Holdings Fine Arts and Applied Arts School of Music School of Music Audio Depar... Finding Aid Holdings Fine Arts and Applied Arts School of Music School of Music Audio Depar... Finding Aid By 2013 LIS584 class, R. Grennan, Z. Boerger, M. Reagan, H. Jellen, E. Schneider, N. Vallier, and S. Schwartz
Title: School of Music Audio Department Sound Recordings, 1945-1992
ID: 12/5/64
Primary Creator: School of Music Audio Department
Other Creators: University of Illinois at Urbana-Champaign. School of Music
Extent: 313.25 cubic feet
Arrangement:
Organized in nine series: Series 1, University of Illinois Ensembles; Series 2, Faculty Recitals; Series 3, Student Recitals; Series 4, Festival of Contemporary Arts, 1953-1978; Series 5, Champaign-Urbana Symphony Orchestra; Series 6, Convocations, Symposia, Forums and Guest Recitals; Series 7, Special Requests and Donations; Series 8, Card Catalogs; Series 9, Transcription Discs; Series 10: DAT Sound Recordings; and Series 11: F1 Audio and Betamax Video Recordings.
Recordings in series 1, 2, 3, 5, 6, and 8 are arranged by call numbers as originally assigned by the Music and Performing Arts Library, which begin with a MO number or Music Archive Tape number. All items included within these series that do not have identifying numbers are arranged chronologically at the end of the series. Recordings in Series 4, Series 7, Series 9, Series 10, and Series 11 are arranged chronologically, with the exception of the end of Series 7, which contains items arranged by call number beginning with the letter "R". Series 9 in particular, has been arranged chronologically rather than by record label number because several of the original label numbers duplicate, many are missing, many appear out of order, and the record labels changed in early 1949 from a four digit label (ex. 5000/5001) to a single digit label (ex. 1/2).
Note: Cards in Series 8 include all extant cards from the Music and Performing Arts Library that correspond to the recordings; cards marked "Withdrawn" indicate tapes that were deaccessioned based on their being duplicates or on other appraisal decisions.
Date Acquired: 03/07/2013. More info below under Accruals.
Subjects: Compositions-Music, Computer Music, Contemporary Arts Festival, Electronic Music, Faculty, Instrumental music, Krannert Center for the Performing Arts, Music, School of, Music Composition, Smith Music Hall, Speakers, Visiting, Student Performance, Symphony Orchestra
Consists of original 1/4"-inch reel to reel, 12'' inch transcription discs, and 10'' inch audio recordings of performances by university ensembles, faculty, students,and guest performers between 1945 and 1992. The audio tapes were recorded either as mono or stereo on 2- and 4-track acetate and polyester tape, while the transcription discs were recorded on acetate discs. In addition to the recordings of University of Illinois ensemble performances and faculty/student recitals, this collection includes recordings of performances associated with the University's Festival of Contemporary Arts, Champaign-Urbana Symphony Orchestra, and lectures, concerts, music forums and symposia given by visiting performers and scholars. Of particular note are recordings of performances and lectures by Harry Partch, John Cage, Aaron Copland, Paul Hindemith, Igor Stravinsky, Soulima Stravinsky, Georges Enesco, Gabor Magyar, John Garvey, Barbara Ann Garvey, Benjamin Britten, Peter Pears, Ben Johnston, Frederic Rzewski, Béla Bartók, Herbert Brün, Max Roach, Gunther Schuller, Roger Reynolds, Harrison Birtwhistle, George Crumb, Michael Colgrass, Salvatore Martirano, Carl Dahlhaus, Joel Chadabe, Lucas Foss, Kenneth Gaburo, Stuart Dempster, George Rochberg, Karlheinz Stockhausen, Cornelius Cardew, LeJaren Hiller, Charles Hamm, Morton Feldman, Iannis Xenakis, Stephan Wolpe, David Tudor, Milton Babbit, David Rosenboom, Pauline Oliveros, Malcolm Goldstein, the Walden String Quartet, and the New Music Choral Ensemble.
The School of Music purchased its first recording equipment in 1948 (University of Illinois, 1948). Since then, the School of Music Audio Department has provided recording services for student, faculty, and guest performers at University venues including Smith Music Hall, the Krannert Center for Performing Arts, and the Music Building Recording Studios (University of Illinois School of Music, 2013). Past Directors of the Audio Department include Jim Campbell, Carl Volkers (ca. 1950s-1976), Jeff Whimsatt (1976-78), and Rex Anderson (1978-2010).
The Festival of Contemporary Arts, first organized in 1948, included as part of its programming dance, theater, landscape architecture, music and an Exhibition of Contemporary American Painting and Sculpture. The Festival's music events included a variety of concerts, lectures, and workshops that were produced by University faculty and student ensembles, and guest composers and performers. The styles of new music performance incorporated into these festivals encompassed everything from contemporary orchestral, jazz, opera, and choral music to new forms of performance art. Initially held annually, the five- to six-week festival of performing and studio arts became a biennial event after 1953. Budgetary concerns led to the effective end of the festival after 1971, however, a related Festival of Contemporary Performing Arts was held in 1978.
Compositions-Music
Computer Music
Contemporary Arts Festival
Electronic Music
Faculty
Instrumental music
Krannert Center for the Performing Arts
Music, School of
Music Composition
Smith Music Hall
Speakers, Visiting
Student Performance
Symphony Orchestra
Repository: The Sousa Archives and Center for American Music
Accruals: Originally obtained from the Music and Performing Arts Library on March 7, 2013. A second set of recordings, Series 9, was found within the Music and Performing Arts library in 2014 and were transferred to the Sousa Archives on August 9, 2015 and December 7, 2015. Additional reel-to-reel recordings of the 1970 and 1971 performances of the University of Illinois Opera Group and 1971 performances of the John Wustman studio were transferred to the Sousa Archives from the Library's Audio Preservation Unit on August 18, 2016. Recordings of the University wind band and men's glee club tapes were transferred from the the University Press Building on September 26, 2017, and a third additional reel-to-reel tapes from the Music and Performing Arts Library was transferred to the Center on May 1, 2018.
Acquisition Source: School of Music Audio Department
Appraisal Information: Several items within all series were deaccessioned due to decay, lack of information on the object, and duplication elsewhere within the collection or at other archives. Several discs in series 9 were deaccessioned due to acetate breakdown, but a description of the record number and works performed have been retained within the collection record.
Related Materials: Festival of Contemporary Arts Programs Announcements, 1948- (record series: 12/1/806) For more information please see http://archives.library.illinois.edu/archon/index.php?p=collections/controlcard&id=5243.
Related Publications: For further information about other Lejaren Hiller sound recordings and personal papers please visit the University at Buffalo's Lejaren Hiller Papers which can be accessed using the following URL [https://research.lib.buffalo.edu/hiller].
Kenneth Bannon, tenor; John Wustman, piano
O Mimi, tu piu non torni - Puccini; Solenne in quest'ors - Verdi; Per la gloria d'adorarvi - Bononcini; Come raggio di sol - Caldara; Amarilli, mia bella - Caccini; Till Havs - Nordquist; Skogen Sover - Alfven; Tonera - Sjoberg; Svarta Rosor, Op. 36, No. 1 - Sibelius
Program included with reel.
Kenneth Bannon, tenor; John Wustman, piano
Don Quichotte a Dulcinee: Chanson romanesque, Chanson epique, Chanson a boire - Ravel; Oui, c'est elle - Bizet; O cielo... Nella stanza convien dir - Rossini
Program included with reel.
Olga Sandor, piano
"Misera dove son?ah, non son io che parlo" - Wolfgang A. Mozart; Eight Songs from the Spanisches Liederbuch: Mogen alle bosen Zungen, Bedeckt mich mit Blumen, Bitt' Ihn O Mutter, In dem Schatten meiner Locken, Sie blasen zum Abmarsch, Alle gingen Herz zur Ruh, Geh' Geliebter, Ach im Maien war's - Hugo Wolf
Program included with reel.
Olga Sandor, piano
Der Mond - Felix Mendelssohn; Auf flugeln des Gesanges - Felix Mendelssohn; Neue Liebe - Felix Meldelssohn; Melodies Passageres: Puisque tout passe, Un cygne, Tombeau dans un parc, Le cloche chante, Depart - Samuel Barber; The Blessed Virgin's Expostulation - Purcell-Britten
Program included with reel.
Paul Ulanowsky, piano
O'er the Hills Far Away (Hopkinson) - Franses Hopkinson; Two Melodies of Revolutionary Times: The Charms of Floremel, The Heavy Hours - arr. Samuel Endicott; Pleasing Tales in Dear Romances (Thomas Arne) - arr. Geoffrey Bush; Dem Unenolichen (F. G. Klopstock), Lachen und Weinen (F. Ruckert), Heidenroslein (Goethe), Die Manner sind Mechant (J. G. Seidl), Auflosung (J. Mayrhofer), Die junge Nonne (J. N. Craigher), Litanei (J. G. Jacobi), Gretchen am Spinnrade (from Goethe's Faust) - Franz Schubert; Reves (Textes anonymes du XX Siecle): Marronniers, Toi, Confidence, Le Mistral, "Long Distance", Jeunesse - Darius Milhaud; The Mystery (Five Songs of Motherhood, poems by Gabriela Mistral, translations by Anita K. Fleet): He Has Kissed Me, Gentleness, To My Husband, At Dawn, Rocking - Carlisle Floyd
Program included with reel.
Neely Bruce, piano; Shirley Blankenship, harp; William Brooks, harpsichord
Sonata in G Major, Op. 83, No. 1: Allegro con fuoco, Variationen uber ein altes schwedisches Lied, Allegro - Friedrich Kuhlau
Program included with reel.
Neely Bruce, piano; Shirley Blankenship, harp; William Brooks, harpsichord
Alla Rustica for flute and harp - Andre Jolivet; Thresholds II for solo flute - Thomas Howell; Sonata in B Minor for traverso and obbligato harpsichord - J. S. Bach
Program included with reel.
John Wustman, piano
A Virgin shall be with Child (Songs of the Nativity) - John LaMontaine; Nativity Carol (Traditional Czech) - John La Montaine; Now begin on Christmas Day (Gerard Manley Hopkins) - John LaMontaine; Now ys cum the thyme (novellis, Novellis, of Wonderful Mervellys) - John LaMontaine; Three Songs (Seis Canciones Castellanas): Alla arriba en aquella montana, No quiero tus avellanas, Como quieres que advine - Jesus Guridi
Program included with reel.
John Wustman, piano
Giran pure in ciel - Bernardo Pasquini; Bois epais (Amadis) - Jean-Baptist Lully; Revenez, Amours (Deux Morceaux de Thesee) - Jean-Baptiste Lully; Frauenliebe und Leben (Chamisso): Seit ich ihn gesehen, Er der Herrlichste von Allen, Ich kann's nicht fassen nicht glauben, Du Ring an meinem Finger, Helft mir ihr Schwestern, Susser Freund, An meinem Herzen an meiner Brust, Nun hast du mir den ersten Schmerz gethan - Robert Schumann
Program included with reel.
Kenneth Laufer, piano; Dorothy Thomas, piano; R. Marshall Johnson, violin; Suzanne Kelly, viola; Cheryl Fippen, violoncello; Mary Kurowski, horn; David Barford, horn; David Parks, horn; Audrey Pedersen, viola
Quintet in E flat for Horn and Strings K. 407 (1782): Allegro, Andante, Allegro - W. A. Mozart; Fantasie-Stucke Op. 73 (1849): I. Zart und mit Ausdruck, II. Lebhaft leicht, III. Rasch und mit Feuer - Robert Schumann, arr. Verne Reynolds; Laudatio (1966) - Bernhard Krol; Four Short Pieces (1958): Andante con moto, Allegro, Andante con moto, Allegro non troppo - Halsey Stevens; Scherzo Concertante for Horn and Piano (1966) - Vaclav Nelhybel; Trois Pieces pour 4 cors Op. 20 (1953): I. Prelude, II. Aria, III. Final - Julien-Francois Zbinden
Program included with reel.
Canzon septimi toni No. 2 - Gabrieli; Serenade for Brass: I. Allegro, II. Andante, III. Vivace - Robert Starer; Trio: I. Rubato, II. Allegro, III. Rubato - Douglas Lemmon; Centone No. 1 for Brass Quintet: II. I Love and Have My Love Regarded (Thomas Weelkes), III. Come Holy Ghost (Christopher Tye), IV. Revecy Venir du Printans (Claude Lejeune) - trans. Verne Reynolds
Program included with reel.
