Finding Aid for Bruno Nettl Papers, 1949-2010 | The Sousa Archives and Center for American Music

By Nolan Vallier, Adriana Cuervo, and Elizabeth Hartman

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Collection Overview

Title: Bruno Nettl Papers, 1949-2010

ID: 12/5/39

Primary Creator: Nettl, Bruno (1930-2020)

Extent: 20.75 cubic feet

Arrangement:

The Bruno Nettl Papers were initially arranged into two distinct Series: Series 1) Correspondence and Series 2) Sound Recordings in 2006. After restrictions on the collection were lifted in 2009 and additional materials were acquired from Bruno Nettl in 2013, the papers were re-arranged keeping the original order of the 2006 arrangement in tact. All materials recevied after 2013 were arranged either chronologically or alphabetically. The 2019 arrangement partitioned the papers into four distinct series: Series 1: Administrative Records, Series 2: Correspondence, Series 3: Research, and Series 4: Sound Recordings. A fifth series was created with the 2021 addition: Series 5: Recognition and Photographs.

Series 1: Administrative Records is arranged into two sub-series: 1) University of Illinois Musicology Department Files and 2) Course Files for Musicology Courses, Anthropology Courses, and Other University Residencies. Starting with the 2019 acquisition, Subseries 1 and 2 are arranged chronologically when possible and alphabetically by subject when not.

Series 2: Correspondence is arranged into three sub-series: 1) Administrative Correspondence, 2) Professional Organization and Committee Correspondence, and 3) Personal and Research Correspondence. Subseries 1) Administrative Correspondence was arranged alphabetically in 2013. Subseries 3) Personal and Research Correspondence was arranged chronologically.

Series 3: Research is arranged into three sub-series: 1) Writings, Lectures, and Grant Applications, 2) Field Notes, Transcriptions, and Primary Research Materials, and 3) Secondary Sources and Annotations. Starting with the 2019 arrangment, Subseries 1 and 2 were arranged chronologically and Subseries 3 was arranged alphabetically by author's last name and chronologically by publication date when necessary. The 2021 addition follows the 2019 arrangement, with the addition of two further sub-series: 4) George Herzog Project (1928-1999) and 5) Paul Nettl Papers. Sub-series 4 is arranged alphabetically by name, and sub-series 5 is arranged chronologically.

Series 4: Sound Recordings is arranged chronologically and by collection and tape number therein. All undated tapes have been arranged alphabetically by subject. The sound recordings acquired in 2021 were arranged into three sub-series: 1) Field Recordings and Research, 2) Demonstrations, Lectures, and Example Recordings, and 3) Commercial Recordings. Sub-series 1 and 2 were arranged chronologically, and by collection and tape number where applicable, with undated tapes arranged alphabetically by title. Sub-series 3 is arranged alphabetically by performer.

Series 5: Recognition and Photographs is arranged into two sub-series: 1) Diplomas, Awards and Honorary Degrees and 2) Photographs. Subseries 1 and 2 were arranged chronologically.

Date Acquired: 01/13/2006. More info below under Accruals.

Subjects: Champaign, Illinois, Ethnography, Ethnomusicology, Folklore, Folk music, Folk music - Instruction and study, Folk music - Music teachers, Indian Dance, Indians of North America -- Music, Music, Music, School of, Music -- India, Music - Instruction and study, Music -- Iran, Music -- Montana, Music -- Native American, Tehran, Iran, World Music

Formats/Genres: Papers

Languages: English, Persian, Persian, Spanish;Castilian, German, Czech, Korean, Italian, Chinese

Scope and Contents of the Materials

Consists of administrative records, correspondence, published and unpublished research, and field recordings of Bruno Nettl while a professor of Musicology for the University of Illinois School of Music. The papers document Nettl's career as a teacher, administrator and internationally recognized researcher. Of particular interest is correspondence between Dr. Nettl and other renowned musicologists including Gerard Behauge, Stephen Blum, Philip Bohlman, Charles Hamm, Daniel Neuman, Stephen Slawek, Theodore Solis, Christopher Waterman, and Robert Witmer. In addition, these papers contain his field notes, field recordings, and melodic transcriptions from his three main research inquiries: the Blackfoot Native Americans, Persian Classical Music, and Indian Music. Additional areas of interest documented in The 2021 addition to the collection are Nettl's engagement with the work of other renowned musicologists Paul Nettl this father) and George Herzog, and the international commercial recordings collected by Nettl through his research.

Biographical Note

Bruno Nettl (1930-2020) was born March 14, 1930 in Prague, Czechoslovakia. He is the son of the late musicologist Paul Nettl, who taught at Indiana University from 1946-1964. After emigrating to the United States at the age of nine, he began studying music. In 1950, he graduated from Indiana University with a bachelors degree in music. In 1951, he wrote his master's thesis entitled, "The Musical Culture of the Arapaho." Nettl completed his doctoral studies with the eminent musicologist, George Herzog, and graduated with a PhD in musicology from Indiana University just two years later. His dissertation, "American Indian Music North of Mexico: It's Styles and Areas," would later be expanded in several articles and books on Native American musics. After receiving his first faculty position as a musicologist at Wayne State University in 1953, Dr. Nettl received a Fulbright Lectureship at the University of Kiel in Germany in 1956. Four years later, Dr. Nettl received a master's degree in library and information science at the University of Michigan.

In 1964, Dr. Nettl was hired as an Associate Professor of Music at the University of Illinois. After being promoted to Professor of Musicology and Anthropology in 1967, he served as the head of the musicology department at Illinois from 1966-1968, 1969-1972, 1975-1977, 1982-1985, and 1987-1989. Dr. Nettl was instrumental in establishing a curriculum for the discipline of Ethnomusicology and his early courses at the University of Illinois show the interdisciplinary nature of his design. He offered a year-long survey in world musics as well as specific area studies geared toward graduate and undergraduate students. During his time at the University of Illinois, he served as the dissertation advisor to several important musicologists including: Stephen Blum, Philip Bohlman, Doris Dyen, Martha Ellen Davis, Marcello Sorce Keller, Daniel Neuman, Ronald Riddle, Ali Jihad Racy, Stephen Slawek, Theodore Solis, Christopher Waterman, and Robert Witmer. In 1992, he became Professor Emeritus and began teaching part-time. In 2000, Dr. Nettl and his wife, Wanda, endowed an annual lecture series featuring the work of eminent musicologists at the University of Illinois. Some of the participants of this lecture series include: Philip Bohlman, Pamela Potter, Thomas Turino, Martin Stokes, Jeff Todd Titon, Portia Maultsby, Alejando Madrid, and Kay Kauffman Shelemay.

Dr. Nettl's research includes three principal areas: Blackfoot Native American Music, Persian Classical Music (Radifs), and South Indian Music (Carnatic Music). Principally, his field research took place in Montana, Tehran, Jerusalem, and Madras between 1965 and 1982. In 1965 he began conducting research on various Blackfoot reservations in Montana. His research on the Blackfoot People would also bring him the Museum of the Southwest in 1984, where he consulted hundreds of early audio recordings of Blackfoot music. In 1966, he received a Fulbright Research Fellowship to conduct research in Iran. While in Tehran, he studied with the eminent Iranian pedagog Nur Ali Borumand. In the early 1970s, Nettl continued his research on Persian Radifs in Jerusalem, examining audio recordings at the Lachman Collection. His research on Blackfoot and Iranian music resulted in two of his most famous ethnographies: The Radif of Persian Music: Studies of Structure and Cultural Context (1987) and Blackfoot Musical Thought: Comparitive Perspectives (1989). In addition to these two primary research interests, he has written extensively about the history of the discipline of Ethnomusicology. His work on this subject includes the following books: Theory and Method in Ethnomusicology (1964), The Study of Ethnomusicology: 29 Issues and Concepts (1983), Encounters in Ethnomusicology, a Memoir (2002), The Study of Ethnomusicology: 31 Issues and Concepts (2005), and Nettl's Elephant: On the History of Ethnomusicology (2010). Dr. Nettl has also written and edited several editions of the popular world music survey Excursions in World Music (1992-2012) and has written several definitions related to his world music research for Oxford New Grove Dictionary of Music as well as The Garland Encyclopedia of World Music.

Dr. Nettl has served on numerous national and international councils related to ethnomusicology and folk music. In 1961, he became the editor of the Society for Ethnomusicology (SEM) Journal, Ethnomusicology. The Society for Ethnomusicology had been founded only six years prior to his engagement as editor. He would later serve as the society's president from 1969-1971 and as editor of the journal once more from 1985-1989 and from 1998-2002. In 1983, he was awarded the Charles Seeger Lecturer Prize and in 2005 the Society awarded him a lifetime service award as well as the title of "Board Member Emeritus." Since 2012, the Society for Ethnomusicology has offered the Bruno Nettl Prize for historical studies on the field of Ethnomusicology. Beginning in 1972, he served as the general editor for the Detroit Studies in Music Bibliography (DSMB). Between 1974-1977, he served as the editor to the Journal Yearbook of the International Folk Music Council. He has also served on the editorial boards for the Harvard Dictionary of Music, The Garland Encylcopedia of World Music, and Chicago Studies in Ethnomusicology. He became a member of the Executive Board of the College Music Society in 1977 and served until 1981. In 1985, he acted as the Spivacke Consultant to the Music Division of the Library of Congress. He also served on the Board of the International Society for Music Educators (ISME) In the early 1990s.

Dr. Nettl has also won several major awards for his research and his contributions to the field of Ethnomusicology. In 1981 he was named a fellow of the American Insititute for Indian Studies and a Senior Fellow for Independent Study and Research. Most recently in 2009, he received a Mellon Distinguished Emeritus Fellowship. He died after a short illness on January 15, 2020.

Subject/Index Terms

Champaign, Illinois
Ethnography
Ethnomusicology
Folklore
Folk music
Folk music - Instruction and study
Folk music - Music teachers
Indian Dance
Indians of North America -- Music
Music
Music, School of
Music -- India
Music - Instruction and study
Music -- Iran
Music -- Montana
Music -- Native American
Tehran, Iran
World Music

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: Papers were initially acquired on January 13, 2006 and were restricted until 2009. An additional two boxes of sound recordings and one box of correspondence was added on May 4, 2013. Four additional boxes of files were added on May 2, 2019. An additional seven boxes of files and twelve boxes of sound recordings were added on July 21, 2021. An addition of two boxes of files and one box of cassette recordings were added on July 25, 2022.

Access Restrictions: Collection restricted until January 13, 2009, opened January 14, 2009.

Acquisition Source: Bruno Nettl

Acquisition Method: Gift

Other Note: Pages

Box and Folder Listing

Browse by Series:

[Series 1: Administrative Files, 1965-2009],
[Series 2: Correspondence, 1958-2010],
[Series 3: Research, 1951-2002],
[Series 4: Sound Recordings, 1949-1974],
[Series 5: Diplomas, Awards, Honorary Degrees, and Photographs, 1948-2018],
[All]

Series 1: Administrative Files, 1965-2009

This series encapsulates Nettl's Career as an Ethnomusicologist at the University of Illinois including his department files and course files. Nettl taught many different music courses at the University of Illinois from 1964 until becomming an emeritus faculty member in 1992. Of particular note are his course offerings on Native American Music, Persian Music, Folk Music, and Indian Music.

Sub-Series 1: University of Illinois Musicology Department Files, 1966-2009

Box 2

Folder 4: Musicology Division, 1966-1968
Folder 5: Division Workload Reports, 1971
Folder 6: Division and School of Music, 1980-1982
Folder 7: Division, 1987-1988

Box 4

Folder 12: 1979 Search Committee, 1978-1979
Folder 13: Grading Subcommittee, 1978-1979

Box 5

Folder 22: Division Files, 1988-1992

Box 6

Folder 1: Research Board, 1986-1988
Folder 2: Musicology Admissions, 1992
Folder 3: Honors Committee, 1985-1987
Folder 4: Musicology End of Semester Report, 1984
Folder 5: Colloquia, 1987-1988
Folder 6: Admissions and Financial Aid, 1987-1988
Folder 7: LAS-Gen. Ed. Requirement, 1980-1982
Folder 8: Brochure (Musicology), ca. 1980
Folder 9: Graduate Students, Prospective, 1981-1983
Folder 10: Graduate Students, Prospective, 1983-1986
Folder 11: Graduate Students, Prospective, 1986-1989
Folder 12: Summer Session, 1982-1983
Folder 13: Timetable, 1981-1983
Folder 14: Division, 1984-1987
Folder 15: Recommendations for Financial Aid, 1983-1984

Box 11

Folder 16: Governance Committee, 1979
Folder 17: Long Range Planning, 1982-1983
Folder 18: School of Music Memoranda, 1982-1984
Folder 19: Guest Lecturers, Guest Musicians, and Proposed Visitors, 1982-1983
Folder 20: Four Semester Musicology Sequence, 1976 and 1987

Box 12

Folder 2: Sample Preliminary Exam Questions, 1995

Box 16

Folder 1: Visiting Musicians and Lectures, 1965-1969
Folder 2: Musicology Division Business, 1966-1968
Folder 3: Visiting Lecturers, 1967
Folder 4: Musicology Division Budget and Staff Needs, 1968-1969
Folder 5: Visiting Musicians and Musicologists, 1968-1975
Folder 6: Instruments in University Collections, 1969-1975
Folder 7: Musicology Division Minutes, 1969-1992
Folder 8: Ethnomusicology Archives, 1970-1980
Folder 9: Musicology Colloquium, 1971-1975
Folder 10: LAS Committee, 1974-1978
Folder 11: Music Library, 1974-1978
Folder 12: Visiting Lecturers and Performers, 1975-1981
Folder 13: Staffing Recommendations, 1976
Folder 14: Ethnomusicology Performance Programs, 1978-1980
Folder 15: Outside Speakers, 1980-1982
Folder 16: Summer Session, 1980-1982
Folder 17: TA's and RA's, 1980-1982
Folder 18: Admission and Financial Aid, 1980-1983
Folder 19: New York Musicological Soceity Bulletins 1-3 (1931-34) Musicology Conference Memento, 1988
Folder 20: Conference Publicity, 1999-2004
Folder 21: School of Music National Advisory Council, 2009
Folder 22: Former Advisees, undated

Box 21

Folder 1: Musicology Division Meeting Minutes, 1999
Folder 2: Musicology Students and Advisors, 1999
Folder 3: Musicology Courses, 1999

Box 39

Folder 1: Procedures for Annual Review of Faculty Activity and Projected Activities, 2005-2006

Sub-Series 2: Course Files for Musicology Courses, Anthropology Courses, and Other University Residencies, 1965-2009

Box 7

Folder 6: Music 133 - Intro to World Music, Master File, 1984-1985
Folder 7: Music 423 - Methods of Music Ethnography, Master File, 1989

Box 11

Folder 1: Music 423 - Western Influences on Non-Western Music, Master File, 1982
Folder 2: Music/Anthro 316 - Anthropology of Music, Master File, 1983
Folder 3: Tintal Patterns and Notes, undated
Folder 6: Music 317/Anthro 315 - European and American Folk Music, 1979
Folder 7: Folk Music Classification Lecture Notes, ca. 1970s
Folder 8: Music 317B - Folk Music Instruments, Notes and Photographs, 1989
Folder 9: Polyphonic Folk Music Examples, ca. 1970s
Folder 10: Scandanavian Musical Instruments, Notes and Photographs, undated
Folder 11: Music 317 - Folk Music, Rumanian Christmas Carols, 1979
Folder 12: "The Problem of Classification in Folksong Research: A Short History," by Marcello Sorce Keller, 1984
Folder 13: German Calendar Songs and Spiritual Songs, ca. 1979
Folder 14: Music 317/Anthro 315 - Folk Music, Lecture Notes, 1997
Folder 15: Czech Joking Song Examples and Transcriptions, ca. 1995

Box 12

Folder 1: Cantometrics and Folk Song Analysis Lecture Notes, undated
Folder 3: Afro-American Musical Studies Selected Bibliography and European Folk Song Notes, ca. 1952: Written in German and English.
Folder 4: Music 423 - Ethnography Summaries, ca. 1988
Folder 5: Music 316 - Anthropology of Music, Lecture Notes, 1993
Folder 6: Music 423 - Methods of Musical Ethnography, 1991
Folder 7: Hill Professor Residency - University of Minnesota, 1995
Folder 8: Music 317/Anthro 315 - African Music, Master File, 1972-1973
Folder 9: Musical Universals and Simplest Music, Lecture Notes, undated
Folder 10: Music 325/326 - Introduction to Musicology, Master File, 1994-1995
Folder 11: Class Exams, 1968-1997
Folder 12: Visiting Professor Residency - Northwestern University, 1993
Folder 13: Music 423 - Folk Music, Lecture Notes, 1984
Folder 14: History of Ethnomusicology, Lecture Notes and Handouts, undated
Folder 15: Sample Class Exams, 1980-1983
Folder 16: Music 423 - Musical Improvisation Seminar, co-taught by Lawrence Gushee, ca. 1976

