transcription discs were recorded on acetate discs. In addition to the recordings of University of Illinois ensemble performances and faculty/student recitals, this collection includes recordings of performances associated with the University's Festival of Contemporary Arts, Champaign-Urbana Symphony Orchestra, SPICMACAY, Enescu Ensemble, and lectures, concerts, music forums and symposia given by visiting performers and scholars. Of particular note are recordings of performances and lectures by Harry Partch, John Cage, Aaron Copland, Paul Hindemith, Igor Stravinsky, Soulima Stravinsky, Georges Enesco, Benjamin Britten, Peter Pears, Ben Johnston, Frederic Rzewski, Béla Bartók, Max Roach, Gunther Schuller, Harrison Birtwhistle, George Crumb, Salvatore Martirano, Carl Dahlhaus, Joel Chadabe, Lucas Foss, Karlheinz Stockhausen, Cornelius Cardew, Morton Feldman, Iannis Xenakis, Stefan Wolpe, David Tudor, Milton Babbit, David Rosenboom, Pauline Oliveros, Sudhir Phadke, Jon Faddis, the Astor Piazzolla Quintet.
The School of Music purchased its first recording equipment in 1948 (University of Illinois, 1948). Since then, the School of Music Audio Department has provided recording services for student, faculty, and guest performers at University venues including Smith Music Hall, the Krannert Center for Performing Arts, and the Music Building Recording Studios (University of Illinois School of Music, 2013). Past Directors of the Audio Department include Jim Campbell, Carl Volkers (ca. 1950s-1976), Jeff Whimsatt (1976-78), and Rex Anderson (1978-2010). Following Anderson's retirement in 2010, audio engineers Frank Horger and Bill Demkov jointly managed the department until Demkov left the position in 2015. Horger then solely oversaw the recordings until 2020, when the management of the recordings was transferred to Graham Duncan. Duncan worked for the Audio Department as a part-time employee from 2002-2005 and 2007-2021, at which point he was appointed the full-time audio director.
The Festival of Contemporary Arts, first organized in 1948, included as part of its programming dance, theater, landscape architecture, music and an Exhibition of Contemporary American Painting and Sculpture. The Festival's music events included a variety of concerts, lectures, and workshops that were produced by University faculty and student ensembles, and guest composers and performers. The styles of new music performance incorporated into these festivals encompassed everything from contemporary orchestral, jazz, opera, and choral music to new forms of performance art. Initially held annually, the five- to six-week festival of performing and studio arts became a biennial event after 1953. Budgetary concerns led to the effective end of the festival after 1971, however, a related Festival of Contemporary Performing Arts was held in 1978.
Compositions-Music
Computer Music
Contemporary Arts Festival
Electronic Music
Faculty
Instrumental music
Krannert Center for the Performing Arts
Music, School of
Music Composition
Smith Music Hall
Speakers, Visiting
Student Performance
Symphony Orchestra
Repository: The Sousa Archives and Center for American Music
Accruals: Originally obtained from the Music and Performing Arts Library on March 7, 2013. A second set of recordings, Series 9, was found within the Music and Performing Arts library in 2014 and were transferred to the Sousa Archives on August 9, 2015 and December 7, 2015. Additional reel-to-reel recordings of the 1970 and 1971 performances of the University of Illinois Opera Group and 1971 performances of the John Wustman studio were transferred to the Sousa Archives from the Library's Audio Preservation Unit on August 18, 2016. Recordings of the University wind band and men's glee club tapes were transferred from the the University Press Building on September 26, 2017, and a third addition of reel-to-reel tapes from the Music and Performing Arts Library was transferred to the Center on May 1, 2018. The CD-R and DVD sound recordings were transferred to the Sousa Archives from the School of Music Audio Department on October 26, 2023. Additional CD-Rs and 1/4" reel-to-reel tapes were transferred to the Sousa Archives from the Department on November 14, 2023.
Acquisition Source: School of Music Audio Department
Appraisal Information: Several items within all series were deaccessioned due to decay, lack of information on the object, and duplication elsewhere within the collection or at other archives. Several discs in series 9 were deaccessioned due to acetate breakdown, but a description of the record number and works performed have been retained within the collection record.
Related Materials: Festival of Contemporary Arts Programs Announcements, 1948- (record series: 12/1/806) For more information please see http://archives.library.illinois.edu/archon/index.php?p=collections/controlcard&id=5243.
Related Publications: For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers which can be accessed using the following URL [https://research.lib.buffalo.edu/hiller].
Program #1, Tape #2 of 2: Synchronisms No. 2 for Flute, Clarinet, Violin, Cello, Magnetic Tape (1964) - Mario Davidowsky; All Set, for jazz band (1957) - Milton Babbitt ("All Set" is March 13, 1965 FOCA performance). Likely created for classroom use.
Program included with reel. Program #1 begins with M015382.
Program #2, Tape #1 of 2: Sextet, for mixed ensemble (1960) - Pauline Oliveros; Three Electronic Pieces: Homage to Helmholtz (1963), Third Pantomime from "Blue is the Antecedent of It" (1959), Dance of Death from "A Triptych for Hieronymus" (1965) - Lejaren Hiller; Strofy, for soprano, narrator, and several instruments (1959) - Krzysztof Penderecki. Likely created for classroom use.
Program included with reel.
Program #2, Tape #2 of 2: Serenata, for flute and 14 instruments (1957) - Luciano Berio; The Gods! The Gods, SATB, a capella (1962) - Will Ogdon; Serenity, SATB, a capella (1919) - Charles Ives; Two Egrets, SATB, a capella (1959) - Glenn Glasow, text by John Ciardi; Scehrzo (Over the Pavements) - Charles Ives. Likely created for classroom use.
Program included with reel.
Program #3, Tape #1 of 2: Cocktail Music (1962) - Martirano; Prologue, Interlude and Epilogue (1964) - Ogdon; Four Etudes for Piano (1964) - Custer; Three Page Sonata (1905) - Ives; Hexahedron (1964) - Rush; Sonata for Piano (1961) - Castaldo. Likely created for classroom use.
Program included with reel.
Patrick Purswell, flute; Arthur Maddox, piano; Donald Andrus, page turner?; Virginia Gaburo, piano; members of the Contemporary Chamber Ensemble
Program #5: Trio for Flute, Piano, and Page Turner - Oliveros; Inizio di Movimento, for piano solo (1962) - Castiglione; Electronic Study II (1964) - Andrus; Variations for Flute (1963) - Wuorinen; Improvizations, for clarinet, viola, and flute (1964) - Powell; Group Improvisation - Blatter (director). Likely created for classroom use.
Program included with reel.
Program #1, Tape #1 of 2: Round, for several instruments (1964); The Dove Descending Breaks the Air, SATB, a capella (1962) - Igor Stravinsky, text by T.S. Eliot; In My Craft or Sullen Art, SATB, with brass sextet (1954) - Billy Jim Layton, text by Dylan Thomas; Nexus 16, for chamber orchestra (1964) - Loren Rush.
Program #1 continues with M015347. The date indicated on M015382 is 4/11/65, but all other materials, including the official program, indicate a date of 7/11/65, which appears to be correct.
Edwin London, guest conductor; Delreen Hafenrichter, soprano; John Garvey, conductor; William Majors, viola; Contemporary Chamber Players
Music in Two Parts, Op. 62 (1964) - John Huggler; Entr'actes and Sappho Fragments (1962) - Harrison Birtwistle; Antiphonen (1961) - Bernd Alois Zimmerman
Program included with reel.
Barbara Dalheim, soprano; Royal Mac Donald, narrator; Willis Ward, dancer; Ron Nameth, visual projections; Contemporary Chamber Players
Portraits of 3 Ladies (American) (1967) - Edwin London
Program included with reel.
Adagio in G Major; Toccata in G Major - J.S. Bach; Prelude, Choral et Fugue - Cesar Franck
Program included with reel.
Kreisleriana, Op. 16: 2. Sehr innig und nicht zu rasch, 5. Sehr lebhaft, 6. Sehr langsam, 8. Schnell und spielend - Robert Schumann; Seven Balkan Dances - Marko Tajevic; Gaspard de la Nuit: Ondine, Le gibet, Scarbo - Maurice Ravel; Etude in A-flat, Op. 25 (encore 1) - Chopin; Sonata in E (encore 2) - Scarlatti; Vogel als Prophet (encore 3) - Schumann
Program included with reel.
Chamber Music Program: State University of Iowa
Duo for Violin and Piano: Introduction and Air, Intermezzo, Finale - Leonard Klein; String Quartet: Mesto, Intermezzo, Adagio, Allegro energico - James Yannatos; Song and Dance for Flute and Piano - Edwin London; Duo for Violin and Piano: Fantasia, Canzona, Scherzo - Robert Lombardo; Diversion for Flute, Piano, and String Bass: Introduction, Minuet, Song, Fast-Tempo I - Charles Hoag
Program included with reel.