All People Clap Your Hands - Thomas Weelkes; O, Clap Your Hands - Ralph Vaughan Williams; La plus belle de la ville - Clement Janequin; Qu'est-ce d'amour? - Clement Janequin; Ventz hardis et legiers - Clement Janequin; Scene from Dido and Aeneas: I. Great Minds against Themselves Conspire (Chorus), II. When I Am Laid in Earth (Aria), III. With Dropping Wings, Ye Cupids Comes (Chorus) - Henry Purcell; Nunc dimittis - Francesco Durante; Two Quartets (Op. 112, No. 1 and 2: I. Sehnsucht, II. Nachtens - Johannes Brahms; Rejoice in the Lamb: I. Rejoice in the Lamb (Chorus), II. Let Nimrod, the Mighty Hunter (Chorus), III. Hallelujah (Chorus), IV. For I Will Consider My Cat (Aria for Soprano), V. For the Mouse is a Creature (Aria for Alto), VI. For the Flowers Are Great Blessings (Aria for Tenor), VII. For I Am under the Same Accusation (Chorus), VIII. For H Is a Spirit (Recitative for Baritone), IX. For the Instruments Are by Their Rhymes (Chorus), X. Hallelujah (Chorus) - Benjamin Britten
Program included with reel.
Three Songs: Market Street, Chapter One, Gaudeamus Igitur - Richard Toole; Sonata for Piano: Allegro Non Troppo, Andante Espressivo, Rondo: Allegro Moderato - Randall K. DeBruyn; Elegy: After Tu Fu - Philip Brink
Program included with reel.
The Summer Chamber Players
Concerto No. 22 in E flat Major, K. 482: Allegro, Andante, Allegro - W. A. Mozart
Program included with reel.
Thomas Howell, flute; Dorothy Hubbard, flute; Virginia Nanzetta, flute; Patrick Purswell, flute; Nina Sackett, harpsichord; William Skidmore, violoncello
Sonata IV in C Major for Flute and Continuo: Andante-Presto, Allegro, Adagio, Menuetto I and II - Johann Sebastian Bach; Sonata V in E Minor for Flute and Continuo: Adagio ma non tanto, Allegro, Andante, Allegro - Johann Sebastian Bach; Sonata in A Minor for Flute Alone: Allemande, Courante, Sarabande, Bourree anglaise - Johann Sebastian Bach; Sonata VI in E Major for Flute and Continuo: Adagio ma non tanto, Allegro, Siciliano, Allegro assai - Johann Sebastian Bach
Program included with reel.
Eric Dalheim, piano
Die Schone Mullerin, D. 795 - Franz Schubert
Program included with reel.
Byrnell Figler, piano
Sonata in D Major, Op. 102, No. 2: Allegro con brio, Adagio con molto sentimento d'affetto, Allegro fugato - Beethoven
Program included with reel.
Byrnell Figler, piano
Sonata for Violin and Piano, D Major, Op. 96a: Moderato, Scherzo, Andante, Allegro con brio - Prokofiev
Program included with reel.
Tower Music for Brass Quintet: Andante con moto, Allegro marziale - Karol Rathaus
Program included with reel.
Three Pieces for Piano - Morgan Powell; Occasion - Ronald Thomas; Piece for Cello and Piano in Four Parts - Pat Purswell; Imbrications - Donald Andrus; Carols, Orisons - Arthur Maddox; Orbs with Flute - Burt Levy; "When in Eternal Lines to Time Thou Grow'st - Lynn David Newton
Program included with reel.
Sonata in C sharp Minor, Op. 27, No. 2: Adagio sostenuto, Allegretto, Presto agitato - Ludwig van Beethoven; Sonata in A flat Major, Op. 110: Moderato cantabile molto espressivo, Allegro molto, Adagio ma non troppo-Fuga: Allegro ma non troppo - Ludwig van Beethoven
Program included with reel.
Malcolm Bilson, piano
Bete aber auch dabei (Cantata 115) - J. S. Bach; Ei! Wie schmeckt der Coffe susse (Cantata 211) - J. S. Bach; Les Nuits d'Ete (Gautier): Villanelle, Le Spectre de la Rose, Sur les Lagunes, L'Absence, Au Cimetiere, L'Ile Inconnue - Hector Berlioz; Scene with Rondo (K. 505): Ch'io mi scordi di te? - W. A. Mozart; Morgen (MacKay) - Richard Strauss; Fur Funfzehn Pfennige (from des Knaben Wunderhorn) - Richard Strauss; Die Zeitlose (von Gilm) - Richard Strauss; Wiegenlied (Dehmel) - Richard Strauss; Zueignung (von Gilm) - Richard Strauss; Village Scenes (based on Czech words and melodies from the Zvolen district): Haymaking, At the Bride's, Wedding, Lullaby, Lad's Dance - Bela Bartok
Program included with reel.
Malcolm Bilson, piano
cont. from V.1
Program included with reel.
Malcolm Bilson, piano
Shut Our That Moon: She to Him, Shut Our That Moon, A Bygone Occasion, The Riddle - Gordon Binkerd; Der Hirt auf dem Felson - Franz Schubert
Program included with reel.
Malcolm Bilson, piano
Cantata No. 51: Jauchzet Gott in allen Landen: Aria, Recitative, Aria, Choral-Alleluja - J. S. Bach; Der Hirt auf dem Felson - Franz Schubert
Program included with reel.
Malcolm Bilson, piano
Bachianas Brasileiras No. 5: Aria (Cantilena), Dansa (Martelo) - Heitor Villa-Lobos
Program included with reel.
Simone Boccanegra (scene from Prologue) - Giuseppi Verdi; Die Meistersinger von Nuernberg (scene from act III) - Richard Wagner; Cosi Fan Tutte (finale of act II) - W. A. Mozart
Program included with reel.
Eric Dalheim, harpsichord and piano; Thomas Howell, piccolo
Come Again! Sweet Love Doth Now Invite - John Dowland; Flow, My Tears - John Dowland; The Lowest Trees Have Tops - John Dowland; Wilt Thou, Unkind, Thus Reave Me - John Dowland; Poeme d'un Jour (Grandmougin): Recontre, Toujours, Adieu - Gabriel Faure; Verzagen (Lemcke) - Johannes Brahms; Der Kuss (Holty) - Johannes Brahms; Unuberwindlich (Goethe) - Johannes Brahms; In Stiller Nacht (Volkslied) - Johannes Brahms; Mein Madel Hat Einen Rosenmund (Volkslied) - Johannes Brahms; Nachtigall (Reinhold) - Johannes Brahms; Wie Froh und Frisch (Tieck) - Johannes Brahms; Abide With Me (Rev. Henry F. Lyte) - Charles Ives; Religion (James T. Bixby) - Charles Ives; Three Songs of the War: Tom Sails Away (Ives), In Flanders Fields (McCrae), He Is There (Ives) - Charles Ives
Program included with reel.
Eric Dalheim, piano; John Garvey, violin; Marilyn Bos, violin; Charles Rullman, oboe and English horn; William Magers, viola; Donna Eiseman, cello; Jean La Rosa, flute
Canary Cantata - G. F. Telemann; From "The Second Set of Canzonettas": The Sailor's Song, The Wanderer, Piercing Eyes - Joseph Haydn; Einlage from Traetta's "Ifigenia in Tauride": Recitative ed Aria di Oreste - Joseph Haydn; Clair de Lune (Verlaine) - Gabriel Faure; Nell (De Lisle) - Gabriel Faure; Chanson du Pecheur (Gautier) - Gabriel Faure; Tristesse (Gautier) - Gabriel Faure; Fleur Jetee (Silvestre) - Gabriel Faure;
Program included with reel.
Eric Dalheim, piano; John Garvey, violin; Marilyn Bos, violin; Charles Rullman, oboe and English horn; William Magers, viola; Donna Eiseman, cello; Jean La Rosa, flute
The Curfew (Yeats): He Reproves the Curlew, The Lover Mourns for the Loss of Love, The Withering of the Boughs, He Hears the Cry of the Sedge - Warlock
Program included with reel.
Charles DeLaney, conductor
Concerto from Trobone and Orchestra (1924): Moderato assai ma molto maestoso - Launy Grondahl; Aria "O Mio Fernando" from La Favorita - G. Donizetti; Concerto for Bassoon and Orchestra: Allegro moderato - M. Spisak; Monologue from Falstaff - Giuseppi Verdi; Concerto No. 5 in E flat for Piano and Orchestra: Rondo: Allegro - Ludwig van Beethoven
Program included with reel.
Charles DeLaney, conductor
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: Allegro vivace assai - W. A. Mozart; Aria "Amour viens aider" from Samson and Delilah - C. Saint-Saens; Concerto for Violin, Cello, and Orchestra, Op. 102: Andante - Johannes Brahms; Three Blake Songs: 1. From "Auguries of Innocence", 2. Ah! Sunflower, 3. The Fly - William Colson
Program included with reel.
Charles DeLaney, conductor
Concert Piece for Bassoon and String Orchestra - Burrill Phillips; Aria "Ah fors e lui," from La Traviata - Giuseppi Verdi; Concerto No. 2 in F Minor for Piano and Orchestra: Allegro vivace - Frederic Chopin; Concerto from Trobone and Orchestra (1924): Moderato assai ma molto maestoso - Launy Grondahl
Program included with reel.
Charles DeLaney, conductor
Concerto No. 5 in E flat for Piano and Orchestra: Rondo: Allegro - Ludwig van Beethoven
Program included with reel.
Charles DeLaney, conductor
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: Allegro vivace assai - W. A. Mozart; Aria "Amour viens aider" from Samson and Delilah - C. Saint-Saens; Concerto for Violin, Cello, and Orchestra, Op. 102: Andante - Johannes Brahms; Three Blake Songs: 1. From "Auguries of Innocence", 2. Ah! Sunflower, 3. The Fly - William Colson
Program included with reel.
Charles DeLaney, conductor
Concert Piece for Bassoon and String Orchestra - Burrill Phillips; Aria "Ah fors e lui," from La Traviata - Giuseppi Verdi; Concerto No. 2 in F Minor for Piano and Orchestra: Allegro vivace - Frederic Chopin; Concerto from Trobone and Orchestra (1924): Moderato assai ma molto maestoso - Launy Grondahl
Program included with reel.
Charles DeLaney, conductor
Aria "O Mio Fernando" from La Favorita - G. Donizetti; Concerto for Bassoon and Orchestra: Allegro moderato - M. Spisak; Monologue from Falstaff - Giuseppi Verdi
Program included with reel.
Charles DeLaney, conductor
Concerto No. 5 in E flat for Piano and Orchestra: Rondo: Allegro - Ludwig van Beethoven
Program included with reel.
John Wustman, piano
Ch'io mi scordi di te? - Wolfgang A. Mozart; Ich bin der Welt abhanded gekommen - Gustav Mahler; Das Irdische Leben - Gustav Mahler; Erinnerung - Gustav Mahler; Lob des hohen Verstands - Gustav Mahler; Three Poems of Robert Liddell Lowe: All Foxes, This Glittering Grief, Phoenix Afire - Herbert Elwell
Program included with reel.
John Wustman, piano
Chansons de Bilitis: La Flute de Pan, La Chevelure, La Tombeau des Naiades - Claude Debussy; La Madre al Figlio Lontano - Ildebrando Pizzetti; I Pastori - Ildebrando Pizzetti
Program included with reel.
John Wustman, piano; Mary Esch, cello; John Alexander, Organ
Solokantate fur Alt Violoncello and Organ: Jubilate Deo - Dietrich Buxtehude; Moricke Lieder: Der Genesene an die Hoffnung, Lebe Wohl, Er ists, Schlafendes Jesuskind, Das verlassene Magdlein, Desang Weylas, Lied vom Winde - Hugo Wolf
Program included with reel.
John Wustman, piano; Mary Esch, cello; John Alexander, Organ
Mirroir Brulant: Tu vois le feu du soir, Je nommerai ton front - Francis Poulenc; Hermit Songs: At S. Patrick's Purgatory, The Crucifixion, The Heavenly Banquet, The Monk and His Cat, The Desire for Hermitage
Program included with reel.
Robert Ray, Piano; Arthur Maddox, Piano
Drei Stucke - A. Webern; Projection - Joji Yuasa
Program included with reel.
Five Improvisations for Vibraphone and Piano: I. Allegro moderato, II. Andate, III. Vivace, IV. Moderato, V. Presto, ma non troppo - Koji Takeuchi; Post Script - Thomas Howell; Five Percussion Duets: Snare Drum and Field Drum, One Marimba, Two Pair of Timpani, Six Drums and Six Blocks, Multiple Instrument Set-up - Richard Kvistad
Program included with reel.
