Amos Paul Kennedy Jr. collection, circa 1992-2026 | Rare Book & Manuscript Library, University of Illinois at Urbana-Champaign

Title: Amos Paul Kennedy Jr. collection, circa 1992-2026

ID: 01/MSS00100

Primary Creator: Kennedy, Amos Paul, Jr.

Extent: 20.0 Cubic Feet

Arrangement:

The Amos Paul Kennedy Jr. collection consists of 15 series arranged by chronologically by year of accession. Series X combines unidentified pre-2011 accessions.

The collection is described at the item level. The contents of each print are transcribed in quotations, following the capitalization and wording of the prints as closely as possible.

Information contained in parentheses within the quotation marks is found at the top or bottom of the print. Often this information refers to the source of the quotation on the print or an organization involved with the event promoted on the print.

Text on the background of the prints is included in brackets within quotations. Any information in brackets outside of the quotations indicates design related characteristics of the given print to distinguish it from other prints with identical text.

Date Acquired: 00/00/1997

Subjects: Artists' Books - United States, Kuba (African people), Smoking -- Folklore, Tales -- Congo (Democratic Republic), Tales -- Nigeria, Yoruba (African people) -- Folklore

Forms of Material: African Americans - Music, American poetry, Christmas music, Miniature Books, Postcards, Proverbs, African, Spirituals (Songs)

Languages: English

This collection consists of letterpress art printed at Kennedy Prints!, Jubilee Press (also Jubalee), or elsewhere by Amos Paul Kennedy Jr. (1948-), an American letterpress printer, papermaker, educator, and social activist. Formats include postcards, posters, state road maps, and hand fans. There is also some additional promotional material for events with which Kennedy was involved. Some items for this collection are individually cataloged and searchable in Primo at the link below. Many are also digitized and available to view online as part of our Digital Collections.

See Administrative/Biographical History and Administrative Information for more information.

Amos Paul Kennedy Jr. was born in Lafayette, Louisiana, in 1948. His father, Amos Paul Kennedy Sr., was a professor of agriculture and chemistry who taught at numerous historically black colleges and universities (HBCU) throughout his professional career. In 1972, Kennedy Jr. earned a BA in mathematics at Grambling University, and went on to pursue an MA in education.

Kennedy spent time in the Peace Corps during graduate school, which gave him the opportunity to teach mathematics in Liberia for 18 months. After contracting and recovering from malaria, he returned to the United States and settled in Gaithersburg, Maryland, taking a position with IBM as a systems programmer. He worked there for three years before moving to Cleveland, Ohio, where he worked for various computer firms and revived his interest in graduate school—this time for library science.

In 1981, Kennedy moved to Chicago, however, which once again put his formal academic plans on hold. While working for AT&T, he studied calligraphy as a hobby and took letterpress courses at Artist's Book Works, a small non-profit papermaking studio that opened in 1983. His initial interest in the printmaking process was peaked during a trip to Colonial Williamsburg, where he saw the town’s 18th century print shop and book bindery. After six months of coursework, Kennedy came into his own press and, being gifted four cabinets of type by a seasoned printer, quickly transformed his basement into a print shop. This private press was called Idiot Press, its name changing to Kennedy and Sons Fine Printing once he shifted his focus to commercial printing, and later to Jubilee Press (also Jubalee).

In 1995, Kennedy began graduate school at the University of Wisconsin, Madison and studied graphic design under Walter Hamady (1940-2019), also taking courses on the history of African art and Vodún. At this time, he moved to Bayside, a suburb of Milwaukee, and worked out of a studio there. He graduated with an MFA in 1997, and in 1998, became the first Black faculty member in the School of Fine Arts at Indiana University.

While living in York, Alabama, in 2002, Kennedy shifted his interest from books to posters and cards. He spent much of the next decade honing his craft in a series of small Alabama towns while traveling to teach, speak, and sell his work. In 2008, he moved to Detroit, Michigan where he established his print shop, Kennedy Prints!.