Chamber Music Program: University of Illinois
Sonata for Violin and Piano: Rhythmically free-Allegro assai-rhythmically free, Quiet and measured-allegro - Robert Baker; Sonata for Ten Wind Instruments - James Tenney; Dance - Alan Thomas; String Quartet No. 2: Introduction-allegro, Exposition, Intermezzo, Marcia funebre, Introduction-presto - Thorkell Sigurbjornsson; Quintet for Brass: Moderately fast, Very slow, Fast and lively - David Ward-Steinman
Program included with reel.
Chamber Music Program: University of Michigan
Adagio and Waltz for Viola and Piano - Edwin Coleman; Prelude and Scherzo for Solo Flute - Gerald Humel; Adagio in C for String Quartet - Gregory Kosteck; Groups for Piano - Donald Scarvarda; String Quartet: Allegro-largo, Adagio, Largo-allegro - Roger Reynolds; Piano Sonata - Robert Ashley; Rhapsody for Orchestra - David Bates
Program included with reel.
Friedrich Wuhrer, piano
Variations on a Minuet by Duport - Mozart; Sonata quasi una Fantasia, C Sharp Minor, Op. 27, No. 2: Adagio sostenuto, Allegretto, Presto agitato - Beethoven; Symphonic Etudes, Op. 13 - Schumann
Program included with reel.
Symphonie - N. Le Bugue; Fantaisie - L. Couperin; Dialogue sur les Grands Jeux, 3eme verset de l'Agnus Dei - Fr. Couperin le Grand; Piece en mi mineur - A. Calviere; Quartet versets sur l"hymne Ave Maris Stella: Pleinchant en taille, Fugue a 4, Duo, Dialogue sur les Grands Jeux - N. de Grigny; Fantaisie et Fugue - P.F. Boely; Choral en la mineur - C. Franck; Communion pour l'Office de la Pentecote, etrait de l'Orgur Mystique - Ch. Tournemire; Acclamations - J. Langlais; Improvisation
Program included with reel.
Rafael Kubelik, conductor
"Tom Paine" Overture - Burrill Phillips; Don Perlimplin: The Prologue - Vittorio Rieti
Rafael Kubelik, conductor
Don Perlimplin: Scene One - Vittorio Rieti
Program included with reel.
Rafael Kubelik, conductor
Don Perlimplin: Scene Two, Scene Three - Vittorio Rieti
Rafael Kubelik, conductor
Belshazzar's Feast -William Turner Walton
Margaret Hillis, conductor
Divine Poems (John Donne) - Bernhard Heiden; Mass for Voices and Ten Winds: Kyrie, Gloria, Credo, Sanctus, Angus Dei - Igor Stravinsky; Four Slovak Folk Songs - Bela Bartok
Program included with reel.
Margaret Hillis, conductor
Canti di Prigionia: I. Preghiera di Maria Stuarda, II. Invocazione di Boezio, III. Congedo di Gerolamo Savonarola - Luigi Dallapiccola
Intro by Thor Wood
Tonality
Rehearsal with Morton Feldman; G. Allan O' Connor, percussion
King of Denmark - Morton Feldman
G. Allan O'Connor, percussion; Norma Mader, soprano; Thomas Schultz, chimes; Richard Howe, horn; David Rosenboom, violin; Dennis Kam, piano; Janet Dyson, cello
King of Denmark (dress rehearsal - #2 running master) - Morton Feldman; For Franz Kline - Morton Feldman
G. Allan O'Connor, percussion; Norma Mader, soprano; Thomas Schultz, chimes; Richard Howe, horn; David Rosenboom, violin; Dennis Kam, piano; Janet Dyson, cello
King of Denmark (dress rehearsal - #1 running master) - Morton Feldman; For Franz Kline - Morton Feldman
Songs to Poems of Paul Rochberg: I. We are like the may-flies, II. All my life, III. I am baffled by this wall, IV. Sunrise, a morning sound, V. Spectral butterfly, VI. So late!, VII. Black tulips, VIII. Le Sacre du Printemps, IX. Nightbird Berates, X. Angel's Wings, XI. How to explain - (1969) George Rochberg
Program included with reel.
Program IV: He Wishes for the Cloths of Heaven (1950); A Fence (1959) - Bain Murray; Seven Bagatelles for Piano (1959) - Donald White; Three Chinese Lyrics: The Jewel Stair's Crievance, Taking Leave of a Friend, Lament of the Frontier Guard (1955) - Ben Johnston; String Quartet No. 1 (1960) - Thomas Fredrickson; Bridge Game (1960) - Merrill Ellis; String Quartet No. 1 (1960) - Donald Erb
Program included with reel.
cont. from v.1
Program included with reel.
Program III: Heaven Haven (1960) - Wallace Berry; Four Choral Pieces: Hi!, Lone, The Huntsmen, Alas! Alack! (1952) - Kenneth Gaburo; Ripley Ferry for women's chorus, baritone and wind septet - H. Owen Reed; Cantata Anglica Iin Honorem Thaddaei Fratris Domini (1960) - Donald Jenni
Program included with reel.
Program III: Come Holy Silence (1959-60) - Wilbur Ogdon; Ad Te Domino (1959) - Kenneth Gaburo; Numerically Speaking (1961) - Lewis Whikehart; Concerto Grosso (1960) - William Latham
Program included with reel.
Program III: Octet for Wind Instruments - John Downey; Concerto for Trumpet, Trombone, and Wind Ensemble (1960) - Will Gay Bottje
Program included with reel.
Program II: Sonate Concertante: Allegro, Andante (Tempo di Ciaconna), Scherzando, Coda (1956-58) - Walter Hartley; Duo for Cello and Piano: Incantation (1961) - Robert Crane
Program included with reel.
Program II: Street Scenes for Clarinet, Violin, and Piano: Carnival, Mirror Pool, Little Trolley Car, Public Auction - Markwood Holmes; Sonata for Clarinet and Piano-From the Middle Border: Allegretto con Moto, Andante, Allegro e Brilliante (1961) - Francis Pyle
Program included with reel.
Program II: Trio for Flute, Oboe, and Piano: Allegro con fuoco, Adagio serioso, Allegro molto (1954) - Hunter Johnson
Program included with reel.
Program I: Miniature Overture (1958) - Harry Blumenfeld; Symphony No. 4: First movement, adagio (1961, premiere) - Gordon Binkerd
Program included with reel.
Program I: Concerto for Violin, Cello, and Orchestra: Moderate, Slow, Fast (1960) - Robert Kelly
Program included with reel.
Program I: Rhapsody for Flute, Harp, and Strings (1954) - Leon Stein
Program included with reel.
Andrew Hughes, director
Kyrie omnipotens - Anon.; Sanctus, Agnus, Deo gratias - Anon.; Gloria - John Excetre; Sanctus - Pycard
Program included with reel.
Andrew Hughes, director
Missa Quem malignus spiritus: Kyrie rex genitor, Gloria, Credo, Sanctus, Agnus - Anon.; Tota pulchra es - Plummer
Program included with reel.
Ben Johnston, introduction
Class Session #1
Charles Hamm
Class Session #2: Part 1 of 3 of the performance of Christian Wolff's "Music for Five or Ten People"
Charles Hamm
Class Session #3: Part 2 of 3 of the performance of Christian Wolff's "Music for Five or Ten People"
Charles Hamm
Class Session #4: Part 3 of 3 of the performance of Christian Wolff's "Music for Five or Ten People"
University of Illinois Jazz Band, John Garvey, leader
Time Arches On (fades in at beginning) - Thomas Fredrickson; Newcastle Troppo - Ben Johnston; Festival Piece, Jim Knapp; Collage - Don Owens
Program included with reel.
New Music Choral Ensemble, Kenneth Gaburo, director
Serenity - Charles Ives, text by John G. Whittier; On the Surface of Things, Arthur Maddox, text by Wallace Stevens; Laudate Dominum - Gary Grossman; interview with John Garvey
Program included with reel.
Mildred Dunnock, pre-recorded voice; Marthsa Scott, pre-recorded voice; Lee Bowman, pre-recorded voice; Donald Smith, soloist; Salvatore Martirano, conductor; William Mullen, violin; Ron Dewer, tenor saxophone; Malcolm Bilson, piano; John Garvey, conductor
Events - Mel Powell, text by Hart Crane; Ballad - Salvatore Martirano; Metamusica - Toshiro Mayuzumi
Program included with reel.
Serenade No. 2 for Four Horns in F: Prelude-Allegretto, Arietta-Andantino, Toccata-Allegro scherzandro, Fantasy-Adagio, Epilogue-Allegretto (first performance); Partita in A for Violin and Piano: Prelude, Burlesca, Interlude, Echo - Ulysses Kay
Program included with reel.