Sonata for Two Pianos and Percussion: Assai lento; Allegro molto, Leno ma non troppo, Allegro non troppo - Bela Bartok
Program included with reel.
Subway - Richard Mansfield
Program included with reel.
Chorale Prelude: "An Wasserflussen Babylon" (pedale doppio), BWV 653b - Johann Sebastian Bach; Prelude and Fugue in E Minor, "the Wedge," BWV 548 - Johann Sebastian Bach; Variations and Interludes: Theme, Variation I, Interlude I, Variation II, Variation III, Variation IV, Ibterlude II, Variation V - Neely Bruce
Program included with reel.
O barmherziger Vater - Andreas Hammerschmidt; Ubi caritas (motet on Gregorian Chant) - Maurice Durufle; Cantate Domino - Giovanni Gabrieli; Missa Brevis in D (K.194) - Wolfgang A. Mozart; Three Choruses from E. E. Cummings: dominic has, dim/1(a, maggie and millie and molly and may (1960) - Peter Schickele; Three Part-songs: In A Wood Op. 41, No. 1, A Cold Frost Came Op. 41, No. 3, Early Spring Op. 59, No. 2 - Felix Mendelssohn; Two Elizabethan Madrigals: Why Weeps, Alas! My Lady Love, Shoot, False Love, I Care Not - Thomas Morlet; Two English Romantic Madrigals: Why Weeps, Alas! My Lady Love, Shoot, False Love, I Care Not - Robert L. Pearsall
Program included with reel.
John Wustman, Piano; Alan Thoms, Conductor
They are There - Charles Ives; At the River - Charles Ives; In Flanders Fields - Charles Ives; Aebleblomst, Op. 10 - Carl Nielsen; Natten er sas stille - C. E. F. Weyse; Min tankes tank - Edvard Grieg; Schlechtes Wetter, Op. 69, No. 5 - Richard Strauss; Einerlei, Op. 69, No. 3 - Richard Strauss; Hat gesagt - bleibt's nicht dabei, Op. 36, No. 3 - Richard Strauss; Quatre Meldoies: Pantomime, Clair de lune, Pierrot, Apparition - Claude-Achille Debussy; Bachianas Brasileiras No. 5: I. Aria, II> Dansa - Heitor Villa-Lobos
Program included with reel.
John Wustman, Piano
The Enemy Said "Israel in Egypt" - G. F. Handel; Alma Mia "Floridante" - G. F. Handel; Sei mia gioia "Parthenope" - G. F. Handel; Standchen - Johannes Brahms; Sonntag - Johannes Brahms; Die Mainacht - Johannes Brahms; All mein Gedanken - Richard Strauss; Cacilie - Richard Strauss
Program included with reel.
John Wustman, Piano
Meco Verrai "Roselinda" - Francesco Veracini; Stornellatrice - Ottorino Respighi; Musica Proibita - Stanislas Gastaldon; L'Alba separa dalla luce l'ombra - Paolo Tosti; Sweet Chance - Michael Head; Why Have You Stolen My Delight - Michael Head; Damask Roses - Roger Quilter; My Life's Delight - Roger Quilter
Program included with reel.
John Wustman, Piano
Lord, What is Man? - Purcell, arr. By Britten; Der Schmied - Brahms; In Waldeseinsamekeit - Brahms; Der Jager - Brahms; Liebestreu - Brahms; Aria: Re dell' abisso, affrettati from "Un Ballo in Maschera" - Verdi; Tel Jour Telle Nuit: 1. Bonne journee, 2. Une ruine coquille vide, 3. Le front comme un drapeau perdu, 4. Une roulotte courverte en tuiles, 5. A toutes brides - Poulenc; Sometimes I Feel Like a Motherless Child - arr. by A. L. Kimbrough; Weepin' Mary - arr. by H. T. Burleigh; Fix Me, Jesus - arr. by Hall Johnson; Wade in de Water - arr. by H. T. Burleigh
Program included with reel.
Premier Fantasie - Jehan Alain; L'Ascension: Four Symphonic Meditations for Organ: I. Majesty of Christ praying that His Father should glorify Him, II. Serene Alleluias from a soul longing for Heaven, III. Outburst of joy from a soul before the Glory of Christ which is its own glory, IV. Prayer from Christ ascending towards his Father; Sinfonietta: I - Allegretto, II - Andante, III - Allegro Giocoso - Jean Guillou; Suite, Op. 5: I - Prelude, II - Sicilienne, III - Toccata - Maurice Durufle
Program included with reel.
cont. from V.1
Program included with reel.
Sonata (unfinished) in C (D. 840): Moderato, Andante - Schubert; Six Preludes: Grave, Allegretto Tranquillo ma con Moto, Vivace, Lento, Vivace - Martin; Four Sonatas: D Major (L. 463, K. 430): Non presto ma a Tempo di Ballo, F Minor (L. 475, K. 519): Allegro Assai, C Major (L. 457, K. 132): Cantabile; G Major, (L. 286, K. 427): Presto, quanto sia possibbile - D. Scarlatti; Fantasie, Op. 17: Durchaus phantastische und leidenschaftlich vorzutragen, Massig Durchaus energisch, Langsam getragen. Durchweb leise zu halten - R. Schumann
Program included with reel.
Geistliche Lieder Aus Dem Spanischen Liederbuch: Nun bin ich dein; Die du Gott gebarst; Nun wandre, Maria; Die ihr schwebet; Fuhr mich, Kind; Ach, des Knaben Augen; Muhvoll komm ich und beladen; Ach, wie lang die Seele schlummert!
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Geistliche Lieder Aus Dem Spanischen Liederbuch: Herr, was tragt der Boden hier; Wunden tragst du, mein Geliebter; Aus Dem "Buch Suleika" Des Westostlichen Divans (Goethe): Nicht Gelegenheit macht Diebe; Hoch begluckt in deiner Liebe; Als ich auf dem Euphrat schiffte; Dies zu deuten bin erbotig!; Hatt ich irgend wohl Bedenken; Koom, Liebchen, komm; Wie sollt ich heiter bleiben; Wenn ich dein gedenke; Locken, Haltet mich gefangen; Nimmer will ich dich verlieren!
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University Madrigal Singers, David Wilson, director; Maggi Payne, flute and electronics; Charles Madden, electronics; Russell Meyer, organ; Art Maddox, harpsichord; Don DeRoche, clarinet; James McNeely, clarinet; Joseph Jennings, saxophone; Richard Toole, violin; Steve Hartman, violin; Genie Frith, violin; Art Klima, viola; Cheryl Fippen, cello; Chris Byrne, contrabass; Bob Rosen, percussion; Larry Dillingham, percussion
Three Almanack Verses - Steven Allcock; Feedback/Maggi - Charles Madden; Autumnal Vagaries; Fantasia I - Russell Meyer; Pitch City - William Duckworth; Rip Off - Edward Kobrin; Sonata for Unaccompanied Violin - Richard Toole; Continuum Hypothesis - Linda Timmel; Hassels - Chris Byrne
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Maggi Payne, flute and electronics; Steven Beck, lighting; James McNeely, clarinet; Steve Harman, violin; Genie Frith, violin; Art Klima, viola; Cheryl Fippen, cello; Chris Byrne, contrabass; Bob Rosen, percussion; Larry Dillingham, percussion
Rip Off - Edward Kobrin; Clarinet Solo - Steve Ruzich; Continuum Hypothesis - Linda Timmel; Hassles - Chris Byrne
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Marian Jersild Lott, piano
Romanzen aus Magelone: Keinen hat es noch gereut, Traun! Bogen und Pfeil sind gut fur den Feind, Sind es Schmerzen sind es Freuden, Liebe kam aus fernen Landen, So willst du des Armen, Wie soll ich die Freude di Wonne denn tragen, War es dir dem diese Lippen bebten, Wir mussen uns trennen, Ruhe Sussliebchen - Johannes Brahms
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Marian Jersild Lott, piano
Romanzen aus Magelone: Verzweiflung-So tonet denn schaumende Wellen, Wie schnell verschwindet so Licht als Glanz, Muss es eine Trennung geben, Sulima-Geliebter wo zaudert, Wie froh und frisch, Treue Liebe dauert lange - Johannes Brahms
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Thomas Baker, piano
Trio in C Minor, Op. 1, No. 3: Allegro con brio, Andante cantabile con Variazioni, Menuetto: Quasi Allegro, Finale: Prestissimo - Ludwig van Beethoven; Serenade for String Trio, Op. 10: Marcia, Romanza, Scherzo, Tema con Variazioni, Rondo - Erno Dohnanyi; Trio in B flat, Op. 99: Allegro moderato, Andante un poco mosso, Scherzo: Allegro, Rondo: Allegro vivace - Franz Schubert
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Thomas Baker, piano
cont. from V.1
The Ascension: I. Majest of Christ praying that His Father should glorify Him, II. Serene Alleluias from a soul longing for Heaven, III. Outburst of joy from a soul before the Glory of Christ which is its own glory, IV. Prayer from Christ ascending towards His Father - Olivier Messiaen; Sonata for Organ: I. Andante-Allegro, II. Larghetto, III. Vivace - Vincent Persichetti
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Paul Rolland, violin; Howard Osborn, viola; Peter Farrell, cello; Robert Ray, piano; Bernard Goodman, conductor
Sonata for Two Violins, Op. 56: Andante cantible, Allegro, Commodo (quasi Allegretto), Allegro con brio - Serge Prokofieff; Kammermusik Nr. 4 (Violin Konzert), Op. 36, Nr. 3: Signal, Sehr lebhaft, Nachtstuck-Massig schnelle Achtel, Lebhafte Viertel, So schnell wie moglich - Paul Hindemith
Paul Rolland, violin; Howard Osborn, viola; Peter Farrell, cello; Robert Ray, piano; Bernard Goodman, conductor
Quartet in A Major for Piano, Violin, Viola, and Cello, Op. 26: Allegro non troppo, Poco Adagio, Scherzo-Poco Allegro, Finale-Allegro - Johannes Brahms
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Michael Haberkorn, accompanist
Sonata in G Minor: Largo, Presto, Andante, Allegro - Georg Philipp Telemann; Zwei Romanzen, Op. 94: Nicht Schnell, Nicht Schnell - Robert Schumann; Sonatina: Adagio, Allegro jiocoso, Lento, Allegro molto vivace - Jacob; Partita, Op. 41, No. 1 for English Horn and Organ: Liberamente, Larghetta, Vivace, Largo, Andante sostenuto - Jan Koetsier; Eli for Oboe, Clarinet, Violin, and Orchestra: Moderately fast, Very slow, Fast, Fast Very slow, Fast - Michael Bielski
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Phantasie, Op. 77 - Ludwig van Beethoven; Images, Book I: Reflection in the Water, Hommage to Rameau, Mouvement - Claude Debussy; Six Etudes (1953-54) - Louise Talma; Sonata in B Minor - Franz Liszt
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John Wustman, piano
Gia il sole dal Gange - Alessandro Scarlatti; Danza, danza, fanciulla gentile - Francesco Durante; Tu lo sai - Giuseppe Torelli; Sechs Lieder von Gellert: Bitten, Die Liebe des Nachsten, Vom Tode, Die Ehre Gottes aus der Natur, Gottess Macht und Vorsehung, Busslied - Ludwig van Beethoven; L'Amour De Moi - Anonymous; Bois Epais - Jean-Baptist Lully; Lydia - Gabriel Faure; Fleur jetee - Gabriel Faure; The Vagabond - Ralph Vaughan Williams; Bright is the Ring of Woods - Ralph Vaughan Williams; Silent Moon - Ralph Vaughan Williams; The Water Mill - Ralph Vaughan Williams
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William Magers, viola; Bernard Goodman, conductor
Concerto for Violin and Viola: Allegro, Adagio, Allegro - Johann Gottlieb Graun; Romantic Fantazy for Violin and Viola: Nocturne, Scherzino, Sonata-Finale - Arthur Benjamin
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John Wustman, piano
Se pieta (from "Julius Caesar") - G. F. Handel; Care Selve (from "Atalanta") - G. F. Handel; Tu la mia stella sei (from "Julius Caesar") - G. F. Handel; Wiegenlied (Dehmel) - Richard Strauss; Ach Lieb, ich muss nun scheiden (Dahn) - Richard Strauss; Ruhe meine Seele (Henckel) - Richard Strauss; Standchen (von Schack) - Richard Strauss; O Cielo! dove son io (from "Aroldo") - Giuseppe Verdi; Chere Nuit (Ardenis) - Alfred Bachelet; Beau Soir (Bourget) - Claude Debussy; Depuis le Jour (from "Louise") - Gustave Charpentier; Cantata: Prelude, Rondo: Peter Go Ring dem Bells, Recitative: Sometimes I Feel Like a Motherless Child, Air: Let us Break Bread Together; Toccata: Ride On King Jesus - John Carter
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John Wustman, piano
Opus 10: Zueignung (Herrmann von Gilm), Nichts, Die Nacht, Die Georgine, Geduld, Die Verschwiegenen, Die Zeitlose, Allerseelen - Richard Strauss; Chants D'Auvergne: L'eau de Source, Bailero, Pastourelle, Le Coucou - Joseph Canteloube, Unbewegte laue Luft (Daumer), Serenate (Goethe), Bei dir sind meine Gedanken (Halm), O komme holde Sommernacht. (Grohe), O kuhler Wald (Brentano) - Johannes Brahms; Oh, cease thy singing, Maiden fair (Puschkin), Here beauty dwells (Galina), O, Do not grieve for me! (Apukhtin), The floods of Spring (Tutscheff) - Sergei Rachmaninoff
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John Wustman, piano
Berceuses du Chat: Sur le poele, Interieur, Dodo, Ce qu'il a le chat - Igor Stravinsky; Four Songs (Langston Hughes): In Time of Silver Rain, Heart, Carolina Cabin, Lonely People - Jean Berger; Irish Country Songs: B for Barney, You Couldn't Stop a Lover, I Have a Bonnet Trimmed with Blue, The Lover's Curse - arr. Herbert Hughes; Weltliche Lieder aus dem Spanischen Liederbuch: Klinge klinge mein Pandero, In dem Schatten meiner Locken, Tief im Herzen trag' ich Pein, Alle gingen Herz zur Ruh, Wer tat deinem Fusslein weh?, Sie blasen zum Abmarsch, Mogen alle bosen Zungen, Sagt seid Ihr es feinder Herr - Hugo Wolf
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Totus in corde lanquet (Geistliche Arie, op. 46), (ca. 1816), To Sylvia (Shakespeare) (1826), Hark, hark, the lark (Shakespeare) (1826), Der Wachtelschlag (Sauter) (1822), An di Laute (Rochlitz) (1827), Am See (Bruchmann) (1822-23), Der Jungling und der Tod (Spaun) (1817), Der Jungling an der Quelle (Salis) (1815?), Liebhaber in allen Gestalten (Goethe) (1817), Auf der Donau (Mayrhofer) (1817), Erster Verlust (Goethe) (1815), Der Wanderer an den Mond (Seidl) (1826), An di Nachtigall (Claudius) (1816), Litanei (Jacobi) (1816), Vedi quanto adoro (Aria from Matastasio's "Didone") (1816), Mio ben ricordati (Metastasio) (1817), Il modo di prender moglie ('buffo' aria, Metastasio) (1827), Am Grabe Anselmos (Claudius) (1816), Geheimes (Goethe) (1821), Wiegenlied (author unknown) (1816), Wehmut (Collin) (1823), Der Schiffer (Mayrhofer) (1817), Lebensmuth (Rellstab) (1828), Die Gebusche (Schlegel) (1820), Ava Maria (Scott, the German text by Storck) (1825) - Franz Schubert
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cont. from V.1
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Concerto for Percussion - Darius Milhaud; From "Eight Pieces for Timpani": Canto, March - Elliot Carter; Trio for Flute, Vibraphone, and Double Bass: I, II, III - Thomas Fredrickson; Concerto for Percussionist with String Quartet: beforehand, during, afterward - Michael Udow; Two Transparent Structures for Percussion Quintet - Michael Udow
Program included with reel.
