Harry Partch Estate Archive

Overview

Scope and Contents

Biographical Note

Subject Terms

Administrative Information

Detailed Description

Writings

Personal Papers

Music Score Manuscripts

Films, Tapes, Photographs



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Finding Aid for Harry Partch Estate Archive, 1918-1991 | The Sousa Archives and Center for American Music

By Tom McGeary, Noah Lenstra, Elizabeth Surles and Scott Schwartz

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Collection Overview

Title: Harry Partch Estate Archive, 1918-1991View associated digital content.

ID: 12/5/45

Primary Creator: Partch, Harry (1901-1974)

Extent: 6.5 cubic feet

Arrangement:

Organized into four series:

Series 1) Writings, 1937-1972. Series 1 is organized into two sub-series: sub-series 1) Writings on Musical Composition and sub-series 2) Lecture Texts, Essays, Drafts, Illustrations, and Statements.

Series 2) Personal Papers, 1930-2001. Series 2 is organized into three sub-series: sub-series 1) Correspondence, sub-series 2) Personal and Financial Records, and sub-series 3) Scrapbooks.

Series 3) Music Score Manuscripts, 1930-1972.

and Series 4) Films, Tapes, and Photographs, ca. 1948-1974. Series 4 is arranged into three sub-series: sub-series 1) 16-mm Films, sub-series 2) Photographs, and sub-series 3) 1/4" Reel to Reel Tapes.

Each series, except for 3, is arranged alphabetically by folder title.

Date Acquired: 04/01/2008. More info below under Accruals.

Subjects: Broadcast Music, Inc. (BMI), Cage, John (1912-1992), Composers, Compositions-Music, Films, Fulbright Awards, Guggenheim Foundation, Instrumental music, Interviews, Manuscripts, Music, School of, Music Composition, Rockefeller Foundation, University of Illinois

Formats/Genres: Audio-Visual Material, Correspondence, Experimental Music, Librettos, Papers, Photographs, Scrapbooks, Sheet music

Languages: English

Scope and Contents of the Materials

Consists of Harry Partch's personal papers, musical scores, films, tapes and photographs documenting his career as a composer, writer, and producer. Of special note are the scrapbooks in series 2 that contain newspaper and magazine articles about Partch and his music. Of note are Partch's original manuscripts, featuring his microtonal music system, including: The Bewitched, The Delusion of the Fury, Oedipus, Revelation in the Courthouse Park, US Highball, and Water! Water!. Also included is correspondence between Partch and Lou Harrison, Benjamin Johnston, John Cage, John Garvey, and Nicholas Slonimsky.

Biographical Note

Born in Oakland, CA in 1901, Harry Partch was an American composer, theorist, instrument designer and performer. He is best known for the work he did with just temperment: developing a 43 tone octave scale, writing pieces to showcase it, and building instruments upon which it could be played. His musical knowledge was largely self-taught and his interest in intonation emerged out of microtonal experimentation conducted on string instruments. Many of his thoughts on the matter are outlined in his 1947 treatise, Genesis of a Music.

By the early 1950s, he had established the Gate 5 Ensemble and record label and begun a musical partnership with fellow composer Ben Johnston that would take him to the University of Illinois in 1956, where Johnston was then teaching. While at Illinois, Partch premiered his large stage work, The Bewitched, as part of the Festival of Contemporary Arts and also composed and had performed the stage works Revelation in the Courthouse Park and Water! Water! He returned to California in 1962 where he completed his last project, the text and music for a film, The Dreamer that Remains before his death in 1974.

Subject/Index Terms

Broadcast Music, Inc. (BMI)
Cage, John (1912-1992)
Composers
Compositions-Music
Films
Fulbright Awards
Guggenheim Foundation
Instrumental music
Interviews
Manuscripts
Music, School of
Music Composition
Rockefeller Foundation
University of Illinois

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: First donation came in December 29, 1992 directly from Danlee Mitchell. Second accrual in April 2008 came from Mitchell as well.

Use Restrictions: All usage permissions for materials from the Partch Estate archives that fall outside of U.S. fair use statutes must be approved in writing by Danlee Mitchell, executor of the Partch Estate. (August 4, 2017)

Acquisition Source: Danlee Mitchell, Harry Partch Foundation, San Diego

Acquisition Method: Donation

Related Materials:

Jean Cutler Theatrical Films, Audio Recordings and Papers, Sousa Archives and Center for American Music

Kenneth Gaburo Papers, University of Illinois Archives

2005 Harry Partch Guide to the Collection, Music and Performing Arts Library. This collection finding aid's content has been updated and included in the Harry Partch Archive and Music Library Harry Partch Collection.

Photographic Subject File 39/2/20, Col 3-5.

See also record series 35/3/68 Music and Performing Arts Library Harry Partch Collection.

Other Note: Whenever possible an identification of the format of the music for each title (i.e., full score, condensed score, piano score, and parts) has been noted with the following corresponding abbreviations: FS, CS, PS, P.


