Finding Aid for Bruno Nettl Papers, 1949-2010 | The Sousa Archives and Center for American Music

By Nolan Vallier, Adriana Cuervo, and Elizabeth Hartman

[Printer Friendly] | [ Email us about these papers]

Collection Overview

Title: Bruno Nettl Papers, 1949-2010

ID: 12/5/39

Primary Creator: Nettl, Bruno (1930-2020)

Extent: 20.75 cubic feet

Arrangement:

The Bruno Nettl Papers were initially arranged into two distinct Series: Series 1) Correspondence and Series 2) Sound Recordings in 2006. After restrictions on the collection were lifted in 2009 and additional materials were acquired from Bruno Nettl in 2013, the papers were re-arranged keeping the original order of the 2006 arrangement in tact. All materials recevied after 2013 were arranged either chronologically or alphabetically. The 2019 arrangement partitioned the papers into four distinct series: Series 1: Administrative Records, Series 2: Correspondence, Series 3: Research, and Series 4: Sound Recordings. A fifth series was created with the 2021 addition: Series 5: Recognition and Photographs.

Series 1: Administrative Records is arranged into two sub-series: 1) University of Illinois Musicology Department Files and 2) Course Files for Musicology Courses, Anthropology Courses, and Other University Residencies. Starting with the 2019 acquisition, Subseries 1 and 2 are arranged chronologically when possible and alphabetically by subject when not.

Series 2: Correspondence is arranged into three sub-series: 1) Administrative Correspondence, 2) Professional Organization and Committee Correspondence, and 3) Personal and Research Correspondence. Subseries 1) Administrative Correspondence was arranged alphabetically in 2013. Subseries 3) Personal and Research Correspondence was arranged chronologically.

Series 3: Research is arranged into three sub-series: 1) Writings, Lectures, and Grant Applications, 2) Field Notes, Transcriptions, and Primary Research Materials, and 3) Secondary Sources and Annotations. Starting with the 2019 arrangment, Subseries 1 and 2 were arranged chronologically and Subseries 3 was arranged alphabetically by author's last name and chronologically by publication date when necessary. The 2021 addition follows the 2019 arrangement, with the addition of two further sub-series: 4) George Herzog Project (1928-1999) and 5) Paul Nettl Papers. Sub-series 4 is arranged alphabetically by name, and sub-series 5 is arranged chronologically.

Series 4: Sound Recordings is arranged chronologically and by collection and tape number therein. All undated tapes have been arranged alphabetically by subject. The sound recordings acquired in 2021 were arranged into three sub-series: 1) Field Recordings and Research, 2) Demonstrations, Lectures, and Example Recordings, and 3) Commercial Recordings. Sub-series 1 and 2 were arranged chronologically, and by collection and tape number where applicable, with undated tapes arranged alphabetically by title. Sub-series 3 is arranged alphabetically by performer.

Series 5: Recognition and Photographs is arranged into two sub-series: 1) Diplomas, Awards and Honorary Degrees and 2) Photographs. Subseries 1 and 2 were arranged chronologically.

Date Acquired: 01/13/2006. More info below under Accruals.

Subjects: Champaign, Illinois, Ethnography, Ethnomusicology, Folklore, Folk music, Folk music - Instruction and study, Folk music - Music teachers, Indian Dance, Indians of North America -- Music, Music, Music, School of, Music -- India, Music - Instruction and study, Music -- Iran, Music -- Montana, Music -- Native American, Tehran, Iran, World Music

Formats/Genres: Papers

Languages: English, Persian, Persian, Spanish;Castilian, German, Czech, Korean, Italian, Chinese

Scope and Contents of the Materials

Consists of administrative records, correspondence, published and unpublished research, and field recordings of Bruno Nettl while a professor of Musicology for the University of Illinois School of Music. The papers document Nettl's career as a teacher, administrator and internationally recognized researcher. Of particular interest is correspondence between Dr. Nettl and other renowned musicologists including Gerard Behauge, Stephen Blum, Philip Bohlman, Charles Hamm, Daniel Neuman, Stephen Slawek, Theodore Solis, Christopher Waterman, and Robert Witmer. In addition, these papers contain his field notes, field recordings, and melodic transcriptions from his three main research inquiries: the Blackfoot Native Americans, Persian Classical Music, and Indian Music. Additional areas of interest documented in The 2021 addition to the collection are Nettl's engagement with the work of other renowned musicologists Paul Nettl this father) and George Herzog, and the international commercial recordings collected by Nettl through his research.

Biographical Note

Bruno Nettl (1930-2020) was born March 14, 1930 in Prague, Czechoslovakia. He is the son of the late musicologist Paul Nettl, who taught at Indiana University from 1946-1964. After emigrating to the United States at the age of nine, he began studying music. In 1950, he graduated from Indiana University with a bachelors degree in music. In 1951, he wrote his master's thesis entitled, "The Musical Culture of the Arapaho." Nettl completed his doctoral studies with the eminent musicologist, George Herzog, and graduated with a PhD in musicology from Indiana University just two years later. His dissertation, "American Indian Music North of Mexico: It's Styles and Areas," would later be expanded in several articles and books on Native American musics. After receiving his first faculty position as a musicologist at Wayne State University in 1953, Dr. Nettl received a Fulbright Lectureship at the University of Kiel in Germany in 1956. Four years later, Dr. Nettl received a master's degree in library and information science at the University of Michigan.

In 1964, Dr. Nettl was hired as an Associate Professor of Music at the University of Illinois. After being promoted to Professor of Musicology and Anthropology in 1967, he served as the head of the musicology department at Illinois from 1966-1968, 1969-1972, 1975-1977, 1982-1985, and 1987-1989. Dr. Nettl was instrumental in establishing a curriculum for the discipline of Ethnomusicology and his early courses at the University of Illinois show the interdisciplinary nature of his design. He offered a year-long survey in world musics as well as specific area studies geared toward graduate and undergraduate students. During his time at the University of Illinois, he served as the dissertation advisor to several important musicologists including: Stephen Blum, Philip Bohlman, Doris Dyen, Martha Ellen Davis, Marcello Sorce Keller, Daniel Neuman, Ronald Riddle, Ali Jihad Racy, Stephen Slawek, Theodore Solis, Christopher Waterman, and Robert Witmer. In 1992, he became Professor Emeritus and began teaching part-time. In 2000, Dr. Nettl and his wife, Wanda, endowed an annual lecture series featuring the work of eminent musicologists at the University of Illinois. Some of the participants of this lecture series include: Philip Bohlman, Pamela Potter, Thomas Turino, Martin Stokes, Jeff Todd Titon, Portia Maultsby, Alejando Madrid, and Kay Kauffman Shelemay.

Dr. Nettl's research includes three principal areas: Blackfoot Native American Music, Persian Classical Music (Radifs), and South Indian Music (Carnatic Music). Principally, his field research took place in Montana, Tehran, Jerusalem, and Madras between 1965 and 1982. In 1965 he began conducting research on various Blackfoot reservations in Montana. His research on the Blackfoot People would also bring him the Museum of the Southwest in 1984, where he consulted hundreds of early audio recordings of Blackfoot music. In 1966, he received a Fulbright Research Fellowship to conduct research in Iran. While in Tehran, he studied with the eminent Iranian pedagog Nur Ali Borumand. In the early 1970s, Nettl continued his research on Persian Radifs in Jerusalem, examining audio recordings at the Lachman Collection. His research on Blackfoot and Iranian music resulted in two of his most famous ethnographies: The Radif of Persian Music: Studies of Structure and Cultural Context (1987) and Blackfoot Musical Thought: Comparitive Perspectives (1989). In addition to these two primary research interests, he has written extensively about the history of the discipline of Ethnomusicology. His work on this subject includes the following books: Theory and Method in Ethnomusicology (1964), The Study of Ethnomusicology: 29 Issues and Concepts (1983), Encounters in Ethnomusicology, a Memoir (2002), The Study of Ethnomusicology: 31 Issues and Concepts (2005), and Nettl's Elephant: On the History of Ethnomusicology (2010). Dr. Nettl has also written and edited several editions of the popular world music survey Excursions in World Music (1992-2012) and has written several definitions related to his world music research for Oxford New Grove Dictionary of Music as well as The Garland Encyclopedia of World Music.

Dr. Nettl has served on numerous national and international councils related to ethnomusicology and folk music. In 1961, he became the editor of the Society for Ethnomusicology (SEM) Journal, Ethnomusicology. The Society for Ethnomusicology had been founded only six years prior to his engagement as editor. He would later serve as the society's president from 1969-1971 and as editor of the journal once more from 1985-1989 and from 1998-2002. In 1983, he was awarded the Charles Seeger Lecturer Prize and in 2005 the Society awarded him a lifetime service award as well as the title of "Board Member Emeritus." Since 2012, the Society for Ethnomusicology has offered the Bruno Nettl Prize for historical studies on the field of Ethnomusicology. Beginning in 1972, he served as the general editor for the Detroit Studies in Music Bibliography (DSMB). Between 1974-1977, he served as the editor to the Journal Yearbook of the International Folk Music Council. He has also served on the editorial boards for the Harvard Dictionary of Music, The Garland Encylcopedia of World Music, and Chicago Studies in Ethnomusicology. He became a member of the Executive Board of the College Music Society in 1977 and served until 1981. In 1985, he acted as the Spivacke Consultant to the Music Division of the Library of Congress. He also served on the Board of the International Society for Music Educators (ISME) In the early 1990s.

Dr. Nettl has also won several major awards for his research and his contributions to the field of Ethnomusicology. In 1981 he was named a fellow of the American Insititute for Indian Studies and a Senior Fellow for Independent Study and Research. Most recently in 2009, he received a Mellon Distinguished Emeritus Fellowship. He died after a short illness on January 15, 2020.

Subject/Index Terms

Champaign, Illinois
Ethnography
Ethnomusicology
Folklore
Folk music
Folk music - Instruction and study
Folk music - Music teachers
Indian Dance
Indians of North America -- Music
Music
Music, School of
Music -- India
Music - Instruction and study
Music -- Iran
Music -- Montana
Music -- Native American
Tehran, Iran
World Music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Papers were initially acquired on January 13, 2006 and were restricted until 2009. An additional two boxes of sound recordings and one box of correspondence was added on May 4, 2013. Four additional boxes of files were added on May 2, 2019. An additional seven boxes of files and twelve boxes of sound recordings were added on July 21, 2021. An addition of two boxes of files and one box of cassette recordings were added on July 25, 2022.

Access Restrictions: Collection restricted until January 13, 2009, opened January 14, 2009.