Lejaren Hiller, composer
Algorithms No. 1: Take 1, Take 2, Take 3, Take 4 (complete), Take 5, Take 6 - Lejaren Hiller
Recorded in Smith Music Hall
Reconstructed on tape from transcription acetates in June, 1964.
Lecture: Has contemporary singing lost touch with musical developments?
Tape #2 of 2.
Herbert Brun, introduction
Lecture: Has contemporary singing lost touch with musical developments?
Tape #1 of 2.
Igor Stravinsky, conductor
Concerto in D for String Orchestra; Suite de Pulcinella; Concerto for Piano and Wind Instruments; Appollon Musagete - Igor Stravinsky
Reconstructed on tape from transcription acetates in June, 1964.
Variations for Violoncello - William Hibbard; Harvest Home Chorales Nos. I (1898) and III ("before 1912") - Charles Ives; Trio for Flute, Vibraphone, and Contrabass - Thomas Fredrickson; Octet for Wind Instruments - Igor Stravinsky; Drei kleine Stucke, Op. 11 - Anton von Webern; Lament - Ben Johnston; Drei kurze Straumlieder - Joseph Sekon; Brass Quintet - Edwin London
Program included with reel.
Tract for Piano (first few minutes not recorded) - Edwin Harkins; Pierrot Lunaire, Op. 21 - Arnold Schoenberg
Program included with reel.
Circles - Luciano Berio; The Wolfman Motorcity Revue - Robery Ashley
Program included with reel.
Livre d'Orgue: Les Mains de l'abime, Reprises par interversion, Chants d'oiseaux, Piece en trio (I) & (II), Les Yeux dans les roues, Soixante-Quatre durees - Olivier Messiaen
Program included with reel.
Interplay, A Histrionic Controversy - Sydney Hodkinson; Chromamorphe I - Yuji Takahaski; Eleven Echoes of Autumn, 1965 - George Crumb; From the Yellow Castle - Gerald Shapiro
Program included with reel.
The Inelucable Modality
Grand Quartet for Flutes - Harvey Sollberger; Goethe-Lieder per una voce di mezzo e tre clarinetti - Luigi Dallapiccola; Five Studies for Tuba Alone: 1. Tempo rubato, 2. As fast as possible, with clarity, 3. Like a song, 4. Make like a Wallanda, man!, 5. Blues - David Reck; Three Settings of the XXIII Psalm for Women's, Men's, and Mixed Choruses - Edwin London; Double Basses at Twenty Paces for Two Double Bass Players, Their "Seconds," and a "Referee" - Pauline Oliveros; PLAY No. 4 for Soprano, Violoncello, Piano, Vibraphone, Four Players, Two Conductors, Two 16mm Projectors, and Tape: 1. Signals, 2. Lovme, Celebration, End Play! - Morton Subotnik
Program included with reel.
The Contemporary Chamber Players; The Inelucable Modality
Tone Roads No. 3 for Chamber Orchestra - Charles Ives; Chotos for Chorus - Richmond Browne; Vier Stucke for Clarinet and Piano - Alban Berg; Kreuzspiel for Oboe, Bass Clarinet, Piano, and Percussion - Karlheinz Stockhausen; Water Vamp for Violin and Piano (One Player) - Donald Thomas; She Loves Me, She Loves Me Not for Witchdoctor (with overhead projector), two actor-musicians, percussion, four slide-projectors, SCR Drivers, Dupont Corfon Optics System, and 4-channel tape - David Rosenboom
Program included with reel.
Will Ogdon and others
"Sound Studies" and tape effects
Contemporary Chamber Players, Salvatore Martirano, conductor
Equivalences pour 18 instrumentistes (1963) - Jean-Claude Eloy; Trio for Strings (1962) - Henryk Mikolaj Gorecki
Program included with reel.
New Music Choral Ensemble, Kenneth Gaburo, director; Contemporary Chamber Players, Lejaren Hiller, conductor
Seasus Spei, motet for divided chorus of mixed voices, piano (1961) - Karl Kohn; Algorithms I: The Decay of Information, II. Icosahedron, III. Incorporations - Lejaren Hiller
Program included with reel.
July 2, 1967 - The Border Guard
Program included with reel.
Contemporary Chamber Players, William Hibbard, conductor; New Music Choral Ensemble, Kenneth Gaburo, director
Signs (1967) - Edwin Harkins; Zoological Gardens (1965) - Fredric Rzewski; Entflieht auf Leichten Kahnen, Op. 2 (1921) - Anton Webern; Serve Bone, Motet (1964) - Burrill Phillips; Sound Patterns (1964) - Pauline Oliveros
Program included with reel.
The Nu Yawk Filhawmonic - The Border Guard
Program included with reel. Program concludes with TAPE M060711.
Thomas Howell, flute; Ron Dewar, bass clarinet; Allan Goldman, double bass; Contemporary Chamber Players, Salvatore Martirano and William Hibbard, conductors
Quick Are the Mouths of Earth (rehearsal) - Roger Reynolds; Windows (1966) - Lawrence Moss; Music for Metronomes (1967) - Toshi Ichiyanagi; Thesis, Part III (1967) - William Hibbard
Program included with reel.
Contemporary Chamber Players, Gerald Shapiro and James Campbell, electronic technicians, Salvatore Martirano, conductor; New Music Choral Ensemble, Kenneth Gaburo, director
Serenade II for 3 groups of instruments, 3 tape recorders, 2 amplitude modulators, and, 2 sound generators (1967) - Gerald Shapiro; Lilacs, for mixed chorus (1966) - Robert Shallenberg; Ci-Git-Satie, for 8 singers, drums, and bass (1966) - Ben Johnston; Fantasy on a Theme by Alban Berg - Lary Austin; Concert Piece No. 1 (1964) - Donald Erb
Program included with reel.
Contemporary Chamber Players, Salvatore Martirano, conductor
Planh (1965) - Stanley Silverman
Program included with reel.
Contemporary Chamber Players, Jill Wattenberg, actress, Stanley Silverman, guitar, Salvatore Martirano, conductor
Number 2 for 7 performers - David Reck
Program included with reel.
Contemporary Chamber Players, John Garvey, conductor; New Music Choral Ensemble, Kenneth Gaburo, director
U-Mai - Yoritsune Matsudaira; Notes in the Silence: (1) Dag Hammarskjold (1925), (2) Dag Hammarskjold (1961), (3) Dag Hammarskjold (1961) (1966) - Leslie Bassett
Program included with reel.
Interview; Sonata in A Major: Allegro molto, Andante, Allegro vivo, Allegro quasi presto - Gabriel Faure
Program included with reel.
Interview; Works By Contemporary Turkish Composers: Taksim (from Suite for Violin and Piano) - Ferit Alnar; Interview; Works By Contemporary Turkish Composers: Kocekce (Turkish Dans) - Maummer Sun; Interview; Works By Contemporary Turkish Composers: Sepetci oglu; Horon (Turkish Dans) - Adnan Saygun
Program included with reel.
Cocktail Music for Piano - Salvatore Martirano; Variationen, Op. 27: Sehr massig, Sehr schnell, Ruhig fliessend - Anton Webern; Toccata-Ramus - Robert Erickson
Program included with reel.
Thrones-Improvisation Piece for Tape and Piano - Raymond Sender; Sonata No. 1: Lent, Assez large - Pierre Boulez
Program included with reel.
Sonata No. III, E Major, for violin and harpsichord: Adagio, Allegro, Adagio ma non tanto, Allegro - Johann Sebastian Bach; Sonata, F Minor, Op. 80: Andante assai, Allegro brusco, Andante, Allegrissimo - Sergei Prokofiev
Program included with reel.
Pamela Horsley, piano; Composition Wind Quintet; University of Illinois Wind Ensemble; Robert Gray, conductor of the University of Illinois Wind Ensemble; John Denton, oboe
Three Piano Pieces - Nancy Fizzell; Eight Expressions for Wind Quintet - Albert King; In Dulci Jubilo, Chorale Prelude - Dietrich Buxtehude-Binkerd; Elegy for solo oboe and winds - John Verrall; Scherzo alla Marcia, from Symphony No. 8 - Ralph Vaughan Williams
Program included with reel.
Gerald Fischbach, violin and viola; Eugene Gratovich, violin; Donna Moore, cello and harpsichord; Joseph Pival, cello; Collette Sroka, violin and Harpischord
Brandle suite, c. 1650 - Louis Constantin; Recercada prima sobre "O Felici Occhi Miei" - Diego Ortiz; Recercada segunda sobre el mismo madrigal - Diego Ortiz; Canzona prima a 4 voce - Giralamo Frescobaldi; Divisions upon a ground - Christopher Simpson; Sonata da chiesa a due violini, Op. 6, No. 5 (1672) - Giovanni Maria Bononcini; Sonate "Christi Gebet auf dem Olberg," C. 1675 - Franz Biber; Fasciculus III. "Gratitudo" - Georg Muffat
Program included with reel.