Box 16

Folder 23: General Notes on Middle Eastern Music, 1965-1992
Folder 24: Ishi Song Handouts, ca. 1965
Folder 25: Mozart and Beethoven Literature Sampling, ca. 1966
Folder 26: "An Annotated Bibliography of the African Xylophone," by Ted Solis, 1972
Folder 27: Music 317/ Anthro 315 - American Indian Music Course Materials, 1973
Folder 28: Taqsim Nahawand Tables, Handouts, ca. 1973
Folder 29: Ethnomusicology General Bibliography for Teachers, Handouts, ca. 1977
Folder 30: Music 316 - Indian Music (Hindustani and Carnatic), 1978
Folder 31: Music 411 - Ethnomusicology, Bibliography of Publications Project, ca. 1978
Folder 32: Music 423 - Book Reserve List, Fall, 1979
Folder 33: Music 317B - Middle Eastern Music, 1979-1982
Folder 34: Common Gushehs of Persian Music, Handouts, ca. 1980s
Folder 35: Radifs of Persian Music, Handouts, ca. 1980
Folder 36: Native Music in Various World Cultures, ca. 1980-1984
Folder 37: Ethnomusicological Study of Urban Cultures Bibliography, ca. 1982
Folder 38: Music 423B - Western Influences Survey, Tape Contents, 1982-1987
Folder 39: Music 316/ Anthro 316 - Native American Music, 1983-1984
Folder 40: Persian Course Handouts, ca. 1985
Folder 41: Suggested Readings on Transcription and Analysis, ca. 1987
Folder 42: Bibliography of Latin American Musicology, ca. 1987
Folder 43: Music 317 B and C - Middle Eastern Music, Handouts, ca. 1990
Folder 44: Persian Music, Handouts, ca. 1990
Folder 45: Persian Criteria for Musical Styles, Handouts, ca. 1990
Folder 46: Folk Music Seminar, Folk Music Definitions, ca. 1992
Folder 47: "Roll over Beethoven," New York Times article, Handout, 1995
Folder 48: Music 317 - Native American Music Lectures, 2003
Folder 49: Music 317/ Anthro 315 - American Indian Music, 2003
Folder 50: Music 499 - Persian Music, 2006
Folder 51: Music 499 - Studies in Improvisation, 2008
Folder 52: University of Chicago Residency - Persian Music Course, 2008
Folder 53: University of Chicago Residency - Persian Music, Handouts, 2008
Folder 54: Music 418 - Music in the Czech Lands, 2009
Folder 55: 1695 Jewish Musicians Guild, History, undated
Folder 56: 17th and 18th Century Czech Music, undated
Folder 57: African Music Areas, Handouts, undated
Folder 58: American Indian Languages, Handouts, undated
Folder 59: Arabic and Turkish Forms, Handout, undated
Folder 60: Arabic and Turkish Performance Types, Handout, undated
Folder 61: Blackfoot Musical Terms, Handout, undated

Box 17

Folder 1: Carnatic Music Handouts, undated
Folder 2: Cheremis Transposition, undated
Folder 3: Class Notes on Navajo Music, Enemy Way Ceremony, undated
Folder 4: Czech Folk Song Anthology Analytical Notes, Handout, undated
Folder 5: Czech Jesting Songs, undated
Folder 6: Definitions of Musicology, undated
Folder 7: Devri Kebir Rhythmic Cycle Chart, undated
Folder 8: Folk Music Seminar, Oral Tradition Lecture Notes, undated
Folder 9: Gagaku, Handout, undated
Folder 10: George Herzog, Handout, undated
Folder 11: German Ballads and Calendar Songs, undated
Folder 12: Hindustani Music Performance of a Rag, Handout, undated
Folder 13: History of Ethnomusicology, undated
Folder 14: Hungarian Folk Music Research Bibliography, undated
Folder 15: Intro to Musicology, Various Handouts, undated
Folder 16: Iranian Music Instruments, undated
Folder 17: Japanese Notation, Handout, undated
Folder 18: Main Tetrachords of Maqams (Racy), undated
Folder 19: Melodic Movement in Taqasim on the Oud, Handouts, undated
Folder 20: Middle Eastern Music Instruments Chart, undated
Folder 21: Middle Eastern Theory, Lecture Notes, undated
Folder 22: Music 133 - Intro to World Music Syllabus, undated
Folder 23: Music 337 - Music in the Czech Lands, undated
Folder 24: Music 418 - Music in the Czech Lands, Audio Example Lists, undated
Folder 25: Native American Culture Groups, Maps and Handouts, undated
Folder 26: Native American Maps and Peyote Songs, Handouts, undated
Folder 27: Native American Musical Styles, Maps, undated
Folder 28: Oral Tradition Folk Tune Morphology Examples, undated
Folder 29: Persian Classical Tasnif Types, undated
Folder 30: Persian Music History, undated
Folder 31: Peyote Map, Handout, undated
Folder 32: Radifs of Shur, Handouts, undated
Folder 33: Roumanian Christmas Carols, undated
Folder 34: State of Research Final Paper Assignment, undated
Folder 35: Shona Mbira Lead Sheet for "Chemutengure" by Abraham Maraire, undated
Folder 36: Shur Performance Chart, Handouts, undated
Folder 37: Some Major Figures in Arabic-Persian Music Theory, undated
Folder 38: "Speech-Melody and Primitive Music," by George Herzog and Igbo Song Transcriptions, undated
Folder 39: Summary of Some Ways of Grouping Symbols and Signs (Semiotics), Handout, undated
Folder 40: Tanbur Fret Chart, undated
Folder 41: Tibetan Orchestra and Gamelan Orchestra, Handout, undated
Folder 42: Tone Languages, Terms and Musical Applications, undated

Box 19

Folder 1: Ancient Samaritan Music, Newsclipping, 1974

Oversize Portfolio Case 1: Oversized Maps, ca. 1951-1982

Contains six maps: Map of Native American territories in North America used in Nettl's Dissertation, ca. 1951; National Geographic map of West Indies, 1970; US Map of Native American territories, Bureau of Indian Affairs, 1965; National Geographic map of Cultural groups of North America, 1982 (2 copies); Bureau of American Ethnology Map of South America, Bulletin 146, Vo. 6, Map 18, undated.

Box 21

Folder 4: Library Science 529A, University of Michigan, 1963
Folder 5: Music 599E, 1993
Folder 6: Visiting professorship at Carleton College, 1996
Folder 7: Seminar on Improvisation in the World's Music, University of Chicago, 1996
Folder 8: 317B Persian Classical Tapes Handout, 2000
Folder 9: Music 418A Music in the Czech Lands, 2009
Folder 10: Music 418A Handout: Bedrich Smetana, 1824-1884, undated
Folder 11: Music 317, 423: Notes and Handouts, undated
Folder 12: Notes for History and Language, undated
Folder 13: "Music of Iran" handout, undated
Folder 14: Persian Music Explanation, undated
Folder 15: Handout: TerezÃn, undated

Series 2: Correspondence, 1958-2010

This series contains correspondence to and from Dr. Nettl stemming from his administrative work at the University of Illinois, his participation in professional committees and organizations, his research interests, and his discussions with students and other ethnomusicologists in the field. Of particular note are letters to Stephen Blum, Gerard Behauge, Philip Bohlman, Charles Hamm, Daniel Neuman, Stephen Slawek, Theodore Solis, David Stigberg, Christopher Waterman, and Robert Witmer.

Sub-Series 1: Administrative Correspondence, 1958-1997

Box 4

Folder 5: Unit for Criticism and Interpretive Theory, 1985
Folder 10: Letter from Clark E. Cunningham, 1980

Box 15

Folder 1: Abramovich-Gormon, Alla, 1991-1996
Folder 2: Arnold, Dr. Alison, 1992-1994
Folder 3: Ayyangar, Ranga, 1972-1976
Folder 4: Babiracki, Dr. Carol, 1984-1996
Folder 5: Behague, Gerard, 1969-1989
Folder 6: Belzner, William, 1976-1986
Folder 7: Blum, Stephen, 1967-1985
Folder 8: Bohlman, Phil, 1989-1997
Folder 9: Bumpass, Kathy, 1980-1983
Folder 10: Byrnside, Ronald, 1969-1974
Folder 11: Cameron, Cate, 1981-1982
Folder 12: Carter, Marva, 1980-1989
Folder 13: Danielson, Virginia, 1990-1992
Folder 14: Davis, Martha, 1971-1992
Folder 15: Een, Andrea, 1976-1990
Folder 16: Epstein, Judy, 1971-1975
Folder 17: Ellison, Judy, 1980-1990
Folder 18: Ercegovac, Zorana, 1963-1975
Folder 19: Ferguson, Francesca, 1987-1990
Folder 20: Goertzen, Christopher and Valerie, 1981-1997
Folder 21: Haefer, Richard, 1981-1982
Folder 22: Hamm, Charles, 1969-1976
Folder 23: Harness, Kelly, 1996-1997
Folder 24: Herzog, Avigdor, 1973
Folder 25: Hinton, Leanne, 1970-1973
Folder 26: Hock, Henrietta, 1970-1973
Folder 27: Khoshzamir, Mojtaba, 1972-1987
Folder 28: Kolstee, Anton, 1982-1987
Folder 29: Lau, Frederick, 1985-1993
Folder 30: MacDonald, Royal, 1969-1970
Folder 31: Movahed, Azin, 1990-1993
Folder 32: Neuman, Daniel, 1975-1988
Folder 33: Parisi, Susan, 1986-1990
Folder 34: Plamenac, Dragan, 1973-1976
Folder 35: Racy, Jihad, 1970-1993
Folder 36: Rast, Robert, Undated
Folder 37: Robbins, James, 1984-1991
Folder 38: Santos, Ramon, 1987-1989
Folder 39: Sarkissian, Margaret, 1984-1992
Folder 40: Savaglio, Paula, 1993-1996
Folder 41: Shenassa, Daryoosh, 1972-1981
Folder 42: Shiloah, Amnon, 1974-1978
Folder 43: Slawek, Stephen, 1984-1995
Folder 44: Solis, Theodore, 1971-1987
Folder 45: Stigberg, David (1 of 2), 1970-1986
Folder 46: Stigberg, David (2 of 2), 1970-1986
Folder 47: Thompson, Gordon, 1978-1986
Folder 48: Waterman, Christopher, 1979-1985
Folder 49: Wilensky, Shirley, 1980
Folder 50: Witmer, Robert, 1969-1988
Folder 51: Wolbers, Paul, 1993-1994

Box 17

Folder 43: Musicology Division Correspondence (1 of 2), 1958-1962
Folder 44: Musicology Division Correspondence (2 of 2), 1958-1962
Folder 45: Musicology Division Correspondence (1 of 2), 1965-1972
Folder 46: Musicology Division Correspondence (2 of 2), 1965-1972
Folder 47: Musicology Division Correspondence, 1969-1980
Folder 48: Faculty and Student Correspondence, 1977-1982

Box 21

Folder 16: Administrative Correspondence, 1958-1988
Folder 17: University of Illinois, September 25, 1967-May 31, 1989
Folder 18: Administrative Correspondence, 1968-1991
Folder 19: Improvisation Conference Correspondence, April 1988-April 2004
Folder 20: Administrative Correspondence, January 1991-June 1991
Folder 21: Administrative Correspondence, July-December (1 of 2), 1991
Folder 22: Administrative Correspondence, July-December (2 of 2), 1991
Folder 23: Administrative Correspondence, January-May (1 of 2), 1992
Folder 24: Administrative Correspondence, January-May (2 of 2), 1992
Folder 25: Administrative Correspondence, June-December, 1992
Folder 26: Administrative Correspondence (1 of 2), 1993
Folder 27: Administrative Correspondence (2 of 2), 1993
Folder 28: Administrative Correspondence (1 of 2), 1994
Folder 29: Administrative Correspondence (2 of 2), 1994
Folder 30: Administrative Correspondence (1 of 2), 1995
Folder 31: Administrative Correspondence (2 of 2), 1995
Folder 32: Administrative Correspondence, 1996
Folder 33: Musicology Division Correspondence, 1996
Folder 34: University of Chicago, 1996

Box 22

Folder 1: Administrative Correspondence, 1997
Folder 2: Correspondence, 1998 (1 of 3), 1998
Folder 3: Correspondence, 1998 (2 of 3), 1998
Folder 4: Correspondence, 1998 (3 of 3), 1998
Folder 5: MUSIC 412, Spring 1999, 1999
Folder 6: Administrative Correspondence, 1999
Folder 7: Administrative Correspondence, 2000
Folder 8: Administrative Correspondence, 2001
Folder 9: Administrative Correspondence, 2002
Folder 10: Administrative Correspondence
Folder 11: Correspondence, 2005-2006, February 2005-May 2006

Sub-Series 2: Professional Organization and Committee Correspondence, 1966-1998

Box 1

Folder 1: American Yugoslav Exchange Correspondence, 1966-1967

Box 3

Folder 1: ISME Addresses, 1993
Folder 2: ISME Current State of Field Working Papers, 1993
Folder 3: ISME Handbook Project, 1994-1996
Folder 4: ISME Letters to Panel, 1992-1995
Folder 5: ISME Miscellaneous, 1992-1995
Folder 6: ISME Official reports for panel, 1992-1996
Folder 7: ISME Panel - Miscellaneous, 1993
Folder 8: ISME Policy, 1993-1994
Folder 9: ISME Reports and Correspondence - Aguilar, Maria Del Carmen, 1992-1994
Folder 10: ISME Reports and Correspondence - Campbell, Pat, 1993-1995
Folder 11: ISME Reports and Correspondence - Davies, Sandra, 1992
Folder 12: ISME Reports and Correspondence - Etzkorn, Peter, 1991-1996
Folder 13: ISME Reports and Correspondence - Fleisher, Robert, 1980
Folder 14: ISME Reports and Correspondence - Kemp, Anthony, 1994
Folder 15: ISME Reports and Correspondence - Kidenda, George W., 1992-1995
Folder 16: ISME Reports and Correspondence - Lee, Sung-Yol, 1992
Folder 17: ISME Reports and Correspondence - Lindquist, Barbara, 1992-1994
Folder 18: ISME Reports and Correspondence - Mapoma, Mwesa, 1993
Folder 19: ISME Reports and Correspondence - Montgomery, Janet, 1993-1994
Folder 20: ISME Reports and Correspondence - Ritchie, J. A., 1991-1993
Folder 21: ISME Reports and Correspondence - Santos, Ramon, 1991-1994
Folder 22: ISME Reports and Correspondence - Smith, Elizabeth, 1991-1994
Folder 23: ISME Reports and Correspondence - Solbu, Einar, 1990-1996
Folder 24: ISME Reports and Correspondence - Takahagi, Yasuharu, 1993-1994
Folder 25: ISME Reports and Correspondence - Takizawa, Tatsuko, 1992-1995
Folder 26: ISME Reports and Correspondence - Therens, Joan, 1992-1996
Folder 27: ISME Reports and Correspondence - Wang, T. E., 1992
Folder 28: ISME Wingspread Conference, 1992
Folder 29: Racine Note, End of ISME, 1989-1994: Folder dated 6/28/06.

Box 4

Folder 11: Council on Program Evaluation (COPE) University Library Report, 1977-1978
Folder 17: SEM Member Newsletter, 1989
Folder 18: Library of Congress Lectures and Consulting for Report, 1985-1986

Box 5

Folder 9: American Institute of Indian Studies Correspondence, 1982
Folder 17: SEM Long Range Planning Committee, 1996
Folder 18: SEM Long Range Planning Committee and Ford Proposal, 1997

Box 17

Folder 49: Detroit Studies in Music Bibliography (DSMB) Reports, 1978-1984

Box 22

Folder 12: ISME Music of World Cultures Project, 1996
Folder 13: MGG Correspondence, 1993-1995
Folder 14: NEIU Millenium Transitions Program, June 1999 - November 1999
Folder 15: SEM Journal Correspondence, 1999

Sub-Series 3: Personal and Research Correspondence, 1968-2010

Box 1

Folder 2: Correspondence Received in Iran, 1968-1969
Folder 3: Personal Correspondence, 1969-1970
Folder 4: Personal Correspondence, 1973-1975
Folder 5: Personal Correspondence, 1975-1976
Folder 6: Personal Correspondence, 1977
Folder 7: Personal Correspondence, 1977

Box 2

Folder 1: Personal Correspondence, 1978-1979
Folder 2: Personal Correspondence, 1979-1980
Folder 3: Dartmouth University Correspondence, 1982

Box 5

Folder 6: The Field of Ethnomusicology - Book Permissions Correspondence, 1963-1981
Folder 7: India Field Work Correspondence, 1978-1981
Folder 10: India Field Work Correspondence, 1980-1982
Folder 11: Wilfrid Laurier University Lecture Correspondence, 1987
Folder 12: San Diego State University Lecture Correspondence, 1987-1988
Folder 14: Humbold-Universitat Correspondence, 1991-1992
Folder 15: Atlantic Monthly Magazine Article Correspondence, 1987
Folder 20: Kodaly Conference Correspondence, 1993

Box 7

Folder 1: Personal Correspondence, 1980
Folder 2: Personal Correspondence, 1981
Folder 3: Personal Correspondence, 1982
Folder 4: Personal Correspondence (1 of 2), 1983
Folder 5: Personal Correspondence (2 of 2), 1983

Box 8

Folder 1: Personal Correspondence (1 of 2), 1984
Folder 2: Personal Correspondence (2 of 2), 1984
Folder 3: Personal Correspondence (1 of 2), 1985
Folder 4: Personal Correspondence (2 of 2), 1985
Folder 5: Personal Correspondence (1 of 2), 1986
Folder 6: Personal Correspondence (2 of 2), 1986

Box 9

Folder 1: Personal Correspondence, 1986-1987
Folder 2: Personal Correspondence, 1987
Folder 3: Personal Correspondence, 1987-1988
Folder 4: Personal Correspondence, 1987-1988
Folder 5: Personal Correspondence, 1987-1990
Folder 6: Personal Correspondence, 1988

Box 10

Folder 1: Personal Correspondence, 1988-1989
Folder 2: Personal Correspondence, 1989-1990
Folder 3: Personal Correspondence, 1990
Folder 4: Tokyo [Personal Correspondence], 1987-1989
Folder 5: Tokyo [Personal Correspondence], 1989

Box 11

Folder 21: New Grove Correspondence Regarding Dictionary Entries by Nettl, 1972-1978

Box 12

Folder 17: Letter from Robert Witmer to Bruno Nettl, Pepper's Pow-Wow, 1974: Found in Audio Recording Box of the same name.