Using wood type and hand presses, Kennedy produces large editions of wildly colorful, typographically driven posters on inexpensive chipboard stock. His method often involves overprinting multiple layers of text and making constant, subtle alterations to the color of the inks throughout each press run, making each print being subtly unique. He passionately addresses issues of race, freedom, and equality in his work, often incorporating proverbs and tales of the Kuba and Yoruba people of Africa, as well as the work of Black American poets, such as Paul Laurence Dunbar (1872-1906). Kennedy has printed under a number of press names, including York Show Prints, Kennedy & Sons, Fine Printers, and Kennedy Prints!

As more and more artists seek to steer away from computer-generated art, Kennedy is often credited with the revival of the letterpress in contemporary and folk art.

Artists' Books - United States
Kuba (African people)
Smoking -- Folklore
Tales -- Congo (Democratic Republic)
Tales -- Nigeria
Yoruba (African people) -- Folklore

Repository: Rare Book & Manuscript Library, University of Illinois at Urbana-Champaign

Access Restrictions: Open to researchers.

Use Restrictions:

The RBML reproductions policies can be found here:

http://www.library.illinois.edu/rbx/ReproductionServices.htm

The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials.

Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study scholarship or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement.

This institution reserves the right to refuse to accept a copying order if, in its judgement, fulfillment of the order would damage materials or involve violation of copyright law.

Related Materials:

Amos Kennedy Digital Collection

Interview with Amos Kennedy (University of Wisconsin, Madison Library)

Amos Kennedy print collection (Library of Congress)

Processing Information: https://wiki.cites.uiuc.edu/wiki/display/librare/Home

Finding Aid Revision History: Revised 03/05/2026.

URL: https://go.library.illinois.edu/AmosPaulKennedyJrCatalog

Box and Folder Listing

Series 7: 2019 Accession

Sub-series 1: Small prints

Box 6

Folder 8: “2+2=4”, 2016

Folder 9: “AC’s Selma Sampler Tour 2016: a little taste of this 12 layer cake I call home”, 2016

Folder 10: “AMERICAN NEGRO LABOR CONGRESS”, 2016

Folder 11: “Being a studio artist is not just for rich kids. (Mark Shapiro)”, 2016

Folder 12: “CRAFT has a language from the neck down. Similar to dance. (Jean Folder McLaughlin)”, 2016

Folder 13: “CRAFT. Handmade by Humans”, 2016

Folder 14: “Debra Riffe: The High Priestess of LINOCUTS”, 2016

Folder 15

Item 1: “end SLAVERY in theseunitedstatesofamerica” [Aunt Jemima], 2016

Item 2: “end SLAVERY in theseunitedstatesofamerica” [black font, drummer], 2016

Item 3: “end SLAVERY in theseunitedstatesofamerica” [black font, drummer], 2016

Item 4: “end SLAVERY in theseunitedstatesofamerica” [red font, drummer], 2016

Item 5: “end SLAVERY in theseunitedstatesofamerica” [red font, figure in star], 2016

Item 6: “end SLAVERY in theseunitedstatesofamerica” [red font, figure with mouth open], 2016

Folder 16

Item 1: “End Slavery in theseunitedstatesofamerica” [blue background with star], 2016

Item 2: “End Slavery in theseunitedstatesofamerica” [inverted flags], 2016

Folder 17

Item 1: “END SLAVERY NOW”, 2016

Item 2: “END SLAVERY NOW”, 2016

Folder 18: “I don’t wait for institutions at all, and I never define success by institutions. (Nicholas Galanin)”, 2016

Folder 19

Item 1: “If you can go alone, you can go fast. If you go together, you can go far! (A proverb from Africa shared by SONYA CLARK)” [light background], 2016

Item 2: “If you can go alone, you can go fast. If you go together, you can go far! (A proverb from Africa shared by SONYA CLARK)” [dark background], 2016

Folder 20: “NOBODY’S FREE UNTIL EVERYBODY’S FREE. (Fannie Lou Hamer)”, 2016

Folder 21: “Once you learn to READ, you will be forever FREE. (Frederick Douglass)”, 2016

“Office for Intellectual Freedom: American Library Association” on back.

