Finding Aid for Paul Rolland Papers, 1831-1992 | The Sousa Archives and Center for American Music

By Lindy Smith and Nolan Vallier

Service Location	Boxes
Archives Research Center, 1707 S. Orchard Street	Box 01
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Archives Research Center, 1707 S. Orchard Street	Box 03
Archives Research Center, 1707 S. Orchard Street	Box 04
Archives Research Center, 1707 S. Orchard Street	Box 05
Archives Research Center, 1707 S. Orchard Street	Box 06
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Archives Research Center, 1707 S. Orchard Street	Box 08
Archives Research Center, 1707 S. Orchard Street	Box 09
Archives Research Center, 1707 S. Orchard Street	Box 10
Archives Research Center, 1707 S. Orchard Street	Box 11
Archives Research Center, 1707 S. Orchard Street	Box 12
Archives Research Center, 1707 S. Orchard Street	Box 13
Archives Research Center, 1707 S. Orchard Street	Box 14
Archives Research Center, 1707 S. Orchard Street	Box 15
Archives Research Center, 1707 S. Orchard Street	Box 16
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146 Library, 1408 W. Gregory Drive	Oversized Portfolio Case 1
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146 Library, 1408 W. Gregory Drive	Oversized Portfolio Case 3
Archives Research Center, 1707 S. Orchard Street	Shelf 01
Archives Research Center, 1707 S. Orchard Street	Shelf 02
Archives Research Center, 1707 S. Orchard Street	Shelf 03
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Collection Overview

Title: Paul Rolland Papers, 1831-1992

ID: 12/5/21

Primary Creator: Rolland, Paul (1911-1978)

Extent: 26.85 cubic feet

Arrangement:

Materials are arranged into six series, which are as follows:

Series 1) Subject Files and General Correspondence, which consists of correspondence between Paul and Clara Rolland with individuals and regarding topics of a general nature that do not belonging to the distinct projects included in series 2, 3, or 4 as well as subject files Rolland created for individuals he worked with throughout his career. This series is arranged alphabetically by last name and topic area.

Series 2) Illinois String Research Project, 1955-1978; which consists of material documenting the Illinois String Research Project, including many collaborative publications and film series that culminated in the Teaching of Action in String Playing. The series is arranged into three sub-series: sub-series 1) Research Files, Documentation, and Publication; sub-series 2) Photographs; and sub-series 3) Films.

Series 3) Research and Publications, 1831-1978; which consists of Rolland's research projects that were not directly tied to the Illinois String Research Project, including his Suzuki Film project, his books and articles, and the Rolland Bow Grip project and business as well as his collected library of sources. The series is arranged into four sub-series: sub-series 1) Suzuki Research Files; sub-series 2) Research and Publications by Rolland; sub-series 3) Rolland Bow Grip Project and Business Records; and sub-series 4) Research Library.

Series 4) Administrative, Teaching, and Service Files, 1939-1983; which consists of Rolland's work as a teacher at Simpson College (1939-1945), the University of Illinois (1945-1978), and the National Academy of the Arts (1972-1978); his workshop and sabbatical records; and his service to the American String Teachers Association, for which he served as Editor of American String Teacher Journal (1950-1960) and President (1964-1966), and several other national and international organizations. The series is arranged in six sub-series: sub-series 1) University of Illinois Faculty Papers; sub-series 2) Workshop and Sabbatical Files; sub-series 3) American String Teachers Association and American String Teacher Journal; sub-series 4) Service Organizations and Conference Files; sub-series 5) National Academy of the Arts Faculty Papers; and sub-series 6) Simpson College Faculty Papers.

Series 5) Music Compositions and Audio Recordings; which consists of music compositions collected or arranged by Rolland and audio recordings collected by Rolland. Materials are arranged into two sub-series: sub-series 1) Music Compositions and sub-series 2) Audio Recordings.

Series 6) Personal Papers; which consists of photographs, news clippings, and articles about Rolland collected by Paul and Clara Rolland. Materials are arranged alphabetically by subject.

Note: When the papers were first processed in 1991, they were not arranged into series or sub-series categories, but by like material within each box. The 2025 arrangement maintained the original order within each box, while applying a clearer intellectual order for the content.

Date Acquired: 08/18/1972. More info below under Accruals.

Subjects: American String Teachers Association, Austria - Art and Literature, European String Teachers Association, Faculty, Faculty Papers, Illinois String Project, Illinois Summer Youth Music, Music, School of, Music - Instruction and study - Hungary, Music Extension, Music instruction, Music Publishers, Music teachers, Music Teachers National Association, National Academy of Music, Stravinsky, Igor Fyodorovich (1882-1971), Stringed Instruments, Summer Youth Music, Suzuki, Shinichi (1898-1998), Violin, Walden Quartet

Formats/Genres: Correspondence, Papers, Photographs

Languages: English, Hungarian, Russian, Croatian, Hebrew, German, Japanese

Scope and Contents of the Materials

Consists of correspondence, photographs, research files, method books, sheet music, audio recordings, films, and concert ephemera, documenting the life of Paul Rolland (1911-78) and his tenure as professor of music at the University of Illinois (1945-78). Of note are photographs, films, and sound recordings, documenting his Illinois String Project. Also of note are letters between Rolland and Sinichi Suzuki, Yehudi Menuhin, and Pablo Casals. In addition several photographs document his performance work at the University of Illinois with guest conductors like Igor Stravinsky as well as ensembles like the Walden Quartet.

Biographical Note

Paul Rolland (1911-1978) was born on November 21, 1911 in Budapest under the name Pali Reisman. He began his studies on the violin at age 11 with the Hungarian violinist Jenö Hubay. At age 18 Reisman studied with Dezsö Rados. In 1933, he began his studies at the Franz Liszt Academy of Music in Budapest under Imre Waldbauer and Leo Weiner. While in Budapest, he served as the first violinist of the Budapest Symphony and taught violin at the Gimes Institute of Music. He emigrated to the United States in 1938, traveling with the Pro Ideal Quartet to the West Minster Choir College in Princeton, New Jersey. Around 1940 Reisman earned a position with Trenton Symphony Orchestra, playing in the first stand of violas. Reisman joined the faculty of Simpson College in Indanola, Iowa in 1942, leading their orchestra and string program. In 1943, he also became a member of the Lerner String Quartet. Reisman's wife, Clara, joined Reisman on faculty at Simpson College around this time. Like her husband, she had graduated from the Royal Hungarian Academy of Music in 1939 with a degree in piano performance. While in Iowa, Reisman also served as the choir director at First Presbyterian Church in Indianola.

Following the outbreak of World War II, Paul and Clara Reisman changed their last name to Rolland, adopting an anglicized name to avoid the pervasive anti-German sentiment among US citizens. In 1945, Rolland joined the faculty of the University of Illinois Urbana-Champaign. Rolland was instrumental in establishing and making alterations to the Doctor of Musical Arts degree in performance. At the University, he performed regularly with the Illinois String Trio. He also gave regular faculty recitals alongside prominent faculty members. While John Kuypers was the director of the School of Music, Rolland also gave performances as principal of the University of Illinois Symphony Orchestra, which was conducted by serveral prominant composers and conductors, including Igor Stravinsky.

Rolland's research principally considered methods of teaching young children in group settings. Beginning in 1954, Rolland noticed that several of his younger students needed additional support holding their full-size violin bows, so he constructed the "Rolland Bow Grip." This research endeavor turned into a side business called the String Research Company, which was operated out of Rolland's home. Following this, Rolland began exploring the work of Shinichi Suzuki in a project that led to Suzuki's US Talent Education Tour and Rolland's film on the same subject. In 1966, Rolland received government funding from the Department of Education to direct the University of Illinois String Research Project. The collaborative project analyzed methods of teaching violin to young students, analyzing and making recommendations for improving bow holds, arm movements, and body positions. It also considered appropriate literature for young students and rote learning methods, which was derived in part from Suzuki's method. The project resulted in his foundational method book, The Teaching of Action of String Playing; several publications by project researchers Margaret Farish, Frances Hellebrandt, and Richard Colwell; as well as a series of pedagogical films that are still used by the Paul Rolland Society and those who practice the Rolland Method. The resulting method served as a tool for both young students and violin instructors.

In addition to his innovative research, Rolland served the University in several professional organizations. In 1946, Rolland became a founding member of the American String Teacher's Association (ASTA). Four years later, Rolland became the first editor of the ASTA's journal, American String Teacher. He would serve as the editor of this publication until 1960. Under the auspices of the ASTA, Rolland assisted with the publication of several important treatises on the violin, including Joseph Szigeti's Ten Beethoven Sonatas for Violin and Piano. In 1964 he became the president of the ASTA, serving a two year term. Rolland used his time as president to leverage more opportunities to develop pedagogical programs in the American string world, including a string teaching symposium at Tanglewood, numerous workshops, and eventually the Illinois String Research Project itself. Because of his involvement with ASTA, Rolland was invited to join several other music education organizations, including the European String Teachers Assocation (ESTA), Music Educators National Conference (MENC), Music Teachers National Association (MTNA), and several other international organizations.

Rolland also gave frequent workshops, serving as a guest performer and conductor for youth programs and festivals across the country. Shortly after ariving at Illinois, Rolland joined the faculty of the Illinois Summer Youth Music program, which was sponsored by the Illinois Music Extension Office. He also gave a series of radio workshops over WILL Radio in 1946. In 1959 he served as string faculty member at the national summer camp for music at Interlochen. As president of the ASTA, Rolland served as a guest clinician to several regional branches of the ASTA. He also used his sabbaticals as opportunities to give workshops. In 1961 he received State Department funding to tour Austria, West Germany, Hungary, Russia, Yugoslavia, Turkey, and Israel. Throughout this trip, Rolland gave workshops and lectures. He received additional additional funding to travel to the UK in 1973 and 1975 and Austria, Hungary, Sweden, Australia, and New Zealand in 1978.

In 1974, Rolland became a founding member of the National Academy of the Arts, an early charter high school located in Urbana, Illinois. Serving as the school's string instructor, Rolland helped expand the program throughout the mid-1970s and accepted many talented students including Lucia Lin. After Rolland died in 1978 in Champaign, Illinois, the National Academy of Music renamed it's orchestra the Paul Rolland Orchestra.