Acquisition Source: Bruno Nettl

Acquisition Method: Gift

Other Note: Pages

Box and Folder Listing

Browse by Series:

[Series 1: Administrative Files, 1965-2009],
[Series 2: Correspondence, 1958-2010],
[Series 3: Research, 1951-2002],
[Series 4: Sound Recordings, 1949-1974],
[Series 5: Diplomas, Awards, Honorary Degrees, and Photographs, 1948-2018],
[All]

Series 4: Sound Recordings, 1949-1974

This series contains sound recordings made by Dr. Nettl on his research trips, duplications of recordings he studied, and mixed recordings he used as audio examples for his courses. This series also contains a number of recordings from the Wayne State University Library Archive of Ethnomusicology and the University of Illinois Ethnomusicology Archives of Sound Recordings, both of which were founded by Bruno Nettl. Of particular note are field recordings and interviews Nettl conducted while on Fulbright in Tehran while studying with Nur Ali Borumand, who rarely performed or recorded his performances. Also of note are copies of Persian music found in the Lachman Collection in Jerusalem; Nettl's field recordings of Arapaho, Shawnee, Blackfoot, and Kiowa music; and Nettl's field recordings of South Indian music from Madras.

See Also: (12/5/75) School of Music Ethnomusicology Archives of Sound Recordings.

Box 13

Reel 1: Arapaho-Salzmann, 1949: Selections: Wolf Dance Song, Round (?) Dance Song, Rabbit Dance Song, 2 Sun Dance Songs, Wolf Song or Soldier's Song, Shybird Song, Peyote Song, Ghost Dance Song, 1/4 inch acetate tape on 7 inch reel.
Reel 2: Copy of George Herzog Recording of Hopi, Navaho, Gur, ca. 1950: 1/4 inch acetate tape on 7 inch reel.
Reel 3: Tape 2 - Indiana, ca. 1950: Stamp reads: Wayne State University Archives of Ethnomusicology. 1/4 inch acetate tape on 7 inch reel.
Reel 4: Vodoun Songs of Haiti by Damballa Wedo Singers, ca. 1950: Originally recorded on LP 1940, original LP liner notes included in the tape box at time of duplication. Tracks include: Joue Kanga Joue, Ibo Lele, Erzulie Nainnain Oh, Moundongue oh ye ye ye, Dja Keke oh Kekek Dja, Ciye Ciye Ti Bobine Carre, Jean Pierre Poungue, and Soleil Malade. 1/4 inch acetate tape on 7 inch reel.
Reel 5: Arapaho, 1952: Nettl, 10-AFPM. Copy of ATL 234. 1/4 polyester tape on 7 inch reel. 7 1/2 ips, full track.
Reel 6: Collection 2, Tape 1-2 - Arapaho, 1952: Copy of ALT (Nettl). Leader tape in between. 1/4 inch acetate tape on 7 inch reel. 3 3/4 ips.
Reel 7: Collection 2, Tape 3 - Arapaho, 1952: Copy of ALT 235 (Nettl). 1/4 inch acetate tape on 7 inch reel. 3 3/4 ips.
Reel 8: Collection 3, Tape 1 - Shawnee, Nettl, ca. 1953: 1/4 inch acetate tape on 7 inch reel.
Reel 9: Shawnee, Arauc., Bahamas, ca. 1953: 1/4 inch polyester tape on 7 inch reel.
Reel 10: Collection 5 - Arapaho, Nettl, ca. 1953: Stamp reads Wayne State University Archives of Ethnomusicology. 1/4 inch acetate tape on 7 inch reel.
Reel 11: Blackfoot, Nettl, ca. 1953: Stamp reads Wayne State University Archives of Ethnomusicology. 1/4 inch acetate tape on 7 inch reel.
Reel 12: Collection 8, Tape 4 - Iran, 1966: Zurkhane. Original copy. 1/4 inch acetate tape on 5 inch reel.
Reel 13: Blackfoot Songs - Calvin Boy, 1967: Recorded by Bruno Nettl. Tape 1 of 3. 1/4 inch acetate tape on 7 inch reel. Tail out.
Reel 14: Blackfoot Songs - Calvin Boy, 1967: Recorded by Bruno Nettl. Tape 2 of 3. 1/4 inch acetate tape on 7 inch reel.
Reel 15: Blackfoot Songs - Calvin Boy, 1967: Recorded by Bruno Nettl. Tape 3 of 3. 1/4 inch acetate tape on 7 inch reel. Tail out.
Reel 16: Indian Christmas mass recorded at Loyola College, Madras, 1967: Contains handwritten track listing in German. Tracks include: Scholars (before the mass), children's choir (beginning of the mass), Scholars and Childrens choir (Kyrie - Raga Patamajari, Golria - Raga Dhirasankarabharana), Scholars (Credo, Silent Night), Scholars and Children's Choir (Sanctus - Raga Bhairavi, Agnus Dei - Raga Bhairavi), Childrens Choir, Scholars. Harmonium and violin. 1/4 inch polyester tape on 5 inch reel.
Reel 17: Ramanathan piece, 1967: 1/4 inch acetate tape on 7 inch reel.
Reel 18: Radif examples, 1967-1969: Note: Case includes handwritten track listing. Shur and Mahour.1/4 inch acetate tape on 7 inch reel.
Reel 19: Mahour excerpts, 1967-1973: Note: Case includes melodic transcriptions of recordings and track listing.Tracks include: Borumand (daramand on setar), June 1969; Borumand (daramand on setar); Borumand (on tar from his radif), 1967; Radif of Musa Ma'aroufi (on tar) by S. Ruh-afzah; Chahar pare (Parvaneh, voice; Payevar, santour; Bahari, kamancheh) recorded by Nonesuch Records 1973; Ocora performance (Shahidi, voice; Payevar, kamancheh; Shahnaz, tar; Badisi, kamancheh); Mahour on tar; Mahour on setar(Ebadi); Mahour on santour (Payevar), recorded by Nonesuch Records; Mahour on violin (Khaledi); Mahour on oud (Shahidi); Mahour on santour (Payevar); Mahour by voice and violin, recorded in Israel. 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.
Reel 20: Alireza Maschayeki: Shur, 1968: Full track, 1/4 inch polyester tape on 5 inch reel.
Reel 21: Collection 65, Tape 1 - Bahari (kamange) Chahargah and Shur, ca. 1969: Side A only. 1/2 track, mono. 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 22: Collection 65, Tape 2 - Hussein Malek (santour), ca. 1969: Side A only, 1/2 track, mono. 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 23: Collection 65, Tape 2-3 - Hussein Malek, (santour), Homayun, Bayate Zand, ca. 1969: Side A only, 1/2 track, mono. 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 24: Collection 65, Tape 3 - Bayat-e tork, Hussein Malek, ca. 1969: 1/4 inch polyester tape on 7 inch reel.
Reel 25: Collection 65, Tape 4 - Shirinabadi, Nasrollah (violin), ca. 1969: Side A only, 7 1/2 ips, 1/2 track, mono. 1/4 inch polyester tape on 7 inch reel.
Reel 26: Collection 65, Tape 5 - Shirinabadi (violin), ca. 1969: Side A only, 7 1/2 ips, 1/2 track, mono. 1/4 inch polyester tape on 7 inch reel.
Reel 27: Collection 65, Tape 6-7 - Shirinabadi (violin), Zarif (tar), Heydari (santour), ca. 1969: Full track, 3 3/4 ips, side A only. 1/4 inch polyester tape on 7 inch reel.
Reel 28: Collection 65, Tape 8-9 - Ebadi (setar), Badi'i (violin), ca. 1969: Tape 8: Ebadi (setar), Abu Ata, 2. Varzandeh (santour), Segah. 3. Majd (tar), Shushtari, Mansuri, Tape 9:, 1. Badi'i (violin), Chahargah, 2. Safrat (santour), Chahargah. Full track, mono, Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 29: Collection 65, Tape 10-11 - Bahari (kamange), Badi'i (gheichak), ca. 1969: Tape 10:1. Bahari (kamange), Chahargah, 2. Sufuat (setar), Chahargah, Tape 11:, 1. Badi'i (gheichak), Shur, 2. Sajjadi (violin), Chahargah and Homa youn, Shur.Ã??Ã?Â Side A only, full track, mono. 1/4 inch acetate tape on 7 inch reel.
Reel 30: Collection 65, Tape 11-12 - Ophelia Parton (piano), Ensemble, ca. 1969: Tape 11:, 1. Ophelia Parton (piano), 2. Sedararti (tar), Tape 12:, 1. Ensemble. Side A only, full track, mono. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 31: Collection 65, Tape 12-13 - Hossein Dehlavi Orchestra, Ensemble (Shaidi-Parvin), ca. 1969: Tape 12: 1. Hossein Dehlavi Orchestra, Chahargah, 2. Ensemble, Chahargah, Tape 13:, 1. Ensemble (Shahidi-Parvin), Chahargah. 1/4 inch polyester tape on 7 inch reel.
Reel 32: Collection 65, Tape 14-15 - Ebadi (sekar), Omuni (nai), ca. 1969: Tape 14: 1. Ebadi (sekar), Chahargah, 2. Ensemble (Marzie and Fakhri), Chahargah, Tape 15:, 1. Omuni (nai) and Karimi (voice), 2. Ensemble (Dardashti), Chahargah. Side A only, full track, mono. 3 3/4 ips. 1/4 inch acetate tape on 7 inch reel.
Reel 33: Collection 65, Tapes 16-17 - Mahmoud Karimi (voice), ca. 1969: Tape 16: Mahmoud Karimi (voice), Chahargah, Shur., Tape 17: Mahmoud Karimi (voice), Afshari, Chahargah.. Side A only. Full track mono, 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 34: Collection 65, Tape 17-18 - Karimi (voice), Borumand (tar), ca. 1969: Tape 17: Karimi (voice), Chahargah, Tape 18: Borumand (tar), Side A only, full track, mono. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 35: Collection 65, Tape 19 - Zurkhane music, ca. 1969: Side A only, full track, mono. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 36: Collection 65, Tape 20 - Popular Songs, ca. 1969: 1/4 inch polyester tape on 7 inch reel. Full track mono, 3 3/4 ips.
Reel 37: Collection 65, Tape 20-21 - Popular Songs, Borumand Lessons, ca. 1969: Full track, mono, side A only. 3 3/4 ips. 1/4 inch polyester tape.
Reel 38: Collection 65, Tape 21 - Nettl lessons on Shur with Borumand, demonstration tape, 1968: 1/4 inch acetate tape on 7 inch reel.

Box 14

Reel 1: Collection 65, Tape 22-23, ca. 1969

Full track, mono, Side A only. 3 3/3 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 2: Collection 65, Tape 24, ca. 1969

Full track, mono. Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 3: Collection 65, Tape 25, ca. 1969

Full track, mono, side A only. 3 3/4 ips. 1/4 inch acetate tape on 7 inch reel.