Box 15

Folder 52: Congratulatory art, undated

Box 17

Folder 50: North American Indian Archive Correspondence, Letter from Leslie Spier to Bruno Nettl, 1955
Folder 51: Blackfoot Correspondence, 1973-1977
Folder 52: Record Label Correspondence, 1974
Folder 53: Blackfoot Music Recordings Correspondence, 1983
Folder 54: Blackfoot Correspondence, Jessie Donaldson Recordings, 1984
Folder 55: Personal Correspondence, 2002
Folder 56: Personal Correspondence, 2005-2010
Folder 57: Letters of Recommendation, 2005
Folder 58: Sound Recording Permissions Correspondence, 2009
Folder 59: The Marquis Who's Who Publication Board, 2010

Box 22

Folder 16: Personal Correspondence, pre-1969, 1965-1967
Folder 17: Personal Correspondence, 1969
Folder 18: Personal Correspondence, 1970
Folder 19: Leanne Hinton, Havasupai, 1970
Folder 20: Personal Correspondence, 1971
Folder 21: Personal Correspondence, 1972
Folder 22: Personal Correspondence, 1973
Folder 23: Personal Correspondence, 1974
Folder 24: Personal Correspondence, 1975
Folder 25: Personal Correspondence, 1976
Folder 26: Personal Correspondence, 1977
Folder 27: Albrecht Schneider, 1978
Folder 28: Personal Correspondence, India, 1981-1982
Folder 29: Post Cards, 1981-1986
Folder 30: George Herzog Project, 1981-1987
Folder 31: Personal Correspondence, 1989
Folder 32: Personal Correspondence, 1990
Folder 33: Personal Correspondence, 1991
Folder 34: Charles Hamm Conference, July 22, 1991 - June 26, 1992
Folder 35: Dr. Jiri Fukac, January 17, 1992 - June 25, 1992
Folder 36: Personal Correspondence, 1992
Folder 37: Personal Correspondence, 1993
Folder 38: Personal Correspondence, Japan, 1993-1994
Folder 39: Personal Correspondence (1 of 2), 1994
Folder 40: Personal Correspondence (2 of 2), 1994

Box 23

Folder 1: University of Chicago Graduate Seminar, fall 1995, May 1995-December 1995
Folder 2: Presonal Correspondence (1 of 2), 1995
Folder 3: Personal Correspondence (2 of 2), 1995
Folder 4: Personal Correspondence, 1996
Folder 5: Personal Correspondence, Philippines, 1996-1997
Folder 6: Personal Correspondence, 1997
Folder 7: Myers Review Problems, 1997-1999
Folder 8: Personal Correspondence (1 of 2), 1998
Folder 9: Personal Correspondence (2 of 2), 1998
Folder 10: World Sacred Music Festival, October 1999
Folder 11: Personal Correspondence (1 of 2), 1999
Folder 12: Personal Correspondence (2 of 2), 1999
Folder 13: Encounters in Ethnomusicology permissions and corrections, December 1999-December 2001
Folder 14: Personal Correspondence (1 of 2), 2000
Folder 15: Personal Correspondence (2 of 2), 2000
Folder 16: Personal Correspondence (1 of 2), 2001
Folder 17: Personal Correspondence (2 of 2), 2001
Folder 18: Philip Bohlman, February 26, 2001
Folder 19: Ralph T. Fisher, Jr., February 7, 2002
Folder 20: Personal Correspondence (1 of 2), 2002
Folder 21: Personal Correspondence (2 of 2), 2002

Box 24

Folder 1: Personal Correspondence, 2003
Folder 2: Personal Correspondence (1 of 2), 2004
Folder 3: Personal Correspondence (2 of 2), 2004
Folder 4: Personal Correspondence, 2005
Folder 5: Personal Correspondence, 2006
Folder 6: Personal Correspondence, China, January 20, 2006 - May 17, 2007
Folder 7: Sousa Archives, 2006-2019
Folder 8: Personal Correspondence, 2007
Folder 9: Personal Correspondence, 2008
Folder 10: Personal Correspondence, 2009
Folder 11: Personal Correspondence, 2010
Folder 12: Personal Correspondence, 2011
Folder 13: Personal Correspondence (1 of 2), 2012-2014
Folder 14: Personal Correspondence (2 of 2), 2012-2014
Folder 15: Past Nettl Lectures, October 25, 2013 - May 1, 2014
Folder 16: Personal Correspondence, 2015-2018
Folder 17: Carrington Publishers, 2019
Folder 18: Personal Correspondence, 2019

Box 39

Folder 2: Personal Correspondence, 2003-2004
Folder 3: Correspondence from Erwagen Wissen Ethik, 2007
Folder 4: Correspondence about Conference with Dorte Schmidt: "Musikwissenschaft und Ethnomusikologie...", 2010

Series 3: Research, 1951-2002

This series contains several of Dr. Nettl's original research publications, project proposals, original field notebooks, original map designs, transcriptions of melodies and folk songs, and materials consulted while he conducted his research including newsclippings, maps, and secondary source articles. Of particular note are his field notebooks from his research trips to Montana Blackfoot Reservations (1966, 1967, 1984, 1986), Iran (1966, 1968, 1969, 1971), and India (1981). In addition, this series contains early writings by Dr. Nettl including research completed and published as a masters and doctoral student.

Sub-Series 1: Writings, Lectures, and Grant Applications, 1951-2000

Box 4

Folder 1: "The Conservatory of Europe: Vignettes on Ethnicity and Musical Identity in Czech Lands," by Bruno Nettl, 1998: Chapter in Music and German National Identity, edited by Pamela Potter and Celia Applegate. Also includes introductory chapter by Applegate and Potter.
Folder 2: "Teaching World Music in the USA: 50 Years of Trial and Error," by Bruno Nettl, 1999
Folder 3: "New Years Eve: Addler's Successors," by Bruno Nettl, 1998
Folder 4: "Music" New Grove Definition, by Bruno Nettl, 1996-2000
Folder 6: "The Seminal 1880s: The Beginnings of Musicology and Ethnomusicology," Lecture by Bruno Nettl, 1985
Folder 7: "Ethnomusicological Views of History: Questions of Emphasis," Lecture given in Mainz, by Bruno Nettl, 1991
Folder 8: "Blackfoot Musical Thought," Lecture by Bruno Nettl, ca. 1985
Folder 9: Western Influence Lecture, Undated
Folder 14: NEH Seminar - 1979 Application, 1978-1981
Folder 15: Tehran Research Unit Proposal, ca. 1975
Folder 16: Research Applications, 1978-1982

Box 5

Folder 1: Article Reviews and Annotations, ca. 1976
Folder 2: The Study of Ethnomusicology, Book Outline and Notes, ca. 1983
Folder 3: Ethno Book Anotations, ca. 1974: Most likely chapter outlines for The Study of Ethnomusicology.
Folder 4: Book Illustrations, Undated: Most likely examples used in The Study of Ethnomusicology
Folder 5: Book Illustrations, Undated: Most likely examples used in The Study of Ethnomusicology.
Folder 8: National Endowment for the Humanities and the American Institute of Indian Studies Grant Applications, 1980-82
Folder 13: "Current Problems in American Ethnomusicology," lecture given in the USSR, 1987-88
Folder 16: Bar Ilan University International Council on Traditional Music Conference and "George Herzog as a Scholar and Teacher" Paper Given by Bruno Nettl, 1986-1988
Folder 19: "The Seminal 1880's" Lecture Notes by Bruno Nettl, 1985
Folder 21: "The Institutionalization of Musicology: Perspectives of a North American Ethnomusicologist," by Bruno Nettl and Correspondence with Nicholas Cook, 1993-1996

Box 11

Folder 4: "Towards the Comparitive Study of the Structure of Traditional Repertoiries," by Bruno Nettl and Stephen Blum, ca. 1968

Box 17

Folder 60: "The Phonemes of the Ibo" by Bruno Nettl, ca. 1951
Folder 61: Peyote Project, Manuscript Partials, ca. 1953
Folder 62: Manuscript Materials for Klamath Indians Research, 1956
Folder 63: "Relations Between Language and Music in Folklore," by Bruno Nettl, 1956: In Spanish.
Folder 64: "Musical Style of Klamath Songs," by Bruno Nettl, 1956-1965
Folder 65: "Classification of Folk Melodies and Related Subjects," by Stephen Blum and Bruno Nettl, ca. 1965
Folder 66: "Aspects of Folk Music in American Cities," by Bruno Nettl, 1969
Folder 67: "Line Families in a Sample of Czech Folk Music," by Bruno Nettl, ca. 1972
Folder 68: Outline for Blackfoot Musical Ethnography, ca. 1985
Folder 69: Blackfoot Project Notes and Citations, ca. 1985
Folder 70: Persian Diaspora in the Midwest Project Proposal, by Craig Macrae and Bruno Nettl, 1990
Folder 71: Blackfoot Chapter on History, Manuscript partials, undated

Box 24

Folder 19: "Greek Philosophy in Medieval Music: Johannes de Grocheo" by Bruno Nettl, December 1949
Folder 20: Publishing and Employment Contracts, 1956-1989
Folder 21: Wayne State University Publishing, December 1959-June 2011
Folder 22: "Library Classification of Music" by Bruno Nettl, March 1960
Folder 23: Information Coordinators, Inc., June 1961-December 1970
Folder 24: Free Press Corporation, March 12, 1962
Folder 25: Prentice-Hall Publishing, September 1962-October 2015
Folder 26: Baerenreiter, July 1969-January 1993
Folder 27: Heartland Excursions book reviews, 1995-1997
Folder 28: Florentine Workshop in Biomusicology, May 29-June 3, 1997, 1997
Folder 29: "Nigdy Nie Styszalem, zeby kon spiewal" by Bruno Nettl, 2001
Folder 30: Obituary for Alex L. Ringer, printed in SEM Newsletter, September 2002
Folder 31: SEM 59th Annual Meeting Program, November 2014

Box 25

Folder 1: University of Illinois Contracts, 1970-1994
Folder 2: University of Illinois Press Publishing Contracts, 1976-2013
Folder 3: "Musical Values and Social Values: Symbols in Iran" by Bruno Nettl, 1977
Folder 4: Macmillan Publishing Contract, 1983-1993
Folder 5: University of Chicago Press, 1987-1997
Folder 6: "Mozart and the Ethnomusicological Study of Western Culture" by Bruno Nettl, 1989
Folder 7: "But What is Music? Musings on Musicians at Buner"
Folder 8: "Paul Nettl and the Musicological Study of Culture Contact" by Bruno Nettl, 1992
Folder 9: School of Music Commencement Talk, May 17, 1992
Folder 10: "The Concept of Evolution in the History of Ethnomusicology" by Bruno Nettl, 2005
Folder 11: Mellon Fellowship, 2009-2012
Folder 12: "Four Stories about Music in the Czech Lands" by Bruno Nettl, March 25, 2010
Folder 13: Scarecrow Press Publishing Contract, October 2012
Folder 14: Musik Salon Symposium, Berlin, December 14-15, 2012
Folder 15: Abraham, Otto and E.M. Von Hornbostel, "Indian Melodies from British-Columbia," translated by Bruno Nettl, undated
Folder 16: Bruno and Paul Nettl dedications, undated
Folder 17: Ethnomusicology Bibliography, undated
Folder 18: "Free Associations" by Bruno Nettl, undated
Folder 19: Index, Encounters in Ethnomusicology, undated
Folder 20: "The Music in Plato's 'Republic'" by Bruno Nettl, undated
Folder 21: "The Study of Ethnomusicology" outlines and critiques, undated

Box 26

Item 1: Blackfoot, bibliography and outline, undated

Oversize Portfolio Case 1

Folder 1: "Ideas About Music and Musical Thought" Lecture Poster, April 12, 1994

Box 39

Folder 5: Abiding Issues in the Study of Native American Song: Three Excursions, Keynote Lecture, Society for Ethnomusicology Midwest Chapter, Ohio State U, April 30, 1994
Folder 6: "An Ethnomusicological Perspective," in Barbara Lundquist and others, ed., Musics of the World's Cultures, 1998
Folder 7: Diasporic Communities, Identity, and Music: Account of One Family, 1998
Folder 8: "On Preserving Musical Cultures: Contemplations and Confessions," Tritter Lecture, College of Music Society, Denver, CO, October 15, 1999
Folder 9: Ethnomusicology Around Y2K: Interpreting History from a North American Perspective, Harvard Lecture, 2001
Folder 10: Ethnomusikologie Von Y2K Gesehen: Zur Geschicte Unseres Fachs, 2001
Folder 11: "What Did We Think We Were Doing? Notes on Archiving in Midcentury," UCLA Conf. on Ethnomusicological Archives, November 10, 2001
Folder 12: "Iran viii. Persian Music" and attached email from Encyclopedia Iranica, 2004
Folder 13: Correspondence on and Intro to "Musics of the World: Analysis, Categorization and Theory" (Michael Tenzer), December 6, 2005
Folder 14: Gilbert, Shirli: Music in the Holocaust: Confirming Life in the Nazi Ghettos and Camps, Book Review, 2005
Folder 15: Commencement Address, 2006
Folder 16: Comments at Memorial Celebration for John Garvey, University of Illinois, October 15, 2006
Folder 17: Erwagen Wissen Ethik: Journal Contents List, 2006
Folder 18: Preliminary Program of the 5th Meeting of the Study Group Music and Minorities, Prague, 2006
Folder 19: Response to Victor Graver: On the Concepts of Evolution in the History of Ethnomusicology-draft, 2006
Folder 20: "We're on the Map: Reflections on SEM in 1995 and 2005," Ethnomusicology, 2006
Folder 21: The World of Music: Vol. 48 (2): Title page and table of contents; handwritten notes on evolution, 2006
Folder 22: From the Prehistory of Ethnomusicology at the U of I, 2007
Folder 23: "Music and 'That Complex Whole,'" Keynote Lecture, College Music Society NE Chapter, Westminster Choir, Princeton, NJ, March 24, 2007
Folder 24: "On the Concept of Improvisation in teh World's Musics," Lecture, Groninger, Netherlands, 2007
Folder 25: Return to the Heartlands: Second Thought on Ethnography, Keynote Lecture, Indiana PA - AMS-SEM, March 30, 2007
Folder 26: Touching on Some of the Principal Issues of Ethnomusicology: Response to Rolf Oerter, 2007
Folder 27: Minorities in the History of Ethnomusicology: A Meditation on a Half Century of Experience, Keynote Address, ICTM Study Group, Prague, May 24, 2008
Folder 28: "On Learning the Radif and Improvisation in Iran," in G. Solis and B. Nettl, ed., Musical Improvisation, 2008
Folder 29: Preface to Shadows in the Field, ed. Barz and Cooley, 2008
Folder 30: From the Prehistory of Ethnomusicology at the U of I, Sonorities, Winter 2008
Folder 31: Contemplating Ethnomusicology Past and Present: Ten Abiding Questions-U of Aveiro Lecture Draft, 2009
Folder 32: Contemplating Musicology at Illinois and the World, Sonorities, 2009
Folder 33: In the Course of Performance: Ethnomusicological Approaches to Improvisation, U of Aviero Lecture, 2009
Folder 34: "Ethnomusicology Critiques Itself: Comments on the History of a Tradition" in Elliott and Smith Music Traditions, 2010
Folder 35: "Gender (and Other) Identities in Singing Style and Vocal Tone Color: Ethnomusicological Perspectives and Two Brief Illustrations," in D. Attenberg and R. Bayreuther, ed. Musik und Kulturelle Identitat Bericht uber den XIII Internationalen Kongress, 2012
Folder 36: "What are the Great Disoveries of Your Field?" Internat'l Journal of Education in the Arts-Draft, 2012
Folder 37: "What are the Great Discoveries of Your Field?" Keynote Lecture, 8th Internat'l Congress of Qualitative Inquiry, May 16, 2012
Folder 38: Concerning an Article in Musical Quarterly (1961)- Comments on North American Indian Polyphony Half Century Later, Draft and Talk, 2014
Folder 39: In Memoriam: Judith McCulloh (1935-2014) by Bruno Nettl-SEM Newsletter, 2014