Folder 22: “Save the date: Douglas McLeod, Jamilia Harnois”, 2016

Folder 23: “The artist must elect to fight for FREEDOM or for slavery. I have made my choice. I had no alternative. (Paul Robeson)”, 2016

Folder 24: “The Bricks of Ybor presents an exhibition of one thousand post cards by Kennedy Prints”, 2016

Folder 25: “The path of least resistance leads to a very cRoWdEd place. (Jessica Hische), American Craft Council”, 2016

Folder 26: “There is one thing you have got to learn about our movement. Three people are better than no people. (Fannie Lou Hamer)”, 2016

Folder 27: “We ask for nothing that is not RIGHT, and herein lies the great power of our DEMAND. (Paul Robeson)”, 2016

Folder 28: “We demand the very best from our clients”, 2016

Political cartoon and National Recovery Administration stamp on back.

Folder 29: “I am as SCONNIE as A BOWL of BooyaH”, 2016

Folder 30: “I am as SCONNIE AS A BRANDY OLD FASHIONED”, 2016

Folder 31: “I am as SCONNIE as A DONTCHA KNOW”, 2016

Folder 32: “I am as SCONNIE AS A DOUBLE BRAT”, 2016

Folder 33: “I am as SCONNIE AS A FRIDAY NIGHT FISH FRY”, 2016

Folder 34: “I am as SCONNIE as A OhYahhey”, 2016

Folder 35: “I am as SCONNIE AS AN uff da”, 2016

Folder 36: “I am as SCONNIE as AS A POLITE HELLO”, 2016

Folder 37

Item 1: “I am as SCONNIE as FRESH CHEESE CURDS,” [pink and green], 2016

Item 2: “I am as SCONNIE as FRESH CHEESE CURDS,” [pink], 2016

Folder 38: “I am as SOUTHERN as BISCuiTS”, 2016

Folder 39: “I am as SOUTHERN as BLACK-EYED PEAS”, 2016

Folder 40: “I am as SOUTHERN as BOILED Peanuts”, 2016

Folder 41: “I am as SOUTHERN as COLLARD GREENS”, 2016

Folder 42: “I am as SOUTHERN as CORNBREAD”, 2016

Folder 43: “I am as SOUTHERN as DOLLY PARTON”, 2016

Folder 44: “I am as SOUTHERN as fried CATFISH”, 2016

Folder 45: “I am as SOUTHERN as GRITS”, 2016

Folder 46: “I am as SOUTHERN as MEAT AND tHRee, 2016

Folder 47: “I am as SOUTHERN as MINT JuLePs”, 2016

Folder 48: “I am as SOUTHERN as Okra”, 2016

Folder 49: “I am as SOUTHERN as PECANS”, 2016

Folder 50: “I am as SOUTHERN as PEPPER JELLY”, 2016

Folder 51: “I am as SOUTHERN as PIMENTO CheeSe”, 2016

Folder 52: “I am as SOUTHERN as PURPLE HULL PEAS”, 2016

Folder 53: “I am as SOUTHERN as SWEET TEA”, 2016

Folder 54: “I am as SOUTHERN as THE BLUES”, 2016

Folder 55: “I am as SOUTHERN as WHITE BREAD”, 2016

Folder 56: “I AM nEGRO! I am beaten”, 2016

Folder 57: “I AM NEGRO! I am bi”, 2016

Folder 58: “I AM nEGRO! I am Brother”, 2016

Folder 59: “I AM nEGRO! I am enslaved”, 2016

Folder 60: “I AM nEGRO! I am ETERNITY!”, 2016