Reel 4: Collection 65, Tape 26-27 - Shirinabadi (violin), Mahmoud Motabasem, ca. 1969

Tape 26: 1. Shirinabadi (violin), 2. Ali Asghar Kousari (violin), 3. Sajjadi (violin), Tape 27:, 1. Mahmoud Motabasem, 2. Latifan (flute), 3. Iran Amir Nejami (santour). Full track, mono, side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 5: Collection 65, Tape 27-28 - Mahmoud Motabasem (violin), Reja'i (tar), ca. 1969

Tape 27: 1. Mahmoud Motabasem (violin), 2. Latifian (flute), 3. Nezami (santour), Tape 28:, 1. Reja'i (tar). Full track, mono; Side A only, 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 6: Collection 65, Tape 29 - Interview with N. A. Borumand., ca. 1969

Full track, mono. Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 7: Collection 65, Tape 30 - Interview with Hadji Agha Mohd, N. A. Borumand translating, 1969

Full track, mono, Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 8: Collection 65, Tape 31-32 - N.A. Borumand (setar), Makour, ca. 1969

1/4 inch acetate tape on 7 inch reel.

Reel 9: Collection 65, Tape 33-34 - Mozaffen 'Orfanian, Hossein Na'imi, 1969

Full track, mono, Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 10: Collection 65, Tape 35 - Hossein Na'imi, dance songs, ca. 1969

Full track, mono, Side A only, 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 11: Collection 146, Tape 1 - Iran-Khorasan, Examples of Xurasani Music, 1969

Recorded by Stephen Blum. Tracks include: Quranic Recitation read by Mohammad Torabi, Sineh-zani processional music in Qorqi, Shabih performed in the mosque at Qorqi, Mosibat recited by Mohammad Hassan Naqqal, Recitation of the Shah-Nameh, Recitation of the ghazal by Heidari, Recitation of a pandiyat by Sadeq Ali Shah, Narrative Poem "Karim Xan Baluchi" sung by Ustad Heidar, Sabzo Pari sung and on nai by Mohammad Ali Nikzad, Moghol Doxtar sung by Hossein Jan Ali Zadeh of Gheibi, Charbeisi Hosseine by Varqeh Haji Hosseini, Charbeisi perfromed by Kurdish group, Charbeisi sarhaddi performed in a home, Gharibi sung by Gholam lubi, Songs in Baluchi sung by Hossein Shokeri, Leili Jan sung in Baluchi, Shar Bahram va Banu Hosneh Parizad, Shah Bahram, Ahang-eKoshti, Wedding music at Permei, Indian tune from the film Sangom by Raj Kapur, Bol Radha Bol, Gol-e mu. 3 3/4 ips. Side A only. 1/4 inch acetate tape on 7 inch reel.

Reel 12: Collection 146 - Khorasan-Blum, 1969

Recorded by Stephen Blum. 1. Qur'an, 2. a, b, c. Sinch-zani procession, 3. a, b, c. Shabih, 4. Mosibat, 5. Shah-Nameh, 6. Ghazal, 7. Pandiyat, 8. "Karim Xan Baluchi", 9. "Sabze Pari", 10. "Moghol Doxtar", 11. Charbeiti: "Hosseina", 12. Charbeiti: kemenche, dohol, 13. Charbeiti, three-stringed dotor, 14. Gharibi, 15. Songs in Baluchi, 16. Leili Jan, 17. "Ja'far Qoli", 18. "Shiria and Farhad", 19. "Arman-e auso", 20. "Maqdum Qoli", 21. "Conversation of the earth with the sky", 22. "Sardar", 23. Shah Bahram va Banu Hosneh Pariznd", 24. "Shah Bahram", dotar, 25. "Ahong-e koshti", sorna, 26. Wedding-gushma, dohol, 27. "Indian tune", sorna, 28. "Bol Radha Bol", 29. "Gol-e mu", 30. Gol-e-mu, commercial recording. 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 13: Modern African examples, ca. 1970

Note: Case includes handwritten track listing. 1/4 inch polyester tape on 7 inch reel.

Reel 14: Persian music from Lachmann collection, Jerusalem, ca. 1971

Note: Case includes track commentary in German and Persian. From the National Sound Archives of the Jewish National and University Library in Jerusalem. 1/4 inch acetate tape on 7 inch reel.

Reel 15: Pepper's powwow, 1971-1977

See Also: Box 12, Folder 17.

Includes Pre-recorded examples of pow-wows from around the country. 7 1/2 ips. 1 side, 1/4 track. 1/4 inch polyester tape on 7 inch reel.

Reel 16: Navajo violin, 1973

Recording of "Navajo violin" of Dr Bruno Nettl (probably an Apache fiddle). Performed by Jim Starr. Tune is an Apache Fiddle Tune transcribed by David MCAllester in the Ethnomusicology Newsletter No. 8 (September 1956). 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 17: Blackfoot Indian record master, 1974

Archives of Traditional Music. 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 18: Transcription tape, 1974

1. Hukwe song, 2. Hukwe song, 3. Arapaho Wolf dance song, 4. Arapaho Sun dance song, 5. Blackfoot handgame dance song, 6. Chahargah: Daramad, 7. Chahargah: Zabol, 8. Chahargah: Char Mezrab, 9. Bali: Gamelan Anklung, 10. Bulgaria: Harvest Song, 11. Bulgaria: Melody with drone. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Side 1 only. 1/4 track.

Reel 19: Shankarabharanam-Alaps, ca. 1981

Note: Case includes handwritten track listing. Tracks include: Sabhalapshrai, Varmam, Ramnad Krishnan, Flute, Balamarahi. 1/4 inch polyester tape on 7 inch reel.

Reel 20: S. Ramanathan, ca. 1967

Raga Hamdanandi: Tala-Adi, Kuh-Ramamantra. 7" Reel.

Reel 21: S. Ramanathan, ca. 1967

Ramamantra drum duet. 1/4 inch polyester tape on 7 inch reel.

Reel 22: S. Ramanathan, ca. 1967

Raga-kedaragula. Tala-misra capu. 1/4 inch polyester tape on 7 inch reel.

Reel 23: Ethno-tape, 1986

1/4 inch polyester tape on 7 inch reel. 7 1/2 ips.

Reel 24: American Indian examples, undated

Note: Includes handwritten track listing. Tracks include: Ghost dance, Kiowa Peyote Song, Sioux Love Song, Navaho night chant, Apache devil dance, Zuni rain dance, Iriqois Eagle Dance, Stomp dance. 1/4 inch acetate tape on 5 inch reel.

Reel 25: Arabic-Lentschner, undated

1-3, Ussaq, 3-5, Bayati, 5-7, Hijaz, 7-9 Maqam saba, 9-11, Hijaz, 11-14, Saba, 14-17, Saba, 17-19, Saba. 1/4 inch acetate tape on 7 inch reel.

Reel 26: Blackfoot demo tape, undated

5 War dance songs, Songs sung by Calvin Boy:, Owl dance song, Crazy dance song, Hand game song, Black-tail deer song, Owl dance song (with Mrs. Boy), Hand Game Song, Pete Stabs:, Hand Game Song, Medicine pipe song. 1/4 inch acetate tape on 7 inch reel.

Reel 27: Caribbean examples, undated

Note: Includes handwritten track listing. Tracks include: Haiti - Ibo lele, Jore Kanga Joure, Erzuli; Bahia; Jamaica; Bahamas; Mexico; Trinidad. 1/4 polyester tape on 5 inch reel.

Reel 28: Collection 22, Tape 1 - Arabic and Ibo, undated

1/4 inch acetate tape on 5 inch reel. 7 1/2 ips on side I, 3 3/4 ips on side II.

Reel 29: Collection 26, Tape 1 - Shawnee, Voegelin, undated

1/4 inch acetate tape on 7 inch reel.

Reel 30: Collection 39, Tape 1 - Iran-Borumand, undated

1/4 inch polyester tap eon 7 inch reel. 3 3/4 ips.

Reel 31: Collection 39, Tape 2 - Iran-Borumand, undated

1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 32: Collection 39, Tape 2 - Daramad of Chahargah, undated

Examples from performance. 1. Borumand, 4 daramads (3rd is zanguleh), 2. Karimi, with poem, 3. Karimi, Omumi (nai and voice), 4. Zarif (tar), 5. Heydari (santour), 6. H. Malek (santour), 7. R. Badi'i (violin), 8. R. Badi'i (violin), 9. Bahari (kamange), 10. Bahari (kamange), 11. Bahari (kamange), 12. N. Shirinabadi (violin), 13. N. Shirinabadi (violin), 14. Bahari (kamange), 15. Ophelia Parton (piano), 16. Ebadi (setar), 17. Safuat and Shemiram, 18. Dardashti. 1/4 inch acetate tape on 7 inch reel.

Reel 33: Collection 39, Tape 3 - Iran-Borumand, undated

1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 34: Collection 39, Tape 4 - Iran-Borumand, undated

1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 35: Collection 68, Tape 2 - Demonstration tape, Persian music, Chahargah (Hesar), undated

Includes track list inside box. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, half track mono.

Reel 36: Collection 92, Tape 1 - Improvisations on maqam nahawand, undated

Artist, Jihad Racy. 7 1/2 ips. 1/4 inch acetate tape on 7 inch reel.

Reel 37: Collection 92, Tape 2 - Complete improvisations on maqam nahawand, undated

1/4 inch acetate tape on 7 inch reel. 7 1/2 ips.

Reel 38: Collection 92, Tape 3 - Complete improvisations on maqam nahawand, undated

1/4 inch acetate tape on 7 inch reel. 7 1/2 ips.