Box 40

Folder 1: "On World Music As a Concept in the History of Music Scholarship" In Philip V. Bohman, ed., The Cambridge History of World Music", 2014
Folder 2: Ethnomusicological Lives: Table of Contents and Introduction, 2016
Folder 3: Review of Iranian Classical Music: The Discourse and Practice of Creativity, Laudan Nooshin, 2017
Folder 4: "Contemplating the Twentieth Century: Studying the 'Other' and Ourselves as Ethnomusicologists", undated
Folder 5: CAS Workshop Talk: Remarks on the Diaspora of Musicology, undated
Folder 6: Ethnomusicologists Studying Improvisation: Comments on a Few Landmarks, draft, undated
Folder 7: FAQs on Native American Music, undated
Folder 8: Folk Music, undated
Folder 9: Keynote Speaker Introduction for Bruno Nettl, undated
Folder 10: Music - Iran, undated
Folder 11: Music Ownership and Control in Blackfoot Culture: Contexts, History, Change- Melbourne Lecture, undated
Folder 12: "Music Ownership and Control in Blackfoot Culture: Remarks on Identity, Knowledge, Performance", undated
Folder 13: My Mother the Pianist - copy and draft, undated
Folder 14: The Oxford Handbook of Music Education, Ed., Gary McPhearson, Graham Welch, undated
Folder 15: Paul Nettl, Bohemian Musicologist: Emigration adn Virtual Return", undated
Folder 16: "Poker Games, Liberation Classes, Popular Music and the End of Camelot", undated
Folder 17: Proposal: A History of the Field of Ethnomusicology, undated
Folder 18: Reminiscences of Detroit, Harmonie Park Press, and Bunker Clark- draft and copy, undated
Folder 19: Review: Folk Song Tradition, Revival, and Recreation, ed., by I. Russell and D. Atkinson, 2004, undated
Folder 20: Revisiting Comparison, Comparitive Method, and Comparative Musicology: Comments on Disciplinary History, undated
Folder 21: Revisiting some Fundamental Questions: Talk at U. of North Texas, draft, undated
Folder 22: "Shadows" Preface, undated
Folder 23: "Some Contributions of Ethnomusicology", undated
Folder 24: "Turning a Corner: Ethnomusicology, 1948-1953," essay not submitted/accepted, undated
Folder 25: "Was ist Musik?" Ethnomusikologische Perspektive" In Musik-Zu Begriff und Konzepten, ed. by Michael Beiche and Albrecht Rietmüller, 2006
Folder 26: Writing the Meat-and-Potatoes Book: Musical Ethnography-draft, undated

Sub-Series 2: Field Notes, Transcriptions, and Primary Research Materials, 1966-2002

Box 11

Folder 5: The Polka News, Newspaper, April 1987

Box 17

Folder 72: Blackfoot Fieldnotes and Department of the Interior Correspondence, 1966
Folder 73: Iran Fieldnotes, ca. 1966: In English and Farsi.
Folder 74: Summer Fieldnotes Blackfoot Indians and Proposal, 1967
Folder 75: Recording Collection 65 - Iran Field Recording Catalog and Notes, 1968-1969: In English and Farsi.
Folder 76: Chaharcah - Interview Transcriptions and Tuning Charts from Iran Trip, 1969: In English and Farsi.
Folder 77: Collection 92 - Racy Tape Catalog Notes, 1971-1972
Folder 78: India Field Notes, 1981-1982
Folder 79: Southwest Museum Blackfoot Audio Recording Collection Research, 1984
Folder 80: Blackfoot Song Type Chart, ca. 1984
Folder 81: Blackfeet Community College, Browning Montana, 1985-86 Course Catalog, 1985
Folder 82: Arapaho Songs, Transcriptions and Notes, ca. 1985
Folder 83: Blackfoot Field Notes, 1986
Folder 84: Blackfoot Tables and Research Notes, ca. 1986
Folder 85: Persian Music Concert Programs, 1987-1992: In English and Farsi.
Folder 86: The Music of Viguen and Ravinbakhsh, Published Sheet Music, 1992: In Farsi.
Folder 87: Arapaho Soldiers Song Transcriptions and Statistics, undated
Folder 88: Arapaho Songs Collected by Zdenek Salzmann, Notes, undated
Folder 89: Borumand Transcriptions of Gushehs, Notes, undated
Folder 90: Collection 220 - Borumand Radif Catalog, undated: In Farsi.
Folder 91: Iranian Popular Music, Notes and Catalog, undated: In Farsi.
Folder 92: Kiowa Peyote Song Transcriptions, undated
Folder 93: Music Notebook with Transcriptions, undated
Folder 94: Transcriptions of Hand Game Songs, undated

Box 18

Folder 1: Transcriptions of North American Indian Songs, undated
Folder 2: Transcriptions of Shawnee Songs, undated

Box 19

Folder 2: Native American Cultures, Languages, and Musical Styles, Maps, 1968-1985
Folder 3: The Glacier Reporter Newspaper, Clippings, 1977-1984
Folder 4: The Hindu Newspaper, Clippings, 1981
Folder 5: Blackfeet Tribal News, Clippings, 1984
Folder 6: Newsclippings Regarding Persian Music and Music in Iran, 1992-2002
Folder 7: Persian Music Recording Transcriptions and Texts, undated: In Farsi.

Box 25

Folder 22: Iran, clippings and notes, 1968-1974
Folder 23: Madras [Chennai], India (1 of 2), 1981-1982
Folder 24: Madras [Chennai], India (2 of 2), 1981-1982
Folder 25: Peyote Songs, undated
Folder 26: Transcriptions of Native American, Spanish, English, and Eastern European Songs, undated
Folder 27: Transcriptions of Ukrainian Songs, undated

Sub-Series 3: Secondary Sources and Annotations, 1910-2001

Box 18

Folder 3: Beckerman, Michael, "In Search of Czechness in Music", 1986
Folder 4: Beckerman, Michael, "Hiawatha and the Largo" in New World's of Dvorak, 2003
Folder 5: Blackfoot Miscellaneous Ethnographies, 1912-1977
Folder 6: Blackfoot State of Research, Bibliography of Ethnographies, ca. 1985
Folder 7: Blackfoot Annotated Notes from Ethnographies, ca. 1985
Folder 8: Clark, Ella, "Indian Legends from the Northern Rockies", ca. 1985
Folder 9: Dempsey, Hugh, "The Blackfoot Ghost Dance", 1968
Folder 10: Grinell, George, "The Butterfly and the Spider Among Blackfeet", 1899
Folder 11: Hanks, Lucien M., Jr. and Jane Richardson Hanks, "Tribe Under Trust: A Study of the Blackfoot Reserve of Alberta", 1950
Folder 12: Hatton, Orin Thomas, "Performance Practices of Northern Plains Pow-wow Singing Groups", 1973
Folder 13: Hatton, Orin Thomas, "War Expedition Songs in the John M. Cooper Collection of Gros Ventre Indian Music", 1986
Folder 14: Macrae, Craig, "Music in the Life of Iranian Emigres in the Midwest: The Bloomington, IN Community", 1992
Folder 15: Mcfee, Malcolm, "The 150% Man: A Product of Blackfeet Acculturation", 1972
Folder 16: Nattiez, Jean-Jacques, "Linguistic Models and the Analysis of Musical Structures", 2001: Signed copy with note to Bruno Nettl on the cover.
Folder 17: Schultz, James Willard and the Piegan Story Teller, "The Peace Trail", 1980
Folder 18: Schultz, James Willard, Why Gone Those Times? Blackfoot Tales, Excerpts, 1974
Folder 19: Wissler, Clark, "Material Culture of the Blackfoot Indians", 1910
Folder 20: Wissler, Clark, Ceremonial Bundles of the Blackfoot Indians, 1912
Folder 21: Wissler, Clark, "Societies and Dance Associations of the Blackfoot Indians", 1913
Folder 22: Witmer, Robert, Melodic Interrelationships in a Group of Songs of the Xhosa Tribe of South Africa, 1967
Folder 23: Witmer, Robert, "Indians of North America," in Blackfoot/Blood, 1986

Box 25

Folder 28: Beckerman, Michael. "The Dark Blue Exile of Jaroslav Jezek.", 2008
Folder 29: Hinton, Leanne. "Havasupi Musical Events.", 1967-1980
Folder 30: International Music Council. "Notation of Folk Music.", 1952
Folder 31: Lomax, Alan. West Indian Collection Index., 1962
Folder 32: Wong, Isabel K. F. "The Heritage of Kunqu.", 2009

Sub-Series 4: George Herzog Project, 1928-1999

Box 25

Folder 33: George Herzog Correspondence (1 of 10), June 19, 1928-July 27, 1934: Correspondence with Barry Phillips
Folder 34: George Herzog's Correspondence (2 of 10), January 17, 1938-October 18, 1949: Correspondence with Samuel Baynard
Folder 35: George Herzog's Correspondence (3 of 10), October 7, 1935-July 23, 1937: Correspondence with Franz Boaz
Folder 36: George Herzog's Correspondence (4 of 10), October 19, 1933-February 12, 1952: Correspondence with Manfred Bukofzer, E.G. Burrows, and C.L. Camp
Folder 37: George Herzog's Correspondence (5 of 10), January 14, 1941-June 19, 1958: Correspondence with Z. Estreicher, Peter E. Farrell, and Otto Gombosi
Folder 38: George Herzog's Correspondence (6 of 10), December 3, 1934-January 11, 1953: Correspondence with Donald J. Grout, Glen Haydon, Jules Henry, and K.G. Izikowitz
Folder 39: George Herzog's Correspondence (7 of 10), July 11, 1927-June 24, 1970: Correspondence with Barbara Krader and Alfred Kroeber
Folder 40: George Herzog's Correspondence (8 of 10), March 4, 1937-November 1: Correspondence with Gertrude Kurath and Robert Lowie.
Folder 41: George Herzog's Correspondence (9 of 10), July 13 1934-June 19 1970: Correspondence with Dave McCallester, Gustave Reese, and Curt Sachs
Folder 42: George Herzog's Correspondence (10 of 10), December 27 1933-August 26 1958: Correspondence with Charles Seeger, John Ward, Leslia A. White, and Clark Wissler
Folder 43: George Herzog works, 1936-1956
Folder 44: George Herzog, Biographical Materials, 1986-1999

Box 40

Folder 27: George Herzog and The Study of Native American Music, undated

Sub-Series 5: Paul Nettl Papers

Box 25

Folder 45: Paul Nettl Papers, 1919-1972
Folder 46: Paul Nettl Correspondence, 1942-1944

Box 40

Folder 28: Paul Nettl biography and research, 2007
Folder 29: Remembering Paul Nettl - free associations, undated

Series 4: Sound Recordings, 1949-1974

This series contains sound recordings made by Dr. Nettl on his research trips, duplications of recordings he studied, and mixed recordings he used as audio examples for his courses. This series also contains a number of recordings from the Wayne State University Library Archive of Ethnomusicology and the University of Illinois Ethnomusicology Archives of Sound Recordings, both of which were founded by Bruno Nettl. Of particular note are field recordings and interviews Nettl conducted while on Fulbright in Tehran while studying with Nur Ali Borumand, who rarely performed or recorded his performances. Also of note are copies of Persian music found in the Lachman Collection in Jerusalem; Nettl's field recordings of Arapaho, Shawnee, Blackfoot, and Kiowa music; and Nettl's field recordings of South Indian music from Madras.

See Also: (12/5/75) School of Music Ethnomusicology Archives of Sound Recordings.

Box 13

Reel 1: Arapaho-Salzmann, 1949: Selections: Wolf Dance Song, Round (?) Dance Song, Rabbit Dance Song, 2 Sun Dance Songs, Wolf Song or Soldier's Song, Shybird Song, Peyote Song, Ghost Dance Song, 1/4 inch acetate tape on 7 inch reel.
Reel 2: Copy of George Herzog Recording of Hopi, Navaho, Gur, ca. 1950: 1/4 inch acetate tape on 7 inch reel.
Reel 3: Tape 2 - Indiana, ca. 1950: Stamp reads: Wayne State University Archives of Ethnomusicology. 1/4 inch acetate tape on 7 inch reel.
Reel 4: Vodoun Songs of Haiti by Damballa Wedo Singers, ca. 1950: Originally recorded on LP 1940, original LP liner notes included in the tape box at time of duplication. Tracks include: Joue Kanga Joue, Ibo Lele, Erzulie Nainnain Oh, Moundongue oh ye ye ye, Dja Keke oh Kekek Dja, Ciye Ciye Ti Bobine Carre, Jean Pierre Poungue, and Soleil Malade. 1/4 inch acetate tape on 7 inch reel.
Reel 5: Arapaho, 1952: Nettl, 10-AFPM. Copy of ATL 234. 1/4 polyester tape on 7 inch reel. 7 1/2 ips, full track.
Reel 6: Collection 2, Tape 1-2 - Arapaho, 1952: Copy of ALT (Nettl). Leader tape in between. 1/4 inch acetate tape on 7 inch reel. 3 3/4 ips.
Reel 7: Collection 2, Tape 3 - Arapaho, 1952: Copy of ALT 235 (Nettl). 1/4 inch acetate tape on 7 inch reel. 3 3/4 ips.
Reel 8: Collection 3, Tape 1 - Shawnee, Nettl, ca. 1953: 1/4 inch acetate tape on 7 inch reel.
Reel 9: Shawnee, Arauc., Bahamas, ca. 1953: 1/4 inch polyester tape on 7 inch reel.
Reel 10: Collection 5 - Arapaho, Nettl, ca. 1953: Stamp reads Wayne State University Archives of Ethnomusicology. 1/4 inch acetate tape on 7 inch reel.
Reel 11: Blackfoot, Nettl, ca. 1953: Stamp reads Wayne State University Archives of Ethnomusicology. 1/4 inch acetate tape on 7 inch reel.
Reel 12: Collection 8, Tape 4 - Iran, 1966: Zurkhane. Original copy. 1/4 inch acetate tape on 5 inch reel.
Reel 13: Blackfoot Songs - Calvin Boy, 1967: Recorded by Bruno Nettl. Tape 1 of 3. 1/4 inch acetate tape on 7 inch reel. Tail out.
Reel 14: Blackfoot Songs - Calvin Boy, 1967: Recorded by Bruno Nettl. Tape 2 of 3. 1/4 inch acetate tape on 7 inch reel.
Reel 15: Blackfoot Songs - Calvin Boy, 1967: Recorded by Bruno Nettl. Tape 3 of 3. 1/4 inch acetate tape on 7 inch reel. Tail out.
Reel 16: Indian Christmas mass recorded at Loyola College, Madras, 1967: Contains handwritten track listing in German. Tracks include: Scholars (before the mass), children's choir (beginning of the mass), Scholars and Childrens choir (Kyrie - Raga Patamajari, Golria - Raga Dhirasankarabharana), Scholars (Credo, Silent Night), Scholars and Children's Choir (Sanctus - Raga Bhairavi, Agnus Dei - Raga Bhairavi), Childrens Choir, Scholars. Harmonium and violin. 1/4 inch polyester tape on 5 inch reel.
Reel 17: Ramanathan piece, 1967: 1/4 inch acetate tape on 7 inch reel.
Reel 18: Radif examples, 1967-1969: Note: Case includes handwritten track listing. Shur and Mahour.1/4 inch acetate tape on 7 inch reel.
Reel 19: Mahour excerpts, 1967-1973: Note: Case includes melodic transcriptions of recordings and track listing.Tracks include: Borumand (daramand on setar), June 1969; Borumand (daramand on setar); Borumand (on tar from his radif), 1967; Radif of Musa Ma'aroufi (on tar) by S. Ruh-afzah; Chahar pare (Parvaneh, voice; Payevar, santour; Bahari, kamancheh) recorded by Nonesuch Records 1973; Ocora performance (Shahidi, voice; Payevar, kamancheh; Shahnaz, tar; Badisi, kamancheh); Mahour on tar; Mahour on setar(Ebadi); Mahour on santour (Payevar), recorded by Nonesuch Records; Mahour on violin (Khaledi); Mahour on oud (Shahidi); Mahour on santour (Payevar); Mahour by voice and violin, recorded in Israel. 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.
Reel 20: Alireza Maschayeki: Shur, 1968: Full track, 1/4 inch polyester tape on 5 inch reel.
Reel 21: Collection 65, Tape 1 - Bahari (kamange) Chahargah and Shur, ca. 1969: Side A only. 1/2 track, mono. 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 22: Collection 65, Tape 2 - Hussein Malek (santour), ca. 1969: Side A only, 1/2 track, mono. 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 23: Collection 65, Tape 2-3 - Hussein Malek, (santour), Homayun, Bayate Zand, ca. 1969: Side A only, 1/2 track, mono. 7 1/2 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 24: Collection 65, Tape 3 - Bayat-e tork, Hussein Malek, ca. 1969: 1/4 inch polyester tape on 7 inch reel.
Reel 25: Collection 65, Tape 4 - Shirinabadi, Nasrollah (violin), ca. 1969: Side A only, 7 1/2 ips, 1/2 track, mono. 1/4 inch polyester tape on 7 inch reel.
Reel 26: Collection 65, Tape 5 - Shirinabadi (violin), ca. 1969: Side A only, 7 1/2 ips, 1/2 track, mono. 1/4 inch polyester tape on 7 inch reel.
Reel 27: Collection 65, Tape 6-7 - Shirinabadi (violin), Zarif (tar), Heydari (santour), ca. 1969: Full track, 3 3/4 ips, side A only. 1/4 inch polyester tape on 7 inch reel.
Reel 28: Collection 65, Tape 8-9 - Ebadi (setar), Badi'i (violin), ca. 1969: Tape 8: Ebadi (setar), Abu Ata, 2. Varzandeh (santour), Segah. 3. Majd (tar), Shushtari, Mansuri, Tape 9:, 1. Badi'i (violin), Chahargah, 2. Safrat (santour), Chahargah. Full track, mono, Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 29: Collection 65, Tape 10-11 - Bahari (kamange), Badi'i (gheichak), ca. 1969: Tape 10:1. Bahari (kamange), Chahargah, 2. Sufuat (setar), Chahargah, Tape 11:, 1. Badi'i (gheichak), Shur, 2. Sajjadi (violin), Chahargah and Homa youn, Shur.Ã??Ã?Â Side A only, full track, mono. 1/4 inch acetate tape on 7 inch reel.
Reel 30: Collection 65, Tape 11-12 - Ophelia Parton (piano), Ensemble, ca. 1969: Tape 11:, 1. Ophelia Parton (piano), 2. Sedararti (tar), Tape 12:, 1. Ensemble. Side A only, full track, mono. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 31: Collection 65, Tape 12-13 - Hossein Dehlavi Orchestra, Ensemble (Shaidi-Parvin), ca. 1969: Tape 12: 1. Hossein Dehlavi Orchestra, Chahargah, 2. Ensemble, Chahargah, Tape 13:, 1. Ensemble (Shahidi-Parvin), Chahargah. 1/4 inch polyester tape on 7 inch reel.
Reel 32: Collection 65, Tape 14-15 - Ebadi (sekar), Omuni (nai), ca. 1969: Tape 14: 1. Ebadi (sekar), Chahargah, 2. Ensemble (Marzie and Fakhri), Chahargah, Tape 15:, 1. Omuni (nai) and Karimi (voice), 2. Ensemble (Dardashti), Chahargah. Side A only, full track, mono. 3 3/4 ips. 1/4 inch acetate tape on 7 inch reel.
Reel 33: Collection 65, Tapes 16-17 - Mahmoud Karimi (voice), ca. 1969: Tape 16: Mahmoud Karimi (voice), Chahargah, Shur., Tape 17: Mahmoud Karimi (voice), Afshari, Chahargah.. Side A only. Full track mono, 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 34: Collection 65, Tape 17-18 - Karimi (voice), Borumand (tar), ca. 1969: Tape 17: Karimi (voice), Chahargah, Tape 18: Borumand (tar), Side A only, full track, mono. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 35: Collection 65, Tape 19 - Zurkhane music, ca. 1969: Side A only, full track, mono. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.
Reel 36: Collection 65, Tape 20 - Popular Songs, ca. 1969: 1/4 inch polyester tape on 7 inch reel. Full track mono, 3 3/4 ips.
Reel 37: Collection 65, Tape 20-21 - Popular Songs, Borumand Lessons, ca. 1969: Full track, mono, side A only. 3 3/4 ips. 1/4 inch polyester tape.
Reel 38: Collection 65, Tape 21 - Nettl lessons on Shur with Borumand, demonstration tape, 1968: 1/4 inch acetate tape on 7 inch reel.