Folder 61: “I AM nEGRO! I am Father”, 2016

Folder 62: “I AM nEGRO! I am feared”, 2016

Folder 63: “I AM nEGRO! I am frisked”, 2016

Folder 64: “I AM NEGRO! I am gay”, 2016

Folder 65: “I AM nEGRO! I am hated”, 2016

Folder 66: “I AM nEGRO! I am human”, 2016

Folder 67: “I AM nEGRO! I am imprisoned”, 2016

Folder 68: “I AM nEGRO! I am loved, 2016

Folder 69: “I AM nEGRO! I am lynched”, 2016

Folder 70: “I AM nEGRO! I am Mother”, 2016

Folder 71: “I AM NEGRO! I am [N-word]!”, 2016

Folder 72: “I AM NEGRO! I am queer”, 2016

Folder 73: “I AM nEGRO! I am shot”, 2016

Folder 74: “I AM nEGRO! I am Sister”, 2016

Folder 75: “I AM nEGRO! I am stopped”, 2016

Folder 76: “I AM NEGRO! I am trans”, 2016

Folder 77: “I AM NEGRO! I AM!”, 2016

Box 7

Folder 1: “ARTS ALIVE!”, 2017

Folder 2: “A BOOK is the most effective weapon against intolerance and ignorance. (Lyndon Baines Johnson)”, 2018

Folder 3: “A nation may lose its liberties and be a century finding them. (John M. Langston), Lee Highway Alliance Winter Festival of Lights 2018”, 2018

Folder 4: “black votes count”, 2018

Folder 5: “COME CELEBRATE Tut’s 90”, 2018

Folder 6: “FIFTY CENT PIECE CERTIFICATE OF CERTIFICATION”, 2018

Folder 7: “FIGHT like you are the third monkey on the Ark. (Mama Mocha’s Coffee Emporium)”, 2018

Folder 8

Item 1: “Have a seat at the TABLE”, 2018

“What is fiz? Detroit has plans for our neighborhood. Let’s tell them what we want!” on back.

Item 2: “Have a seat at the TABLE: Join the conversation and enjoy a slice of pizza”, 2018

Folder 9: “I am a BOOK LOVER”, 2018

Folder 10: “Once you learn to read, you will be forever free. (Frederick Douglass)”, 2018

Folder 11: “READ MORE BOOKS”, 2018

Folder 12: “Start telling men to SMILE”, 2018

Folder 13: “The G.E.M.S. 1st Annual Community Festival & Fair”, 2018

Folder 14: “WARNING: Polluted air from the incinerator in Detroit causes DEATH”, 2018

Folder 15

Item 1: “BE HUMBLE (Canvas the Salon)”, 2018

Item 2: “BE THE EXPERT IN YOUR INDUSTRY. (Canvas the Salon)”, 2018

Item 3: “DANCE as if no one is watching. (Canvas the Salon)”, 2018

Item 4: “DONE is better than PERFECT. (Canvas the Salon)”, 2018

Item 5: “LOVE CONQUERS ALL (Canvas the Salon)”, 2018

Folder 16

Item 1: “Do unto others as you would have them do unto you. (Genesis Barbershop)”, 2018

Item 2: “DON’T do everything you are big enough to do. (Genesis Barbershop)”, 2018

Item 3: “IF SOMEONE GIVES YOU BAD BREAD, YOU GIVEN THEM GOOD BREAD. (Genesis Barbershop)”, 2018

Item 4: “You are old enough for your wants not to hurt you. (Genesis Barbershop)”, 2018