Subject/Index Terms

American String Teachers Association
Austria - Art and Literature
European String Teachers Association
Faculty
Faculty Papers
Illinois String Project
Illinois Summer Youth Music
Music, School of
Music - Instruction and study - Hungary
Music Extension
Music instruction
Music Publishers
Music teachers
Music Teachers National Association
National Academy of Music
Stravinsky, Igor Fyodorovich (1882-1971)
Stringed Instruments
Summer Youth Music
Suzuki, Shinichi (1898-1998)
Violin
Walden Quartet

Administrative Information

Repository: The Sousa Archives and Center for American Music

Accruals: An additional batch of material was received from the Rolland Estate on May 8, 1991. MPAL retained the audio and film recordings until 2017, when these were transferred to the Sousa Archives.

Acquisition Source: Rolland Estate

Acquisition Method: Gift

Related Materials: For original control files and acquistion information see the Music Library Administrative Records (35/3/68), Box 4, Folder 10.

Related Publications:

Justin Fulfer, "Implications of the Pedagogy of Paul Rolland on the Curriculum Guide of String/Orchestra Programs," DMA Dissertation, Texas Tech University, 2022.

Michael Fanelli, "Paul Rolland: His Teaching Career and Contributions to String Pedagogy and Education," DMA Dissertation, University of Illinois, 2001.

Box and Folder Listing

Browse by Series:

[Series 1: Subject Files and General Correspondence, 1944-1987],
[Series 2: Illinois String Research Project, 1955-1978],
[Series 3: Research and Publications, 1831-1978],
[Series 4: Administrative, Teaching, and Service Files, 1939-1983],
[Series 5: Sheet Music and Audio Recordings, 1956-1978],
[Series 6: Personal Papers, ca. 1920-1992],
[All]

Series 2: Illinois String Research Project, 1955-1978

Consists of research files and supporting documentation, photographs, 306 rolls of 16mm film, and three 1-inch video cassettes produced as part of the development of the Illinois String Research Project, of which Rolland served as project director. Of note are drafts of chapters for Rolland's The Teaching of Action in String Playing; a series of pedagogical motion pictures, documenting The Teaching of Action; and method books by Rolland and other members of the research team inlcuding Tunes for the String Player, Composers Guide for Writing Violin Music for Children, Kopy Kats, Rhythm Games, The Control and Regulation of Movement, and Action Studies. Also included are original scores by Herbert Bielawa, Alan Shulman, Ralph Shapey, Seymour Shifrin, Halsey Stevens, and Richard Wernick, which were acquired for publication within A Composer's Guide.

The materials are arranged in three sub-series: 1) Research Files and Documentation, 2) Photographs, and 3) Films. Films are arranged sequentially by number. Some of the films are housed in multiple cans and these have been assigned letters. The can sizes are included in each item description. The arrangement of the 16mm films is based on Michael Fanelli's dissertation, Paul Rolland: His Teaching Career and Contributions to String Pedagogy and Education, (University of Illinois, 2001). The film item numbers correspond to Fanelli's original inventory, and the following films were missing when this portion of the collection was processed in 2009 (film items 21, 23, 53, 56-59, 138, 157, 171-176, and 188).

Sub-Series 1: Research Files, Documentation, and Publications, 1955-1978

Consists of publications, correspondence, and research files, documenting the Illinois String Research Project. Arranged chronologically.

Box 1

Folder 62: Isaac, Merle - Correspondence, 1966-1968
Folder 63: Holmes, Markwood - Correspondence and Scores, 1969-1970
Folder 64: Final Report: Development and Trial of Two-Year Program of String Instruction, 1971

Box 2

Folder 6: Contemporary Music Materials - Composers Guide - Program, ca. 1967

Box 3

Folder 5: Department of Health, Education, and Welfare - Grant Submission Guidelines, 1955-1971
Folder 6: Department of Education - Curriculum Improvement Proposal, 1965
Folder 7: String Research Project - Proposal, 1965
Folder 8: Farish, Margaret - Scale Study (music manuscript), project publication, and data, 1965-1970
Folder 9: Progress Report, May-September, 1966
Folder 10: Cello Exercises from Tunes for the String Player, 1967
Folder 11: Composers Guide - List of Participating Contemporary Composers, ca. 1967
Folder 12: Internal Project Correspondence, 1967
Folder 13: Rhythm Games - Proofs, 1967
Folder 14: Tunes for the String Player - Complete Set for Violin/Viola, 1967
Folder 15: Tunes for the String Player - Rote Teaching Aids for Violin and Viola, 1967: Rote Aids include the following pieces: "Hot Cross Buns," "Mary Had a Little Lamb," "Jingle Bells," "Tchaikovsky's 4th," "Lightly Row," "Old MacDonald," "French Folk Song," "Pop Goes the Weasel," "London Bridge," "Camptown Races," "Skip to My Lou," "Row Row Row Your Boat," "Barcolle," "Jack and Jill," "Oh, Dear What Can the Matter Be?," "On Top of Old Smokey," "America," "Daisy," "Swanee River," "America the Beautiful," and "Joy to the World."
Folder 16: Progress Report, September-November, 1967
Folder 17: Progress Report, December, 1967 - February, 1968
Folder 18: Internal Project Correspondence, 1967-1970
Folder 19: Internal Project Correspondence, 1968
Folder 20: String Project Method Books and Study Guide for Students, 1968: Books include: Tunes for the String Player: Cello Set II, First Exercises; Tunes for the String Player: Violin First Exercises Sets I and II; Kopy Kats: Cello Set I and II; Melodious Reading Exercises: Violin/Viola; Kopy Kats: Violin/Viola Set II; Study Guide.
Folder 21: Progress Report, March-May, 1968
Folder 22: Progress Report, June-August, 1968
Folder 23: A Plan for Developing Performance Materials in the Contemporary Idiom - Final Report, September, 1968: See also Composers Guide.
Folder 24: Progress Report, September-November, 1968
Folder 25: Progress Report, December, 1968 - February, 1969
Folder 26: Recording #2 - correspondence, typescript, 1968-1969
Folder 27: Recording #3 - correspondence, typescript, and manuscript score, 1968-1969
Folder 28: National String Teachers Institute - Correspondence, 1968-1972
Folder 29: National String Teachers Institute - Proposal, Budget, and Correspondence, 1969
Folder 30: Summer String Institute - Proposal, 1969
Folder 31: Progress Report, March-May, 1969
Folder 32: Progress Report, June-August, 1969
Folder 33: Progress Report, September-November, 1969
Folder 34: Institute Application - Rough Drafts, ca. 1969
Folder 35: Progress Report, December, 1969 - February, 1970
Folder 36: National String Teachers Institute - Budgets, 1969-1970
Folder 37: Department of Heath, Education, and Welfare - Correspondence and Grant Instructions, 1969-1970
Folder 38: Internal Project Correspondence, 1969-1970
Folder 39: National String Teachers Institute - Letters to Participants, 1969-1970
Folder 40: Summer Training Institute - Correspondence, 1969-1970
Folder 41: String Teachers Training Institute - Proposal and Appendix, 1969-1971
Folder 42: Project Films - Supplementary Essay, ca. 1970
Folder 43: Progress Report, March-May, 1970
Folder 44: Recording Project - Correspondence and Brochures, 1970-1974
Folder 45: Tunes for String Instruments - Condensed Fingering Charts, undated

Box 4

Folder 8: American Federation of Musicians - Recording Permissions, 1964-1967
Folder 9: Tunes for the String Player - Album Correspondence, Budgets, and Recording Script, 1964-1969
Folder 10: Action Skills - Lesson Progression, Draft, 1967
Folder 11: Action Studies - Typed Draft with Edits, ca. 1967
Folder 12: Bielawa, Herbert - Copyright Permission for Composers Guide, 1967
Folder 13: Bielawa, Herbert - "Fiddle Fling," violin part, proof, 1967
Folder 14: Bielawa, Herbert - "Four Legends," violin part, proof, 1967
Folder 15: Bielawa, Herbert - "Four Legends," cello part, proof, 1967
Folder 16: Bielawa, Herbert - "Four Legends," teacher's full score, 1967
Folder 17: Composers Guide for Writing Violin Music for Children - Margaret Farish, proof, 1967
Folder 18: Fiddle Chats - manuscript score and proof, ca. 1967
Folder 19: Kopy Kats - manuscript design layout and proof, ca. 1967
Folder 20: Premiere Albums - correspondence, 1967
Folder 21: Rhythm Games - proof, 1967
Folder 22: Shulman, Alan - "Theme and Variations for Two Violins," score proof, 1967
Folder 23: Tunes for the String Player - Transparencies (1 of 2), ca. 1967
Folder 24: Tunes for the String Player - Transparencies (2 of 2), ca. 1967
Folder 25: Tunes for the String Player, Kopy Kats, and Rhythm Games - Transparencies, 1967
Folder 26: Tunes for the String Player and Kopy Kats - Transparencies, 1967
Folder 27: Tunes for the String Player: Cello - Design Layout, ca. 1967
Folder 28: Tunes for the String Player: Cello - Uncorrected Tunes, 1967
Folder 29: Tunes for the String Player - Rote Teaching Aid, Design Layout, ca. 1967
Folder 30: Shulman, Alan - Compositions for Violin, 1967-1968: Includes score drafts and proofs for: "Humoresque," "Chaconne," "Sky-Blue Blues," "Hornpipe," "Two Irish Pieces," "Intermezzo de Ballo," "Swaggerer's Song," "In the Streets of Paree," "The Dancing Master," and "Dreamy-Eyed Suite"
Folder 31: Shapey, Ralph - Copyright Permissions, Composers Guide , 1967-1969
Folder 32: Shifrin, Seymour - Copyright Permissions, Composers Guide , 1967-1970
Folder 33: Shulman, Alan - Copyright Permissions, Composers Guide , 1967-1970
Folder 34: Stevens, Halsey - Copyright Permissions, Composers Guide, 1967-1970
Folder 35: Fletcher, Stanley - Correspondence, 1967-1972
Folder 36: Composers Guide for Writing Violin Music for Children - Margaret Farish, correspondence, 1967-1976
Folder 37: Shifrin, Seymour - "Lullaby," for violin, proof, 1968
Folder 38: Shifrin, Seymour - "Play for the Young," for violin and cello, proof, 1968
Folder 39: Stevens, Halsey - "Bicinia," for two violins, proof, 1968
Folder 40: Stevens, Halsey - "Duets for Violin and Cello" and "Four Duets for Violin and Cello," proofs, 1968
Folder 41: Tunes for the String Player: Violin examples - design layout and manuscript scores, ca. 1968
Folder 42: Tunes for the String Player: Cello Sets I, II, and III - Design Layout, 1968
Folder 43: Wernick, Richard - "Peter's March" and "A Musical Game of Tag," violin duets, 1968
Folder 44: Wernick, Richard - "You Can't Catch Me" and "Canon for Strings," scores and parts, 1968
Folder 45: Wernick, Richard - Copyright Permissions, Composers Guide , 1968-1969
Folder 46: Project Distribution - Correspondence, 1968-1970
Folder 47: Tunes for the String Player: Violin Sets I, II, and III - Design Layout and Manuscript Score, 1969
Folder 48: National String Teachers Institute Proposal, 1969-1970
Folder 49: Theodore Presser - Contract and Correspondence, 1969-1972
Folder 50: Theodore Presser - Film Brochure Correspondence, 1969-1973
Folder 51: Project Distribution Proposal, 1970
Folder 52: University of Illinois Copyright Concerns, 1970-1971
Folder 53: Education Resources Information Center (ERIC) - Correspondence, 1971-1972
Folder 54: Theodore Presser - Proposed Rental Fees and Correspondence, 1971-1972
Folder 55: "Developing Finger Movement" - Published Copy, ca. 1972
Folder 56: Tunes and Exercises for the String Player - Draft with Edits, ca. 1972
Folder 57: Tunes for the String Player - Transparencies, undated

