By Elizabeth Hartman, Hannah Jellen, Somer Pelzcar, and Nolan Vallier
[Printer Friendly] | [ Email us about these papers]Title: National Academy of Dance/National Academy of Arts Records, 1967-2015
ID: 12/13/51
Primary Creator: The National Academy of Dance (1967-1987)
Extent: 2.5 cubic feet
Arrangement: Organized into two series: Series 1, Administrative and Production Records, 1969-2015, and Series 2, Photographs and Memorabilia, 1967-1983. Each series is arranged first by subject and then chronologically therein.
Date Acquired: 08/20/2015
Subjects: Ballet, Champaign, Illinois, Clara Rolland, Dance, Dance Education, Gilbert Wright, Lupe Serrano, Music, Music -- Illinois - Art and Literature, Paul Rolland, Price Boday
Languages: English
Consists of financial records, meeting minutes, news clippings, correspondence, performance programs, photographs, and memorabilia documenting the opening, operation, management, curriculum, faculty, student life, and closures of The National Academy of Dance and its later iteration as the National Academy of Arts. Also contains materials related to a reunion of Academy students that took place in 2015.
The National Academy of Dance (and later, the National Academy of Arts) was a residential conservatory of dance and music that operated in Urbana-Champaign, Illinois from 1972-1978 and again from 1982-1987. The Academy was the brainchild of University of Illinois English Professor Dr. Gilbert D. Wright. Although he was not a regular connoisseur of dance, Wright was inspired by a Royal Ballet School performance that he saw during a 1966 research trip to London, when he returned to the university he decided to develop a similar residential ballet conservatory in Illinois.
Wright began laying the groundwork for the National Academy of Dance in 1969 when he formed Illinois Foundation for the Dance and became a board member for the American Ballet Theater. In 1971, the Foundation launched an Extension Division to provide ballet training, soliciting teachers from current and retired faculty at the University of Illinois. Despite his initial plans to locate the school in the Chicago metropolitan area, the Academy ultimately opened in Urbana-Champaign, which was experiencing a cultural explosion during the late 1960s and early 1970s. At this time there were few institutions in America that provided quality ballet training for young dancers, and the new Urbana-Champaign residential dance academy generated great interest across the country. During the Academy's first auditions in the spring of 1972, nearly 250 students auditioned for entry into the school from major cities around the nation.
With a total of 63 students, the National Academy of Dance opened in the fall of 1972, functioning as a charter school that offered academic courses and a high school degree through the University of Illinois High School. In 1974, after two years of high enrollment, the Academy expanded by adding a music program to its curriculum. As a result the school changed its name to The National Academy of Arts (NAA) with the two performance disciplines designated within the school as the National Academy of Music (NAM) and National Academy of Dance (NAD). In addition to offering high school degrees with specializations in music and dance, the Academy later considered offering humanities degrees for students focusing on technical theater and production but this new academic concentration was never implemented.
In 1975, a company of student dancers formed an apprentice semi-professional dance company called the National Academy Ballet. A year later the company evolved into a professional company and changed its name to the National Ballet of Illinois (NBI) - a move that was considered by some Academy faculty and supporters to be controversial. Also beginning with the 1975-1976 school year NAA also offered a purely academic-only program as part of its curriculum for non-NAD and NAM students who enrolled in Academy.
After student enrollement peaked in 1977, funding problems for both the Academy and its professional company became a serious issue which eventually forced the closure of the school in 1978. As a result five properties owned by the Academy were sold at auction to cover its debt, and the Academy eventually was able to reopen in 1982. However, after five more years of shrinking student enrollment and growing financial commitments the Academy was closed again in 1987.
During the height of its activity, the National Academy of Arts maintained several buildings in the Urbana-Champaign area including their central facility, the Inman Hotel in downtown Champaign. Throughout the 1970s and 1980s, 230 students graduated from the Academy and found careers in such venues as Broadway, at the River North Dance Theatre, the Ballet Tucson, the Chicago Symphony Orchestra, the St. Louis Symphony Orchestra, and the Minnesota Symphony Orchestra. A reunion of past graduates of the Academy took place in Champaign, Illinois on July 17th and 18th, 2015.
Ballet
Champaign, Illinois
Clara Rolland
Dance
Dance Education
Gilbert Wright
Lupe Serrano
Music
Music -- Illinois - Art and Literature
Paul Rolland
Price Boday
Repository: The Sousa Archives and Center for American Music
Acquisition Source: Mary Linda Graham
Acquisition Method: Gift.
Related Materials: See Also: The National Academy of Arts Collection, 12/13/50.
Contains organizational charts, statement of historical development, goals and functions, budgets, student and faculty-staff statistics, facilities photographs, student photographs, promotional pamphlet, quotes from students and faculty-staff, correspondence, and news clippings relating to the Academy.
Though some materials in this scrapbook pertain to other series, the entire scrapbook in housed here in Series 1 to maintain its integrity.
Contains National Academy of Arts December 1985 production book; includes correspondence.
See Oversize Portfolio Case 1 for two stage lighting maps related to these materials.
Accession number 2015.121351.002
One heavily-used satin pink pointe ballet shoe with pink ribbon laces. On the outer fabric of the shoe, there are notes and autographs written in black pen.