Box 20

Reel 1: Collection 92, Tape 4 - Complete improvisations on maqam nahawand, undated: 1/4 inch acetate tape on 7 inch reel.
Reel 2: Collection 92 - Maqam Hijaz, Five taqsims, undated: Played by J. Racy. 1/4 inch acetate tape on 7 inch reel.
Reel 3: Collection 154, Tape 1 - Israel-Samaritan peoples, undated: 3 3/4 ips. 1/2 track, mono. Side A only. 1/4 inch acetate tape on 5 inch reel.
Reel 4: Copies of Persian Classical Music originally recorded on 78s - Iran, undated: 1. Violin, Saba; Kuhestani, 2. Saba, Gilani piece, 3. Lullaby, song by Ma'arufi; Farah Angis Khanom, singer, Ma'arufi, tar, Ruafza, viola, 4. side A, Mahour; Singer, Abol Hassan Khan, Haigo, kamange, 5. side B, Gusheh Delkash Iraq, 6. Improvisation Chahargah, Col. Alinagi Vaziri, tar, 7a. Bandhaz, composed by Vaziri, performed by Vaziri, tar, b. (illegible), c. Improvisation Mahour, Vaziri, d. Hazerbash, composed by Vaziri, 8. Chahargah kamange solo (originally recorded ca. 1935), Hossein Khan
Reel 5: European folk polyphony, undated: 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.
Reel 6: Havasupai, Hinton, undated: 1. Sweathouse Song, 2. Sweathouse Song, 3. Round Dance Song, 4. Round Dance Song, 5. Lullabye, 6. Lullabye, 7. Matewichi Song, 8. Old Woman rising from the dead, 9. Coyote's wife's song. 1/4 inch acetate tape on 7 inch reel.
Reel 7: Indian examples, rhythm, undated: Note: Case includes handwritten track listing of instruments and sections of the Raga. 1/4 inch polyester tape on 7 inch reel.
Reel 8: Indian film songs, undated: 1/4 inch polyester tape on 5 inch reel.
Reel 9: Middle East examples, undated: Note: Case includes handwritten track list. 1/4 inch polyester tape on 7 inch reel.
Reel 10: Mokhalef tape, undated: Note: Case includes handwritten track listing. 1/4 inch acetate tape on 7 inch reel.
Reel 11: Mongolian examples, undated: Note: Case includes handwritten track listing. 1/4 inch polyester tape on 5 inch reel.
Reel 12: Music 316 - Introductory tape, undated: Note: Case includes handwritten track listing. Tracks include: Blackfoot song, Didgeridoo, Gagaku, Musical low song, Carnatic, pygm song, persian, mongolian multiphonic singing, tibetan orchestra. 1/4 inch polyester tape on 5 inch reel. 3 3/4 ips.
Reel 13: Music 317 - Folk music of Europe and North America, undated: Note: Includes handwritten track listing. Tracks include: Schlesswig, North Carolina (1939), Suffolk (1947), Hungarian, Bulgarian, French, Sardinia, Spanish. 1/4 inch polyester tape on 5 inch reel.
Reel 14: Music 317 - Folk music examples, undated: Note: Case includes handwritten track listing. Tracks include: German Calendric Songs, Hungarian Songs, Spanish Songs, Sweedish Songs, Norwegian Songs. 1/4 inch polyester tape on 7 inch reel.
Reel 15: Pelog-slendro exercise, undated: 1/4 inch polyester tape on 5 inch reel.
Reel 16: Peyote songs, undated: 1 of 2. 1/4 inch polyester tape on 7 inch reel.
Reel 17: Peyote songs, undated: 2 of 2. 1/4 inch polyester tape on 7 inch reel.
Reel 18: Simple scale examples, undated: Note: Case includes handwritten track listing. 1/4 inch polyester tape on 5 inch reel.
Reel 19: Spanish Examples, undated: 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Sub-Series 1: Field Recordings and Research

Box 27

Item 1: ISHI --Tape no. 1, circa 1911-1915

Casette label reads "Indians of North America -- Yahi -- Sung by Ishi, the last of the Yahi. 1911-1915. Tape 1."

Item 2: ISHI -- Tape no. 2, circa 1911-1915

Casette label reads "Indians of North America -- Yahi -- Sung by Ishi, the last of the Yahi. 1911-1915. Tape 2."

Item 3: Blackfoot, Jessie Donaldson Recordings, 1926

Blackfoot, U of Cal. Includes handwritten track listing: #24-2786 through #24-2801 (Side A) "#24-2802 through #24-2806" (Side B)

Item 4: Arapaho (Salzmann) and Shona mbira, 1949

Includes tracklisting. Side A, Arapaho songs - Salzmann, 1949: a) Wolf dance s. b) Round dance s. c) Rabbit Dance s. d) 2 Sun D. songs e) Wolf Song or soldier's song f) Skybird song g) Peyote songs h) Ghost D. S. Mooney. Side B: Shona Karanga Mbira dza vadzimu and songs in stories

Item 5: Merriam-Schultz Interview II, 1964

Copy of OT 7" 835, Cassette No. 2. Side A: Track 1. Side B: Track 2.

Item 6: (146/1) Iran -- Xurasan (Blum), 1969

Side 1: examples 1-23. Side 2: examples 24-30.

Item 7: Collection 65, Tapes 1 + 2, 1968-1969

side 1: Collection 65/1 BahÃ?Â¢ri. side 2: Collection 65/1 (conclusion), collection 65/2 (Homayun + Bayate Zand)

Item 8: Collection 65, Tapes 2 + 3, 1968-1969

Hussein Malek: Segah, Chahagah, Bayate Tork

Item 9: Collection 65, Tapes 4-5, 1968-1969

Shrinibadi, Chahargah

Item 10: Collection 65, Tapes 6-7, 1968-1969

Side 1: Shirinabadi: Chalargah (II) (continued). Side 2: Heydari

Item 11: Collection 65, Tapes 7-9, 1968-1969

Side 1: 1. Heydari (continued) 2. Ebadi, Varzandeh, Majd

Side 2: 1. Majd (continued), Badi'i, Safrat

Item 12: Collection 65, Tapes 9-11, 1968-1969

Side 1: Safrat (continued), Bahari, Safrat

Side 2: Safrat; Badi'i, Sajjadi

Item 13: Collection 65, Tapes 11-12, 1968-1969

Side 1: 65/11 Sajjadi

Side 2: 65/11-12

Item 14: Collection 65, Tapes 14-15, 1968-1969

Item 15: Collection 65, Tape 16, 1968-1969

Mahmoud Karimi: Chahargah, Shur

Item 16: Collection 65, Tapes 19-20, 1968-1969

Side 1: Zurkhane music

Side 2: Popular songs

Item 17: Collection 65, Tape 20, 1968-1969

Item 18: Collection 65, Tapes 21-22, 1968-1969

Box 28

Item 1: Collection 65, Tapes 22-23, 1968-1969
Item 2: Collection 65, Tape 24, 1968-1969
Item 3: Collection 65, Tapes 26-27, 1968-1969
Item 4: Collection 65, Tapes 28-29, 1968-1969
Item 5: Collection 65, Tapes 29-30, 1968-1969
Item 6: Collection 65, Tapes 30-31, 1968-1969
Item 7: Collection 65, Tapes 31-33, 1968-1969
Item 8: Collection 65, Tapes 34-35, 1968-1969
Item 9: Collection 65, Tape 35, 1968-1969
Item 10: Carnatic Christmas Mass, 1976: Indian Christmas Mass (Madras, 1976) Side A only
Item 11: Mariyamman, 1977-1979: "The Goddess Mariyamman..." songs: 1) Kapi 2) Ragamalika 1979 3) Ragamalika 1977 (with apologia)
Item 12: Iran Popular Music, 1978
Item 13: Madras-Tape No. 1, 1981-1982
Item 14: Madras-Tape No. 2, 1981-1982: Side 1: Interview with Ramanathan I. Side 2: continuation of concert on tape #5
Item 15: Madras-Tape No. 3, 1981-1982: Tape no. 3 contains 45 minutes of a radio program, Madras A, Dec. 2, 1981. M. S. Gopalakrishnan, violin, others as announced.
Item 16: Madras-Tape No. 4, 1981-1982: Clan at Ramanathan's, four women, etc. Dec. 3, 1981.
Item 17: Madras-Tape No. 5, 1981-1982: Nageswara Concert, radio. Thiruvaduthurai N. Rajarathinam Pilai and Party, Dec. 6, 1981. Side 1+2, continued on tape no. 2, side 2
Item 18: Madras-Tape No. 6, 1981-1982: Ramanathan, mainly on faith, including some songs. Dec. 10

Box 29

Item 1: Madras, tape no. 7, 1981-1982

Side 1: KMS Sivo + group: wedding music

Side 2: continued from side 1, including Kriti Nagnmomn near end of song 1

Item 2: Madras, tape no. 8, 1981-1982

Master Srinivas (co. 10) Mandolin; K. Sivaraman. Excerpts from concert Dec. 24, 1981.

Item 3: Madras, tape no. 9, 1981-1982

Higgins # 1, Starts after 30 mins of side I, Side 2: part 2 of Higgins concert

Item 4: Madras, tape no. 10, 1981-1982

Higgins concert tape 2. Side 1: third part. Side 2: fourth part

Item 5: Madras, tape no. 11, 1981-1982

Side 1: Jagannathan. Program of AIR choir, Jan. 24, 1982 (15 min.), 2nd half, end of radio concert of Jan. 29 from tape no. 11

Item 6: Madras, tape no. 12, 1981-1982

Liner note reads: Bhajan: Bangalore (Sarakki) ~Jan. 6, 1982

Item 7: Madras, tape no. 13, 1981-1982

Side 1: Bhajan, Bangalore 1/6/82 (continued from previous tape)

Side 2: Tyagaraja Ardhana, Jan. 14: end of a kriti; chant (Vedic); and background.

Item 8: Madras, tape no. 14, 1981-1982

Side 1: excerpts from Tyagaraja Aradhana festival. Nadaswaram, Vedic Chant (Jan. 14, 1982) Flute performance/group singing, 2 songs.

Side 2: continued from side 1, Kritis by Tyagaraja

Item 9: Madras, tape no. 15, 1981-1982

#1 Higgins Family, Jan. 19, 1982, tape 1.

Item 10: Madras, tape no. 16, 1981-1982

Side 1: radio concert - Jan. 29, 1982, begins after 5 minutes. Madurai N. Krishnan, vocal.

Side 2: continued. Continued on tape 11, side 2, second half.

Item 11: Madras, tape no. 17, 1981-1982

Vadya Vrinda radio concert, Jan. 31, 1982. Then Feb. 14, begins 20 seconds after beginning of piece.

Item 12: Madras, tape no. 18, 1981-1982

T. P. Vaydyanathan: radio concert Feb. 5, 1982 (tape ends before final drum solo).

Item 13: Madras, tape no. 19, 1981-1982

S. Ramanathan radio concert, Feb. 9, 1982 (continued on tape 20)

Item 14: Madras, tape no. 20, 1981-1982

Side 1: Ramanathan Concert, Feb. 9, 1982 (continued from tape 19 for 15 minutes), K.V. Narayanaswamy, TN Krishnan, Feb. 17, 1982.

Side 2: continuation of Narayanaswamy concert.

Item 15: Madras, tape no. 21, 1981-1982

Side 1: Continuation of Narayanaswamy concert, Feb. 17, 1982 (last piece has interrruption).

Side 2: Continues after interruption for approx. 2 minutes.

Item 16: Madras, tape no. 22, 1981-1982

Vadya Vrinda

Item 17: California Indians, Multi-Part Singing (R. Keeling), October 20, 1984

Printed cassette label reads "Multi-part singing among the Indians of California (10/20/84) R. Keeling."