Item 5: “You’ve got to crawl before you walk. (Genesis Barbershop)”, 2018

Folder 17

Item 1: “ACT like you got some sense (HAYWOOD’S)”, 2018

Item 2: “I will see you when I see you. (HAYWOOD’s)”, 2018

Item 3: “IOU (HAYWOOD’S)”, 2018

Item 4: “LEARN FROM YOUR MOTHER (HAYWOOD’S)”, 2018

Item 5: “YOU WILL GET IT ONE DAY! (HAYWOOD’S)”, 2018

Folder 18

Item 1: “A smile goes a long way. (RAY’S Ultimate Hair Designs)”, 2018

Item 2: “Dedicate yourself to your craft and it will pay off. (RAY’S Ultimate Hair Designs)”, 2018

Item 3: “ENJOY YOUR SUCCESS! (RAY’S Ultimate Hair Designs)”, 2018

Item 4: “Keep a positive attitude always. (RAY’S Ultimate Hair Designs)”, 2018

Item 5: “TAKE TIME TO REFLECT ON LIFE AND GOALS. (RAY’S Ultimate Hair Designs)”, 2018

Folder 19

Item 1: “BE THE LIGHT YOU WANT TO SEE. (RONN BARBERSHOP)”, 2018

Item 2: “GOD IS LOVE (RONN BARBERSHOP)”, 2018

Item 3: “NO ONE IS BORN HATING ANOTHER PERSON. (RONN BARBERSHOP)”, 2018

Item 4: “To thine ownself BE TRUE! (RONN BARBERSHOP)”, 2018

Item 5: “You have to risk it to get that biscuit. (RONN BARBERSHOP)”, 2018

Folder 20

Item 1: “Don’t talk about it. BE about it. (TRENT’S Beauty and Barbershop)”, 2018

Item 2: “I’m just a part of a collective working for the greater whole! (TRENT’S Beauty and Barbershop)”, 2018

Item 3: “If I call you a friend, it means we’re family. (TRENT’S Beauty and Barbershop)”, 2018

Item 4: “It’s not a community of one. You can’t live in this world alone! (TRENT’S Beauty and Barbershop)”, 2018

Item 5: “WORD is BOND and BOND is LIFE. (TRENT’S Beauty and Barbershop)”, 2018

Sub-series 2: Mid-size prints

Box 7

Folder 21

Item 1: Detroit Friends Potato Chips Co. Barbeque Bag, 2016

Item 2: Detroit Friends Potato Chips Co. Lemon Pepper Bag, 2016

Item 3: Detroit Friends Potato Chips Co. Onion & Celery Bag, 2016

Item 4: Detroit Friends Potato Chips Co. Sea Salt Bag, 2016

Folder 22: “Breathe Free Detroit Pizza Party…”, 2018

Folder 23: “Let uS ORgANize our VOICE…”, 2018

Folder 24: “NOthinG I AccePT About MYSELF CaN be USED TO Diminish ME. (Audre Lorde)”, 2018

“E. Oscar Maynard 2018” in bottom right corner.

Folder 25: “TIME OUT”, 2018

Sub-series 3: State road maps

Box 7

Folder 26: “OWN the MEANS of PRODUCTION” Kentucky Official Highway Map, 2016

Folder 27: “Sweet Home” Sweet Home Alabama Official Highway Map, 2016

Folder 28: “ALWAYS SPEAK UP (TYPOGRAPHY WAYNE STATE)” Wisconsin Official State Highway Map, 2018

Folder 29: “EAT WELL, DRINK WELL, THINK WELL at THE INKWELL BAKERY AND CAFÉ (BLOOMINGTON) Indiana Road Map, 2018

Folder 30: “IT’S A TWOFER (LOEB LOVE 18)” Ohio Road Map, 2018

Folder 31: “THE NATURE OF the FLOWER IS TO BLOOM, REBELLIOUS, LIVING, A SONG OF COLOR (Alice Walker)” Sweet Home Alabama Official Highway Map, 2018

Sub-series 4: Publications and promotional materials

Box 7

Folder 32: Mailer for Amos Paul Kennedy Jr.’s exhibition “SOUTHERN AS…” at Samford University Art Gallery, 2016

Folder 33: “Madison Mural Alley” handout, 2018

Folder 34: “Art Wave: New Jersey Book Arts Symposium and Exhibition” program, 2018, 2018

Includes Amos Paul Kennedy Jr. as a participating artist and presenter

Box 17

Folder 10: The Chronicle Herald newspaper, 2018

Includes “Book promotion a pressing matter: Master print maker shows students how it’s done” by Tim Arsenault.