African Welcome Piece - Michael Udow; Concerto for Percussionist with String Quartet: beforehand, during, afterward - Michael Udow; American Indian Children's Poems - Michael Udow; Electric Silence (poems of Winfield T. Scott) - Michael Udow; Patterns for Woodwind Quintet - Michael Udow; Seven Textural Settings of Japanese Poetry (translations by Kenneth Rexroth) - Michael Udow
Program included with reel.
John Wustman, piano
An Chloe, Abendempfindung, Un Bacio di Mano - W. A. Mozart; Liederkreis (Op. 24) (Heine): Morgens steh' ich auf, Es treibt mich hin, Ich wandelte unter den Baumen, Lieb' Liebchen, Schone Wiege meiner Leiden, Warte warte wilder Schiffman, Berg' und Burgen schau'n herunter, Anfangs wollt' ich fast verzagen, Mit Myrten und Rosen - Robert Schumann; Le Manoir de Rosamonde (Robert de Bonnieres), Soupir (Sully Prudhomme), Chanson Triste (Jean Lahor) - Henri Duparc; Blue Mountain Ballads (Tennesee Williams): Heavenly Grass, Lonesome Man, Cabin, Sugar in the Cane - Paul Bowles
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Jay Peterson, harpsichord; Phyllis Galloway, recorder; Arthur Maddox, piano; Cheryl Fippen, cello
Deux Divertissements for horn and harpsichord: Fanfare-Menuet-Fanfare, Vite - Jean-Joseph Mouret; Concerto a tre for alto recorder, horn, and continuo: Allegro moderato, Loure, Tempo di Menuet - Georg Philipp Telemann; Trois Inventions for horn and piano: Rhyme, Intense, Robuste - Jean-Jacques Werner; Three Etudes for horn alone (from 48 Etudes for French Horn): 41. Allegretto, 6. Adagio, 3. Allegretto - Verne Reynolds; Duet II for horn and piano - Christian Wolff; Sonata, Op. 178 for horn and piano: Con moto, Quasi adagio, Con fuoco - Josef Rheinberger
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John Wustman, piano
Piango, gemo - A. Vivaldi; Vieni, vieni - A. Vivladi; Toglietemi la vita ancor - A. Scarlatti; Five Eichendorff Poems: In der Fremde, Intermezzo, Waldesgesprach, Auf einer Burg, Fruhlingsnacht - Robert Schumann; "Hai gia vinta la causa!" (from "Le Nozze de Figaro") - W. A. Mozart; Six Heine Poems: Der Atlas, Ihr Bild, Das Fischermadchen, Die Stadt, Am Meer, Der Doppelganger - Franz Schubert; Four Songs: Jillian of Berry (anonymous), Sleep (John Fletcher), And wilt thou leave me thus? (Sir THomas Wyatt), Good ale (anonymous, XV cent.) - Peter Warlock
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John Wustman, piano
Maria Stuart Lieder (Mary Queen of Scots): Abschied von Frankreich, Nach der Geburt ihres Sohnes, An die Konigin Elisabeth, Abschied von der Welt, Gebet - Robert Schumann; Fetes Galantes (Verlaine): En sourdine, Fantoches, Clair de Lune, Les Ingenus, Le Faune, Colloque sentimental - Claude Debussy; Three Folk Songs on Stephen Crane: There Was a Man With Tongue, I Saw a Man Pursuing, The Wayfarer - Paul Zonn; Seis Canciones Castellanas: Alla arriba en aquella montana, Sereno!, Llama-le con el panuelo, No quiero tus avellanas, Como quieres que adivine, Mananita de San Juan - Jesus Guridi
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Suite du Deuxieme Ton (1710): Plein Jeu, Duo, Trio, Basse de Cromorne, Flutes, Recit de Nazard, Caprice - Louis-Nicolas Clerambault; Prelude and Fugue in E flat Major (BWV 552) - J. S. Bach; Fantaisie in F Minor, K. V. 608 (1791) - W. A. Mozart; Chorale Prelude and Fugue on "O traurigkeit, O Herzeleid" (1856-7) - Johannes Brahms; Prelude and Fugue in B Major, Op. 7 - Marcel Dupre
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David Tasa, trumpet; Thurman O. Douglass, trumpet; Louis Hall, oboe; Benjamin Woodruff, oboe; Lawrence Thee, bassoon
Concerto in D Major: Adagio, Allegro, Grave, Allegro - G. P. Telemann; Recit de Tierce en Taille (from Organ Mass, pub. 1699) - N. DeGrigny; Concerto in D Major: Largo, Vivace, Siciliano, Vivace - G. P. Telemann; Prelude and Fugue in F Minor (arr. From the 8th Harpsichord Suite by L. Lethbridge) - G. F. Handel; Sonata No. 3 in D Major: Allegro, Largo, Allegro - G. Aldrovandini
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David Tasa, trumpet; Thurman O. Douglass, trumpet; Louis Hall, oboe; Benjamin Woodruff, oboe; Lawrence Thee, bassoon
Sonata in D Major: Allegro, Aria, Allegro - A. Stradella; Variations on "More Palatino" - J. P. Sweelinck; Sinfonia con Tromba in D Major: Allegro, Adagio, Allegro - G. Torelli; Kyrie, Gott heiliger Geist, BWV 671 (from Klavieruebung, Part III) - J. S. Bach; Sinfonia con due Trombe in D Major: Allegro, Adagio, Allegro - Anonymous
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John Wustman, piano
Liebst du um Schonheit (Ruckert), Der Tamboursg'sell (Des Knaben Wunderhorn), Ich bin der Welt abhanden gekommen (Ruckert), Des Antonius von Padua Fischpredigt (Des Knaben Wunderhorn) - Gustav Mahler; Jesus neigt sein Haupt und stirbt - Franck; What can we poor females do? - PUrcell; Man is for the woman made - Purcell; Ach, boses Herz - Voigtlaender; Kunst des Kussens - Hammerschmidt; I pastori (d'Annunzio), La madre al figlio lontano (Pantini), Passeggiata (Papini) - Pizzetti
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John Wustman, piano
Tel jour, telle nuit (Eluard): Bonne journee, Une ruine coquille vide, Le front comme un drapeau perdu, Une roulotte couverte en tuiles, A toutes brides, Une herbe pauvre, Je n'ai envie que de t'aimer, Figure de force brulante et farouce, Nous avons fait la nuit - Francis Poulenc
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John Wustman, piano
Tocca a voi, dolenti lumi - Benedetto Marcello; Del mio Sol - Antonio Cifra; Le Bestiaire (Apollinaire): Le Dromadaire, La Chevre du Thibet, La Sauterelle, Le Dauphin, L'Ecrevisse, Le Carpe - Francis Poulenc; Wesendonck Lieder: Der Engel, Stehe still, Im Treibhaus, Schmerzen, Traume - Richard Wagner; Mentre ti lascio, o figlia, K. 513 - W. A. Mozart; Warmung, K. 416c - W. A. Mozart; Nur wer die Sehnsucht kennt (Goethe) - Franz Schubert; Wiegenlied (Hebbl) - Robert Schumann; Es rauschet das Wasser (Goethe) - Johannes Brahms; Der Jager und sein Liebchen (Fallersleben) - Johannes Brahms
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John Wustman, piano
Cosi amor mi fai languir - Stradella; Lacia ch'io pianga - Handel; Se tu m'ami - Pergolisi; Voglio farti dire il vero - Manzia; Chansons de Bilitis (Louys): La flute de Pan, Le chevelure, Le tombeau des Naiades - Debussy; Arioso from "Moscow Cantata"; Why?; Was I not a blade of grass - Tchaikowsky; Four Songs, Op. 21: Schlafen (Hebbel), Schlafend tragt man mich (Mombert), Nun ich der Riesen Starksten uberwand (Monbert), Warm die Lufte (Mombert) - Berg; Jerusalem, my happy home; Before sleeping; My Master hath a garden - Thomson; A nun takes the veil (Hopkins) - Barber; Death, be not proud (Donne) - Moore
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Virginia Farmer, violin; Jay Keister, piano; Paul Zonn, clarinet; Russell Bedford, bassoon; Linda Tanner, cello; Donald Wiggins, tenor; Sue Whaley, piano and horn; James Keays, horn; Alfred Blatter, horn; Christopher Byrne, double bass; Edwin London, conductor
Trio, Op. 44: Allegro, Lento, Theme and variations - Lennox Berkeley; Horati de vino Carmina, Op. 30: Toccata, Ciacona, Ragtime - Bernhard Krol
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Virginia Farmer, violin; Jay Keister, piano; Paul Zonn, clarinet; Russell Bedford, bassoon; Linda Tanner, cello; Donald Wiggins, tenor; Sue Whaley, piano and horn; James Keays, horn; Alfred Blatter, horn; Christopher Byrne, double bass; Edwin London, conductor
Serenata-Invano: Allegro non troppo ma brioso, Un poco adagio, Tempo di marcia (1914) - Carl Neilsen; Quartet (1966) - Christian Wolff; Concerto in E-flat Major: Allegro maestoso, Adagio, Rondo-Allegretto - attributed to Joseph Haydn
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John Wustman, piano; Paul Zonn, clarinet
O del mio dolce ardor (from "Paris and Helen") - Gluck; Vedi Quanto adoro (from "Didone abbandonata") - Schubert; Der Hirt auf dem Felsen - Schubert; An die Nacht: Befreit, Geduld, Heimkehr, Heimliche Aufforderung - Strauss; Hermit Songs: At Saint Patrick's Purgatory, Church Bell at Night, St. Ita's Vision, The Heavenly Banquet, The Crucifixion, Sea-Snatch, Promiscuity, The Monk and His Cat, The Praises of God, The Desire for Hermitage - Barber
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John Wustman, piano; Wayne Ryerson, oboe
Arise, Ye Subterranean Winds; Adam's Sleep; I Attempt from Love's Cickness to Fly; Evening Hymn - Purcell; Cantata No. 82 (Ich habe genug) - J.S. Bach; Vier ernste Gesange - Brahms
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Tieno No. 3 Lleno de todos manos - Juan Cabaniles; From Mese pour les Couvents: Kyrie, Elevation, Offertoire sur les Grands Jeux - Francois Couperin; Passacaglia and Fugue in C Minor (BWV 582) - J.S. Bach; Pieces de Fantasie, Suite No. 3: Impromptu - Louis Vierne; Trois Danses: Joies, Deuils (marche funebre, Luttes - Jehan Alain
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John Wustman, Piano
Winterreise - Poetry by Wilhelm Muller, Music by Franz Schubert
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John Wustman, Piano
Giovanna D'Arco (1832) - Gioacchino Rossini; The Confession Stone (1968) - Robert Fleming; Berlitz Introduction to French: Befroe You Land, When You Go Sightseeing, At Your Hotel, When You Go Shopping, Is There a Doctor in the House?, If You Travel by Car, And Not to Forget Romance!, In an Emgergency (1971) - Joesph Fennimore; Siete Canciones populares Espanolas: El Pano Moruno, Seguidilla Murciana, Asturiana, Jota, Nan, Cancion, Polo - Manuel De Falla
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Winifred Brown; John Stephens; Dale Everett; William Stone; Jo Ann Lacquet; Linda Vickerman; Donald Wiggins
The Complete Goethe Lieder (1888-89) - Hugo Wolf
Winifred Brown; John Stephens; Dale Everett; William Stone; Jo Ann Lacquet; Linda Vickerman; Donald Wiggins
cont. from V.1
John Wustman, Piano
Misera, dove son! K. 369 - Mozart; Liederkreis, Op. 39: In der Fremde, Intermezzo, Waldesgeprach, Die Stille, Mondnacht, Schone Fremde, Auf einer Burg, In der Fremde, Wehmut, Zwielicht, Im Walde, Fruhlingsnacht - Schuman; Les Nuits d'Ete: Villanelle, Le Spectre de la Rose, Sur les Lagunes - Berlioz; Three arias from "The Ballad of Baby Doe": "Dearest Mama, I am writing...", " Gold is a fine thing...", "Always through the changing of sun and shadow..." - Douglas Moore