Box 14

Reel 1: Collection 65, Tape 22-23, ca. 1969

Full track, mono, Side A only. 3 3/3 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 2: Collection 65, Tape 24, ca. 1969

Full track, mono. Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 3: Collection 65, Tape 25, ca. 1969

Full track, mono, side A only. 3 3/4 ips. 1/4 inch acetate tape on 7 inch reel.

Reel 4: Collection 65, Tape 26-27 - Shirinabadi (violin), Mahmoud Motabasem, ca. 1969

Tape 26: 1. Shirinabadi (violin), 2. Ali Asghar Kousari (violin), 3. Sajjadi (violin), Tape 27:, 1. Mahmoud Motabasem, 2. Latifan (flute), 3. Iran Amir Nejami (santour). Full track, mono, side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 5: Collection 65, Tape 27-28 - Mahmoud Motabasem (violin), Reja'i (tar), ca. 1969

Tape 27: 1. Mahmoud Motabasem (violin), 2. Latifian (flute), 3. Nezami (santour), Tape 28:, 1. Reja'i (tar). Full track, mono; Side A only, 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 6: Collection 65, Tape 29 - Interview with N. A. Borumand., ca. 1969

Full track, mono. Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 7: Collection 65, Tape 30 - Interview with Hadji Agha Mohd, N. A. Borumand translating, 1969

Full track, mono, Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 8: Collection 65, Tape 31-32 - N.A. Borumand (setar), Makour, ca. 1969

1/4 inch acetate tape on 7 inch reel.

Reel 9: Collection 65, Tape 33-34 - Mozaffen 'Orfanian, Hossein Na'imi, 1969

Full track, mono, Side A only. 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 10: Collection 65, Tape 35 - Hossein Na'imi, dance songs, ca. 1969

Full track, mono, Side A only, 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 11: Collection 146, Tape 1 - Iran-Khorasan, Examples of Xurasani Music, 1969

Recorded by Stephen Blum. Tracks include: Quranic Recitation read by Mohammad Torabi, Sineh-zani processional music in Qorqi, Shabih performed in the mosque at Qorqi, Mosibat recited by Mohammad Hassan Naqqal, Recitation of the Shah-Nameh, Recitation of the ghazal by Heidari, Recitation of a pandiyat by Sadeq Ali Shah, Narrative Poem "Karim Xan Baluchi" sung by Ustad Heidar, Sabzo Pari sung and on nai by Mohammad Ali Nikzad, Moghol Doxtar sung by Hossein Jan Ali Zadeh of Gheibi, Charbeisi Hosseine by Varqeh Haji Hosseini, Charbeisi perfromed by Kurdish group, Charbeisi sarhaddi performed in a home, Gharibi sung by Gholam lubi, Songs in Baluchi sung by Hossein Shokeri, Leili Jan sung in Baluchi, Shar Bahram va Banu Hosneh Parizad, Shah Bahram, Ahang-eKoshti, Wedding music at Permei, Indian tune from the film Sangom by Raj Kapur, Bol Radha Bol, Gol-e mu. 3 3/4 ips. Side A only. 1/4 inch acetate tape on 7 inch reel.

Reel 12: Collection 146 - Khorasan-Blum, 1969

Recorded by Stephen Blum. 1. Qur'an, 2. a, b, c. Sinch-zani procession, 3. a, b, c. Shabih, 4. Mosibat, 5. Shah-Nameh, 6. Ghazal, 7. Pandiyat, 8. "Karim Xan Baluchi", 9. "Sabze Pari", 10. "Moghol Doxtar", 11. Charbeiti: "Hosseina", 12. Charbeiti: kemenche, dohol, 13. Charbeiti, three-stringed dotor, 14. Gharibi, 15. Songs in Baluchi, 16. Leili Jan, 17. "Ja'far Qoli", 18. "Shiria and Farhad", 19. "Arman-e auso", 20. "Maqdum Qoli", 21. "Conversation of the earth with the sky", 22. "Sardar", 23. Shah Bahram va Banu Hosneh Pariznd", 24. "Shah Bahram", dotar, 25. "Ahong-e koshti", sorna, 26. Wedding-gushma, dohol, 27. "Indian tune", sorna, 28. "Bol Radha Bol", 29. "Gol-e mu", 30. Gol-e-mu, commercial recording. 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 13: Modern African examples, ca. 1970

Note: Case includes handwritten track listing. 1/4 inch polyester tape on 7 inch reel.

Reel 14: Persian music from Lachmann collection, Jerusalem, ca. 1971

Note: Case includes track commentary in German and Persian. From the National Sound Archives of the Jewish National and University Library in Jerusalem. 1/4 inch acetate tape on 7 inch reel.

Reel 15: Pepper's powwow, 1971-1977

See Also: Box 12, Folder 17.

Includes Pre-recorded examples of pow-wows from around the country. 7 1/2 ips. 1 side, 1/4 track. 1/4 inch polyester tape on 7 inch reel.

Reel 16: Navajo violin, 1973

Recording of "Navajo violin" of Dr Bruno Nettl (probably an Apache fiddle). Performed by Jim Starr. Tune is an Apache Fiddle Tune transcribed by David MCAllester in the Ethnomusicology Newsletter No. 8 (September 1956). 3 3/4 ips. 1/4 inch polyester tape on 7 inch reel.

Reel 17: Blackfoot Indian record master, 1974

Archives of Traditional Music. 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 18: Transcription tape, 1974

1. Hukwe song, 2. Hukwe song, 3. Arapaho Wolf dance song, 4. Arapaho Sun dance song, 5. Blackfoot handgame dance song, 6. Chahargah: Daramad, 7. Chahargah: Zabol, 8. Chahargah: Char Mezrab, 9. Bali: Gamelan Anklung, 10. Bulgaria: Harvest Song, 11. Bulgaria: Melody with drone. 1/4 inch polyester tape on 7 inch reel. 7 1/2 ips. Side 1 only. 1/4 track.

Reel 19: Shankarabharanam-Alaps, ca. 1981

Note: Case includes handwritten track listing. Tracks include: Sabhalapshrai, Varmam, Ramnad Krishnan, Flute, Balamarahi. 1/4 inch polyester tape on 7 inch reel.

Reel 20: S. Ramanathan, ca. 1967

Raga Hamdanandi: Tala-Adi, Kuh-Ramamantra. 7" Reel.

Reel 21: S. Ramanathan, ca. 1967

Ramamantra drum duet. 1/4 inch polyester tape on 7 inch reel.

Reel 22: S. Ramanathan, ca. 1967

Raga-kedaragula. Tala-misra capu. 1/4 inch polyester tape on 7 inch reel.

Reel 23: Ethno-tape, 1986

1/4 inch polyester tape on 7 inch reel. 7 1/2 ips.

Reel 24: American Indian examples, undated

Note: Includes handwritten track listing. Tracks include: Ghost dance, Kiowa Peyote Song, Sioux Love Song, Navaho night chant, Apache devil dance, Zuni rain dance, Iriqois Eagle Dance, Stomp dance. 1/4 inch acetate tape on 5 inch reel.

Reel 25: Arabic-Lentschner, undated

1-3, Ussaq, 3-5, Bayati, 5-7, Hijaz, 7-9 Maqam saba, 9-11, Hijaz, 11-14, Saba, 14-17, Saba, 17-19, Saba. 1/4 inch acetate tape on 7 inch reel.

Reel 26: Blackfoot demo tape, undated

5 War dance songs, Songs sung by Calvin Boy:, Owl dance song, Crazy dance song, Hand game song, Black-tail deer song, Owl dance song (with Mrs. Boy), Hand Game Song, Pete Stabs:, Hand Game Song, Medicine pipe song. 1/4 inch acetate tape on 7 inch reel.

Reel 27: Caribbean examples, undated

Note: Includes handwritten track listing. Tracks include: Haiti - Ibo lele, Jore Kanga Joure, Erzuli; Bahia; Jamaica; Bahamas; Mexico; Trinidad. 1/4 polyester tape on 5 inch reel.

Reel 28: Collection 22, Tape 1 - Arabic and Ibo, undated

1/4 inch acetate tape on 5 inch reel. 7 1/2 ips on side I, 3 3/4 ips on side II.

Reel 29: Collection 26, Tape 1 - Shawnee, Voegelin, undated

1/4 inch acetate tape on 7 inch reel.

Reel 30: Collection 39, Tape 1 - Iran-Borumand, undated

1/4 inch polyester tap eon 7 inch reel. 3 3/4 ips.

Reel 31: Collection 39, Tape 2 - Iran-Borumand, undated

1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 32: Collection 39, Tape 2 - Daramad of Chahargah, undated

Examples from performance. 1. Borumand, 4 daramads (3rd is zanguleh), 2. Karimi, with poem, 3. Karimi, Omumi (nai and voice), 4. Zarif (tar), 5. Heydari (santour), 6. H. Malek (santour), 7. R. Badi'i (violin), 8. R. Badi'i (violin), 9. Bahari (kamange), 10. Bahari (kamange), 11. Bahari (kamange), 12. N. Shirinabadi (violin), 13. N. Shirinabadi (violin), 14. Bahari (kamange), 15. Ophelia Parton (piano), 16. Ebadi (setar), 17. Safuat and Shemiram, 18. Dardashti. 1/4 inch acetate tape on 7 inch reel.

Reel 33: Collection 39, Tape 3 - Iran-Borumand, undated

1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 34: Collection 39, Tape 4 - Iran-Borumand, undated

1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Reel 35: Collection 68, Tape 2 - Demonstration tape, Persian music, Chahargah (Hesar), undated

Includes track list inside box. 1/4 inch acetate tape on 7 inch reel. 7 1/2 ips, half track mono.

Reel 36: Collection 92, Tape 1 - Improvisations on maqam nahawand, undated

Artist, Jihad Racy. 7 1/2 ips. 1/4 inch acetate tape on 7 inch reel.

Reel 37: Collection 92, Tape 2 - Complete improvisations on maqam nahawand, undated

1/4 inch acetate tape on 7 inch reel. 7 1/2 ips.

Reel 38: Collection 92, Tape 3 - Complete improvisations on maqam nahawand, undated

1/4 inch acetate tape on 7 inch reel. 7 1/2 ips.

Box 20

Reel 1: Collection 92, Tape 4 - Complete improvisations on maqam nahawand, undated: 1/4 inch acetate tape on 7 inch reel.
Reel 2: Collection 92 - Maqam Hijaz, Five taqsims, undated: Played by J. Racy. 1/4 inch acetate tape on 7 inch reel.
Reel 3: Collection 154, Tape 1 - Israel-Samaritan peoples, undated: 3 3/4 ips. 1/2 track, mono. Side A only. 1/4 inch acetate tape on 5 inch reel.
Reel 4: Copies of Persian Classical Music originally recorded on 78s - Iran, undated: 1. Violin, Saba; Kuhestani, 2. Saba, Gilani piece, 3. Lullaby, song by Ma'arufi; Farah Angis Khanom, singer, Ma'arufi, tar, Ruafza, viola, 4. side A, Mahour; Singer, Abol Hassan Khan, Haigo, kamange, 5. side B, Gusheh Delkash Iraq, 6. Improvisation Chahargah, Col. Alinagi Vaziri, tar, 7a. Bandhaz, composed by Vaziri, performed by Vaziri, tar, b. (illegible), c. Improvisation Mahour, Vaziri, d. Hazerbash, composed by Vaziri, 8. Chahargah kamange solo (originally recorded ca. 1935), Hossein Khan
Reel 5: European folk polyphony, undated: 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.
Reel 6: Havasupai, Hinton, undated: 1. Sweathouse Song, 2. Sweathouse Song, 3. Round Dance Song, 4. Round Dance Song, 5. Lullabye, 6. Lullabye, 7. Matewichi Song, 8. Old Woman rising from the dead, 9. Coyote's wife's song. 1/4 inch acetate tape on 7 inch reel.
Reel 7: Indian examples, rhythm, undated: Note: Case includes handwritten track listing of instruments and sections of the Raga. 1/4 inch polyester tape on 7 inch reel.
Reel 8: Indian film songs, undated: 1/4 inch polyester tape on 5 inch reel.
Reel 9: Middle East examples, undated: Note: Case includes handwritten track list. 1/4 inch polyester tape on 7 inch reel.
Reel 10: Mokhalef tape, undated: Note: Case includes handwritten track listing. 1/4 inch acetate tape on 7 inch reel.
Reel 11: Mongolian examples, undated: Note: Case includes handwritten track listing. 1/4 inch polyester tape on 5 inch reel.
Reel 12: Music 316 - Introductory tape, undated: Note: Case includes handwritten track listing. Tracks include: Blackfoot song, Didgeridoo, Gagaku, Musical low song, Carnatic, pygm song, persian, mongolian multiphonic singing, tibetan orchestra. 1/4 inch polyester tape on 5 inch reel. 3 3/4 ips.
Reel 13: Music 317 - Folk music of Europe and North America, undated: Note: Includes handwritten track listing. Tracks include: Schlesswig, North Carolina (1939), Suffolk (1947), Hungarian, Bulgarian, French, Sardinia, Spanish. 1/4 inch polyester tape on 5 inch reel.
Reel 14: Music 317 - Folk music examples, undated: Note: Case includes handwritten track listing. Tracks include: German Calendric Songs, Hungarian Songs, Spanish Songs, Sweedish Songs, Norwegian Songs. 1/4 inch polyester tape on 7 inch reel.
Reel 15: Pelog-slendro exercise, undated: 1/4 inch polyester tape on 5 inch reel.
Reel 16: Peyote songs, undated: 1 of 2. 1/4 inch polyester tape on 7 inch reel.
Reel 17: Peyote songs, undated: 2 of 2. 1/4 inch polyester tape on 7 inch reel.
Reel 18: Simple scale examples, undated: Note: Case includes handwritten track listing. 1/4 inch polyester tape on 5 inch reel.
Reel 19: Spanish Examples, undated: 1/4 inch polyester tape on 7 inch reel. 3 3/4 ips.

Sub-Series 1: Field Recordings and Research

Box 27

Item 1: ISHI --Tape no. 1, circa 1911-1915

Casette label reads "Indians of North America -- Yahi -- Sung by Ishi, the last of the Yahi. 1911-1915. Tape 1."

Item 2: ISHI -- Tape no. 2, circa 1911-1915

Casette label reads "Indians of North America -- Yahi -- Sung by Ishi, the last of the Yahi. 1911-1915. Tape 2."