Sub-series 5: Handheld fans

Box 16

Folder 3: “AC’s Selma Sampler Tour 2016, a little taste of this 12 layer cake I call home”, 2018

Folder 4: “Advancing racial equity and economic mobility for the next generation in the Great Lakes region (The Joyce Foundation)”, 2018

Folder 5: “DETROIT FRIENDS POTATO CHIPS”, 2018

Folder 6: “East Ferry-Warren Association Community Meeting… (Protect the COMMONS)” [color background], 2018

Folder 7: “East Ferry-Warren Association Community Meeting… (Protect the COMMONS)” [plain background], 2018

Folder 8: “GOODWELLS NATURAL FOODS MARKET: The home of THE FAMOUS POCKET SANDWICH”, 2018

Folder 9: “HOPE IS INVINCIBLE (Lionheart District Detroit)”, 2018

Folder 10: “IRON teaching ROCKS to how RUST M B A D (African Bead Museum)”, 2018

Folder 11: “PROCEED AND BE BOLD (The Joyce Foundation)”, 2018

Sub-series 6: Posters

Box 28

Folder 1: “4th ANNUAL INTERACTIVE MULTI CULTURAL LITERACY FESTIVAL (Black Educator’s Network)”, 2016

Folder 2: “A WOMAN’S WORK IS NEVER DONE", 2016

Folder 3: “ANTICIPATE THE GOOD SO THAT YOU MAY ENJOY IT. (A Proverb from Ethiopia)", 2016

Folder 4: “BLACK. WHITE. GRAY. (Citizens Project)", 2016

Folder 5: “CHILDREN’s LITERACY CENTER", 2016

Folder 6: “COFFEE MAKES YOU TRANS", 2016

Folder 7: “GO FUCK YOURSELF!”, 2016

Folder 8: “IF YOU OFFEND, ASK FOR PARDON; IF OFFENDED, FORGIVE. (A Proverb from Ethiopia)", 2016

Folder 9: “LAISSEZ LES BON TEMPS ROULES…", 2016

Folder 10: “LIVING IS WORTHLESS FOR ONE WITHOUT A HOME. (A Proverb from Ethiopia)", 2016

Folder 11: “LOVE TRANS LOVE", 2016

Folder 12: “Nirvana Massage Therapy: Relaxation, Pain Relief, Stress Reduction", 2016

Folder 13: “OKRA LOVERS VOTE! (Okra Festival)", 2016

Folder 14: “ONe MUST TALK LiTtLe, AND LISTEN MUCH. (A Proverb from Mauritania)", 2016

Folder 15: “SITTING IS BEING CRIPPLED. (A Proverb from Ethiopia)", 2016

Folder 16: “A DIRTY BOOK RARELY GETS DUSTY"

Folder 17: “A PROTEST SONG IS SO SPECIFIC THAT YOU CANNOT MISTAKE IT FOR BULLSHIT (Phil Ochs)", 2018

Folder 18: “A ROOM WItHOUT BOOKS IS LIKE A BODY without a SOUL. (Cicero)", 2018

Folder 19

Item 1: “AGAINST A SHARP WHITE BACKGROUND: Infrastructures of African American Print (Edited by Brigitte Fielder and Jonathan Senchyne)” [green background], 2018

Item 2: “AGAINST A SHARP WHITE BACKGROUND: Infrastructures of African American Print (Edited by Brigitte Fielder and Jonathan Senchyne)” [white background], 2018