Duviensela - Antonio de Cabezon; Biblical Sonata No. II, Saul's Madness Soothed by Music. I. The Sorrow and Frenzy of King Saul, II. The Comforting Song of David's Harp, III. Saul's Spirit Becomes Happy and Serene - Johann Kuhnau; Rondo in B Flat Major, W. 58;3 - Carl Philipp Emanuel Bach; Free Fantasia in F Sharp Minor, W. 67 - Carl Philipp Emanuel Bach
Program included with reel.
Introduction by David Crawford; Elmer Thomas, conductor
Two Hymns: Lucis Crator - Anon, Ave Maris Stella - Carpentras; Beginning of Sunday Vespers: Deus in Adjutorium (Verse and Response), Dixit Dominus (Antiphon), Dixit Dominus (Psalm 109), Dixit Dominus (Antiphon) - Anon
Program included with reel.
Early Music Quartet; Andrea von Ramm, mezzoosoprano; Willard Cobb, tenor; Sterling Jones, vielle, viol; Thomas Binkley, lute, winds
Chancon fas non pas villiane - Pierekin de la Coupele; Llibre Vermell; De Narcissus - Magister Franciscus; Or sus, vous dormez trop - Anonymous; Adius m'amour - Guillaume Dufay; He Robinet; Ricercada - Diego Ortiz; La manana del San Juan - Diego Pisador; Sospirastes Baldovinos - Luis Milan; Soberana Maria - Anonymous; Pues que me tiene - Ortega; Quien amores tiene, como duerme? - Juan Vasquez
Program included with reel.
Sonata No. 2 in D - Max Reger; Litanies - Jehan Alain; Encore - Handel
Program included with reel.
Passacaglia in D Minor - Dietrich Buxtehude; Toccata in F Major - Johann Pachelbel; Prelude and Fugue in E Minor - Nikolaus Bruhns; Fantasie and Fugue in G Minor - Johann Sebastian Bach (partial recording)
Program included with reel.
Fantasie and Fugue in G Minor - Johann Sebastian Bach; 2 unknown pieces
Program included with reel.
cont. from v.3
Program included with reel.
Leonard Stein, piano; Will Ogdon, introduction; Alexander Ringer
Introduction - Will Ogdon; Alexander Ringer; Pieces, Op. 11, No. 1 and No. 3 (1909); Six Short Pieces, Op. 19 (1911); Five Pieces, Op. 23 (1920-23); Piece, Op. 33b (1931); Suite, Op. 25: Prelude, Gavotte and Musette, Intermezzo, Minuet and Trio, Gigue (1921 - 23) - Arnold Schoenberg; Panel Discussion
Program included with reel.
Leonard Stein, piano; Will Ogdon, introduction; Alexander Ringer
cont. from v.1
Sonata in C Sharp Minor, Opus 27, No. 2: Adadio sostenuto, Allegretto, Presto agitato - Beethoven; Ballade in F Major, Opus 38 - Chopin; Etudes, Opus 25: No. 1, A Flat Major, No. 6, G Sharp Minor, No. 7, C Sharp Minor, No. 9 G Flat Major, No. 10, B Minor, No. 11, A Minor - Chopin; Poeme Satanique, Opus 36 - Scriabin; Miroirs: Noctuelles, Oiseaux tristes, Une barque sur l'ocean - Ravel
Program included with reel.
Miroirs: Une barque sur l'ocean, Alborada del gracioso - Ravel
Program included with reel.
Music of J. S. Bach: Toccata and Fugue in E Major (BWV 566); Sonata No. 4 in E Minor (BWV 528): Adagio-Vivace, Andante, Un Poco Allegro; "Nun Komm' der Heiden Heiland" (a 2 Clav. And Pedale) (BWV 659) (From the "Great 18 Chorales"); Prelude and Fugue in C Major (BWV 547) - J. S. Bach
Program included with reel.
Music of J. S. Bach: "Vom Himmel hoch, da komm' ich her" Per Canones (BWV 769) (Autograph version): Canon all' ottava, Canon alla quinta, Canto Fermo in Canone, Canon alla Settima, Canon per augmentationem; Toccata and Fugue in F Major (BWV 570) - J. S. Bach; Encore
Program included with reel.
Four Etudes, Op. 7 - Igor Stravinsky; Sonata in E flat, Hob. XVI/52 - Joseph Haydn; Two Etudes: Op. 10 #2 in A Minor, Op. 25 #4 in A Minor - Frederic Chopin; Le Tombeau de Couperin: Prelude, Fugue, Forlane, Rigaudon, Menuet, Toccata - Maurice Ravel; Encore
Program included with reel.
Variant readings: Second thoughts in 19th century Music and Literature
Program included with reel.
Neva Pilgrim, soprano
Humanities Lecture Series: "The Avant-Garde"
Program included with reel.
Humanities Lecture Series: "The Avant-Garde"
Program included with reel.
Hindemith Sonata
Program included with reel.
Neely Bruce, piano
Three Sketches for Trombone and Piano (1967): Con moto, Allegro, Andante - Andrew Imbrie; Five Pieces for Trombone and Piano (1967) - Ernst Krenek; ?And then, toward the end? for Trombone and Tape (1971) - Donald Erb; Bombardments No. 4 from Trombone and Tape (1964 and 1968) - Robert Moran; General Speech for Trombone Solo (1969) - Robert Erickson; Encores for Stu (1970): No. 2: Allevent Encore - Raymond Wilding-White
Program included with reel.
Winifred Brown, soprano; Julie Efaw, mezzo-soprano; Donald Wiggins, tenor; John Stephens, baritone; Grace Wilson, piano; John Wustman, piano
Liebeslieder, Opus 52: Rede, Madchen, allzu liebes, Am Gesteine rauscht die Flut, O die Frauen, Wie des Abends schone Rote, Die grue Hopfenranke, Ein kleiner, hubscher Vogel, Wohl schon bewandt war es, Wenn so lind dein Auge mir, Am Donaustrande, O wie sanft die Quelle, Nein, es ist nicht auszukommen, Schlosser auf, Vogelein durchrauscht die Luft, Sieh, wie ist die Welle klar, Nachtigall, sie singt so schon, Ein dunkeler Schacht ist Liebe, Nicht wandle, mein Licht, Es bebet das Gestrauche - Johannes Brahms; Spanisches Liederspiel, Opus 74: Erste Begegnung, Melancholie, Intermezzo, Liebesgram, In der Nacht, Es ist verrathen, Gestandniss, Botschaft, Ich bin geliebt - Robert Schumann; Neue Liebeslieder, Opus 65: Verzicht, o Herz, auf Rettung, Finstere Schatten der Nacht, An jeder Hand die Finger, Ihr schwarzen Augen, Wahre, wahre deinen Sohn, Rosen steckt mir an de Mutter, Vom Gebirge Well auf Well, Weiche Graser im Revier, Nagen am Herzen fujl ich, Ich kose suss mit der und der, Alles, alles in den Wind, Schwarzer Wald, dein Schatten, Nein, Geliebter, setze dich, Flammenauge, dunkles Haar, Zum Schluss - Johannes Brahms
program included with reel.
Philip Gehring, organ
Study on Chopin's Minute Waltz (pub. 1884) - Moriz Rosenthal; Transcription of Chopin's Minute Waltz (pub. 1919) - Moritz Moszkowski; Music for magnetic tape and piano solo (1972) - Andrzej Dobrowolski; Second Study on Chopin's Minute Waltz (pub. 1902) - Giuseppe Ferata; Paraphrase on Chopin's Minute Waltz (pub. 1924) - Aleksander Michalowski; HPSCHD (1967-69) - John Cage; Pastiche on Chopin's Minute Waltz (ca. 1920, pub. 1969) - Kaikhosru Shapurji Sorabji
Program included with reel.
Philip Gehring, organ
Volumina (1961-62) - Gyorgy Ligeti; Showpan Boogie (pub. 1949) - Joe Furst
Program No. 1: Round, for several instruments (1964) - Hamm; The Dove Descending Breaks the Air, SATB, a capella (1962) - Stravinsky, text by T.S. Eliot; In My Craft or Sullen Art, SATB, with brass sextet (1954) - Layton, text by Dylan Thomas; Nexus 16, for chamber orchestra (1964) - Rush; Synchronisms No. 2, for flute, clarinet, violin, cello, magnetic tape (1964) - Davidowsky; U.S. Highball (1957) - Partch; All Set, for jazz band (1957) - Babbitt
Program included with reel.