Item 3: Blackfoot, Jessie Donaldson Recordings, 1926

Blackfoot, U of Cal. Includes handwritten track listing: #24-2786 through #24-2801 (Side A) "#24-2802 through #24-2806" (Side B)

Item 4: Arapaho (Salzmann) and Shona mbira, 1949

Includes tracklisting. Side A, Arapaho songs - Salzmann, 1949: a) Wolf dance s. b) Round dance s. c) Rabbit Dance s. d) 2 Sun D. songs e) Wolf Song or soldier's song f) Skybird song g) Peyote songs h) Ghost D. S. Mooney. Side B: Shona Karanga Mbira dza vadzimu and songs in stories

Item 5: Merriam-Schultz Interview II, 1964

Copy of OT 7" 835, Cassette No. 2. Side A: Track 1. Side B: Track 2.

Item 6: (146/1) Iran -- Xurasan (Blum), 1969

Side 1: examples 1-23. Side 2: examples 24-30.

Item 7: Collection 65, Tapes 1 + 2, 1968-1969

side 1: Collection 65/1 BahÃ?Â¢ri. side 2: Collection 65/1 (conclusion), collection 65/2 (Homayun + Bayate Zand)

Item 8: Collection 65, Tapes 2 + 3, 1968-1969

Hussein Malek: Segah, Chahagah, Bayate Tork

Item 9: Collection 65, Tapes 4-5, 1968-1969

Shrinibadi, Chahargah

Item 10: Collection 65, Tapes 6-7, 1968-1969

Side 1: Shirinabadi: Chalargah (II) (continued). Side 2: Heydari

Item 11: Collection 65, Tapes 7-9, 1968-1969

Side 1: 1. Heydari (continued) 2. Ebadi, Varzandeh, Majd

Side 2: 1. Majd (continued), Badi'i, Safrat

Item 12: Collection 65, Tapes 9-11, 1968-1969

Side 1: Safrat (continued), Bahari, Safrat

Side 2: Safrat; Badi'i, Sajjadi

Item 13: Collection 65, Tapes 11-12, 1968-1969

Side 1: 65/11 Sajjadi

Side 2: 65/11-12

Item 14: Collection 65, Tapes 14-15, 1968-1969

Item 15: Collection 65, Tape 16, 1968-1969

Mahmoud Karimi: Chahargah, Shur

Item 16: Collection 65, Tapes 19-20, 1968-1969

Side 1: Zurkhane music

Side 2: Popular songs

Item 17: Collection 65, Tape 20, 1968-1969

Item 18: Collection 65, Tapes 21-22, 1968-1969

Box 28

Item 1: Collection 65, Tapes 22-23, 1968-1969
Item 2: Collection 65, Tape 24, 1968-1969
Item 3: Collection 65, Tapes 26-27, 1968-1969
Item 4: Collection 65, Tapes 28-29, 1968-1969
Item 5: Collection 65, Tapes 29-30, 1968-1969
Item 6: Collection 65, Tapes 30-31, 1968-1969
Item 7: Collection 65, Tapes 31-33, 1968-1969
Item 8: Collection 65, Tapes 34-35, 1968-1969
Item 9: Collection 65, Tape 35, 1968-1969
Item 10: Carnatic Christmas Mass, 1976: Indian Christmas Mass (Madras, 1976) Side A only
Item 11: Mariyamman, 1977-1979: "The Goddess Mariyamman..." songs: 1) Kapi 2) Ragamalika 1979 3) Ragamalika 1977 (with apologia)
Item 12: Iran Popular Music, 1978
Item 13: Madras-Tape No. 1, 1981-1982
Item 14: Madras-Tape No. 2, 1981-1982: Side 1: Interview with Ramanathan I. Side 2: continuation of concert on tape #5
Item 15: Madras-Tape No. 3, 1981-1982: Tape no. 3 contains 45 minutes of a radio program, Madras A, Dec. 2, 1981. M. S. Gopalakrishnan, violin, others as announced.
Item 16: Madras-Tape No. 4, 1981-1982: Clan at Ramanathan's, four women, etc. Dec. 3, 1981.
Item 17: Madras-Tape No. 5, 1981-1982: Nageswara Concert, radio. Thiruvaduthurai N. Rajarathinam Pilai and Party, Dec. 6, 1981. Side 1+2, continued on tape no. 2, side 2
Item 18: Madras-Tape No. 6, 1981-1982: Ramanathan, mainly on faith, including some songs. Dec. 10

Box 29

Item 1: Madras, tape no. 7, 1981-1982

Side 1: KMS Sivo + group: wedding music

Side 2: continued from side 1, including Kriti Nagnmomn near end of song 1

Item 2: Madras, tape no. 8, 1981-1982

Master Srinivas (co. 10) Mandolin; K. Sivaraman. Excerpts from concert Dec. 24, 1981.

Item 3: Madras, tape no. 9, 1981-1982

Higgins # 1, Starts after 30 mins of side I, Side 2: part 2 of Higgins concert

Item 4: Madras, tape no. 10, 1981-1982

Higgins concert tape 2. Side 1: third part. Side 2: fourth part

Item 5: Madras, tape no. 11, 1981-1982

Side 1: Jagannathan. Program of AIR choir, Jan. 24, 1982 (15 min.), 2nd half, end of radio concert of Jan. 29 from tape no. 11

Item 6: Madras, tape no. 12, 1981-1982

Liner note reads: Bhajan: Bangalore (Sarakki) ~Jan. 6, 1982

Item 7: Madras, tape no. 13, 1981-1982

Side 1: Bhajan, Bangalore 1/6/82 (continued from previous tape)

Side 2: Tyagaraja Ardhana, Jan. 14: end of a kriti; chant (Vedic); and background.

Item 8: Madras, tape no. 14, 1981-1982

Side 1: excerpts from Tyagaraja Aradhana festival. Nadaswaram, Vedic Chant (Jan. 14, 1982) Flute performance/group singing, 2 songs.

Side 2: continued from side 1, Kritis by Tyagaraja

Item 9: Madras, tape no. 15, 1981-1982

#1 Higgins Family, Jan. 19, 1982, tape 1.

Item 10: Madras, tape no. 16, 1981-1982

Side 1: radio concert - Jan. 29, 1982, begins after 5 minutes. Madurai N. Krishnan, vocal.

Side 2: continued. Continued on tape 11, side 2, second half.

Item 11: Madras, tape no. 17, 1981-1982

Vadya Vrinda radio concert, Jan. 31, 1982. Then Feb. 14, begins 20 seconds after beginning of piece.

Item 12: Madras, tape no. 18, 1981-1982

T. P. Vaydyanathan: radio concert Feb. 5, 1982 (tape ends before final drum solo).

Item 13: Madras, tape no. 19, 1981-1982

S. Ramanathan radio concert, Feb. 9, 1982 (continued on tape 20)

Item 14: Madras, tape no. 20, 1981-1982

Side 1: Ramanathan Concert, Feb. 9, 1982 (continued from tape 19 for 15 minutes), K.V. Narayanaswamy, TN Krishnan, Feb. 17, 1982.

Side 2: continuation of Narayanaswamy concert.

Item 15: Madras, tape no. 21, 1981-1982

Side 1: Continuation of Narayanaswamy concert, Feb. 17, 1982 (last piece has interrruption).

Side 2: Continues after interruption for approx. 2 minutes.

Item 16: Madras, tape no. 22, 1981-1982

Vadya Vrinda

Item 17: California Indians, Multi-Part Singing (R. Keeling), October 20, 1984

Printed cassette label reads "Multi-part singing among the Indians of California (10/20/84) R. Keeling."

Item 18: North American Indian Days (4 of 4), 1984

Cassette label reads "N.A. Indian Days 1984, tape #4, side A - Hand games, live recording."

Box 30

Item 1: North American Indian Days (1 of 4), 1984: Handwritten label reads "N.A. Indian Days 1984. Side A, then side 2, 2nd day 2:50-3:45
Item 2: North American Indian Days (2 of 4), 1984: Handwritten label reads "N.A. Indian Days 1984, sides 1 + 2: July 13, 4-5 PM."
Item 3: North American Indian Days (3 of 4), 1984: Handwritten label reads "N.A. Indian Days 1984, tape #3: July 13, side 2 has part of hand game,"
Item 4: Radif Excerpts (Master), 1986
Item 5: Borumand: Radif, Mahour (1 of 5), undated: tracklist included: (side A) Fist daramad, kereshmeh, avaz, moqademuh- be dad, dad, khosravani, delkash, khavaran, tarab-angiz, neshabourak, nassir-khani ya tusi, chahar-pareh, feili, mahour saghir, Azeraijani, hesar-mahour ya abol, zir-afkand, neyriz, shekasteh, araq, nahib, mohayer, ashour, isfahanak, hazine, kereshmeh, zangouleh, (side B) rak, rak hendi, rak-ekeshir, rak-e abdollah, kereshmeh rak a safir-e rak, reng-e harbi, reng-e ashoub, reng-e shalahou, ("?????")
Item 6: Borumand: Mahour (2 of 5), undated
Item 7: Borumand: Mahour (3 of 5), undated
Item 8: Borumand: Mahour (4 of 5), undated
Item 9: Borumand: Mahour (5 of 5), undated

Box 35

Reel 1: Iran Master, Reel I, undated: Examples 1-13, 28.5 minutes. 7.5 ips, 1/4 track stereo.
Reel 2: Iran Master, Reel II, undated: Examples 14-26. 7.5 ips, 1/4 track stereo.
Reel 3: Iran Master, Reel III, undated: Examples 27-38.
Reel 4: Iran, Reel 1 (Nettl), undated: Examples 1-12.
Reel 5: Iran, Reel 2 (Nettl), undated: Examples 13-25.
Reel 6: Iran, Reel 3 (Nettl), undated: Examples 26-36.
Reel 7: Iran, Reel 4 (Nettl), undated: Examples 37-38.

Box 37

Disc 1: Arapaho, undated

12-inch, direct-cut acetate disc. Transcriptions may be found in box 25, folder 26.

Disc 2: Bulgaria, undated

12-inch direct-cut disc. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1A1,2,3,4,5,6,7; 1B3,4; 2B3,4 (side A); 2A2,4; 1B2; 2B2,5; 3A2; 3B1 (side B).

Disc 3: Czech (Florida), French-American, undated

12-inch, direct-cut disc. Transcriptions may be found in box 25, folder 26.

Handwritten label: 2A1,3; 2B1; 1B1; 1A2 (side A); 1756A1; 1758A1,2 (2 strips); 1760B1; 1761A1.

Disc 4: English-American (1 of 2), undated

12-inch direct-cut record. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1730A (side A), 1730B (side B).

Disc 5: English-American (2 of 2), undated

12-inch direct-cut LP. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1748A (side A), 1748B (side B).

Disc 6: English-American: Barbara Allen, Child Ballads, undated

12-inch direct-cut LP. Transcriptions may be found in box 25, folder 26.

Handwritten label: 1741A1,2; 1730B2 (side A); 1728B1; 1750B2 (side B).

Disc 7: Greek (Florida), Rumania, undated

12-inch direct-cut record. Transcriptions may be found in box 25, folder 26. Handwritten label:

Side A - Greek: 2B1,2 (beg.); 2A (A.C. Morris). Side B - Rumania: 6A1,2,3; 6B1.

Disc 8: Native-American (1 of 2), undated

12-inch, direct-cut record. Transcriptions may be found in box 25, folder 26.

side A: 1) Watusi Drums 2) Pomo Perambulating Chant 3) Kouyou Women's Dance 4) Yaswa Marimbas.

side B: 1) Navajo Night Chant 2) Peyote Cult Song (Dakota) 3) Kwakiutl Chieftaness Dance.

Disc 9: Native-American (2 of 2), undated

12-inch direct-cut disc. 78 rpm. Transcriptions may be found in box 25, folder 26.

side A: 1) Lakota Flute 2) Papago Medicine Song 3) Zuni Corn Grinding

side B: 1) Hopi 2) Seminole Medicine 3) Navajo Night Chant

Disc 10: Rumania, Moravian-Slovak, undated

12-inch direct-cut disc. Transcriptions may be found in box 25, folder 26. Handwritten label:

Side A - Rumania: 1B; 3B. Side B - Moravian-Slovak (N.Y.C): 1B; 2A beg.; 4A1

Disc 11: Spanish (1 of 2), undated

12-inch direct-cut disc. Performed by Sofia Novoa. Transcriptions may be found in box 25, folder 26.

Includes handwritten label: 5B4; 6B4; 7A1,3; 7B1; 8B3 (side A); 3A1; 3B1; 4A3,4; 5A1; 5B2 (side B).

Disc 12: Spanish (2 of 2), undated

12-inch, direct-cut disc. Performed by Sovia Novoa. Transcriptions may be found in box 25, folder 26.

Includes handwritten label: 7B3; 8A1,2; 9B2,3; 10B3 (side A); 10A2; 10B2,4,5 (2 strips); 11A2; 12A5; 12B5,4,2 (side B).

Disc 13: Yugoslav, undated

12-inch direct-cut disc. Transcriptions may be found in box 25, folder 26.

Includes handwritten label: 6A2,3,4; 6B2,3; 1B5; 1A2; 2A2 (side A); 1A1; 5B1,2,3,4; 6A1 (side B).

Box 38

Disc 1: Miwok Abraham, undated: 10-inch, direct-cut acetate disc.

Box 41

Cassette 1: Transcription Tape, undated

Sub-Series 2: Demonstrations and example recordings

Box 30

Item 10: "Musikgeschichte und Musikethnologie," Berlin, January 13, 1970: Discussion with Fritz Bose, Kurt Reinhard, Carl Dahlhaus, Red Stephan, and H.-P. Reinecke.
Item 11: Seminal 80s Lecture, circa 1985: Typed tracklist reads: "Recordings 1) Early mussic assoc with Adler -Bruckner- 7thSymphony, from 4th mvt.,performed first Dec. 30 1984 2) Whales? - from "Songs of the Hump-Backed Whale" rec. by Lon Brocklehurst, ca. 1985, Hawaii 3) Ghost dance - Pawnee, recorded 1901 by James Mooney 4) early African recording - Tanzania, 1903, Ernst Meinhof, 3 xylophones 5) early Bartok - song recorded in early 19430s. "On the Sandy Banks of the Creek" in Budapest 6) very early Amer. Indian recording - Blackfoot Beaver song, 1897, Grinnell 7) recording by Boas - 1897, Thompson River Indians, Dance song, used by Hornbostel for articls 1906 8) Biber Mystery Sonatas - Sonata I of Mystery sonatas, in DTP but not by Adler, under his aegis; "annunciation" 9) German - Schnadahupfln from near Czech border: "A bissl Boehmisch und a bissl deuscth, und a trum Knodl und a gselchts Fleish, und a Pack Kraut und a Stuck Wurscht, das geht furn Hunger aber net furn Durscht." 10) Arabic music; Nahawand, Racy; Haba, "The Mother," instrumental section from middle. 11) Vedic chant? Dhrupad? - actually Dhrupad, Dagar brothers 12) from Phonogrammarchiv - Sorbian spinning room song, rec. Hornbostel 1907 in Lausitz 13) early gamelan - Gamelan Gong, from Hornbostel 1930 collection
Item 12: Song of Kota, Irula and Betta Kurumba Women of the Nilgiris, 1990-1992: Recorded by Richard Wolf
Item 13: Philippines: Oral Traditions in Philippine Music, November 27-December 4, 1992: Traditions of the Kalinga, Maranao, and Yakan people. From the 14th Asian Composers League Conference and Festival, Wellington & Auckland, New Zealand.
Item 14: "Bow-String Poesy" for Chinese Orchestra by Chan, Hing-Yan, April 1995: Performances by the Hong Kong Chinese Orchestra.
Item 15: Venice '95 Tape, 1995
Item 16: Albrechtsberger: Jew's Harp Concertos, undated
Item 17: Amish, undated: Handwritten label reads: "Amish-Indiana AAFS 1764A, 1769A1."
Item 18: Arabic - Lentschner, undated

Box 31

Item 1: "Pepper's Powwow" American Indian Rock, undated

Item 2: Mr. Bahari: Abu-Ata, Mahour, undated

Side A: improvisation in Abu Atta, side B: improvisation in Mahour.

Bahari (kamantsche), Ayan (tombak), and Motebassem (tar)

Item 3: Denis-Roosevelt. Belgian Congo Records, undated

Item 4: Blackfoot History Ex., undated

Item 5: Blackfoot Music History, undated

Typed tracklist: 1) Kicking Woman Singers 2) Blackfoot grand entry song 3)Walapai funeral song 4) Peyote song 5) Bala-sinem Peote song 6) Powwow song from Bn record 7) Ulali, Plains style song 8) Beaver medicine song 1897 9) Handgame song 10) If you wait for me - Tom M-G 11) When the Dance is over sweetheart 12) I don't care if you're married 13) One-eyed Ford, commercial tape 14) Jim Pepper Newly-wed song 15) One0eyed Ford - Squeezetones (Noisy Gators)

Item 6: Bob Dylan: Child 243, undated

Item 7: Chahargah, Ebadi, Shirinabadi II, undated

Cassette label reads "MUSIC 317, No. 11"

Item 8: CMU Mbira Ensemble, undated

Item 9: Child Ballad Examples, undated

Item 10: European Singing Styles, undated

Typed tracklist: "Folk Music examples (Nettl): 1. Fisherman's song (Schleswig) 2. Lamkin (N.C.) 1936 3. Lady Isabel (Suffolk) 1947 4. Guslar Epic (Yugoslavian) 5. Hungarian (ornamented) 6. Hungarian (less ornmntd.) 7. Bularian polyphony 8. French 9. Sardinia (Mutos-secular, four part) 10. Spanish agricultural song (Valencia, East coast)"

Item 11: Florida American Music / American Indian dances, undated

Item 12: Florida Lecture, undated

Casette label reads "Coping with the other." Handwritten tracklisting included in case. Whale, Balamuralikrishna, Periman by Bach, Enermartin, Yankee Doodle by James Hewitt, Tuvan, Fantasy by Schumann, Dempster Didjeridu, Traditional Didjeridu, "Homemade didjeridu," "Proud to Be," Mbira, Mapfumo, 2 Bartered Bride excerpts, Czech songs, "I can't give you," by Jazz No Problem, "Music for Prague" by Husa.