Box and Folder Listing


Browse by Series:

[Series 1: Writings],
[Series 2: Personal Papers],
[Series 3: Music Score Manuscripts],
[Series 4: Films, Tapes, Photographs],
[All]

Series 4: Films, Tapes, Photographs
Sub-Series 1: 16-mm films
Box 17
Reel 1: Rotate the Body, undated
Reel labeled: # 4501, Creative Films, Rotate the Body, Ans Print, 7" reel
Reel 2: Music Studio, Harry Partch, undated
Reel labeled: Music Studio - Harry Partch, print no. 8, Creative Films, eighth print, 10 1/2" reel
Reel 3: Windsong, undated
Reel labeled: Windsong, For Harry, With love, Madeline, Madeline Tourtelot print 1, 10 1/2" reel
Reel 4: U.S. Highball, undatedView associated digital content.
Reel labeled: U.S. Highball, Creative Films, 2719 Sheridan Road, Evanston, Illinois, print #1, 12" reel; Note by Tom McGeary: first copy of Madeline Tourtelot original
Reel 5: The Music of Harry Partch, September 1974
Reel labeled: KPBS Television 15, FM Radio 89.5, Sand Diego, Electroprint optical track, new print, 12" reel. Note by Danlee Mitchell: "This film was copied from a mag stripe original and is slightly fast. The voices sound high; if machine is adjustable, slow down to make voices lower and more natural."
Sub-Series 2: Photographs
These folders contain groups of photographs, slides, or negatives, grouped by production, place, or photographer.
Box 9: Photographs
Folder 22: "Delusion of the Fury", 1969View associated digital content.
Photographs of UCLA production
Folder 23: "Dreamer that Remains", 1972
Photographs taken at time of filming "Dreamer that Remains"
Folder 24: Gualala, CA, ca. 1948-1951View associated digital content.
Folder 25: Instruments (I), ca. 1966-1973View associated digital content.
35-mm slides taken by Danlee Mitchell, San Diego, studio
Folder 26: Instruments (II), 1969
B&W negatives, July-October 1969
Folder 27: Photographs, undatedView associated digital content.
Unsorted photos, B&W, color, some identified
Folder 28: "Water! Water!", 1962
Photographs of University of Illinois production
Folder 29: WTTW-TV (Chicago), 1957
Photographs during taping of TV program
Sub-Series 3: 1/4 inch reel-to-reel tapes
Box 19
Reel 1: Peter Yates lecture, undated
Labeled: Peter Yates KPFK Lecture, no. 1, 7" reel, 2 of 2
Reel 2: UCLA lecture, May 1966
Lecture recital by Partch at UCLA, reel labeled: (1) demonstration of instruments, (2) lecture, 7 1/2 "
Reel 3: Partch lecture on Bewitched, March 1957
Lecture by Partch about The Bewitched, 7" reel (Danlee Mitchell's copy)
Reel 4: Partch Hawaii Lecture, July 1971
Lecture by Partch at the University of Hawaii, July 9, 1971, 1 of 2
Reel 5: University of Hawaii lecture, 1971
Lecture by Partch at the University of Hawaii, July 9 (two 7-inch reels)
Reel 6: Harry Partch Talks, undated
Three lectures, 7" reel (Danlee Mitchell's copy): "Plectra and Percussion Dances," KPFA; "Oedipus," KPFA; Bewitched, WNYC
Reel 7: "Revelation" rehearsal, 1960
Reel labeled: Partch, first rehearsal of "Revelation," 7" reel, Note by Tom McGeary: tape of first rehearsal at the University of Illinois, conducted by John Garvey
Reel 8: Partch Memorial meeting, September 1977
Harry Partch Memorial meeting, at Lou Harrison's mother's home, Redwood City. Those present include Betty Freeman, Danlee Mitchell, Jack Larson, Steve Pouliot, 7" reel
Reel 9: Paul Simons sings Bewitched, May 1979
Paul Simons singing Witch parts from Bewitched, May 27, 1979, 5" reel
Box 10
Reel 1: The Letter, film track, 1972
Adaptation of "The Letter" for "Dreamer that Remains," film, summer 1972, 7" reel (Danlee Mitchell's copy)
Reel 2: Peter Yates interview, June 1960
Harry Partch interviewed by Peter Yates, June 9, 1960, 7" reel
Reel 3: Gene Paul interview, 1970
Harry Partch instrument interview with Gene Paul, Encinitas, CA, May 30, 1970, 7" reel, duplicate copy (with enclosed content notes by Philip Blackburn)
Reel 4: Peter Yates lecture, undated
Lecture by Peter Yates, The American Experimental Tradition, (KPFK radio talk?) 7" reel, 1 of 2

Browse by Series:

[Series 1: Writings],
[Series 2: Personal Papers],
[Series 3: Music Score Manuscripts],
[Series 4: Films, Tapes, Photographs],
[All]

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