Item 18: North American Indian Days (4 of 4), 1984

Cassette label reads "N.A. Indian Days 1984, tape #4, side A - Hand games, live recording."

Box 30

Item 1: North American Indian Days (1 of 4), 1984: Handwritten label reads "N.A. Indian Days 1984. Side A, then side 2, 2nd day 2:50-3:45
Item 2: North American Indian Days (2 of 4), 1984: Handwritten label reads "N.A. Indian Days 1984, sides 1 + 2: July 13, 4-5 PM."
Item 3: North American Indian Days (3 of 4), 1984: Handwritten label reads "N.A. Indian Days 1984, tape #3: July 13, side 2 has part of hand game,"
Item 4: Radif Excerpts (Master), 1986
Item 5: Borumand: Radif, Mahour (1 of 5), undated: tracklist included: (side A) Fist daramad, kereshmeh, avaz, moqademuh- be dad, dad, khosravani, delkash, khavaran, tarab-angiz, neshabourak, nassir-khani ya tusi, chahar-pareh, feili, mahour saghir, Azeraijani, hesar-mahour ya abol, zir-afkand, neyriz, shekasteh, araq, nahib, mohayer, ashour, isfahanak, hazine, kereshmeh, zangouleh, (side B) rak, rak hendi, rak-ekeshir, rak-e abdollah, kereshmeh rak a safir-e rak, reng-e harbi, reng-e ashoub, reng-e shalahou, ("?????")
Item 6: Borumand: Mahour (2 of 5), undated
Item 7: Borumand: Mahour (3 of 5), undated
Item 8: Borumand: Mahour (4 of 5), undated
Item 9: Borumand: Mahour (5 of 5), undated

Box 35

Reel 1: Iran Master, Reel I, undated: Examples 1-13, 28.5 minutes. 7.5 ips, 1/4 track stereo.
Reel 2: Iran Master, Reel II, undated: Examples 14-26. 7.5 ips, 1/4 track stereo.
Reel 3: Iran Master, Reel III, undated: Examples 27-38.
Reel 4: Iran, Reel 1 (Nettl), undated: Examples 1-12.
Reel 5: Iran, Reel 2 (Nettl), undated: Examples 13-25.
Reel 6: Iran, Reel 3 (Nettl), undated: Examples 26-36.
Reel 7: Iran, Reel 4 (Nettl), undated: Examples 37-38.

Box 37

Disc 1: Arapaho, undated

12-inch, direct-cut acetate disc. Transcriptions may be found in box 25, folder 26.

Disc 2: Bulgaria, undated

12-inch direct-cut disc. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1A1,2,3,4,5,6,7; 1B3,4; 2B3,4 (side A); 2A2,4; 1B2; 2B2,5; 3A2; 3B1 (side B).

Disc 3: Czech (Florida), French-American, undated

12-inch, direct-cut disc. Transcriptions may be found in box 25, folder 26.

Handwritten label: 2A1,3; 2B1; 1B1; 1A2 (side A); 1756A1; 1758A1,2 (2 strips); 1760B1; 1761A1.

Disc 4: English-American (1 of 2), undated

12-inch direct-cut record. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1730A (side A), 1730B (side B).

Disc 5: English-American (2 of 2), undated

12-inch direct-cut LP. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1748A (side A), 1748B (side B).

Disc 6: English-American: Barbara Allen, Child Ballads, undated

12-inch direct-cut LP. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1741A1,2; 1730B2 (side A); 1728B1; 1750B2 (side B).

Disc 7: Greek (Florida), Rumania, undated

12-inch direct-cut record. Transcriptions may be found in box 25, folder 26. Handwritten label:

Side A - Greek: 2B1,2 (beg.); 2A (A.C. Morris). Side B - Rumania: 6A1,2,3; 6B1.

Disc 8: Native-American (1 of 2), undated

12-inch, direct-cut record. Transcriptions may be found in box 25, folder 26.

side A: 1) Watusi Drums 2) Pomo Perambulating Chant 3) Kouyou Women's Dance 4) Yaswa Marimbas.

side B: 1) Navajo Night Chant 2) Peyote Cult Song (Dakota) 3) Kwakiutl Chieftaness Dance.

Disc 9: Native-American (2 of 2), undated

12-inch direct-cut disc. 78 rpm. Transcriptions may be found in box 25, folder 26.

side A: 1) Lakota Flute 2) Papago Medicine Song 3) Zuni Corn Grinding

side B: 1) Hopi 2) Seminole Medicine 3) Navajo Night Chant

Disc 10: Rumania, Moravian-Slovak, undated

12-inch direct-cut disc. Transcriptions may be found in box 25, folder 26. Handwritten label:

Side A - Rumania: 1B; 3B. Side B - Moravian-Slovak (N.Y.C): 1B; 2A beg.; 4A1

Disc 11: Spanish (1 of 2), undated

12-inch direct-cut disc. Performed by Sofia Novoa. Transcriptions may be found in box 25, folder 26.

Includes handwritten label: 5B4; 6B4; 7A1,3; 7B1; 8B3 (side A); 3A1; 3B1; 4A3,4; 5A1; 5B2 (side B).

Disc 12: Spanish (2 of 2), undated

12-inch, direct-cut disc. Performed by Sovia Novoa. Transcriptions may be found in box 25, folder 26.

Includes handwritten label: 7B3; 8A1,2; 9B2,3; 10B3 (side A); 10A2; 10B2,4,5 (2 strips); 11A2; 12A5; 12B5,4,2 (side B).

Disc 13: Yugoslav, undated

12-inch direct-cut disc. Transcriptions may be found in box 25, folder 26.

Includes handwritten label: 6A2,3,4; 6B2,3; 1B5; 1A2; 2A2 (side A); 1A1; 5B1,2,3,4; 6A1 (side B).

Box 38

Disc 1: Miwok Abraham, undated: 10-inch, direct-cut acetate disc.

Box 41

Cassette 1: Transcription Tape, undated

Sub-Series 2: Demonstrations and example recordings

Box 30

Item 10: "Musikgeschichte und Musikethnologie," Berlin, January 13, 1970: Discussion with Fritz Bose, Kurt Reinhard, Carl Dahlhaus, Red Stephan, and H.-P. Reinecke.
Item 11: Seminal 80s Lecture, circa 1985: Typed tracklist reads: "Recordings 1) Early mussic assoc with Adler -Bruckner- 7thSymphony, from 4th mvt.,performed first Dec. 30 1984 2) Whales? - from "Songs of the Hump-Backed Whale" rec. by Lon Brocklehurst, ca. 1985, Hawaii 3) Ghost dance - Pawnee, recorded 1901 by James Mooney 4) early African recording - Tanzania, 1903, Ernst Meinhof, 3 xylophones 5) early Bartok - song recorded in early 19430s. "On the Sandy Banks of the Creek" in Budapest 6) very early Amer. Indian recording - Blackfoot Beaver song, 1897, Grinnell 7) recording by Boas - 1897, Thompson River Indians, Dance song, used by Hornbostel for articls 1906 8) Biber Mystery Sonatas - Sonata I of Mystery sonatas, in DTP but not by Adler, under his aegis; "annunciation" 9) German - Schnadahupfln from near Czech border: "A bissl Boehmisch und a bissl deuscth, und a trum Knodl und a gselchts Fleish, und a Pack Kraut und a Stuck Wurscht, das geht furn Hunger aber net furn Durscht." 10) Arabic music; Nahawand, Racy; Haba, "The Mother," instrumental section from middle. 11) Vedic chant? Dhrupad? - actually Dhrupad, Dagar brothers 12) from Phonogrammarchiv - Sorbian spinning room song, rec. Hornbostel 1907 in Lausitz 13) early gamelan - Gamelan Gong, from Hornbostel 1930 collection
Item 12: Song of Kota, Irula and Betta Kurumba Women of the Nilgiris, 1990-1992: Recorded by Richard Wolf
Item 13: Philippines: Oral Traditions in Philippine Music, November 27-December 4, 1992: Traditions of the Kalinga, Maranao, and Yakan people. From the 14th Asian Composers League Conference and Festival, Wellington & Auckland, New Zealand.
Item 14: "Bow-String Poesy" for Chinese Orchestra by Chan, Hing-Yan, April 1995: Performances by the Hong Kong Chinese Orchestra.
Item 15: Venice '95 Tape, 1995
Item 16: Albrechtsberger: Jew's Harp Concertos, undated
Item 17: Amish, undated: Handwritten label reads: "Amish-Indiana AAFS 1764A, 1769A1."
Item 18: Arabic - Lentschner, undated

Box 31

Item 1: "Pepper's Powwow" American Indian Rock, undated

Item 2: Mr. Bahari: Abu-Ata, Mahour, undated

Side A: improvisation in Abu Atta, side B: improvisation in Mahour.

Bahari (kamantsche), Ayan (tombak), and Motebassem (tar)

Item 3: Denis-Roosevelt. Belgian Congo Records, undated

Item 4: Blackfoot History Ex., undated

Item 5: Blackfoot Music History, undated

Typed tracklist: 1) Kicking Woman Singers 2) Blackfoot grand entry song 3)Walapai funeral song 4) Peyote song 5) Bala-sinem Peote song 6) Powwow song from Bn record 7) Ulali, Plains style song 8) Beaver medicine song 1897 9) Handgame song 10) If you wait for me - Tom M-G 11) When the Dance is over sweetheart 12) I don't care if you're married 13) One-eyed Ford, commercial tape 14) Jim Pepper Newly-wed song 15) One0eyed Ford - Squeezetones (Noisy Gators)

Item 6: Bob Dylan: Child 243, undated

Item 7: Chahargah, Ebadi, Shirinabadi II, undated

Cassette label reads "MUSIC 317, No. 11"

Item 8: CMU Mbira Ensemble, undated

Item 9: Child Ballad Examples, undated

Item 10: European Singing Styles, undated

Typed tracklist: "Folk Music examples (Nettl): 1. Fisherman's song (Schleswig) 2. Lamkin (N.C.) 1936 3. Lady Isabel (Suffolk) 1947 4. Guslar Epic (Yugoslavian) 5. Hungarian (ornamented) 6. Hungarian (less ornmntd.) 7. Bularian polyphony 8. French 9. Sardinia (Mutos-secular, four part) 10. Spanish agricultural song (Valencia, East coast)"

Item 11: Florida American Music / American Indian dances, undated

Item 12: Florida Lecture, undated

Casette label reads "Coping with the other." Handwritten tracklisting included in case. Whale, Balamuralikrishna, Periman by Bach, Enermartin, Yankee Doodle by James Hewitt, Tuvan, Fantasy by Schumann, Dempster Didjeridu, Traditional Didjeridu, "Homemade didjeridu," "Proud to Be," Mbira, Mapfumo, 2 Bartered Bride excerpts, Czech songs, "I can't give you," by Jazz No Problem, "Music for Prague" by Husa.