Folder 20: “ALL ARTISTS ARE POLITICAL (Si Kahn)", 2018

Folder 21: “ART CHANGES LIVES! (Eastern Shore Art Center)", 2018

Folder 22: “art jam PLAY SELMA MUSIC HALL (Blackbelt Benefit Group)", 2018

Folder 23: “AS thE GaRDen GROWS, so does the GARDENER", 2018

Folder 24: “BLEEDING HEART BABY IN A RED STATE", 2018

Folder 25: “Can a CHANGE come on Dove’s feet? (Leonard Cohen)", 2018

Folder 26: “DANCE! FUCK WHO IS WATCHING", 2018

Folder 27: “DETROIT ARTIST CRAWL (United States Artists)", 2018

Folder 28: “FREE OPEN TO ALL (Institute for Contemporary Art, Virginia Commonwealth University)", 2018

Folder 29: “FUCK THIS SHIT", 2018

Folder 30: “GAY GUERRILLAS KNEW NO FEAR (Lavender Country)", 2018

Folder 31: “GET SMARTER EVERY DAY", 2018

Folder 32: “GOGGLE UP! SCIENCE IS ABOUT TO HAPPEN", 2018

Folder 33: “HOW CAN YOU KNOW JESUS WHEN YOU CAN’T WRITE A THANK YOU NOTE! (Tut Riddick)", 2018

Folder 34: “I’M TOO OLD FOR THIS SHIT", 2018

Folder 35: “IF YOU HAVE a GaRDen AND a LIBRARY YOU WILL WANT FOR NOTHING. (Cicero)", 2018

Folder 36: “IN A WORLD OF TALKERS BE A THINKER AND A DOER", 2018

Folder 37: “Jack White [poem] (Courtney Becks)", 2018

Folder 38: “KNOWLEDGE DOES NOT EQUAL UNDERSTANDING", 2018

Folder 39: “money itself KILLS and STEALS. (Roxy Gordon)", 2018

Folder 40: “MOST WOMEN HAVE HOT FLASHES. I HAVE POWER SURGES. (She said, glistening)", 2018

Folder 41: “WOMEN HAVE HOT FLASHES. I HAVE POWER SURGES. (A Sista Said)", 2018

Folder 42: “MY DEMONS PROTECT THE WORLD FROM ME", 2018

Folder 43: “NO WATeR, NO LIFE, NO BLUE, NO GREEN (Sylvia Earle)", 2018

Folder 44: “PROTEST AND THE SOUTHERN IMAGINARY Introduction by Brendan Greaves", 2018

Folder 45: “RISE FOR CLIMATE, JOBS AND JUSTICE", 2018

Folder 46: “SHe WHO PLANTS A GARDEN PLANTS HAPPINESS", 2018

Folder 47: “The garden is the poor man’s apothecary. (A German Proverb)", 2018

Folder 48: “THERE’S NO RETIREMENT FOR AN ARTIST, IT’S YOUR WAY OF LIVING SO THERE’S NO END TO IT. (Henry Moore)", 2018

Folder 49: “They’re Using Red, White, and Blue to confuse Our Minds! (The May Day Singers)", 2018

Folder 50: “TOO MUCH SHIT FOR A DIME", 2018

Folder 51: “VOTE CLIMATE, JOBS AND JUSTICE THIS NOVEMBER", 2018

Folder 52: “WHAT POISONS have you been asked TO HOLD AS A measure OF YOUR FAITH?”, 2018

Folder 53: “WHEN I GET a LITTLE Money I BUY BOOKS; and if any is left I BUY food and clothes. (Erasmus)", 2018

Folder 54: “Which side are you on? you must decide! (The May Day Singers)", 2018

Flat File 5

Item 4: “LETTERPRESS is a NOUN not a verb. (ACPA Bulletin No. 1)", 2016

Item 5: “negroes: stolen peoples living on stolen lands", 2018