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John Wustman, Piano
Bel piacere (from Agrippina) - Handel; Cangio d'aspetto (from Admeto) - Handel;Dolente immagine di Fille mia - Bellini; Vaga luna che inargent - Bellini; Bein blause Auge - Brahms; Immer leiser wird mein Schulmmer - Brahms; Bei dir sind meine Gedanken - Brahms; "Feinsliebchen, du sollst" - Brahms; Von ewiger Liebe - Brahms; Soupir - Duparc; Au pays ou se fait la guerre - Duparc; El Majo Discreto - Granados; La mi sola, Laureola - Obradors; El Vito - Obradors; Come you not from Newcastle? - Britten; How sweet the answer - Britten; The Sally Gardens - Britten; The Miller of Dee - Britten; As it is, plenty (from On This Land) - Britten
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Epiphanias - Hugo Wolf; Biblical Songs, Op. 99: Darkness and thunderclouds, Lord, my shield. Hear my prayer, Oh, my shepherd is the Lord, Songs of gladness, Hear, oh Lord, my bitter cry, By the shore of the river Babylon, Oh Lord, have mercy, My eyes will I to the hills lift up, Oh, sing unto the Lord a joyful song - Antonin Dvorak; The Diary of One Who Vanished - Leos Janacek
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John Wustman, Piano; Randall Shinn, Horn
Meco verrai from "Rosalinda" - Francesco Veracini; Alma mia from "Floridante" - George Frederick Handel; Serenade, Op. 31: Prologue, Pastoral, Nocturne, Elegy, Dirge, Hymn, Sonnet, Epilogue - Benjamin Britten; Chanson Triste - Henri Duparc; Serenade Florentine - Henri Duparc; Le Manoir de Rosemonde - Henri Duparc; Einerlei, Op. 69, No. 3 - Richard Strauss; Breit' uber mein Haupt, Op. 19, No. 2 - Richard Strauss; Allerseelen, Op. 10, No. 8 - Richard Strauss, Waldseligkeit, Op. 49, No. 1 - Richard Strauss; Wie sollten wir geheim sie halten, Op. 19., No. 4 - Richard Strauss
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Chants de Venise, Opus 58: Mandoline, En sourdine, Green, A Clymene, C'est l'extase - Gabriel Faure; Fetes Galantes: En sourdine, Fantoches, Clair de lune, Les ingenus, Le faune, Colloque sintimental - Claude Debussy; Chansons Madescasses: Nahandove, Aoua! Aoua!, Il est doux de cecoucher - Maurice Ravel; Don Quichotte a Dulcinee: CHansons Romanesque, Chanson Epique, Chanson a boire - Maurice Ravel
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Winifred Brown; Carl Glaum; Eric Halfvarson; Susan King; Jo Ann Lacquet; John Little; Stephen Markuson; Rodney Miller
Nun bin ich dein, Die du Gott gebarst, Nun wandre Maria, Die ihr schwebet, Fuhr' mich Kind, Ach des Knaben Augen, Muh'voll komm' ich und beladen, Ach wie lang die Seele schlummert, Herr was tragt der Boden hier, Wunden tragst du mein Geliebter, Ach im Maien war's, Auf dem grunen Balkon, Sagt ihm dass er zu mir komme, Bitt' ihn o Mutter, Seltsam ist Juanas Weise, Tief im Herzen trag' ich Pein, Liebe mir im Busen zundet, Schmerzliche Wonnen, Wer sein holdes Lieb verloren, Ich fuhr uber Meer, Wer tat deinem Fusslein seh? - Hugo Wolf; Sagt seid Ihr es feiner Herr, Mogen alle bosen Zungen, Dereinst dereinst Gedanke mein, Komm o Tod von Nacht umgeben, Sie blasen zum Abmarsch, Kopfchen Kopfchen nicht gewimmert, Trau nicht der Liebe, Blindes Schauen, Eide so die Liebe schwur, Herz verzage nicht geschwind, Bedeckt mich mit Blumen, Wenn du zu den Blumen gehst, Alle gingen Herz zur Ruh, Weint nicht ihr Auglein, Klinge klinge mein Pandero, In dem Schatten meiner Locken, Wehe der die mir verstrickte, Deine Mutter susses Kind, Da nur Leid und Leidenschaft, Treibe nur mit Lieben Spott, Ob auch finstre Blicke glitten, Und schlaftst du mein Madchen, Geh' Geliebter geh' jetzt - Hugo Wolf
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Thomas V. Siwe
Plot for Percussion (1967) - Herbert Brun; Algol Rhythms (1967) - Michael W. Ranta; 27' 10.554" for a Percussionist (1956) - John Cage; 27' 10.554" for a Percussionist (1956) - John Cage
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Thomas V. Siwe
cont. from V.1
Joan Keiser, piano; James Cuomo, conductor; Jack McKenzie, conductor
Concertino fur Vibraphon: I. Allegro Moderato, II. Lento, III. Rondo Allegro - Siegfried Fink; At Year's End - James Cuomo; Concerto for Marimba: Allegro con spirito - Robert Kurka; Threw Away a Pearl - George Newson
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Ian Hobson, conductor
Overture to the Magic Flute, K. 620 - Wolfgang Amadeus Mozart; Piano Concerto in A Major, K. 414: Allegro, Andante, Allegretto - Wolfgang Amadeus Mozart; Piano Concerto No. 4 in G Major, Op. 58: Allegro moderato, Andante con moto, Rondo-Vivace - Ludwig van Beethoven
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Assisting Artists
March for Two Pairs of Kettledrums (1683) - Andre and Jacques Philidor; Zyklus (1960) - Karlheinz Stockhausen; Machine Music (1964) - LeJaren A. Hiller, Jr; Concluding Unscientific Postscript (1967) - Thomas Howell; Sladka Kralovna (1965) (Die Susse Konigin) - Rudolf Komorous; The Thud, Thud, Thud of Suffocating Blackness (1967) - David R. Rosenboom
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Landscape No. 4 - Mark Gustavson; Four Pieces for Piano - Mary Ellen Childs; Mother Tongue Polka - Mark Enslin; Signal to Signal - Chris Granner; Three Vignettes - Chris Granner, text: Siobhan Drummond; Medications for Lovers of both Chopin and Barry Manilow - Kirk Corey; Refreshments - Mark Sullivan; Con Brio, Tranquillo - Jaacov Ziso; Repiece - Susan Parenti; A Ray of Rattle - Mark Gustavson
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Muse by Midnight - Susan Parenti; With Fall-In-Heart I Colored (8 pieces for piano) - Susan Parenti; Deaths and Entrances (on a poem by Dylan Thomas) - Scott Foster; Five Movements for Piano: I. Very Slowly, II. Moderately, III. Disjunctively, IV. Moderately, V. Very Slowly - Scott Foster; Phoenix - James Cheyne; At the round earth's... - Richard D. Ashley
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Points of Accord - Mark Behm; Coetaneous Changes - Mark Sullivan; da Rore in Urbana - Kirk Corey; Sax Quartet (Movements I and II) - John Pennell; Clarification (solo piano) - Geoffrey F. Pawlicki
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Flotsam, Jetsam, Waxes, Wanes: Cycle #1 - Michael Svoboda; The Glass Key (1979-80) - Charles Lipp; Movement for Piano (1975-76) - John Jeffrey Gibbens; Four Studies after Edward Hopper (1979): 1. Early Sunday Morning, 2. House by the Railroad, 3. Evening Wind, 4. Nighthawks - John Jeffrey Gibbens; The Lady from the Sea after Henrik Ibsen (1980-81): Two Excerpts: The Sea (finale to Act III), Indoors (prelude to Act IV) - John Jeffrey Gibbens; Erasers - Bill DeFotis
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In/Decision - Mike Svoboda; Three Vignettes - Chris Granner; Drifting - Soon-Ran Kim; Expectations' Refutations - Charles Lipp; Vareduction - Chris Granner; Saxophone Quartet (1st Movement) - John Pennell
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Widmung (Ruckert), Venezianisches Lied I (Moore, trans. Freiligrath), Venezianisches Lied II (Moore, trans. Freiligrath), Der Nussbaum (Mosen), Liederkreis von Heine: Morgens steh' ich auf und frage, Es treibt mich hin, Ich wandelte unter den Baumen, Lieb Liebchen leg's Handchen, Schone Weige meiner Leiden, Warte warte wilder Schiffmann, Berg' und Burgen, Anfangs wollt' ich fast verzagen, Mit Myrthen und Rosen - Robert Schumann; Sehnsucht (Geibel), Lied der Suleika (Goethe), Belsazar (Heine), Aus den "Hebraischen Gesange" (Byron, trans. Korner), Der Knabe mit dem Wunderhorn (Geibel), Die feindlichen Bruder (Heine), Du bist wie eine Blume (Heine), Freisinn (Goethe), Setze mir nicht (Goethe), Aus den "Ostlichen Rosen" (Ruckert), Der Hidalgo (Geibel) - Robert Schumann
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Die beiden Grenadiere (Heine), Erstes Grun (Kerner), Stille Liebe (Kerner), Es leuchtet meine Liebe (Heine), Dein Angesicht (Heine), Loreley (Lorenz), Stille Tranen (Kerner), Lust der Sturmnacht (Kerner), Der Himmel hat eine Trane geweint (Ruckert), Tragodie (Heine), Sehnsucht nach der Waldgegend (Kerner), Wanderlied (Kerner), Die Kartenlegerin (Chamisso) - Robert Schumann
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Lied eines Schmiedes (Lenau), Meine Rose (Lenau), Kommen und Scheiden (Lenau), Die Sennin (Lenau), Einsamkeit (Lenau), Der schwere Abend (Lenau), Requiem (Latin text in Follen, trans. Anon.), Marienwurmchen (Anon. Des Knaben Wunderhorn), Liebslied (Goethe), Ihre Stimme (Platen), Mein Garten (Fallersleben), Er ist's! (Morike), Gestandnis (Conde die Vimioso, trans. Geibel), Mein schoner Stern (Ruckert), Liebster deine Worte stehlen (Ruckert), Das verlassene Magdlein (Morike), Die Soldatenbraut (Morike), Melancholie (Francisco Saa de Miranda, trans. Geibel), Singet nicht in Trauertonen (Goethe), Die Tochter Jephta's (Byron, trans. Korner), An den Mond (Byron, trans. Korner), Dem Helden (Byron, trans. Korner), Himmel und Erde (von der Neun), Schneeglockchen (Ruckert), Auftrage (L'Egru) - Robert Schumann
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Viel Gluck zur Reise Schwlben! (Kulmann), Mond meiner Seele Liebling (Kulmann), Du nennst mich armes Madchen (Kulmann), Reich mir die Hand o Wolke (Kulmann), Gekampft hat meine Barke (Kulmann), Herzeleid (Ulrich), Der Gartner (Morike), Jung Volkers Lied (Morike), Ballade (Uhland), Die Spinnerin (Heyse), Im Wald (Wolfgang Muller), Der Brautigam und die Birke (Pfarrius), Warnun (Pfarrius), Provenzalisches Lied (Uhland), Vier Husarenlieder: Der Husar trara, Der leidige Frieden, Den grunen Zeigern, Da lieght der Feinde (Lenau), Die Fensterscheibe (Ulrich), Abendlied (Kinkel), Gedichte der Konigin Maria Stuart: Abschied von Frankreich, Nach der Geburt ihres Sohnes, An die Konigin Elisabeth, Abschied von der Welt, Gebet (trans. Vincke) - Robert Schumann
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John Wustman, piano
Keinen hat es noch gereut, Traun! Bogen und Pfeil sind gut fur den Feind, Sind es Schmerzen sind es Freuden, Liebe kam aus fernen Landen, So willst du des Armen, Wie soll ich die Freude die Wonne denn tragen?, War es dir dem diese Lippen babten, Wir mussen uns trennen, Ruhe Sussliebchen, So tonet denn shaumende Wellen ("Verzweiflung"), Wie schnell verschwindet so Licht als Glanz, Muss es eine Trennung geben, Geliebter wo zaudert ("Sulima"), Wie froh und frisch, Treue Liebe dauert lange - Johannes Brahms