Program No. 2: Sextet, for mixed ensemble (1960) - Oliveros; Three Electronic Pieces: (1) Homage to Helmholtz (1963), (2) Third Pantomime from "Blue Is the Antecedent of It" (1959), (3) Dance of Death from "A Triptych for Hieronymus" (1965) - Hiller; Strofy, for soprano, narrator, and several instruments (1959) - Penderecki; Serenata, for flute and 14 instruments - Berio; The Gods! The Gods, SATB, a capella (1962) - Ogdon, text by D.H. Lawrence; Serenity, SATB, a capella (1919) - Ives, text by John Greenleaf Whittier; Two Egrets, SATB, a capella (1959) - Glasow, text by John Ciardi; Scherzo (Over the Pavements) - Ives
Program included with reel.
cont. from v.1
Program included with reel.
Dwight Peltzer, piano
Program No. 3: Cocktail Music (1962) - Martirano; Prologue, Interlude and Epilogue (1964) - Ogdon; Four Etudes for Piano (1964) - Custer; Three Page Sonata (1905) - Ives; Hexahedron (1964) - Rush; Sonata for Piano (1961) - Castaldo
Program included with reel.
Dwight Peltzer, piano
cont. from v.1
Program No. 4: Colloquy, for Chamber Orchestra: Intrigue, Conversations: Gossip-Saccharine-Chatter-Argument-Montage (1963) - Kelly; Cinque Canti, for baritone and several instruments (1956) - Dallapiccola;
Program included with reel.
Program No. 6: Kontra-Punkte, for ten instruments (1953) - Stockhausen; Wind Quintet (1963) - Martino
Program included with reel.
Program No. 6: Brass Quintet: I. Allegro malinconico, II. Molto adagio quasi sguaiato ma con dolce forza - London; Ad Te Levavi (1959) - Binkerd; Ha Venido (1960) - Nono; Epitafium (1958) - Gorecki
Program included with reel.
cont. from v.2
Program included with reel.
Concert I: Several performances of Round (1966 version) - Charles Hamm
Program included with reel.
The Composers Quartet: Matthew Raimondi, violin, Anahid Ajemian, violin, Bernard Zaslav, viola, Seymour Barab, cello
Concert II: Quartet (1931) - Ruth Crawford Seeger
Program included with reel.
The Composers Quartet: Matthew Raimondi, violin, Anahid Ajemian, violin, Bernard Zaslav, viola, Seymour Barab, cello
Concert II: Quartet No. 2 (1964) - Henry Weinberg
Program included with reel.
The Composers Quartet: Matthew Raimondi, violin, Anahid Ajemian, violin, Bernard Zaslav, viola, Seymour Barab, cello
Concert II: Quartet No. 2 (1954) - Milton Babbitt
Program included with reel.
The Composers Quartet: Matthew Raimondi, violin, Anahid Ajemian, violin, Bernard Zaslav, viola, Seymour Barab, cello
Concert II: Quartet No. 2 (1964) - Ben Johnston
Concert III: Scherzo "All the Way Around and Back" (1909) - Charles Ives; Ensembles for Synthesizer (1965) - Milton Babbitt; In Praise of the Owl and the Cuckoo - Eric Salzman
Program included with reel.
Concert III: Trio for Trumpet, Trombone and Percussion (1966) - Herbert Brun; Four Pieces for String Trio (1962) - Boguslav Schaeffer
Program included with reel.
Concert IV: Music for Five Instruments - Thomas Fredrickson; Tryptich for Cello and Piano - Robert Kelly; Music for Voices and Instruments - Morgan Powell
Program included with reel.
New Music Choral Ensemble, Kenneth Gaburo, conductor; members of the Contemporary Chamber Ensemble, John Garvey, conductor
Concert V: The World is Discovered, for Harp, Guitar, and Ten Winds - Harrison Birtwistle; Sound Study III (1966) - Mario Davidovsky; The Odes of Shang - Seymour Shifrin
Program included with reel.
University of Illinois Chamber Orchestra, John Garvey, conductor
Concert V: Concerto For Prepared Piano and Chamber Orchestra - John Cage
Program included with reel.
Tony Zamora's Jazz Ensemble
Concert V
Concert VI: Tropi (1959) - Niccolo Castiglioni; Scambio for flute and piano - Harley Gaber; Collage (1966) - Don Owens; Music for Jazz Band (1966) - Morgan Powell; Poem VI for alto flute, metal, and wood (first performance) - David Gilbert; Music for Double Bass Alone - Thomas Fredrickson; In the Landscape of Spring (first performance) - Noel George Da Costa
Program included with reel.
Concert VII: Contra Tempus e Mortis - George Rochberg; Music for the Dance: Sea - David Gilbert
Program included with reel.
Concert VII: Variations on a Poem of Cavafy - Kenneth Gaburo; U Mai for Oriental Dancer and Chamber Orchestra - Yoritsune Matsudaira
Program included with reel.
Concert VIII: Ballad (1966) - Salvatore Martirano; Piece for Two Instrumental Units - Stefan Wolpe
Program included with reel.
Concert VIII and Dress Rehearsal: The End of the Mime of Mick, Nick and the Maggies (rehearsal), The End of the Mime of Mick, Nick and the Maggies (concert, first performance) - Robert Erickson, text by James Joyce
Program included with reel.
Concert IX: Primarily Act III: 1. Animal Dance-Carnival Time-Grand Parade, 2. Descent, 3. Seven Tableaux in a Termination (first performance) - Lejaren Hiller
Program included with reel.
Concert IX: Scapes II - Erickson
Program included with reel.
Program No. 1: Somewhere I have never traveled (1950) - Gordon Binkerd, text by e.e. cummings; And I am old to know (1959) - Gordon Binkerd, text by Pauline Hanson; Psalmus (1961) - Krzysztof Penderecki; Octet (1962) - Martirano; Canto (1963) - Charles Hamm, text by Ezra Pound; Futility (1964) - Herbert Brun; Sonata for Flute, Oboe, Cello, and Harpsichord (1953) - Elliott Carter
Program included with reel.
Program No. 2: Piano Sonata No. 4: First Scherzo, Andante sempre lirico e sostenuto, Second Scherzo, Andante e sostenuto, Third Scherzo - Phillips; For an Unknown Soldier (1944) - Johnson; Fantasia (1962) - Basart; Introduction and Allegro (1961) - Kaderavek; Three Pieces from "Time of the Heathen": I. Muder Music, II. Nighttime Music, III. Flight Fugue (1961) - Hiller
Program included with reel.
Program No. 3: Music for the Dance: Sea (1960) - Gilbert; Diamorphes for Tape Recorder (1958) - Xenakis; Variations for Piano (1963) - Fredrickson; Sonata for Oboe and Harp (1955) - Kelly; Articulation for Tape Recorder (1960) - Ligeti; Dreimal Tausend Jahre, Op. 50a (1949); De Profundis, Op. 50b (1950) - Schoenberg
Program included with reel.
Chares Senecal, violin; Phyllis Rappeport, piano; Eric Kelley, piano
Sonata in A Major, (K. 305) - W.A. Mozart; Sonata, Op. 53 - Ludwig van Beethoven; Variations for Piano (1963) - Thomas Fredrickson
1. Kriti: Sadhincene, Raga: Arabhi, Tala: Adi, 8 beats 4-2-2 - Tyagaraja (1767-1847); 2. Kriti: Pamarajanapalinim, Raga: Simhendramadyamam, Tala: Rupakam, 6 beats 2-4 - Dikshitar (1775-1835); 3. Kriti: Raghuvamsa, Raga: Kadankutuhalam, Tala: Adi, 8 beats 4-2-2 - Patnam Subramanya Iyer (1845-1902)
Program included with reel.
4. Kriti: Ninuvina, Raga: Kalyani, Tala: Adi, 8 beats 4-2-2; 5. Tillana: Tadhim dhim, Raga: Pharaz, Tala: Adi, 8 beats 4-2-2 - Patnam Subramanya Iyer (1845-1902)
Program included with reel.
Bruno Nettl, opening remarks
Opening remarks; tuning; 1. Varnam Ninuvkan; tuning; 2. Kriti - Sarasasamadana; tuning; 3. Kriti - Mayatita Svarupine; 4. Kriti - Manavyada; tuning; 5. Alapana and Tanam (improvisation)
The Round House Players, Iva Martirano, director
P.S. (1967) - Iva Martirano
Program included with reel. Program begins with TAPE M049344 v.1 and v.2.
Edwin London, conductor; Salvatore Martirano, conductor; Gordon Brock, bass; Paul Zonn, clarinet
Togethers III (1970) - Dorrance Stalvey; Again (1970, revised 1974) - Roger Reynolds; Three Sonnets from Shakespeare, Op. 33 (1964) - Zbynek Vostrak
Program included with reel.
Edwin London, conductor
Verses for Ensembles (1969) - Harrison Birtwistle
Program included with reel.