Box 5

Folder 2: Project Proposal, 1965-1966
Folder 3: Small Contract Proposal, 1965-1971
Folder 4: Project Tape Recorder - Correspondence, Invoices, and Product Brochures (1 of 2), 1965-1969
Folder 5: Project Tape Recorder - Correspondence, Invoices, and Product Brochures (2 of 2), 1965-1969
Folder 6: Motion Picture Service - Champaign Film Production, 1966-1970
Folder 7: Colwell, Richard - Correspondence about Project Evaluations, 1966-1975
Folder 8: Project Correspondence, 1966-1967
Folder 9: Farish, Margaret - Project Progress Reports, 1967
Folder 10: String Project Film Surveys (all schools included) (1 of 2), 1967
Folder 11: String Project Film Surveys (all schools included) (2 of 2), 1967
Folder 12: Urbana Public Schools Progress Report, 1967
Folder 13: Film Production Proposal, 1967-1968
Folder 14: Urbana Public Schools Correspondence, 1967-1968
Folder 15: Farish, Margaret - Grant Contract, Budget, and Report, 1967-1969
Folder 16: Masson, Kelvin - Correspondence, 1967-1973: Correspondence Regarding Problems Contributing to the Project.
Folder 17: Project Correspondence, 1967-1968
Folder 18: Farish, Margaret - Progress Reports, 1968
Folder 19: Demonstration Programs, 1968-1969
Folder 20: Film Budgets, 1968-1970
Folder 21: Press Releases, 1968-1970
Folder 22: Public and Participant Comments on Project Films, 1968-1971
Folder 23: Cited Articles, Films, and Recordings, 1969
Folder 24: Farish, Margaret - Project Reports, 1969
Folder 25: Project Correspondence, 1969
Folder 26: Requests for Publishing Quoted Material, ca. 1969-1971
Folder 27: Quotations from Books about Human Motion, ca. 1969-1971
Folder 28: Project Correspondence and Published Reviews, 1969-1974
Folder 29: Dempsey, David - "Sorry, There's No Perfect Golf Swing", 1970: Includes article and annotations by Rolland.
Folder 30: Project Correspondence, 1970
Folder 31: Sounds of Children, Washington D.C. - Programs, 1970
Folder 32: Sounds of Children, Washington D.C. - Travel Permission Forms and Itineraries, 1970
Folder 33: WILL TV - Synopsis and Pre-recorded Comments, 1970
Folder 34: List of Students in Films and Permission Forms, 1970
Folder 35: "Establishing the Violin Hold" - Revisions to Pre-publication draft, 1970
Folder 36: Hellebrandt, Frances - The Control and Regulation of Movement, Manuscript Drafts, 1970
Folder 37: Sounds of Children, Washington D.C. - Correspondence, 1970-1971
Folder 38: Hellebrandt, Frances - Correspondence about Edits to the Project, 1970-1974
Folder 39: Motion Picture Laboratories - Tennessee Film Production, Invoices and Correspondence, 1970-1972
Folder 40: Project Correspondence, 1971-1975
Folder 41: "Introduction," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 42: "Acknowledgements," Manuscript and Typed Drafts, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 43: "Chapter 1 - Young Violinists in Action," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 44: "Chapter 2 - Control and Regulation of Voluntary Movement," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 45: "Chapter 3 - Rhythm Training," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 46: "Chapter 3 - Rhythm Training," Revisions, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 47: "Chapter 4 - Establishing the Violin Hold," Proof, Typed Draft and List of Photos, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 48: "Chapter 5 - Learning to Hold the Bow," Proof and Photos Not Used, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 49: "Chapter 6 - Playing at the Middle with Short Strokes," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 50: "Chapter 7 - Establishing Left Hand and Finger Placement in the First Position," Proof, Typed Draft, and Pre-publication Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 51: "Chapter 7 - Establishing Left Hand and Finger Placement in the First Position," Revisions, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 52: "Chapter 8 - Principles of Left Hand and Finger Action," Proof, Typed Draft, and Photos Not Used, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 53: "Chapter 9 - Extending the Bow Stroke," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 54: "Chapter 10 - Developing Finger Movement,' Proof, Typed Draft and Pre-publication Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 55: "Chapter 11 - Basic Shifting Movements," Proof, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 56: "Chapter 12 - Bouncing the Bow," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 57: "Chapter 13 - Martel and Staccato," Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 58: "Chapter 14 - Developing Flexibility," Proof, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 59: "Chapter 15 - First Steps in Vibrato Teaching," Proof and Design Layout, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 60: "Chapter 16 - Sustained Strokes, Detache, and Related Bowings," Proofs and Typed Draft (1 of 2), ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 61: "Chapter 16 - Sustained Strokes, Detache, and Related Bowings," Proofs and Typed Draft (2 of 2), ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 62: "Chapter 17 - Remedial Teaching," Proof and Typed Draft, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 63: "Chapter and Author Summaries," Revised for Presser, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 64: "Learning to Hold the Bow," and "Playing at the Middle," Revisions, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 65: Cover Design, Table of Contents, and Bibliography, Manuscript Drafts, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 66: "Appendix A and B," Typed Drafts, ca. 1973: For The Teaching of Action in String Playing (1974).
Folder 67: Chapters 3-15, Musical Examples, Manuscript Draft and Layout, ca. 1973: For The Teaching of Action in String Playing (1974).

Box 8

Folder 7: Publicity and Testamonials for the Teaching of Action, 1968
Folder 9: Karrell Johnson Letter to Editor, ca. 1968: Regarding Differences Between Illinois String Research Project and Suzuki Method.
Folder 10: New York State ASTA Presentation of Illinois String Research Project, ca. 1970
Folder 11: Film Showing in Hungary and Concert Program, 1971
Folder 12: Tunes for the String Player, Cover Design, Mock-ups, Negatives, and Invoice, 1973

Box 10

Folder 4: American String Teacher 19, no. 1 - Convention Preview with emphasis on the Illinois String Research Project, 1969
Folder 5: Film Viewing Announcement - Flyer, 1970
Folder 6: Sounds of Children Program, 1970: See Also White House Conference on Children.
Folder 7: "Principles of Movement and Their Application to String Playing" - draft, ca. 1972
Folder 8: "Movement in String Playing: As Related to Violin Hold, Bowing, Shifting, and Vibrato" Draft, 1978: Published as a supplement to Teaching of Action in String Playing
Folder 9: Drafts of Chapters with Exercises, undated: Includes excerpts of "On Vibrato," "Finger Tapping," and "Relaxation Studies"

Box 11

Folder 1: Supporting Studies, List of Tunes, and Programs, 1967-1977
Folder 2: Project Publications and Method Books, 1967-1969: Includes the following method books published under the auspices of the Illinois String Research Project: Remedial Tunes, Tunes for the String Player - viola set II, First Steps in Vibrato (3 copies), Study Guide.
Folder 3: Project Publications and Method Books, 1967-1970, 1975: Includes the following method books published under the auspices of the Illinois String Research Project: Violin Music for Children by Margaret Farish, Early Shifting, Establishing the Violin Hold, Learning to Hold the Bow, First Steps in Vibrato, Martele and Stacto, Developing Flexibility, Principles of Left Hand and Finger Action, Basic Shifting, Developing Finger Movement, Rhythm Games, Rhythmic Training, Extending the Bow Stroke, and Bouncing the Bow.
Folder 4: Project Publications and Method Books, 1968: Includes the following method books published under the auspices of the Illinois String Research Project: Tunes for the String Player - Cello Sets I and II, Tunes for the String Player - Viola Set III, Kopy Kats duets for violin and viola Set II, Tunes for the String Player - Violin Set I.
Folder 5: Teaching of Action in String Playing, list of Action Studies, 1968
Folder 6: Action Studies, Publications, and Method Books, 1968-1978: Includes the following method books published under the auspices of the Illinois String Research Project: Action Studies, Open String Playing, Tunes and Exercises for the String Player Viola Set I, Melodious Reading Exercises for violin or viola, Principles of Movement, Sustained Tones, Remedial Teaching, Establishing Left Hand Finger Placement, and Teacher's Manual.
Folder 7: Project Report, 1971: Includes final report of the Illinois String Research Project and Appendix, both bound, as well as supporting documents.