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Mike Christopherson, piano
Adagio and Allegro, Op. 70: Langsam mit innigem Ausdruck, Rasen und feurig - Robert Schumann; Concerto in E flat Major, K. 447: Allegro, Romance-Larghetto, Allegro - W. A. Mozart; Variations for David Racusen: Theme, Variations 1-6, Coda - Barney Childs; Concerto fur Horn and Orchester: Massig schnell, Sehr sennell, Sehr langsam-Massig schnell-Deklamation-Lebhaft-Sehr langsam - Paul Hindemith; Canon in Octave - Jean Francaix
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Three Essays on Thomas Wolfe (1953) - Ralph Shapey; Stuck on Stella (1979), Cocktail Music (1962) - Salvatore Martirano; Barcarolle, Op. 60 - Frederic Chopin; Three Composistions for Piano (1948) - Milton Babbitt; Five Chromatic Dances (1976): Procession and Rounds, Masquerade, Fantasy and Mazurka, Hoedown, Farewell - William Albright
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cont. from V.1
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David Holkeboer, piano
An Evening Hymn - Henry Purcell; Liederkreis, Op. 24: Morgens steh' ich auf, Es treibt mich hin, Ich wandelte unter den Baumen, Lieb' Liebchen, Schone Wiege meiner Leiden, Warte warte wilder Schiffmann, Berg' und Burgen schau'n herunter, Anfangs wollt' ich fast verzagen, Mit Myrten und Rosen - Robert Schumann; In Innocence, In Vain: The Two Trades of Man, Good Creatures, He Standing Hushed, Night and Hell and I, Not To Be Born Again - Theodor Duda; Chansons Gaillardes: La Maitresse volage, Chanson a boire, Madrigal, Invocation aux Parques, Couplets bachiques, L'Offrande, Serenade, La Belle Jeunesse - Francis Poulenc
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Venite exultemus Domino - J. P. Sweelinck; Tu as este, Seigneur - J. P. Sweelinck; Lord How Long Wilt thou be Angry - H. Purcell; O Prasie the Lord, All Ye Heathens - H. Purcell; Vesperae Solennes de Confessore K. V. 339 - W. A. Mozart; O Lord God of Host - G. Walker; Psalm Set - D. Pinkham
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Three Poems (1981): "Wooling", "Magic Moments", "No Guts, No Glory" - Siobhan Drummond; Organography II - Kathy Russavage; "Since Your Asked" - John Pennell; Monochrome - Soon-Ran Kim; The Noble Soul Has Reverence for Itself - Geoff Pawlicki; Unentitled - Thomas Matecki; Alleluia - Lori Cox
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Texts by Siobhan Drummond
Vareduction (1978), Idyl for the Deserving (1981), Three Vignettes (1980), Nursery Rind/Music Box (1981), Signal to Signal (1981), String Quartet (1981), Wedding Songs (1981) - Christopher P. Granner
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Texts by Siobhan Drummond
cont. from V.1
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Gary Arvin, piano
Schweight, ihr Floten (Cantata No. 210) - J. S. Bach; Ei! Wie schmeckt der Coffee susse (Cantata No. 211) - J. S. Bach; Ganymed, Lachen und Weinen, Du bist die Ruh, An die Nachtigall, Die Vogel - Franz Schubert; Three Songs: Daphne, Throgh Gilded Trelisses, Old Sir Faulk - William Walton; Quatre Chansons de jeunesse: Pantomime, Claire de lune, Pierrot, Apparition - Claude Debussy; Einerlei, Heimkehr, Der Stern, Schlagende Herzen, Als mir dein Lied erklang - Richard Strauss
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Gary Arvin, piano
cont. from V.1
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Kevin Kingston; Junko Kobayashi; Larry Roberts
Sear/Ching (1981) - Eugene Novotney; Branches (1978) - John Cage; Three Songs of Mad Coyote (1973) - Peter Garland; Nr. 9 Zyklus (1959) - Karlheinz Stockhausen; Intentions (1983): 1. Assumption, 2. Proposal, 3. Function, 4. Design - Eugene Novotney
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Piano Pieces: I. an unpretentious title - for, II. vignettes of a language lost., III. stories, tales, miniatures, IV. questioning their predecessors;, V. alternatives placed end to end AND, VI. traversable reversibly?, VII. piano pieces:, VIII. (look! there goes another) - Samuel Magrill; Sonata, Op. 109: Vivace, Prestissimo, Andante molto cantabile ed espressivo - Ludwig van Beethoven; Sonata: agitato quasi perpetuum mobile, serenata seria senza rubato, Allegro con rabbia - Herbert Brun; Gaspard de la Nuit: Ondine, Le Gibet, Scarbo (1908) - Maurice Ravel; Hungarian Rhapsody No. 6 (1853) - Franz Liszt
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Melodies (1906) - Jacques Leguerney
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Steve Crawford, piano
Legende - George Enesco; Clarinet Concerto No. 2 - Carl Maria von Weber; Fantasy Sonata for Clarinet and Piano - John Ireland; unnamed piece by Alexander Arutiunian
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Steve Crawford, piano
cont. from 1985 1.13
Three French horns, three short movements; Violin duets, two short movements; Piano alone, one short movement; Tape playback from recording booth; Violin duet, one short movement; Piano alone, one movement; Large ensemble, one movement
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Shirley Weston, piano
Vox Balaenae (Voice of the Whale): Vocalise (?for the beginning of time), Variations on Sea-Time: Sea Theme, Archeozoic (Var. I), Proterozoic (Var. II), Paleozoic (Var. III), Mesozoic (Var. IV), Cenozoic (Var. V), Sea-Nocturne (?for the end of time) - George Crumb
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Corine Somogyi, saxophone; Mel Kirby, piano; Karen Roll, saxophone; Peter Clogg, piano; Sheila Connor, saxophone; Jeanne Sasaki, piano; Lora Dorton, saxophone; Tom Higgerson, piano; James Peterson, saxophone; Rhonda Chalone, piano
Concerto for Saxophone and Orchestra, Op. 109 (1936) - Alexander Glazounov; Sonata, Op. 19 (1939) - Paul Creston; Concerto for Saxophone and Orchestra - Pierre-Max Dubois; Sonatine (1921) - Claude Pascal; Aria (1936) - Eugene Bozza; Tableaux de Provence (1954-59) - Paule Maurice; Sonata, Op. 19 (1939) - Paul Creston; Sonatine Sportive (1943) - Alexander Tcherepnine; Concerto for Oboe and Orchestra - Wolfgang Amadeus Mozart, trans. by Robert Williams; Improvization et Caprice (1952) - Eugene Bozza; Sonata, Op. 19 (1939) - Paul Creston; Contrapuctus V (1750 - Johann Sebastian Bach, arr. by Maure; Introduction et Variations sur und Ronde Populaire (1937) - Gabriel Pierne
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Corine Somogyi, saxophone; Mel Kirby, piano; Karen Roll, saxophone; Peter Clogg, piano; Sheila Connor, saxophone; Jeanne Sasaki, piano; Lora Dorton, saxophone; Tom Higgerson, piano; James Peterson, saxophone; Rhonda Chalone, piano
cont. from v.1
Corine Somogyi, saxophone; Mel Kirby, piano; Karen Roll, saxophone; Peter Clogg, piano; Sheila Connor, saxophone; Jeanne Sasaki, piano; Lora Dorton, saxophone; Tom Higgerson, piano; James Peterson, saxophone; Rhonda Chalone, piano
cont. from v.2
Jennifer Ohman, soprano; Jacque Carlson, soprano; Andrea Larson, alto; Joy Hardwich, alto; Steve Miles, tenor; Tucker Robison, tenor; Tom Bowlby, bass; Ira Feldman, bass; Marina Manetti, speaker; Chris Cherry, alto saxophone; Sheila Connor, alto saxophone; Lora Dorton, alto saxophone; Karen Roll, alto saxophone; Kevin Thurber, tenor; Craig Wigley, percussion; Barbara Freeman, piano; Linda Swedensky, conductor; Jean Geil, soprano; Alex McHattie, double bass; Lesley Olson, flute; Alicia Cordoba, oboe; Kim Mersey, clarinet; Mark Enslin, bassoon; Wendy Payton, piano; Bruce Tracey, trombone; Tom Tait, trumpet; Bob Thurman, French horn
Letters - Janis Mercer; Quartet quartet for four alto saxophones and four-channel tape with click track - Monroe Golden; Incantation (1985); Epithalamium by James Agee (1984) - Linda Swedensky; Eight Instruments-Nine Voices (1986) - Elizabeth Hinkle-Turner; Trio - Tucker Robison; mutatis mutandis 7 - Lesley Olson
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Thomas Baker, piano; Chamber Orchestra, Benjamin Woodruff, conductor
Peasant Cantata (BMV 212) - Johann Sebastian Bach
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Thomas Baker, piano; Chamber Orchestra, Benjamin Woodruff, conductor
Songs from the Italian Songbook - Hugo Wolf
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Thomas Baker, piano; Chamber Orchestra, Benjamin Woodruff, conductor
In solchem Abendfeierstunden - Hugo Wolf; Or siam soli - Guuseppe Verdi
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Bernard Goodman, conductor
Symphonie Concertante: Allegro, Andante, Allegro con spirito - Joseph Haydn
Bernard Goodman, conductor
Symphony: The Triumph of Saint Joan: The Maid, The Warrior, The Saint (1951) - Norman Dello Joio
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Bernard Goodman, conductor
The University of Illinois Symphony Orchestra
The Sun Singer (1952) - Gordon Binkerd; Danse Finale from the Ballet "The Three-Cornered Hat" - Manuel De Falla; encore
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Bernard Goodman, conductor
Concerto for Piano and Orchestra, Op. 38: Allegro appassionato, Moderato, Allegro molto (1962) - Samuel Barber
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Der Hirt auf dem Felson - Schubert; Concerto in D Minor (K. 466): Allegro - Mozart; Cinq Melodies (1948) - Berger; Klange aus Mahren, Op. 32, Vol. II: Der Ring, Der Trost - Dvorak; Lakme: Sous le Dome epais - Delibes; Sonatine, Op. 137, No. 1: Allegro molto, Andante, Allegro vivace - Schubert; Care Selve - Handel; Du bist die Ruh; Seligkeit - Schubert; Come Scoglio - Mozart; I Pastori - D'Annunzio-Pizzetti; Selected Irish Songs (incomplete)
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Kathleen K. Hansell, harpsichord; Sven H. Hansell, harpsichord; Helen H. Hamm, soprano; Doris Ornstein, harpsichord; Nina E. Sackett, harpsichord
Concerto for Two Harpsichords in C Minor: Allegro, Adagio, Allegro; Wedding Cantata for Soprano (Number 202); Concerto for Four Harpsichords in A Minor: Allegro, Largo, Allagro - Johann Sebastian Bach
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Virginia G. Nanzetta, flute; David A. Preves, violin; William G. Conable, cello; Sven H. Hansell, harpsichord; Alice K. Preves, viola
The Musical Offering: Part I: Ricercar, Part II: Five Canons, Part III: Trio Sonata, Part IV: Five Canons, Part V: Ricercar