Michael Register, conductor; Rene Clausen, conductor; Vladimir Morosan, conductor
Jauchzet dem Herren, alle Welt; Freuet euch des Herren ihr Gerechten; Psalm 13 from Becker Psalter; Psalm 117 from Becker Psalter; Herr, wenn ich nur dich habe - Heinrich Schutz; Sicut cervus - Giovanni da Palestrina; The Lord's Prayer - Robert Stone; Psalm 2 (Op. 78, No. 1) - Felix Mendelssohn; Cantate Domino - Heinrich Isaac; Ghospod' Votsarisia (Op. 45, No. 7) - Aleksandr Nikol'sky; Singet dem Herrn - Hugo Distler
Program included with reel.
Divine Songs - Bernard Heiden, text by John Donne; Music for English Horn and Piano - M. William Karlins; Signature for Tempo: Four Songs - Randall Shinn; Antiphon II: "Quid Est Musica?" - Richard Hervig; Lengeren - Sydney Hodkinson
Program included with reel.
Klavierstuck - Curt Cacioppo; Maud: Monodrama for Soprano and Computer - Michael Dellario; Consort I (first performance) - Brian Fennelly
Program included with reel.
Welcoming remarks - Robert Bays; Comments - Michael Bialosky; Tone setting speech - Ross Lee Finney; Remembering Dallapiccola - Michael Bialosky, Salvatore Martirano, Bernard Rands, and Harry Weinberg; Charles Ives' "Universe Symphony" and Larry Austin's "Second Fantasy on Ives' 'Universe Symphony'" - Donald Walker; Lecture-Concert-Demonstration on the Contemporary Flute - Robert Aitken
Program included with reel.
5 Nonsense Songs: The Whale, The Cow, The Sloth, The Hippo, The Lizard - Michael Bialosky, text by Theodore Roethke; Academic Graffiti: St. Thomas Aquinas, J.S. Bach, Lord Byron, J. Haydn, Christina Rosetti, L.v. Beethoven, Charles Dickens - Michael Bialosky, text by W.A. Auden; Notes in the Silence: I am driven forward, Domine, miserere, Almighty, forgive my doubt - Leslie Bassett
Program included with reel.
Metalepsis II - Bernard Rands; White Lady - Robert Erickson; Murmurings (first performance) - Edward Diemente; Concerto for Brass Quintet and Orchestra - Karel Husa
Program included with reel.
String Quartet (1966) - Dennis Kam; Celestial Bodies: Concerto for Flute and String Quartet - Ezra Laderman; Dances-Real and Imagined: Entrances, Gailliard, Pavanne, Pas de Deux, Mimes, Exits - Will Botje; String Quartet: Passionately-Delicately, With quiet concentration, Intermezzo, Introduction-Presto Leggiero (1975) - Lawrence Moss
Program included with reel.
Nahua Songs - Walter Winslow; Narrative for Solo Cello and 14 Instrumentalists (first performance) - Ross Lee Finney; Second Fantasy on Ives' Universe Symphony ?the heavens - Larry Austin
Program included with reel.
Faces - Stuart Smith; At the End of the Parade, Six Songs - Yehuda Yannay; Nad - Michael Hunt; Rituals for 40 Flutes - Robert Ceely
Program included with reel.
Capriccios - Ursala Mamlok; Ludas: Chamber Concerto - Donald Harris; Chamber Music: Percussion and Taped Electronic Sounds - Lucas Foss; Black Topaz - Joan Tower; Labdanum - Aurelio de la Vega
Program included with reel.
Three Poems - James Lewis, text by e.e. cummings; Dialogues - Walter Aschaffenburg; Welcome to Whipperginny - Barney Childs
Program included with reel.
Lucy Bardo, viola da gamba; John Fonville, flauto traverso; Genette Foster, Baroque violin; Gerorge Hunter, harpsichord
Cinquiem Concert: La Forgueray, La Cupis, La Marais - Jean-Philippe Rameau; Troisieme Concert: La La Popliniere, La Timide-Rondeau gracieux I et II, Tambourin I et II en rondeau - Jean-Philippe Rameau
Program included with reel.
Lucy Bardo, viola da gamba; John Fonville, flauto traverso; Genette Foster, Baroque violin; Gerorge Hunter, harpsichord
Quatrieme Suitte: Prelude, Allemande, Gavotte, Gigue-Vivement, Caprice-Gay, Muzette I et II, La Sautillante-Legerement, Rondeau Loure - Marin Marais; Sonata, Op. 9, No. 5: Andante, Allegro assai, Adagio, Allegro ma non troppo - Jean-Marie Leclair; Sonata a Trois, avec une Flute Allemande, une Viole et Clavesin: Adagio, Allegro, Sarabande, Allegro assai - Jean-Marie Leclair; Suite en Fa majeur: Prelude non mesuree, Allemande grave, Courante, Sarabande, Gigue, Chaconne, Tombeau de Mr Blancrocher - Louis Couperin
Program included with reel.
Heiichiro Ohyama, viola; David Oie, piano
Gamba Sonata No. 2 in D Major: Adagio, Allegro, Andante, Allegro - Johann Sebastian Bach; Sonata for Viola and Piano, Op. 11, No. 4 - Fantasie, Thema mit Variationen, Finale (mit Variationen) - Paul Hindemith; Sonata for Viola and Piano, Op. 120, No. 1: Allegro appassionato, Andante un poco adagio, Allegretto grazioso, Vivace - Johannes Brahms; Encore
Program included with reel.
Marcel Couraud, conductor
Chansons francaises: Le chant des oiseaux - Janequin, Parfons regrets - Josquin des Pres, Il est bel et bon - Passereau; Quartettino: I Gondolieri - Rossini; Cinq Rechants - Messiaen; (unnamed piece); Cinq chansons francaises: Margoton va t'a l'iau, La Belle se sied au pied de la tour, Les tisserands (only three chansons recorded) - Poulenc; Lieder for several parts with piano: Widerspruch, Liebe, Standchen - Schubert; Dodecameron (incomplete) - Malec; Nicholette - Ravel
Program included with reel.
Mark Tezak, trombone
Rondell (1975) - Rolf Gehlaar; Tablatures II (1973) - David Means; Druid's Piano (1977) - David Weinstein; Spiral, for soloist and short wave receiver (1968) - Karlheinz Stockhausen
Program included with reel.
Diane Walsh, piano
Sonata in E Major; Sonata in A Major - Allessandro Scarlatti; Sonata in F-sharp Minor, Op. 11: Introduzione-Un poco Adagio-Allegro vivace, Aria, Scherzo ed Intermezzo-Allegrissimo, Finale-Allegro un poco maestoso - Robert Schumann
Program included with reel.
Diane Walsh, piano
Miroirs: Noctuelles, Un Barque sur L'Ocean, Alborado del Gracioso - Maurice Ravel; Two Roumanian Dances, Op. 8A - Bela Bartok; encore 1; encore 2
Program included with reel.
Wind Quintet (1980) - Grant Hicks; Dracaena - James Hobbs; (Wie ein Hauch) - Rodney Rogers; Four Pieces for Piano: Scherzo, Allegro agitato, Largo doloroso, Variazioni sopra un motivo - Gene Biringer; Plastic Music: I, II, III - Mark Haag
Program included with reel.
Ronald H. High, baritone, piano; Gabrielyn Watson, soprano; Yvonne Hatchett, mezzo-soprano; Barrington Coleman, tenor, piano
I, too, Sing America - Margaret Bonds; No Crystal Stair - Frances S. Thomas; The Dream Keeper - Neal Hemachandra; I, too, Sing America - Neal Hemachandra; Beyond the Rim of Day: March Moon, Troubled Woman, To a Little-Lover Lass, Dead - Hale Smith; From "Madam to You": Madam and the Census Man, Mama and Daughter, Madam and the Rent Man, Madam and the Fortune Teller - Elie Siegmeister; Four Songs: In the Time of Silver Rain, Carolina Cabin, Heart, Lonely People - Jean Berger; At the Feet of Jesus - Hall Johnson; Fire - Hall Johnson
Program included with reel.
Jan Williams
Solo, with proximity-sensitive antennas (1978); Scenes from Stevens (based on poems by Wallace Stevens, 1979); Rhythms (1980) - Joel Chadabe
Program included with reel.
Jan Williams
cont. from v.1
Jan Williams
cont. from v.2
Part 1
Program included with reel.
Reflections, Tape Accompaniment - Milton Babbitt
Possibly used for School of Music performance. Purchased from C.F. Peters.
Kathryn Bumpass, interviewer
Interview with Carl Dahlhaus, conducted for WILL
Peter Rejto, violoncello; Albertine Votapek, piano
Sonata for Violoncello and Piano (Arpeggione): Allegro moderato, Adagio, Allegretto - Franz Schubert; Sonata in A Major, Op. 69: Allegro, ma non tanto, Scherzo-Allegro molto, Adagio cantabile, Allegro vivace - Ludwig van Beethoven
Program included with reel.