Item 13: German Ballads and Calendic Songs, undated

Typed tracklist included. 1. Erlosung vom Galgen 2. Durchs Genster hinab 3. Edelmann und Schaefer 4. Ulinger ("Lady Isabel") 5. Maria ud der Schiffmann 6. St Odilia 7. St. Odilia, 2nd version 8. Die Kreuzauffindung 9. Das letzte Gericht

Side B -- Calendic songs from DG albu. I.10 to I.14; II.1 to II.6

Item 14: Heiltsuk Songs C1 to Dh13 (Anton Kolstee), undated

Item 15: American Indian Examples, undated

Includes typed tracklist.

Side I: 1. Arapaho Sun Dance 2. Blackfoot War Dance 3. Blackfoot Scalp Dance song 4. Zuni Rain Dance song 5. Papago Medicine song 6. Mohave song (with "rise") 7. Mohave (with complex rise) 8. Navajo Night Chant 9. Navajo Corn grinding song 10. Western Apache song 11. Kwakiutl Hamatsa song 12. Pawnee Ghost Dance song 13. Iroguois Eagle dance 14. Alaskan Inuit 16. Kwakiutl Wolf dance song 17. Sioux flute song 18. Kiowa Peyote song

Side II: 19. Navajo women's song 20. Taos gambling song South America and Mexico 21. Guajiro (Venezuela) - 2 examples 22. Siriono (Bolivia) - 2 examples 23. Amuesha (Peru) 24. Huancaya, Peru, horns (2 examples), then band 25. Campa (Paru, Amazon) -drinking music 26. Aymara (Peru) panpipes 27. Peru, Highlands mestizo music 28. Mazatec mushroom ceremony 29. Yaqui Deer dance song 30. Mapuche female shaman's song 31. Macusi women's grinding manioc song 32. Ona shaman song

Item 16: Indian Popular Music Sampler, undated

Compiled by Richard Wolf. Side A: Items 1-10. Side B: 11-end

Item 17: Iran Folk Music Short Demo Tape, undated

Item 18: Music 317, tape #3, Survey from Khorasan, undated

Box 32

Item 1: Mashayekhi - Shur Excerpts, undated

Item 2: Music of Anthropology Lecture, undated

Includes handwritten tracklisting

Item 3: Music 317A, cassette no. 6, Yugoslav Epics, undated

Side 1: Short epic, from Herzog recording

Side 2: beginninf of Epic of 1941, Croatia, Lomax recording; Youth of Derdelez Aiya; Song of Bagdad (Barry recording)

Item 4: Music 317, Persian tape 3, undated

Item 5: Music 317 Middle East tape no. 10, undated

Item 6: Music 317 Middle East tape no. 11, undated

Taqsim Hijaz Sampler

Item 7: Music 326, Transcription Tape, undated

Item 8: Music 423 A, Western Influence, tape no. 6, undated

Includes typed tracklist. "Tape no. 6 Examples of Western Influences in North American Indian music. A) Westerm music composed for Indians. B) Western music showing some Indian musical traits. C) Indian songs showing some influences of Western musical styles, or of Black music. D) Indian musicin newly created styles, results of Western cultural, not musical, influence. E) Indian music, for western-derived cultural context. F) Indian music illustrating impoverishment, standardization, and consolidation. G) Indian music with English words. H)Western music composed by Indians, with some Indian musical and textual content."

Item 9: N. A. Indian Styles Survey, undated

Includes typed tracklist. "1. Arapaho Sun D., -Salzmann 2. Blackfoot War D. -Nettl 3. Blackfoot Scalp D. -Dixon 4. Zuni Rain D. -Rhodes 5. Papago Medicine S. -Boulton 6. Mohave -from 78 disk 7. Mohave - Boulton 8. Navaho Yeibechai -Rhodes 9. Navaho Corn Grinding S. - Frisbie 10. Apache Sunrise S. 11. Modoc S. -Spier 12. Pawnee G.D. -Densmore 13. Iroqouis Eagle D. -Fenton 14. Creek Stomp D. -Indian House Record 15. Alaskan Eskimo - Praise of hunter - Folkways 16. Krakiutl Potlatch S. -Folkways 17. Sioux flute s. -Folkways 18. Kiowa Peyote s. -Sounch. 19. Navaho women's song 20. Tao Gambling s. -Folkways"

Item 10: Nemet's songs - examples, undated

Note in liner reads "Appendix ~ 30 min."

Item 11: Neyriz, undated

Side A: Bayate Tork - Neyriz

Side B: Bayate Esfahan - Neyriz

Item 12: Persian Popular Music Anthology, undated

Includes typed tracklist. "Persian Popular Music Sampler."

Item 13: Persian Classical Genre Survey, undated

Includes handwritten tracklist.

Item 14: Peyote History, undated

Includes handwritten tracklist. Side A: Peyote history. Side B: First grade examples.

Item 15: Samaritan, undated

Item 16: Songs of the Caddo, undated

Side A: Songs of the Caddo Vol. I, 37 Turkey Dance Songs. Side B: Songs of the Caddo Vol. II, 4 Turkey Dance Songs, 6 Bear Dance Songs, 4 Fish Dance Songs, 4 Duck Dance Songs, 4 Bell Dance Songs, 10 Morning Dance Songs

Item 17: Tale of Two Cities, undated

Includes typed tracklist. "1. Trad. avaz, Mahour, vocal 2. Trad. Chahar mezrab, santour, Mahour 3. Trad. kriti, vocal, Ramanathan 4. Trad. alapana, Sankarabharanam Subbalakshmi 5. India - violin, svara kalpana 6. India - clarinet 7. India - saxophone 8. India - Chitti Babu and disciplies [sic], vina 9. Vadya vrinda 10. "Note" on clarinet 11. Iran - Pishdaramad, ensemble, segah 12. Chahargah, santour, Heydari 13. Chahargah, violin, Shirinabad 14. Chahargah, piano 15. Tasnif in Mahour, Parvaneh and ensemble of Payvar."

Item 18: Tas Nif, undated

Includes handwritten note. "Tasnif and Chahargah, HMV RR.52, OHB 1224"

Box 33

Item 1: Turkish Mevlana, undated: Includes typed tracklist. "Turkish Mevlana Ceremony (excerpts from Anthlogy record)"

Box 35

Reel 8: American Negro (Lomax), ca. 1950

Includes handwritten tracklist. 1. Another Man Don Gone 2. Boll Weevil 3. Spiritual (chorus) 4. Trouble No Hand 5. Children's songs and Rhymes

Reel 9: Coll. 31, Tape 1, "Musik des Orients", December 28, 1950

From University of Illinois Ethnomusicology Archive. Collection no. 31, tape no. 1.

Includes written track listing: "Oriental, mixed Ã¢?? copy of "Musik des Orients" collection.

1. Japan (1-5), 2. Japan (5-9), 3. Japan (9-12.5), 4. Japan (12.5-16), 5. China (16-20), 6. China (20-24), 7. China (24-27), 8. Java (27-30), 9. Java (27-30)."

Reel 10: Coll. 31, Tape 2, "Musik des Orients", December 28, 1950

From University of Illinois Ethnomusicology Archive. Collection no. 31, tape no. 2.

Includes written track listing: "Oriental, mixed Ã¢?? copy of "Musik des Orients" collection, reel 2:

10. Java (1-5), 11. Bali (5-8), 12. Bali (8-12), 13. Bali (12-15), 14. Bali (15-18), 15. Bali (21-25), 16. Siam (21-25), 17. India (25-28), 18. India (28-31)."

Reel 11: Coll. 31, Tape 3, "Musik des Orients", December 28, 1950

From University of Illinois Ethnomusicology Archive. Collection no. 31, tape no. 3.

Includes written track listing: "Oriental, mixed â?? copy of "Musik des Orients" collection, reel 3:

19. Persia (1-5), 20. Egypt (5-9), 21. Egypt (9-14), 22. Egypt (14-18), 23. Tunis (18-21), 24. Tunis (21-24)."

Reel 12: Walter I, August 27-28, 1952

Includes Handwritten track listing: "Pat Bonner - fiddle, J. Gillespie - guitar

1. Fisher's Hornpipe (000), 2. Rouse Maggie (017), 3. Calligan's Reel (029), 4. A Shottised (043), 5. Highland Fling (085), 6. Speed the Plow (085), 7. The Gravel Walk (108), 8. Talking, Old Square Dance Enterprize (120), 9. The Old Folks (157), 10. The Two Sisters (171), 11. Right of way, tape end (187), 12. Haste to the Wedding (195) 13. Fragment (211), 14. Boy O'More (217), 15. The Tenblehouse (235), 16. Old Man & Old Woman (248), 17. Buffalo Girls (267), 18. Flower of Edinboro (282), 19. Arkansas Traveler (300), 20. Sweet Genevieve, Gillespie and wife (341)."

Reel 13: Walter II, August 27-28, 1952

Continued from Reel 13, tracks 12-20 on tracklist.

Reel 14: Nepal - Fischer, October 13, 1966

Edited Nepali songs. Tape recorded at 7.5, 2 tracks mono.

Box 36

Reel 1: Ethnic Music from Hawaii, March 18, 1968

Performance by the University of Hawaii Singers and Asian Endemble at MENC Convention in Seattle Washington. Per written label, music from Hawaiian, Korean, Japanese, Putorino, Tongo. Set list included.

Reel 2: Witmer-Amoaku Project, circa 1971

Includes typed track list with production notes.

Reel 3: Renato Andrade, "Violeiro", undated

Includes handwritten explanatory note from Kurt B.: "Renato Andrade performs on the viola caipira, a stringed folk instrument of rural Brazil. This presentation onsists of a combination lecture-recial i.e. performance of selections with interpersonal commentary and explanations."

Reel 4: Wilfred Berg, undated

The name "Wilfred Berg" is written on the tape box label.

Reel 5: Tape from Birmingham Lecture, undated

Reel 6: Child Ballads, undated

Includes handwritten track listing: English, Indiana, C.C.

558.1 The Oxford Girl (1-2), 558.2 Come All Young Friends (2-4), 558.3 Young Beichan (4-7), 559.1 Darling Betsy (7-10), 559.2 Lass of Loch Royal (10-12), 559.3 Wife of Usher'n Well (12-14), 559.5 Lady Isabel & Elf Knight (14-16), 559.6 Erlinton (16-19), 559.7 Cambic Shirt (19-22), 560.1 Lord Thomas & Fair Ellender (22-23), 560.2 House Carpenter (23-24), 560.4 Fiddle Tune (Solder's Joy) (24-25), 560.8 Golden Vanity (25-29), 561.6 Lass of Lock Royal (24-28), 561.7 House Carpenter (28-30), 561.8 Edwin in the Lowlands (30-)."