Box 16

Folder 1: Bielawa, Herbert - "Four Legends" and "Fiddle Fling," parts and drafts, 1967
Folder 2: Shulman, Alan - "Study in Fifths," "Study for String Trio," "Theme and Variations for Violin," and "Duet for Violin and Cello" - Parts and Drafts, 1967
Folder 3: Mullen, William - "Five Tone Piece," "Dynamics," "Three Finger Piece," and "Easy Double Stops" - Score Drafts, 1968
Folder 4: Shifrin, Seymour - "Duettino," Full Score and Violin Part, 1968
Folder 5: Film Showing at the Ecole de Musique (Quebec, Canada) - Program, 1976

Oversize Portfolio Case 1

Item 1: University of Illinois String Research Project LP Cover, Backside - Design, ca. 1968
Item 2: University of Illinois String Research Project LP Cover, Backside - Proof, ca. 1968
Item 3: University of Illinois String Research Project LP Cover, Backside - Negative, ca. 1968
Item 4: Tunes for the String Player LP Cover, Front - Negative, ca. 1968
Item 5: Teaching of Action in String Playing, Cover - Proof, 1970
Item 6: Tunes for the String Player LP Cover, Front - Proof, ca. 1968
Item 7: Tunes for the String Player LP Cover, Front - Negative, ca. 1968
Item 8: Original Art for the Teaching of Action by William Korbus, undated
Item 9: Teaching of Action - Teaching Aids, undated: 14 Pages plus cover. Handwritten diagrams of argument, method, and topics covered.

Sub-Series 2: Photographs, ca. 1966-1971

Consists of photographs, negatives and slides, documenting research participants, workshops, and analytical photos of bow holds taken during the Illinois String Research Project. Arranged alphabetically.

Box 11

Folder 8: Illinois String Project Photos, ca. 1967
Folder 20: White House Conference on Children - Event Photos, 1970: See Also Sounds of Children Washington D.C. Photographs, correspondence, and programs.

Box 12

Folder 1: 5 x 5 Project of All - Negatives, ca. 1967
Folder 2: Bow Hold and Middle - Negatives, ca. 1966-1970
Folder 3: Classes and Conferences (Including ISYM), ca. 1966
Folder 4: Establishing Left Hand Finger Placement - Native Hand Placement - Negatives, ca. 1966
Folder 5: Evaluation - Negatives, ca. 1966-1968
Folder 6: Evaluation Photos (Non-Project Kids), Violin and Cello Bow Holds (1 of 3), ca. 1968: Photos are extensively annotated.
Folder 7: Evaluation Photos (Non-Project Kids), Violin and Cello Bow Holds (2 of 3), ca. 1968: Includes performance photos near Chicago. Photos are extensively annotated.
Folder 8: Evaluation Photos (Non-Project Kids), Violin and Cello Bow Holds (3 of 3), ca. 1968: Photos are extensively annotated.
Folder 9: Evaluation Photos - Illinois - Bloomington-Normal, ca. 1966-1971
Folder 10: Evaluation Photos - Illinois - Champaign, ca. 1966-1971
Folder 11: Evaluation Photos - Illinois - Decatur, ca. 1966-1971
Folder 12: Evaluation Photos - Illinois - Elmhurst, ca. 1966-1971
Folder 13: Evaluation Photos - Illinois - Lombard, ca. 1966-1971
Folder 14: Evaluation Photos - Illinois - Peoria, ca. 1966-1971
Folder 15: Evaluation Photos - Illinois - Willmette (St. Francis Xavier), ca. 1966-1971
Folder 16: Evaluation Photos - Illinois - Quincy, ca. 1966-1971
Folder 17: Extending Bow Stroke - Negatives, ca. 1967
Folder 18: Finger Movement - Negatives, ca. 1967
Folder 19: Group Demonstrations and Events (with Stanley Fletcher), ca. 1967
Folder 20: Hand Positions - Students at Illinois Schools, ca. 1966
Folder 21: Illinois String Project Cello Photos, ca. 1966-1971
Folder 22: Illinois String Project Scrapbook (1 of 2), ca. 1966-1971
Folder 23: Illinois String Project Scrapbook (2 of 2), ca. 1966-1971
Folder 24: Illinois String Project Photos and Portraits of Rolland, ca. 1968
Folder 25: Illinois String Project Photos (1 of 7), ca. 1966-1971: Photos are extensively annotated.
Folder 26: Illinois String Project Photos (2 of 7), ca. 1966-1971: Photos are extensively annotated.
Folder 27: Illinois String Project Photos (3 of 7), ca. 1966-1971: Photos are extensively annotated.
Folder 28: Illinois String Project Photos (4 of 7), ca. 1967-1971: Photos are extensively annotated.
Folder 29: Illinois String Project Photos (5 of 7), ca. 1967-1971: Photos are extensively annotated.
Folder 30: Illinois String Project Photos (6 of 7), ca. 1966-1971: Photos are extensively annotated.
Folder 31: Illinois String Project Photos (7 of 7), ca. 1966-1971: Photos are extensively annotated.
Folder 32: Illinois String Project Photos Not Used, ca. 1971
Folder 33: Illinois String Project Photo Mock-ups, ca. 1970: Drafts of final images used in project publications.
Folder 34: Illinois String Project Students at MTNA Cincinnati National Convention, ca. 1969
Folder 35: Left Hand Placement and Chart (p. 12 and p. 7) - Negatives, ca. 1967
Folder 36: Model Lab School - ESKC - Photographic Slide, ca. 1967
Folder 37: Principles of Left Hand Finger Placement - Negatives, ca. 1967
Folder 38: Posture - Negatives, ca. 1967
Folder 39: Project Negatives of Individual Students, ca. 1967: Included are individuals named: Bullard, Coynetta, and Foster. Other unnamed individuals included.
Folder 40: Rhythm - Negatives, ca. 1967
Folder 41: Shifting - Negatives, ca. 1967
Folder 42: Sister Theodata's Class, St. Xavier School, Wilmette, IL, ca. 1968
Folder 43: Solo Positioning - Negatives, ca. 1967
Folder 44: Sounds of Children Photographs (1 of 2), ca. 1969-1970: See Also White House Conference on Children.
Folder 45: Sounds of Children Photographs (2 of 2), ca. 1969-1970: See Also White House Conference on Children.
Folder 46: Step at Middle - Negatives, ca. 1967
Folder 47: Unlabeled String Project - Negatives, ca. 1967
Folder 48: Urbana Class, 1970
Folder 49: Urbana Project Class - Negatives, ca. 1967
Folder 50: Vibrato - Negatives, 1967
Folder 51: Violin and Cello Position - Negatives, ca. 1967
Folder 52: Violin Hold - Negatives, ca. 1967

Sub-Series 3: Films, 1966-1970

Consists of films taken during the course of the String Research Project. Material arranged sequentially by assigned film number. Additionally films are organized by size on the shelf, with 7" tapes in shelves 1 and 2, 10" in 3-5, and 12" on 7 and 8.

Box 15

Item 1: Contemporary Program (Chicago Circle Campus) and Lucia Lin Recital, May 4, 1969 and May 11, 1969: 1-inch video tape. Content list for Contemporary Session Chicago enclosed.
Item 2: Wilmette Demonstration, June 21, 1968: 1-inch video tape. Handwritten content list enclosed.
Item 3: WILL TV Program, August 1970: 1-inch video tape.