Item 13: German Ballads and Calendic Songs, undated

Typed tracklist included. 1. Erlosung vom Galgen 2. Durchs Genster hinab 3. Edelmann und Schaefer 4. Ulinger ("Lady Isabel") 5. Maria ud der Schiffmann 6. St Odilia 7. St. Odilia, 2nd version 8. Die Kreuzauffindung 9. Das letzte Gericht

Side B -- Calendic songs from DG albu. I.10 to I.14; II.1 to II.6

Item 14: Heiltsuk Songs C1 to Dh13 (Anton Kolstee), undated

Item 15: American Indian Examples, undated

Includes typed tracklist.

Side I: 1. Arapaho Sun Dance 2. Blackfoot War Dance 3. Blackfoot Scalp Dance song 4. Zuni Rain Dance song 5. Papago Medicine song 6. Mohave song (with "rise") 7. Mohave (with complex rise) 8. Navajo Night Chant 9. Navajo Corn grinding song 10. Western Apache song 11. Kwakiutl Hamatsa song 12. Pawnee Ghost Dance song 13. Iroguois Eagle dance 14. Alaskan Inuit 16. Kwakiutl Wolf dance song 17. Sioux flute song 18. Kiowa Peyote song

Side II: 19. Navajo women's song 20. Taos gambling song South America and Mexico 21. Guajiro (Venezuela) - 2 examples 22. Siriono (Bolivia) - 2 examples 23. Amuesha (Peru) 24. Huancaya, Peru, horns (2 examples), then band 25. Campa (Paru, Amazon) -drinking music 26. Aymara (Peru) panpipes 27. Peru, Highlands mestizo music 28. Mazatec mushroom ceremony 29. Yaqui Deer dance song 30. Mapuche female shaman's song 31. Macusi women's grinding manioc song 32. Ona shaman song

Item 16: Indian Popular Music Sampler, undated

Compiled by Richard Wolf. Side A: Items 1-10. Side B: 11-end

Item 17: Iran Folk Music Short Demo Tape, undated

Item 18: Music 317, tape #3, Survey from Khorasan, undated

Box 32

Item 1: Mashayekhi - Shur Excerpts, undated

Item 2: Music of Anthropology Lecture, undated

Includes handwritten tracklisting

Item 3: Music 317A, cassette no. 6, Yugoslav Epics, undated

Side 1: Short epic, from Herzog recording

Side 2: beginninf of Epic of 1941, Croatia, Lomax recording; Youth of Derdelez Aiya; Song of Bagdad (Barry recording)

Item 4: Music 317, Persian tape 3, undated

Item 5: Music 317 Middle East tape no. 10, undated

Item 6: Music 317 Middle East tape no. 11, undated

Taqsim Hijaz Sampler

Item 7: Music 326, Transcription Tape, undated

Item 8: Music 423 A, Western Influence, tape no. 6, undated

Includes typed tracklist. "Tape no. 6 Examples of Western Influences in North American Indian music. A) Westerm music composed for Indians. B) Western music showing some Indian musical traits. C) Indian songs showing some influences of Western musical styles, or of Black music. D) Indian musicin newly created styles, results of Western cultural, not musical, influence. E) Indian music, for western-derived cultural context. F) Indian music illustrating impoverishment, standardization, and consolidation. G) Indian music with English words. H)Western music composed by Indians, with some Indian musical and textual content."

Item 9: N. A. Indian Styles Survey, undated

Includes typed tracklist. "1. Arapaho Sun D., -Salzmann 2. Blackfoot War D. -Nettl 3. Blackfoot Scalp D. -Dixon 4. Zuni Rain D. -Rhodes 5. Papago Medicine S. -Boulton 6. Mohave -from 78 disk 7. Mohave - Boulton 8. Navaho Yeibechai -Rhodes 9. Navaho Corn Grinding S. - Frisbie 10. Apache Sunrise S. 11. Modoc S. -Spier 12. Pawnee G.D. -Densmore 13. Iroqouis Eagle D. -Fenton 14. Creek Stomp D. -Indian House Record 15. Alaskan Eskimo - Praise of hunter - Folkways 16. Krakiutl Potlatch S. -Folkways 17. Sioux flute s. -Folkways 18. Kiowa Peyote s. -Sounch. 19. Navaho women's song 20. Tao Gambling s. -Folkways"

Item 10: Nemet's songs - examples, undated

Note in liner reads "Appendix ~ 30 min."

Item 11: Neyriz, undated

Side A: Bayate Tork - Neyriz

Side B: Bayate Esfahan - Neyriz

Item 12: Persian Popular Music Anthology, undated

Includes typed tracklist. "Persian Popular Music Sampler."

Item 13: Persian Classical Genre Survey, undated

Includes handwritten tracklist.

Item 14: Peyote History, undated

Includes handwritten tracklist. Side A: Peyote history. Side B: First grade examples.

Item 15: Samaritan, undated

Item 16: Songs of the Caddo, undated

Side A: Songs of the Caddo Vol. I, 37 Turkey Dance Songs. Side B: Songs of the Caddo Vol. II, 4 Turkey Dance Songs, 6 Bear Dance Songs, 4 Fish Dance Songs, 4 Duck Dance Songs, 4 Bell Dance Songs, 10 Morning Dance Songs

Item 17: Tale of Two Cities, undated

Includes typed tracklist. "1. Trad. avaz, Mahour, vocal 2. Trad. Chahar mezrab, santour, Mahour 3. Trad. kriti, vocal, Ramanathan 4. Trad. alapana, Sankarabharanam Subbalakshmi 5. India - violin, svara kalpana 6. India - clarinet 7. India - saxophone 8. India - Chitti Babu and disciplies [sic], vina 9. Vadya vrinda 10. "Note" on clarinet 11. Iran - Pishdaramad, ensemble, segah 12. Chahargah, santour, Heydari 13. Chahargah, violin, Shirinabad 14. Chahargah, piano 15. Tasnif in Mahour, Parvaneh and ensemble of Payvar."

Item 18: Tas Nif, undated

Includes handwritten note. "Tasnif and Chahargah, HMV RR.52, OHB 1224"

Box 33

Item 1: Turkish Mevlana, undated: Includes typed tracklist. "Turkish Mevlana Ceremony (excerpts from Anthlogy record)"

Box 35

Reel 8: American Negro (Lomax), ca. 1950

Includes handwritten tracklist. 1. Another Man Don Gone 2. Boll Weevil 3. Spiritual (chorus) 4. Trouble No Hand 5. Children's songs and Rhymes

Reel 9: Coll. 31, Tape 1, "Musik des Orients", December 28, 1950

From University of Illinois Ethnomusicology Archive. Collection no. 31, tape no. 1.

Includes written track listing: "Oriental, mixed Ã¢?? copy of "Musik des Orients" collection.

1. Japan (1-5), 2. Japan (5-9), 3. Japan (9-12.5), 4. Japan (12.5-16), 5. China (16-20), 6. China (20-24), 7. China (24-27), 8. Java (27-30), 9. Java (27-30)."

Reel 10: Coll. 31, Tape 2, "Musik des Orients", December 28, 1950

From University of Illinois Ethnomusicology Archive. Collection no. 31, tape no. 2.

Includes written track listing: "Oriental, mixed Ã¢?? copy of "Musik des Orients" collection, reel 2:

10. Java (1-5), 11. Bali (5-8), 12. Bali (8-12), 13. Bali (12-15), 14. Bali (15-18), 15. Bali (21-25), 16. Siam (21-25), 17. India (25-28), 18. India (28-31)."

Reel 11: Coll. 31, Tape 3, "Musik des Orients", December 28, 1950

From University of Illinois Ethnomusicology Archive. Collection no. 31, tape no. 3.

Includes written track listing: "Oriental, mixed â?? copy of "Musik des Orients" collection, reel 3:

19. Persia (1-5), 20. Egypt (5-9), 21. Egypt (9-14), 22. Egypt (14-18), 23. Tunis (18-21), 24. Tunis (21-24)."

Reel 12: Walter I, August 27-28, 1952

Includes Handwritten track listing: "Pat Bonner - fiddle, J. Gillespie - guitar

1. Fisher's Hornpipe (000), 2. Rouse Maggie (017), 3. Calligan's Reel (029), 4. A Shottised (043), 5. Highland Fling (085), 6. Speed the Plow (085), 7. The Gravel Walk (108), 8. Talking, Old Square Dance Enterprize (120), 9. The Old Folks (157), 10. The Two Sisters (171), 11. Right of way, tape end (187), 12. Haste to the Wedding (195) 13. Fragment (211), 14. Boy O'More (217), 15. The Tenblehouse (235), 16. Old Man & Old Woman (248), 17. Buffalo Girls (267), 18. Flower of Edinboro (282), 19. Arkansas Traveler (300), 20. Sweet Genevieve, Gillespie and wife (341)."

Reel 13: Walter II, August 27-28, 1952

Continued from Reel 13, tracks 12-20 on tracklist.

Reel 14: Nepal - Fischer, October 13, 1966

Edited Nepali songs. Tape recorded at 7.5, 2 tracks mono.

Box 36

Reel 1: Ethnic Music from Hawaii, March 18, 1968

Performance by the University of Hawaii Singers and Asian Endemble at MENC Convention in Seattle Washington. Per written label, music from Hawaiian, Korean, Japanese, Putorino, Tongo. Set list included.

Reel 2: Witmer-Amoaku Project, circa 1971

Includes typed track list with production notes.

Reel 3: Renato Andrade, "Violeiro", undated

Includes handwritten explanatory note from Kurt B.: "Renato Andrade performs on the viola caipira, a stringed folk instrument of rural Brazil. This presentation onsists of a combination lecture-recial i.e. performance of selections with interpersonal commentary and explanations."

Reel 4: Wilfred Berg, undated

The name "Wilfred Berg" is written on the tape box label.

Reel 5: Tape from Birmingham Lecture, undated

Reel 6: Child Ballads, undated

Includes handwritten track listing: English, Indiana, C.C.

558.1 The Oxford Girl (1-2), 558.2 Come All Young Friends (2-4), 558.3 Young Beichan (4-7), 559.1 Darling Betsy (7-10), 559.2 Lass of Loch Royal (10-12), 559.3 Wife of Usher'n Well (12-14), 559.5 Lady Isabel & Elf Knight (14-16), 559.6 Erlinton (16-19), 559.7 Cambic Shirt (19-22), 560.1 Lord Thomas & Fair Ellender (22-23), 560.2 House Carpenter (23-24), 560.4 Fiddle Tune (Solder's Joy) (24-25), 560.8 Golden Vanity (25-29), 561.6 Lass of Lock Royal (24-28), 561.7 House Carpenter (28-30), 561.8 Edwin in the Lowlands (30-)."

Reel 7: Tribal Music, undated

Includes handwritten tracklisting: "1. Djedbang - Ari Songs (Yirkalla district), 2. Djedbang - Ari (Riredjing-o), 3. Babinga Pigmy Chorus, 4. Babinga Dance."

Reel 8: EIU Tape, undated

Reel 9: North Carolina Tape, undated

Includes handwritten tracklist: "1. Kamancheh, singer, parallel fifth, 2. Setarzadeh 3. Shir Song with piano 4. Delkash- modernized song 5. Modernized song example - piano, Viguen, 6. Ebadi (Chahargah) 7. Shirinabadi 8. Madjubi - piano, A-flat and D-flat, 9. Pishdaramad in Mahour, 10. Tasnif in Mahour, very modernized 11. Orchestral material with Guyande, 12. Shur."

Reel 10: Example, undated

Reel 11: Serbo-Croatian, undated

Reel 12: Trudgeon, undated

Reel 13: Wayne State Archives of Ethnomusicology, Coll. 11, undated

Handwritten title is not legible, but box is stamped with "Wayne State University Archives of Ethnomusicology."

Box 41

Cassette 2: American Indian Lecture- Louisville, Urbana, undated

Side A: American Indian Lecture (Louisville, Urbana)

Side B: Taqsim Nahawand

Cassette 3: American Indian Lecture - Vienna, undated

Cassette 4: Blackfoot Lecture, undated

Cassette 5: Blackfoot Ownership Music Ed Lecture, undated

Cassette 6: Carnatic Music Survey, undated

1) Varnam. Raga Bhairavi, Kanada ata tala, flute and vl.

2) Kriti: Banturiti by Tyagaraja, Raga Hamsanadhana

3) Kriti Jnana Mudaivane wighsvawars, raga Hamsadhinadi

4) Kriti Raghuvamsa - vina - raga Kadanakuthuhalam

5) Alapana Shankarabharanam

6) Alapana vina - Kalyani

7) Tana, - vina

8) Tanam - vocal (brief) and violin

9) Niraval theme (90 sec)

10) Niraval variations - with mrdangam and kanjira

SIDE B

11) Svara kalpana - Ramnad Krishnan

12) Niraval and svara kalpana - Rag Kalyani Gayathri

13) Svara Kalpana - Balamurali Krishna

14) Tillana - S. Ramanathan

15) Mangalam - Subbalakshmi

Cassette 7: Child Ballads, undated

1) The Two Sisters (Child 10): a) Virgina, 1939 - Botkin record, b) Jean Ruthie, 1936, c) Artus Moser with dulcimer, d) Andrew Rowan Summers with dulcimer

2) The House Carpenter (Child 243): a) Kentucky 1943 (Lomax rec), b) Virgina 1941 (Lomax rec)

3) The Gipsy Laddie (Child 200): a) A.L. Loyd, b) Woody Guthrie, 1940

4) Edward (Child 13): a) A Californian from Missouri 1941, b) Virginia 1941, c) Ewan McColl

5) The Golden Vanity (Child 286): a) Ewan McColl, b) Kentucky, 1937

6) Lamkin (Child 93): a) North Carolina 1937, b) A.L. Lloyd

7) The Maid Freed from the Gallows (Child 95?): a) A.L. Lloyd

8) Lord Bateman (Child 53): a) Molly Jackson 1935, b) California 1940, c) Pleaz Mobley (Kentucky) with guitar, d) A.L. Lloyd

9) The Bishop of Canterbury (Child 45?): a) California 1938

10) Our Goodman (Child 274): a) Ewan McColl (Scots), b) Tennessee 1943

11) The Farmer's Curst Wife (Child 278): a) A.L. Lloyd, b) 1941, c) Virginia 1942, d) Artus Moser (same version as c)

12) The Wife Wrapped in Wether's Skin (Child 227): a) Ewan McColl

13) The Cherry Tree Carol (Child 54): a) Kentucky 1937, b) A.L. Lloyd

14) The False Knight Upon the Road (Child 3): a) Artus Moser

15) Sir Hugh (Child 155): a) A.L. Loyd

Cassette 8: Czech 17th-18th Cent. First Part Tape #2, undated

Hand written set list inside container. Tracks include works from Biber, Fux, Stamitz, Myslivecek, Pickl

Cassette 9: Czech 17th-18th Cent. Second Part, Tape #3, undated

Handwritten set list inside container.

Cassette 10: European Folk Polyphony--Eastern Europe, Italy, Germany, undated

Contains set list inside container.

Cassette 11: Hesar, undated

Label on Tape reads: Collection 68: Iran--Chahargah, Example 12 (end) (hesar)

Inside container is set list from U of I Ethnomusicology Archive Collection 68: Recordings of Hesar/Persian Music Demonstration Tape.

Cassette 12: Iran--Classical music Nour Ali Boroumand, Shur 220/1, undated

setlist inside container reads: TAPE 1 - Dastgah Shur

1st daramad, 2nd daramad, kereshmeh, gusheh-e rohab, 1st naghmeh, 2nd naghmeh, zirkesh-e salmak bamollanazi, salmak, golriz, majles-afrouz, ozzal, safa, bozorg, dobeyti, khara, qajar foroud, hazine

Shur paindaste, gusheh-e rohab, moqadame-ye greyli, razavi, foroud, shahnaz, qaracheh, shahnaz

Cassette 13: Lady Isabel, undated

Cassette 14: Lomax Cantometrics #3, undated

Label on tape reads: Side 1: accent, volume, vocal pitch, tempo. Side 2: Rasp, vocal width, nasality

Cassette 15: Lomax Cantometrics #4, undated

Cassette 16: Middle East Listening #2 - Unity, undated

Cassette 17: Middle East Listening #3 - Khorasan, undated

Cassette 18: Middle East Listening #4 - Radif-Chahargah 1 of 2, undated

Green trimmed label. 1 of 2

Cassette 19: Middle East Listening #4 - Radif-Chahargah 2 of 2, undated

blue trimmed label. 2 of 2.

Cassette 20: Middle East Listening #5 - Radif-Shur 1 of 2, undated

green trim label. 1 of 2

Cassette 21: Middle East Listening #5 - Radif-Shur 2 of 2, undated

blue trim label. 2 of 2.

Cassette 22: Middle East Listening #6 - Lessons-Shur 1 of 2, undated

Green trim label. 1 of 2.