Peter Rejto, violoncello; Albertine Votapek, piano
Fantasiestucke, Op. 73: Zart und mit Ausdruck, Lebhaft, leicht, Rasch und mit Feuer - Robert Schumann; Suite for Violoncello and Piano: Lento-Allegro, Allegro ironico, Lento, Molto vivo - Ernest Bloch
Program included with reel.
Jeff Cornelius, percussion; Frank Weinstock, piano
La Buse Variable (1958) - Olivier Messiaen; For 1, 2, or 3 People (1964) - Christian Wolff; Credo in Us (1942) - John Cage; At Loose Ends (1974) - Herbert Brun; Quartet: Moderate, Very Slow, Slow-Axial Asymmetry, Fast - John Cage
Program included with reel.
David R. Werden; The University of Illinois Brass Band
The Warrior - Captain Philip B. Catelinet; Euphonium Concerto: Moderato, Lento, Con moto (1972) - Joseph Horovitz; Three Caprices: No. 17, No. 13, No. 24 - Nicolai Paganini, arr. David Werden; Sonatina for Euphonium and Tape (1970) - John Boda; Canadian Folk Song Suite: I. Marianne Sen Va-Tu Moulin (Quebec), II. She's Like a Swallow (Newfoundland), III. Jentendes Le Moulin (Quebec) - Morley Calvert; Ransomed - George Marshall
Program included with reel.
Vinko Globokar, guest conductor; Salvatore Martirano, guest conductor
Concert Music for Piano, Percussion, and Brass: I. Moto Perpetuo, II. Armonia, III. Delirando, IV. Armonia (1966) - Aurel Stroe; Linaia-Agon (1972) - Iannis Xenakis; Six Melodies - John Cage; Amores (1943) - John Cage; Vendre le vent (1973) - Vinko Globokar
Program included with reel.
Vinko Globokar, guest conductor; Salvatore Martirano, guest conductor
cont. from v.1
Program included with reel.
Vinko Globokar, guest conductor; Salvatore Martirano, guest conductor
cont. from v.2
Program included with reel.
Miss Seung Yoon Lee, music instructor
1. Court Orchestral Ensemble: Se-Yeongsan of Yongsan Hoesang; 2. Kayagum Byungchang: Kokochunbyon; 3. Basic Dance: Traditional Movements; 4. Tanso Solo: Chongsonggok; 5. Court Dance: Nightengale Dance; 6. Court Chamber Ensemble: Taryeong of Yongsan Hoesang; 7. Folk Dance: Salpuri; 8. Minyo Medley: Arhirhang, Dorhaji, Nhililiah, Heung-Taryeong, & Poongnyonga; 9. Kayagum Solo: Sanjo
Program included with reel.
Karl Heinz-Nehring, accompaniment
Poems & Songs by Bertolt Brecht: Questions, Laments, Answers
Program included with reel.
Karl Heinz-Nehring, accompaniment
cont. from v.1
Levulose (1985) - Carla Scarletti; Four Songs on texts by Bertolt Brecht: Nann's Lied (Kurt Weill, 1939), Lied eines Freudenmadchens (Hanns Eisler), Das Lied vom Weid des Nazi soldanten (Hanns Eisler), Und was bekam des Soldaten Weib? (Kurt Weill); Vergissmeinicht (1983) - Susan Forrest Harding; The tomb of her people (Part 5 of "Giacomo Joyce, Page Six," 1985) - Celso Loureiro Chaves; Return (1983) - Susan Forrest Harding
Program included with reel.
cont. from v.1
Program included with reel.
Danny Heitler, keyboards
Watch What Happens; Watch What Happens (take 2); Hard Hearted Hannah; Hard Hearted Hannah (take 2); Body and Soul; Just the Way You Are; Just the Way You Are (take 2); One Note Samba; One Note Samba (take 2); After the Lovin'; Chicago; Misty; Bye Bye Blackbird; Watch Over Me; Watch What Happens; When Sunny Gets Blue; The Party's Over
Program included with reel.
Danny Heitler, keyboards
cont. from v.1
Program included with reel.
Jeanne Henderson, harp; Alice Spero Keene, harp; Timothy Lane, flute; Fred Lau, flute; Victoria Mushkatkol, celeste; Jenny Izenstark, narrator
Chansons de Bilitis (Twelve Poems by Pierre Louys): I. Chant Pastoral, II. Les Comparaisons, III. Les Contes, IV. Chanson, V. La Partie d'osselets, VI. Bilitis, VII. Le Tombeau Sans Nom, VIII. Les Courtisanes egyptiennes, IX. L'Eau pure du bassin, X. La Danseuse aux crotales, XI. Le Souvenir de Mnasidica, XII. La Pluie au matin - Claude Debussy; Sicilienne - Gabriel Faure; Sonata: Pastorale, Interlude, Final - Claude Debussy
Program included with reel.
Jeanne Henderson, harp; Alice Spero Keene, harp; The 1986 University of Illinois Summer Harp Workshop Ensemble
Bourree (from Sixth French Suite); Sicilienne - Johann Sebastian Bach; Polka in C - Jacques Press; La Joyeuse - Jean Philippe Rameau; Jota - Enrique Granados; Behind the Barracks; Song in the Night; Tango; Rumba - Carlos Salzedo; Amazing Grace - early American melody; The Boundless Expanse of the Sea - Russian folk song; The Little Huntsman - French folk song; Dancing Lambs - Marcel Grandjany; The River Moldau - Bedrich Smetana; Waltz - Wolfgang Amadeus Mozart; Ragtime Rondo - P. McLennan; Triptic Dance - folk song
Program included with reel.
Salvatore Martirano, producer
Sonoriferous Loops - Herbert Brun; Bohater - George Arasimowicz; Khal Perr - Iannis Xenakis; Algorithms III - Lejaren Hiller
Program included with reel.
Salvatore Martirano, producer
cont. from v.1
Program included with reel.
William Brooks, producer
B'rey sheet; In the beginning; Cantillation Study #1 - Larry Polansky; Aquaformes - JoAnn Kuchera-Morin; Roundelay - Charles Dodge; Shadows - Richard Boulanger; Jardin Secret II - Kaija Saariaho; Cuniculi - Sever Tipei; Brontosaurus - Curtis Bahn; Pour la paix - Iannis Xenakis
William Brooks, producer
cont. from v.1
Program included with reel.
William Brooks, producer
cont. from v.2
Program included with reel.
William Brooks, producer
cont. from v.3
Program included with reel.
Zack Browning, producer
Mycenes - Iannis Xenakis; Segmente 85-91 - Gottfried Michael Koenig; Sphaera - William Albright; Images - Adolpho Nunez; Circulation (1987): Water, Air, Fire - Scott Wyatt (composer), Bryan Sletten, Adrienne Spindler, and Craig Upson (computer animators)
Program included with reel.
Zack Browning, producer
cont. from v.1
Program included with reel.
Jeff Smith, percussion; Mark Enslin, bassoon
Chiaroscuro - Francis White; Set - Horacio Vaggione
No program; recording notes included with reel.
Claudia Watson, violin; Trina Carey, cello
Quartet - Dexter Morrill
No program; recording notes included with reel.
Montage: Theme and Variations - Larry Austin; Dulcimer Dream - Phil Winsor
No program; recording notes included with reel.
Paul Zonn, producer
Marie Sets - Brian Evans; A Circle in the Fire - Amnon Wolman; Concerto for Clarinet and Tape - Jack Melby
Program included with reel.
Paul Zonn, producer
Jalons - Iannis Xenakis; Hypatia - Pierre Barbaud, Frank Brown, Genevieve Klein; Topology of time - Paul Martin Zonn, Donna Cox
Program included with reel.
Ben Allaway, conductor
Osterhallelujah - Jachet van Berchem; Ave verum - William Byrd; Crucifixus - Antonio Vivaldi; Allelujah - J.S. Bach; Shall I, Mother, Shall I - Paul Brandvik; Hosanna - Martin Mailman; A Morning Prayer - Ben Allaway; Alleluia - Jean Berger; Praise to the Lord - arr. F.M. Christiansen; Schicksalslied - Johannes Brahms; Simple Gifts - Marie Pooler; Ain't Got Time To Die - Hall Johnson; O Day Full of Grace - Weyse-F.M. Christiansen; Beautiful Savior - arr. F.M. Christiansen
Program included with reel.
Ben Allaway, conductor
cont. from v.1
Program included with reel.
Ben Allaway, conductor
cont. from v.1
Program included with reel.
Mark Moore, tuba
Concerto: Allegro moderato, Adagio, Allegro - Benedetto Marcello; Midnight Realities - Morgan Powell; Concertino for Tuba: Moderato deciso, Andante lirico, Allegro comodo - Rolf Wilhelm; Ich atmet' einen linden Duft, Blicke mir nicht in die Lieder, Ich bin der Welt abhanden gekommen - Gustav Mahler; Sonata for Tuba and Piano: Vivace e con brio, Vivace assai, Ballad-Mesto, Ben ritmato - Thom Ritter George
Program included with reel.