Shelf 1

Item 1: Unidentified Content, 1969: Reel 1a. 7" Reel. No soundtrack. Color film of miscellaneous outtakes and trims on various subjects. Cans ABC are 7".
Item 2: Unidentified Content, 1969: Reel 1b. 7" Reel. No soundtrack. Color film of miscellaneous outtakes and trims on various subjects. Cans ABC are 7".
Item 3: Unidentified Content, 1969: Reel 1c. 7" Reel. No soundtrack. Color film of miscellaneous outtakes and trims on various subjects. Cans ABC are 7".
Item 4: Outtakes of Andre Granat demonstration and Violin Playing at the Middle of the Bow, Undated: Reel 2a. 7" Reel. No soundtrack. Color films. Outtakes and original films. Cans AB are 7".
Item 5: Outtakes of Andre Granat demonstration and Violin Playing at the Middle of the Bow, undated: Reel 2b. 7" Reel. No soundtrack. Color films. Outtakes and original films. Cans AB are 7".
Item 6: Unidentified Content, Undated: Reel 5b. 7" Reel. No soundtrack. Color film. Trims and outtakes of various subjects of Illinois String Project. Can A is 10", cans BC are 7".
Item 7: Unidentified Content, undated: Reel 5c. 7" Reel. No soundtrack. Color film. Trims and outtakes of various subjects of Illinois String Project. Can A is 10", cans BC are 7".
Item 8: Unidentified Content, 1968: Reel 6b. 7" reel. ECO master soundtracks. Can A is 10", cans BCD are 7".
Item 9: Unidentified Content, 1968: Reel 6c. 7" reel. ECO master soundtracks. Can A is 10", cans BCD are 7".
Item 10: Unidentified Content, 1968: Reel 6d. 7" reel. ECO master soundtracks. Can A is 10", cans BCD are 7".
Item 11: Unidentified Content, 1964: Reel 12a. 7" reel. ECO soundtracks. Cans AB are 7".
Item 12: Unidentified Content, 1964: Reel 12b. 7" reel. ECO soundtracks. Cans AB are 7".
Item 13: Establishing the Bow Hold, 1967: Reel 17. No soundtrack. Color film. (Faded negative). 7" can.
Item 14: Beginning Vibrato Motion, 1969: Reel 18a. 7" reel. No soundtrack. Color films. Cans ABC are 7".
Item 15: Beginning Vibrato Motion, 1969: Reel 18b. 7" reel. No soundtrack. Color films. Cans ABC are 7".
Item 16: Beginning Vibrato Motion, 1969: Reel 18c. 7" reel. No soundtrack. Color films. Cans ABC are 7".
Item 17: Establishing Left Hand Finger Placement in First Position, 1969: Reel 19a. 7" reel. No soundtrack. Color films. Cans ABC are 7".
Item 18: Establishing Left Hand and Finger Placement in First Position, 1969: Reel 19b. 7" reel. No soundtrack. Color films. Cans ABC are 7".
Item 19: Establishing Left Hand and Finger Placement in First Position, 1969: Reel 19c. 7" reel. No soundtrack. Color films. Cans ABC are 7".
Item 20: Rhythm Training, Undated: Reel 22. Color film with sound. (Outdated copy, damaged film) 7" can.
Item 21: Blank Negative, 1967: Reel 24. 7" can.
Item 22: Establishing Left Hand and Finger Placement, Undated: Reel 25. No soundtrack. Color film. 7" can.
Item 23: Sustained Stroke and Detache Bowing, Undated: Reel 26b. Color films. (Print of #13). Cans AB are 7".
Item 24: Blank Negative Track, 1967: Reel 27. No soundtrack. 7" can.
Item 25: Establishing Left Hand and Finger Placement, Undated: Reel 28. No soundtrack. Duplicate color negative. 7" can.
Item 26: Sustained Strokes and Detache Bowing, Undated: Reel 29. No soundtrack. Color film. Trims and extra negative takes. 7" can.
Item 27: Establishing Violin Hold, Part I, Establishing Violin Hold, Part II, Establishing Left Hand and Finger Placement, Sustained Strokes and Detache Bowing, and Bowing the Bow Martele and Staccato, Undated: Reel 30d. 7" reel. No soundtracks. Color negatives. Cans ABC are 10", can D is 7".
Item 28: Rolland Holding Violin Bow and Violin Playing at the Middle of the Bow, 1967: Reel 31a. No soundtracks. Color films. Cans ABCDE are 7".
Item 29: Rolland Holding Violin Bow and Violin Playing at the Middle of the Bow, 1967: Reel 31b. No soundtracks. Color films. Cans ABCDE are 7".
Item 30: Rolland Holding Violin Bow and Violin Playing at the Middle of the Bow, 1967: Reel 31c. No soundtracks. Color films. Cans ABCDE are 7".
Item 31: Rolland Holding Violin Bow and Violin Playing at the Middle of the Bow, 1967: Reel 31d. No soundtracks. Color films. Cans ABCDE are 7".
Item 32: Rolland Holding Violin Bow and Violin Playing at the Middle of the Bow, 1967: Reel 31e. No soundtracks. Color films. Cans ABCDE are 7".
Item 33: Bouncing the Bow and Martele and Staccato, 1968: Reel 32a. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 34: Bouncing the Bow and Martele and Staccato, 1968: Reel 32b. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 35: Bouncing the Bow and Martele and Staccato, 1968: Reel 32c. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 36: Bouncing the Bow and Martele and Staccato, 1968: Reel 32d. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 37: Bouncing the Bow and Martele and Staccato, 1968: Reel 32e. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 38: Bouncing the Bow and Martele and Staccato, 1968: Reel 32f. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 39: Bouncing the Bow and Martele and Staccato, 1968: Reel 32g. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 40: Bouncing the Bow and Martele and Staccato, 1968: Reel 32h. No soundtracks. Color films. Cans ABCDEFGH are 7".
Item 41: Holding the Violin, 1967: Reel 38a. No soundtracks. Color films. ABC cans are 7".
Item 42: Holding the Violin, 1967: Reel 38b. No soundtracks. Color films. ABC cans are 7".
Item 43: Holding the Violin, 1967: Reel 38c. No soundtracks. Color films. ABC cans are 7".
Item 44: Basic Shifting Motions, 1968: Reel 41a. No soundtracks. Color films. Cans ABC are 7".
Item 45: Basic Shifting Motions, 1968: Reel 41b. No soundtracks. Color films. Cans ABC are 7".
Item 46: Basic Shifting Motions, 1968: Reel 41c. No soundtracks. Color films. Cans ABC are 7".
Item 47: Suzuki Teaching, 1968: Reel 45a. No soundtrack. Color film. Cans AB are 7".
Item 48: Suzuki Teaching, 1968: Reel 45b. No soundtrack. Color film. Cans AB are 7".
Item 49: Establishing Left Hand and Finger Placement, 1968: Reel 46a. No soundtracks. Color films. Cans AB are 7".
Item 50: Establishing Left Hand and Finger Placement, 1968: Reel 46b. No soundtracks. Color films. Cans AB are 7".
Item 51: Unidentified Content, 1967: Reel 47a. No soundtracks. Color films. Various outtakes. Cans ABC are 7".
Item 52: Unidentified Content, 1967: Reel 47b. No soundtracks. Color films. Various outtakes. Cans ABC are 7".
Item 53: Unidentified Content, 1967: Reel 47c. No soundtracks. Color films. Various outtakes. Cans ABC are 7".
Item 54: Vibrato and Finger Placement (different angles), Undated: Reel 51 a. No soundtracks. Color films. Can A is 7", can B is 10".
Item 55: Vibrato, 1968: Reel 52a. No soundtracks. Color films. Cans AB are 7".
Item 56: Vibrato, 1968: Reel 52b. No soundtracks. Color films. Cans AB are 7".
Item 57: Unidentified Content, 1968: Reel 54a. No soundtracks. Color films of demonstrations of short sequences. Cans ABCD are 7".
Item 58: Unidentified Content, 1968: Reel 54b. No soundtracks. Color films of demonstrations of short sequences. Cans ABCD are 7".
Item 59: Unidentified Content, 1968: Reel 54c. No soundtracks. Color films of demonstrations of short sequences. Cans ABCD are 7".
Item 60: Unidentified Content, 1968: Reel 54d. No soundtracks. Color films of demonstrations of short sequences. Cans ABCD are 7".
Item 61: Left Hand Placement, 1966: Reel 55 a. No soundtracks. Color films. Cans ABC are 7".
Item 62: Left Hand Placement, 1966: Reel 55 b. No soundtracks. Color films. Cans ABC are 7".
Item 63: Left Hand Placement, 1966: Reel 55 c. No soundtracks. Color films. Cans ABC are 7".
Item 64: 1972 International Travel- Silent Takes of Dr. Williams, Undated: Reel 66. Color film without sound. 7" can.
Item 65: Establishing the Violin Hold, Part II, Undated: Reel 68. Black and white film with sound. 7" can.
Item 66: Establishing the Violin Hold, Part II., Undated: Reel 69. Black and white film with sound. 7" can.
Item 67: Establishing Left Hand and Finger Placement in the First Position, Undated: Reel 70. Color film with sound. 7" can.
Item 68: Establishing the Violin Hold, Part I (Copy 5): Reel 71. Black and white film with sound. 7" can.
Item 69: Establishing the Violin Hold, Part I (Copy 3), Undated: Reel 72. Black and white film with sound. 7" can
Item 70: Establishing the Violin Hold, Part I (Copy B), Undated: Reel 73. Black and white film with sound. 7" can.
Item 71: Learning to Hold the Bow (Copy I), Undated: Reel 74. Black and white film with sound. 7" can.
Item 72: Establishing the Violin Hold, Part II (Copy 7), Undated: Reel 75. Black and white film with sound. 7" can.
Item 73: Establishing the Violin Hold, Part II (Copy 2), Undated: Reel 76. Black and white film with sound. 7" can.
Item 74: Playing Short Strokes at the Middle, Undated: Reel 77. Black and white film with sound. 7" can.
Item 75: Establishing Violin Hold, 1969: Reel 81a. ECO magnetic recording tape. Narrative of miscellaneous takes. Cans AB are 7", cans CD are 10".
Item 76: Establishing Violin Hold, 1969: Reel 81b. ECO magnetic recording tape. Narrative of miscellaneous takes. Cans AB are 7", cans CD are 10".
Item 77: Establishing Left Hand Position in Upper Position and Shifting, 1968: Reel 82a. ECO magnetic recording tapes, not labeled. Color films, no soundtrack. Cans ABCD are 7".
Item 78: Establishing Left Hand Position in Upper Position and Shifting, 1968: Reel 82b. ECO magnetic recording tapes, not labeled. Color films, no soundtrack. Cans ABCD are 7".
Item 79: Establishing Left Hand Position in Upper Position and Shifting, 1968: Reel 82c. ECO magnetic recording tapes, not labeled. Color films, no soundtrack. Cans ABCD are 7".