Cassette 23: Middle East Listening #6 - Lessons-Shur 2 of 2, undated

Blue trim label. 2 of 2.

Cassette 24: Middle East Listening #7 - Ebadi-Chahargah Performance 1 of 2, undated

Green trim label. 1 of 2.

Cassette 25: Middle East Listening #7 - Ebadi-Chahargah Performance, undated

blue trim label. 2 of 2.

Cassette 26: Middle East Listening #8 - Mahour - Ensemble Performance, undated

Cassette 27: Middle East Listening #9 - Dar. of Chahargah 1 of 2, undated

green trim label. 1 of 2.

Cassette 28: Middle East Listening #9 - Dar. of Chahargah 2 of 2, undated

blue trim label. 2 of 2.

Cassette 29: Middle East Listening #10 - Maqam Drill - Taqsim Beginnings, undated

Cassette 30: Middle East Listening #11 - Taqsim Hijaz Sampler, undated

Cassette 31: Middle East Listening #12 - Mevlevi Ceremony Excerpts, 1 of 2, undated

blue trim label. 1 of 2.

Cassette 32: Middle East Listening #12 - Mevlevi Ceremony Excerpts, 2 of 2, undated

green trim label. 2 of 2.

Cassette 33: Middle East Listening #13 - Western Influence, 1 of 2, undated

blue trim label. 1 of 2.

Cassette 34: Middle East Listening #13 - Western Influence, 2 of 2, undated

green trim label. 2 of 2.

Cassette 35: Middle East Listening #14 - Western Influence Part II, 1 of 2, undated

blue trim label. 1 of 2.

Cassette 36: Middle East Listening #14 - Western Influence Part II, 2 of 2, undated

green trim label. 2 of 2.

Cassette 37: Music 317 Tape #15 - Persian Popular Music, undated

1) Negah Kon. Viguen Derderian. ("Greek" style)

2) Safar kardeh ("Journey finished"" - Delkash-Chahargh

3) Tik tik-e soat ("Ticking of the clock") Mahtab

4) Qese-ye vafa ("Song of Fidelity") - Gougoush

5) Leili va Majnum - folk song from Shiraz, piano accomp.

6) Dokhat-re farash bashi ("The servant's daughter it will be") - Khorasan. Setarzadeh with dotar

7) Biyad zelzel-e Khorasan ("Memorial of the earthquake of Khorasan") Nejan Alladin with zorah.

8) Delam divaneb shod ("My heart went crazy") Homeria. spoken poem. Then violin solo, Tajvidi.

9) Sufi song ("All my soul"

10) Gol amad, bahar amad ("Flowers came, spring came") Puran

11) Arus Jazireh ("Island wedding") - uran

12) Dokhtar'e falghir ("Peasant's daughter") - Banan long intro

13) Gol keshti ("You planted a flower") Elaheh ("Russian" style?)

14) Songs from film about Golpayegani, "Mard-e henjare-ye tala'i") variety of styles, including classical and folk

15) Music with Indian influence. Mehrpuya, sitar.

16) Chahar mezrab, Segah. Tajvidi, violin

17) Raghs-e arabi ("Belly Dance") - Kasai, flute

18) Darbasteh ("Closed") - Vigen and orch

19) Ateshe Caravan ("Caravan fire") - Delkash

20) Baran, Baran-eh ("It's rain, it's rain") - Vigen and orch

Cassette 38: Smetana, "Bartered Bride" Acts 1-3 Excerpts, Tape #5, 1 of 2., undated

Setlist inside container. Includes Act I, II, and III.

Cassette 39: Smetana, "B. Bride" Acts 1-3 Excerpts, Tape #5, 2 of 2, undated

Side A: Acts 1 and 2, Side B: Act 3

Cassette 40: Music 337 Tape #6: Czech Piano Music 1800-1844, undated

Container reads: 1) Tomasek Eclogue #22, 2) Vorisek, 3) Smetana

Cassette 41: Music 337 Tape #7: Czech Piano Pieces on Dance or Folk Themes, undated

Setlist inside reads: Music 337 - Music in the Czech Lands - Piano Music (short pieces) on folk or national themes.

Side A: Smetana. Czech Dances I (1877) - Polka in A minor, Polka in F., Polka in F-sharp (1878), Czech Dances II (1879) - some pieces are excerpts: Slepicka ("The Hen" - polka), Oves ("Oats" - folk song from Erben), Furiant (dance - the word means "showoff"), Dupak (duple dance - folk song from Erben), Cibulka ("little onion" - folk song from Erben), Medved ("the bear" - folk song from Erben), Hulan ("Uhlan" - calvary officer - folk songn from Erben), Obkrocak (fast dance like polka - 2 songs from Erben)

Side B: Dvorak, 2 Furiants, op. 42 ca. (1978)

Janacek. V Mlhach ("In the Fog") 1st and 2nd of four pieces - (1912). Good Night and The Owl from collection ca. 1907.

Martinu. Sketches for 3 Czech dances (1927)

Cassette 42: Music 337 Tape #8: Smetana- "Dalibor", Dvorak "Rusalka" 1 of 2, undated

Side A: Smetana: "Dalibor" - Act 1, scenes 1-4

Side B: Dvorak: "Rusalka"

1) Overture Bec.

2) Act I, 20 min. To Rusalka Solil

3) Venibab Incant. Hunter's song

Cassette 43: Music 337 Tape #8: Smetana "Dalibor," Dvorak "Rusalka" 2 of 2, undated

Side A: Smetana- Dalbor Act I, Scene 1-4

Side B: Dvorak- Rusalka

Cassette 44: Music 337 Tape #9: Dvorak - songs, undated

Side A: "Dvodrak, Amer. Themes"

Side B: "Dvorak, songs"

Cassette 45: Music 337 Tape #10 - Fibich, undated

Tape label reads: "B. Fibich, Karlstein"

Works by Zydenek Fibich.

Side A. From "Moods, Impressions, and Reminiscences," opus 41. (Excerpts from a total of 367 short pieces)

1. #126 - Andante

2. #127 - Commodo

3. #128 - Andante

4. #129 - Poco allegro

5. #130 - Lento

6. #131 - Andante

7. #132 - Allegro Moderato

8. #133 - Andnate

9. #134 - Allegro moderato

10. #135 - A la Polka

11. #136 - Grave

12. #137 - Andantino grazioso

13. #138 - Quasi fantasia

14. #139 - Lento

15. #140 - Allegro moderato / attacca/

16. #141 - Serioso

17. #142 - Sostenuto

18. #143 - Allegro fuoco

19. #144 - Allegro moderato

20. #145 - Con moto

21. #146 - Allegretto

Side B: A night at Karlstein Castle, Overture to the comedy by Jaroslav Vrchlicky, op 26.

Cassette 46: Music 337 Tape #11: Janacek, "Diary" - Piano, undated

Tape label reads, "Janaeck, "Diary" (piano) 1-18, 19-22

Cassette 47: Music 337 Tape #12: Janacek, Jenura, Krasa, Brundibar, undated

Cassette 48: Music 418: Clan #1, "Most Famous", undated

Cassette 49: Perisan Tape #1 - Shur-Radif-Boroumand, 2000

Example recordings for Music 317

Cassette 50: Persian Tape #7 - Shur and Mahour - USA, 2000

example recordings for Music 317

Cassette 51: Peyote Demo, undated

Cassette 52: Peyote history, 49 history, 1st grade examples, undated

Tape Label reads--

Side A: Peyote History, 49 History

Side B: 1st Grade examples

Cassette 53: Samaritan, Israez- Chant, undated

Cassette 54: Sarasasamadana - Tyagarajk. S. Ramanathan/Madurai Mani Ayan/ S. Balachnder, undated

Cassette 55: Yugo Epic / Peyote songs, undated

Cassette 56: Yugoslav Epics, undated

Recordings for Music 317. Note inside reads:

Yugoslav epic poetry: brief excerpts

Side 1: short epic form George Herzog recording

Side 2: a) Beginning of epic dealing with 1941, sung in Croatia, b) The Youth of Djerjelez Aly, c) Song of Bagdad

Sub-Series 3: Commercial Recordings

Box 33

Item 2: Arunachalam, Karukurichi P.: Nadaswaram, 1983: Recorded by The Gramophone Co. of India, Ltd. STC 03B 33518
Item 3: Balakrishnan, Shyamala: Folk Music of Tamil Nadu, 1982: Distributed by The Gramophone Co. of India Ltd.
Item 4: Babu, Chitti: Musings of a Musician, 1980: <dl> <dd class="faitemcontent" style="font-size: 11.808px; margin: 3px 15px 5px 0px; color: rgb(0, 0, 0); font-family: Georgia, Times, serif;"> Distributed by The Gramophone Co. of India Ltd.</dd></dl>
Item 5: Balasubramaniam, G. N.: Immortal Music of the Great Master (live in concert), 1982: AVM. Music Service, MEI-SR 1043.
Item 6: Balamuralikrishna, Dr. M.: Vocal, undated: Released by Sangeetha Live Cassetes, 6 MSC 6001
Item 7: Balamuralikrishna, Dr. M., 1981: With Sree Bhadrachala and Ramadas Keerthanams. Released by EMI and The Gramophone Co. of India, Ltd.
Item 8: Balamuralikrishna, Dr. M.: Swara Raga Sudha, Vol. 1, 1986: Released by One Minute Film Productions.
Item 9: Bennett, Geetha: Veena, 1992: Produced by The Master Recording Co., released by Sangeetha Live Cassettes. 6 ECDB 493
Item 10: Central Philharmonic Orchestra: Yellow River Concerto, undated: Tracklist and liner notes in Cantonese.
Item 11: Chandrasekaran, M. and Kumari Bharathi: Violin, undated: Released by Sangeetha Live Cassettes.
Item 12: Dhandapani, Anayampatti S.: Jalatharangam, undated: Released by Sangeetha Live Cassettes. 6 MSC 6011
Item 13: Gopalakrishnan, T. V.: Vocal, undated: Released by Sangeetha Live Cassettes. 6 MSC 6026
Item 14: Govindarajan, Dr. Seergazhi S.: Shakthi Velan Songs, 1986: Recorded by Master Recording Co. Released by Sangeetha Live Cassettes. 4 MSC 4274
Item 15: Jayaraman, Lalgudi G.: The Dance of Sound-Thillanas, 1980: Released by The Gramophone Co. of India, Ltd. and EMI.
Item 16: Krishnaji, Thavil A.: Nadaswaram by Shivalingam, undated: Recorded by The Master Recording Co. 6 MSC 6006
Item 17: Kicking Women Singers: Pickuni Style, 2000.: Live at Browning. Released by Canyon Records Productions. CR-6333
Item 18: Krishnan, T. N.: Melodious Strings of the Indian Violin, undated: Released by Oriental Records, Inc. BGRP 1059-C

Box 34

Item 1: Krishnan, Prof. T. N.: Violin-Classical, 1981: Released by AVM Cassette. MEI-SR 1019
Item 2: Krishnan, Prof. T. N., and Kumari Vijikrishnan, 1981: Released by INRECO. 2701-0055
Item 3: Natarajan, A.K.C.: Clarionet-Classical, 1981: Released by AVM Cassette. MEI-SR 1020
Item 4: Ramamarar, Chithalai M., & Party: Panchavadhyam, 1981: Released by AVM Cassette. MEI-SR 1031
Item 5: Ramanathan, Dr. S.: Tyagaraja's Songs on Music, Vol. I, 1988: Released by Veena Cassettes.
Item 6: Ramanathan, Dr. S. & Navagraha Krithis: Dikshitars, undated: Released by Sangeetha Live Cassettes. 6 MSC 6023
Item 7: Sastry, Dr. Emani Sankara: Veena, undated: Recorded by the Master Recording Co., released by Sangeetha Live Cassettes. 6 MSC 6013
Item 8: Seetharam, Prapancham: Karnatik Classical Flute, undated: Released by Sangeetha Live Cassettes. 6 MSC 1008
Item 9: Sreepathi: Tamil Devotional Songs, undated: Released by Sangeetha Live Cassettes. 4 MSC 4006
Item 10: Srinivasa Iyer, Dr. Semmangudi: Carnatic Songs, 1981: Released by AVM Cassette. MEI-SR 1013.
Item 11: Subbulakshmi, M. S.: Bharathi Songs, Vol. 1, 1983: Released by EMI and The Gramophone Co. of India Ltd.
Item 12: Tala'i, Dariush: Tar & Setar, 1987: Released by Ocora. DT 1187
Item 14: Various: Love Sublime, undated: Released by AVM Cassette. MEI-SR 1023.
Item 15: Various: Arirang (Shinnara Restoration Series 001), undated: Released by Sung Eum. CO874
Item 16: Various Native American Artists: SOAR Sample Series, Vol. 1, undated
Item 13: Venkataramana Rao, Palladam S.: Harmonium, undated: Released by Sangeetha Live Cassettes and The master Recording Co. 6 MSC 1015

Box 36

Reel 14: The Music of Tibetan Buddhism I, 1961: Copy of Barenreiter Musicaphon BM 30 L 2009.
Reel 15: The Music of Tibetan Buddhism II, 1961: Copy of Barenreiter Musicaphon BM 30 L 2010
Reel 16: The Music of Tibetan Buddhism III, 1961: Copy of Barenreiter Musicaphon BM 30 L 2011.

Box 38

Disc 2: Folk Music of the Central East, vol 1, 1947: 10-inch shellac disc, 78rpm. Released by DISC Records, 1505A-B.
Disc 3: Folk Music of the Central East, vol 2, 1947: 10-inch shellac disc, 78rpm. Released by DISC Records, 1506A-B.
Disc 4: Folk Music of the Central East, vol. 3, 1947: 10-inch shellac disc, 78rpm. Released by DISC Records, 1507A-B.
Disc 5: Folk Music of India (1 of 3), 1950: 10-inch record, 78rpm. Released by Ethnic Folkways Library, #01448.
Disc 6: Folk Music of India (2 of 3), 1950: 10-inch record, 78rpm. Released by Ethnic Folkways Library, #01450.
Disc 7: Folk Music of India (3 of 3), 1950: 10-inch record, 78rpm. Released by Ethnic Folkways Library, #1451.

Box 41

Cassette 57: Cache Creek Singers: Native American Music, 49 SONGS Volume 1: 18 War Journey Songs, 1976: Commercial Cassette tape.
Cassette 58: Ramanathan, Dr. S., - Karnatik Classical, undated: Sangeetha Live Cassettes
Cassette 59: Strahovanka, (hraje sklady Ady Doska) - Sumavské Ozveny Echo Aus Dem Böhmerwald, 1995

Series 5: Diplomas, Awards, Honorary Degrees, and Photographs, 1948-2018

Sub-Series 1: Diplomas, Awards, and Honorary Degrees

Box 25

Folder 47: The University School Diploma, May 28, 1948
Folder 48: Bachelor's Diploma, Indiana University, June 12, 1950
Folder 49: Phi Beta Kappa, 1950-1998
Folder 50: Master of Arts Diploma, Indiana University, Juna 18, 1951
Folder 51: Doctorate Diploma, Indiana University, June 15, 1953
Folder 52: Master of Library Science, University of Michigan, June 11, 1960
Folder 53: Photographs, 1973-2006
Folder 54: Honors and Praise, December 10, 1985 - December 8, 2014
Folder 55: University of Illinois honors and awards programs, 1985-2015
Folder 56: Distinguished Alumni Service Award, Indiana University, 1986-1987
Folder 57: Honorary Doctorate, University of Chicago, 1993
Folder 58: Koizumi Fumio Prize, October 12, 2014
Folder 59: Honorary Doctorate, University of Illinois, May 1996
Folder 60: AMS Honorary Membership, November 1995
Folder 61: Honorary Doctorate Diploma, University of Illinois, May 12, 1996
Folder 62: American Academy of Arts and Sciences fellow, April 1997-September 1997
Folder 63: Housewright Chair, Florida State University, 1997-1998
Folder 64: Class of 1948 Reunion, University High School, 1998
Folder 65: ISME Recognition, July 25, 1998
Folder 66: Distinguished Alumni Awards, Indiana University, 1998-2017
Folder 67: Honorary Doctorate, Carleton College, June 2000
Folder 68: Medical Scholar's Advisor Award, Illinois, August 2001
Folder 69: Honorary Doctorate, Kenyon College, May 2002
Folder 70: Traditions, Indiana University Alumni Newsletter, 2003
Folder 71: Honorary Professor Certificate, Central Conservatory of Music, May 16, 2007
Folder 72: Jan Patocka Memorial Medal, November 11, 2008: Awarded by Academy of Sciences of the Czech Republic
Folder 73: Taiji Traditional Music Award, Beijing, October 2012: Awarded by Central Conservatory of Music and Taiji Traditional Music Foundation
Folder 74: ACLS Haskins Prize Lecture, May 9, 2014
Folder 75: Marquis Who's Who, September 2018
Folder 76: "The Life and Times of Bruno Nettl" by Yawen Ludden, undated

Oversize Portfolio Case 1

Folder 2: Phi Mu Alpha Award, undated

Sub-Series 2: Photographs

Box 25

Folder 77: Photographs, 1967-1988
Folder 78: SEM Past Presidents photograph, November 20, 1980
Folder 79: University High Reunion photographs, 1988
Folder 80: Carleton College Commencement photograph, June 10, 2000

Oversize Portfolio Case 1

Folder 3: Stage Set Etching by Matthew Kusel, undated