Reel 7: Tribal Music, undated

Includes handwritten tracklisting: "1. Djedbang - Ari Songs (Yirkalla district), 2. Djedbang - Ari (Riredjing-o), 3. Babinga Pigmy Chorus, 4. Babinga Dance."

Reel 8: EIU Tape, undated

Reel 9: North Carolina Tape, undated

Includes handwritten tracklist: "1. Kamancheh, singer, parallel fifth, 2. Setarzadeh 3. Shir Song with piano 4. Delkash- modernized song 5. Modernized song example - piano, Viguen, 6. Ebadi (Chahargah) 7. Shirinabadi 8. Madjubi - piano, A-flat and D-flat, 9. Pishdaramad in Mahour, 10. Tasnif in Mahour, very modernized 11. Orchestral material with Guyande, 12. Shur."

Reel 10: Example, undated

Reel 11: Serbo-Croatian, undated

Reel 12: Trudgeon, undated

Reel 13: Wayne State Archives of Ethnomusicology, Coll. 11, undated

Handwritten title is not legible, but box is stamped with "Wayne State University Archives of Ethnomusicology."

Box 41

Cassette 2: American Indian Lecture- Louisville, Urbana, undated

Side A: American Indian Lecture (Louisville, Urbana)

Side B: Taqsim Nahawand

Cassette 3: American Indian Lecture - Vienna, undated

Cassette 4: Blackfoot Lecture, undated

Cassette 5: Blackfoot Ownership Music Ed Lecture, undated

Cassette 6: Carnatic Music Survey, undated

1) Varnam. Raga Bhairavi, Kanada ata tala, flute and vl.

2) Kriti: Banturiti by Tyagaraja, Raga Hamsanadhana

3) Kriti Jnana Mudaivane wighsvawars, raga Hamsadhinadi

4) Kriti Raghuvamsa - vina - raga Kadanakuthuhalam

5) Alapana Shankarabharanam

6) Alapana vina - Kalyani

7) Tana, - vina

8) Tanam - vocal (brief) and violin

9) Niraval theme (90 sec)

10) Niraval variations - with mrdangam and kanjira

SIDE B

11) Svara kalpana - Ramnad Krishnan

12) Niraval and svara kalpana - Rag Kalyani Gayathri

13) Svara Kalpana - Balamurali Krishna

14) Tillana - S. Ramanathan

15) Mangalam - Subbalakshmi

Cassette 7: Child Ballads, undated

1) The Two Sisters (Child 10): a) Virgina, 1939 - Botkin record, b) Jean Ruthie, 1936, c) Artus Moser with dulcimer, d) Andrew Rowan Summers with dulcimer

2) The House Carpenter (Child 243): a) Kentucky 1943 (Lomax rec), b) Virgina 1941 (Lomax rec)

3) The Gipsy Laddie (Child 200): a) A.L. Loyd, b) Woody Guthrie, 1940

4) Edward (Child 13): a) A Californian from Missouri 1941, b) Virginia 1941, c) Ewan McColl

5) The Golden Vanity (Child 286): a) Ewan McColl, b) Kentucky, 1937

6) Lamkin (Child 93): a) North Carolina 1937, b) A.L. Lloyd

7) The Maid Freed from the Gallows (Child 95?): a) A.L. Lloyd

8) Lord Bateman (Child 53): a) Molly Jackson 1935, b) California 1940, c) Pleaz Mobley (Kentucky) with guitar, d) A.L. Lloyd

9) The Bishop of Canterbury (Child 45?): a) California 1938

10) Our Goodman (Child 274): a) Ewan McColl (Scots), b) Tennessee 1943

11) The Farmer's Curst Wife (Child 278): a) A.L. Lloyd, b) 1941, c) Virginia 1942, d) Artus Moser (same version as c)

12) The Wife Wrapped in Wether's Skin (Child 227): a) Ewan McColl

13) The Cherry Tree Carol (Child 54): a) Kentucky 1937, b) A.L. Lloyd

14) The False Knight Upon the Road (Child 3): a) Artus Moser

15) Sir Hugh (Child 155): a) A.L. Loyd

Cassette 8: Czech 17th-18th Cent. First Part Tape #2, undated

Hand written set list inside container. Tracks include works from Biber, Fux, Stamitz, Myslivecek, Pickl

Cassette 9: Czech 17th-18th Cent. Second Part, Tape #3, undated

Handwritten set list inside container.

Cassette 10: European Folk Polyphony--Eastern Europe, Italy, Germany, undated

Contains set list inside container.

Cassette 11: Hesar, undated

Label on Tape reads: Collection 68: Iran--Chahargah, Example 12 (end) (hesar)

Inside container is set list from U of I Ethnomusicology Archive Collection 68: Recordings of Hesar/Persian Music Demonstration Tape.

Cassette 12: Iran--Classical music Nour Ali Boroumand, Shur 220/1, undated

setlist inside container reads: TAPE 1 - Dastgah Shur

1st daramad, 2nd daramad, kereshmeh, gusheh-e rohab, 1st naghmeh, 2nd naghmeh, zirkesh-e salmak bamollanazi, salmak, golriz, majles-afrouz, ozzal, safa, bozorg, dobeyti, khara, qajar foroud, hazine

Shur paindaste, gusheh-e rohab, moqadame-ye greyli, razavi, foroud, shahnaz, qaracheh, shahnaz

Cassette 13: Lady Isabel, undated

Cassette 14: Lomax Cantometrics #3, undated

Label on tape reads: Side 1: accent, volume, vocal pitch, tempo. Side 2: Rasp, vocal width, nasality

Cassette 15: Lomax Cantometrics #4, undated

Cassette 16: Middle East Listening #2 - Unity, undated

Cassette 17: Middle East Listening #3 - Khorasan, undated

Cassette 18: Middle East Listening #4 - Radif-Chahargah 1 of 2, undated

Green trimmed label. 1 of 2

Cassette 19: Middle East Listening #4 - Radif-Chahargah 2 of 2, undated

blue trimmed label. 2 of 2.

Cassette 20: Middle East Listening #5 - Radif-Shur 1 of 2, undated

green trim label. 1 of 2

Cassette 21: Middle East Listening #5 - Radif-Shur 2 of 2, undated

blue trim label. 2 of 2.

Cassette 22: Middle East Listening #6 - Lessons-Shur 1 of 2, undated

Green trim label. 1 of 2.

Cassette 23: Middle East Listening #6 - Lessons-Shur 2 of 2, undated

Blue trim label. 2 of 2.

Cassette 24: Middle East Listening #7 - Ebadi-Chahargah Performance 1 of 2, undated

Green trim label. 1 of 2.

Cassette 25: Middle East Listening #7 - Ebadi-Chahargah Performance, undated

blue trim label. 2 of 2.

Cassette 26: Middle East Listening #8 - Mahour - Ensemble Performance, undated

Cassette 27: Middle East Listening #9 - Dar. of Chahargah 1 of 2, undated

green trim label. 1 of 2.

Cassette 28: Middle East Listening #9 - Dar. of Chahargah 2 of 2, undated

blue trim label. 2 of 2.

Cassette 29: Middle East Listening #10 - Maqam Drill - Taqsim Beginnings, undated

Cassette 30: Middle East Listening #11 - Taqsim Hijaz Sampler, undated

Cassette 31: Middle East Listening #12 - Mevlevi Ceremony Excerpts, 1 of 2, undated

blue trim label. 1 of 2.

Cassette 32: Middle East Listening #12 - Mevlevi Ceremony Excerpts, 2 of 2, undated

green trim label. 2 of 2.

Cassette 33: Middle East Listening #13 - Western Influence, 1 of 2, undated

blue trim label. 1 of 2.

Cassette 34: Middle East Listening #13 - Western Influence, 2 of 2, undated

green trim label. 2 of 2.

Cassette 35: Middle East Listening #14 - Western Influence Part II, 1 of 2, undated

blue trim label. 1 of 2.

Cassette 36: Middle East Listening #14 - Western Influence Part II, 2 of 2, undated

green trim label. 2 of 2.

Cassette 37: Music 317 Tape #15 - Persian Popular Music, undated

1) Negah Kon. Viguen Derderian. ("Greek" style)

2) Safar kardeh ("Journey finished"" - Delkash-Chahargh

3) Tik tik-e soat ("Ticking of the clock") Mahtab

4) Qese-ye vafa ("Song of Fidelity") - Gougoush

5) Leili va Majnum - folk song from Shiraz, piano accomp.

6) Dokhat-re farash bashi ("The servant's daughter it will be") - Khorasan. Setarzadeh with dotar

7) Biyad zelzel-e Khorasan ("Memorial of the earthquake of Khorasan") Nejan Alladin with zorah.

8) Delam divaneb shod ("My heart went crazy") Homeria. spoken poem. Then violin solo, Tajvidi.

9) Sufi song ("All my soul"

10) Gol amad, bahar amad ("Flowers came, spring came") Puran

11) Arus Jazireh ("Island wedding") - uran

12) Dokhtar'e falghir ("Peasant's daughter") - Banan long intro

13) Gol keshti ("You planted a flower") Elaheh ("Russian" style?)

14) Songs from film about Golpayegani, "Mard-e henjare-ye tala'i") variety of styles, including classical and folk

15) Music with Indian influence. Mehrpuya, sitar.

16) Chahar mezrab, Segah. Tajvidi, violin

17) Raghs-e arabi ("Belly Dance") - Kasai, flute

18) Darbasteh ("Closed") - Vigen and orch

19) Ateshe Caravan ("Caravan fire") - Delkash

20) Baran, Baran-eh ("It's rain, it's rain") - Vigen and orch

Cassette 38: Smetana, "Bartered Bride" Acts 1-3 Excerpts, Tape #5, 1 of 2., undated

Setlist inside container. Includes Act I, II, and III.

Cassette 39: Smetana, "B. Bride" Acts 1-3 Excerpts, Tape #5, 2 of 2, undated

Side A: Acts 1 and 2, Side B: Act 3

Cassette 40: Music 337 Tape #6: Czech Piano Music 1800-1844, undated

Container reads: 1) Tomasek Eclogue #22, 2) Vorisek, 3) Smetana

Cassette 41: Music 337 Tape #7: Czech Piano Pieces on Dance or Folk Themes, undated

Setlist inside reads: Music 337 - Music in the Czech Lands - Piano Music (short pieces) on folk or national themes.