James Kraft; David Zola
Reading of an unidentified 1 hour story
James Kraft; David Zola
Reading of an unidentified 1 hour story
James Kraft; David Zola
Reading of an unidentified 1 hour story
Ashish Khan, sarod; Zakir Hussain, tabla
Program included with reel.
Mitch Paliga
Good Bait; Adam's Apple; Impressions; Darn That Dream; Well you Needn't; Vocal Tune; Miss Jones; Nothing Personal
Mitch Paliga
cont. from v.1
Thomas Pandolfi, piano
Elegie in E flat Minor, Op. 3, No. 1 - Sergei Rachmaninoff; Prelude in C sharp Minor, Op. 3, No. 2 - Sergei Rachmaninoff; Mouvements Perpetuels - Francis Poulenc; Grande Valse Brillante ("Pipperment-Get") - Deodat de Severac; Nocturne in E flat Major, Op. 55, No. 2 - Frederic Chopin; Two Mazurkas: Op. 17, No. 2 in E Minor, Op. 33, No. 4 in B Minor - Frederic Chopin; Polonaise in A flat Major, Op. 53 - Frederic Chopin; Sonata in F Major: Allegro Moderato, Larghetto, Finale: Presto - Joseph Haydn; Romance in F sharp Major, Op. 28, No. 2 - Robert Schumann; Aufschwung, Op. 12, No. 2 - Robert Schumann; Hungarian Rhapsody No. 6 - Franz Liszt; Encore 1: I Got Rhythm Variations; Encore 2
Program included with reel.
Sanders, Farmer, Coggins
Rhapsody for Clarinet, Violin, and Piano (1962, dress researsal) - Michael Colgrass
University Wind Ensemble, Robert Gray, conductor
Nonet for Brass, Op. 49 (1951) - Wallingford Riegger; Gnomes for Two-Channel Tape Recorder - Burt Levy; Sonata for Flute, Oboe, Cello, and Harpsichord - Elliott Carter
Program included with reel.
Signals - Eliot Schwartz; The Pineapple Story (1969) - Jon Bauman
Program included with reel.
The Organic Structure - Cecil Bridgewater, John Monaghan, Maurice McKinley, Donald Smith
Program included with reel.
CONTINUUM - Yehuda Yannay
Program included with reel.
Le Spiel (1969) - Joseph Sekon
Program included with reel.
Inelucable Modality, Edwin London, conductor; Chamber Choir, James Smith, conductor; American Music Group, Neely Bruce, conductor
Fanfare and Choral - Al Armstrong; Communion Hymn Cluster - Thomas Albert; Mladi - Leos Janacek
Program included with reel.
University of Illinois Contemporary Chamber Players
Piano Concerto - Robert Erickson
The Visitation: Prologue, Act I: A Warning, The Neighbor, A Summoning - Gunther Schuller
Program included with reel.
The Visitation: Act I: An Interrogation, Act II: The Courthouse, An Encounter - Gunther Schuller
Program included with reel.
The Visitation: Act II: The Whipper, A Dream, The Uncle, The Lawyer - Gunther Schuller
Program included with reel.
The Visitation: Act III: The Nightclub Manager, The Deacon, The Sacrifice, Epilogue - Gunther Schuller
Program included with reel.
African High Life Band; Russian Tzigane Group; Persian Orchestra; Russian Folk Orchestra; Scottish Dancing and Piping
Program included with reel.
Suite of Uncomplicated Pieces - Grigori Frid; The Butterfly; Choral Selections; Chamber Symphony: Sonata, Unison, Choral music, Intermezzo, Marching tunes, Serenade (1967) - Boris Chaikovsky; Concerto in C - Antonio Vivaldi
Program included with reel.
Youngsan Hoesang (Court Chamber Music): T'aryong and Kunak; Kagok (Classical Lyric Song): P'yonsutaeyop; Kayagum Solo (Virtuouso Solo Music): Sanjo; Toduri (Court Orchestral Music): Suyonjangjigok and Songguyojigok; Tanso Solo: Ch'ongsonggok; Minyo (Folk Music): Arhirhang, Kkokdukaksi, Pomt'aryong, and Yawolsamkyong; Solo Folk Dance: Salp'uri; Kayagum Pyongch'ang (Song with Kayagum): Sarangga; New Music (Kayagum Solo): Ch'imhyangmu; Korean Band (with audience sing-along): Arhirhang and Torhaji March
Program included with reel.
Toduri (Court Orchestral Music): Suyonjangjigok and Songguyojigok; Kagok (Classical Lyric Song): Urak; Tanso Solo: Ch'ongsonggok; Court Dance: Nightingale Dance; Youngsan Hoesang (Court Chamber Music): Seryongsan; Kayagum Solo (Virtuoso Solo Music): Sanjo; Solo Folk Dance: Salp'uri; Minyo (Folk Music): Arirang, Milyang Arirang, Pom T'aryong, and T'ongyong Kae T'aryong; Group Folk Dance (Picking Herbs on a Hill): Pom T'aryong; Korean Band: Arirang, Toraji, and Ch'ongch'on
Program included with reel.
Foreword - Stuart Smith; Pinetop; By Language Embellished: I: Prologue, Movement I, Movement II, Movement III, Movement IV, Epilogue; Flight; In Bingham; Aussie Blue; Return and Recall - Stuart Smith; Afterward - Stuart Smith
Program included with reel.
William Heiles, piano
Cadenza for solo viola (1984) - Krzysztof Penderecki; Sonata in F Minor, Op. 120, No. 1: Allegro appassionato, Andante un poco adagio, Allegretto grazioso, Vivace (1894) - Johannes Brahms; Suite for Viola and Piano: Lento-Allegro, Allegro ironico, Lento, Molto vivo (1919) - Ernest Bloch
Program included with reel.
William Heiles, piano
cont. from v.1
Tossy Spivakovsky, violin; Benjamin Woodruff, conductor; President David Dodds Henry
Dedication Concert: Fanfare from Symphony No. 3 - Aaron Copland; Overture, The Consecration of the House, Op. 124 (1822) - Ludwig van Beethoven; Transicios I (1965) - Manuel Enriquez; Concerto No. 2 for Violin and Orchestra: Allegro non troppo, Andante tranquillo, Allegro molto (1938) - Bela Bartok
Program included with reel.
Adagio for Orchestra (1961) - Gordon Binkerd; As Quiet As: A Leaf Turning Colors, An Uninhabited Creek, An Ant Walking, Children Sleeping, Time Passing, A Soft Rainfall, The First Star Coming Out - Michael Colgrass; Das Lied von der Erde: Das Trinklied vom Jammer der Erde, Der Einsame im Herbst, Von der Jugend, Von der Schonheit, Der Trunkene im Fruhling, Der Abschied - Gustav Mahler
Program included with reel.
The University of Illinois Black Chorus
Suite: In the Bottoms: Prelude: Night, His Song, Honey, Barcarolle, Juba - R. Nathaniel Dett; Three Pieces for Piano: Con brio, Adagio, Con bravura - Frederick Tillis; Choral Triptych: Give Ear to My Words, O Lord, How Long Wilt Thou Forget Me, O Lord, Alleluia - Ulyssses Kay; Spatials - George Walker; Evocation - Hale Smith; Spatials - George Walker; Grand Tarentelle for Piano and Orchestra - Louis Gottschalk
Program Included with reel.
Max Roach, drums; Stan Cowell, piano; Cecil Bridgewater, trumpet; Cecil McBee, bass; Billy Harper, saxophone; Dee Dee Bridgewater, vocals; University of Illinois Black Chorus, Robert Ray, director
"Selections to be announced" - Max Roach and Ensemble; Freedom Now Suite - Max Roach and Oscar Brown
Program included with reel.
Max Roach, drums; Stan Cowell, piano; Cecil Bridgewater, trumpet; Cecil McBee, bass; Billy Harper, saxophone; Dee Dee Bridgewater, vocals; University of Illinois Black Chorus, Robert Ray, director
cont. from v.1
Program included with reel.
The Walden Quartet of the University of Illinois
Welcome - Alan K. Laing; For the Urbana Campus - Chancellor Jack W. Peltason; For the University Community - President David Dodds Henry; Quartett Satz, Op. Posthumous - Franz Schubert; Quartet in F Major - Maurice Ravel; For the College - Harold A. Schultz
Program included with reel.
Mark Sullivan, conductor; Herbert Brun, conductor
Dustiny (1978) - Herbert Brun; Backbite (1976) - Mark Enslin; Sing of Songs (1982) - Ja'acov Ziso; two face frictions (1982) - Mark Sullivan; Openings (1982) - William Susman; Vier Lieder (1908-09) - Alban Berg; ENSEMBLE TAMPER (1981) - Patrick Daugherty
Program included with reel.
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