Shelf 2

Item 1: Establishing Left Hand Position in Upper Position and Shifting, 1968: Reel 82d. ECO magnetic recording tapes, not labeled. Color films, no soundtrack. Cans ABCD are 7".
Item 2: Principles of Movement in String Playing (color) and Holding the Violin Bow and Violin Playing at the Middle (sound), 1968: Reel 86a. Color film, no soundtrack and ECO magnetic soundtrack, respectively. Not labeled. Cans ABC are 7".
Item 3: Principles of Movement in String Playing (color) and Holding the Violin Bow and Violin Playing at the Middle (sound), 1968: Reel 86b. Color film, no soundtrack and ECO magnetic soundtrack, respectively. Not labeled. Cans ABC are 7".
Item 4: Principles of Movement in String Playing (color) and Holding the Violin Bow and Violin Playing at the Middle (sound), 1968: Reel 86c. Color film, no soundtrack and ECO magnetic soundtrack, respectively. Not labeled. Cans ABC are 7".
Item 5: Vibrato, Undated: Reel 87. ECO magnetic tape soundtrack. 7" can.
Item 6: Rolland Rhythm Narration, Part I, Undated: Reel 96. ECO magnetic tape soundtrack. 7" can.
Item 7: Rolland Rhythm Narration, Part I, Undated: Reel 97. ECO magnetic tape soundtrack. 7" can.
Item 8: Developing Finger Movement and Basic Shifting Movements, Undated: Reel 98. Color film with soundtrack. 7" can.
Item 9: Rhythm Training, Undated: Reel 99. Color film with soundtrack. 7" can.
Item 10: Establishing Left Hand and Finger Placement in First Position, Copy 4, 1967: Reel 100. Color film with soundtrack. 7" can.
Item 11: Unidentified Content, Undated: Reel 102. Color film, no soundtrack. Multiple outtakes and trims. 7" can.
Item 12: Developing Finger Movement, Undated: Reel 103. Color film with soundtrack. 7" can.
Item 13: Establishing Left Hand Finger Placement in First Position Revised, Copy 2, Undated: Reel 104. Color film with soundtrack. 7" can.
Item 14: Unidentified Content, 1968: Reel 109a. Color film, no soundtrack. Outtakes and trims, various subjects. Can A is 7", can B is 10".
Item 15: Principles of Movement, Undated: Reel 114a. Color film and ECO magnetic tape soundtrack of original outtakes and trims. Can A is 7", can B is 10".
Item 16: Unidentified Content, 1968: Reel 115a. Color film, no soundtrack. Outtakes and trims. Cans ABC are 7", cans DE are 10".
Item 17: Unidentified Content, 1968: Reel 115b. Color film, no soundtrack. Outtakes and trims. Cans ABC are 7", cans DE are 10".
Item 18: Unidentified Content, 1968: Reel 115c. Color film, no soundtrack. Outtakes and trims. Cans ABC are 7", cans DE are 10".
Item 19: Unidentified Content, 1968: Reel 116a. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 20: Unidentified Content, 1968: Reel 116b. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 21: Unidentified Content, 1968: Reel 116c. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 22: Unidentified Content, 1968: Reel 116d. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 23: Unidentified Content, 1968: Reel 116e. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 24: Unidentified Content, 1968: Reel 116g. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 25: Unidentified Content, 1966: Reel 117a. Color film, no soundtrack. Outtakes of various ensembles playing. Can AB 7".
Item 26: Unidentified Content, 1966: Reel 117b. Color film, no soundtrack. Outtakes of various ensembles playing. Can AB 7".
Item 27: Left Hand and Finger Placement in First Position, Undated: Reel 122a. Color film, no soundtrack. Negatives. Cans AB are 7".
Item 28: Left Hand and Finger Placement in First Position, undated: Reel 122b. Color film, no soundtrack. Negatives. Cans AB are 7".
Item 29: Extending the Bow Stroke, 1968: Reel 124a. Color films with sound. ECO soundtrack. Cans ABC are 7".
Item 30: Extending the Bow Stroke, 1968: Reel 124b. Color films with sound. ECO soundtrack. Cans ABC are 7".
Item 31: Extending the Bow Stroke, 1968: Reel 124c. Color films with sound. ECO soundtrack. Cans ABC are 7".
Item 32: Extending the Bow Stroke, Undated: Reel 125a. Color negatives. Can A is 7", can B is 10".
Item 33: Developing Flexibility in Drawing the Bow, Undated: Reel 126a. Color film, no soundtrack. Cans AB are 7".
Item 34: Developing Flexibility in Drawing the Bow, undated: Reel 126b. Color film, no soundtrack. Cans AB are 7".
Item 35: Developing Finger Movement, 1968: Reel 127a. Color film, no soundtrack. Cans ABCD are 7".
Item 36: Developing Finger Movement, 1968: Reel 127b. Color film, no soundtrack. Cans ABCD are 7".
Item 37: Developing Finger Movement, 1968: Reel 127c. Color film, no soundtrack. Cans ABCD are 7".
Item 38: Developing Finger Movement, 1968: Reel 127d. Color film, no soundtrack. Cans ABCD are 7".
Item 39: Developing Finger Movement, 1968: Reel 128a. Color film, no soundtrack. Cans AB are 7".
Item 40: Developing Finger Movement, 1968: Reel 128b. Color film, no soundtrack. Cans AB are 7".
Item 41: Establishing the Violin Hold, Part I (Copy 8), Undated: Reel 132. Black and white film with soundtrack. 7" can.
Item 42: Establishing Left Hand and Finger Placement in the First Position, 1967: Reel 133. Color proof with soundtrack. 7" can.
Item 43: Young Violinists in Action, Undated: Reel 134. Color film with soundtrack. 7" can.
Item 44: Holding the Bow, Undated: Reel 135. Color film with soundtrack. 7" can.
Item 45: Rhythm Training, Undated: Reel 136. Color film with soundtrack. 7" can.
Item 46: Extending the Bow Stroke, Part I, Undated: Reel 137. Color film with soundtrack. 7" can.
Item 47: Finger Movement, Part I, Undated: Reel 139. Color film with soundtrack. 7" can.
Item 48: Developing Flexibility, Undated: Reel 140. Color film with soundtrack. 7" can.
Item 49: Pilot film on violin motion studies, subtitled "1964 ISYM Documentary Sketch.", Undated: Reel 141. Color film with soundtrack. (Uncorrected synchronication problems). 7" can.
Item 50: Developing Flexibility, Undated: Reel 142. Color film with soundtrack. (Missing beginning credits and negative white outs). 7" can.
Item 51: Unidentified Content, 1968: Reel 143. Color negative film, no soundtrack. Student ensemble playing. 7" can.
Item 52: Martele and Staccato, Undated: Reel 144a. ECO magnetic soundtracks. Synchronization sound. Cans AB are 7".
Item 53: Martele and Staccato, undated: Reel 144b. ECO magnetic soundtracks. Synchronization sound. Cans AB are 7".
Item 54: Slow Motion String Vibration, 1968: Reel 145a. Color film, no soundtrack. Cans AB are 7".
Item 55: Slow Motion String Vibration, 1968: Reel 145b. Color film, no soundtrack. Cans AB are 7".
Item 56: Martele and Staccato, 1968: Reel 146a. Color film, no soundtrack. Cans AB are 7".
Item 57: Martele and Staccato, 1968: Reel 146b. Color film, no soundtrack. Cans AB are 7".
Item 58: Extending the Bow Stroke, 1968: Reel 147a. Color film, no soundtrack. Cans AB are 7".
Item 59: Extending the Bow Stroke, 1968: Reel 147b. Color film, no soundtrack. Cans AB are 7".
Item 60: Robert Gerle Playing, 1966: Reel 148. Color film, no soundtrack. 7" can.
Item 61: Sorkin Playing, Undated: Reel 149a. Color negatives and ECO magnetic tape soundtracks. Cans ABCDE are 7".
Item 62: Sorkin Playing, undated: Reel 149b. Color negatives and ECO magnetic tape soundtracks. Cans ABCDE are 7".
Item 63: Sorkin Playing, undated: Reel 149c. Color negatives and ECO magnetic tape soundtracks. Cans ABCDE are 7".
Item 64: Sorkin Playing, undated: Reel 149d. Color negatives and ECO magnetic tape soundtracks. Cans ABCDE are 7".
Item 65: Sorkin Playing, undated: Reel 149e. Color negatives and ECO magnetic tape soundtracks. Cans ABCDE are 7".
Item 66: Developing Flexibility, 1968: Reel 150. Color negative, no soundtrack. 7" can.
Item 67: Martele and Staccato, Undated: Reel 152. ECO magnetic tape soundtrack. 7" can.
Item 68: Developing Finger Movement, 1968: Reel 153a. ECO magnetic tape soundtrack. Cans AB are 7".
Item 69: Developing Finger Movement, 1968: Reel 153b. ECO magnetic tape soundtrack. Cans AB are 7".
Item 70: Unidentified Content, 1967: Reel 160a. ECO magnetic tape soundtracks for miscellaneous sections of Illinois String Project. Cans AB are 7".
Item 71: Unidentified Content, 1967: Reel 160b. ECO magnetic tape soundtracks for miscellaneous sections of Illinois String Project. Cans AB are 7".
Item 72: Developing the Bouncing Bow, 1967: Reel 164a. Color negative film, no soundtrack. ECO optical soundtrack. Outtakes and trims of Bouncing Bow. Cans ABC are 7".
Item 73: Developing the Bouncing Bow, 1967: Reel 164b. Color negative film, no soundtrack. ECO optical soundtrack. Outtakes and trims of Bouncing Bow. Cans ABC are 7".
Item 74: Rolland Playing, Undated: Reel 165. Color negative film, no soundtrack. Faded and discolored negative. 7" can.

Shelf 3

Item 1: Developing Flexibility, 1968: Reel 4a. No soundtrack. Color films. Cans ABC are 10".
Item 2: Developing Flexibility, 1968: Reel 4b. No soundtrack. Color films. Cans ABC are 10".
Item 3: Developing Flexibility, 1968: Reel 4c. No soundtrack. Color films. Cans ABC are 10".
Item 4: Unidentified Content, undated: Reel 5a. No Soundtrack. Color Film. Trims and outtakes of various subjects of Illinois String Project Can A is 10", cans BC are 7". See also Shelf 1, Reel 5b and Reel 5c.
Item 5: Unidentified Content, 1968: Reel 6a. 10" reel. ECO Master Soundtracks. Can A is 10", Cans BCD are 7". See also Shelf 1, reels 6b, 6c, and 6d.
Item 6: Multiple Outtakes of Various Subjects, 1967: Reel 10a. No soundtrack. Color films. (Unable to view as film in very bad condition). Can A is 10", can B is 12".
Item 7: Extending the Bow Stroke, 1967: Reel 13a. No soundtrack. Color films. Cans AB are 10".
Item 8: Extending the Bow Stroke, 1967: Reel 13b. No soundtrack. Color films. Cans AB are 10".
Item 9: Extending the Bow Stroke, Undated: Reel 14a. ECO soundtracks. Cans AB are 10".
Item 10: Extending the Bow Stroke, undated: Reel 14b. ECO soundtracks. Cans AB are 10".
Item 11: Vibrato Teaching, 1968: Reel 15a. No soundtrack. Color films. Cans ABC are 10".
Item 12: Vibrato Teaching, 1968: Reel 15b. No soundtrack. Color films. Cans ABC are 10".
Item 13: Vibrato Teaching, 1968: Reel 15c. No soundtrack. Color films. Cans ABC are 10".
Item 14: Establishing the Violin Hold, Parts 1 and 2, Undated: Reel 20. Color film with sound. 10" can.
Item 15: Establishing the Violin Hold (Parts 1 and 2), Establishing Left Hand and Finger Placement, Sustained Strokes and Detache Bowing, and Bouncing the Bow Martele and Staccato, undated: Reel 30a. No Soundtracks. Color Negatives. Cans ABC are 10", can D is 7" see also Shelf 1, Reel 30d.
Item 16: Establishing the Violin Hold (Parts 1 and 2), Establishing Left Hand and Finger Placement, Sustained Strokes and Detache Bowing, and Bouncing the Bow Martele and Staccato, undated: Reel 30b. No Soundtracks. Color Negatives. Cans ABC are 10", can D is 7" see also Shelf 1, Reel 30d.
Item 17: Establishing the Violin Hold (Parts 1 and 2), Establishing Left Hand and Finger Placement, Sustained Strokes and Detache Bowing, and Bouncing the Bow Martele and Staccato, undated: Reel 30c. No Soundtracks. Color Negatives. Cans ABC are 10", can D is 7" see also Shelf 1, Reel 30d.
Item 18: Remedial Teaching, Undated: Reel 33a. No soundtracks. Color films. Cans AB are 10".
Item 19: Remedial Teaching, undated: Reel 33b. No soundtracks. Color films. Cans AB are 10".
Item 20: Sustained and Detache Bowing, #13, Undated: Reel 35c. No soundtracks. Color negatives. Cans AB are 12", can C is 10".
Item 21: Unidentified Content, 1968: Reel 116f. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10" See also Shelf 2, Reels 116a-e, and g.
Item 22: Several Children Playing in an Ensemble Developing Bouncing Bow and Playing Poly-Rhythms with Bouncing Bow, 1967: Reel 166a. Black and white negative, no soundtrack. Duplicate negative of Cans AB are 7".
Item 23: Several Children Playing in an Ensemble Developing Bouncing Bow and Playing Poly-Rhythms with Bouncing Bow, 1967: Reel 166b. Black and white negative, no soundtrack. Duplicate negative of Cans AB are 7".
Item 24: Martele and Staccato, 1968: Reel 167a. Color negative films, no soundtrack. Cans AB are 7".
Item 25: Martele and Staccato, 1968: Reel 167b. Color negative films, no soundtrack. Cans AB are 7".
Item 26: Martele and Staccato, 1968: Reel 168. Black and white negative film, optical soundtrack. 7" can.
Item 27: Developing Finger Motion, 1968: Reel 169a. Color negative film, no soundtrack. Cans AB are 7".
Item 28: Developing Finger Motion, 1968: Reel 169b. Color negative film, no soundtrack. Cans AB are 7".
Item 29: Unidentified Content, Undated: Reel 170. Optical soundtrack. 7" can.
Item 30: Sample of Basic Shifting, Undated: Reel 182. Color film with soundtrack. 7" can.
Item 31: The Bouncing Bow, Copy 2, 1967: Reel 183. Color film with soundtrack. 7" can.
Item 32: String Vibration and Bow Pulling String, Undated: Reel 184. Color work print, no soundtrack. (Filmed on high speed color film). 7" can.
Item 33: Basic Motion Studies, Undated: Reel 185. Color film with soundtrack. 7" can.
Item 34: Unidentified Content, Undated: Reel 190. Eq. soundtrack. Narration. 7" can.