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Malcolm Bilson, piano; Byrnell Figler, piano; Howard Karp, piano
Excerpts from "L'Enfant Prodigue: Air de Lia, Air d'Azael, Air de Simeon, Trio; Mandoline (Verlaine); Le Jet d'Eau (Beaudelaire); La Belle au Bois dormant (Hyspa); Scene IV, Act IV, from "Pelleas et Melisande" - Debussy
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Malcolm Bilson, piano; Byrnell Figler, piano; Howard Karp, piano
Histoires Naturelles: Le Paon, Le Grillon, Le Cygne, Le Martin-pecheur, La Pintade (Renard); Deux Melodies Hebraiques: Kaddisch, L'Enigme Eternelle; Chansons Madecasses: Nahandove, Aoua! Aoua!, Il est doux de se coucher; Final Scene from "L'Heure Espagnole" - Ravel
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Dorothy Hayes, violin; Jane Carter, viola; Edward Marzuki, bass; Robert Ashby, cello; Alan Goldman, bass; Sven Hansell, harpsichord; Brynell Figler, harpsichord; Peter Farrell, cello
Fuga a4 - Valentine Hausmann; Phantasia a3 - Johannes Schultz; Ayre and Almaine; Fancy a5 - John Jenkins; Sonata Prima, Op. 26 - Joseph Bodin Boismortier; A La Bataglia a4 - Heinrich Isaac; Sonata No. 4 - Giovanni Adolfo Hasse; Der Hund a3 - Heinrich Issac
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James Knapp, trumpet; Ron Dewar, sax; John Monaghan, bass; Charles Braugham, drums
Hemlock - Glenn Cronkite; 5/4-6/4 Tune - James Knapp
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Robert Molison, tenor; Joseph Pinzarrone, piano; Gerald Lishka, piano; Pam Sanowski, flute-piccolo; Robert Quade, clarinet; Gene Sholtens, bassoon; Ed Kobrin, violin; Carol Deak, viola and voice; Jon Deak, bass; John Glover, horn; Ronald Tasa, tuba; Michael Udow, percussion and chimes; Charles Lipp, conductor; James Fulkerson, trombone; Dennis Kam, piano
Song Cyle: 1. Infant Innocence (Housman), 2. Reflections on Ice-Breaking (Nash) (1966) - Peter Salemi; Serial (1968) - Joseph Pinzarrone; Vestiges (1969) - Allan Harlock; The One and Only Man Band Number One (1969) - Joseph Pinzarrone; Getting to Know You: September, October, November, December (1969) - Michael Udow; Rendezvous II (1967) - Dennis Kam
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Offertoire: Les choses visibles et invisibles (Messe de la Pentecote) - Olivier Messiaen; Organ Fantasy - Merrill Ellis; Variations on a Recitative, Op. 40 - Arnold Schoenberg
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Allan Harlock, piano and electronics; Dennis Kam, piano and conductor; Pam Sanowski, flute; Robert Quade, clarinet; Carol Deak, viola and violin; James Fulkerson, trombone and feedback board; Doug Lemmon, trombone; James Stroud, trombone; John Sexton, trombone; John Hecker, trombone; Bill Black, cello; Etta Green, cello; Hubert Ort, cello; Dorothy Martirano, violin; Suzanne Kelly, violin; Ed Kobrin, violin; Jon Deak, string bass; Christopher Burns, string bass; Pamela Andrews, string bass; Bonnie Rosenbaum, string bass; Michael Udow, conductor; John Schaeffer, organ
Crossing 1a (1969) - Dennis Kam; Line Studies (1957) - Kenneth Gaburo; Globs (1969) - James Fulkerson; Variations and Interludes: Theme, Variation I, Interlude I, Variation II, Variation III, Variation IV, Interlude II, Variation V (1969) - Neely Bruce
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Toccata in E Minor, Op. 63, No. 9; Three Chorale Preludes from op. 67: Seelenbrautigam, O Lamm Gottes, unschuldig, Lobe den Herren, den machtigen Konig der Erden; Fantasy on "Wie schon leucht' uns der Morgenstern," Op. 40, No. 1; Trauerode, Op. 145, No. 1; Scherzo in D Minor, Op. 65, No. 10; Fantasy and Fugue in D Minor, Op. 135b - Max Reger
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Judy Walker, flute; Jane Klaviter, piano; Richard Mansfield, flute; Roy Harris, bassoon, Phyllis Galloway, sopranino recorder; Kay Bjorseth, harpsichord; Phyllis Danner, flute; Kenneth Laufter, piano; Steve Hastalis, flute; Diana La Salle, flute; Mary Leathers, flute; Dorothy Thomas, piano
Sonata in D Major, Opus 94: Andantino; Bachianas Brasilieras, No. 6: Aria (Chord), Fantasia - S. Prokofieff; Concerto in C Major, No. 13 - A. Vivaldi; Sonata: Allegro malinconico, Cantilena, Presto giocoso - F. Poulenc; Density 21.5 - Edgard Varese; Gymel - N. Castiglioni; Sonatine - Henri Dutilleux
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Suzanne Seifried, flute; Ira Goodkin, piano; Jeff Sarver, flute; Carolyn Riedel, piano and flute; Connie Dillow, flute; Ira Goodkin, piano; Martyn Clarke, recorder; Thomas Howell, harpsichord; Sarah Newton, flute; Kenneth Laufer, piano; Rita Linard, flute; Vicki Covington, piano; Karen Lingrell, flute; Judy Long, piano; Marvin Lech, piano; Susan Zorns, flute
Sonata V in E Minor: Adagio, Allegro - J. S. Bach; Sonatina: Allegretto grazioso - Eldin Burtin; Concerto in G Major: Allegro maestoso - W. A. Mozart; Sonata in F Major, Op. 1, No. 11: Larghetto, Allegro, Adagio, Allegro - G. F. Handel; Ballade - Frank Martin; Serenade, Opus 25: Entracte: allegro, Andante con Variazioni - L. van Beethoven; Prelude and Scherzo - Henri Busser; Acht Stucke: Gemachlich, leicht bewegt, Scherzando, Sehr langsam, frei im Zeitmass, Gemachlich, Sehr lebhaft, Lied, leicht bewegt, Rezitativ, Finale - Paul Hindemith
John Kuzma, organ; Charles Lipp, bassoon; Thomas Howell, alto flute and flute; William Magers, viola; Michael Udow, percussion; Howard Karp, piano
Anonymous: Conductus ; Concerto in A minor: Allegro, Adagio, Allegro - Bach - Vivaldi; Guillaume d'Amiens: Virelai; Pieces for Bassoon: 1a, 1b, MZ (1970) - Charless Lipp; St. Godric: Song; Theme and Variants (1969) - David Lauterstein; Neithart von Reuenthal: Minnelied; Trio (1970) - Allan Harlock; Sonata in D major, opus 53: Allegro vivace, Con moto, Scherzo: Allegro vivace, Rondo: Allegro moderato - Franz Schubert
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Carol Baker, cello; Michael Haberkorn, piano; John Lindsey, violin; Thomas Tatton, viola
Quartet No. 2 in A Major, Op. 26: Allegro non troppo, Poco Adagio, Scherzo-Poco Allegro, Finale-Allegro - Brahms; Trio No. 1 in D Minor, Op. 49: Molto allegro ed agitato, Andante con moto tranquillo - Mendelssohn
Richard Toole, violin; Marcia P. Toole, soprano; Gerald Lischka, piano; Cindy Warhol, French horn; Steven Sterba, violin; James Black, violin; Thomas Tattoon, viola; Rhea Davis, cello; Sandy Stoneham, soprano; Lorie Rogers, soprano; Margaret Klemm, soprano; Pat Crowe, alto; Pat Meid, alto; Mary Gates, alto; June Thomas, alto; Rob Moody, tenor; Ira Feldman, tenor; Theodore May, tenor; Dean Root, tenor; Homer Rudolph, bass; Jeff Foote, bass; Phil Ahern, bass; Ralph Cady, bass; Niles Blegen, chanter and percussion; Chuck Yassky, chanter and clarinet; Jill Albertson, chanter; Charlotte Martsen, chanter; Jane Reterstoff, chanter; Jim Mann, chanter; Jackie Coleman, chanter; Chris Byrne, bass; Jim McNeely, bass clarinet, bass, and piano; Phil Gratteau, percussion; Jim Theobald, percussion, vibes, and marimba; Jim Baird, percussion; William Brooks, conductor; Jean Geil, soprano; Dorothy May, soprano; Linda Vickerman, alto; Robert Newell, tenor; John Stephens, bass; Arthur Maddox, piano; Sharon Berenson, violin; Pamela Bullock, piano; Tom Howell, flute and piccolo; Wilma Zonn, oboe; Paul Zonn, clarinet and bass clarinet; Chuck Lipp, bassoon and contra bassoon; Jerry Glander, soprano sax and tenor sax; Gerald Makeever, trumpet and flugel horn; Morgan Powell, trombone; John Lindsey, violin; William Colson, cello; Mark Lavatelli, harmonica
Farewell Sonata for Unaccompanied Violin (1971) - Richard Toole; Three Songs (1971) - Daniel Brewbaker; 5 for String Quartet and French Horn (1969) - David Sargent; My Sweet Old Etcetera for Mouthes and Instruments (1970) - James McNeely; Two Poems, for Clarinet and Piano: 1. Echoes 9, 2. Sleep Song (1971) - Dennis Eberhard; Vallejo, for Chorus and Piano (1971) - David Lauterstein; Expansions, for Violin and Piano (1970) - Watten Darcy; Lemon Ice (1971) - Joseph Sekon
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Sonata in B-flat: Allegro di molto, Allegretto-Tempo di Menuetto - M. Clementi; Quintet, Op. 114 ("Trout"): Allegro vivace, Andante, Scherzo, Andatino (Theme and Variations), Allegro giusto - F. Schubert
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In the Alley; Nature's Way; The Greatest Man - C. Ives; Mama, Mama (The Most Happy Fella) - F. Loesser; The Impossible Dream (Man of La Mancha) - Darion-Leigh; Goya Boy - J. Knapp; Gloria's Step - S. LaFaro
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Beverly Smith, piano and harpsichord
Konzert D-dur fur D-Trompete, Streicher und Basso continuo: Adagio, Allegro, Grave, Allegro - Georg P. Telemann; Concerto pour Trompette: Allegro, Nocture-Andante, Finale-Allegro - Henri Tomasi; Sonate fur Trompete in B und Klavier: Mit Kraft, Massig bewegt, Trauermusik (Alle Menschen mussen sterben) - Paul Hindemith; Suite for Brass Quintet: Toccata, Chorale, Scherzo, Arioso, March - Verne Reynolds
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John Wustman, piano
Nine Songs, Op. 32 - Johannes Brahms; Tre Sonetti di Patrarca - Franz Liszt; Sh'ma Kolenu - Max Helfman; Adonoi Eyl Rachum - Max Janowski; Duex melodies Hebraiques: L'Enigme eternelle, Kaddisch - Maurice Ravel; Let Us Wander; Lost Is My Quiet - Henry Purcell; Duetto di amore - Pietro Floridia; La ci darem la mano - Wolfgang Amadeus Mozart; Les reves - A. Gretchaninow
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John Wustman, piano
Where'er you Walk; Vouchsafe, O Lord; Revenge, Timotheus cries - Handel; Rastlose Liebe; Das Fischermadchen; Der Wanderer an den Mond; Auf der Bruch - Schubert; Vision fugitive - Massenet; Old American Songs - Copland
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Toccata in E Minor - Nicolaus Bruhns; Hymn: Veni Creator: En taille a 5, Fugue a 5, Duo, Recit de Cromorne, Dialogue sur les Grands Jeux - Nicolas de Grigney; Toccata, Adagio and Fugue in C Major (S. 564); Trio Sonata in D Minor: Andante, Adagio e dolce, Vivace - Johann Sebastian Bach; Messa della Madonna: Canzona dopo l'Epistola, Ricercare dopo il Credo, Toccata per l'Elevatione (Fiori Musicali, 1635) - Girolamo Frescobaldi; Prelude and Fugue in G Major (S. 541) - Johann Sebastian Bach
Program included with reel.