Side A: Smetana. Czech Dances I (1877) - Polka in A minor, Polka in F., Polka in F-sharp (1878), Czech Dances II (1879) - some pieces are excerpts: Slepicka ("The Hen" - polka), Oves ("Oats" - folk song from Erben), Furiant (dance - the word means "showoff"), Dupak (duple dance - folk song from Erben), Cibulka ("little onion" - folk song from Erben), Medved ("the bear" - folk song from Erben), Hulan ("Uhlan" - calvary officer - folk songn from Erben), Obkrocak (fast dance like polka - 2 songs from Erben)

Side B: Dvorak, 2 Furiants, op. 42 ca. (1978)

Janacek. V Mlhach ("In the Fog") 1st and 2nd of four pieces - (1912). Good Night and The Owl from collection ca. 1907.

Martinu. Sketches for 3 Czech dances (1927)

Cassette 42: Music 337 Tape #8: Smetana- "Dalibor", Dvorak "Rusalka" 1 of 2, undated

Side A: Smetana: "Dalibor" - Act 1, scenes 1-4

Side B: Dvorak: "Rusalka"

1) Overture Bec.

2) Act I, 20 min. To Rusalka Solil

3) Venibab Incant. Hunter's song

Cassette 43: Music 337 Tape #8: Smetana "Dalibor," Dvorak "Rusalka" 2 of 2, undated

Side A: Smetana- Dalbor Act I, Scene 1-4

Side B: Dvorak- Rusalka

Cassette 44: Music 337 Tape #9: Dvorak - songs, undated

Side A: "Dvodrak, Amer. Themes"

Side B: "Dvorak, songs"

Cassette 45: Music 337 Tape #10 - Fibich, undated

Tape label reads: "B. Fibich, Karlstein"

Works by Zydenek Fibich.

Side A. From "Moods, Impressions, and Reminiscences," opus 41. (Excerpts from a total of 367 short pieces)

1. #126 - Andante

2. #127 - Commodo

3. #128 - Andante

4. #129 - Poco allegro

5. #130 - Lento

6. #131 - Andante

7. #132 - Allegro Moderato

8. #133 - Andnate

9. #134 - Allegro moderato

10. #135 - A la Polka

11. #136 - Grave

12. #137 - Andantino grazioso

13. #138 - Quasi fantasia

14. #139 - Lento

15. #140 - Allegro moderato / attacca/

16. #141 - Serioso

17. #142 - Sostenuto

18. #143 - Allegro fuoco

19. #144 - Allegro moderato

20. #145 - Con moto

21. #146 - Allegretto

Side B: A night at Karlstein Castle, Overture to the comedy by Jaroslav Vrchlicky, op 26.

Cassette 46: Music 337 Tape #11: Janacek, "Diary" - Piano, undated

Tape label reads, "Janaeck, "Diary" (piano) 1-18, 19-22

Cassette 47: Music 337 Tape #12: Janacek, Jenura, Krasa, Brundibar, undated

Cassette 48: Music 418: Clan #1, "Most Famous", undated

Cassette 49: Perisan Tape #1 - Shur-Radif-Boroumand, 2000

Example recordings for Music 317

Cassette 50: Persian Tape #7 - Shur and Mahour - USA, 2000

example recordings for Music 317

Cassette 51: Peyote Demo, undated

Cassette 52: Peyote history, 49 history, 1st grade examples, undated

Tape Label reads--

Side A: Peyote History, 49 History

Side B: 1st Grade examples

Cassette 53: Samaritan, Israez- Chant, undated

Cassette 54: Sarasasamadana - Tyagarajk. S. Ramanathan/Madurai Mani Ayan/ S. Balachnder, undated

Cassette 55: Yugo Epic / Peyote songs, undated

Cassette 56: Yugoslav Epics, undated

Recordings for Music 317. Note inside reads:

Yugoslav epic poetry: brief excerpts

Side 1: short epic form George Herzog recording

Side 2: a) Beginning of epic dealing with 1941, sung in Croatia, b) The Youth of Djerjelez Aly, c) Song of Bagdad

Sub-Series 3: Commercial Recordings

Box 33

Item 2: Arunachalam, Karukurichi P.: Nadaswaram, 1983: Recorded by The Gramophone Co. of India, Ltd. STC 03B 33518
Item 3: Balakrishnan, Shyamala: Folk Music of Tamil Nadu, 1982: Distributed by The Gramophone Co. of India Ltd.
Item 4: Babu, Chitti: Musings of a Musician, 1980: <dl> <dd class="faitemcontent" style="font-size: 11.808px; margin: 3px 15px 5px 0px; color: rgb(0, 0, 0); font-family: Georgia, Times, serif;"> Distributed by The Gramophone Co. of India Ltd.</dd></dl>
Item 5: Balasubramaniam, G. N.: Immortal Music of the Great Master (live in concert), 1982: AVM. Music Service, MEI-SR 1043.
Item 6: Balamuralikrishna, Dr. M.: Vocal, undated: Released by Sangeetha Live Cassetes, 6 MSC 6001
Item 7: Balamuralikrishna, Dr. M., 1981: With Sree Bhadrachala and Ramadas Keerthanams. Released by EMI and The Gramophone Co. of India, Ltd.
Item 8: Balamuralikrishna, Dr. M.: Swara Raga Sudha, Vol. 1, 1986: Released by One Minute Film Productions.
Item 9: Bennett, Geetha: Veena, 1992: Produced by The Master Recording Co., released by Sangeetha Live Cassettes. 6 ECDB 493
Item 10: Central Philharmonic Orchestra: Yellow River Concerto, undated: Tracklist and liner notes in Cantonese.
Item 11: Chandrasekaran, M. and Kumari Bharathi: Violin, undated: Released by Sangeetha Live Cassettes.
Item 12: Dhandapani, Anayampatti S.: Jalatharangam, undated: Released by Sangeetha Live Cassettes. 6 MSC 6011
Item 13: Gopalakrishnan, T. V.: Vocal, undated: Released by Sangeetha Live Cassettes. 6 MSC 6026
Item 14: Govindarajan, Dr. Seergazhi S.: Shakthi Velan Songs, 1986: Recorded by Master Recording Co. Released by Sangeetha Live Cassettes. 4 MSC 4274
Item 15: Jayaraman, Lalgudi G.: The Dance of Sound-Thillanas, 1980: Released by The Gramophone Co. of India, Ltd. and EMI.
Item 16: Krishnaji, Thavil A.: Nadaswaram by Shivalingam, undated: Recorded by The Master Recording Co. 6 MSC 6006
Item 17: Kicking Women Singers: Pickuni Style, 2000.: Live at Browning. Released by Canyon Records Productions. CR-6333
Item 18: Krishnan, T. N.: Melodious Strings of the Indian Violin, undated: Released by Oriental Records, Inc. BGRP 1059-C

Box 34

Item 1: Krishnan, Prof. T. N.: Violin-Classical, 1981: Released by AVM Cassette. MEI-SR 1019
Item 2: Krishnan, Prof. T. N., and Kumari Vijikrishnan, 1981: Released by INRECO. 2701-0055
Item 3: Natarajan, A.K.C.: Clarionet-Classical, 1981: Released by AVM Cassette. MEI-SR 1020
Item 4: Ramamarar, Chithalai M., & Party: Panchavadhyam, 1981: Released by AVM Cassette. MEI-SR 1031
Item 5: Ramanathan, Dr. S.: Tyagaraja's Songs on Music, Vol. I, 1988: Released by Veena Cassettes.
Item 6: Ramanathan, Dr. S. & Navagraha Krithis: Dikshitars, undated: Released by Sangeetha Live Cassettes. 6 MSC 6023
Item 7: Sastry, Dr. Emani Sankara: Veena, undated: Recorded by the Master Recording Co., released by Sangeetha Live Cassettes. 6 MSC 6013
Item 8: Seetharam, Prapancham: Karnatik Classical Flute, undated: Released by Sangeetha Live Cassettes. 6 MSC 1008
Item 9: Sreepathi: Tamil Devotional Songs, undated: Released by Sangeetha Live Cassettes. 4 MSC 4006
Item 10: Srinivasa Iyer, Dr. Semmangudi: Carnatic Songs, 1981: Released by AVM Cassette. MEI-SR 1013.
Item 11: Subbulakshmi, M. S.: Bharathi Songs, Vol. 1, 1983: Released by EMI and The Gramophone Co. of India Ltd.
Item 12: Tala'i, Dariush: Tar & Setar, 1987: Released by Ocora. DT 1187
Item 14: Various: Love Sublime, undated: Released by AVM Cassette. MEI-SR 1023.
Item 15: Various: Arirang (Shinnara Restoration Series 001), undated: Released by Sung Eum. CO874
Item 16: Various Native American Artists: SOAR Sample Series, Vol. 1, undated
Item 13: Venkataramana Rao, Palladam S.: Harmonium, undated: Released by Sangeetha Live Cassettes and The master Recording Co. 6 MSC 1015

Box 36

Reel 14: The Music of Tibetan Buddhism I, 1961: Copy of Barenreiter Musicaphon BM 30 L 2009.
Reel 15: The Music of Tibetan Buddhism II, 1961: Copy of Barenreiter Musicaphon BM 30 L 2010
Reel 16: The Music of Tibetan Buddhism III, 1961: Copy of Barenreiter Musicaphon BM 30 L 2011.

Box 38

Disc 2: Folk Music of the Central East, vol 1, 1947: 10-inch shellac disc, 78rpm. Released by DISC Records, 1505A-B.
Disc 3: Folk Music of the Central East, vol 2, 1947: 10-inch shellac disc, 78rpm. Released by DISC Records, 1506A-B.
Disc 4: Folk Music of the Central East, vol. 3, 1947: 10-inch shellac disc, 78rpm. Released by DISC Records, 1507A-B.
Disc 5: Folk Music of India (1 of 3), 1950: 10-inch record, 78rpm. Released by Ethnic Folkways Library, #01448.
Disc 6: Folk Music of India (2 of 3), 1950: 10-inch record, 78rpm. Released by Ethnic Folkways Library, #01450.
Disc 7: Folk Music of India (3 of 3), 1950: 10-inch record, 78rpm. Released by Ethnic Folkways Library, #1451.

Box 41

Cassette 57: Cache Creek Singers: Native American Music, 49 SONGS Volume 1: 18 War Journey Songs, 1976: Commercial Cassette tape.
Cassette 58: Ramanathan, Dr. S., - Karnatik Classical, undated: Sangeetha Live Cassettes
Cassette 59: Strahovanka, (hraje sklady Ady Doska) - Sumavské Ozveny Echo Aus Dem Böhmerwald, 1995