Shelf 4

Item 1: Unidentified Content, 1967: Reel 37. No soundtrack. Duplicate black and white negative of MPS. 10" can.
Item 2: Remedial Teaching, 1966: Reel 39a. No soundtracks. Color films. Cans ABC are 10".
Item 3: Remedial Teaching, 1966: Reel 39b. No soundtracks. Color films. Cans ABC are 10".
Item 4: Remedial Teaching, 1966: Reel 39c. No soundtracks. Color films. Cans ABC are 10".
Item 5: Young Violinist in Action, Undated: Reel 40a. No soundtracks. Color films. Cans ABC are 10".
Item 6: Young Violinists in Action, undated: Reel 40b. No soundtracks. Color films. Cans ABC are 10".
Item 7: Young Violinists in Action, undated: Reel 40c. No soundtracks. Color films. Cans ABC are 10".
Item 8: Young Violinists in Action, Undated: Reel 42. Color film with sound. 10" can.
Item 9: Unidentified Content, 1968: Reel 48a. ECO sound tapes -miscellaneous sound bites. Cans AB are 10".
Item 10: Unidentified Content, 1968: Reel 48b. ECO sound tapes -miscellaneous sound bites. Cans AB are 10".
Item 11: Unidentified Content, 1966: Reel 49a. ECO sound tapes -WP and magnetic tape outtakes. Cans AB are 10".
Item 12: Unidentified Content, 1966: Reel 49b. ECO sound tapes -WP and magnetic tape outtakes. Cans AB are 10".
Item 13: Unidentified Content, 1968: Reel 50a. ECO sound tapes -miscellaneous sound bites. Cans AB are 10".
Item 14: Unidentified Content, 1968: Reel 50b. ECO sound tapes -miscellaneous sound bites. Cans AB are 10".
Item 15: Vibrato and Finger Placement (different angles), undated: Reel 51b. No soundtracks. Color films. Can A is 7" can B is 10". See also Shelf 1, Reel 51a.
Item 16: Principal Movements in String Playing, Undated: Reel 60a. Color film with sound. Cans AB are 10".
Item 17: Principal Movements in String Playing, undated: Reel 60b. Color film with sound. Cans AB are 10".
Item 18: Establishing the Violin Hold, Undated: Reel 61. Color film with sound. 10" can.
Item 19: Learning to Hold the Bow and Playing at the Middle, Undated: Reel 62. Black and white film with sound. 10" can.
Item 20: Illinois String Project -Playing the Cello, Undated: Reel 63. Color film with sound. 10" can.
Item 21: Principles of Left Hand Technique, Undated: Reel 64. Black and white film with sound. 10" can.
Item 22: Remedial Teaching, Part I, Undated: Reel 65. Black and white film with sound. 10" can.
Item 23: Remedial Teaching, Part I, Violin, Undated: Reel 67. Black and white film with sound. 10" can.
Item 24: Remedial Teaching, Part I, The Violin -Copy 3, Undated: Reel 78. Black and white film with sound. 10" can.
Item 25: The Violin Teaching of Kato Havas, Undated: Reel 79. Black and white film with sound. 10" can.
Item 26: Establishing the Violin Hold, 1969: Reel 81c. ECO magnetic recording tape. Narrative of miscellaneous takes. Cans AB are 7", cans CD are 10". See also shelf 1, Reels 81a-b.
Item 27: Establishing the Violin Hold, 1969: Reel 81d. ECO magnetic recording tape. Narrative of miscellaneous takes. Cans AB are 7", cans CD are 10". See also shelf 1, Reels 81a-b.

Shelf 5

Item 1: Unidentified Content, 1968: Reel 85a. ECO magnetic recording tapes. Music, synchronization and miscellaneous soundtracks. Cans AB are 10".
Item 2: Unidentified Content, 1968: Reel 85b. ECO magnetic recording tapes. Music, synchronization and miscellaneous soundtracks. Cans AB are 10".
Item 3: Remedial Teaching, Undated: Reel 88. Color film with soundtrack. 10" can.
Item 4: Bouncing the Bow and Martele and Staccato and Sustained, Detache Bowing, Undated: Reel 89. Color film with soundtrack. 10" can.
Item 5: First Steps in Vibrato Teaching, Undated: Reel 90. Color film with soundtrack. 10" can.
Item 6: Principles of Movement in String Playing, Undated: Reel 91. Color film with soundtrack. 10" can.
Item 7: Principles of Movement in String Playing, Undated: Reel 92. Color film with soundtrack. 10" can.
Item 8: Young Violinists in Action, Undated: Reel 94. Color film with soundtrack. 10" can.
Item 9: Unidentified Content, 1967: Reel 101. Color film, no soundtrack. Multiple outtakes and trims. 10" can.
Item 10: Development of Means of Causality, 1967: Reel 105a. Black and white film, no soundtrack. Can A is 10", can B is 12".
Item 11: Motions and Objectives Relative to Space, 1967: Reel 106. Black and white film, no soundtrack. 10" can.
Item 12: Outtakes of Illinois String Project, 1966: Reel 107a. Color film, no soundtrack. Can A is 10", can B is 12".
Item 13: Unidentified Content, 1968: Reel 109b. Color film, no soundtrack. Outtakes and trims, various subjects. Can A is 7", can B is 10". See also Shelf 2, Reel 109a.
Item 14: The Teaching of Action in String Playing, 1967: Reel 111. Color film, no soundtrack. Duplicate negative and internegative. 10" can.
Item 15: Principles of Movement, undated: Reel 114b. Color film and ECO magnetic tape soundtrack of original outtakes and trims. Can A is 7", Can B is 10". See also Shelf 2, Reel 114a.
Item 16: Unidentified Content, 1968: Reel 115d. Color film, no soundtrack. Outtakes and trims. Cans ABC are 7", cans DE are 10". See also shelf 1, reels 115a-c.
Item 17: Unidentified Content, 1968: Reel 115e. Color film, no soundtrack. Outtakes and trims. Cans ABC are 7", cans DE are 10". See also shelf 1, reels 115a-c.
Item 18: Unidentified Content, 1968: Reel 116h. Color film, no soundtrack. Outtakes and trims. Cans ABCDEG are 7", can F is 5", can H is 10".
Item 19: Unidentified Content, 1966: Reel 118. Color film, no soundtrack. Original outtakes, various subjects. 10" can.
Item 20: Extending the Bow Stroke, Undated: Reel 119. Color film with soundtrack. 10" can.
Item 21: Teaching Action in String Playing, 4th week report, Undated: Reel 120. Black and white film, no soundtrack. Duplicate negative. 10" can.
Item 22: Children of Japan, Undated: Reel 121. Black and white film with soundtrack. 10" can.
Item 23: Left Hand and Finger Placement in First Position, 1968: Reel 123a. Color film, no soundtrack. Negatives. Cans AB are 10".
Item 24: Left Hand and Finger Placement in First Position, 1968: Reel 123b. Color film, no soundtrack. Negatives. Cans AB are 10".
Item 25: Extending the Bow Stroke, undated: Reel 125b. Color negatives. Can A is 7", Can B is 10". See also Shelf 2, Reel 125a.
Item 26: Principles of Movement in String Playing, 1969: Reel 129a. Color negative and negative track. Cans AB are 10".
Item 27: Principles of Movement in String Playing, 1969: Reel 129b. Color negative and negative track. Cans AB are 10".
Item 28: Establishing the Violin Hold, Parts I and II, 1969: Reel 130a. Color negative and negative track. Cans AB are 10".
Item 29: Establishing the Violin Hold, Parts I and II, 1969: Reel 130b. Color negative and negative track. Cans AB are 10".
Item 30: Young Violinists in Action, Undated: Reel 131a. Color negative and negative track. Cans AB are 10".