Sonata in A Major, Op. 65, No. 3: Con moto maestoso, Andante tranquillo - Felix Mendelssohn-Bartholdy; Second Sonata in D Minor, Op. 60: Improvisation-Allegro con brio, Invocation-Grave con duolo, Introduction and Fugue-Allegro - Max Reger; Fantasie in A - Cesar Franck; Prelude and Fugue on Bach - Franz Liszt
Program included with reel.
Dona Lee Cherry, violin
Sonata, Op. 92 - Ernst Krenek; Trio Sonata: I. Anmutig, II. Innig, III. Lustig (1970) - Rudy Shackelford; Fantasie for Violin and Organ, Op. 49 - Karl Holler; Sonata for Organ: I. Fuga, II. Allegretto con variazioni (1963, premiere performance) - Neely Bruce; Intermezzo for Violin and Organ (1938) - Henk Badings; Sonata for Violin and Organ, Op. 36: Andante sostenuto, Molto vivace-Moderato - Gunter Raphael
Program included with reel.
Melody Jackson, organ; Gregory Nagode, piano; David Maxwell, organ; Charles Eberline, organ; Jay Peterson, organ
Introduction and Passacaglia; Aus Meinen Tagebuch, op. 82/III: Nr. 2 Albumblatt, Nr. 6 Humoreske; Fantasie and Fugue in D Minor, Op. 135B; Trauerode, Op. 145, No. 1; Fantasie uber den Choral; Op. 40, No. 1 - Max Reger
Program included with reel.
Paul Berg, organ; James Starr, violin; Ann Mischakoff, viola; Charles DeLaney, flute; Janette Jeppesen, soprano; Theodore, May, piano; Dorothy May, mezzo-soprano; Paul Laubengayer, organ
Fantasie und Fuge uber den Namen B-A-C-H, Op. 46; Serenade in G Major, Op. 141A: Vivace, Larghetto, Presto; Two Songs from Schlichte Weisen, Op. 76: Waldeinsamkeit, Wenn die Linde bluht; Three Songs: Gluck, Op. 15, No. 1, Sommernacht, Op. 98, No. 5, Schlummerlied; Two Duets, Op. 14: Abendlied, Gab's ein einzig Brunnelein; Fantasie uber den Choral Halleluja! Gott zu loben, Op. 52/III - Max Reger
Program included with reel.
Evelyn Garvey, piano
Sonatine (1946) - Pierre Boulez. Rehearsal tapes and performance.
Program included with reel.
Evelyn Garvey, piano
Sonatine (1946) - Pierre Boulez. Rehearsal tapes and performance.
Evelyn Garvey, piano
Sonatine (1946) - Pierre Boulez. Rehearsal tapes and performance.
Spanisches Liederbuch (Part I) - Hugo Wolf
Program included with reel.
Morike Lieder (Part I) - Hugo Wolf
Program included with reel.
cont. from v.1
Program included with reel.
Andre Thomas, piano
Minstral Man - Margaret Bonds; I, Too - Williaqm Grant Still; Faithful One - Robert Owens; Death of an Old Seaman - Cecil Cohen; A Child's Grace - Coleridge-Taylor Perkinson; Dancing in the Sun; Soliloquy - John W. Work, Jr; By an' by; Weepin' Mary - arr. Harry T. Burleigh; Sometimes I Feel Like a Motherless Child - traditional; Mr. Father Took a Light - arr. Charles Fonteyn Manney; L'il Boy; A Witness - arr. Roland Hayes; In Bright Mansions Above; Honor, honor - arr. Hall Johnson
Program included with reel.
Bridget Beck, soprano; Theodor Duda, baritone; Pamela Richman, soprano; Rosalyn Schneider, soprano; Samuel Magrill, piano
Vier Lieder, Op. 12 (1915-17) - Anton Webern; Vier Lieder, Op. 2 (1908-09) - Alban Berg; Vier Lieder, Op. 2 (1896-98); Zwei Gesange, Op. 1 (1896-98); Drei Brettl-Lieder (1901) - Arnold Schoenberg
Program included with reel.
Incedental Music to "Dear Amy,?" - Steven C. Craven; Voohries Castle (1983) - Tom Matecki; Paradoxical Compression (1983) - Dan Adams; Trio (1983) - Char Kneever; Wind Quintet (1981) - Kirk Corey; Stream Collisions (1983) - Margaret Helmuth; Three Pieces for Two Violins (1981) - Tucker Robison; Sally Forth (1983) - Susan Parenti; The Glass Bead Game (1981) - Dan Adams
Program included with reel.
Piano Pieces (1979) - Samuel Magrill; Short Piano Suite (1984) - Janis Mercer; Piano Pieces (1979) - Samuel Magrill
Program included with reel.
Three Guitar Studies - James Crowley; Serenade for Oboe and Bassoon - Jarmo Voutilainen; Three Poems of Sylvia Plath: I. Morning Song, II. The Rival, III. Poppies in October (1976) - John Jeffrey Gibbens; Debris (1981) - Alec McLane; Joyous Shrimp (1984) - Marl Dziuba
Program included with reel.
Trio : Duo (1983) - Brian E. Belet; In Quiescence; In Quietude (1984) - Siobhan Granner; Exercise I - Susan Parenti; Wind Quintet - Marcus Englemann
Program included with reel.
Samuel Magrill, piano
Spanisches Lied.; Lied; In der Fremde, Liede und Fruhling II - Johannes Brahms; Six Bagatelles for Voice and Piano (1923-42) - Theodor Adorno; Three Poems of Sylvia Plath (1976) - John Jeffrey Gibbens; Four Songs from Sechs Gesange, Op. 13 (Maeterlinck) (1910-13) - Alexander Zemlinsky; Dors mon enfant; Mignonne; L'Attente - Richard Wagner
Program included with reel.
Focus (1983) - Daniel Adams; Soliloquoy for Violoncello (1984) - Janis Mercer; In Shadow of Return - Mike Cerri
Program included with reel.
Hot Porcelain (1984) - Margaret Helmuth; Three Haiku (1984) - Elizabeth Ely Meade; Prose Poems (1983) - Carrie Pollack; Cracking (1984) - Margaret Helmuth; Catching Mobiles (1984) - Elizabeth Ely Meade; Poems (1975-83); Sunnyridge Portraits (1984) - Charyl Kneevers; Penumbra (1984) - Susan Forrest Harding
Program included with reel.
Sunnyridge Portraits (1984) - Charyl Kneevers; Catching Mobiles (1984); Three Haiku (1984) - Elizabeth Ely Meade; Cracking (1984) - Margaret Helmuth
Program included with reel.
Wants - Monroe Golden; elennem - Sara Buchanan; Minutes for Bassoon - Janis Mercer; First Flights - Joyce Mast-Boldrey; Autumn Villanele - Charyl Kneevers; At First Glance - Constantine Giavaras; Plane Dancing - Erik Lund
Program included with reel.
Torse III: these, chant, commentaire, synthese (1968) - Akira Miyoshi; No. 9 Zyklus (1959) - Karlheinz Stockhausen; Four Dialogues (1974) - Samuel Adler; Studie I (1984) - Michael Bump
Program included with reel.
Klavierstuck II (1952); Klavierstuck III (1952) - Karlheinz Stockhausen; Sonatine (1946) - Pierre Boulez; 3 Klavierstucke (1969) - Jurg Wyttenbach; Sonatine - Pierre Boulez; Variations for Piano, Op. 27 (1936) - Anton Webern
Program included with reel.
Canal Street Blues - Mark Dziuba; Piano Sonata - Kirk Corey; PC4CP - Margaret Helmuth; Personalities Introductions J - Janis Mercer; Reflux, Reflux - Monroe Golden; This Bread I Break - Allan J. Segall; Five Haiku - Elizabeth Ealy Meade
Program included with reel.
Mammal Routines (1986) - Jim McManus; After the Rain (1986) - Marcus Engelmann; Tween (1986) - Steven Curtin; Because (1985) - Margaret Helmuth; Three Flute Duets (1986) - Timothy Lane; Isolated (within) (1981) - Larry Sherr; Greetings, This Is My House Too! (1985); Spring and Fall (1983) - Elizabeth Ely Meade; New Duo (1986) - Mark Dzuiba; "I AM..." (1986) - Stacy A. Wright
Program included with reel.
cont. from v.1
Program included with reel.
Two Songs on Poems of Sylvia Plath - Janis Mercer; Occurrents (1986) - Margaret Helmuth; Seven Piano Pieces (1986) - John Zroka; Le Grand Saucisson (1986) - Jim McManus; Paul, from Oh, Brother; Quintet for Woodwinds - Elizabeth Hinkle; Troubled Sleep (1985) - John Hammitt
Program included with reel.
"In And?" (1974) - Herbert Brun; Levulose (1985) - Carla Scaletti; Ensemble Tamper (1981) - Patrick Daugherty; Anthemic Variation (1984) - Mark Enslin; "?And Out" - Herbert Brun; Fourteen Ways to Describe Rain (1941) - Hanns Eisler; Rain (1929) - Joris Ivens; Fourteen Ways to Describe Rain - Hanns Eisler
Program included with reel.
Aokuonas (1987) - Dean Givaras/Jack Sayre; Three Songs (1984) - John Hammitt; Departures from a Model (1986) - Monroe Golden; Duet for Three Flutes (1984) - Janis Mercer; Le Grand Saucisson (1986) - Jim McManus; Letters (1986-87) - Janis Mercer; T42? Dance of a Phage (1986) - Dean Givaras/Jack Sayre
Program included with reel.
Claudia Watson, violin; Christopher Bade, clarinet; Karen Krummel, cello; Celso Loureiro Chaves, piano
Quatuor pour la fin du Temps (Quartet for the End of Time) - Oliver Messiaen
Program included with reel.
Claudia Watson, violin; Christopher Bade, clarinet; Karen Krummel, cello; Celso Loureiro Chaves, piano
cont. from v.1
Pieces for Solo Wind Instruments - Robin Bargar; Airport Beach - Jeff Nevin; Pieces for Solo Wind Instruments - Robin Bargar; Disruptions - David Kelley; Talk Times Three - Elizabeth Hinkle-Turner
Program included with reel.
Claudia Watson, violin; Sara Wiseman, cello; Drew Krause, piano
Unspoken Crime - Michael Edgerton
Claudia Watson, violin; Christopher Bade, clarinet; Karen Krummel, cello; Celso Loureiro Chaves, piano
Recording Session. Quatuor pour la fin du Temps (Quartet for the End of Time): Movements 6-8 - Olivier Messiaen 2/2
Claudia Watson, violin; Christopher Bade, clarinet; Karen Krummel, cello; Celso Loureiro Chaves, piano
Recording Session. Quatuor pour la fin du Temps (Quartet for the End of Time): Movements 1-5 - Olivier Messiaen 1/2
Five - Richard Williamson; Pull - Josef Jurek; Excerpts from Hour History - Michael Edward Edgerton; Peristaltic Palindrome - Christopher Kriese; Two Recollections of Chequamegon - Jeffrey Herbert
Program included with reel.
Duric Variations (1987) - Joseph Jurek; lacunae (1990) - Frank X. Mauceri
Program included with reel.
La Camerata Orchestra, William Courble and William Mullin, conductors
Sinfonia - C.P.E. Bach; Concerto No. 2 in E-flat Major - Mozart
Stanchinsky; Rachmaninov; Metner
Protection copy of "Music by Stanchinsky, Rachmaninov, and Metner," Orion Master Recordings, ORS 86494
cont. from v.1
Protection copy of "Music by Stanchinsky, Rachmaninov, and Metner," Orion Master Recordings, ORS 86494
Terry L. Mohn, clarinet; Paul Zonn, clarinet
Terry L. Mohn lecture, "Clarinet Multiphonics"; VENEER - Terry L. Mohn
Program included with reel.
Patricia Hruby, dancer; Kathleen Kleeman, dancer; Deborah Riley, choreography; Thomas Burrington, lighting
Terry L. Mohn lecture, "Composer, Choreographer, Collaborate"; OTHERWISE - Terry L. Mohn
Program included with reel.
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