Shelf 6

Item 1: Young Violinists in Action, undated: Reel 131b. Color negative and negative track. Cans AB are 10".
Item 2: Narration of Basic Shifting Movements, Undated: Reel 151a. ECO magnetic tape soundtrack. Cans AB are 10".
Item 3: Narration of Basic Shifting Movements, undated: Reel 151b. ECO magnetic tape soundtrack. Cans AB are 10".
Item 4: The Teaching of Kato Havas, Undated: Reel 154. Black and white film with soundtrack. (Beginning credits missing). 10" can.
Item 5: Learning to Hold the Bow, Playing at the Middle, Undated: Reel 156. Black and white film with soundtrack. 10" can.
Item 6: Principles of Left Hand and Finger Placement, Undated: Reel 158. Color film with soundtrack. 10" can.
Item 7: Principles of Motion in String Playing, Undated: Reel 159. Color film with soundtrack. 10" can.
Item 8: Principles of Movement in String Playing, 1969: Reel 161a. Color negative films, no soundtrack. Cans AB are 10".
Item 9: Principles of Movement in String Playing, 1969: Reel 161b. Color negative films, no soundtrack. Cans AB are 10".
Item 10: Developing Flexibility in Changing the Bow, 1968: Reel 162a. Color negative films, no soundtrack. Cans ABC are 10".
Item 11: Developing Flexibility in Changing the Bow, 1968: Reel 162b. Color negative films, no soundtrack. Cans ABC are 10".
Item 12: Developing Flexibility in Changing the Bow, 1968: Reel 162c. Color negative films, no soundtrack. Cans ABC are 10".
Item 13: Establishing the Violin Hold, 1969: Reel 163a. Color negative films, no soundtrack. Cans ABC are 10".
Item 14: Establishing the Violin Hold, 1969: Reel 163b. Color negative films, no soundtrack. Cans ABC are 10".
Item 15: Establishing the Violin Hold, 1969: Reel 163c. Color negative films, no soundtrack. Cans ABC are 10".
Item 16: Extending the Bow Stroke, Parts I and II, 1968: Reel 177a. ECO magnetic tape soundtrack. Cans AB are 10".
Item 17: Extending the Bow Stroke, Parts I and II, 1968: Reel 177b. ECO magnetic tape soundtrack. Cans AB are 10".
Item 18: Unidentified Content, 1967: Reel 178a. ECO magnetic tape soundtrack. (One tape on two reels). Untitled. Cans AB are 10".
Item 19: Unidentified Content, 1967: Reel 178b. ECO magnetic tape soundtrack. (One tape on two reels). Untitled. Cans AB are 10".
Item 20: Unidentified Content, 1968: Reel 179a. Color negative film, no soundtrack. Various outtakes, different subjects. Cans AB are 10".
Item 21: Unidentified Content, 1968: Reel 179b. Color negative film, no soundtrack. Various outtakes, different subjects. Cans AB are 10".
Item 22: Establishing the Violin Hold Pt. I, Undated: Reel 191 Black and white negative, no soundtrack. 10" can.
Item 23: Establishing the Violin Hold Pt. II, Undated: Reel 192. Black and white negative, no soundtrack. 10" can.
Item 24: The Teaching of Action in String Playing, Copy 2, undated: Reel 193. 10" can.

Shelf 7

Item 1: Unidentified Content, 1968: Reel 3a. No soundtrack. Color films. Films of various revised exercises with Rolland and students. (Unable to view film because it is discolored and breaking). Cans AB are 12".
Item 2: Unidentified Content, 1968: Reel 3b. No soundtrack. Color films. Films of various revised exercises with Rolland and students. (Unable to view film because it is discolored and breaking). Cans AB are 12".
Item 3: "String Techniques -University of Illinois.", Undated: Reel 7. No soundtrack. Black and white film on playing technique. 12" can.
Item 4: Unidentified Content, 1968: Reel 8a. ECO soundtracks for various outtakes. Cans AB are 12".
Item 5: Unidentified Content, 1968: Reel 8b. ECO soundtracks for various outtakes. Cans AB are 12".
Item 6: Multiple Outtakes of Various Subjects, 1967: Reel 10b. No soundtrack. Color films. (Unable to view as film in very bad condition). Can A is 10", Can B is 12".
Item 7: Unidentified Content, 1968: Reel 16a. No soundtrack. Color films. Various outtakes. (Film is in very bad condition and is warping). Cans AB are 12".
Item 8: Unidentified Content, 1968: Reel 16b. No soundtrack. Color films. Various outtakes. (Film is in very bad condition and is warping). Cans AB are 12".
Item 9: Sustained and Detache Bowing, Undated: Reel 34a. No soundtracks. Color negative. Cans AB are 12".
Item 10: Sustained and Detache Bowing, undated: Reel 34b. No soundtracks. Color negative. Cans AB are 12".
Item 11: Sustained and Detache Bowing, #13, undated: Reel 35a. No soundtracks. Color negatives. Cans AB are 12", can C is 10".
Item 12: Sustained and Detache Bowing, #13, undated: Reel 35b. No soundtracks. Color negatives. Cans AB are 12", can C is 10".
Item 13: String Research Project and The Violin Teaching of Kato Havas, Undated: Reel 36a. No soundtracks. Color films. Cans AB are 12".
Item 14: String Research Project and the Violin Teaching of Kato Havas, undated: Reel 36b. No soundtracks. Color films. Cans AB are 12".
Item 15: The Violin Teaching of Kato Havas, Undated: Reel 43. Color film with sound. 12" can.
Item 16: Suzuki Teaching, 1967: Reel 44. No soundtrack. Color film. 12" can.
Item 17: Unidentified Content, Undated: Reel 80a. ECO magnetic recording tape. (Not labeled- assumed to go with Illinois String Project films). Cans AB are 12".
Item 18: Unidentified Content, undated: Reel 80b. ECO magnetic recording tape. (Not labeled- assumed to go with Illinois String Project films). Cans AB are 12".
Item 19: Unidentified Content, 1967: Reel 83a. ECO magnetic soundtrack tapes. Not labeled (61-526). Cans AB are 12".
Item 20: Unidentified Content, 1967: Reel 83b. ECO magnetic soundtrack tapes. Not labeled (61-526). Cans AB are 12".
Item 21: Synchronization soundtrack for Sorkin and Granat film, 1966: Reel 84. ECO magnetic recording tape. 12" can.
Item 22: Principles of Action in String Playing, Undated: Reel 93. Black and white film with soundtrack. 12" can.
Item 23: Development of Means of Causality, 1967: Reel 105b. Black and White Film, no soundtrack. Can A is 10", can B is 12".
Item 24: Outtakes of Illinois String Project, 1966: Reel 107b. Color film, no soundtrack, Can A is 10", can B is 12".
Item 25: String Techniques, Undated: Reel 112a. Black and white film, no soundtrack. Original negative. Cans AB are 12".
Item 26: String Techniques, undated: Reel 112b. Black and white film, no soundtrack. Original negative. Cans AB are 12".
Item 27: String Techniques, Undated: Reel 113. Sound negative film. Original track. 12" can.
Item 28: Suzuki Teaches Children and Their Mothers, Undated: Reel 155. Color film with soundtrack. 12" can.
Item 29: Remedial Teaching, 1966: Reel 180. ECO magnetic tape soundtrack. 12" can.
Item 30: Sorkin and Gerle, Bowing Motions, 1966: Reel 181a. Color negative film, no soundtrack. (Lead broken on one reel). Cans AB are 12".

Shelf 8

Item 1: Students Playing Various Bowings, 1968: Reel 9a. No soundtrack. Color films. Cans AB are 15".
Item 2: Students Playing Various Bowings, 1968: Reel 9b. No soundtrack. Color films. Cans AB are 15".
Item 3: Demonstrations of Students Playing Various Bowings and Motion Studies, Undated: Reel 11a. No soundtrack. Color films. Originals, trims and outtakes. Cans AB are 15".
Item 4: Demonstrations of Students Playing Various Bowings and Motion Studies, undated: Reel 11b. No soundtrack. Color films. Originals, trims and outtakes. Cans AB are 15".
Item 5: Various Content, Undated: Reel 95a. ECO magnetic tape soundtracks. Remedial Teaching. Color film, no soundtrack, of child executing elementary bow hold. Color film, no soundtrack. ISYM Principles of Action in String Playing. Color film, no soundtrack, of various outtakes of students playing duets. Cans ABCDE are 7".
Item 6: Various Content, undated: Reel 95b. ECO magnetic tape soundtracks. Remedial Teaching. Color film, no soundtrack, of child executing elementary bow hold. Color film, no soundtrack. ISYM Principles of Action in String Playing. Color film, no soundtrack, of various outtakes of students playing duets. Cans ABCDE are 7".
Item 7: Various Content, undated: Reel 95c. ECO magnetic tape soundtracks. Remedial Teaching. Color film, no soundtrack, of child executing elementary bow hold. Color film, no soundtrack. ISYM Principles of Action in String Playing. Color film, no soundtrack, of various outtakes of students playing duets. Cans ABCDE are 7".
Item 8: Various Content, undated: Reel 95d. ECO magnetic tape soundtracks. Remedial Teaching. Color film, no soundtrack, of child executing elementary bow hold. Color film, no soundtrack. ISYM Principles of Action in String Playing. Color film, no soundtrack, of various outtakes of students playing duets. Cans ABCDE are 7".
Item 9: Various Content, undated: Reel 95e. ECO magnetic tape soundtracks. Remedial Teaching. Color film, no soundtrack, of child executing elementary bow hold. Color film, no soundtrack. ISYM Principles of Action in String Playing. Color film, no soundtrack, of various outtakes of students playing duets. Cans ABCDE are 7".
Item 10: Paul Rolland Working with Students on Right and Left Hand Positions, 1968: Reel 108. Color film, no soundtrack. Illinois String Project film. 15" can.
Item 11: Unidentified Content, 1968: Reel 110. Color film, no soundtrack. Outtakes and trims, various subjects. 15" can.
Item 12: Sorkin and Gerle, Bowing Motions, 1966: Reel 181b. Color negative film, no soundtrack (lead broken on one reel) Cans A and B are 12".
Item 13: The Teaching of Kato Havas, Undated: Reel 186. 16mm film with soundtrack. 12" can. The contents of this film are available on VHS at the Music and Performing Arts Library.
Item 14: The Teaching of Kato Havas, Undated: Reel 187. 16mm film with soundtrack. 12" can.
Item 15: Suzuki Teaches American Children and Their Mothers, Undated: Reel 189. Color film with soundtrack. 12" can. The contents of this film are available on VHS at the Music and Performing Arts Library.